Coordinates: 30°57′45″N 46°06′11″E / 30.9625°N 46.10306°E / 30.9625; 46.10306 Ur (Sumerian: Urim;^[1] Sumerian Cuneiform: 𒋀𒀕𒆠 URIM₂^KI or 𒋀𒀊𒆠 URIM₅^KI;^[2] Akkadian: Uru^[3]) was an important city-state in ancient Sumer located at the site of modern Tell el-Muqayyar in Iraq's Dhi Qar Governorate.^[4] Once a coastal city near the mouth of the Euphrates on the Persian Gulf, Ur is now well inland, south of the Euphrates on its right bank, 16 kilometres (9.9 mi) from Nasiriyah.

The city's patron deity was Nanna, the Sumerian moon god, and the name of the city is in origin derived from the god's name, URIM₂^KI being the classical Sumerian spelling of LAK-32.UNUG^KI, literally "the abode (UNUG) of Nanna (LAK-32)".^[5]

The site is marked by the ruins of the Ziggurat of Ur, which contained the shrine of Nanna, excavated in the 1930s. The temple was built in the 21st century BC (short chronology), during the reign of Ur-Nammu and was reconstructed in the 6th century BC by Nabonidus. The ruins cover an area of 1,200 metres (3,900 ft) northwest to southeast by 800 metres (2,600 ft) northeast to southwest and rise up to about 20 metres (66 ft) above the present plain level.^[6]

History[link]

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Early history[link]

Prehistory[link]

Archaeologists have discovered evidence of an early occupation at Ur during the Ubaid period. These early levels were sealed off with a sterile deposit that was interpreted by excavators of the 1920s as evidence for the Great Flood of the book of Genesis and Epic of Gilgamesh . It is now understood that the South Mesopotamian plain was exposed to regular floods from the Euphrates and the Tigris, with heavy erosion from water and wind. The further occupation of Ur only becomes clear during its emergence in the third millennium BC (although it must already have been a growing urban center during the fourth millennium). The third millennium BC is generally described as the Early Bronze Age of Mesopotamia, which ends approximately after the demise of the Third Dynasty of Ur.

Third millennium BC (Early Bronze Age)[link]

Mesopotamia in the 3rd millennium BC.

There are two main sources which inform scholars about the importance of Ur during the Early Bronze Age. The first is a large body of cuneiform documents, mostly from the empire of the so-called Third Dynasty of Ur at the very end of the third millennium. This was the most centralized bureaucratic state the world had yet known. Concerning the earlier centuries, the Sumerian King List provides a tentative political history of ancient Sumer.

The second source of information is archaeological work in modern Iraq. Although the early centuries (first half of the third millennium and earlier) are still poorly understood, the archaeological discoveries have shown unequivocally that Ur was a major urban center on the Mesopotamian plain. Especially the discovery of the Royal Tombs have confirmed its splendour. These tombs, which date to the Early Dynastic IIIa period (approximately in the 25th or 24th century BC), contained immense amounts of luxury items made out of precious metals, and semi-precious stones all of which would have had to been imported from long distances (Iran, Afghanistan, Pakistan, Turkey, the Persian Gulf).^[6] This up to then unparalleled wealth is a testimony of Ur's economic importance during the Early Bronze Age.^[7]

Archaeological research of the region has also contributed greatly to our understanding of the landscape and long-distance interactions that took place during these ancient times. We know that Ur was the most important port on the Persian Gulf, which extended much further inland than it does today. All the wealth which came to Mesopotamia by sea had to pass through Ur.

So far evidence for the earliest periods of the Early Bronze Age in Mesopotamia is very limited. That Ur was an important urban centre already then seems to be indicated by a type of cylinder seal called the City Seals. These seals contain a set of proto-cuneiform signs which appear to be writings or symbols of the name of city-states in ancient Sumer. Many of these seals were found in Ur, and the name of Ur is prominent on them.^[8]

Empire of the Third Dynasty of Ur

The third dynasty was established when the king Ur-Nammu came to power, ruling between ca. 2047 BC and 2030 BC. During his rule, temples, including the ziggurat, were built, and agriculture was improved through irrigation. His code of laws, the Code of Ur-Nammu (a fragment was identified in Istanbul in 1952) is one of the oldest such documents known, preceding the code of Hammurabi by 300 years. He and his successor Shulgi were both deified during their reigns, and after his death he continued as a hero-figure: one of the surviving works of Sumerian literature describes the death of Ur-Nammu and his journey to the underworld.^[9] About that time, the houses in the city were two-storied villas with 13 or 14 rooms, with plastered interior walls.^{[10][dubious – discuss]}

Ur-Nammu was succeeded by Shulgi, the greatest king of the Third Dynasty of Ur who solidified the hegemony of Ur and reformed the empire into a highly centralized bureaucratic state. Shulgi ruled for a long time (at least 42 years) and deified himself halfway through his rule.^{[citation needed]}

The Ur empire continued through the reigns of three more kings, Amar-Sin, Shu-Sin, and Ibbi-Sin. It fell around 1940 BC to the Elamites in the 24th regnal year of Ibbi-Sin, an event commemorated by the Lament for Ur.^[11][12]

According to one estimate, Ur was the largest city in the world from c. 2030 to 1980 BC. Its population was approximately 65,000.^[13]

Later Bronze Age[link]

The city of Ur lost its political power after the demise of the Third Dynasty of Ur. Nevertheless its important position which kept on providing access to the Persian Gulf ensured the ongoing economical importance of the city during the second millennium BC. The splendour of the city, the might of the empire, the greatness of king Shulgi, and undoubtedly the efficient propaganda of the state endured throughout Mesopotamian history. Shulgi was a well known historical figure for at least another two thousand years, while historical narratives of the Mesopotamian societies kept names, events, and mythologies in remembrance.

Iron Age[link]

In the 6th century BC there was new construction in Ur under the rule of Nebuchadnezzar II of Babylon. The last Babylonian king, Nabonidus, improved the ziggurat. However the city started to decline from around 550 BC and was no longer inhabited after about 500 BC, perhaps owing to drought, changing river patterns, and the silting of the outlet to the Persian Gulf.

20th century[link]

As of 1954, there was a railway station here. The Bagdad railroad line connected to Basra, 120 miles (190 km) to the south.^{[14][dubious – discuss]}

Biblical Ur[link]

Ur is considered by many to be the city of Ur Kasdim mentioned in the Book of Genesis (Biblical Hebrew אוּר) as the birthplace of the patriarch Abram (Abraham; Arabic: Ibrahim), traditionally believed to be sometime in the 2nd millennium BC.

Ur is mentioned four times in the Torah or Old Testament, with the distinction "of the Kasdim/Kasdin"—traditionally rendered in English as "Ur of the Chaldees". The Chaldeans were already settled in the vicinity by around 850 BC. The name is found in Genesis 11:28, Genesis 11:31, and Genesis 15:7. In Nehemiah 9:7, a single passage mentioning Ur is a paraphrase of Genesis. (Nehemiah 9:7)

The Book of Jubilees states that Ur was founded in 1688 Anno Mundi (year of the world) by 'Ur son of Kesed, presumably the offspring of Arphaxad, adding that in this same year wars began on Earth.

"And 'Ur, the son of Kesed, built the city of 'Ara of the Chaldees, and called its name after his own name and the name of his father." (i.e., Ur Kasdim) (Jubilees 11:3).

Ur in Islamic tradition[link]

According to Islamic texts, the prophet Ibrahim (Abraham) was thrown into the fire here. In the story, this fire of Nimrod was turned into water, saving the life of Ibrahim. While the Qur'an does not mention the king's name, Muslim commentators have assigned Nimrod as the king based on Jewish sources, namely the Book of Jasher (11:1 and 12:6).^[15]

Archaeology[link]

Archeological excavations at Tell el-Mukayyar, Iraq

In 1625, the site was visited by Pietro della Valle, who recorded the presence of ancient bricks stamped with strange symbols, cemented together with bitumen, as well as inscribed pieces of black marble that appeared to be seals.

The site was first excavated in 1853 and 1854 by John George Taylor, British vice consul at Basra from 1851-1859.^[16][17][18] He worked on behalf of the British Museum. He had been instructed to do so by the Foreign Office. Taylor found clay cylinders in the four corners of the top stage of the ziggurat which bore an inscription of Nabonidus (Nabuna`id), the last king of Babylon (539 BC), closing with a prayer for his son Belshar-uzur (Bel-ŝarra-Uzur), the Belshazzar of the Book of Daniel. Evidence was found of prior restorations of the ziggurat by Ishme-Dagan of Isin and Shu-Sin of Ur, and by Kurigalzu, a Kassite king of Babylon in the 14th century BCE. Nebuchadnezzar also claims to have rebuilt the temple. Taylor further excavated an interesting Babylonian building, not far from the temple, part of an ancient Babylonian necropolis. All about the city he found abundant remains of burials of later periods. Apparently, in later times, owing to its sanctity, Ur became a favorite place of sepulchres, so that even after it had ceased to be inhabited, it continued to be used as a necropolis.

Typical of the era, his evacuations destroyed information and exposed the tell. Natives used the now loosened 4000 year old bricks and tile for construction for the next 75 years while the site lay unexplored.^{[19][dubious – discuss]}

After Taylor's time the site was visited by numerous travelers, almost all of whom have found ancient Babylonian remains, inscribed stones and the like, lying upon the surface. The site was considered rich in remains, and relatively easy to explore. After some soundings were made in 1918 by Reginald Campbell Thompson, H. R. Hill worked the site for one season for the British Museum in 1919, laying the groundwork for more extensive efforts to follow.^[20][21]

Excavations from 1922 to 1934 were funded by the British Museum and the University of Pennsylvania and led by the archaeologist Sir Charles Leonard Woolley.^[22][23][24] A total of about 1,850 burials were uncovered, including 16 that were described as "royal tombs" containing many valuable artifacts, including the Standard of Ur. Most of the royal tombs were dated to about 2600 BC. The finds included the unlooted tomb of a queen thought to be Queen Puabi^[25]—the name is known from a cylinder seal found in the tomb, although there were two other different and unnamed seals found in the tomb. Many other people had been buried with her, in a form of human sacrifice. Near the ziggurat were uncovered the temple E-nun-mah and buildings E-dub-lal-mah (built for a king), E-gi-par (residence of the high priestess) and E-hur-sag (a temple building). Outside the temple area, many houses used in everyday life were found. Excavations were also made below the royal tombs layer: a 3.5-metre (11 ft)-thick layer of alluvial clay covered the remains of earlier habitation, including pottery from the Ubaid period, the first stage of settlement in southern Mesopotamia. Woolley later wrote many articles and books about the discoveries.^[26] One of Woolley's assistants on the site was the archaeologist Max Mallowan. The discoveries at the site reached the headlines in mainstream media in the world with the discoveries of the Royal Tombs. As a result the ruins of the ancient city attracted many visitors. One of these visitors was the already famous Agatha Christie who as a result of this visit became the wife of Max Mallowan.

Most of the treasures excavated at Ur are in the British Museum and the University of Pennsylvania Museum of Archaeology and Anthropology. At the UPenn Museum the exhibition Iraq's Ancient Past,^[27] which includes many of the most famous pieces from the Royal Tombs, is expected to be open to visitors in late Spring 2011.

In 2009, an agreement was reached for a joint University of Pennsylvania and Iraqi team to resume archaeological work at the site of Ur.^[28]

Archaeological remains[link]

Though some of the areas that were cleared during modern excavations have sanded over again, the Great Ziggurat is fully cleared and stands as the best-preserved and most visible landmark at the site.^[29] The famous Royal tombs, also called the Neo-Sumerian Mausolea, located about 250 metres (820 ft) south-east of the Great Ziggurat in the corner of the wall that surrounds the city, are nearly totally cleared. Parts of the tomb area appear to be in need of structural consolidation or stabilization.

There are cuneiform (Sumerian writing) on many walls, some entirely covered in script stamped into the mud-bricks. The text is sometimes difficult to read, but it covers most surfaces. Modern graffiti has also found its way to the graves, usually in the form of names made with coloured pens (sometimes they are carved). The Great Ziggurat itself has far more graffiti, mostly lightly carved into the bricks. The graves are completely empty. A small number of the tombs are accessible. Most of them have been cordoned off. The whole site is covered with pottery debris, to the extent that it is virtually impossible to set foot anywhere without stepping on some. Some have colours and paintings on them. Some of the "mountains" of broken pottery are debris that has been removed from excavations. Pottery debris and human remains form many of the walls of the royal tombs area. It can only be speculated whether this is of ancient making or modern restoration, but it is a fact that they are, literally, filled up with pottery debris.^{[citation needed]}

In May 2009, the United States Army returned the Ur site to the Iraqi authorities, who hope to develop it as a tourist destination.^[30]

Preservation[link]

Since 2009, non-profit organization Global Heritage Fund (GHF) has been working to protect and preserve Ur against problems of erosion, neglect, inappropriate restoration, and war and conflict. GHF's stated goal for the project is to create an informed and scientifically-grounded Master Plan to guide the site’s long-term conservation and management, which will enable sustainability and can serve as a model for other sites’ stewardship.^[31]

See also[link]

Ancient Near East portal

• Cities of the ancient Near East
• History of Iraq
• History of Sumer
• Lyres of Ur
• Ram in a Thicket
• Royal Game of Ur
• Short chronology timeline
• Standard of Ur
• Imports to Ur

Notes[link]

References[link]

• P. R. S. Morrey, Where Did They Bury the Kings of the IIIrd Dynasty of Ur?, Iraq, vol. 46, no. 1, pp. 1–18, 1984
• J. Oates, Ur and Eridu: The Prehistory, Iraq, vol. 22, pp. 32–50, 1960
• C.J. Gadd, History and monuments of Ur, Chatto & Windus, 1929 (Dutton 1980 reprint: ISBN 0-405-08545-1)
• Leonard Woolley, Ur Excavations V: The Ziggurat and Its Surroundings, Oxford University Press, 1927
• Leonard Woolley, Ur excavations IV: The Early Periods, Oxford University Press, 1927
• Leonard Woolley, Ur Excavations V: The Ziggurat and Its Surroundings, Oxford University Press, 1927
• Leonard Woolley and M. E. L. Mallowan, Ur Excavations VII: The Old Babylonian Period, Oxford University Press, 1927
• Leonard Woolley, Ur Excavations VIII: The Kassite Period, Oxford University Press, 1927
• Leonard Woolley and M. E. L. Mallowan, Ur Excavations IX: The Neo-Babylonian and Persian Periods, Oxford University Press, 1927
•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

• Explore some of the Royal Tombs Mesopotamia website from the British Museum
• Treasures from the Royal Tombs of Ur
• Jewish Encyclopedia: Ur
• Woolley’s Ur Revisited, Richard L. Zettler, BAR 10:05, September/October 1984.
• Ur Excavations of the University of Pennsylvania Museum
• Ur Preservation Project by Global Heritage Fund
• Explore Ur with Google Earth on Global Heritage Network
• At Ur, Ritual Deaths That Were Anything but Serene on The New York Times

Mike Posner
Mike Posner, July 2010.
Background information
Birth name	Michael Robert Posner
Born	(1988-02-12) February 12, 1988 (age 24) Southfield, Michigan, U.S.
Origin	Detroit, Michigan, United States
Genres	R&B, dance, electronic, hip hop
Occupations	Singer, songwriter
Years active	2007–present
Labels	J, RCA
Associated acts	Big Sean, Lil Wayne, Cher Lloyd, Your Favorite Martian, Justin Bieber
Website	mikeposner.com

Michael Robert "Mike" Posner (born February 12, 1988) is an American singer, songwriter, and producer.^[1] Posner released his debut album, 31 Minutes to Takeoff, on August 10, 2010. The album includes the Billboard Hot 100 Top 10 single "Cooler Than Me," his second single, "Please Don't Go," as well as his third single, "Bow Chicka Wow Wow". As of 2012, he is the ambassador of Reebok Classic's RealFlex range.^[2]

Early life and education[link]

Posner was born and raised in Southfield, Michigan.^[3][4] His father, a criminal defense attorney, is Jewish, and his mother is Catholic.^[5][6] Posner attended and graduated from Groves High School, where he ran varsity track and cross-country, and went on to attend Duke University. There, Posner went Sigma Nu^[7] and graduated in 2010 with a degree in sociology and a certificate in markets and management, with an overall GPA of 3.59.^[3][4][8]

Career[link]

2008–2009: Musical beginnings[link]

Manager Daniel Weisman of Elitaste Inc. first heard about Mike Posner in 2008 when Jared Evan manager Saytum passed on some tracks Posner had created for Weisman's then client Wale.^[9] Weisman got in touch with Posner and, impressed by songs including "Cooler Than Me", began an informal mentoring relationship with the artist over iChat.^[9] The association was made official in early 2009 after Posner's second mixtape, A Matter of Time (the first mixtape being Reflections of a Lost Teen) started attracting industry attention.^[9] Working with Don Cannon and DJ Benzi, the mixtape was released from his dorm room at Duke University in March 2009 under the name, "Mike Posner & the Brain Trust," the Brain Trust referring to Posner's supporters.^[10] The release was unusual for being distributed for free through iTunes U, a channel designed for educational audio content. Although Posner was not the only artist to take advantage of this loophole, his release was the most organised and high profile, and attracted the largest response, immediately reaching the number one position on the iTunes U chart, thanks to his manager Saytum.^[9]

In July 2009, Posner signed a deal with J Records (RCA/Sony).^[11] He chose to return to Duke after signing his record deal, and toured on the weekends while at the same time recording for his debut album.^[12][13][14] Posner's third mixtape One Foot Out the Door, hosted by Clinton Sparks, was released on October 27, 2009. The mixtape was accompanied by a web series also entitled One Foot Out the Door which aired bi-weekly from September 30, 2009 until December 2009.

[edit] 2010: 31 Minutes to Takeoff

31 Minutes to Takeoff, his debut album was released on August 10, 2010. The first single from the album, "Cooler Than Me," produced by Gigamesh, climbed the Billboard Hot 100 to reach No. 6^[15] before going on to attain global success.^[16] He performed at Bonnaroo and the 2010 Warped Tour where he was a crowd favorite. A second single, "Please Don't Go," was issued on July 20, 2010.

Posner performed on national television for the first time on the talk show Last Call with Carson Daly on October 27, 2009. He also performed his song "Cooler Than Me" on America's Got Talent on July 28, 2010. He performed on Live with Regis and Kelly on August 3, and on Late Night with Jimmy Fallon on August 4. He performed "Cooler Than Me" on The Wendy Williams Show on August 5, 2010, and on The Tonight Show with Jay Leno on August 9, 2010. Posner has collaborated with artists Lil Wayne, Bruno Mars, Wale, Big Sean, Bun B, We The Kings, Saigon, One Be Lo, Eric Holljes, Cher Lloyd, and 3OH!3. On February 1, 2011, Posner released a radio mix of "Bow Chicka Wow Wow" which included a new verse from Lil Wayne. He performed his song Bow Chicka Wow Wow live on The Ellen DeGeneres Show on April 19, 2011.

He has also covered many popular songs, including Beyoncé's "Halo," Adele's "Rolling in the Deep," Coldplay's "The Scientist" and Kanye West's Heartless.

Posner was nominated for a 2010 American Music Award (T-Mobile Breakthrough Artist), a 2010 MTV Europe Music Award (Push Artist) and won a 2011 ASCAP Award ("Cooler Than Me").

2011–present: Second album[link]

On October 7, 2011, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Posner (and all other artists previously signed to these three labels) will release his future material on the RCA Records brand.^[17][18]

He provided vocals for X-Factor contestant Cher Lloyd's second single "With Ur Love",^[19] released on October 29, 2011.

"Looks Like Sex", the first single of his upcoming album titled Sky High, was released on December 2, 2011. On January 18, 2012, Posner collaborated with cartoon band Your Favorite Martian on the YouTube video, She Looks Like Sex^[20], a remix of "Looks Like Sex". His second single will be "Top of the World", produced by Diplo, which features Big Sean.^[21]

It was revealed on March 1, 2012 that Posner had collaborated with Justin Bieber to write the first single from Bieber's upcoming album Believe. The single is called "Boyfriend" and was released on March 26, 2012. He has also been working on Labrinth's album.^[22]

Discography[link]

• 31 Minutes to Takeoff (2010)
• Sky High (2012)^[23]

References[link]

External links[link]

• Official website
• Recording Institute of Detroit Home Page

Jessie J
Jessie J at the O2 Arena in London in 2011.
Background information
Birth name	Jessica Ellen Cornish
Also known as	Jessie J
Born	(1988-03-27) 27 March 1988 (age 24) Chadwell Heath, London, England, United Kingdom
Genres	pop, hip hop, R&B, dance-pop, soul
Years active	2005–present
Labels	Lava, Universal Republic, Island, Gut
Website	jessiejofficial.com

Jessica Ellen Cornish (born 27 March 1988), better known by her stage name Jessie J, is an English singer and songwriter. Born and raised in London, she studied at the BRIT School before signing with Gut Records and striking a songwriting deal with Sony/ATV Music Publishing where she wrote for artists such as Chris Brown and Miley Cyrus.

Signed with Universal, Jessie J came to prominence following the release of her debut single "Do It Like a Dude" which peaked at number two on the UK Singles Charts. After scoring her first number one in the United Kingdom, France, Ireland and New Zealand with the song "Price Tag", she released her debut album Who You Are (2011) which charted at number two in the UK. Other releases from the album include "Nobody's Perfect", "Who's Laughing Now" and "Who You Are" which charted within the top 20 in the UK but the release of fifth single "Domino" spawned international chart success, peaking at number 6 on the Billboard Hot 100 in the US, and becoming her second UK number one. Aside from her musical career, Jessie J is currently a coach and mentor on television show The Voice UK.

Citing various influences, Jessie J is recognized for an unconventional musical and performance style^[1][2] that mixes her soul voice with contemporary R&B, pop, and hip-hop influences. Jessie J has garnered various awards and nominations for her contributions to the music industry, including the 2011 Critics' Choice BRIT Award and the BBC's Sound of 2011. As of April 2012, Jessie has sold over 11 million singles and 2.5 million records worldwide.^[3][4]

Early life[link]

Jessie J was born Jessica Ellen Cornish in Chadwell Heath, London,^[5] daughter of Stephen Cornish and Rose Cornish (née Archer). She was educated at Mayfield High School in the London Borough of Redbridge. She attended Colin's Performing Arts School and as an 11-year old-was cast in Andrew Lloyd Webber's West End production of Whistle Down the Wind.^[6][7][8] Jessie has two sisters, who are five and seven years older than her, who were both head girls at school. Unlike her academic sisters, Cornish has stated she was "never really that good at anything". She said, "At school they were like 'oh, you're a Cornish girl' and they kind of expected me to be the same as my sisters. Give me something to draw or an outfit to pick for someone, or hair, make-up, acting, write a song, I'm fine with it, but anything to do with sums – it was never my thing." She also said she never based her intelligence on her exam results.^[9] She also said she was always good at singing and it was her "thing". At the age of 16 she began studying at the BRIT School and at 17 she joined a girl group named Soul Deep.^[10] She graduated in the class of 2006 along with singers Adele and Leona Lewis.^[11] At 18 she suffered a stroke.^[12]

Music career[link]

2006–2010: Career beginnings[link]

Jessie J was signed to Gut Records, recording an album for the label, but the company went bankrupt before any material was released.^[8][10] She then found success as a songwriter, gaining a Sony ATV publishing contract.^[13] She was also the support act for Cyndi Lauper during Lauper's UK dates of her 2008 Bring Ya To The Brink tour (Lauper invited J to join her on stage for the performances of "Girls Just Want To Have Fun"). Jessie has also written lyrics for artists such as Chris Brown and Miley Cyrus, including "Party in the U.S.A.".^[14][15] Jessie J was also part of a girl band, called Soul Deep, for two years, however she left due to thoughts that "it wasn't going anywhere". Despite people thinking that her first notoriety was through YouTube, Jessie was signed for four years before her first video was posted. Jessie first came to the attention of Lava Records when her publisher at Sony/ATV, Rich Christina, sent Lava president Jason Flom a link to her MySpace page, which the record executive loved.^[16] After seeing an impressive U.S. showcase, Lava was, along with several other labels, keen to sign the artist but progress was hampered by her management's insistence on, what Flom called, a "crazy deal", and their refusal to let Jessie speak to any labels directly.^[16] Despite this, Senior Director of A&R at Lava, Harinder Rana, made surreptitious efforts to meet Jessie on her own in winter of 2008. Later in the year a change in management to Sarah Stennett and Nadia Khan of Crown Music allowed record deal negotiations to take place. Jessie eventually signed with Lava as part of a joint venture with Universal Republic.^[16]

[edit] 2010–2012: Who You Are

Jessie J performing at a concert in New York City in 2011.

Jessie J began recording her debut studio album in 2006 and it was completed on 19 January 2011.^[17][18] She revealed that "Big White Room" would be on the album and was written from an experience she had when she was 11 years old, although she wrote the song at age 17, in hospital, where a ward mate, a little boy, died.^[19] Jessie J says the album's title track, "Who You Are", is one of her proudest creations, she said the song is a "positive role model for young people" and "I always say that I'm half-artist, half-therapist".^[19] In late 2010 Jessie J released her first single, "Do It Like a Dude" which was co-written with George Astasio, Tj Normandin, Jason Pebworth, Jon Shave, Kyle Abrahams and Peter Ighile. Originally, she wrote the song with Rihanna in mind because "Rude Boy" was released at the time, partly inspiring the song. She then sent the song to her label, Island Records, before sending it to Rihanna's management. Island insisted the song become Jessie J's first single.^[20] She wishes to perform the song with Rihanna at one point.^[21] The single gained positive reception from critics.^[22] The single charted at number two on the UK Singles Charts. Her follow-up single "Price Tag" was released in late January 2011. This was written by Jessie J, Lukasz Gottwald, Claude Kelly, and Bobby Ray Simmons, Jr. and charted at number one in the top of the charts. "Price Tag" was released in the United States on 1 February 2011 and peaked at 23 on the Billboard Hot 100.^[23] "Price Tag" also charted at number-one in New Zealand and Ireland and is the most successful online video J has released. As of October 2011, the video has generated over 148 million views on Youtube and Vevo, making it the 22nd most viewed music video of all time.^[24][25] Her first American television appearance was as the musical guest on the 12 March 2011 episode of NBC's Saturday Night Live.^[26]

On 25 February 2011 her debut album, Who You Are, was released.^[27] The album first entered the charts on 6 March 2011 where it charted on the UK Album Charts at number two. The album charted into the top ten in a number of countries and number 11 in the United States.^[28] After the release she went on to release a third single from the album, "Nobody's Perfect".^[29] MTV reported that the single is, so far, only confirmed for release in the United Kingdom.^[30] The album's fourth single was "Who's Laughing Now". "Domino" was her second US single.^[31] The Dr. Luke-produced track was sent to mainstream radio on 6 September 2011.^[32] With the success of Who You Are in North America, Jessie was chosen to tour as the opening act for American pop artist Katy Perry's California Dreams Tour in 2011 but after she was unable to fully recover from her injuries during rehearsals she was forced to pull out under the doctor's orders.^[33] Jessie J served as the house artist at the 2011 MTV Video Music Awards, performing several of her original songs along with covers around commercial breaks.^[34]

James Morrison's third studio album, The Awakening features a collaboration with Jessie J called "Up", the song was released as a single on 4 December 2011. Jessie J re-released "Who You Are" on 9 November 2011, featuring the regular tracks plus "Domino" and two new songs. "Domino" became her first top 10 hit in the U.S., following the success of "Price Tag". The song also peaked at number 1 in January 2012 in the UK, before it was even officially released there.

[edit] 2012–present: Second studio album and The Voice

On 4 October 2011, Jessie announced that she will be one of four coaches for new BBC program, The Voice UK.^[35] The show was announced after the success of the US version, The Voice. It premiered in March 2012 on BBC One. It will be presented by Holly Willoughby and Reggie Yates, with will.i.am (of The Black Eyed Peas), Tom Jones and Danny O'Donoghue (of The Script) joining Jessie on the coaching panel.^[36] The first stage of the competition, The Blind auditions, began in London on 18 January 2012 at the BBC Television Centre and finished filming on 22 January 2012. The winner will receive £100,000 and a record deal with Universal Republic. It was also reported that the 4 coaches recorded a cover of the Black Eyed Peas song, "I Gotta Feeling", and will release an accompanying music video to help promote the show.^[37]

On 31 January 2012, Jessie announced that she had begun recording for her second studio album.^[38] She also stated that she hopes to collaborate with many artists this year, possibly including some of her fellow coaches on The Voice.^[39] It was revealed that she has worked in the studio with Cee-Lo Green after he tweeted her on twitter. Jessie has also revealed on twitter that she has worked with Diane Warren as well as reuniting in the studio with her 'Price Tag' co-writer Claude Kelly.

Jessie will embark on her first arena tour in March 2013. Via microblogging website, Twitter, Jessie J confirmed the tour will be called Nice to Meet You Tour.^[40]

Personal life[link]

Jessie J performing at the 2011 The Big Chill, sitting on the "gilded throne" she used for performances while her foot was broken.

In early 2011 she suffered a panic attack on stage after she was forced to perform in the dark. "I did a gig recently and had a panic attack on stage," she told NOW. "The night was called 'Black Out' and I had to perform in the dark. I asked them to turn on the lights and they didn't. I was onstage in pitch black and, because I couldn't see anything, I started to panic. It was awful."^[41]

Jessie J is bisexual and stated in an interview on the "In Demand" radio show on 3 March 2011, "I've never denied it. Whoopie doo guys, yes, I've dated girls and I've dated boys – get over it."^[42][43] However, in April 2012 The Sun outed her as homosexual which she denied via Twitter, calling it a "yet another boring untrue story".^[44] According to The Guardian, Jessie J's sexuality is valuable to young teens, especially for young girls unsure of themselves because of their sexuality and identity, to feel "that this does happen and this is normal."^[45]

On 12 June 2011 at the Capital Radio Summertime Ball, Jessie ruptured several tendons in her foot during rehearsals, and performed her set the following day while sitting on a gilded throne.^[46] For her appearance at Glastonbury Festival 2011 on 25 June 2011, she performed on the throne again, claiming her physician had told her not to perform with her broken foot which would take six weeks to heal.^[47] Jessie J was scheduled to play at several festivals throughout the summer, however it was reported on 1 July 2011 that she would not be able to attend T in the Park, T4 On The Beach, Wembley:Orange, iTunes Festival, Lovebox and Oxegen due to the injuries to her foot. Jessie J personally tweeted before surgery; "Keep making nervous jokes with the doctor and he keeps looking at me blankly. Which is making me laugh even more. It's getting serious. I just took my nose stud out." Tweeting after the surgery, she wrote: "Can't keep tweeting. Still very dizzy and being sick. But I'm OK, I got through it." Her record label released an official statement on 30 June 2011 that under strict orders from her doctor, she will not be able to perform for a number of weeks so she can heal and recuperate properly.^[48] She returned to the concert circuit in late August, including sets at the V Festival^[49] and The Big Chill. For the 2011 VMA's she was still in a cast and using the throne to keep off it.

Jessie J confirmed on 2 August 2011 that she would be shaving her hair off for charity in 2012. Speaking via her official Twitter account she said: "It’s hair, It will grow back. Even if it takes 2 years, if it saves lives it’s worth it. Even if its 1 life that’s something."^[50]

‎Artistry and voice[link]

Jessie J performing at the Bournemouth International Centre in 2011.

Although she was first identified as a soul singer, she primarily records songs of contemporary R&B and pop music with hip-hop influences.

Music critic Matthew Perpetua of Pitchfork Media compared Jessie J to her peers Adele and Amy Winehouse, but suggested she was missing something: "Whereas Adele and Winehouse also have powerhouse voices, they fit into clear aesthetic niches and invest their songs with depth and humanity. Jessie J doesn't have even a fraction of their restraint." Perpetua added: "Her idea of showcasing her gift is to shoot for a blaring melisma on "Mamma Knows Best" that makes Christina Aguilera seem as subtle as Joni Mitchell by comparison."^[51]

Ailbhe Malone of the music magazine NME also recognized Cornish's "undeniably potent voice". However, she pointed out the possible "identity crisis" that might have been caused by Jessie's songwriter past: "This is an album of singles for other artists. There’s Rihanna Jessie (‘Do It...’), Perry Jessie (‘Abracadabra’), Pixie Jessie (‘Mamma Knows Best’), Ellie Jessie ('Big White Room')."^[52]

Caroline Sullivan of The Guardian shared her positive opinion about the singer, saying that "if any singer has the potential to be the British Katy Perry or Pink, with the accompanying millions of sales, it's her". Sullivan also complimented Cornish's attitude: "[Her songs] are delivered with a confidence that money can't buy."^[53]

Entertainment Weekly's music critic Adam Markovitz said of Jessie: "The 23-year-old Brit has all the tools, from a monster voice to an ear for hooks — she co-wrote Miley Cyrus' 'Party in the U.S.A.' — and a manic persona that's equal parts Katy Perry, Kristin Chenoweth, and Alice Cooper."^[54]

Discography[link]

• Who You Are (2011)

Concert tours[link]

Headlining

• Stand Up Tour (2011)
• Heartbeat Tour (2011-12)
• Nice To Meet You Tour (2013)

Filmography[link]

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Jessie J

External links[link]

• Official website
• Jessie J discography at Discogs
• Jessie J's channel on YouTube
• Jessie J's BBC Sound of 2011 page at BBC Online

Tiësto
Tiësto performing in Winterworld at Palazzo in Bingen, Germany, on February 25, 2005.
Background information
Birth name	Tijs Michiel Verwest
Also known as	DJ Tiësto, Allure, Da Joker, Drumfire, Handover Circuit, Paradise In Dubs, Passenger, Roze, Steve Forte Rio, Stray Dog, Tom Ace, Wild Bunch
Born	(1969-01-17) January 17, 1969 (age 43) Breda, North Brabant, Netherlands
Genres	Trance, House[1], Progressive House[2], Electro House[3], Electronica[citation needed]
Occupations	Musician, DJ, record producer
Years active	1994–present
Labels	Noculan (1994) Basic Beat (1994–1997) Lightning (1995–1996) XSV Music (1997) Black Hole (1997–2009) Ultra Records (2007–Present) Musical Freedom (2009–Present)
Associated acts	Gouryella, Kamaya Painters (more)
Website	tiesto.com

Tijs Michiel Verwest, OON (Dutch pronunciation: [ˈtɛi̯s miˈxil vərˈʋɛst]; born 17 January 1969),^[4] known as Tiësto ( /ˈtʃɛstoʊ/ CHES-toh; Dutch pronunciation: [cɛsto]), is a Dutch musician, DJ and record producer of electronic dance music^[5]. Although he has used many aliases in the past, he is best known for his work as DJ Tiësto. On his latest productions, however, he has dropped the "DJ" label and is now known simply as "Tiësto",^[6] an alias which is a twist of his childhood nickname.^[7]

In 1997, he founded the label Black Hole Recordings with Arny Bink, where he released the Magik and In Search of Sunrise CD series. Tiësto met producer Dennis Waakop Reijers in 1998, and the two have worked together extensively since then. Reijers is credited as producer, writer, composer, or arranger on many of Tiësto's releases.^[8] In 1999 and 2000 Tiësto collaborated with Ferry Corsten to create Gouryella. His 2000 remix of Delerium's "Silence" featuring Sarah McLachlan exposed him to more mainstream audiences. In 2001, he released his first solo album In My Memory which gave him several major hits that launched his career. He ranked in the #1 poll position 3 consecutive times in the DJ Magazine Top 100 Popularity Poll from 2002 to 2004.

Just after releasing his second studio album Just Be in 2004 at the Summer Olympics, he performed live at the opening ceremony in Athens, Greece, becoming the first DJ to play live on stage at an Olympics. Tracks he made especially for the Olympics were mixed together and released as the mix compilation Parade of the Athletes later that year. In April 2007 Tiësto launched both his radio show Tiësto's Club Life on Radio 538 in the Netherlands and released his third studio album Elements of Life. The album reached number one on the Dutch album chart as well on "Billboard Top Electronic Albums" in the U.S. and received a nomination for a Grammy Award in 2008.^[9] Tiësto released his fourth studio album Kaleidoscope in October 2009.

As at 2012, Tiësto attained the #3 poll position of the DJ Mag 100 Popularity Poll, and he refers to the styles he mainly plays as House, Electro House, and Progressive House. He plays a new balanced sound sometimes demonstrating lesser known genres such as Dubstep. For nostalgia, Tiësto still throws in the odd Trance House record, the style he became attached to in the early 2000's.^[10]

Life and musical career[link]

Early life and career[link]

Tijs Michiel Verwest was born in Breda, North Brabant, Netherlands on January 17, 1969. He had an interest in music since the age of twelve.^{[citation needed]} When he was fourteen he began DJing professionally at school parties.^{[citation needed]} He then moved on to become a resident DJ between 1985 and 1994 at several clubs in the Netherlands after his manager and friend Wilfred encouraged him.^{[citation needed]} However, it was at The Spock, a small club in Breda, where he was able to fine-tune his own style by playing in a separate room from 10 p.m. until 4 a.m. on weekends. In the beginning of his career, as a DJ he played mostly New Beat and House music.

In 1994, he began releasing material on Noculan Records' sub-labels Chemo and Coolman. During these years, he produced hardcore/gabber tracks under aliases such as Da Joker and DJ Limited. He was later discovered by the general manager of Rotterdam-based Basic Beat Recordings.^[11] In late 1994, he signed to Basic Beat where he met Arny Bink, Tiësto released records on the sub-label Trashcan, founded by Arny, and later created the Guardian Angel sub-label with Arny in which they introduced the popular Forbidden Paradise series. Meanwhile from 1995 to 1996 he released four extended plays on Bonzai Jumps and XTC, sub-labels of Lightning Records. In 1997, Tiësto joined his friend Yves Vandichel on his sub-label, DJ Yves, a division of the now defunct Human Resource label XSV Music. In the fall of 1997, both Arny and Tiësto decided to leave Basic Beat and create their own parent label, now known as Black Hole Recordings, Trashcan was discontinued and Guardian Angel continued releasing music until 2002. Through Black Hole, Tiësto released the Magik series and also created two major sub-labels in 1998; In Trance We Trust and SongBird.

From 1998 to 1999, Tiësto released music on Planetary Consciousness where he met A&R Hardy Heller and invited him to release some records on Black Hole. Tiësto later included the In Search of Sunrise series on SongBird. In 1999, Tiësto joined forces with fellow Dutch deejay Ferry Corsten to create the trance based duo of Gouryella.^[12] He also collaborated with Benno de Goeij from 1998 to 2000 under the name Kamaya Painters. Since November 1999, he performed monthly as a resident at Gatecrasher in Sheffield, one of the most popular clubs in England. In 1999 he also played in a 12-hour set, being his longest lasting concert in Amsterdam.^[13]

Late in 2000, Tiësto decided to concentrate on his personal work and left Corsten by himself to write and produce Gouryella's next single with John Ewbank, the record company was demanding more tracks and neither Tiësto or Ferry could work together at the time.^[12] Tiësto introduced Armin van Buuren, Johan Gielen and Ferry Corsten to the mainstream with his first compilations and the In Trance We Trust series. Summerbreeze became Tiësto's debut DJ mix album in the US with the help of a contract signed to Nettwerk.^[11] Summerbreeze featured his remix of Delerium's "Silence", which spent four weeks in the UK's Top Ten chart and reached number three in the Billboard dance chart.^[11] In Search of Sunrise 2 was released in 2000. Tiësto decided to create a sub-label, known as Magik Muzik. The label began releasing Tiësto’s own releases, but it has also released tracks for the Filterheadz, Oliver Lieb, Mark Norman, Mojado, Phynn and Jes Brieden. The label became a trademark that stands for high quality electronic dance music which was due to the release of Tiësto's classic dance anthem "Flight 643" in 2001.^[14]

[edit] In My Memory era (2001–2004)

Tiësto's popularity started to rise in the early 2000s^{[citation needed]} after his set at the first ID&T Innercity party (Live at Innercity: Amsterdam RAI), and the release of In My Memory, his first solo album released in 2001 which contained 10 singles and 5 major hits; The singles from the album were: "Lethal Industry" which was actually produced in 1999 and had only 3 copies released at that time, the track was officially released in 2001 which was remixed by Richard Durand in 2006 along with "Flight 643" which was another leading single that was later adapted with vocals by Suzanne Palmer and released as "643 (Love's on Fire)". Other tracks were "Obsession" in which Tiësto worked alongside Junkie XL, the instrumental tracks "Dallas 4PM" and "Suburban Train" with "Urban Train" as its B-Side which contained some vocals. The last singles to be released were "In My Memory" which is the title track for the album as it only received high ratings in the United States and the opening track "Magik Journey" which opened Tiësto in Concert (2003). On February 2, 2002 Tiësto played nine consecutive hours during the second edition of the Dutch Dimension festival. On February 27 he was awarded a Zilveren ('Silver') Harp music award. The same year he also received a Lucky Strike Dance Award in the category Best DJ Trance/Progressive. In August he became part of Moby's Area2 Tour. For eighteen days he travelled through the United States with artists such as Moby himself, but also David Bowie and Busta Rhymes.^[15] In January 2003, Tiësto received the annual Dutch Popprijs ('Pop Award') during the Noorderslag festival. After touring with Moby, Tiësto remixed two songs from him, "We Are All Made of Stars" and "Extreme Ways" in the same year, having "We Are All Made of Stars" reach number 13 in the Hot Dance Club Play. In 2002 he released his first In Search of Sunrise mix to feature a place on its name, In Search of Sunrise 3: Panama. On March 28, 2003; Tiësto, Dieselboy, Bad Boy Bill, and Noel Sanger joined the PlayStation2 Dual Play tour. Tiësto and Noel's appearance began on April 13 and ended on June 6.^[16]

His fame continued to increase in the early 2000s, following his six-hour "Tiësto Solo" sets which he performed without other DJs or opening acts. This idea, of one DJ playing alone to a large crowd was new. Tiësto was the first DJ to hold a solo concert in a stadium; on May 10, 2003, he performed for 25,000 people in Arnhem's GelreDome.^[15] This concert was later called Tiësto in Concert. He repeated the same type of concert the following year during two consecutive nights in late October.^[17] In addition to holding these two concerts for 35,000 of his fans, he held another concert for a crowd of 20,000 in Hasselt, Belgium the following week.^[17] DVDs of both his May 10, 2003 and October 30, 2004 concerts have been released, having the other DVD titled Tiësto in Concert 2. The DVD's show the journey from the first idea to the main event, it features live performances by Andain, Dinand Woesthoff, and Jan Johnston. The event includes live music and dancers performing at different times throughout the set. The theme of the event is a mystical, musical journey around the world based on the theme of Magik.^[18] It consists of 200+ minutes of performances with a second disc with special features, It includes a behind-the-scenes looking at The Making Of the event, the music video for his song "Traffic" and TV Commercials for the event. The second DVD has performances from Aqualung and violin player DJ Mason, Micha Klein and the Bulgarian Children of Orpheus choir. During this period, he attained the #1 poll position in the DJ Magazine (UK) Top 100 popularity poll in 2002, 2003, and 2004.^[19]

[edit] Just Be era (2004–2007)

In 2004, he released his second artist album Just Be, which featured his first single "Traffic" which is the first non-vocal track to reach number one spot in the Dutch national charts for 23 years.^[20] The track "Sweet Misery" was originally written for Evanescence but it did not meet the deadline for the release of their album. In support to his Just Be album, he played at Breda, Eindhoven, Utrecht, and Amsterdam; these stops were later named Just Be: Train Tour. On May 20, 2004 he was appointed Officer of the Order of Orange-Nassau by Her Majesty Queen Beatrix of the Netherlands.

The Olympic Flame at the 2004 Summer Olympics opening ceremony

The Athens Organizing Committee for the Olympic Games (ATHOC) asked Tiësto to perform at the Olympic Games, making him the first DJ to play live on stage at an Olympic Games at the 2004 Summer Olympics opening ceremony in Athens, where he played for 90 minutes.^[21] Tiësto flew to Athens in January 2004 to have a meeting with the ATHOC. His Tiësto in Concert DVD caught their attention, after which he was asked to write more tracks based on his opening tune "Adagio for Strings" which could fit in with the Olympic spirit and combine the classical with the modern age. The first rehearsal was on Saturday August, 7, for an empty stadium; the second rehearsal was on Sunday August 8 with 35,000 volunteers. The last rehearsal included almost 60,000 people in the stadium which was on Tuesday August 10, there were some technical problems.

During the course of his performance at the olympics, the Dutch athletes started dancing in front of the DJ booth and had to be moved on by officials. The performance included new tracks produced especially for the Opening Ceremony and songs that were created to complement the spirit and theme of the ceremony. A condensed studio-recorded album of the songs played on the Olympic set was later released, including new songs specially composed for the occasion, entitled Parade of the Athletes in October 2004.^[22] In the liner notes, he noted the IOC requested that the music not contain any lyrics as they could be inadvertently misinterpreted.

In late 2004, he began his touring across Latin America, with his release of In Search of Sunrise 3: Panama in which he gained influence from the sun and sand in summer 2002. The tour continued in 2005, and Tiësto performed live at Brazil, Argentina, Panama, Peru, Costa Rica, Uruguay, Paraguay, Ecuador, Venezuela and Colombia. Following the tours, In Search of Sunrise 4: Latin America was released in 2005, featuring a second CD for the first time in the In Search of Sunrise series.^[23]

In 2005, his Perfect Remixes Vol. 3 compilation was released through Warlock Records, containing ten tracks which were created during the beginning of his career, between those is Junkie XL, Mauro Picotto and The Roc Project. On August 20, 2005, Verwest took Tiësto in Concert to the US when he played to 16,000 at the Los Angeles Memorial Sports Arena with Cirque du Soleil dancers.^[24] For the second year in a row he performed live at a New Year's Eve/New Year's concert in Las Vegas, Nevada at the Orleans Arena to a sell-out crowd. His four-city US tour was postponed due to the hurricane damage in New Orleans and Miami. BPM magazine has an annual poll in the US which is unveiled in the WMC, in 2005 Tiësto took the No. 1 spot.^[25] The influences of Los Angeles remained with him and would later influence his In Search of Sunrise compilation.

Tiësto at Lush! in Portrush, Northern Ireland on March 5, 2005

A wax sculpture of Tiësto was placed behind a turntable at Madame Tussauds in Amsterdam where visitors can mix Tiësto's music together.^[26][27] In the fall of 2005 he went on a very successful tour across Central and Eastern Europe where he played once in each country to crowds of 10,000 to 15,000 fans.^{[citation needed]} Stops were made in Ukraine, Slovakia, Serbia, Macedonia, Romania, Hungary, the Czech Republic, Turkey, Croatia, Poland and South Africa. The United States tour that was part of Tiësto in Concert was dwarfed by his appearance at Sensation White in 2006 where he performed to over 45,000 people in the world's biggest dance event in Amsterdam, the Netherlands.^[28]

In Search of Sunrise 5: Los Angeles was released in 2006 which was certified Gold in Canada for sales over 50,000 copies.^{[citation needed]} It also charted, peaking at number 34 in Canada and number 59 in Austria. The compilation was launched in the Winter Music Conference at Mansion in South Beach Miami to support his release, Tiësto went on his In Search of Sunrise 5 Asia Tour for more than three weeks.^[29]

In September 2006, Tiësto was admitted to hospital after experiencing pain in his chest. He was diagnosed with pericarditis and subsequently had to cancel a number of shows.^[30] With the diagnosis, he was invited to support Dance4Life to help teens who are not aware of the risks of HIV/AIDS. He was chosen as the official ambassador for the Dance4Life foundation in May 2006, and released the song "Dance4Life" with Maxi Jazz to help spread the awareness of HIV/AIDS.^{[citation needed]}

On April 6, 2007 Tiësto began presenting a new weekly two-hour radio show called Tiësto's Club Life on Dutch radio station Radio 538. It is syndicated worldwide and later released as a Podcast.^{[citation needed]} Later in the summer of 2007, he played at the large South American beach rave where thousands danced on Ipanema Beach, Brazil.

[edit] Elements of Life era (2007–2009)

Tiësto performing on his Elements of Life World Tour in Amsterdam on March 16, 2007

On April 16, 2007, Tiësto released his third studio album Elements of Life, the album moved 73,000 units in its April release, according to Nielsen SoundScan.^[25] During the production of the album Tiësto in several cases sent a demo with the music to certain artists, and they replied back with the lyrics and vocals and other duration times. In the case of Christian Burns from BBMak, Tiësto met him through MySpace and got in contact with him and the production of the single "In the Dark".^[31] The album consists of rock, trance and experimental music, which shows the style Tiësto has grown throughout the years since his previous albums which contained lyrics, In My Memory and Just Be. Producer Brian Transeau collaborated with Tiësto in three tracks, he composed "Bright Morningstar" and "Sweet Things", he also performed the vocals in the single "Break My Fall". Together, they produced more tracks which were not released in the album, Tiësto has mentioned they would work again during the coming summer.^[31] In December 2007 it was announced that the album was nominated for a Grammy Award, in the category "Best Electronic/Dance Album."^[9] The album also received gold certifications in Belgium, Hungary, Netherlands, and Romania.^[32] A special release party was held at the Heineken Music Hall in Amsterdam on November 3, 2007 for In Search of Sunrise 6: Ibiza.^[33]