Archery competition in West Germany in the early 1980s

A Rikbaktsa archer competes at Brazil's Indigenous Games

Tibetan archer, 1938

Master Heon Kim demonstrating Gungdo, traditional Korean archery (Kuk Kung), 2009

Archery is the art, practice, or skill of propelling arrows with the use of a bow, from Latin arcus. Historically, archery has been used for hunting and combat, while in modern times, its main use is that of a recreational activity. A person who participates in archery is typically known as an "archer" or "bowman", and one who is fond of or an expert at archery can be referred to as a "toxophilite".^[1]

History[link]

The bow seems to have been invented in the late Paleolithic or early Mesolithic periods. The oldest indication for its use in Europe comes from the Stellmoor in the Ahrensburg valley north of Hamburg, Germany and date from the late Paleolithic, about 10,000–9000 BCE. The arrows were made of pine and consisted of a mainshaft and a 15–20 centimetre (6–8 inches) long fore shaft with a flint point. There are no definite earlier bows; previous pointed shafts are known, but may have been launched by spear-throwers rather than bows. The oldest bows known so far come from the Holmegård swamp in Denmark. Bows eventually replaced the spear-thrower as the predominant means for launching shafted projectiles, on every continent except Australia, though spear-throwers persisted alongside the bow in parts of the Americas, notably Mexico (where the Nahuatl word for "spear-thrower" is atlatl) and amongst the Inuit.

Bows and arrows have been present in Egyptian culture since its predynastic origins. In the Levant, artifacts which may be arrow-shaft straighteners are known from the Natufian culture, (c. 12,800–10,300 BP (before present)) onwards. The Khiamian and PPN A shouldered Khiam-points may well be arrowheads.

Classical civilizations, notably the Assyrians, Persians, Somalis, Parthians, Indians, Koreans, Chinese, Japanese and Turks fielded large numbers of archers in their armies. The Sanskrit term for archery, dhanurveda, came to refer to martial arts in general.

Archery was highly developed in Asia and in the Islamic world. In East Asia, Goguryeo, one of the Three Kingdoms of Korea was well known for their regiments of exceptionally skilled archers.^[2][3] Central Asian tribesmen (after the domestication of the horse) and American Plains Indians (after gaining access to horses) were extremely adept at archery on horseback, with especially Mongol horsemen being renowned for fielding mounted archers in their armies. The lightly armoured, but highly mobile Mongol archers proved to be excellently suited to warfare in the Central Asian steppes, helping to conquer a large part of the known world at that time. In Europe, the English longbow proved its worth for the first time in Continental warfare at Crecy, France, in the year 1346.^[4]

Decline and survival of archery[link]

The development of firearms rendered bows obsolete in warfare. Despite the high social status, ongoing utility, and widespread pleasure of archery in Armenia, China, Egypt, England, America, India, Japan, Korea, Turkey and elsewhere almost every culture that gained access to even early firearms used them widely, to the relative neglect of archery. Early firearms were vastly inferior in rate-of-fire, and were very susceptible to wet weather. However, they had longer effective range^[3] and were tactically superior in the common situation of soldiers shooting at each other from behind obstructions. They also required significantly less training to use properly, in particular penetrating steel armour without any need to develop special musculature. Armies equipped with guns could thus provide superior firepower by sheer weight of numbers, and highly-trained archers became almost obsolete on the battlefield. However, archers are still effective and have seen action even in the 21st century.^[5] Traditional archery remains in use for sport, and for hunting in many areas.

In the United States, competition archery and bowhunting for many years used English-style longbows. The revival of modern primitive archery may be traced to Ishi, who came out of hiding in California in 1911^[6] Ishi was the last of the Yahi Indian tribe.^[7] His doctor, Saxton Pope, learned many of Ishi's archery skills, and passed them on.^[8][9] The Pope and Young Club, founded in 1961 and named in honor of Pope and his friend, Arthur Young, is one of North America's leading bowhunting and conservation organizations. Founded as a nonprofit scientific organization, the Club is patterned after the prestigious Boone and Crockett Club. The Club advocates and encourages responsible bowhunting by promoting quality, fair chase hunting, and sound conservation practices.

From the 1920s, professional engineers took an interest in archery, previously the exclusive field of traditional craft experts.^[10] They led the commercial development of new forms of bow including the modern recurve and compound bow. These modern forms are now dominant in modern Western archery; traditional bows are in a minority. In the 1980s, the skills of traditional archery were revived by American enthusiasts, and combined with the new scientific understanding. Much of this expertise is available in the Traditional Bowyer's Bibles (see Additional reading). Modern game archery owes much of its success to Fred Bear, an American bow hunter and bow manufacturer.^[11]

Eighteenth-century revival[link]

A print of the 1822 meeting of the "Royal British Bowmen" archery club.

At the end of the eighteenth-century archery became popular among the English gentry thanks to a fashion for the gothic, curious and medieval. Encouraged by Royal patronage and, later, the popularity of the work of Sir Walter Scott, archery societies were set up across the country, each with its own strict entry criteria, outlandish costumes and extravagant balls. The clubs were "the drawing rooms of the great country houses placed outside" and thus came to play an important role in the social networks of local elites. As well as its emphasis on display and status, the sport was notable for its popularity with females. Young women could not only compete in the contests but retain and show off their "feminine forms" while doing so. Thus, archery came to act as a forum for introductions, flirtation and romance.^[12]

Mythology[link]

Deities and heroes in several mythologies are described as archers, including the Greek Artemis and Apollo, the Roman Diana and Cupid, the Germanic Agilaz, continuing in legends like those of William Tell, Palnetoke, or Robin Hood. Armenian Hayk and Babylonian Marduk, Indian Karna, Arjuna, Rama, Abhimanyu, and Shiva, and Persian Arash were all archers. Earlier Greek representations of Heracles normally depict him as an archer. The Nymphai Hyperboreioi (Νύμφαι Ὑπερβόρειοι) were worshipped on the Greek island of Delos as attendants of Artemis, presiding over aspects of archery; Hekaerge (Ἑκαέργη), represented distancing, Loxo (Λοξώ), trajectory, and Oupis (Οὖπις), aim.^[13] In East Asia, Yi the archer features in several early Chinese myths,^[14] and the historical character of Zhou Tong features in many fictional forms. Jumong, the first Taewang of the Goguryeo kingdom of the Three Kingdoms of Korea, is claimed by legend to have been a near-godlike archer. Archery features in the story of Oguz Khagan. In West African Yoruba belief, Osoosi is one of several deities of the hunt who are identified with bow and arrow iconography and other insignia associated with archery.

Equipment[link]

Types of bows[link]

While there is great variety in the construction details of bows (both historic and modern) all bows consist of a string attached to elastic limbs that store mechanical energy imparted by the user drawing the string. Bows may be broadly split into two categories: those drawn by pulling the string directly and those that use a mechanism to pull the string.

Directly drawn bows may be further divided based upon differences in the method of limb construction, notable examples being self bows, laminated bows and composite bows. Bows can also be classified by the bow shape of the limbs when unstrung; in contrast to simple straight bows, a recurve bow has tips that curve away from the archer when the bow is unstrung. The cross-section of the limb also varies; the classic longbow is a tall bow with narrow limbs that are D-shaped in cross section, and the flatbow has flat wide limbs that are approximately rectangular in cross-section. The classic D-shape comes from the use of the wood of the yew tree. The sap-wood is best suited to the tension on the back of the bow, and the heart-wood to the compression on the belly. Hence, a limb sector of yew wood shows the narrow, light-coloured sap-wood on the 'straight' part of the D, and the red/orange heartwood forms the curved part of the D, to balance the mechanical tension/compression stress. Cable-backed bows use cords as the back of the bow; the draw weight of the bow can be adjusted by changing the tension of the cable. They were widespread among Inuit who lacked easy access to good bow wood. One variety of cable-backed bow is the Penobscot bow or Wabenaki bow, invented by Frank Loring (Chief Big Thunder) about 1900.^[15] It consists of a small bow attached by cables on the back of a larger main bow.

A compound bow is a bow designed to reduce the force required to hold the string at full draw, hence allowing the archer more time to aim with less muscular stress. Most compound designs use cams or elliptical wheels on the ends of the limbs to achieve this. A typical let-off is anywhere from 65%–80%. For example, a 60-pound bow with 80% let-off will only require 12 pounds of force to hold at full draw. Up to 99% let-off is possible.^[16] The compound bow has become the most widely used type of bow for all forms of hunting in North America. The compound bow has become a highly popular form of archery, so much so that it is the most commonly used bow form in the USA. The compound bow was invented by Holless Wilbur Allen in Missouri, and a US patent was filed in 1966 and granted in 1969.

Mechanically drawn bows typically have a stock or other mounting, such as the crossbow. They are not limited by the strength of a single archer and larger varieties have been used as siege engines.

Types of arrows and fletchings[link]

The most common form of arrow consists of a shaft with an arrowhead attached to the front end and with fletchings and a nock attached to the other end. Arrows across time and history are normally carried in a container known as a quiver. Shafts of arrows are typically composed of solid wood, fiberglass, aluminium alloy, carbon fiber, or composite materials. Wooden arrows are prone to warping. Fiberglass arrows are brittle, but can be produced to uniform specifications easily. Aluminium shafts were a very popular high-performance choice in the latter half of the 20th century due to their straightness, lighter weight, and subsequently higher speed and flatter trajectories. Carbon fiber arrows became popular in the 1990s and are very light, flying even faster and flatter than aluminium arrows. Today, arrows made up of composite materials are the most popular tournament arrows at Olympic Events, especially the Easton X10 and A/C/E.

The arrowhead is the primary functional component of the arrow. Some arrows may simply use a sharpened tip of the solid shaft, but it is far more common for separate arrowheads to be made, usually from metal, stone, or other hard materials. The most commonly used forms are target points, field points, and broadheads, although there are also other types, such as bodkin, judo, and blunt heads.

Shield cut straight fletching – here the hen feathers are barred red

Fletching is traditionally made from bird feathers. Also solid plastic vanes and thin sheetlike spin vanes are used. They are attached near the nock (rear) end of the arrow with thin double sided tape, glue, or, traditionally, sinew. Three fletches is the most common configuration in all cultures, though as many as six have been used. Two will result in unstable arrow flight. When three-fletched the fletches are equally spaced around the shaft with one placed such that it is perpendicular to the bow when nocked on the string (though with modern equipment, variations are seen especially when using the modern spin vanes). This fletch is called the "index fletch" or "cock feather" (also known as "the odd vane out" or "the nocking vane") and the others are sometimes called the "hen feathers". Commonly, the cock feather is of a different color. Traditionally, the hens are solid and the cock is barred. However, if archers are using fletching made of feather or similar material, they may use same color vanes, as different dyes can give varying stiffness to vanes, resulting in less precision. When four-fletched, often two opposing fletches are cock feathers and occasionally the fletches are not evenly spaced.

The fletching may be either parabolic (short feathers in a smooth parabolic curve) or shield (generally shaped like half of a narrow shield) cut and is often attached at an angle, known as helical fletching, to introduce a stabilizing spin to the arrow while in flight. Whether helicial or straight fletched, when natural fletching (bird feathers) are used it is critical that all feathers come from the same side of the bird. Oversized fletchings can be used to accentuate drag and thus limit the range of the arrow significantly; these arrows are called flu-flus. Misplacement of fletchings can often change the arrow's flight path dramatically.

Bow string[link]

Dacron and other modern materials offer high strength for their weight and are used on most modern bows. Linen and other traditional materials are still used on traditional bows. Almost any fiber can be made into a bow string. The author of "Arab Archery" suggests the hide of a young, emaciated camel.^[17] Njál's saga describes the refusal of a wife, Hallgerður, to cut her hair in order to make an emergency bowstring for her husband, Gunnar Hámundarson, who is then killed.

Protective equipment[link]

Finger tab

The traditional bonnet of the Kilwinning Archers of Scotland.

Most archers wear a bracer (also known as an arm-guard) to protect the inside of the bow arm from being hit by the string and prevent clothing from catching the bow string. The bracer does not brace the arm; the word comes from the armoury term "brassard", meaning an armoured sleeve or badge. The Navajo people have developed highly-ornamented bracers as non-functional items of adornment.^[18] Some archers (mostly women) also wear protection on their chests, called chestguards or plastrons. The Amazon myth is that they had one breast removed to solve this problem. Roger Ascham mentions one archer, presumably with an unusual shooting style, who wore a leather guard for his face.^[19]

The drawing digits are normally protected by a leather tab, glove, or thumb ring. A simple tab of leather is commonly used, as is a skeleton glove. Medieval Europeans probably used a complete leather glove.^[20]

Eurasiatic archers who used the thumb or Mongolian draw protected their thumbs, usually with leather according to the author of Arab Archery,^[21] but also with special rings of various hard materials. Many surviving Turkish and Chinese examples are works of considerable art. Some are so highly ornamented that the users could not have used them to loose an arrow. Possibly these were items of personal adornment, and hence value, remaining extant whilst leather had virtually no intrinsic value and would also deteriorate with time. In traditional Japanese archery a special glove is used, provided with a ridge which is used to draw the string.^[22]

Release aids[link]

A release aid is a mechanical device designed to give a crisp and precise loose of the arrows. There are two types of release aid the most common being a trigger release which attaches to the string of the bow and held in the archers hand or attached to the archer’s wrist. Once the archer is ready to loose a trigger is pressed which releases the grip on the string. The second type of release aid works on a pre-determined release point and is known as a back-tension release. With this type of release the archer does not have a trigger to set the release off but rather stands at full draw with the release aid which will then trigger at a given point in the archers routine.

Stabilisers[link]

Shooting technique and form[link]

This unreferenced section requires citations to ensure verifiability.

Medieval archery reenactment

The bow is held in the hand opposite to the archer's dominant eye, though holding the bow in the dominant hand side is advocated by some. This hand is referred to as the bow hand and its arm the bow arm. The opposite hand is called the drawing hand or string hand. Terms such as bow shoulder or string elbow follow the same convention. Right-eye-dominant archers hold the bow with their left hand, have their left side facing the target, sight towards the target with their right eye and handle the arrow and string with their right hand.

Modern form[link]

To shoot an arrow, an archer first assumes the correct stance. The body should be at or nearly perpendicular to the target and the shooting line, with the feet placed shoulder-width apart. As an archer progresses from beginner to a more advanced level an "open stance" is often developed. Each archer will have a particular preference but mostly this term indicates that the leg furthest from the shooting line will be a half to a whole foot-length from the other foot, on the ground.

To load, the bow is pointed toward the ground, tipped slightly clockwise of vertical (for a right handed shooter) and the shaft of the arrow is placed on the arrow rest or shelf. The back of the arrow is attached to the bowstring with the nock (a small locking groove located at the proximal end of the arrow). This step is called "nocking the arrow". Typical arrows with three vanes should be oriented such that a single vane, the "cock feather", is pointing away from the bow, or, on a compound bow, that this feather is pointed upwards so as for the arrow to clear the arrow rest without any fletchings touching the arrow rest or pin at the moment of release of the arrow.

The bowstring and arrow are held with three fingers, or with a mechanical arrow release. Most commonly, for finger shooters, the index finger is placed above the arrow and the next two fingers below, although several other techniques have their adherents around the world, involving three fingers below the arrow, or an arrow pinching technique. Instinctive shooting is a technique eschewing sights and is often preferred by traditional archers (shooters of longbows and recurves). In either the split finger or three finger under case, the string is usually placed in either the first or second joint of the fingers.

The bow is then raised and drawn, with varying alignments used for vertical versus slightly canted bow positions. This is often one fluid motion for shooters of recurves and longbows which tends to vary from archer to archer, although for a compound shooter, there is often a slightly-jerky movement occurring during the drawback of the arrow at around midpoint where the draw weight is at its maximum, before relaxing into a comfortable stable full draw position. The string hand is drawn towards the face, where it should rest lightly at the chosen fixed anchor point. This point is consistent from shot to shot and is usually at the corner of the mouth, on the chin, to the cheek, or to the ear, depending upon one's preferred shooting style. The bow arm is held outwards toward the target. The elbow of this arm should be rotated so that the inner elbow is perpendicular to the ground, though archers with hyper extendable elbows tend to angle the inner elbow toward the ground as exemplified by the Korean archer Jang Yong-Ho.

In modern form, the archer stands erect, forming a "T". The archer's lower trapezius muscles are used to pull the arrow to the anchor point. Some modern bows will be equipped with a mechanical device, called a clicker, which produces a clicking sound when the archer reaches the correct draw length. In contrast, traditional English Longbow shooters step "into the bow", exerting force with both the bow arm and the string hand arm simultaneously, especially when using bows having draw weights from 100 lbs to over 175 lbs. Heavily-stacked traditional bows (recurves, long bows, and the like) are released immediately upon reaching full draw at maximum weight, whereas compound bows reach their maximum weight in or around mid-draw, dropping holding weight significantly at full draw. Compound bows are often held at full draw for a short time to achieve maximum accuracy.

The arrow is typically released by relaxing the fingers of the drawing hand (see Bow draw), or triggering the mechanical release aid. Usually the release aims to keep the drawing arm rigid, the bow hand relaxed, and the arrow is moved back using the back muscles, as opposed to using just arm motions. An archer should also pay attention to the recoil or follow through of his or her body, as it may indicate problems with form (technique) that affect accuracy.

Aiming methods[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2011)

From Hokusai Manga, 1817

There are two main forms of aiming in archery: using a mechanical or fixed sight or barebow. Barebow aiming methods include Gap, Split Vision, Point of Aim, String Walking, Face Walking and Instinctive aiming.

Mechanical sights can be affixed to the bow to aid in aiming. They can be as simple as a pin or optical with magnification. They usually also have a peep sight (rear sight) built into the string which aids in a consistent anchor point. Modern compound bows automatically limit the draw length which gives a consistent arrow velocity while traditional bows allow great variation in draw length. Mechanical methods to make a traditional bow's draw length consistent are sometimes used. Instinctive archers use a sight picture which includes the target, the bow, the hand, the arrow shaft and the arrow tip, as seen at the same time by the archer. With a fixed "anchor point" (where the string is brought to, or close to, the face), and a fully extended bow arm, successive shots taken with the sight picture in the same position will fall on the same point. This allows the archer to adjust aim with successive shots in order to achieve accuracy. Modern archery equipment usually includes sights. Instinctive aiming is used by many archers who use traditional bows. The two most common forms of a non-mechanical release are split-finger and three-under. Split-finger aiming requires the archer to place the index finger above the nocked arrow, while the middle and ring fingers are both placed below. Three-under aiming places the index, middle, and ring fingers under the nocked arrow. This technique allows the archer to better look down the arrow since the back of the arrow is closer to the dominant eye, and is commonly called "gun barreling" (referring to common aiming techniques used with firearms).

When using shortbows, or shooting from horseback, it is difficult to use the sight picture. The archer may look at the target but without including the weapon in the field of accurate view. Aiming involves a similar sort of hand/eye coordination which includes proprioception and motor/muscle memory between the mind/body connection that is used when throwing a baseball or shooting a basketball. With sufficient practice, such archers can normally achieve good practical accuracy for hunting or for war.^[23] Aiming without a sight picture may allow more rapid shooting.

Currently Instinctive shooting is a term used to describe a style of shooting that includes the barebow aiming method that relies heavily upon the subconscious mind, proprioception and motor/muscle memory to make aiming adjustments while years ago the term was used to generalize and/or categorize those archers who did not use a mechanical or fixed sight.^[24]

Physics[link]

This unreferenced section requires citations to ensure verifiability.

Mongol archers during the time of the Mongol conquests used a smaller bow suitable for horse archery.

When a projectile is thrown by hand, the speed of the projectile is determined by the kinetic energy imparted by the thrower's muscles performing work. However, the energy must be imparted over a limited distance (determined by arm length) and therefore (because the projectile is accelerating) over a limited time, so the limiting factor is not work but rather power, which determined how much energy can be added in the limited time available. Power generated by muscles, however, is limited by force–velocity relationship, and even at the optimal contraction speed for power production, total work done by the muscle will be less than half of what could be done if the muscle were contracting over the same distance at very slow speeds, resulting in less than 1/4 the projectile launch velocity possible without the limitations of the force–velocity relationship.

When a bow is used, the muscles are able to perform work much more slowly, resulting in greater force and greater work done. This work is stored in the bow as elastic potential energy, and when the bowstring is released, this stored energy is imparted to the arrow much more quickly than can be delivered by the muscles, resulting in much higher velocity and, hence, greater distance. This same process is employed by frogs, which use elastic tendons to increase jumping distance. In archery, some energy is dissipated through elastic hysteresis, reducing the overall amount released when the bow is shot. Of the energy remaining, some is dampened both by the limbs of the bow and the bowstring. Depending on the elasticity of the arrow, some of the energy is also absorbed by compressing the arrow, primarily because the release of the bowstring is rarely in line with the arrow shaft, causing it to flex out to one side.

This is because the bowstring accelerates faster than the archer's fingers can open, and consequently some sideways motion is imparted to the string, and hence arrow nock, as the power and speed of the bow pulls the string off the opening fingers. Even with a release aid mechanism some of this effect will usually be experienced, since the string always accelerates faster than the retaining part of the mechanism. This results in an in-flight oscillation of the arrow in which its center flexes out to one side and then the other repeatedly, gradually reducing as the arrow's flight proceeds; this can be clearly seen in high-speed photography of an arrow at discharge.

Snake Indians - testing bows, circa 1837

Modern arrows are made to a specified 'spine', or stiffness rating, to maintain matched flexing and hence accuracy of aim. This flexing can be a desirable feature, since, when the spine of the shaft is matched to the acceleration of the bow(string), the arrow bends or flexes around the bow and any arrow-rest, and consequently the arrow, and fletchings, have an un-impeded flight. This feature is known as the archer's paradox. It maintains accuracy, for if part of the arrow struck a glancing blow on discharge, some inconsistency would be present, and the excellent accuracy of modern equipment would not be achieved.

The accurate flight of an arrow is dependent on its fletching. The arrow's manufacturer (a "fletcher") can arrange fletching to cause the arrow to rotate along its axis. This improves accuracy by evening pressure buildups that would otherwise cause the arrow to "plane" on the air in a random direction after shooting. Even though the arrow be made with extreme care, the slightest imperfection, or air movement, will cause some unbalanced turbulence in air flow. Consequently, rotation creates an equalling of such turbulence, which, overall, maintains the intended direction of flight i.e. accuracy. This rotation is not to be confused with the rapid gyroscopic rotation of a rifle bullet. If the fletching is not arranged to induce rotation, it will still improve accuracy by causing a restoring drag any time the arrow tilts away from its intended direction of travel.

The innovative aspect of the invention of the bow and arrow was the amount of power delivered to an extremely small area by the arrow. The huge ratio of length vs cross sectional area coupled with velocity made the arrow orders of magnitude more powerful than any other hand held weapon until firearms were invented. Arrows may be designed to spread or concentrate force, depending on their applications. Practice arrows, for instance, can use a blunt tip that spreads the force over a wider area to reduce the risk of injury or limit penetration. Arrows designed to pierce armor in the Middle Ages would use a very narrow and sharp tip ("bodkinhead") to concentrate the force. Arrows used for hunting would use a narrow tip ("broadhead") that widens further, to facilitate both penetration and a large wound.

Hunting[link]

Using archery to take game animals is known as 'bow hunting'. Bow hunting differs markedly from hunting with firearms as the distances between the hunter and the game are much shorter in order to ensure a humane kill. The skills and practices of bow hunting therefore emphasize very close approach to the prey, whether by still hunting, stalking, or waiting in a blind or tree stand. In many countries, including much of the United States, bow hunting for large and small game is legal. Bow hunters generally enjoy longer seasons than are allowed with other forms of hunting such as black powder, shotgun, or rifle. Usually, compound bows are used for large game hunting and may feature fiber optic sights and other enhancements. Using a bow and arrow to take fish is known as bow fishing.

Modern competitive archery[link]

Competitive archery involves shooting arrows at a target for accuracy from a set distance or distances. This is the most popular form of competitive archery worldwide and is called target archery. A form particularly popular in Europe and America is field archery, shot at targets generally set at various distances in a wooded setting. Para-Archery is an adaptation of archery for athletes with a disability. It is governed by the International Archery Federation (FITA), and is one of the sports in the Summer Paralympic Games. There are also several other lesser-known and historical forms of archery, as well as archery novelty games.

See also[link]

• Bowhunting
• Gungdo practicing Kuk Gung,^[3] or ancient Korean Archery
• Horse archer
• List of archery terms
• List of notable archers
• Sagittarii
• Turkish archery

References[link]

Additional reading[link]

• Ford, Horace (1887) The Theory and Practice of Archery London: Longmans, Green
• Elmer, Robert P. (Robert Potter) (1917) American Archery; a Vade Mecum of the Art of Shooting with the Long Bow Columbus, OH: National Archery Association of the United States
• Hansard, George Agar (1841) The Book of Archery: being the complete history and practice of the art, ancient and modern ... London: H. G. Bohn
• Hargrove, Ely (1792) Anecdotes of Archery; from the earliest ages to the year 1791. Including an account of the most famous archers of ancient and modern times; with some curious particulars in the life of Robert Fitz-Ooth Earl of Huntington, vulgarly called Robin Hood .... York: printed for E. Hargrove, bookseller, Knaresbro' (later editions: York, 1845 and facsimile reprint, London: Tabard Press, 1970)
• Heath, E. G. & Chiara, Vilma (1977) Brazilian Indian Archery: a preliminary ethno-toxological study of the archery of the Brazilian Indians. Manchester: Simon Archery Foundation
• Johnes, Martin. Archery, romance and elite culture in England and Wales, c.1780–1840, 89, 193–208.
• Klopsteg, Paul (1963) A Chapter in the Evolution of Archery in America Washington, DC: Smithsonian Institution
• Lake, Fred & Wright, Hal (1974) A Bibliography of Archery: an indexed catalogue of 5,000 articles, books, films, manuscripts, periodicals and theses on the use of the bow for hunting, war, and recreation, from the earliest times to the present day. Manchester: Simon Archery Foundation
• Morse, Edward (1922) Additional notes on arrow release Salem, Massachusetts: Peabody Museum
• Pope, Saxton (1925) Hunting with the Bow and Arrow New York: G. P. Putnam's Sons
• Pope, Saxton (1918) Yahi Archery Berkeley: University of California Press
• Thompson, Maurice (1878) The Witchery of Archery: a Complete Manual of Archery New York: Scribner & Sons
• FITA-Style Archery Targets Bow and Arrow Targets

• The Traditional Bowyer's Bible. [Azle, TX]: Bois d'Arc Press; New York, N.Y.: Distributed by Lyons & Burford
  • The Traditional Bowyer's Bible; Volume 1. 1992. ISBN 1-58574-085-3
  • The Traditional Bowyer's Bible; Volume 2. 1992. ISBN 1-58574-086-1
  • The Traditional Bowyer's Bible; Volume 3. 1994. ISBN 1-58574-087-X; ISBN 1-55821-311-2
  • The Traditional Bowyer's Bible; Volume 4. The Lyons Press, 2008. ISBN 978-0-9645741-6-8

External links[link]

Look up archery in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Archery

Archery at the Open Directory Project

v t e Archery Archery topics Archer's paradox Archery Bow Bow draw Bow shape History of archery History of crossbows Modern competitive archery Mounted archery Bows Cable-backed bow Composite bow Compound bow Crossbow English longbow Flatbow Laminated bow Longbow Recurve bow Self bow Yumi Equipment Arrow Arrowhead Bow string Bracer Cresting machine Finger tab Fletching Flu-Flu Arrow Quarrel Quiver Thumb ring Archery activities Archery games Bowfishing Bowhunting Clout archery Field archery Popinjay Target archery Target World Championship Archery at the Summer Olympics Archery at the Summer Paralympics Glossary of archery terms

Jennifer Lawrence
Lawrence at the 83rd Academy Awards, February 27, 2011
Born	Jennifer Shrader Lawrence (1990-08-15) August 15, 1990 (age 21) Louisville, Kentucky, U.S.
Occupation	Actress
Years active	2006–present

Jennifer Shrader Lawrence^[1] (born August 15, 1990) is an American film and television actress. She had lead roles in TBS's The Bill Engvall Show and in the independent films The Burning Plain and Winter's Bone, for which she received nominations for the Academy Award, Golden Globe Award, Satellite Award, and the Screen Actors Guild Award. At age 20, she was the second youngest actress ever to be nominated for the Academy Award for Best Actress. She is also known for playing Mystique in X-Men: First Class. In 2012, Lawrence achieved wider recognition starring as the heroine Katniss Everdeen in The Hunger Games, an adaptation of Suzanne Collins' best-selling novel of the same name. Her performance in the film garnered her notable critical praise and marked her as the highest grossing action heroine of all time.^[2][3] Lawrence's performances thus far have prompted Rolling Stone to define her as "the most talented young actress in America."^[4]

Early life[link]

Lawrence was born and raised in Louisville, Kentucky, and has two older brothers. Her parents are Karen (née Koch), who runs a children's camp, and Gary Lawrence, who once owned a concrete construction firm, Lawrence & Associates.^[5][6][7] She acted in local theater^[8] and, by the age of 14, had decided to pursue an acting career, persuading her parents to take her to New York City to find a talent agent. Prior to finding success in Hollywood, Lawrence attended Kammerer Middle School. She graduated from high school two years early with a 3.9 average in order to begin a career in acting.^[5][9] While growing up and in between acting, Lawrence served as an assistant nurse at the children's summer day camp that her mother ran.^[10]

Career[link]

Early work[link]

Lawrence had never taken any drama classes/lessons for acting.^[5] She started out her acting career in the TBS comedy The Bill Engvall Show, playing the eldest daughter of Lauren Pearson. Written and created by Bill Engvall and Michael Leeson, the show is set in a Denver suburb and follows the life of 'Bill Pearson' (played by Engvall), a family counselor whose own family could use a little dose of counseling. The series went on the air in September 2007 and was canceled in 2009 after three seasons. Lawrence received the Young Artist Award for Outstanding Young Performer in a TV Series for her role in the show.

Lawrence had guest-roles in the television series The Devil You Know, Cold Case, Medium, and Monk.^[11]

In 2008, she appeared in a small role in the film Garden Party as Tiff. It was directed by Jason Freeland. The same year, Lawrence appeared on the big screen in Guillermo Arriaga's film directorial debut The Burning Plain, opposite Charlize Theron and Kim Basinger. Her performance in the film earned her the Marcello Mastroianni Award for best young emerging actor/actress at the Venice Film Festival in 2008.^[12]

Still in 2008, Lawrence had the lead role in another film director's debut, Lori Petty's family drama The Poker House, opposite Selma Blair and Chloë Moretz, where she starred as Agnes, a young girl victim of abuse.^[13] Lawrence was awarded the Los Angeles Film Festival for Outstanding Performance for her role in the film. She appeared in the music video for the song "The Mess I Made", from the 2009 album Losing Sleep by Parachute.

2010–present[link]

Lawrence's lead role in Debra Granik's Winter's Bone, which won best picture at the Sundance Film Festival in 2010, is generally cited as a breakout performance for her.^[14] She portrays Ree Dolly, a seventeen-year-old in the Ozark Mountains who cares for her mentally ill mother and her younger brother and sister. Ree then discovers that her father put their house and land up as a bond for a court appearance before he disappeared, and the family now faces eviction.^[15] The performance was highly acclaimed by film critics. David Denby, writing in The New Yorker, said "the movie would be unimaginable with anyone less charismatic playing Ree."^[16] Peter Travers from the Rolling Stone also spoke highly of her and noted that "her performance is more than acting, it's a gathering storm. Lawrence's eyes are a roadmap to what's tearing Ree apart".^[17] Receiving accolades for her performance, Lawrence was awarded the National Board of Review Award for Best Breakthrough Performance. She received a nomination for the Academy Award for Best Actress on January 25, 2011, becoming the second-youngest actress to date to be nominated for the category,^[18] and also accrued nominations from the Golden Globe Awards, Screen Actors Guild Awards, Independent Spirit Awards, and the Satellite Awards among others.

Lawrence had a role in The Beaver, a dark comedy starring Jodie Foster and Mel Gibson that was filmed in 2009, but which spent an extended period of time stalled due to controversies surrounding Gibson. It was released on May 6, 2011. Lawrence co-starred in the independent film Like Crazy, which premiered at the 2011 Sundance Film Festival and received a wider release by Paramount Pictures.^[19]

On June 18, 2011, it was announced that Lawrence was invited to join the Academy of Motion Picture Arts and Sciences.

In June 2011, she starred as shape-shifting villain Mystique alongside James McAvoy and Michael Fassbender in X-Men: First Class,^[20] a prequel to the rest of the X-Men film series and will be reprising this role again in the sequel. Lawrence's Mystique is a younger version of the character played by Rebecca Romijn in earlier X-Men films.

She is also set to star alongside Elisabeth Shue in Mark Tonderai's thriller House at the End of the Street,^[21] which completed filming in 2010 and is in post-production.^[22]

Lawrence was cast in David O. Russell's The Silver Linings Playbook, opposite Bradley Cooper and Robert De Niro. She was originally cast to play "O" in the film Savages directed by Oliver Stone, but dropped out due to scheduling conflicts.

In 2012, Lawrence replaced Angelina Jolie in Susanne Bier's period thriller, The Falling, based on the novel Serena by Ron Rash.^[23][24] She will be playing the role of Serena who learns that she can never bear her husband children and is set out to murder the woman who bore her husband an illegitimate son before their marriage.

[edit] The Hunger Games

In March 2011, Lawrence was offered the part of Katniss Everdeen in the film The Hunger Games, based on the best-selling novel of the same name by Suzanne Collins. Despite being a fan of the books, Lawrence took three days to accept the role because she was initially intimidated by the size of the movie and what it may mean for her fame.^[25] She underwent extensive training to get in shape for the role, including stunt training, archery, rock and tree climbing, combat, running, parkour, pilates, and yoga.^[26][27] The film was released on March 23, 2012, and set the record for the third-largest opening weekend of all time, making a record-breaking $152.5 million in three days for a non-sequel film.^[28]

The fact that The Hunger Games emerged as a big box office hit with a female lead represents a dramatic shift for the action film genre because historically, among the "top 200 worldwide box-office hits ever ($350 million and up), not one has been built around a female action star" and for the first time ever, Lawrence contradicts that.^[29] She is currently the highest grossing action heroine.

Though the film generally received positive reviews, Lawrence's strong portrayal of Katniss Everdeen was the most highly praised with Todd McCarthy from The Hollywood Reporter saying Lawrence embodies Katniss, "just as one might imagine her from the novel" and "anchors" the whole film "with impressive gravity and presence", ultimately calling her "the ideal screen actress".^[30] Kenneth Turan from the Los Angeles Times stated that Lawrence is the "best possible performer as Katniss and is the key factor in making 'Hunger Games' an involving popular entertainment with strong narrative drive that holds our attention".^[31] Chicago Sun-Times film critic Roger Ebert also agreed that "Lawrence is strong and convincing in the central role".^[32]

Lawrence will start filming the film adaptation of the second novel in the The Hunger Games trilogy, Catching Fire, this summer, which is scheduled to be released on November 23, 2013.^[33]

Personal life[link]

Lawrence lived in New York City for the first few years of her career, but now resides in Santa Monica, California.^[5] She likes to paint, knit sweaters and scarves, surf, and play the guitar.^[34][35] She has been dating English actor Nicholas Hoult since 2011.^[36]

Filmography[link]

References[link]

External links[link]

• Jennifer Lawrence at the Internet Movie Database