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ComedySportz Austin performing a shortform game based on direction from the audience with the help of Red Dirt Improv; in this case spoofing a hard rock band performing a song made up on the stage

Improvisation is the practice of acting, singing, talking and reacting, of making and creating, in the moment and in response to the stimulus of one's immediate environment and inner feelings. This can result in the invention of new thought patterns, new practices, new structures or symbols, and/or new ways to act. This invention cycle occurs most effectively when the practitioner has a thorough intuitive and technical understanding of the necessary skills and concerns within the improvised domain. Improvisation can be thought of as an "on the spot" or "off the cuff" spontaneous activity.

The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more. Techniques of improvisation are widely trained in the entertainment arts; for example, music, theatre and dance. To "extemporize" or "ad lib" is basically the same as improvising. Colloquial terms such as "let's play it by the ear", "take it as it comes", and "make it up as we go along" are all used to describe "improvisation".

The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that feed back into the thought process (the performer as listener), creating an enriched process that is not unlike instantaneous composition [with a given set or repertoire of elements].^[1]

Where the improvisation is intended to solve a problem on a temporary basis, the "proper" solution being unavailable at the time, it may be known as a stop-gap. This particularly applies to engineering improvisations.

Music[link]

Improvisation is usually defined as the composition of music while simultaneously singing or playing an instrument. In other words, the art of improvisation can be understood as composing music "on the fly". Improvisation can take place as a solo performance, or interdependently in ensemble with other players. When done well, it often elicits gratifying emotional responses from the audience. One notable improvisational pianist is Franz Liszt. The origins of Liszt's improvisation in an earlier tradition of playing variations on a theme were mastered and epitomized by Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Other notable improvisational musicians include: Keith Jarrett, an improvisational jazz pianist and multi-instrumentalist who has performed many completely improvised concerts all over the world; Derek Bailey, an improvisational guitarist; and Eugene Friesen, an improvisational cellist.

Improvised freestyle rap is commonly practiced as a part of rappers' creative processes, as a "finished product" for release on recordings (when the improvisation is judged good enough), as a spiritual event, as a means of verbal combat in battle rap, and, simply, for fun. It often incorporates insults similar to those in the African-American game the dozens, and complex rhythmic and sometimes melodic forms comparable to those heard in jazz improvisation.

A few pianists^[who?] have given modern recitals of improvisation in the baroque style. An example of an improvisational pianist in the style of baroque improvisation was Glenn Gould^{[citation needed]}. There have also been a few other exceptional improvised solo piano concerts^[who?] in Stuttgart, Southern Germany in the 1990s.

In the realm of silent film music, there are also a small number of musicians whose work has been recognized as exceptional by critics, scholars and audiences alike; these include Neil Brand and John Sweeney, among others who are all performers at "Le Giornate del Cinema Muto", the annual conference on silent film in Pordenone, Italy. Their performances must match the style and pacing of those films which they accompany and the knowledge of a wide range of musical styles is required, as well as the stamina to play for films which occasionally run more than three hours in length, without a pause.

Theatre[link]

The Ligue d'improvisation montréalaise (LIM) is a league of improvisational theater based in Montreal, Quebec, Canada

Dance[link]

Dance improvisation as a choreographic tool: Improvisation is used as a choreographic tool in dance composition. Experimenting with the concepts of shape, space, time, and energy while moving without inhibition or cognitive thinking can create unique and innovative movement designs, spatial configuration, dynamics, and unpredictable rhythms. Improvisation without inhibition allows the choreographer to connect to their deepest creative self, which in turn clears the way for pure invention.

Contact improvisation: a form developed in 1973, that is now practiced around the world. Contact improvisation originated from the movement studies of Steve Paxton in the 1970s and developed through the continued exploration of the Judson Dance Theater. It is a dance form based on sharing weight, partnering, playing with weight and unpredictable outcomes.

Comedy[link]

Improvisational comedy is a theater art performed throughout the world and has had on-again, off-again status throughout history.

Some of the more famous improv theaters and training centers in the world include: i.O. (formerly ImprovOlympic) in Chicago and Los Angeles, The Second City in Chicago and Toronto, The Players Workshop in Chicago, National Comedy Theatre in San Diego, New York and Phoenix, Upright Citizens Brigade, The Peoples Improv Theater, Eight is NEVER Enough in New York City, the Groundlings, BATS Improv in San Francisco, Wing-It Productions in Seattle, Philly Improv Theater in Philadelphia], Dudley Riggs BraveNew Workshop in Minneapolis, ComedySportz in Milwaukee, Washington Improv Theater in Washington D.C., and Theatresports in Calgary, Canada.

There are also many well known university improv teams, including Theatre Strike Force at the University of Florida.

Notable pioneers in the field of improvisation, comedic or otherwise, include Viola Spolin, Paul Sills, David Shepherd, Del Close, Josephine Forsberg, Stan Wells, Gary Austin, Martin de Maat, and Keith Johnstone. Notable performers include: Paul Merton, Stephen Colbert, Steve Carell, Bill Murray, Harold Ramis, Robert Townsend, Colin Mochrie, Ryan Stiles, Ross Noble, Wayne Brady, Jonathan Winters, Bill Chott, and Gil Christner.

Poetry[link]

Traditional epic poetry included improvisation moments where the reciter flattered the audience (especially the authorities) or to substitute a forgotten passage. There are also societies that value improvised poetry as a genre, often as a debate or "poetic joust", where improvisators compete for public approval. Some of these impromptu poems are later recorded in paper or transmitted orally.^{[citation needed]}

Some of these forms also include humour. But Michel Ducom established himself within Bordeaux poetical improvisation movement in the 1990s but has since composed and performed with a wide range of poets working in diverse poetical areas (Bernat Manciet, Serge Pey, Méryl Marchetti…). The emergence of poetical improvisation, like previous developments in French poetry, was largely tied to the free jazz experience.^{[citation needed]}

Sculpture[link]

Sculpture often relies on the enlargement of a small model or maquette to create the final work in a chosen material. Where the material is plastic such as clay, a working structure or armature often needs to be built to allow the pre-determined design to be realized. Alan Thornhill's method for working with clay abandons the maquette,^[2] seeing it as ultimately deadening to creativity.^[3] Without the restrictions of the armature, a clay matrix of elements allows that when recognisable forms start to emerge, they can be essentially disregarded by turning the work, allowing for infinite possibility and the chance for the unforeseen to emerge more powerfully at a later stage.

Moving from adding and taking away to purely reductive working, the architectural considerations of turning the work are eased considerably but continued removal of material through the rejection of forms deemed too obvious can mean one ends up with nothing. Former pupil Jon Edgar uses Thornhill's method as a creative extension to direct carving in stone and wood.

Film[link]

The director Mike Leigh uses lengthy improvisations developed over a period of weeks to build characters and story lines for his films. He starts with some sketch ideas of how he thinks things might develop but does not reveal all his intentions with the cast who discover their fate and act out their responses as their destinies are gradually revealed, including significant aspects of their lives which will not subsequently be shown onscreen. The final filming draws on dialogue and actions that have been recorded during the improvisation period.

The film company ACT 2 CAM uses improvisation to create the characters, contexts and plot for their films. Improvisation also forms a large part of the final filmed product.

Television[link]

This unreferenced section requires citations to ensure verifiability.

Improvisation was originally rarely used on dramatic television. A major exception was the situation comedy Mork and Mindy where star Robin Williams, famed for this kind of performing, was allotted specific sections in each episode where he was allowed to perform freely.

In the 1990s, a TV show called Whose Line Is It Anyway? popularized shortform comedic improvisation; the original version aired on British television, but it was later revived and popularized in the United States, with Drew Carey as its host. With improvisation becoming a more common aspect of television, there have been television shows which have garnered great success by utilizing partial improvisation to create longer-form programs with more dramatic flavor while some shows are completely improvised in terms of lines, including: The Office, Parks and Recreation, Curb Your Enthusiasm, Significant Others, The Loop, Sons & Daughters, 10 Items or Less, Dog Bites Man, Halfway Home, Reno 911!,The League, Free Ride, Campus Ladies, Players, and After Lately.

In Canada, the Global Television soap opera Train 48, based on the Australian series Going Home, uses a form of structured improvisation, in which actors improvise dialog from written plot outlines. Australia's Thank God You're Here is a game show where celebrities are put into scenes they know nothing about and have to improvise.

Engineering[link]

Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. A classic example of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission.

Engineering improvisations may be needed because of emergencies, embargo, obsolescence of a product and the loss of manufacturer support, or just a lack of funding appropriate for a better solution.

The popular television program MacGyver used as its gimmick a hero who could solve almost any problem with jury rigged devices from everyday materials, a Swiss Army knife and some duct tape.

• 

  SAGEM myX-55 mobile phone with very strong signs of use that, despite widespread use as a bottle opener, is still functional

• 

  "Improvised shield" JTF-GTMO authorities report was used to attack guards on May 18, 2006.

Improvised weapons[link]

Improvised weapons are often used by guerrillas, insurgents and criminals as conventional weapons may be unavailable. Such weapons vary in sophistication from simple sharpened sticks, to petrol bombs and homemade napalm, to IEDs and makeshift bomber aircraft.

See also[link]

• Music for People

Notes[link]

References[link]

• Abbot, John. 2009. Improvisation in Rehearsal. Nick Hern Books. ISBN 978-1-85459-523-2.
• Abbot, John. 2007. The Improvisation Book. Nick Hern Books. ISBN 978-1-85459-961-2.
• Johnston, Chris. 2006. The Improvisation Game: Discovering the Secrets of Spontaneous Performance. Nick Hern Books. ISBN 978-1-85459-668-0.
• Madson, Patricia Ryan. 2005. "Improv Wisdom: Don't Prepare, Just Show Up". Bell Tower Books. ISBN 1-4000-8188-2.
• Nachmanovitch, Stephen. 1990. Free Play: Improvisation in Life and Art. Penguin/Tarcher. ISBN 0-87477-578-7 (cloth); ISBN 0-87477-631-7 (pbk).

External links[link]

Wikimedia Commons has media related to: Improvisation

Look up improvisation or stop-gap in Wiktionary, the free dictionary.

• Improvisation at the Open Directory Project
• Critical studies in improvisation

David Morris may refer to:

• David Morris (US Army officer), American general
• David Morris (artist) (born 1964), musician and radio personality
• David Morris, one of the two defendants in the McLibel Case
• David Morris (Conservative politician) (born 1966), member of the UK House of Commons elected 2010
• David Morris (Labour politician) (1930–2007), Welsh politician and member of the European Parliament
• David Morris (Australian politician) (born 1955), Australian politician and member of the Victorian Legislative Assembly
• David Morris (Whig politician) (1800–1869), Member of Parliament for Carmarthen, 1837–64
• David Morris (snooker player) (born 1988), Irish snooker player
• David Morris (skier) (born 1984), Australian aerial skier
• David Morris (English footballer) (1888-after 1911), English footballer in the 1910s
• Dave Morris (writer) (born 1957), British author of gamebooks, novels and comics and designer of computer games and role-playing games
• Dave Morris (actor) (1884–1955), American film actor of the silent era
• Dave Morris (comedian) (1896–1960), English music hall comedian
• David Morris (actor) (1924–2007), English painter and actor
• David Morris (director), British filmmaker
• David Hennen Morris (1872–1944), American lawyer, diplomat and racehorse owner
• David Morris (author), writer and scholar, emeritus professor of literature at the University of Virginia

See also[link]

• David Maurice (1626–1702), Welsh Anglican priest and translator

This disambiguation page lists articles about people with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Bobby McFerrin
Bobby McFerrin in March 2011
Background information
Birth name	Robert McFerrin, Jr
Born	(1950-03-11) March 11, 1950 (age 62) Manhattan, New York
Genres	Jazz, Reggae, World Music, Classical Music
Occupations	Musician Songwriter Conductor Arranger Producer
Instruments	Vocals, piano, bass guitar, clarinet
Years active	1977–present
Labels	Manhattan Records Blue Note Records Elektra Records Sony Classical
Associated acts	Chick Corea Herbie Hancock
Website	www.bobbymcferrin.com

Robert "Bobby" McFerrin, Jr. (born March 11, 1950) is a virtuoso American vocalist and conductor. He is best known for his 1988 hit song "Don't Worry, Be Happy". He is a ten-time Grammy Award winner. He is well known for his unique vocal techniques and singing styles.

Life[link]

Bobby McFerrin was born in Manhattan, New York City, the son of operatic baritone Robert McFerrin and singer Sara Copper.^[1] Robert Sr. was the first African American to be a regular with New York's Metropolitan Opera. Sara is a former soloist with regional opera companies and in Broadway shows, and is a professor emeritus of music at Fullerton College in Fullerton, California.

Bobby McFerrin married Debbie Green in 1975. They have three children.^[2]

McFerrin's song "Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors. McFerrin has also worked in collaboration with instrumental performers, including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

Vocal technique[link]

As a vocalist, McFerrin often switches rapidly between modal and falsetto registers to create polyphonic effects, performing both the main melody and the accompanying parts of songs. He makes use of percussive effects created both with his mouth and by tapping on his chest. McFerrin is also capable of multiphonic singing, as observed in his song "Drive" from the 2005 DVD Live in Montreal.^[3]

A notable document of McFerrin's approach to singing is his 1984 album The Voice, the first solo vocal jazz album recorded with no accompaniment or overdubbing.^[4]

Career[link]

In 1986, McFerrin was the voice of Santa Bear in Santa Bear's First Christmas, and in 1987 he was the voice of Santa Bear/Bully Bear in the sequel Santa Bear's High Flying Adventure. That same year, he performed the theme song for the opening credits of Season 4 of The Cosby Show, as well as the music for a Cadbury chocolate commercial.^{[citation needed]}

In 1988, McFerrin recorded the hit song "Don't Worry, Be Happy", which brought him widespread recognition across the world. However, the song's success "ended McFerrin's musical life as he had known it," and he began to pursue other musical possibilities – on stage and in recording studios.^[5] The song was used in George H. W. Bush's 1988 U.S. presidential election as Bush's 1988 official presidential campaign song, without Bobby McFerrin's permission or endorsement. In reaction, Bobby McFerrin publicly protested that particular use of his song, including stating that he was going to vote against Bush, and completely dropped the song from his own performance repertoire, to make the point even clearer.^{[citation needed]}

In 1989, he composed and performed the music for the Pixar short film Knick Knack. The rough cut to which McFerrin recorded his vocals had the words "blah blah blah" in place of the end credits (meant to indicate that he should improvise). McFerrin spontaneously decided to sing "blah blah blah" as lyrics, and the final version of the short film includes these lyrics during the end credits. Also in 1989, he formed a ten-person "Voicestra" which he featured on both his 1990 album Medicine Music and in the score to the 1989 Oscar-winning documentary Common Threads: Stories from the Quilt. The song "Common Threads" has frequently reappeared in some public service advertisements about AIDS. McFerrin also performed with the Vocal Summit.^{[citation needed]}

As early as 1992, widespread rumors circulated that falsely claimed McFerrin committed suicide. The rumors intentionally made fun of the distinctly positive nature of his popular song "Don't Worry, Be Happy" by claiming McFerrin ironically took his own life.^[6]

In 1993, McFerrin sang Henry Mancini's "Pink Panther" theme for the movie Son of the Pink Panther.

In addition to his vocal performing career, in 1994, Mr. McFerrin was appointed as creative chair of the Saint Paul Chamber Orchestra. He makes regular tours as a guest conductor for symphony orchestras throughout the United States and Canada, including the San Francisco Symphony (on his 40th birthday), the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Israel Philharmonic Orchestra the Philadelphia Orchestra, the Los Angeles Philharmonic, the London Philharmonic, the Vienna Philharmonic and many others. In McFerrin's concert appearances, he combines serious conducting of classical pieces with his own unique vocal improvisations, often with participation from the audience and the orchestra. For example, the concerts often end with McFerrin conducting the orchestra in an a cappella rendition of the "William Tell Overture," in which the orchestra members sing their musical parts in McFerrin's vocal style instead of playing their parts on their instruments.

For a few years in the late 1990s, he toured a concert version of Porgy and Bess, partly in honor of his father, who sang the role for Sidney Poitier in the 1959 film version, and partly "to preserve the score's jazziness" in the face of "largely white orchestras" who tend not "to play around the bar lines, to stretch and bend". McFerrin says that because of his father's work in the movie, "This music has been in my body for 40 years, probably longer than any other music."^[7]

McFerrin also participates in various music education programs and makes volunteer appearances as a guest music teacher and lecturer at public schools throughout the U.S. McFerrin has collaborated with his son, Taylor, on various musical ventures. Taylor has recently been singing, rapping, and playing minimal keyboard accompaniment with Vernon Reid (leader-guitarist of Living Colour) in the eclectic metal-fusion-funk group Yohimbe Brothers.^{[citation needed]}

In 2009, McFerrin and musician-scientist Daniel Levitin served as co-hosts of The Music Instinct, a two-hour award-winning documentary produced by PBS and based on Levitin's best-selling book This Is Your Brain On Music. Later that year, the two appeared together on a panel at the World Science Festival, where McFerrin demonstrated audience participation with the ubiquitous nature of human understanding of the pentatonic scale by singing and dancing, and having the audience sing while following his movements.^[8]

Discography[link]

As leader[link]

• Bobby McFerrin (1982)
• The Voice (1984)
• Spontaneous Inventions (1987)
• Elephant's Child (1987)
• Simple Pleasures (1988)
• Don't Worry, Be Happy (1988)
• How the Rhino Got His Skin/How the Camel Got His Hump (1990)
• Medicine Music (1990)
• Play, with Chick Corea, 1992
• Hush, with Yo-Yo Ma, 1992
• Many Faces of Bird (1991)
• "The Siamese Cat Song" on Simply Mad About the Mouse (1991)
• Sorrow Is Not Forever (1994)
• Paper Music (1995, Doick with the St. Paul Chamber orchestra)
• Bang! Zoom (1996)
• The Mozart Sessions, with Chick Corea, 1996
• Circlesongs (1997)
• Mouth Music (2001)
• Beyond Words (2002) – featuring Chick Corea, Cyro Baptista and Richard Bona
• Konzert für Europa -The Schönbrunn Concert (2004)
• VOCAbuLarieS (2010)

As sideman[link]

• Pharoah Sanders, Journey to the One, 1980
• Grover Washington, Jr., The Best Is Yet to Come, 1982
• Various Artists, The Young Lions, 1983
• Charles Lloyd Quartet, A Night in Copenhagen (Blue Note, 1984)
• Various Artists, A Tribute to Thelonius Monk, 1984
• Chico Freeman, Tangents, 1984
• Michael Hedges, Watching My Life Go By, 1985
• The Manhattan Transfer, Vocalese, 1985
• Joe Zawinul, Di•a•lects, 1986
• Weather Report, Sportin' Life, 1985
• Al Jarreau, Heart’s Horizon, 1988
• Quincy Jones, Back on the Block, 1989
• Laurie Anderson, Strange Angels, 1989
• Gal Costa, The Laziest Gal in Town, 1991
• Dizzy Gillespie, Bird Songs: The Final Recordings (Telarc, 1992), To Bird with Love (Telarc, 1992)
• Jack DeJohnette, Extra Special Edition (Blue Note, 1994)
• Yellowjackets, Dreamland, 1995
• George Martin, In My Life, 1998 – on "Come Together" with Robin Williams
• En Vogue, Masterpiece Theatre, 2000
• Bela Fleck and the Flecktones, Little Worlds, 2003
• Chick Corea, Rendezvous in New York, 2003
• Wynton Marsalis, The Magic Hour, 2004
• size2shoes, 2006 (free track)^[9]

Grammys[link]

• 1985, Best Jazz Vocal Performance, male, "Another Night In Tunisia" with Jon Hendricks
• 1985, Best Vocal Arrangement for two or more voices, "Another Night In Tunisia" with Cheryl Bentyne
• 1986, Best Jazz Vocal Performance, male, "Round Midnight"
• 1987, Best Jazz Vocal Performance, male, "What Is This Thing Called Love"
• 1987, Best Recording for Children, "The Elephant's Child" with Jack Nicholson
• 1988, Song of the year, Best Pop Vocal Performance, male, Record of the year, "Don't Worry, Be Happy"
• 1988, Best Jazz Vocal Performance, male, "Brothers"
• 1992, Best Jazz Vocal Performance, "Round Midnight"

References[link]

External links[link]

Wikimedia Commons has media related to: Bobby McFerrin

• Bobby McFerrin

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2010)

Richard Bona
Bona performing in 2009
Background information
Birth name	Bona Pinder Yayumayalolo
Born	(1967-10-28) October 28, 1967 (age 44) Minta, Cameroon
Genres	Jazz fusion, jazz
Occupations	Musician, composer
Instruments	Bass guitar, double bass, percussion, vocals, guitar, balafon
Labels	Universal Music, Columbia, Sony, Verve, GRP
Associated acts	Pat Metheny Group, Zawinul Syndicate
Website	www.bonatology.com

Richard Bona (born October 28, 1967 in Minta, Cameroon) is a jazz bassist and musician. His actual African name, as he said live in Montreal in a show with Bobby McFerrin, is Bona Pinder Yayumayalolo.^{[citation needed]}

Biography[link]

Bona was born into a family of musicians, which enabled him to start learning music from a young age. His grandfather was a griot-- a West African singer of praise and storyteller-- and percussionist, and his mother was a singer. At 4 years old, Bona started to play the balafon. At the age of 5, he began performing at his village church. Not being wealthy, Bona made many of his own instruments: including flutes and guitars (with cords strung over an old motorcycle tank).

His talent was quickly noticed, and he was often invited to perform at festivals and ceremonies. Bona began learning to play the guitar at age 11, and in 1980 aged just 13, he assembled his first ensemble for a French jazz club in Douala.^[1] The owner befriended him and helped him discover jazz music and, notably including Jaco Pastorius in particular, whose work inspired Bona to switch his focus to the electric bass.

Bona emigrated to Germany at the age of 22 to study music in Düsseldorf,^[1] soon relocating to France, where he furthered his studies in music.

Whilst in France, he regularly played in various jazz clubs, sometimes with players such as Manu Dibango, Salif Keita, Jacques Higelin and Didier Lockwood.

In 1995, Richard left France and established himself in New York, where he still lives and works. In New York he played bass guitar with artists like Joe Zawinul, Larry Coryell, Michael and Randy Brecker, Mike Stern, George Benson, Brandford Marsalis, Chaka Khan, Bobby McFerrin, and Steve Gadd.

In 1998, Richard was the Musical Director on Harry Belafonte's European Tour.

His first solo album, Scenes from My Life, was released in 1999. He has also been prominently featured in Jaco Pastorius Big Band albums, as well as many other albums by various top-tier jazz musicians.

In 2002 Bona went on a world tour with the Pat Metheny Group as a percussionist/vocalist.

In 2005 Bona released his fourth album Tiki, which included a collaboration with John Legend on one track, entitled "Please Don't Stop."

He currently holds a professorship of music at New York University.

Discography[link]

Richard Bona, 3 August 2006

• 1999 : Scenes from my life Columbia Jazz
• 2000 : Kaze Ga kureta Melody, Columbia Jazz
• 2001 : Reverence, Columbia Jazz
• 2003 : Munia: The Tale, Universal Music France
• 2004 : Toto Bona Lokua, No Format! with Lokua Kanza & Gerald Toto
• 2005 : Tiki, Universal Music France
• 2008 : Bona Makes You Sweat - Live, Universal Jazz France
• 2009 : The Ten Shades Of Blues, Universal Jazz France

References[link]

External links[link]

Wikimedia Commons has media related to: Richard Bona

• Official website

Victor Borge
Victor Borge in 1990
Born	(1909-01-03)3 January 1909 Copenhagen, Denmark
Died	23 December 2000(2000-12-23) (aged 91) Greenwich, Connecticut, United States
Occupation	Classical pianist, entertainer, comedian, humorist

Victor Borge ( /ˈbɔrɡə/ BOR-gə; 3 January 1909 – 23 December 2000),^[1] born Børge Rosenbaum, was a Danish and American comedian, conductor and pianist, affectionately known as The Clown Prince of Denmark,^[2] The Unmelancholy Dane,^[3] and The Great Dane.^[4]

Biography[link]

Early life and career[link]

Borge was born Børge Rosenbaum in Copenhagen, Denmark, into a Jewish family. His parents, Bernhard and Frederikke Rosenbaum, were both musicians—his father a violist in the Royal Danish Orchestra^[5] and his mother a pianist.^[6] Like his mother, Borge began piano lessons at the age of two, and it was soon apparent that he was a prodigy. He gave his first piano recital when he was eight years old, and in 1918 was awarded a full scholarship at the Royal Danish Academy of Music, studying under Olivo Krause. Later on, he was taught by Victor Schiøler, Liszt's student Frederic Lamond, and Busoni's pupil Egon Petri.

Borge played his first major concert in 1926 at the Danish concert-hall Odd Fellow Palæet (The Odd Fellow's Lodge building). After a few years as a classical concert pianist, he started his now famous "stand up" act, with the signature blend of piano music and jokes. He married American Elsie Chilton in 1933, the same year he debuted with his revue acts.^[7] Borge started touring extensively in Europe, where he began telling anti-Nazi jokes.

When the Nazis occupied Denmark during World War II, Borge was playing a concert in Sweden, and managed to escape to Finland.^[8] He traveled to America on the USS American Legion, the last neutral ship to make it out of Petsamo, Finland,^[9] and arrived 28 August 1940, with only 20 dollars (equal to $332 today), with $3 (equal to $49.77 today) going to the customs fee. Disguised as a sailor, Borge returned to Denmark once during the occupation to visit his dying mother.^[10]

Move to America[link]

Even though Borge did not speak a word of English upon arrival, he quickly managed to adapt his jokes to the American audience, learning English by watching movies. He took the name of Victor Borge, and, in 1941, he started on Rudy Vallee's radio show,^[11] but was hired soon after by Bing Crosby for his Kraft Music Hall.^[12]

From then on, fame rose quickly for Borge, who won Best New Radio Performer of the Year in 1942. Soon after the award, he was offered film roles with stars such as Frank Sinatra (in Higher and Higher). While hosting The Victor Borge Show on NBC beginning in 1946,^[13] he developed many of his trademarks, including repeatedly announcing his intent to play a piece but getting "distracted" by something or other, making comments about the audience, or discussing the usefulness of Chopin's "Minute Waltz" as an egg timer.^[14] Or he would start out with some well-known classical piece like Beethoven's "Moonlight Sonata" and suddenly move into a harmonically suitable pop or jazz tune like Cole Porter's "Night and Day" or "Happy Birthday to You".

Borge's style[link]

Among Borge's other famous routines is the "Phonetic Punctuation" routine, in which he recites a story, with full punctuation (comma, period, exclamation mark, etc.) as exaggerated onomatopoeic sounds.^[15] Another is his "Inflationary Language", where he incremented numbers embedded in words, whether they are visible or not ("once upon a time" becomes "twice upon a time", "wonderful" becomes "twoderful", "forehead" becomes "fivehead", "tennis" becomes "elevennis", "I ate a tenderloin with my fork and so on and so forth" becomes "'I nine an elevenderloin with my five'k' and so on and so fifth").^[16]

Borge used physical and visual elements in his live and televised performances. He would play a strange-sounding piano tune from sheet music, looking increasingly confused; turning the sheet upside down, he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the actual tune upside down). When his energetic playing of another song would cause him to fall off the piano bench, he would open the seat lid, take out the two ends of an automotive seat belt, and buckle himself onto the bench, "for safety." Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage, then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing. From off stage would come the sound of a gunshot. His musical sidekick in the 1950s, Leonid Hambro, was a well-known concert pianist. In 1968, classical pianist Şahan Arzruni joined him as his straight man, performing together on one piano a version of Liszt's Second Hungarian Rhapsody, considered a musical-comedic classic.^[17]

He also enjoyed interacting with the audience. Seeing an interested person in the front row, he would ask them, "Do you like good music?" or "Do you care for piano music?" After an affirmative answer, Borge would take a piece of sheet music from his piano and say, "Here is some", and hand it over. After the audience's laughter died down, he would say, "That'll be $1.95" (or whatever the current price might be). He would then ask whether the audience member could read music; if the member said yes, he would ask a higher price. If he got no response from the audience after a joke, he would often add "...when this ovation has died down, of course". The delayed punch line to handing the person the sheet music would come when he would reach the end of a number and begin playing the penultimate notes over and over, with a puzzled look. He would then go back to the person in the audience, retrieve the sheet music, tear off a piece of it, stick it on the piano, and play the last couple of notes from it.

Making fun of modern theater, he would sometimes begin a performance by asking if there were any children in the audience. There always were, of course. He would sternly order them out, then say, "We do have some children in here that means I can't do the second half in the nude. I'll wear the tie. (pause) The long one. (pause) The very long one, yes."^[18]

In his stage shows in later years, he would include a segment with opera singer Marilyn Mulvey. She would try to sing an aria, and he would react and interrupt, with such antics as falling off the bench in "surprise" when she hit a high note. He would also remind her repeatedly not to rest her hand on the piano. After the routine, the spotlight would fall upon Mulvey and she would sing a serious number with Borge accompanying in the background.

Later career[link]

The footstone of Victor Borge

Borge appeared on Toast of the Town hosted by Ed Sullivan several times during 1948. He became a naturalized citizen of the United States the same year. He started the Comedy in Music show at John Golden Theatre in New York City on 2 October 1953. Comedy in Music became the longest running one-man show in the history of theater with 849 performances when it closed on 21 January 1956, a feat which placed it in the Guinness Book of World Records.^[19]

Continuing his success with tours and shows, Borge played with and conducted orchestras including Chicago Symphony Orchestra,^[20] the New York Philharmonic^[21] and London Philharmonic.^[22] Always modest, he felt honored when he was invited to conduct the Royal Danish Orchestra at the Royal Danish Theatre in Copenhagen, Denmark, in 1992.

His later television appearances included his "Phonetic Punctuation" routine on The Electric Company in a filmed sketch; he would also use it on the record to follow during the "Punctuation" song. He appeared several times on Sesame Street^[23] and was a guest star during the fourth season^[24] of The Muppet Show.^[25]

Victor Borge continued to tour until his last days, performing up to 60 times per year when he was 90 years old.

Other endeavors[link]

Borge made several appearances on the long-running TV show What's My Line?, both as a celebrity panelist, and as a contestant with the occupation "poultry farmer"; Starting in the 1950s, as a businessman, Borge raised and popularized Rock Cornish hens.^[26]

Borge helped start several trust funds, including the Thanks to Scandinavia Fund,^[27] which was started in dedication to those who helped the Jews escape the German persecution during the war.^[28]

Aside from his musical work, Borge wrote three books, My Favorite Intermissions^[29] and My Favorite Comedies in Music^[30] (both with Robert Sherman), and the autobiography Smilet er den korteste afstand ("The Smile is the Shortest Distance") with Niels-Jørgen Kaiser.^[31]

Family[link]

He married his first wife, Elsie Chilton, in 1933. After divorcing Elsie, he married Sarabel Sanna Scraper in 1953, and they stayed married until her death at the age of 83 in September 2000.^[32]

Borge fathered five children (who occasionally performed with him): Ronald Borge and Janet Crowle with Elsie Chilton, and Sanna Feirstein, Victor Bernhard (Vebe) Jr., and Frederikke (Rikke) Borge with Sarabel.^[33]

Death[link]

Borge died in Greenwich, Connecticut, at the age of 91, after more than 75 years of entertaining. He died peacefully in his sleep a day after returning from a concert in Denmark. "It was just his time to go", Frederikke Borge said. "He's been missing my mother terribly."^[34] According to his wish, to mark his connection to both the United States and Denmark a part of Victor Borge's ashes is interred at Putnam Cemetery in Greenwich, with a replica of Danish icon The Little Mermaid sitting on a large rock at the gravesite, the other part in Western Jewish Cemetery (Mosaisk Vestre Begravelsesplads), Copenhagen, Denmark.^[35]

Legacy[link]

Borge received an honorary degree from Trinity College, Hartford in 1997.^[36]

When in 1998 the Royal Danish Orchestra celebrated its 550th anniversary, Borge was appointed an honorary member^[37] – at that time one of only 10 in the orchestra's history.^[38]

Borge received Kennedy Center Honors in 1999.^[39]

Victor Borge Hall,^[40] located in Scandinavia House in New York City, was named in Borge's honor in 2000, as was Victor Borges Plads ("Victor Borge Square") in Copenhagen in 2002.^[41] Celebrating Borge's Centennial in 2009 a statue was erected on the square.^[42]

Victor Borge: A Centennial Celebration[link]

From 23 January to 9 May 2009, the life of Borge was celebrated by The American-Scandinavian Foundation with "Victor Borge: A Centennial Celebration."

A television special about his life, 100 Years of Music and Laughter, aired on PBS on 14 March 2009.^[43]

Discography[link]

• Phonetic Punctuation Parts 1 and 2 (1945, Columbia Records 36911, 78 rpm)^[44][45]
• The Blue Serenade / A Lesson in Composition (1945, Columbia Records 36912, 78 rpm)^[44][45]
• Brahms’ Lullaby / Grieg Rhapsody (1945, Columbia Records 36913, 78 rpm)^[44]
• A Mozart Opera by Borge / All The Things You Are (1945, Columbia Records 36914, 78 rpm)^[44]
• A Victor Borge Program (1946, Columbia Album C-111, 4 discs 78 rpm – a set containing the four previous releases)^[46]
• Unstarted Symphony / Bizet's Carmen (1947, Columbia Records 38181, 78 rpm)^[47]
• Intermezzo / Stardust (1947, Columbia Records 38182, 78 rpm)^[47]
• Rachmaninoff's Concerto No. 2 / Inflation Language (1947, Columbia Records 38183, 78 rpm)^[47]
• Clair de Lune / Vuggevise (1947, Columbia Records 38184, 78 rpm)^[47]
• An Evening with Victor Borge (1948 Columbia Album C-161, 4 discs 78 rpm – a set containing the four previous releases)^[47]
• A Victor Borge Program (1951, Columbia Records CL-6013, 10'' LP)^[48]
• Comedy in Music, Vol. 1 (1954, Columbia Records CL-6292, 10'' LP)^[49]
• Comedy in Music, Vol. 2 (1954, Columbia Records CL-6293, 10'' LP)^[49]
• Comedy in Music (1954, Columbia Records CL-554, LP)^[50]
• Caught in the Act (1955, Columbia Records CL-646, LP)^[51]
• Brahms, Bizet and Borge (1955, Columbia Records CL-2538, 10'' LP)^[48]
• ½ Time På Dansk (1958, Fona 251 HI-FI, 10'' LP)^[52]
• The Adventures of Piccolo, Saxie and Company (1959, Columbia Records CL-1223, LP)^[48]
• The Adventures of Piccolo, Saxie and Company (1959, Coronet KLP 762, LP (AUS))^[53]
• Victor Borge Plays and Conducts Concert Favorites (1959, Columbia Records CL-1305/CS-8113, LP)^[54]
• Borge's Back (1962, MGM E/SE-3995P, LP)^[55]
• Borge's Back (1962, MGM CS-6055, LP (UK))^[56]
• Borgering on Genius (1962, MGM 2354029, LP – same material as Borge's Back)^[49]
• Great Moments of Comedy (1964, Verve V/V6 15044, LP – same material as Borge's Back)^[49]
• Victor Borge presents his own enchanting version of Hans Christian Andersen (1966, Decca DL7-34406 Stereo, LP)^[48]
• Comedy in Music (1972, CBS S 53140, LP)
• Victor Borge at His Best (1972, PRT Records COMP 5, 2 LPs)^[48]
• Victor Borge Live At The London Palladium (1972, Pye NSPL 18394, LP)^[57]
• My Favorite Intervals (1975, PYE NSPD 502, LP)^[48]
• 13 Pianos Live in Concert (1975, Telefunken-Decca LC-0366)
• Victor Borge 50 Års Jubilæum (1976, Philips 6318035, LP)
• Victor Borge Show (1977, CBS 70082, LP, in Danish)^[49]
• Victor Borge Live in der Hamburger Musikhalle (1978, Philips 6305 369, LP)
• Victor Borge Live (1978, Starbox LX 96 004 Stereo, LP)
• Victor Borge – Live(!) (1992, Sony Broadway 48482, CD)
• The Piano & Humor of the Great Victor Borge (1997, Sony Music Special Products 15312, 3 CDs)
• The Two Sides of Victor Borge (1998, GMG Entertainment, CD)
• Caught in the Act (1999, Collectables Records 6031, CD)
• Comedy in Music (1999, Collectables Records 6032, CD)
• Phonetically Speaking – And Don't Forget The Piano (2001, Jasmine 120, CD)
• En aften med Victor Borge (2003, UNI 9865861, CD)
• I Love You Truly (2004, Pegasus (Pinnacle) 45403, CD)
• Victor Borge King of Comedy (2006, Phantom 26540, CD)
• Verdens morsomste mand: alle tiders Victor Borge (2006, UNI 9877560, CD)
• Unstarted Symphony (2008, NAX-8120859, CD)
• Comedy in Music (2009, SHO-227, CD)

Filmography[link]

• Frk. Møllers Jubilæum (1937)
• Der var engang en Vicevært (1937)
• Alarm (1938)
• De tre måske fire (1939)
• Higher and Higher (1943)
• The Story of Dr. Wassell (1944) (unbilled)
• Victor Borge at Carnegie Hall (TV special, ABC) (1964)
• The Daydreamer (1966)
• The King of Comedy (1983)

References[link]

Further reading[link]

• Gansing, Gunhild (1956) (in Danish). Om Victor Borge, verdens morsomste mand. Martin. http://books.google.com/books?id=QPVFHAAACAAJ. Retrieved 3 October 2010. 
• Borge, Victor; Sherman, Robert (August 1971). My favorite intermissions. Doubleday. http://books.google.com/books?id=93gfAAAAMAAJ. Retrieved 3 October 2010. 
• Borge, Victor; Sherman, Robert (1980). Victor Borge's My favorite comedies in music. Dorset Press. ISBN 978-0-88029-807-0. http://books.google.com/books?id=R7rBAAAACAAJ. Retrieved 3 October 2010. 
• Borge, Victor; Kaiser, Niels-Jørgen (2001) (in Danish). Smilet er den korteste afstand -: erindringer. Gyldendal. ISBN 978-87-00-75182-8. http://books.google.com/books?id=RYlWAAAACAAJ. Retrieved 3 October 2010. 

External links[link]

Wikimedia Commons has media related to: Victor Borge (1909–2000)

Wikiquote has a collection of quotations related to: Victor Borge

• Victor Borge at the Internet Movie Database
• Victor Borge at Find a Grave
• A Tribute to Victor Borge.
• A website dedicated to Victor Borge.
• Victor Borge and the Bosendorfer Imperial Pianos with images, video and sound files provided by his management
• Internet Archive: Victor Borge Collection