Coordinates	56°09′″N40°25′″N
name	Mariah Carey
background	solo_singer
birth date	March 27, 1970
birth place
genre	R&B;, pop, hip hop, soul, dance
years active	1988–present
occupation	Singer-songwriter, record producer, actress
spouse
label	Columbia (1990—2000)Virgin (2001)Island (2002—present)
website	}}

Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and released her self-titled debut studio album, ''Mariah Carey''. The album went multi-platinum and spawned four consecutive number one singles, on the U.S. ''Billboard'' Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records, including ''Emotions'' (1991), ''Music Box'' (1993) and ''Merry Christmas'' (1994), established her position as Columbia's highest-selling act. ''Daydream'' (1995), made music history when the second single, "One Sweet Day" a duet with Boyz II Men, spent a record sixteen weeks on top of the Billboard Hot 100, and remains the longest running number one song in US chart history. During the recording of the album Carey began to deviate from her pop background, and slowly traversed into R&B; and Hip-hop. After her separation from Mottola, this musical change was evident with the release of ''Butterfly'' (1997).

Carey left Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records. In 2001, Carey ventured into film with ''Glitter'' (2001). Before the film's release she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. Following the film's poor reception, she was bought out of her recording contract for $50 million, which led to a decline in her career. She signed a multi-million dollar contract deal with Island Records in 2002, and after an unsuccessful period, returned to the top of music charts with ''The Emancipation of Mimi'' (2005). Its second single "We Belong Together", which became her most successful single of the 2000's, and was later named "Song of the Decade" by ''Billboard''. Carey once again ventured into film, and starred in ''Precious'' (2009). Her role in the film was well-received, and she was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.

In a career spanning over two decades, Carey has sold more than 200 million records worldwide, making her one of the best-selling music artists of all time. In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards. Carey was also named the best-selling female artist of the millennium in 2000. According to the Recording Industry Association of America (RIAA), she is the third best-selling female artist in the United States, with 63 million certified albums. With the release of "Touch My Body" (2008), Carey gained her eighteenth number one single in the United States, more than any other solo artist. Aside from her commercial accomplishments, Carey has won five Grammy Awards, and is famed for her five-octave vocal range, power, melismatic style and signature use of the whistle register.

Biography

1970–87: Early life and struggles

Mariah Carey was born in Huntington, New York, on March 27, 1970. The singer's father, Alfred Roy, was of African American and Venezuelan descent, while her mother, Patricia (née Hickey), is an Irish American. Patricia's father had died while she was young; however, she inherited his passion for music. She developed a career as an occasional opera singer and vocal coach, and met Alfred in 1960. As he began earning a living as an aeronautical engineer, the couple wed later that year, and moved into a small suburb in New York. After the pair's elopement, Patricia's family disowned her, due to marrying a man of color. Carey later explained that growing up, she felt a notion of neglect from her maternal family, a mark that affected her greatly: "So later I was like, 'Well, where does this leave me? Am I a bad person?' You know. It's still not that common to be a multi-racial person, but I'm happy with the combination of things that I am." During the interval of years in between Carey's older sister Allison and the singer's birth, the Carey family experienced personal struggles within the community due to their ethnicity. Carey's name was derived from the song "They Call the Wind Mariah", originally from the 1951 Broadway musical ''Paint Your Wagon.'' When Carey was three years old, her parents divorced due to the increasingly strenuous nature of their marriage.

}} After their separation, Allison moved in with her father, while the other two children remained with Patricia. As the years passed, Carey would grow apart from her father, and would later stop seeing him altogether. By the age of four, Carey recalled that she had begun to sneak the radio under her covers at night, and just sing from her heart, and try and find peace within the music. During elementary school, she would excel in subjects that she enjoyed, such as literature, art and music, while not finding interest in others. After several years of financial struggling, Patricia earned enough money to move her family into a stable and more affluent sector in New York. Carey had begun writing poems and adding melodies to them, thus starting as a singer-songwriter while attending Harborfields High School in Greenlawn, New York. Even from a young age, Carey excelled in her music, and demonstrated usage of the whistle register, though only beginning to master and control it through her training with her mother. Though opening her daughter to the world of classical opera, Patricia never pressured Carey to pursue a career in that type of genre, as she never seemed interested in that world of music. Carey recalled that she kept her singer-songwriter works a secret and noted that Patricia had "never been a pushy mom. She never said, 'Give it more of an operatic feel'. I respect opera like crazy, but it didn't influence me."

Towards the end of her high school Carey developed a relationship with Gavin Christopher, with whom she shared musical aspirations. The song-writing duo, however, needed an assistant who could play the keyboard; "We called someone and he couldn't come, so by accident we stumbled upon Ben [Margulies]. Ben came to the studio, and he really couldn't play the keyboards very well - her was really more of a drummer - but after that day, we kept in touch, and we sort of clicked as writers." The two began writing and composing songs in his father's store basement, during Carey's senior year. After composing their first song together, "Here We Go Round Again", which Carey described as having a Motown-vibe, they continued writing material for a full length demo. After Carey's graduation her mother wed once more, which ultimately prompted her to move out from Patricia's apartment, and into a one bedroom studio in Manhattan, which she shared with four other female students. During this period, Carey worked several jobs as a waitress, usually getting fired after two week intervals. While requiring work to pay for her rent, Carey's mind and effort still remained with her musical ambitions, as she continued working late into the night with Margulies, in hopes of completing a demo take that could be passed on to record executives. After completing her four song demo tape, Carey tried to pass it to music labels, but was met with failure each time. It was then she was introduced to rising pop singer of Puerto Rican descent, Brenda K. Starr.

1988–92: Recording debut and career beginnings

As Carey's friendship with Starr grew, so did her interest in helping Carey succeed in the industry. On a Friday night in November 1987, Carey accompanied Starr to a record executives gala, where she handed her demo tape to Tommy Mottola, head of Columbia Records, who listened to it on his way back home. After the first two songs, he became so enamored at the sound and quality of Carey's voice that he turned around returned to the event, only to find that she had left. In what has been widely described by critics as a modern day Cinderella-like tale, after searching Carey for two weeks, and eventually contacting her through Starr's management, he immediately signed her and began mapping out her debut into mainstream music. While she maintained that she wanted to continue working with Margulies, Mottola enlisted top producers of the time, including Ric Wake, Narada Michael Walden and Rhett Lawrence. Mottola and the staff at Columbia had planned to market Carey as the main female pop artist on their roster, competing with the likes of Whitney Houston and Madonna, who were signed to Arista and Sire Records respectively. After the completion of the album, titled ''Mariah Carey'', Columbia spent an upward of $1 million to promote it. Though opening with weak sales, the album eventually reached the top of the ''Billboard'' 200, after Carey's exposure at the 33rd annual Grammy Awards. ''Mariah Carey'' stayed atop the charts for eleven consecutive weeks, and she won the Best New Artist, and Best Female Pop Vocal Performance trophies for her single "Vision of Love". The album yielded an additional three number one singles on the ''Billboard'' Hot 100, following the four week number-one run of "Vision of Love". Carey became the first artist since The Jackson 5 to have their first four singles reach number one. ''Mariah Carey'' finished as the best-selling album in the United States of 1991, while totaling sales of over 15 million copies.

Only months after the ''Mariah Carey'' began its descent on the charts, Carey already began working on her second studio effort, eventually titled ''Emotions'' (1991). The album, as Carey described it, paid homage to Motown soul music, as she felt the need to pay tribute to the type of music and genre that truly influenced her as a struggling child. For the project, Carey worked with Walter Afanasieff, who only had a small role on her debut, as well as Clivillés and Cole, from the dance group C+C Music Factory. However, Carey's relationship with Margulies deteriorated over a contract Carey had signed prior to her signing with Columbia, agreeing to split not only the songwriting royalties from the songs, but half of her earnings as well. However, when the time came to write music for ''Emotions,'' Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Subsequently, Margulies filed a lawsuit against Sony which ultimately led to their parting of ways. On September 17, 1991, ''Emotions'' was released around the world, and was accepted by critics as a more mature album than its predecessor. While praised for Carey's improved songwriting, production and new sound, the album was criticized for its material, which many felt was noticeably weaker than her debut. Though the album managed sales of over eight million copies globally, ''Emotions'' failed to reach the commercial and critical heights of its predecessor.

As they had done after the release of her debut, critics once again questioned whether Carey would embark on a world tour, in promotion for her material. Although Carey explained that due to her stage fright, and the general strenuous nature of her songs, a tour sounded very daunting, speculation grew that Carey was a "studio worm", and that she wasn't capable of producing the perfect pitch and 5-octave vocal range for which she was known. In hopes of putting any claims of her being a manufactured artist to rest, Carey and Walter Afanasieff decided to book an appearance on MTV Unplugged, a television program aired by MTV. The show's purpose was to present name artists, and feature them "unplugged" or stripped of studio equipment. While Carey felt strongly of her more soulful and powerful songs, it was decided that her most popular content to that point would be included. Days prior to the show's taping, Carey and Afanasieff thought of adding a cover version of an older song, in order to provide something different and unexpected. They chose "I'll Be There", a song made popular by The Jackson 5 in 1970, rehearsing it few times before the night of the show. On March 16, 1992, Carey recorded a seven-piece set-list at Kaufman Astoria Studios in Queens, New York. The revue was met with critical acclaim, leading to it being aired over three times as often as an average episode would. The revue's success tempted Sony officials to use it as some form of an album. Sony decided to release it as an EP, selling for a reduced price due to its shorter length. The EP proved to be a success, shunning critics and speculations that Carey was just a studio artist, and was given a triple-Platinum certification by the Recording Industry Association of America (RIAA), and managed Gold and Platinum certifications in several European markets.

1993–96: First marriage, ''Music Box'' and ''Daydream''

During early 1993, Carey began working on her third studio album, ''Music Box''. After ''Emotions'' failed to achieve the commercial heights of her debut album, Carey and Columbia came to the agreement that the next album would contain a more pop influenced sound, in order to appeal to a wider audience. During Carey's writing sessions, she began working mostly with Afanasieff, with whom she co-wrote and produced most of ''Music Box''. During the album's recording, Carey and Mottola became romantically involved. They wed in a lavish ceremony on June 5, 1993, with several high profile guests including Barbra Streisand, Billy Joel, Gloria Estefan and Ozzy Osbourne. One month later, on August 31, ''Music Box'' was released around the world, debuting at number-one on the ''Billboard'' 200. The album was met with mixed reception from music critics; while many praised the album's pop influence and strong content, others felt that Carey made less usage of her acclaimed vocal range. Ron Wynn from Allmusic described Carey's different form of singing on the album: "It was wise for Carey to display other elements of her approach, but sometimes excessive spirit is preferable to an absence of passion." The album's second single, "Hero", would eventually come to be one of Carey's most popular and inspirational songs of her career. The song became Carey's eighth chart topper in the United States, and began expanding Carey's popularity throughout Europe. With the release of the album's third single, Carey achieved several career milestones. Her cover of Badfinger's "Without You" became her first number one single in several European countries, including Austria, Germany, the Netherlands, Ireland, Sweden, Switzerland and the United Kingdom. Due to the song's success, ''Music Box'' spent prolonged periods at number one on the album charts of several countries, and eventually became one of the best-selling albums of all time, with worldwide sales of over 32 million copies. After declining to tour for her past two albums, Carey agreed to embark on a short stateside string of concerts, titled the Music Box Tour. Spanning only six dates across North America, the short but successful tour was a large step for Carey, who dreaded the hassle of touring.

Following ''Music Box'', Carey took a relatively large period of time away from the public eye, and began working on an unknown project throughout 1994. The project was kept very secretive until ''Billboard'' announced on their October issue, that Carey would release a holiday album later that year. In late 1994, Carey recorded a duet with Luther Vandross; a cover of Lionel Richie and Diana Ross's "Endless Love". By that point, Columbia felt Carey had already established herself as a pop singer, and vocalist, but wanted to try and feature her as more of an entertainer. Through the release of ''Merry Christmas'', Columbia hoped that audiences would buy Carey's material solely for her name and reputation, and squash fears of her being a typical pop singer. The album was released on November 1, 1994, on the same day that the album's first single, "All I Want for Christmas Is You", was released. The album eventually became the best-selling Christmas album of all time, with global sales reaching over 15 million copies. Additionally, "All I Want for Christmas Is You" was critically lauded, and is considered "one of the few worthy modern additions to the holiday canon." ''Rolling Stone'' described it as a "holiday standard", and ranked it fourth on its Greatest Rock and Roll Christmas Songs list. Commercially, it became the best-selling holiday ringtone of all time, and the best-selling single by a non-Asian artist in Japan, selling over 2.1 million units (both ringtone and digital download). By the end of the holiday season of 1994, Carey and Afanasieff had already begun writing material for her next studio album, which would be released in the fall of the following year.

Released on October 3, 1995, ''Daydream'' combined the pop sensibilities of ''Music Box'' with downbeat R&B; and hip hop influences. The album's second single, "One Sweet Day" was inspired by the death of Cole, as well as her sister Allison, who had contracted AIDS. The song remained atop the Hot 100 for a record-breaking sixteen weeks, and became the longest running number one song in history. ''Daydream'' became her biggest-selling album in the United States, and became her second album to be certified Diamond by the RIAA, following ''Music Box''. The album again was the best-seller by an international artist in Japan, shifting over 2.2 million copies, and eventually reaching global sales of over 25 million units. Critically, the album was heralded as Carey's best to date; ''The New York Times'' named it as one of 1995's best albums, and wrote, "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." Carey once again opted to embark on a short world tour titled Daydream World Tour. It had seven dates, three in Japan and four throughout Europe. When tickets went on sale, Carey set records when all 150,000 tickets for her three shows at Japan's largest stadium, Tokyo Dome sold out in under three hours, breaking the previous record help by The Rolling Stones. Due to the album's success, Carey won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. ''Daydream'' and its singles were respectively nominated in six categories at the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day". However, Carey did not receive any award, prompting her to comment "What can you do? I will never be disappointed again. After I sat through the whole show and didn't win once, I can handle anything." In 1995, due to ''Daydream''s enormous Japanese sales, ''Billboard'' declared Carey the "Overseas Artist of the Year" in Japan.

1997–2000: New image and independence, ''Butterfly'' and ''Rainbow''

" }} After the release of ''Daydream'' and the success that followed, Carey began focusing on her personal life, which was a constant struggle at the time. Carey's relationship with Mottola began to deteriorate, due to their growing creative differences in terms of her albums, as well as his controlling nature. With each following album, and her continual established fame and popularity, Carey began to take more initiative and control with her music, and started infusing more genres into her work. During mid-1997, Carey was well underway, writing and recording material for her next album, ''Butterfly'' (1997). She sought to work with other producers and writers other than Afansieff, such as Sean Combs, Kamaal Fareed, Missy Elliott and Jean Claude Oliver and Samuel Barnes from Trackmasters. During the album's recording, Carey and Mottola separated, with Carey citing is as her way of achieving freedom, and a new lease on life. Aside from the album's different approach, critics took notice of Carey's altered style of singing, which she describe as breathy vocals. Her new-found style of singing was met with mixed reception; some critics felt is was a sign of maturity, that she didn't feel the need to always show off her upper range, while others felt it was a sign of her weakening and waning voice. The album's lead single, "Honey", and its accompanying music video, introduced a more overtly sexual image than Carey had ever demonstrated, and furthered reports of her freedom from Mottola. Carey stated that ''Butterfly'' marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Growing creative differences with producer Afanasieff continued, and eventually ended their working relationship, after collaborating on most of Carey's material. Reviews for ''Butterfly'' were generally positive: ''Rolling Stone'' wrote, "It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of 'Butterfly' is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", Allmusic editor, Stephen Thomas Erlewine described Carey's vocals as "sultrier and more controlled than ever", and heralded ''Butterfly'' as her "best record and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success, although not to the degree of her previous three albums.

Toward the turn of the millennium, Carey began developing other projects, many of which she wasn't able to during her marriage. On April 14, 1998, Carey partook in the VH1 Divas benefit concert, where she sang alongside Aretha Franklin, Celine Dion, Shania Twain, Gloria Estefan and Carole King. Carey had begun developing a film project ''All That Glitters'', later re-titled to simply ''Glitter'', and intended her songwriting to other projects, such as ''Men in Black'' (1997) and ''How the Grinch Stole Christmas'' (2000). After ''Glitter'' fell into developmental hell, Carey postponed the project, and began writing material for a new album. The executives at Sony Music, the parent company of Carey's label Columbia, wanted her to prepare a greatest hits collection in time for the commercially favorable holiday season. However, they disagreed as to what content and singles should constitute the album. Sony wanted to release an album that featured her number one singles in the United States, and her international chart toppers on the European versions, void of any new material, while Carey felt that a compilation album should reflect on her most personal songs, not just her most commercial. She felt that not including any new material would result in cheating her fans, therefore including four new songs that she had recorded. While compromised, Carey often expressed distaste towards the album's song selection, expressing her disappointment in the omission of her "favorite songs". The album titled, ''#1's'' (1998), featured a duet with Whitney Houston, "When You Believe", and was included on the soundtrack for ''The Prince of Egypt'' (1998). During the development of ''All That Glitters'', Carey had been introduced to DreamWorks producer Jeffrey Katzenberg, who asked her if she would record the song "When You Believe" for the soundtrack to the animated film ''The Prince of Egypt''. In an interview with ''Ebony'', Houston described working with Carey, as well as their growing friendship: "Mariah and I got along very great. We had never talked and never sang together before. We just had a chance for camaraderie, singer-to-singer, artist-to-artist, that kind of thing. We just laughed and talked and laughed and talked and sang in between that ... It's good to know that two ladies of soul and music can still be friends." ''#1's'' became a phenomenon in Japan, selling over one million copies in its opening week, and placing as the only international artist to accomplish this feat. When describing Carey's popularity in Japan throughout the 1990s, author Chris Nickson compared it to Beatlemania in the 1960s. The album sold over 3.25 million copies in Japan after only the first three months, and holds the record as the best-selling album by a non-Asian artist, while amassing global sales of over 17 million copies.

During the spring of 1999, Carey began working on the final album of her record contract with Sony, her ex-husband's label. During this time, Carey's strained relationship with Sony affected her work with writing partner Afanasieff, who had worked extensively with Carey throughout the first half of her career. She felt Mottola was trying to separate her from Afanasieff, in hopes of keeping their relationship permanently strained. Due to the pressure and the awkward relationship Carey had now developed with Sony, she completed the album in a period of three months in the summer of 1999, quicker than any of her other albums. The album, titled ''Rainbow'' (1999), found Carey once again working with a new array of music producers and songwriters, such as Jay-Z and DJ Clue. Carey also wrote two ballads with David Foster and Diane Warren, whom she seemingly used to replace Afanasieff. ''Rainbow'' was released on November 2, 1999, to the highest first week sales of her career at the time, however debuting at number two on the ''Billboard'' 200. Throughout early-2000, Carey's troubled relationship with Columbia grew, as they halted promotion after the album's first two singles. They felt ''Rainbow'' didn't have any strong single to be released, whereas Carey wanted a ballad regarding personal and inner strength released. The difference in opinion led to a very public feud, as Carey began posting messages on her webpage in early and mid-2000, telling fans inside information on the dispute, as well as instructing them to request "Can't Take That Away (Mariah's Theme)" on radio stations. One of the messages Carey left on her page read: "Basically, a lot of you know the political situation in my professional career is not positive. It's been really, really hard. I don't even know if this message is going to get to you because I don't know if they want you to hear this. I'm getting a lot of negative feedback from certain corporate people. But I am not willing to give up." Fearing to lose their label's highest seller, Sony chose to release the song. Carey, initially content with the agreement, soon found out that the song had only been given a very limited and low-promotion release, which made charting extremely difficult and unlikely. Critical reception of ''Rainbow'' was generally enthusiastic, with the ''Sunday Herald'' saying that the album "sees her impressively tottering between soul ballads and collaborations with R&B; heavyweights like Snoop Doggy Dogg and Usher [...] It's a polished collection of pop-soul." ''Vibe'' magazine expressed similar sentiments, writing, "She pulls out all stops [...] ''Rainbow'' will garner even more adoration". Though a commercial success, ''Rainbow'' became Carey's lowest selling album to that point in her career.

2001–04: ''Glitter'', ''Charmbracelet''; personal and professional struggles

After she received ''Billboard'''s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a record-breaking $100 million five-album recording contract with Virgin Records (EMI Records), Carey was given full conceptual and creative control over the project. She opted to record an album partly mixed with 1980s influenced disco and other similar genres, in order to go hand-in-hand with the film's setting. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website that complained of being overworked, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." Due to the pressure from the media, her heavy work schedule and the split from Miguel, Carey began posting a series of disturbing messages on her official website, and displayed erratic behavior on several live promotional outings. On July 19, 2001, Carey made a surprise appearance on the MTV program ''Total Request Live'' (TRL). As the show's host Carson Daly began taping following a commercial break, Carey came out pushing an ice cream cart while wearing a large men's shirt, and began a striptease, in which she shed her shirt to reveal a tight yellow and green ensemble. While she later revealed that Daly was aware of her presence in the building prior to her appearance, Carey's appearance on TRL garnered strong media attention. Only days later, Carey began posting irregular voice notes and messages on her official website: "I'm trying to understand things in life right now and so I really don't feel that I should be doing music right now. What I'd like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that's what I should have done in the first place ... I don't say this much but guess what, I don't take care of myself." Following the quick removal of the messages, Berger commented that Carey had been "obviously exhausted and not thinking clearly" when she posted the letters.

On July 26, she was suddenly hospitalized, citing "extreme exhaustion" and a "physical and emotional breakdown". Carey was inducted at an un-disclosed hospital in Connecticut, and remained hospitalized and under doctor's care for two weeks, followed by an extended absence from the public. Following the heavy media coverage surrounding Carey's publicized breakdown and hospitalization, Virgin Records and 20th Century Fox delayed the release of both ''Glitter'', as well as its soundtrack of the same name. Consequently, critics suggested that in delaying ''Glitter'', hype for the project would have largely subsided, and would possibly hurt both ticket and album sales. When discussing the project's weak commercial reaction, Carey blamed both her frame of mind during the time of its release, its postponement, as well as the soundtrack having been released on September 11. Critics panned ''Glitter'', as well as its accompanying soundtrack; both were unsuccessful commercially. The accompanying soundtrack album, ''Glitter'', became Carey's lowest-selling album to that point. The ''St. Louis Post-Dispatch'' dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful." Following the negative cloud that was ensuing Carey's personal life at the time, as well as the project's poor reception, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million. Soon after, Carey flew to Capri, Italy for a period of five months, in which she began writing material for her new album, stemming from all the personal experiences she had endured throughout the past year. Carey later said that her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a contract with Island Records, valued at more than $24 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.

In 2002, Carey was cast in the independent film, ''WiseGirls'', alongside Mira Sorvino and Melora Walters, who co-starred as waitresses at a mobster-operated restaurant. It premiered at the Sundance Film Festival, and received generally negative critical response, though Carey's portrayal of the character was praised; Roger Friedman of Fox News referred to her as "a Thelma Ritter for the new millennium", and wrote, "Her line delivery is sharp and she manages to get the right laughs". Later that year, Carey performed the American national anthem to rave reviews at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Towards the end of 2002, Carey released her next studio album ''Charmbracelet'', which she said marked "a new lease on life" for her. Though released in the wake of ''Glitter'' and Carey's return to the music scene, sales of ''Charmbracelet'' were moderate and the quality of Carey's vocals came under criticism. Joan Anderson from ''The Boston Globe'' declared the album "the worst of her career, and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos", while Allmusic editor Stephen Thomas Erlewine expressed similar sentiments and wrote, "What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. She can no longer coo or softly croon nor can she perform her trademark gravity-defying vocal runs." In an attempt to "relaunch" her career following the poor reception to ''Glitter'', as well as her breakdown, Carey announced a world tour in April 2003. Lasting over eight months, the Charmbracelet World Tour: An Intimate Evening with Mariah Carey, became her most extensive tour to date, spanning sixty-nine shows around the world. Throughout the United States, the shows were done in smaller theaters, and something more Broadway-influenced, "It's much more intimate so you'll feel like you had an experience. You experience a night with me." However, while smaller productions were booked throughout the tour's stateside leg, Carey performed at stadiums in Asia and Europe, performing for a crowd of over 35,000 in Manila, 50,000 in Malaysia, and to over 70,000 people in China. In the United Kingdom, it became Carey's first tour to feature shows outside of London, booking arena stops in Glasgow, Birmingham and Manchester. Charmbracelet World Tour: An Intimate Evening with Mariah Carey garnered generally positive reviews from music critics and concert goers, with many complimenting the quality of Carey's live vocals, as well as the production as a whole.

2005–07: Return to prominence with ''The Emancipation of Mimi''

Throughout 2004, Carey focused on composing material for her tenth studio album, ''The Emancipation of Mimi'' (2005). The album found Carey working predominantly with Jermaine Dupri, as well as Bryan-Michael Cox, Manuel Seal, The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. The album debuted atop the charts in several countries, and was warmly accepted by critics. Caroline Sullivan of ''The Guardian'' defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years which I wouldn't have to be paid to listen to again", while ''USA Today''s Elysa Gardner wrote, "The ballads and midtempo numbers that truly reflect the renewed confidence of a songbird who has taken her shots and kept on flying." The album's second single, "We Belong Together", became a "career re-defining" song for Carey, at a point when many critics had considered her career over. music critics heralded the song as her "return to form", as well as the "return of The Voice", while many felt it would revive "faith" in Carey's potential as a balladeer. "We Belong Together" broke several records in the United States and became Carey's sixteenth chart topper on the ''Billboard'' Hot 100. After staying at number one for fourteen non-consecutive weeks, the song became the second longest running number one song in US chart history, behind Carey's 1996 collaboration with Boyz II Men, "One Sweet Day". ''Billboard'' listed it as the "song of the decade" and the ninth most popular song of all time. Besides its chart success, the song broke several airplay records, and according to Nielsen BDS, gathered both the largest one-day and one-week audiences in history.

During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number one, and her next single, "Shake It Off" moved into the number two spot. (Ashanti had topped the chart in 2002 while being a "featured" signer on the #2 single.) On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey. ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and was declared the most popular song of the 2000s decade by ''Billboard''. The album earned ten Grammy Award nominations in 2006–07: eight in 2006 for the original release (the most received by Carey in a single year), and two in 2007 for the ''Ultra Platinum Edition''. In 2006 Carey won Best Contemporary R&B; Album for ''The Emancipation of Mimi'', as well as Best Female R&B; Vocal Performance and Best R&B; Song for "We Belong Together". ''The Emancipation of Mimi'' was the best-selling album in the United States in 2005, with nearly five million units sold. It was the first album by a solo female artist to become the year's best-selling album since Alanis Morissette's ''Jagged Little Pill'' in 1996. At the end of 2005, the IFPI reported that ''The Emancipation of Mimi'' had sold more than 7.7 million copies globally, and was the second best-selling album of the year after Coldplay's ''X&Y;''. It was the best-selling album worldwide by a solo and female artist. To date, ''The Emancipation of Mimi'' has sold over 12 million copies worldwide. At the 48th Grammy Awards, Carey performed a medley of "We Belong Together" and "Fly Like a Bird". The performance earned the night's only standing ovation, prompting Teri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!"

In support of the album, Carey embarked on her first headlining tour in three years, named The Adventures of Mimi: The Voice, The Hits, The Tour after a "Carey-centric fan's" music diary. The tour spanned forty stops, with thirty-two in the United States and Canada, two in Africa, and six in Japan. Tickets for the tour went on sale on June 2, 2006, with prices ranging from $95 to $150 USD, and featured Carey's long-time friend Randy Jackson as the tour's musical director. Carey's performances consisted of old songs from her catalog as well as her newest singles. The tour received warm critical reaction from music critics and concert goers, many of which celebrated the quality of Carey's live vocals, as well as the show as a whole. However, critics felt the show's excesses, such as Carey's often costume changes and pre-filmed clips, were unnecessary distractions. The tour proved successful, with Carey playing to over 60,000 fans in the two stop in Tunis alone. Midway through the tour, Carey booked a two-night concert engagement in Hong Kong, which was scheduled to take place following her Japanese shows. The shows were cancelled, however, after tickets went on sale. According to Carey's then-manager Benny Medina, the cancellation was due to the concert promoter's refusal to pay Carey her agreed-upon compensation. The promoter instead blamed poor ticket sales (allegedly, only 4,000 tickets had sold) and "Carey's outrageous demands". Carey ultimately sued the promoter, claiming $1 million in damages due to the concert's abrupt cancellation.

2007–09: ''E=MC²'', second marriage, ''Memoirs of an Imperfect Angel'' and acting breakthrough

By spring 2007, Carey had begun to work on her eleventh studio album, ''E=MC²'', in a private villa in Anguilla. When asked regarding the album title's meaning, Carey said "Einstein's theory? Physics? ''Me?'' Hello! ...Of course I'm poking fun." She characterized it as "''Emancipation of Mimi'' to the second power", and said that she was "freer" on this album than any other. Although ''E=MC²'' was well received by most critics, some of them criticized it for being very similar to the formula used on ''The Emancipation of Mimi''. Two weeks before the album's release, "Touch My Body", the record's lead single reached the top position on the ''Billboard'' Hot 100, becoming Carey's eighteenth number one and making her the solo artist with the most number one singles in United States history, pushing her past Elvis Presley into second place according to the magazine's revised methodology. Carey is now second only to The Beatles, who have twenty number-one singles. Additionally, it gave Carey her 79th week atop the Hot 100, tying her with Presley as the artist with the most weeks at number one in the ''Billboard'' chart history." Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two #1 singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two.

''E=MC²'' debuted at number one on the ''Billboard'' 200 with 463,000 copies sold, the biggest opening week sales of her career. With six number one albums, Carey is now tied with Britney Spears and Janet Jackson in the United States for the third most number one albums for a female artist, behind Madonna with seven and Barbra Streisand's nine chart toppers. In 2008, ''Billboard'' magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist in the history of the ''Billboard'' Hot 100 chart. Carey and actor/comedian Nick Cannon met while they shot her music video for her second single, "Bye Bye", on an island off the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. Carey had a cameo appearance in Adam Sandler's 2008 film ''You Don't Mess with the Zohan'', playing herself. On January 20, 2009, Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn as America's first African-American president. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of The Jackson 5 song "I'll Be There" at the memorial service for Michael Jackson. At the sight of Jackson's casket, Carey's voice, overwhelmed with emotion, cracked in the opening line of the song. She later apologized on ''The Today Show'', explaining how she did her best effort despite the circumstances.

In 2009, she appeared as a social worker in ''Precious'', the movie adaptation of the 1996 novel ''Push'' by Sapphire. The film garnered mostly positive reviews from critics, as has Carey's performance. ''Variety'' described her acting as "pitch-perfect". ''Precious'' won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top honors there. In January 2010, Carey won the Breakthrough Actress Performance Award for her role in ''Precious'' at the Palm Springs International Film Festival. September 25, 2009, Carey's twelfth studio album, ''Memoirs of an Imperfect Angel'', was released. Reception for the album was generally positive, but mixed in certain aspects; Stephen Thomas Erlewine of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from ''The New York Times'' criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and upper registers. Commercially, the album debuted at number three on the ''Billboard'' 200, and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the ''Billboard'' Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart, and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad", in which he taunted Carey's husband, Nick Cannon. According to MTV, Carey alludes to drug problems in "Obsessed", which Eminem opened up about on his sixth studio album, ''Relapse''. The album's follow-up single, a cover of Foreigner's "I Want to Know What Love Is", failed to achieve any significant chart success in the United States, or much throughout Europe, but managed to break airplay records in Brazil. The song spent 27 weeks atop the Brasil Hot 100 Airplay, making it the longest running song in the chart's history. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Though stateside, the tour spanned few international dates, such as in Brazil and Singapore, where Carey played to over 100,000 spectators. On January 30, 2010, it was announced that Carey would release a remix album of ''Memoirs of an Imperfect Angel''; titled ''Angels Advocate'' (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists). The album was slated for a March 30, 2010 release, but was eventually cancelled.

2010–present: ''Merry Christmas II You'', motherhood and fourteenth studio album

Following the cancellation of the ''Angels Advocate'', it was announced that Carey would return to the studio to start work on her thirteenth studio album. It was later revealed that it would be her second Christmas album, the follow-up to ''Merry Christmas'' (1994), which became the best-selling Holiday album of all time. Long time collaborators for the project include Jermaine Dupri, Johntá Austin, Bryan-Michael Cox and Randy Jackson, as well as new collaborators such as Marc Shaiman. Dupri stated that a single would be released alongside the album before the year's end. During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the album would be out on November 2, 2010. and would include six new songs and a remix of her classic hit "All I Want for Christmas Is You". The album, titled ''Merry Christmas II You'', was released alongside an accompanying DVD, and was sent to retailers on November 2, 2010. ''Merry Christmas II You'' debuted at number four on the ''Billboard'' 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album of 45,000 copies 16 years prior. It also became Carey's 16th top ten album in the United States. The album debuted at number one on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.

In May 2010, Carey dropped out of her planned appearance in ''For Colored Girls'', the film adaptation of the play ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', citing medical reasons. After much media speculation, Carey confirmed on October 28, 2010, that she and Cannon were expecting their first child. Carey also revealed that she had been pregnant shortly after her wedding with Cannon, but she miscarried. On April 30, 2011, the couple's third wedding anniversary, Carey gave birth to fraternal twins via C-section. The twins were named Monroe, after Marilyn Monroe, and Moroccan Scott, after Cannon proposed to Carey in her Moroccan-style room; Scott is Cannon's middle name and his grandmother's maiden name. On February 11, 2011, Carey announced on HSN, that she recorded a duet with Tony Bennett for his upcoming "Duets" album, titled "When Do The Bells Ring For Me". Following the birth of their children, Cannon revealed during an interview with ''Billboard'' that Carey had already begun working on a new record. Cannon said "She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels. You're definitely gonna see some new phenomenal music from Mariah" and assured Carey would plan on releasing it by the end of the year. In October 2011, Carey announced that she re-recorded her song "All I Want for Christmas Is You" with Justin Bieber as a duet for his Christmas album, ''Under the Mistletoe''. On November 5, 2011, Carey and Bieber filmed a music video for the duet at the Macy's in New York City. On October 21, 2011, a pre-taped interview with Barbara Walters aired on ABC's 20/20, during the interview Carey and Cannon allowed the cameras to photograph/film twins Moroccan and Monroe for the first time ever. In November 2011, Carey was included in the remix to the mixtape single "Warning" by Uncle Murda, the remix also features 50 Cent and Young Jeezy. That same month, Carey announced that she and John Legend collaborated on a duet, "When Christmas Comes", which was originally part of Carey's 2010 holiday album ''Merry Christmas II You''. On March 1, 2012, Carey took the stage at New York City's Gotham Hall for a show, where only 50 tickets were made available to the public, as part of the Plot Your Escape concert series. The 40-minute set included many of Carey's hits such as "Always Be My Baby", "Hero", "Obsessed", "We Belong Together", and a cover of Michael Jackson's "I'll Be There".

Artistry

Musical style

Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but ''Time'' magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict," applying it to the first stages of her career. He commented that as her album's progressed, so too her songwriting and music blossomed into more mature and meaningful material. Jim Faber of the ''New York Daily News'', made similar comments, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening." While reviewing ''Music Box'', Stephen Holden from ''Rolling Stone'' commented that Carey sang with "sustained passion", while ''Entertainment Weekly''s Arion Berger wrote that during some vocal moments, Carey becomes "too overwhelmed to put her passion into words." In 2001, ''The Village Voice'' wrote in regards to what they considered Carey's "centerless ballads", writing, "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new R&B; demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."

Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano-driven melodies, as she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. While Carey learned to play the piano at a young age, and incorporates several ranges of production and instrumentation into her music, she has maintained that her voice has always been her most important asset: "My voice is my instrument; it always has been." Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey on several occasions, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which ''Slant'' magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip-hop and house producers to re-structure her album compositions. ''Entertainment Weekly'' included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip-hop collaboration trend that has continued into the 2000s, through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you".

Voice and timbre

Mariah Carey possesses a 5-octave vocal range, and has the ability to reach notes beyond the 7th octave. She was ranked first in a 2003 MTV and ''Blender'' magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself." She also placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists".

Regarding her voice type, Carey said that she is alto, while French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker states that she is light lyric soprano, "because the upper register is much more healthy than the lower register." However, within contemporary forms of music, singers are classified by the style of music they sing. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing, but they are controversial, because the development of classic voice categorizations were made with the understanding that the singer would amplify his or her voice with their natural resonators, without a microphone.

Baritone Malcolm Walker as well as music critic Stephen Holden of ''The New York Times'' and vocal pedagogue Jeannette Lo Vetri describes Carey's voice as "pure, full, rounded and warm", adding that belting and head voices has a great brightness. Malcolm Walker praise her belting voice, saying it "works very well" and states that Carey "passes easily in head voice. It's her true voice." The middle register is "ample and full" and the voice resonates with strong vibrato. Jon Pareles, of ''The New York Times'', describes Carey's lower register as "rich" and "husky", on the other hand, Walker, Holden, and Lo Vetri state it's "tired", "distended" in its lowest parts. Carey also possesses a "whisper register". In an interview with the singer, Ron Givens of ''Entertainment Weekly'' described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register." Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material, usually beginning the song and then building up to a "full throated" climax. Tim Levell from the BBC News described her vocals as "sultry close-to-the-mic breathiness", while ''USA Today''s Elysa Gardner wrote "it's impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today's young pop and R&B; stars." Tenor Juan Diego Flórez has described her whistle register in detail, saying "Her whistle register is beautiful, fluid, very free and resonant—she has a "ring" in it. She shows an exceptional texture manipulation in this register : It can be bright, silky, crystalline, airy, piercing, metallic. She can imitate an electric guitar, a bird chirping, a piccolo... She can also phrase in that register. And the greatest thing about her whistle is that she use it for express different moods and feelings. She is the only pop singer who do that".

Voice experts praise Carey's vocal technique, stating that she can deliver very fast staccatos, marcato, portato and arpeggios with great control, "always keeps a neutral larynx position—except sometimes in her lower register" and "glides effortlessly from bottom to top and vice versa." Diego Flórez said "either in chest, head voices and whistle, she has a gorgeous mastery of dynamics" and describes her legato as "silky." Carey's musicianship is of high-level. Soprano Montserrat Caballé and Diego Flòrez said she has a "refined", "subtle" phrasing, a "perfect" sense of rhythm, and a high architectural sense of line-proportion, climax and resolve, ideas and themes. Jon Pareles adds "she can linger over sensual turns, ... syncopate like a scat singer." Her sense of pitch is admired, Flórez specify that "no matter how fast she executes her melismas, she always stays in tune."

Influences

Carey has said that from childhood she has been influenced by R&B; and soul musicians such as Billie Holiday and Sarah Vaughan. Her music contains strong influences of gospel music, and she credits The Clark Sisters, Shirley Caesar and Edwin Hawkins as the most influential in her early years. When Carey incorporated hip-hop into her sound, speculation arose that she was making an attempt to take advantage of the genre's popularity, but she told ''Newsweek'', "People just don't understand. I grew up with this music". She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single "The Roof (Back in Time)" (1998). Carey was heavily influenced by Minnie Riperton, and began experimenting with the whistle register due to her original practice of the range.

During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song". Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the ''Guinness Rockopedia'' (1998) classified her as the "songbird supreme".

Legacy

Carey's vocal style and singing ability have significantly impacted popular and contemporary music. As music critic G. Brown from ''The Denver Post'' wrote, "For better or worse, Mariah Carey's five-octave range and melismatic style have influenced a generation of pop singers." According to ''Rolling Stone'', "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love", inspired the entire ''American Idol'' vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Jody Rosen of ''Slate Magazine'' wrote of Carey's influence in modern music, calling her the most influential vocal stylist of the last two decades, the person who made rococo melismatic singing. Rosen further exemplified Carey's influence by drawing parallel with American Idol, which to her, "often played out as a clash of melisma-mad Mariah wannabes. And, today, nearly 20 years after Carey's debut, major labels continue to bet the farm on young stars such as the winner of Britain's X Factor show, Leona Lewis, with her Generation Next gloss on Mariah's big voice and big hair." Sean Daly of ''St. Petersburg Times'' wrote, "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." Daly further commented, "The Mariahs are the hardest ones to watch, mainly because most of them think they're reeeaaally good. The poor, disillusioned hopefuls plant themselves in front of judges Simon Cowell, Paula Abdul and Randy Jackson – then proceed to stretch, break and mutilate every note of a song, often Mariah's Hero, a tune that has ruined more throats than smoker's cough." ''New York Magazine's'' editor Roger Deckker said that in regarding Carey as an influential artist in music, he commented that "Whitney Houston may have introduced melisma (the vocally acrobatic style of lending a word an extra syllable or twenty) to the charts, but it was Mariah—with her jaw-dropping range—who made it into America's default sound." Deckker also added that "Every time you turn on American Idol, you are watching her children". Despite her vocal prowess, Carey's vocal technique particularly with the use of melisma and belting, has been subject to public scrutiny mainly because of young singers such as from talent shows have been overly imitating her singing technique in which critics commented "Mariah Carey is, without a doubt, the worst thing to happen to amateur singing since the karaoke machine". As Professor Katherine L. Meizel noted in her book, ''The Mediation of Identity Politics in American Idol'', "Carey's influence not just stops in the emulation of melisma or her singing amongst the wannabe's, it's also her persona, her diva, her stardom which inspires them.... a pre-fame conic look."

}} Carey's influence is notable in numerous hip hop, pop and R&B; artists, including Beyoncé, Christina Aguilera, Jessica Simpson, Rihanna, Kelly Clarkson, Nelly Furtado, Leona Lewis, Brandy Norwood, Pink, Mary J. Blige, and Missy Elliott, among others. Knowles credits Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Rihanna has stated that Carey is one of her major influences and idol. Christina Aguilera has cited in her early stages of her career that Carey is a big influence in her singing career and being one of her idols. According to Pier Dominguez, author of ''Christina Aguilera: a star is made : the unauthorized biography'', Aguilera has stated how she loved listening to Whitney Houston, but it was Carey who had the biggest influence on her vocal styling. Carey's carefully choreographed image of a grown woman struck a chord on Aguilera. Her influence on Aguilera also grew from the fact that both were of mixed heritage. Philip Brasor, editor of ''The Japan Times'', expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." In an article called "Out With Mariah's Melisma, In With Kesha's Kick", writer David Browne of ''The New York Times'' discusses how the ubiquitous melisma pop style has suddenly fallen down from pop culture in favor of young stars who uses the now ubiquitous autotune in which the first mentioned was heavily popularized into mainstream pop culture with the likes of Mariah Carey and Whitney Houston. Browne had commented "But beginning two decades ago, melisma overtook pop in a way it hadn't before. Mariah Carey's debut hit from 1990, "Vision of Love," followed two years later by Whitney Houston's version of "I Will Always Love You," set the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard." Browne further added "A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)"

Carey is also credited for introducing R&B; and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of ''The New Yorker'' commented, "It became standard for R&B;/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, Jessica Simpson, Christina Aguilera, and 'N Sync—have spent much of the past ten years making pop music that is unmistakably R&B.;" Moreover Jones concludes that "[Carey's] idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B; and, eventually, all of pop. Although now anyone is free to use this idea, the success of "The Emancipation of Mimi" suggests that it still belongs to Carey." Judnick Mayard, writer of ''The Fader'', wrote that in regarding of R&B; and hip hop collaboration, "The champion of this movement is Mariah Carey." Mayard also expressed that "To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time", citing that due to the record "Fantasy", "R&B; and Hip Hop were the best of step siblings." Kelfa Sanneh of ''The New York Times'' wrote, "In the mid-1990s Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol' Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit "Fantasy (Remix)", it was a surprise, and a smash." Aside from her pop culture and musical influence, Carey is credited for releasing a classic Christmas song called "All I Want For Christmas Is You". In a retrospective look at Carey's career, Sasha Frere-Jones of ''The New Yorker'' said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". ''Rolling Stone'' ranked "All I Want for Christmas Is You" fourth on its Greatest Rock and Roll Christmas Songs list, calling it a "holiday standard." Following the release of her ''Greatest Hits'' album, Devon Powers of Popmatters has said in his review that "She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note." Carey's business ventures include the launch of her perfumes, her clothing line, and books. She has portrayed the true nature of being a superstar, according to sociologist Naomi Hirahara, and is a classic example of the word "diva". Carey is never seen without her large entourage, whether it be award shows, performances or as guests on late night specials. Hirahara says, "her demands are sporadic, her looks are glamorous, she is hardly of her age, but she is still ruling. Nowadays people emulate the idea of being a diva, but Carey was the original one in true sense of the term."

Honors and awards

Throughout Carey's career, she has collected many honors and awards, including the World Music Awards' Best Selling Female Artist of the Millennium, the Grammy's Best New Artist in 1991, ''Billboard'''s Special Achievement Award for the Artist of the Decade during the 1990s. In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and ''Blender'' magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to ''Billboard'' magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium", as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as ''Music Box'' and ''Number 1's''. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. Additionally, the Recording Industry Association of America (RIAA) lists Carey as the third-best-selling female artist, with shipments of over 63 million units in the US. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.

Carey has spent a record 79 weeks at the number-one position on ''Billboard'' Hot 100, becoming the artist with the most weeks at number-one in US chart history. On that same chart, she has accumulated 18 number-one singles, which ties her with Elvis Presley for the second most number-one singles in the chart's history (after only The Beatles). In 1994, Carey released her holiday album ''Merry Christmas'' has sold over 15 million copies worldwide, and is the best-selling Christmas album of all time. It also produced the successful single "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the US. In Japan, ''Number 1's'' has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of ''Billboard''s Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. After Carey's success in Asia with ''Merry Christmas'', ''Billboard'' estimated Carey as the all-time best-selling international artist in Japan. In 2008, ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and second on Top Billboard Hot 100 R&B;/Hip-Hop Songs. The song was also declared the most popular song of the 2000s decade by ''Billboard''. In 2009, Carey's cover of Foreigner's song "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the ''Billboard'' Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52-year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Carey's 13th album and second Christmas album, ''Merry Christmas II You'', debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top that chart. On November 19, 2010, ''Billboard'' magazine named Carey in their "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" chart at number four.

Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children", and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-A-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements". Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of ''MTV Unplugged'' was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. In February 2010, the song, "100%", which was originally written and recorded for the film, ''Precious'', was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA.

One of Carey's most high-profile benefit concert appearances was on VH1's 1998 ''Divas Live'' special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the ''America: A Tribute to Heroes'' nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special ''At Home for the Holidays'', which documented real-life stories of adopted children and foster families, from the Wayback Machine on October 22, 2001. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer".

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". In 2007, ''Forbes'' named her as the fifth richest woman in entertainment, with an estimated net worth of US $270 million. In November 2011, it was reported that Carey's net worth was valued at more than $500 million. On November 29, 2010, she debuted a collection on HSN, the collection range included jewelry, shoes and fragrances. In November 2011, Carey was announced as the new global ambassador for Jenny Craig, following her weight loss with the program after giving birth to fraternal twins in April. Carey claims she lost on the program.

Filmography

Year	Title	Role	Notes
1999	!scope="row"	Ilana
2001	!scope="row"	Billie Frank
2002	''WiseGirls''	Raychel
2003	''Death of a Dynasty''	Herself	Cameo appearance
2005	''State Property 2''	Dame's Wifey
2008	''You Don't Mess with the Zohan''	Herself	Cameo appearance
2009	!scope="row"	Krystal
2009	!scope="row"	Mrs. Weiss		Palm Springs International Film Festival>Palm Springs International Film Festival Breakthrough Performance Award	Capri Hollywood International Film Festival Award for Supporting Actress of the Year	Black Reel Awards of 2010>Black Reel Award for Best Ensemble	Boston Society of Film Critics>Boston Society of Film Critics Award for Best Ensemble Cast	Black Reel Awards of 2010>Black Reel Award for Best Supporting Actress	Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture	Nominated – Screen Actors Guild Award for Outstanding Cast in a Motion Picture	Broadcast Film Critics Association Awards 2009>Critics' Choice Awards for Best Acting Ensemble

! Year	! Title	! Role	Notes
2002	''Ally McBeal ''	Candy Cushnip
2003	''The Proud Family''	Herself	Voice role

Discography

''Mariah Carey'' (1990)

''Emotions'' (1991)

''Music Box'' (1993)

''Merry Christmas'' (1994)

''Daydream'' (1995)

''Butterfly'' (1997)

''Rainbow'' (1999)

''Glitter'' (2001)

''Charmbracelet'' (2002)

''The Emancipation of Mimi'' (2005)

''E=MC²'' (2008)

''Memoirs of an Imperfect Angel'' (2009)

''Merry Christmas II You'' (2010)

See also

List of artists who reached number one on the Hot 100 (U.S.)

List of artists who reached number one on the U.S. dance chart

List of awards received by Mariah Carey

List of best-selling music artists

List of best selling music artists in U.S.

List of Mariah Carey tours

Notes

References

Hardy, Phil. ''The Faber Companion to 20th Century Popular Music: Fully Revised Third Edition'' (2001). pg. 156–157. UK: Faber and Faber Limited. ISBN 0-571-19608-X.

Mulholland, Garry. ''The Illustrated Encyclopedia of Music'' (2003). pg. 57. UK: Flame Tree Publishing. ISBN 1-904041-70-1.

''Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition'' (ISBN 0-8230-7677-6)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties'' (ISBN 0-89820-074-1)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Nineties'' (ISBN 0-89820-137-3)

Additional information concerning Carey's chart history can be retrieved and verified in ''Billboard's'' online archive services and print editions of the magazine.

External links

Mariah Carey at LAUNCHcast

}}

Category:1970 births Category:Actors from New York City Category:African American female singer-songwriters Category:African American film actors Category:African American record producers Category:American dance musicians Category:American music video directors Category:American musicians of Irish descent Category:American people of Venezuelan descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues singer-songwriters Category:American sopranos Category:Columbia Records artists Category:Grammy Award winners Category:Hip hop singers Category:Island Records artists Category:Living people Category:Musicians from New York City Category:People from Long Island Category:People from Suffolk County, New York Category:Singers with a five octave vocal range Category:Spanish-language singers of the United States Category:Virgin Records artists Category:World Music Awards winners Category:Article Feedback 5

af:Mariah Carey ar:ماريا كاري an:Mariah Carey zh-min-nan:Mariah Carey bg:Марая Кери cs:Mariah Carey cbk-zam:Mariah Carey cy:Mariah Carey da:Mariah Carey de:Mariah Carey et:Mariah Carey el:Μαράια Κάρεϊ es:Mariah Carey eo:Mariah Carey eu:Mariah Carey fa:ماریا کری fr:Mariah Carey ga:Mariah Carey gl:Mariah Carey ko:머라이어 캐리 hy:Մրայա Քերի hi:मारिया कैरी hsb:Mariah Carey hr:Mariah Carey io:Mariah Carey id:Mariah Carey it:Mariah Carey he:מאריה קארי jv:Mariah Carey kl:Mariah Carey ka:მერაია კერი kk:Мэрайя Кэри sw:Mariah Carey la:Maria Carey lv:Meraija Kerija lt:Mariah Carey hu:Mariah Carey mk:Мараја Кери ml:മറായ കേറി ms:Mariah Carey nl:Mariah Carey ja:マライア・キャリー no:Mariah Carey nn:Mariah Carey pl:Mariah Carey pt:Mariah Carey ro:Mariah Carey ru:Кэри, Мэрайя sc:Mariah Carey sq:Mariah Carey simple:Mariah Carey sk:Mariah Careyová sl:Mariah Carey sr:Мараја Кери sh:Mariah Carey su:Mariah Carey fi:Mariah Carey sv:Mariah Carey tl:Mariah Carey th:มารายห์ แครี tr:Mariah Carey uk:Мерая Кері vec:Mariah Carey vi:Mariah Carey war:Mariah Carey diq:Mariah Carey bat-smg:Marajė Kerė zh:瑪麗亞·凱莉

Demetri Martin (born May 25, 1973) is an American comedian, actor, artist, musician, writer and humorist. Martin is best known for his work as a stand-up comedian, contributor on ''The Daily Show'' and for his Comedy Central show ''Important Things with Demetri Martin''.

Early life

Demetri Martin was born to a Greek American family in New York City, New York, and grew up in Toms River, New Jersey. He is the son of Lillian, a nutritionist, and Dean C. Martin, now deceased, a Greek Orthodox priest. Martin graduated from Yale University in 1995. Although he was accepted into Harvard Law School, he went to New York University School of Law after he received a full scholarship.

Career

In 2001, Martin caught his first big break in stand-up comedy when he appeared on Comedy Central's stand-up showcase ''Premium Blend''. At the 2003 Edinburgh Festival Fringe he won the Perrier award with his show ''If I...''. The show was turned into a British television special in 2004. From 2003 to 2004, Martin wrote for ''Late Night with Conan O'Brien''. In 2004, Martin had his own ''Comedy Central Presents'' stand-up special. His special was divided into three parts. In the first, he performed in traditional stand-up comedy fashion. In the second segment, he used humorous drawings as visual aids, which would serve either as the punchline or a background. During the third segment, he played a guitar and put on a pseudo-play where he would strum his guitar while alternating between playing harmonica and talking; some of his comedian friends dressed as fairies and dragons acted according to the story he was telling, detailing the magical land where his jokes came from. Martin's mother and grandmother also appeared.

Since late 2005, he has been credited as a contributor on ''The Daily Show'', on which he has appeared as the named "Senior Youth Correspondent" and on which he hosts a segment called "Trendspotting". He has used this segment to talk about so-called hip trends among youth such as hookahs, wine, guerilla marketing and Xbox 360. A piece about social networking featured his profile on MySpace. On March 22, 2007, Demetri made another appearance on ''The Daily Show'', talking about the Viacom lawsuit against Google and YouTube.

He has recorded a comedy CD/DVD titled ''These Are Jokes'', which was released on September 26, 2006. This album also features ''Saturday Night Live'' member Will Forte and stand-up comedian Leo Allen.

Martin returned to ''The Daily Show'' on March 22, 2006, as the new Youth Correspondent, calling his segment "Professional Important News with Demetri Martin". In 2007, he starred in a Fountains of Wayne music video for "Someone to Love" as Seth Shapiro, a character in the song. He also starred in the video for the new Travis single "Selfish Jean", in which he wears multiple t-shirts with lyrics written on them.

On September 2, 2007, Martin appeared on the season finale of the HBO series ''Flight of the Conchords''. He appeared as a keytar player named Demetri.

He also had a part in the movie ''The Rocker'' (2008) starring Rainn Wilson. Martin played the part of the videographer when the band in the movie was making their first music video.

In 2009, he hosted and starred in his own television show called Important Things With Demetri Martin on Comedy Central. Later in June, it was announced his show had been renewed for a second season. The second season premiered, again on Comedy Central, on February 4, 2010. Martin has stated that ''Important Things'' will not return for a third season.

Prior to completing work on his second season, Martin starred in the comedy-drama film ''Taking Woodstock'' (2009), directed by Ang Lee, which premiered at the 2009 Cannes Film Festival. In the film Martin plays Elliot Tiber, a closeted gay artist who has given up his ambitions in the city to move upstate and help his old-world Jewish family run their Catskill Mountains motel. The film is based on the book written by Tiber.

On April 25, 2011, Martin released his first book, titled ''This Is a Book by Demetri Martin''.

Martin was slated to portray Paul DePodesta as Oakland Athletics assistant GM to Billy Beane in the 2011 movie ''Moneyball'', however was dropped and Jonah Hill took his place in the movie.

Plans

Martin sold his movie concept ''Will'' to DreamWorks; he is expected to play a key supporting role. He will play the lead in the film ''Moon People'', a pitch that he sold to Columbia Pictures.

Martin also signed a blind script deal with CBS in October 2010 to produce, write, and star in his own television series.

After CBS was shown the pilot for the series, they decided not to air it.

On August 11, 2011, Fox ordered a presentation of a new animated show they might air.

''If I''

''If I'' is a Perrier Comedy Award-winning comedy one-man show written and performed by Demetri Martin at the 2003 Edinburgh Festival Fringe. It was also aired on British television as a special. The show is an autobiographical examination of Martin's life, as seen through various definitions of the word "if."

The title of the special comes from a lengthy palindromic poem that Martin wrote; the words "if I" are at the center of the poem.

Comedic style

Martin is known for being an unconventional stand-up comic. He uses one-liners and drawings on a "large pad", as well as accompanying his jokes with music on either guitar, harmonica, piano, keyboard, glockenspiel, toy bells, ukulele, or tambourine, sometimes all at once. He has cited comedian Steven Wright as an important influence (both use deadpan one-liners in their acts) and he is also a fan of Bill Cosby.

Personal life

According to a July 2011 interview on the WTF with Marc Maron podcast, Demetri had a short-lived marriage to a girl he knew from high school. They began dating after high school and got married when he was in NYU Law School and she was attending NYU Medical School. He was aged 25 and in the end of his marriage when his stand-up career began.

He is extremely allergic to nuts and peanuts.

Martin moved to Santa Monica, California in 2009.

Filmography

''Invite Them Up'' (2005)

''These Are Jokes'' (2006)

''Demetri Martin. Person.'' (2007)

''Important Things with Demetri Martin (2009-2010)

Filmography and television work

''If I'' ''12:21'' ''Late Night with Conan O'Brien'' "''Someone to Love (Fountains of Wayne song) ''Flight of the Conchords (TV series) ''The Rocker (film) ''Paper Heart'' ''Post Grad'' ''Taking Woodstock'' ''Important Things with Demetri Martin'' ''Take Me Home Tonight (film) ''Contagion (film) ''Conan (TV series)

Year	! Title	! Role	Notes
2002	''Analyze That''	Personal Assistant
2003	|	Himself	British television special, also writer
2004	|	Himself	short film, also writer
2004	|	Himself	1 episode, series writer
2007	Someone to Love''" ||	Seth Shapiro	''Fountains of Wayne'' music video
2007	Flight of the Conchords'' ||	Demetri	Season 1, Episode 12
2008	The Rocker'' ||	Kip (a music video producer)
2009	|	Himself
2009	|	Ad Exec
2009	|	Elliot Tiber
2009–2010	|	Himself / Various	writer, series creator, executive producer, and composer
2011	Take Me Home Tonight'' ||	Carlos
2011	Contagion'' ||	Dr. David Eisenberg
2011	Conan'' ||	Himself	guest

Written works

''This Is a Book'', April 2011, .

Awards and nominations

AwardPerrier Comedy AwardEmmy Awards Shared with Mike Sweeney (writer)Writers Guild of America Award Shared with Mike Sweeney (writer)Barry Award (for comedy)

Year	|	For	Category	Result	Other notes
2003	|	''If I''		Won	At the Edinburgh Festival Fringe
2004	|	''Late Night with Conan O'Brien''	Outstanding Writing for a Variety, Music, or Comedy Program	Nominated	Mike Sweeney (head writer), Chris Albers, Jose Arroyo, Andy Blitz, Kevin Dorff, Daniel J. Goor, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg
2005	|	''Late Night with Conan O'Brien''	Comedy/Variety (Including Talk) - Series	Won	Mike Sweeney (head writer), Chris Albers, Jose Arroyo, Andy Blitz, Kevin Dorff, Daniel J. Goor, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg
2006	Barry Award ||	''Dr. Earnest Parrot Presents Demetri Martin''		Won	Award for best show at the Melbourne International Comedy Festival

References

External links

Interview from November, 2006, in Onion AV Club

Interview from October 2006, in The DePaulia

Article, in ''The Scotsman''

Article, in ''Gelf Magazine''

Interview by Brian M. Palmer

MP3 Audio Interview on ''The Sound of Young America'' public radio show and podcast

Interview Believer Mag

New Jersey Monthly Magazine

Fresh Air, NPR.org

Category:1973 births Category:Actors from New Jersey Category:Actors from New York City Category:American comedians Category:American comedy musicians Category:American comedy writers Category:American film actors Category:American humorists Category:American people of Greek descent Category:American stand-up comedians Category:American television actors Category:American television writers Category:Living people Category:New York University alumni Category:Writers from New Jersey Category:Writers from New York City Category:Writers Guild of America Award winners Category:Yale University alumni Category:The Daily Show correspondents and contributors

cs:Demetri Martin da:Demetri Martin de:Demetri Martin fr:Demetri Martin gl:Demetri Martin it:Demetri Martin ru:Мартин, Деметри simple:Demitri Martin fi:Demetri Martin sv:Demetri Martin

Coordinates	56°09′″N40°25′″N
name	John Powell
background	non_performing_personnel
birth date	September 18, 1963
origin	London, United Kingdom
genre	Film scores
occupation	Composer, Conductor, Music producer
instrument	Piano, Violin
years active	1990-present
website	}}

John Powell (born 18 September 1963) is a British composer, best known for his scores to motion pictures. He has been based in the United States since 1997 and has composed the scores to over fifty feature films. He rose to fame in the late 1990s and 2000s, scoring numerous animated films, and collaborating with directors Doug Liman and Paul Greengrass. His 2010 score for the film ''How to Train Your Dragon'' earned him his first Academy Award nomination at the 83rd Academy Awards. He is a prominent member of Hans Zimmer's music studio, Remote Control Productions, and collaborates frequently with other composers from the studio, including Harry Gregson-Williams and Zimmer himself.

Life and career

Powell was born in London. He originally trained as a violinist as a child, before studying at London's Trinity College of Music. He later ventured into jazz and rock music, playing in a soul band the Fabulistics. On leaving college, he composed music for commercials, which led to a job as an assistant to the composer Patrick Doyle on several film productions, including ''Much Ado About Nothing''.

In 1995, he co-founded the London-based commercial music house Independently Thinking Music, which produced scores for more than 100 British and French commercials and independent films.

Powell's first film score was for the 1990 film ''Stay Lucky''. He moved to the U.S. in 1997, and scored his first major film, ''Antz'' in 1998, the first film produced by Dreamworks Animation which he co-scored with fellow British composer Harry Gregson-Williams. Two years later the two collaborated again to compose the score to Chicken Run, and again the following year on Shrek, which won the Academy Award for Best Animated Feature. All subsequent 'Shrek' films however, have been scored solely by Gregson-Williams. During 2001 he also scored ''Evolution'', ''I Am Sam'', ''Just Visiting'', and ''Rat Race''.

In 2002 Powell was hired to score ''The Bourne Identity'', after Carter Burwell left the project, and has gone on to score all of director Doug Liman's subsequent films. He also returned to score the other two films in the series; ''The Bourne Supremacy'' and ''The Bourne Ultimatum'', which were both directed by British director Paul Greengrass.

Following the Bourne films, Powell collaborated with Liman again to score the 2005 film ''Mr. & Mrs. Smith''. That year, he also scored ''Robots''.

In 2006, he scored Greengrass' ''United 93''. He also composed music for ''Ice Age: The Meltdown'', following David Newman, who scored the first ''Ice Age'' film, as well as ''X-Men: The Last Stand'', and ''Happy Feet'', for which he won a Film & TV Music Award for Best Score for an Animated Feature Film. The following year he scored ''The Bourne Ultimatum''. In 2008 he collaborated with composer Hans Zimmer to score ''Kung Fu Panda'', and also wrote music that year for ''Jumper'', Hancock, and Bolt. In 2009 he scored the third, and to date, most popular installment in the ''Ice Age'' series; ''Dawn of the Dinosaurs''.

In 2010, Powell composed the score to ''How To Train Your Dragon''. This was his sixth score for a Dreamworks Animation film, although the first where he composed the whole score himself. It also became his first work to be nominated for the Academy Award for Best Original Score. That year, he has also scored Greengrass' ''Green Zone'', Asif Kapadia and Walter Salles documentary, ''Senna'', along with Antonio Pinto and Bruce Broughton and ''Knight and Day''.

Discography

Artist	John Powell
Soundtrack	53
References	}}

! Year	! Title
	''The Wild Heels''
	''Antz'' (with Harry Gregson-Williams)
''With Friends Like These...''
''Forces of Nature''
	''Chicken Run'' (with Harry Gregson-Williams)
''The Road to El Dorado'' (with Hans Zimmer)
''I Am Sam''
''Shrek'' (with Harry Gregson-Williams)
''D-Tox''
''The Adventures of Pluto Nash''
''Two Weeks Notice''
	''Agent Cody Banks''
''Gigli''
''Stealing Sinatra''
''Mr. 3000''
	''Be Cool''
	''Ice Age: The Meltdown''
''Happy Feet''
''Kung Fu Panda'' (with Hans Zimmer)
	''Ice Age: Dawn of the Dinosaurs''
''Knight and Day''
	''Mars Needs Moms''
''Kung Fu Panda 2'' (with Hans Zimmer)
''Shark Night 3D''
''Happy Feet 2''
	''Ice Age: Continental Drift''
''The Guardians of Childhood''
	''How To Train Your Dragon 2''

Awards and nominations

Awards

1998 ASCAP Award for Top Box Office Films - ''Face/Off''

1999 ASCAP Award for Top Box Office Films - ''Antz'' (with Harry Gregson-Williams)

2001 ASCAP Award for Top Box Office Films - ''Chicken Run'' (with Harry Gregson-Williams)

2001 Annie Award for Outstanding Individual Achievement for Music Score an Animated Feature Production - ''Shrek'' (with Harry Gregson-Williams)

2002 ASCAP Award for Top Box Office Films - ''Shrek'' (with Harry Gregson-Williams)

2003 ASCAP Award for Top Box Office Films - ''The Bourne Identity''

2004 ASCAP Award for Top Box Office Films - ''The Italian Job''

2005 ASCAP Award for Top Box Office Films - ''The Bourne Supremacy''

2006 ASCAP Award for Top Box Office Films - ''Mr. & Mrs. Smith''

2006 ASCAP Award for Top Box Office Films - ''Robots''

2009 Annie Award for Best Music in an Animated Feature Production - ''Kung Fu Panda'' (with Hans Zimmer)

2009 Annie Award for Best Music in an Animated Television Production or Short Form - ''Kung Fu Panda: Secrets of the Furious Five'' (with Henry Jackman and Hans Zimmer)

2011 Annie Award for Best Music in an Animated Feature Production - ''How To Train Your Dragon''

2011 IFMCA Award for Best Original Score for an Animated Feature - ''How To Train Your Dragon''

2011 IFMCA Award for Film Score of the Year - ''How To Train Your Dragon''

Nominations

1998 Saturn Award for Best Music - ''Face/Off''

1999 Annie Award for Outstanding Individual Achievement for Music in an Animated Feature Production - ''Antz'' (with Harry Gregson-Williams)

2000 Annie Award for Outstanding Individual Achievement for Music in an Animated Feature Production - ''The Road to El Dorado'' (with Hans Zimmer, Elton John and Tim Rice)

2001 Saturn Award for Best Music - ''The Road to El Dorado'' (with Hans Zimmer)

2001 Phoenix Film Critics Society Awards for Best Original Score - ''Chicken Run'' (with Harry Gregson-Williams)

2002 BAFTA Anthony Asquith Award for Film Music - ''Shrek'' (with Harry Gregson-Williams)

2002 Saturn Award for Best Music - ''Shrek'' (with Harry Gregson-Williams)

2005 Golden Satellite Award for Best Original Score - ''Alfie'' (with David A. Stewart and Mick Jagger)

2007 Saturn Award for Best Music - ''X-Men: The Last Stand''

2007 Annie Award for Best Music in an Animated Feature Production - ''Ice Age: The Meltdown''

2007 BAFTA Anthony Asquith Award for Film Music - ''Happy Feet''

2008 Grammy for Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media - ''Happy Feet''

2008 Satellite Award for Best Original Score - ''Horton Hears a Who!''

2008 Saturn Award for Best Music - ''The Bourne Ultimatum''

2009 Saturn Award for Best Music - ''Jumper''

2009 Annie Award for Best Music in an Animated Feature Production - ''Horton Hears a Who!''

2010 Annie Award for Music in a Feature Production - ''Ice Age: Dawn of the Dinosaurs''

2011 Saturn Award for Best Music - ''How To Train Your Dragon''

2011 BAFTA Award for Best Original Music - ''How To Train Your Dragon''

2011 Academy Award for Best Original Score - ''How To Train Your Dragon''

References

External links

SoundtrackNet - John Powell Biography

Category:1963 births Category:English film score composers Category:Ivor Novello Award winners Category:Living people Category:Shrek music

cs:John Powell de:John Powell (Filmmusikkomponist) es:John Powell fa:جان پاول fr:John Powell (compositeur) it:John Powell hu:John Powell nl:John Powell ja:ジョン・パウエル (作曲家) no:John Powell nn:John Powell nds:John Powell (Komponist) pl:John Powell (kompozytor) pt:John Powell ru:Пауэлл, Джон sv:John Powell uk:Джон Павелл vi:John Powell zh:約翰·包威爾

Coordinates	56°09′″N40°25′″N
name	Carole King
background	solo_singer
birth name	Carol Klein
birth date	February 09, 1942
origin	New York City, United States
instrument	PianoVocalsGuitar
genre	Folk rock, Pop
occupation	Singer-songwriter
years active	1958–present
label	RockingaleOde/Epic/CBS RecordsPriority/EMI Records
associated acts	James TaylorThe CityDanny KortchmarNeil Sedaka
website	CaroleKing.com }}

Carole King (born February 9, 1942) is an American singer, songwriter, and pianist. King and her former husband Gerry Goffin wrote more than two dozen chart hits for numerous artists during the 1960s, many of which have become standards. As a singer, King's album ''Tapestry'' topped the U.S. album chart for 15 weeks, in 1971, and remained on the charts for more than six years.

She was most successful as a performer in the first half of the 1970s, although she was a successful songwriter long before and long after. She had her first No. 1 hit as a songwriter in 1961, at age 18, with "Will You Love Me Tomorrow", which she wrote with Gerry Goffin. In 1997, she co-wrote "The Reason" for Celine Dion.

In 2000, Joel Whitburn, a ''Billboard Magazine'' pop music researcher, named her the most successful female songwriter of 1955–99, because she wrote or co-wrote 118 pop hits on the Billboard Hot 100.

King has made 25 solo albums, the most successful being ''Tapestry''. Her most recent non-compilation album is ''Live at the Troubadour'', a collaboration with James Taylor, which reached No.4 on the charts in its first week, and has sold over 400,000 copies.

She has won four Grammy Awards and was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame for her songwriting. In 2009, Carole King was inducted into the "Hit Parade" Hall of Fame. She holds the record for the longest time for an album by a female to remain on the charts and the longest time for an album by a female to hold the No.1 position, both for ''Tapestry''.

Early life

Born Carol Klein (she added the "e" to her first name) in 1942 to a Jewish family in Manhattan, New York, King grew up in Brooklyn. She learned the piano, then began singing with a vocal quartet called the Co-Sines at James Madison High School. As a teenager dreaming of having a successful entertainment career, she decided to give herself a new last name, stumbling upon "King" in a telephone directory. She attended Queens College, where she was a classmate (and girlfriend) of Neil Sedaka and inspired Sedaka's first hit, "Oh! Carol." She responded with "Oh! Neil." At Queens College, she befriended Paul Simon and Gerry Goffin.

Partnership with Gerry Goffin

Goffin and King formed a songwriting partnership for Aldon Music at 1650 Broadway in New York. Their partnership's first success was "Will You Love Me Tomorrow", recorded by The Shirelles. It topped the American charts in 1961, becoming the first No. 1 hit by a girl group. It was later recorded by Linda Ronstadt, Ben E. King, Dusty Springfield, Laura Branigan, Little Eva, Roberta Flack, The Four Seasons, Bryan Ferry, Dave Mason, Dionne Warwick, and Melanie Safka as well as by King herself, and Amy Winehouse.

Goffin and King married in September 1960 and had two daughters, Louise Goffin and Sherry Goffin. Both are musicians.

In 1965, Goffin and King wrote a theme song for Sidney Sheldon's television series, ''I Dream of Jeannie,'' but an instrumental by Hugo Montenegro was used instead. Goffin and King's 1967 song, "Pleasant Valley Sunday", a No.3 for The Monkees, was inspired by their move to suburban West Orange, New Jersey. Goffin and King also wrote "Porpoise Song (Theme from Head)" for ''Head'', the Monkees' film. (King also co-wrote "As We Go Along" with Toni Stern for the same film soundtrack.)

Goffin and King divorced in 1968 but Carole consulted Goffin on music she was writing. King lost touch with Goffin because of his declining mental health and the effect it had on their children.

Solo career

In 1967, King had a hit "Windy Day" with The Executives. In 1968, she was hired with Toni Stern to write for Strawberry Alarm Clock – "Lady of the Lake" and "Blues for a Young Girl Gone"—which appeared on the album, ''The World in a Seashell''.

King sang backup vocals on the demo of Little Eva's "The Loco-Motion". She had had a modest hit in 1962 singing one of her own songs, "It Might As Well Rain Until September" (22 in the US and top 10 in the UK, later a hit in Canada for Gary and Dave), but after "He's a Bad Boy" made 94 in 1963, it took King eight years to reach the Hot 100 singles chart again as a performer. As the '60s waned, King helped start Tomorrow Records, divorced Goffin and married Charles Larkey (of the Myddle Class), with whom she had two children (Molly and Levi). Moving to the West Coast, Larkey, King and Danny Kortchmar formed The City, which made one album, ''Now That Everything's Been Said'', a commercial failure. King made ''Writer'' (1970), also a commercial failure.

King followed ''Writer'' in 1971 with ''Tapestry'', featuring new folk-flavored compositions, as well as reinterpretations of two of her songs, "Will You Love Me Tomorrow" and "(You Make Me Feel Like) A Natural Woman." ''Tapestry'' was an instant success. With numerous hit singles – including a Billboard No.1 with "It's Too Late" – ''Tapestry'' held the No.1 spot for 15 consecutive weeks, remained on the charts for nearly six years, sold 10 million copies in the United States, and 25 million worldwide. The album garnered four Grammy Awards including Album of the Year; Best Pop Vocal Performance, Female; Record of the Year ("It's Too Late," lyrics by Toni Stern); and Song of the Year, become the first woman to win the award ("You've Got a Friend"). The album signalled the era of platinum albums, though it was issued prior to the invention of the platinum certification by the RIAA. It would eventually be certified Diamond.

''Tapestry'' was the top-selling solo album until Michael Jackson's ''Thriller'' in 1982. The album was later placed at 36 on Rolling Stone's "500 Greatest Albums of All Time" list. In addition, "It's Too Late" was placed at No.469 on Rolling Stone's 500 Greatest Songs of All Time.

''Carole King: Music'' was released in December 1971, certified gold on December 9, 1971. It entered the top ten at 8, becoming the first of many weeks ''Tapestry'' and ''Carole King: Music'' would occupy the top 10 simultaneously. The following week, it rose to 3, and finally No.1 on January 1, 1972, staying there for three weeks. The album also spawned a top 10 hit, "Sweet Seasons" (US No.9 and AC #2). ''Music'' stayed on the Billboard pop album charts for 44 weeks. ''Carole King: Music'' was eventually certified platinum.

''Rhymes and Reasons'' (1972), and ''Fantasy'' (1973) followed, each earning gold certifications. ''Rhymes and Reasons'' produced another hit, "Been to Canaan" (US No.24 and AC #1), and ''Fantasy'' produced two hits, "Believe in Humanity" (US #28) and "Corazon" (US No.37 and AC #5), as well as another song that charted on the Hot 100, "You Light Up My Life" (US No.68 and AC #6).

In 1973, King performed a free concert in New York City's Central Park with 100,000 attending.

In September 1974, King released her album ''Wrap Around Joy,'' which was certified gold on October 16, 1974 and entered the top ten at 7 on October 19, 1974. Two weeks later it reached 1 and stayed there one week. She toured to promote the album. ''Wrap Around Joy'' spawned two hits. Jazzman was a single and reached 2 on November 9 but fell out of the top ten the next week. Nightingale, a single on December 17, went to No.9 on March 1, 1975.

In 1975, King scored songs for the animated TV production of Maurice Sendak's ''Really Rosie'', released as an album by the same name, with lyrics by Sendak.

''Thoroughbred'' (1976) was the last studio album she made under the Ode label. In addition to enlisting her long-time friends such as David Crosby, Graham Nash, James Taylor and Waddy Wachtel, King reunited with Gerry Goffin to write four songs for the album. Their partnership continued intermittently. King also did a promotional tour for the album in 1976.

In 1977, King collaborated with another songwriter Rick Evers on ''Simple Things'', the first release with a new label distributed by Capitol Records. Shortly after that King and Evers were married; he died of a heroin overdose one year later. ''Simple Things'' was her first album that failed to reach the top 10 on the Billboard since ''Tapestry'', and it was her last Gold-certified record by the RIAA, except for a compilation entitled ''Her Greatest Hits'' the following year. Neither ''Welcome Home'' (1978), her debut as a co-producer on an album, nor ''Touch the Sky'' (1979), reached the top 100.

''Pearls – The Songs of Goffin and King'' (1980) yielded a hit single, an updated version of "One Fine Day." ''Pearls'' marked the end of King's career as a hitmaker and a performer, no subsequent single reaching the top 40.

Later life and work

King moved to Atlantic Records for ''One to One'' (1982), and ''Speeding Time'' in 1983, which was a reunion with Tapestry-era producer Lou Adler. In 1983, she played piano in "Chains and Things" on the B.B. King album ''Why I Sing The Blues''. After a well-received concert tour in 1984, journalist Catherine Foster of the Christian Science Monitor dubbed King as "a Queen of Rock." She also called King's performing as "all spunk and exuberance."

In 1985, she wrote and performed "Care-A-Lot," theme to ''The Care Bears Movie''. Also in 1985, she scored and performed (with David Sanborn) the soundtrack to the Martin Ritt-directed movie ''Murphy's Romance''. The soundtrack, again produced by Adler, included the songs "Running Lonely" and "Love For The Last Time (Theme from 'Murphy's Romance')," although a soundtrack album was apparently never officially released. King made a cameo appearance in the film as Tillie, a town hall employee.

In 1989, she returned to Capitol Records and recorded ''City Streets'', with Eric Clapton on two tracks and Branford Marsalis on one, followed by ''Color of Your Dreams'' (1993), with an appearance by Slash of Guns N' Roses. Her song, "Now and Forever," was in the opening credits to the 1992 movie ''A League of Their Own'', and was nominated for a Grammy Award.

In 1988, she starred in the off-Broadway production ''A Minor Incident'', and in 1994, she played Mrs Johnstone on Broadway in ''Blood Brothers''. In 1996, she appeared in ''Brighton Beach Memoirs'' in Ireland, directed by Peter Sheridan. In 1991, she wrote with Mariah Carey the song "If It's Over", for Carey's second album ''Emotions''. In 1996, she wrote "Wall Of Smiles / Torre De Marfil" with Soraya for her 1997 album of the same title.

In 1997, King wrote and recorded backing vocals on "The Reason" for Celine Dion on her album ''Let's Talk About Love''. The song sold worldwide, including one million in France. It went to number 1 in France, 11 in the UK, and 13 in Ireland. The pair performed a duet on the first VH1 Divas Live benefit concert. King also performed her "You've Got A Friend" with Celine Dion, Gloria Estefan and Shania Twain as well as "(You Make Me Feel Like) A Natural Woman" with Aretha Franklin and others, including Mariah Carey. In 1998, King wrote "Anyone at All", and performed it in ''You've Got Mail'', starring Tom Hanks and Meg Ryan.

In 2001, King appeared in a television ad for the Gap, with her daughter, Louise Goffin. She performed a new song, "Love Makes the World," which became a title track for her studio album in autumn 2001 on her own label, Rockingale, distributed by Koch Records. The album includes songs she wrote for other artists during the mid-1990s and features Celine Dion, Steven Tyler, Babyface and k.d. lang. ''Love Makes the World'' went to 158 in the US and No.86 in the UK. It also debuted on ''Billboard's'' Top Independent Albums chart and Top Internet Albums chart at #20. An expanded edition of the album was issued six years later called ''Love Makes the World Deluxe Edition''. It contains a bonus disc with five additional tracks, including a remake of "Where You Lead (I Will Follow)" co-written with Toni Stern. The same year, King and Stern wrote "Sayonara Dance," recorded by Yuki, former lead vocalist of the Japanese band Judy and Mary, on her first solo album ''Prismic'' the following year. Also in 2001, King composed a song for ''All About Chemistry'' album by Semisonic, with the band's frontman Dan Wilson.

King launched her Living Room Tour in July 2004 at the Auditorium Theatre in Chicago. That show, along with shows at the Greek Theater in Los Angeles and the Cape Cod Melody Tent (Hyannis, Massachusetts) were recorded as ''The Living Room Tour'' in July 2005. The album sold 44,000 copies in its first week in the US, landing at 17 on the Billboard 200, her highest-charting album since 1977. The album also charted at 51 in Australia. It has sold 330,000 copies in the United States. In August 2006 the album reentered the Billboard 200 at 151. The tour stopped in Canada, Australia and New Zealand. A DVD of the tour, called ''Welcome to My Living Room'', was released in October 2007.

In November 2007, King toured Japan with Mary J. Blige and Fergie from The Black Eyed Peas. Japanese record labels Sony and Victor reissued most of King's albums, including the works from the late 1970s previously unavailable on compact disc. King recorded a duet of the Goffin/King composition "Time Don't Run Out on Me" with Anne Murray on Murray's 2007 album ''Anne Murray Duets: Friends and Legends''. The song had previously been recorded by Murray for her 1984 album ''Heart Over Mind''.

In 2010, King and James Taylor staged their Troubadour Reunion Tour together, recalling the first time they played at The Troubadour in Los Angeles in 1970. The pair had reunited two and a half years earlier with the band they used in 1970 to mark the club's 50th anniversary. They enjoyed it so much that they decided to take the band on the road. The touring band featured players from that original band: Russ Kunkel, Leland Sklar, and Danny Kortchmar. Also present was King's son-in-law, Robbie Kondor. King played piano and Taylor guitar on each others' songs, and they sang together some of the numbers they were both associated with. The tour began in Australia in March, returning to the United States in May. It was a major commercial success, with King playing to some of the largest audiences of her career. Total ticket sales exceeded 700,000 and the tour grossed over 59 million dollars, making it one of the most successful tours of the year.

During their Troubadour Reunion Tour, Carole King released two albums, one with James Taylor. The first, released on April 27, 2010, ''The Essential Carole King'', is a two-disc compilation album. The first disc features many songs Carole King has recorded, mostly her hit singles. The second disc features recordings by other artists of songs that King wrote, most of which made the top 40, and many of which reached #1. The second album was released on May 4, 2010 and is a collaboration of King and James Taylor called ''Live at the Troubadour'', which debuted at No.4 in the United States with sales of 78,000 copies. ''Live at the Troubadour'' has since received a gold record from the RIAA for shipments of over 500,000 copies in the US and has remained on the charts for 34 weeks, currently charting at No.170 on the ''Billboard'' 200.

On December 22, 2010, Carole King's mother, Eugenia Gingold, died in the Hospice Care unit at Delray Medical Center in Delray Beach, Florida at the age of 94. King stated that the cause of death was congestive heart failure. Gingold's passing was reported by the Miami Herald on January 1, 2011.

The City

In 1968 King formed The City, a music trio consisting of Charles Larkey, bass, Danny Kortchmar, guitar and vocals, and King on piano and vocals. The trio was assisted by Jim Gordon on drums. The City produced one album, ''Now That Everything's Been Said'' in 1968, but King's reluctance to perform live meant sales were slow, and after a change of distributors it got deleted early, and the group disbanded in 1969. The album was re-released in 1999 as a CD, though despite a reappraisal by Kortchmar that the album sowed the seeds for ''Tapestry'' the CD was also deleted.

Acting career

King has appeared sporadically in acting roles, notably three appearances as guest star on the TV series ''Gilmore Girls'' as Sophie, the owner of the Stars Hollow music store. King's song "Where You Lead (I Will Follow)" was also the theme song to the series, in a version sung with her daughter Louise.

Political and environmental activism

After relocating to Idaho in 1977, King became involved in environmental issues. Since 1990, she has been working with the Alliance for the Wild Rockies and other groups towards passage of the Northern Rockies Ecosystem Protection Act (NREPA). King has testified on Capitol Hill three times on behalf of NREPA: in 1994, 2007 and again in 2009.

King is also politically active in the United States Democratic Party. In 2003, she began campaigning for John Kerry, performing in private homes for caucus delegates during the Democratic primaries. On July 29, 2004, she made a short speech and sang at the Democratic National Convention, about two hours before Kerry made his acceptance speech for the Democratic nomination for President. King continued her support of Kerry throughout the general election.

In 2008, King appeared on the March 18 episode of ''The Colbert Report'', touching on her politics once more. She stated that she was supporting Hillary Clinton and mentioned that the choice had nothing to do with gender. She also expressed that she would have no issues if Barack Obama were to win the election. Before the show's conclusion, she returned to the stage to perform "I Feel the Earth Move".

Tributes and covers

An all-star roster of artists paid tribute to King on the 1995 album ''Tapestry Revisited: A Tribute to Carole King.'' From the album, Rod Stewart's version of "So Far Away" and Celine Dion's cover of "A Natural Woman" were both Adult Contemporary chart hits. Other artists who appeared on the album included Amy Grant ("It's Too Late"), Richard Marx ("Beautiful"), Aretha Franklin ("You've Got a Friend"), Faith Hill ("Where You Lead"), and the Bee Gees ("Will You Love Me Tomorrow?").

Former Monkee Micky Dolenz released ''King for a Day'', a tribute album consisting of songs written or co-written by King, in 2010. The album includes "Sometime in the Morning", a King-penned song originally recorded by the Monkees in 1967. Dolenz had previously recorded another of King's Monkees compositions, "Porpoise Song", on his lullaby-themed CD ''Micky Dolenz Puts You to Sleep''.

Many other cover versions of King's work have appeared over the years. Most notably, "You've Got a Friend" was a smash No.1 hit for James Taylor in 1971 and a top 40 hit for Roberta Flack and Donny Hathaway that same year. Isaac Hayes recorded "It's Too Late" for his No.1 R&B; live album ''Live at the Sahara Tahoe''. Barbra Streisand had a top 40 hit in 1972 with "Where You Lead" twice – by itself and as part of a live medley with "Sweet Inspiration." Streisand also covered "No Easy Way Down" in 1971, "Beautiful" and "You've Got A Friend" in 1972, and "Being At War With Each Other" in 1974. The Carpenters recorded King's "It's Going to Take Some Time" in 1972 ,and reached number 12 on the Billboard charts. Richard Carpenter produced a version of "You've Got A Friend" with then teen singer/actor Scott Grimes in 1989. Martika had a number 25 hit in 1989 with her version of I Feel the Earth Move, and "It's Too Late" reappeared on the Adult Contemporary chart in 1995 by Gloria Estefan. Linda Ronstadt recorded a new version of "Oh No Not My Baby" in 1993. Celine Dion also recorded King's song "The Reason" on her 1997 album ''Let's Talk About Love'' with Carole King singing backup and it became a million-seller and was certified Diamond in France. "Where You Lead" (lyrics by Toni Stern) became the title song of TV show ''Gilmore Girls''.

In 1996, a film very loosely based on her life, ''Grace of My Heart,'' was released. In the film an aspiring singer sacrifices her own singing career to write hit songs that launch the careers of other singers. Mirroring King's life, the film follows her from her first break, through the pain of rejection from the recording industry and a bad marriage, to her final triumph in realizing her dream to record her own hit album.

Awards and recognition

In 1987, Goffin and King were inducted into the Songwriters Hall of Fame.

In 1988, Goffin and King received the National Academy of Songwriters Lifetime Achievement Award.

In 1990, King was inducted, along with Goffin, into the Rock and Roll Hall of Fame in the non-performer category for her songwriting achievements.

In 2002, King was given the "Johnny Mercer Award" by the Songwriters Hall of Fame.

In 2004, Goffin and King were awarded the Grammy Trustees Award.

King was inducted into the Long Island Music Hall of Fame in 2007.

Discography and certifications

The years given are the years in which the albums and singles were released and not necessarily the years in which they achieved their peak positions.

U.S. Billboard Top 10 Albums

1971 – ''Tapestry'' (#1)

1971 – ''Carole King: Music'' (#1)

1972 – ''Rhymes and Reasons'' (#2)

1973 – ''Fantasy'' (#6)

1974 – ''Wrap Around Joy'' (#1)

1976 – ''Thoroughbred'' (#3)

2010 – ''Live at the Troubadour'' (with James Taylor) (#4)

U.S. Billboard Top 10 'Pop' Singles

1971 – "I Feel the Earth Move" (#1)

1971 – "It's Too Late" (#1)

1971 – "Sweet Seasons" (#9)

1974 – "Jazzman" (#2)

1974 – "Nightingale" (#9)

Albums and singles certifications

!Song title	!Certification
"It's Too Late"	Gold
!Album title	!Certification
''Tapestry''	Diamond
''Carole King: Music''	Platinum
''Rhymes and Reasons''	Gold
''Fantasy''	Gold
''Wrap Around Joy''	Gold
''Thoroughbred''	Gold
''Simple Things''	Gold
''Live at the Troubadour''	Gold

See also

List of songwriter tandems

References

External links

www.caroleking.com

Articles on Carole King

Rachel Louis Snyder on Carole King, ''Salon,'' June 19, 1999

Franck Scheck on Carole King, ''Hollywood Reporter,'' July 15, 2005

Category:1942 births Category:Living people Category:A&M; Records artists Category:American female pop singers Category:American pop pianists Category:American singer-songwriters Category:E1 Music artists Category:Female rock singers Category:Grammy Award winners Category:Jewish American composers and songwriters Category:Musicians from New Jersey Category:People from Brooklyn Category:People from Long Island Category:People from West Orange, New Jersey Category:Queens College, City University of New York alumni Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees

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Coordinates	56°09′″N40°25′″N
name	James Taylor
background	solo_singer
birth name	James Vernon Taylor
born	March 12, 1948Lenox, Massachusetts, U.S.
origin	Chapel Hill, North Carolina
instrument	Vocals, guitar, harmonica
genre	Folk rock, rock, pop, country
occupation	Singer-songwriter, musician
years active	1968–present
label	Apple/Capitol/EMIWarner Bros.Columbia/SME RecordsHear Music
associated acts	Carole King, Carly Simon
website
notable instruments	}}

James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, Taylor was inducted into the Rock & Roll Hall of Fame in 2000.

Taylor achieved his major breakthrough in 1970 with the #3 single "Fire and Rain" and had his first #1 hit the following year with "You've Got a Friend", a recording of Carole King's classic song. His 1976 ''Greatest Hits'' album was certified Diamond and has sold 12 million US copies. Following his 1977 album, ''JT'', he has retained a large audience over the decades. His commercial achievements declined slightly until a big resurgence during the late 1990s and 2000s, when some of his best-selling and most-awarded albums (including ''Hourglass'', ''October Road'' and ''Covers'') were released.

Biography

Early years

James Taylor was born at Massachusetts General Hospital in Boston, Massachusetts, on March 12, 1948, where his father, Isaac M. Taylor, was a resident physician. His father was from a well-off family of Southern Scottish ancestry. His mother, the former Gertrude Woodard, had studied singing with Marie Sundelius at the New England Conservatory of Music and was an aspiring opera singer before the couple's marriage in 1946. James was the second of five children, the others being Alex (born 1947), Kate (born 1949), Livingston (born 1950), and Hugh (born 1952).

In 1951, when James was three years old, the family moved to what was then the countryside of Chapel Hill, North Carolina, when Isaac took a job as Assistant Professor of Medicine at the University of North Carolina School of Medicine. They built a house in the Morgan Creek area off of what is now Morgan Creek Road, which was sparsely populated. James would later say, "Chapel Hill, the Piedmont, the outlying hills, were tranquil, rural, beautiful, but ''quiet''. Thinking of the red soil, the seasons, the way things smelled down there, I feel as though my experience of coming of age there was more a matter of landscape and climate than people." James attended public primary school in Chapel Hill. Isaac's career prospered, but he was frequently away from home, either on military service at Bethesda Naval Hospital in Maryland or as part of Operation Deep Freeze in Antarctica during 1955–1956. Isaac Taylor later rose to become Dean of the UNC School of Medicine from 1964 to 1971. The family spent summers on Martha's Vineyard beginning in 1953.

Taylor first learned to play the cello as a child in North Carolina, and switched to the guitar in 1960. His style on that instrument evolved from listening to hymns, carols, and Woody Guthrie, while his technique derived from his bass clef-oriented cello training and from experimenting on his sister Kate's keyboards: "My style was a finger-picking style that was meant to be like a piano, as if my thumb were my left hand, and my first, second, and third fingers were my right hand." He began attending Milton Academy, a prep boarding school in Massachusetts in Fall 1961; summering before then with his family on Martha's Vineyard, he met Danny Kortchmar, an aspiring teenage guitarist from Larchmont, New York. The two began listening to and playing blues and folk music together, and Kortchmar quickly realized that Taylor's singing had a "natural sense of phrasing, every syllable beautifully in time. I knew James had that ''thing''." Taylor wrote his first song on guitar at age 14, and continued to learn the instrument effortlessly. By the summer of 1963, he and Kortchmar were playing coffeehouses around the Vineyard, billed as "Jamie & Kootch".

Taylor faltered during his junior year at Milton, not feeling at ease in the high-pressured college prep environment despite having good scholastic performance. The Milton principal would later say, "James was more sensitive and less goal oriented than most students of his day." He returned home to North Carolina to finish out the semester at Chapel Hill High School. There he joined a band his brother Alex had formed called The Corsayers (later The Fabulous Corsairs), playing electric guitar; in 1964 they cut a single in Raleigh that featured James's song "Cha Cha Blues" on the B-side. Having lost touch with his former school friends in North Carolina, Taylor returned to Milton for his senior year.

There, Taylor started applying to colleges, but soon descended into depression; his grades collapsed, he slept twenty hours a day, and he felt part of a "life that I [was] unable to lead." In late 1965 he committed himself to the renowned McLean Hospital in Belmont, Massachusetts, where he was treated with Thorazine and where the organized days began to give him a sense of time and structure. As the Vietnam War built up, Taylor received a psychological rejection from Selective Service System when he appeared before them with two white-suited McLean assistants and was uncommunicative. Taylor earned a high school diploma in 1966 from the hospital's associated Arlington School. He would later view his nine-month stay at McLean as "a lifesaver ... like a pardon or like a reprieve," and both his brother Livingston and sister Kate would later be patients and students there as well. As for his mental health struggles, Taylor would think of them as innate, and say: "It's an inseparable part of my personality that I have these feelings."

1966–1969: Early career

Taylor checked himself out of McLean and, at Kortchmar's urging, moved to New York City to form a band. They recruited Joel O'Brien, formerly of Kortchmar's old band The King Bees, to play drums, and Taylor's childhood friend Zachary Wiesner (son of noted academic Jerome Wiesner) to play bass, and – after Taylor rejected the notion of naming the group after him – called themselves The Flying Machine. They played songs that Taylor had written at and about McLean, such as "Knocking 'Round the Zoo", "Don't Talk Now", and "The Blues Is Just a Bad Dream". In some other songs, Taylor romanticized his life, although he was plagued by self-doubt. By summer 1966 they were performing regularly at the high-visibility Night Owl Cafe in Greenwich Village alongside acts such as The Turtles and Lothar and the Hand People.

Taylor associated with a motley collection of people and began using heroin, to Kortchmar's dismay, and wrote the "Paint It, Black"-influenced "Rainy Day Man" to depict his drug experience. In a hasty recording session in late 1966, the group cut a single, Taylor's "Brighten Your Night with My Day" backed with his "Night Owl". Released on Jay Gee Records, a subsidiary of Jubilee Records, it received some radio airplay in the Northeast, but only charted to #102 nationally. Other songs had been recorded during the same session, but Jubilee declined to go forward with an album. After a series of poorly-chosen appearances outside New York, culminating with a three-week stay at a failing nightspot in Freeport, Bahamas for which they were never paid, The Flying Machine broke up. (A UK band with the same name emerged in 1969 with the hit song "Smile a Little Smile for Me". The New York band's recordings were later released in 1971 as ''James Taylor and the Original Flying Machine''.)

Taylor would later say of this New York period, "I learned a lot about music and too much about drugs." Indeed, his drug use had developed into full-blown heroin addiction during the final Flying Machine period: "I just fell into it, since it was as easy to get high in the Village as get a drink." He hung out in Washington Square Park, playing guitar to ward off depression and then passing out, letting runaways and criminals stay at his apartment. Finally out of money and abandoned by his manager, he made a desperate call one night to his father. Isaac Taylor flew to New York and staged a rescue, renting a car and driving all night back to North Carolina with James and his possessions. Taylor spent six months getting treatment and making a tentative recovery; he also required a throat operation to fix vocal cords damaged from singing too harshly.

Taylor decided to try being a solo act and a change of scenery. In late 1967, funded by a small family inheritance, he moved to London, living variously in Notting Hill, Belgravia, and Chelsea. He recorded some demos in Soho and, capitalizing on Kortchmar's connection to The King Bees (who once once opened for Peter and Gordon), brought the demos to Peter Asher, who was A&R; head for The Beatles' newly-formed label Apple Records. Asher showed the demos to Paul McCartney, who later said, "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's ''great''." Taylor became the first non-British act signed to Apple. Living chaotically in various places with various women, Taylor wrote additional material, including "Carolina in My Mind", and rehearsed with a new backing band. Taylor recorded the album from July to October 1968 at Trident Studios, at the same time The Beatles were recording ''The White Album''. McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric ''holy host of others standing around me'' made reference to the Beatles, while the title phrase of Taylor's "Something in the Way She Moves" provided the lyrical starting point for Harrison's classic "Something". McCartney and Asher brought in arranger Richard Hewson to add orchestrations to several of the songs and unusual "link" passages in between them; these would receive a mixed reception at best.

During the recording sessions, Taylor fell back into his drug habit, using heroin and methedrine. He underwent physeptone treatment in a British program, returned to New York and was hospitalized there, and then finally committed himself to the Austen Riggs Center in Stockbridge, Massachusetts, which emphasized cultural and historical factors in trying to treat difficult psychiatric disorders. Meanwhile, Apple released his debut album, ''James Taylor'', in December 1968 in the UK and February 1969 in the U.S. Critical reaction was generally good, including a very positive Jon Landau review in ''Rolling Stone'' which said "this album is the coolest breath of fresh air I've inhaled in a good long while. It knocks me out." The record's commercial potential suffered from Taylor's inability to promote it due to his hospitalization and it sold poorly; "Carolina in My Mind" was released as a single, but failed to chart in the UK and only made #118 in the U.S.

Apple Corps itself had fallen into chaos, with anarchic business planning and freeloaders taking advantage of it in every direction. In early 1969, to clean up the situation, three of the Beatles brought in Allen Klein, who began purging Apple personnel. Asher did not like Klein; he resigned of his own accord and offered to manage Taylor, to which Taylor agreed. Klein wanted to hit Taylor with a $5 million lawsuit for leaving, but McCartney (a Klein antagonist) and then the other Beatles, overruled him on the grounds that artists should not be holding each other to contracts.

In July 1969 Taylor had a six-night stand at The Troubadour in Los Angeles. On July 20 he performed at the Newport Folk Festival as the last act, and was cheered by thousands of fans who stayed in the rain to hear him. Shortly thereafter, he broke both hands and both feet in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months. But while recovering, he continued to write songs and in October 1969, signed a new deal with Warner Bros. Records.

1970–1973: Breakthrough

Once recovered, Taylor moved to California, keeping Asher as his manager and record producer. In December 1969, he held the recording sessions for his second album there. Entitled ''Sweet Baby James'', and with the participation of Carole King, the album was released in February 1970 and was Taylor's critical and popular triumph, buoyed by the single "Fire and Rain", a song about Taylor's experience in psychiatric institutions and the suicide of his friend, Suzanne Schnerr. Both the album and the single reached #3 in the Billboard charts, with ''Sweet Baby James'' selling more than 1½ million copies in its first year and eventually more than 3 million in the United States alone. ''Sweet Baby James'' was received at its time as a folk-rock masterpiece, an album that effectively showcased Taylor's talents to the mainstream public, marked the direction he would take in following years, and made Taylor one of the main forces of the nascent movement. It earned several Grammy Award nominations including one for Album of the Year. (It would be listed at #103 on Rolling Stone's 500 Greatest Albums of All Time in 2003, with "Fire and Rain" listed as #227 on Rolling Stone's 500 Greatest Songs of All Time the year after.)

During the time ''Sweet Baby James'' was released, Taylor appeared with Dennis Wilson of The Beach Boys in a Monte Hellman film, ''Two-Lane Blacktop''. In October 1970, he performed with Joni Mitchell, Phil Ochs, and the Canadian band Chilliwack at a Vancouver benefit concert that funded Greenpeace's protests of 1971 nuclear weapons tests by the U.S. Atomic Energy Commission at Amchitka, Alaska. (This performance would be released in 2009 on the album ''Amchitka, The 1970 Concert That Launched Greenpeace''.) In January 1971, sessions for Taylor's next album began.

His career success so far, and appeal to female fans of various ages, piqued tremendous interest in Taylor, prompting a March 1, 1971, ''Time'' magazine cover story. It compared his strong-but-brooding persona to that of ''Wuthering Heights''s Heathcliff and to ''The Sorrows of Young Werther'', and said that, "Taylor's use of elemental imagery—darkness and sunlight, references to roads traveled and untraveled. to fears spoken and left unsaid—reaches a level both of intimacy and controlled emotion rarely achieved in purely pop music." Released in April, ''Mud Slide Slim and the Blue Horizon'' also gained massive critical acclaim and contained Taylor's biggest hit single in the U.S., a version of the Carole King standard "You've Got a Friend" (featuring backing vocals by Joni Mitchell), which reached #1 on the Billboard Hot 100 in late July. The album itself reached #2 in the album charts, which would be Taylor's highest position ever on this list. In early 1972, Taylor received his first Grammy Award, for (Best Pop Vocal Performance, Male) for "You've Got a Friend" (King also won Song of the Year for the same song in that ceremony). The album went on to sell 2½ million copies in the United States alone.

November 1972 saw the release of Taylor's fourth album, ''One Man Dog''. A concept album primarily recorded in his home recording studio, it featured cameos by Linda Ronstadt and consisted of eighteen short pieces of music put together. It was received with generally lukewarm reviews and, despite making the Top 10 of the Billboard Album Charts, overall sales were disappointing. The lead single "Don't Let Me Be Lonely Tonight" peaked at #18 on the Hot 100, and the follow-up, "One Man Parade", barely reached the Top 75. Almost simultaneously, Taylor married fellow singer-songwriter Carly Simon on November 3, in a small ceremony at her Murray Hill, Manhattan apartment. A post-concert party following a Taylor performance at Radio City Music Hall turned into a large-scale wedding party, and the Simon-Taylor marriage would find much public attention over the following years. They had two children, Sarah Maria "Sally" Taylor, born January 7, 1974, and Benjamin Simon "Ben" Taylor, born January 22, 1977.

1974–1976: Career ups and downs

Taylor spent most of 1973 enjoying his new life as a married man, and he did not return to the recording studio until January 1974, when sessions for his fifth album began. ''Walking Man'' was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinozza. The album was a critical and commercial disaster, being his first album to miss the Top 5 since his contract with Warner. It received poor reviews and sold a mere 300,000 copies in the United States. The title track was a huge disappointment, and failed to even appear on the Top 100 – nevertheless, it stands today as an often reprised fan favorite in concerts.

However, James Taylor's artistic fortunes spiked again in 1975 when the Gold album ''Gorilla'' reached #6 and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)", which featured wife Carly in backing vocals and reached #5 in America and #1 in Canada. On the Billboard's Adult Contemporary chart, the track also reached the top, and the follow-up single, the feel-good "Mexico" also reached the Top 5 of that list. A critically very-well received album, ''Gorilla'' showcased Taylor's electric, lighter side that was evident on ''Walking Man''. However, it was arguably a more consistent and fresher-sounding Taylor, with classics such as "Wandering" and "Angry Blues." It also featured a song about his daughter Sally, "Sarah Maria".

''Gorilla'' was followed in 1976 by ''In the Pocket'', Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed a harmonica solo). A very melodic album, it was highlighted with the single "Shower the People", an enduring classic that hit #1 Adult Contemporary and almost hit the Top 20 of the Pop Charts. But the album was not very well-received, reaching only #16 and being highly criticized, particularly by ''Rolling Stone''. Nevertheless 1976 was a huge boom year in the recording business — the year of inception of the "Platinum" disc — and ''In The Pocket'' was certified Gold.

With the close of Taylor's contract with Warner, in November the label released ''Greatest Hits'', the album that comprised most of his best work between 1970 and 1976. It became with time his best-selling album, ever. It was certified eleven times Platinum in the US, earning a Diamond certification by the RIAA and eventually selling close to twenty million copies worldwide. It still stands as the best-selling folk album by any artist.

1977–1981: Move to Columbia and maintained success

In 1977 Taylor signed with Columbia Records. Between March and April, he quickly recorded his first album for the label. ''JT'', released that June, gave Taylor his best reviews since ''Sweet Baby James'', earning a Grammy nomination for Album of the Year in 1978. Rolling Stone was particularly favorable to the album – "''JT'' is the least stiff and by far the most various album Taylor has done. That's not meant to criticize Taylor's earlier efforts [...]. But it's nice to hear him sounding so healthy." ''JT'' reached #4 in the Billboard charts, selling more than 3 million copies in the United States alone. The album's Triple Platinum status ties it with ''Sweet Baby James'' as Taylor's all-time biggest selling studio album. It was propelled by the highly successful cover of Jimmy Jones and Otis Blackwell's "Handy Man", which hit #1 on Billboard's Adult Contemporary chart and reached #4 on the Hot 100, earning Taylor another Grammy Award for Best Male Pop Vocal Performance for his cover version. The song also topped the Canadian charts. The success of the album propelled the release of two further singles – the up-tempo pop "Your Smiling Face" (an enduring live favorite) reached the American Top 20; however, "Honey Don't Leave L.A.," penned by Danny Kortchmar did not enjoy much success, barely reaching the Top 75.

Back in the forefront of popular music, Taylor collaborated with Paul Simon and Art Garfunkel in the recording of a cover of Sam Cooke's "Wonderful World", which reached the Top 20 in the U.S. and topped the AC charts in early 1978. After briefly working on Broadway, he took a one-year break, reappearing in the summer of 1979 with the cover-studded Platinum album ''Flag,'' featuring a Top 30 version of Gerry Goffin and Carole King's "Up on the Roof". (Two selections from ''Flag,'' "Millworker" and "Brother Trucker," were featured on the PBS production of the Broadway musical based on Studs Terkel's non-fiction book ''Working,'' and James himself appeared in that production as a trucker; he performed "Brother Trucker" in character.) Taylor also appeared on the No Nukes concert in Madison Square Garden, where he made a memorable live performance of "Mockingbird" with his wife Carly. The concert appeared on both the ''No Nukes'' album and film.

On December 7, 1980 Taylor had an encounter with Mark David Chapman who would assassinate John Lennon. Taylor told the BBC in 2010 "The guy had sort of pinned me to the wall and was glistening with maniacal sweat and talking some freak speak about what he was going to do and his stuff with how John was interested, and he was going to get in touch with John Lennon. And it was surreal to actually have contact with the guy 24 hours before he shot John." The next night Taylor, who lived in the next building from Lennon, heard the assassination occur. Taylor commented "I heard him shot — five, just as quick as you could pull the trigger, about five explosions".

In March 1981, James Taylor released the album ''Dad Loves His Work,'' whose themes concerned his relationship with his father, the course his ancestors had taken, and the effect he and Simon had had on each other. The album was another Platinum success, reaching #10 and providing Taylor's final real hit single in a duet with J. D. Souther, "Her Town Too," which reached #5 Adult Contemporary and #11 on the Hot 100 in Billboard. The album's title was, in part, drawn from the reasons for Taylor's divorce from Carly Simon. She gave him an ultimatum: cut back on his music and touring, and spend more time with her and their children, or the marriage was through. The album's title was Taylor's answer, and Simon asked for divorce. (The emotional repercussions of the divorce likely served as at least part of the inspiration for "Her Town Too.")

1981–1996: Troubled times and new beginnings

Simon announced her separation from Taylor in September 1981 – saying "Our needs are different; it seem[s] impossible to stay together" – and their divorce became final in 1983. Taylor was living on West End Avenue in Manhattan and on a methadone maintenance program. Over the course of four months starting in September 1983, spurred on in part by the deaths of his friends John Belushi and Dennis Wilson and in part by the desire to be a better father to his children, he dropped methadone and finally kicked his habit for good.

Taylor had thoughts of retiring by the time he played the massive Rock in Rio festival in Rio de Janeiro in January 1985. He was encouraged by the nascent democracy in Brazil at the time, buoyed by the positive reception he got from the large crowd and other musicians, and musically energized by the sounds and nature of Brazilian music. "I had... sort of bottomed-out in a drug habit, my marriage with Carly had dissolved, and I had basically been depressed and lost for a while, " he recalled in 1995. "I sort of hit a low spot. I was asked to go down to Rio de Janeiro to play in this festival down there. We put the band together and went down and it was just an amazing response. I played to 300,000 people. They not only knew my music, they knew things about it and were interested in aspects of it that to that point had only interested me. To have that kind of validation right about then was really what I needed. It helped get me back on track." The song "Only a Dream in Rio" was written in tribute to that night, with lines like ''I was there that very day and my heart came back alive.'' The October 1985 album, ''That's Why I'm Here'', from which that song came, started a series of studio recordings that, while spaced further apart than his previous records, showed a more consistent level of quality and fewer covers, most notably the Buddy Holly song "Everyday", released as a single reached #61.

On December 14, 1985, Taylor married actress Kathryn Walker at the Cathedral of St. John the Divine in New York. Taylor's next albums were partially successful – in 1988, he released ''Never Die Young'', highlighted with the charting title track, and in 1991, the platinum ''New Moon Shine'' provided Taylor some popular songs with the melancholic "Copperline" and the upbeat "(I've Got to) Stop Thinkin' About That", both hit singles in the AC radio. During the late 1980s, he began touring regularly, especially on the summer amphitheater circuit. His later concerts feature songs from throughout his career and are marked by the musicianship of his band and backup singers. The 1993 two-disc ''Live'' album captures this, with a highlight being Arnold McCuller's descants in the codas of "Shower the People" and "I Will Follow." In 1995, Taylor performed the role of the Lord in Randy Newman's Faust.

1997–2003: Successful comeback

After six years since his last studio album, Taylor released ''Hourglass'', an introspective album that gave him the best critical reviews in almost twenty years. The album had much of its focus on Taylor's troubled past and family. "Jump Up Behind Me" paid tribute to his father's rescue of him after The Flying Machine days, and the long drive from New York City back to his home in Chapel Hill. "Enough To Be On Your Way" was inspired by the alcoholism-related death of his brother Alex earlier in the decade. The themes were also inspired by Taylor and Walker's divorce, which took place in 1996. Rolling Stone found that "one of the themes of this record is disbelief", while Taylor told the magazine that it was "spirituals for agnostics." Critics embraced the dark themes on the album, and ''Hourglass'' was a huge commercial success, reaching #9 on the Billboard 200 (Taylor's first Top 10 album in sixteen years) and also provided a big adult contemporary hit on "Little More Time With You". The album also gave Taylor his first Grammy since ''JT'', when he was honored with Best Pop Album in 1998.

On February 18, 2001 at the Emmanuel Episcopal Church, Boston, Taylor wed for the third time, marrying Caroline ("Kim") Smedvig, the director of public relations and marketing for the Boston Symphony Orchestra. They had begun dating in 1995, when they met as he appeared with John Williams and the Boston Pops Orchestra. Part of their relationship was worked into the album ''October Road'', on the song "On the 4th of July." The couple reside in the town of Washington, Massachusetts with their twin boys, Rufus and Henry, born in April 2001 to a surrogate mother via in vitro fertilization.

Flanked by two greatest hit releases, Taylor's Platinum-certified ''October Road'' appeared in 2002 to a receptive audience. It featured a number of quiet instrumental accompaniments and passages. Overall, it found Taylor in a more peaceful frame of mind; rather than facing a crisis now, Taylor said in an interview that "I thought I'd passed the midpoint of my life when I was 17." The album appeared in two versions, a single-disc version and a "limited edition" two-disc version which contained three extra songs including a duet with Mark Knopfler, "Sailing to Philadelphia," which also appeared on Knopfler's ''Sailing to Philadelphia'' album. Also in 2002, Taylor teamed with bluegrass musician Alison Krauss in singing "The Boxer" at the Kennedy Center Honors Tribute to Paul Simon. They later recorded the Louvin Brothers duet, "How's the World Treating You?" In 2004, after he chose not to renew his record contract with Columbia/Sony, he released ''James Taylor: A Christmas Album'' with distribution through Hallmark Cards.

Current events

Always visibly active in environmental and liberal causes, in October 2004 Taylor joined the "Vote for Change" tour playing a series of concerts in American swing states. These concerts were organized by MoveOn.org with the goal of mobilizing people to vote for John Kerry and against George W. Bush in that year's Presidential campaign. Taylor's appearances were joint performances with the Dixie Chicks.

Taylor performed "The Star-Spangled Banner" at Game 2 of the World Series in Boston on October 24, 2004. In December, he appeared as himself in an episode of ''The West Wing'' entitled "A Change Is Gonna Come". He sang Sam Cooke's classic "A Change Is Gonna Come" at an event honoring an artist played by Taylor's wife Caroline. Later on, he appeared on CMT's ''Crossroads'' alongside the Dixie Chicks. In early 2006, MusiCares honored Taylor with performances of his songs by an array of notable musicians. Before a performance by the Dixie Chicks, lead singer Natalie Maines acknowledged that he had always been one of their musical heroes, and had for them lived up to their once-imagined reputation of him. They performed his song, "Shower the People", with a surprise appearance by Arnold McCuller, who has sung backing vocals on Taylor's live tours for many years.

In the fall of 2006, Taylor released a repackaged and slightly different version of his Hallmark Christmas album, now entitled ''James Taylor at Christmas,'' and distributed by Columbia/Sony. In 2006, Taylor performed Randy Newman's song "Our Town" for the Disney animated film ''Cars''. The song was nominated for the 2007 Academy Award for the best Original Song. On January 1, 2007, Taylor headlined the inaugural concert at the Times Union Center in Albany, New York, honoring newly sworn in Governor of New York Eliot Spitzer.

Taylor's next album, ''One Man Band'' was released on CD and DVD in November 2007 on Starbucks' Hear Music Label, where he joined with Paul McCartney and Joni Mitchell. The introspective album grew out of a three-year tour of the United States and Europe—featuring some of Taylor's most beloved songs and anecdotes about their creative origins—accompanied solely by the "one man band" of his longtime pianist/keyboardist, Larry Goldings. The digital discrete 5.1 surround sound mix of ''One Man Band'' won a TEC Award for best surround sound recording in 2008.

November 28–30, 2007, Taylor, accompanied by his original band and Carole King, headlined a series of six shows at The Troubadour. The appearances marked the 50th anniversary of the venue, where Taylor, King and many others, such as Tom Waits, Neil Diamond, and Elton John, began their music careers. Proceeds from the concert went to benefit the Natural Resources Defense Council, MusiCares, Alliance for the Wild Rockies, and the Los Angeles Regional Foodbank, a member of America's Second Harvest — The Nation's Food Bank Network. Parts of the performance shown on ''CBS Sunday Morning'' in the December 23, 2007, broadcast showed Taylor alluding to his early drug problems by saying, "I played here a number of times in the 70s, allegedly..." Taylor has used versions of this joke on other occasions, and it appears as part of his ''One Man Band'' DVD and tour performances.

In December 2007 ''James Taylor at Christmas'' was nominated for a Grammy Award. In January 2008 Taylor recorded approximately 20 songs by others for a new album with a band including Luis Conte, Michael Landau, Lou Marini, Arnold McCuller, Jimmy Johnson, David Lasley, Walt Fowler, Andrea Zonn, Kate Markowitz, Steve Gadd and Larry Goldings. The resulting live-in-studio album, named ''Covers'', was released in September 2008. This album forays into country and soul while being the latest proof that Taylor is a more versatile singer than his best known hits might suggest. The Covers sessions stretched to include "Oh What a Beautiful Morning," from the musical Oklahoma - a song that his grandmother had caught him singing over and over at the top of his lungs when he was seven years old. Meanwhile, in summer 2008, Taylor and this band toured 34 North American cities with a tour entitled James Taylor and His Band of Legends. A additional album, called ''Other Covers'', came out in April 2009, containing songs that were recorded during the same sessions as the original ''Covers'' but had not been put out to the full public yet.

During October 19–21, 2008, Taylor performed a series of free concerts in five North Carolina cities in support of Barack Obama's presidential bid. On Sunday, January 18, 2009, he performed at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial, singing "Shower the People" with John Legend and Jennifer Nettles of Sugarland.

Taylor performed on the final ''The Tonight Show with Jay Leno'' on May 29, 2009, distinguishing himself further as the final musician to appear in Leno's original 17-year run.

On September 8, 2009 Taylor made an appearance at the twenty-fourth season premiere block party of ''The Oprah Winfrey Show'' on Chicago's Michigan Avenue.

On January 1, 2010, Taylor sang the American national anthem at the NHL Winter Classic at Fenway Park, while Daniel Powter sang the Canadian national anthem.

On March 7, 2010, Taylor sang The Beatles' "In My Life" in tribute to deceased artists at the 82nd Academy Awards.

In March 2010 he commenced the Troubadour Reunion Tour with Carole King and members of his original band, including Russ Kunkel, Leland Sklar, and Danny Kortchmar. They played shows in Australia, New Zealand, Japan and North America, with the final night being at the Honda Center, in Anaheim, CA. The tour was a major commercial success, and in some locations found Taylor playing arenas instead of his usual theaters or amphitheaters. Ticket sales amounted to over 700,000 and the tour grossed over 59 million dollars. It was one of the most successful tours of the year.

Taylor owns a house in the Berkshire County town of Washington, Massachusetts.

Musicians in the family

Taylor's four siblings—Alex, Livingston, Hugh, and Kate—have also been musicians with recorded albums. Livingston is still an active musician; Kate was active in the 1970s but did not record another album until 2003; Hugh operates a bed-and-breakfast with his wife, The Outermost Inn in Aquinnah on Martha's Vineyard; and Alex died in 1993. Taylor's children with Carly Simon—Ben and Sally—have also embarked on musical careers.

Awards and recognition

Grammy Awards

1971 — Best Pop Vocal Performance, Male, "You've Got a Friend"

1977 — Best Pop Vocal Performance, Male, "Handy Man"

1998 — Best Pop Album, ''Hourglass''

2001 — Best Pop Vocal Performance, Male, "Don't Let Me Be Lonely Tonight"

2003 — Best Country Collaboration With Vocals, "How's the World Treating You" with Alison Krauss

2006 — Grammy Award-sponsored MusiCares Person of the Year. At a black tie ceremony held in Los Angeles, musicians from several eras paid tribute to Taylor by performing his songs, often prefacing them with remarks on his influence on their decisions to become musicians. These artists included Carole King, Bruce Springsteen, Sting, Taj Mahal, Dr. John, Bonnie Raitt, Jackson Browne, David Crosby, Sheryl Crow, India.Arie, the Dixie Chicks, Jerry Douglas, Alison Krauss, and Keith Urban. Paul Simon performed as well, although he was not included in the televised program; Taylor's brother Livingston appeared on stage as a "backup singer" for the finale, along with Taylor's twin boys, Rufus and Henry.

In 2010 James Taylor was inducted into the Hit Parade Hall of Fame.

Other recognition

1995 — Honorary doctorate of music from the Berklee College of Music, Boston, 1995.

2000 — Inducted into the Rock and Roll Hall of Fame, 2000.

2000 — Inducted into the Songwriters Hall of Fame, 2000.

2003 — The Chapel Hill Museum in Chapel Hill, North Carolina opened a permanent exhibit dedicated to Taylor. At the same occasion the US-15-501 highway bridge over Morgan Creek, near the site of the Taylor family home and mentioned in Taylor's song "Copperline", was named in honor of Taylor.

2004 — George and Ira Gershwin Award for Lifetime Musical Achievement, UCLA Spring Sing. 2004 — Ranked 84th in ''Rolling Stone'''s list of "The Immortals: 100 Greatest Artists of All Time."

2009 — Honorary Doctorate of Music from Williams College, Williamstown, Massachusetts.

Discography

;U.S. Billboard Top 10 Albums

1970 – ''Sweet Baby James'' (#3)

1971 – ''Mud Slide Slim and the Blue Horizon'' (#2)

1972 – ''One Man Dog'' (#4)

1974 - ''Walking Man''

1975 – ''Gorilla'' (#6)

1976 - ''In The Pocket''

1977 – ''JT'' (#4)

1979 – ''Flag'' (#10)

1981 – ''Dad Loves His Work'' (#10)

1997 – ''Hourglass'' (#9)

2002 – ''October Road'' (#4)

2008 – ''Covers'' (#4)

2010 – ''Live at the Troubadour'' (with Carole King) (#4)

;U.S. Billboard Top 10 'Pop' Singles

1970 – "Fire and Rain" (#3)

1971 – "You've Got a Friend" (#1)

1974 – "Mockingbird" (with Carly Simon) (#5)

1975 – "How Sweet It Is (To Be Loved By You)" (#5)

1977 – "Handy Man" (#4)

Other appearances

He provided acoustic guitar accompaniment for several tracks on Joni Mitchell's 1971 album ''Blue''.

He provided a guest voice to ''The Simpsons'' episode "Deep Space Homer" where he played some of his songs to Homer, Buzz Aldrin, and Race Bannon when they were in space. He also appeared later on in the series when the family put together a jigsaw puzzle. His face was the missing final piece.

Performed "Second Star to the Right" on ''Stay Awake: Various Interpretations of Music from Vintage Disney Films'' in 1988 as one of Various Artists.

Taylor performed "The Star-Spangled Banner" at Game 2 of the World Series in Boston on October 25, 2007, at Game 1 of the 2008 NBA Finals in Boston on June 5, 2008, and at the NHL's Winter Classic game between the Philadelphia Flyers and Boston Bruins, the first hockey game ever held at Boston's Fenway Park.

He appeared on Sesame Street performing the song "Your Smiling Face" although the song was sung "Your Grouchy Face" as he sang it to Oscar the Grouch. He also appeared on the ''Sesame Street'' video compilation ''Silly Songs'', and the album ''In Harmony: A Sesame Street Record'', performing the song "Jellyman Kelly".

Has appeared on NBC's ''Saturday Night Live'' six times as a musical guest: in 1976 performing "Shower the People," "Roadrunner" (with David Sanborn), and "Sweet Baby James" (host: Lily Tomlin); in 1979 performing "Johnnie Comes Back," "Up on the Roof," and "Millworker" (host: Michael Palin); in 1980 performing with Paul Simon "Cathy's Clown / Take Me to the Mardi Gras" (host: Paul Simon); in 1988 performing "Never Die Young," "Sweet Potato Pie," and "Lonesome Road" (host: Robin Williams); in 1991 performing "Stop Thinkin' About That," "Shed A Little Light," and "Sweet Baby James" (Host: Steve Martin); and in 1993 performing "Memphis," "Slap Leather," and "Secret of Life" (host: Rosie O'Donnell).

He provided background vocals for "Back In The High Life Again" by Steve Winwood in 1986.

He performed at a benefit concert supporting John B. Anderson's U.S. presidential campaign at Charleston, West Virginia in 1980.

He provided background vocals for "Perfect Love" by Marc Cohn.

He appeared on ''The West Wing'' where he played Sam Cooke's A Change is Gonna Come.

He appeared on the ''The Johnny Cash Show'', singing "Sweet Baby James", "Fire and Rain", and "Country Road", on February 17, 1971.

His song "Fire and Rain" was in the movie ''Remember the Titans'' and the movie " Running on Empty" in 1988 .

He provided vocals for the song "First Me, Second Me" by the Italian band Elio e le Storie Tese

Along with Linda Ronstadt, he did backup vocals for two hit singles on Neil Young's ''Harvest'': "Old Man" and "Heart of Gold". Twenty years later, the two would reunite with Young on his ''Harvest Moon'' album, singing backup on "From Hank to Hendrix," "War of Man," and the title track.

He made his debut for his 24th album ''Other Covers'' on ''The Oprah Winfrey Show'' on April 10, 2009.

He appeared on the final of ''Star Académie'', the Quebec version of ''American Idol'', on April 13, 2009.

On May 29, 2009, he made a guest appearance and sang "Sweet Baby James" on the final episode of ''The Tonight Show with Jay Leno'' before Leno was replaced by Conan O'Brien.

Taylor appeared briefly in the 2009 movie ''Funny People'', where he played ''Carolina in My Mind'' for a MySpace corporate event as the opening act for the main character.

He appeared in 2011 in the ABC comedy ''Mr.Sunshine'' as the ex-husband of the character played by Allison Janney; they exchange some sardonic dialogue and then perform a duet of sorts on Leon Russell's 1970 classic "A Song for You".

Bibliography

References

External links

The Official James Taylor website

The official James Taylor Facebook page

James Taylor Online

James Taylor discography

James Taylor profile, NNDB

Dedication of James Taylor Bridge

"Carolina in My Mind" — The James Taylor Story at the Chapel Hill Museum

2006 Grammy MusiCares Person of the Year

James Taylor Tabs

BBC Radio 2, "The James Taylor Story: Parts I & II, presented by Bob Harris, 13 & 20 January 2004

Category:1948 births Category:Living people Category:American acoustic guitarists Category:American folk guitarists Category:American folk singers Category:American male singers Category:American pop guitarists Category:American rock guitarists Category:American rock singers Category:American singer-songwriters Category:Apple Records artists Category:Grammy Award winners Category:MusiCares Person of the Year Honorees Category:Musicians from Massachusetts Category:Musicians from North Carolina Category:People from Belmont, Massachusetts Category:Rock and Roll Hall of Fame inductees Category:People from Martha's Vineyard, Massachusetts Category:American people of Scottish descent Category:Songwriters Hall of Fame inductees Category:United States National Medal of Arts recipients

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