The Google logo since May 6, 2010. The major difference in comparison to the previous logo (valid since May 31, 1999) is the reduced distance of the projected shadow behind the word Google and the change in color of the yellow "o" to orange.

Google has had several logos since its renaming from BackRub. The current official Google logo was designed by Ruth Kedar, and is a wordmark based on the Catull typeface.^[1] The company also includes various modifications and/or humorous features, such as cartoon modifications of their logo for use on holidays, birthdays of famous people, and major events, such as the Olympics.^[2] These special logos, some designed by Dennis Hwang, have become known as Google Doodles. Google subsidiary YouTube has also featured some custom logos to highlight special events occurring on the site, these have been unofficially nicknamed "Yoodles".^[3]

The Google logo used from May 31, 1999 until May 5, 2010, dropping the previous logo's exclamation point. This is still used as a secondary logo.

The Google logo when a background image/doodle is set on the home page

The Google logo in 1998, used until May 30, 1999.

In 1998, Sergey Brin created a computerized version of the Google letters using the free graphics program GIMP. The exclamation mark was added, mimicking the Yahoo! logo.^[4] "There were a lot of different color iterations", says Ruth Kedar, the graphic designer who developed the now-famous logo. "We ended up with the primary colors, but instead of having the pattern go in order, we put a secondary color on the L, which brought back the idea that Google doesn't follow the rules."^[5]

In 2010, the Google logo received its first major and permanent overhaul since 1999. The new logo was first tested in November 2009,^[6] and was officially launched on May 6, 2010.^[7] It utilises an identical typeface to the previous logo, but features a distinctly orange-colored "o" in place of the previous yellowish "o", as well as more subtle shadow rendered in a different shading style.

Google Doodle[link]

The first Google Doodle was in honor of the Burning Man Festival of 1998.^[8] The doodle was designed by Larry Page and Sergey Brin to notify users of their absence in case the servers crashed. Subsequent Google Doodles were designed by an outside contractor, until Larry and Sergey asked then-intern Dennis Hwang to design a logo for Bastille Day in 2000. Hwang has been designing the Google Doodles ever since.^[9] Clicking on a Google Doodle links to a string of Google search results about the topic, which can drive a lot of traffic to unsuspecting sites.^[10]

Google doodles have been produced for the birthdays of several noted artists and scientists, including Andy Warhol, Albert Einstein, Leonardo da Vinci, Rabindranath Tagore, Louis Braille, Percival Lowell, Edvard Munch, Nikola Tesla, Béla Bartók, René Magritte, John Lennon, Michael Jackson, Robert Moog, Akira Kurosawa, H. G. Wells, Freddie Mercury, Samuel Morse, Hans Christian Ørsted, Mahatma Gandhi, Dennis Gabor, Constantin Brancusi, Antonio Vivaldi, Abdel Halim Hafez, and Jules Verne among others.^[2] Additionally, the featuring of Lowell's logo design coincided with the launch of another Google product, Google Maps. Google doodles are also used to depict major events at Google, such as the company's own anniversary.^[11] The celebration of historical events is another common topic of Google Doodles including a Lego brick design in celebration of the interlocking Lego block's 50th anniversary.

On February 14, 2007, Valentine's Day, the Google doodle featured a chocolate-dipped strawberry that combined the second "g" and the "l" as its green stem.^[12] This design gave the appearance that the "l" was missing, thereby displaying "Googe". In response to several speculations the Official Google Blog,^[13] responded: "When you look at the logo, you may worry that we forgot our name overnight, skipped a letter, or have decided that 'Googe' has a better ring to it. None of the above. I just know that those with true romance and poetry in their soul will see the subtlety immediately. And if you're feeling grouchy today, may I suggest eating a strawberry."

Google was criticized in 2007 for not featuring versions of the Google logo for American patriotic holidays such as Memorial Day and Veterans Day.^[14] That year, Google featured a logo commemorating Veterans Day.^[15]

Google Doodles violate a long accepted tenet of brand management: that a logo must be respected and used correctly and consistently at all times. A constantly changing logo was thought to reduce brand equity. While this may be true of many brands, Google has successfully defied the orthodoxy; the Google logo has constant charming, interactive engagement that gets much press and buzz.^[16]

Interactive and video doodles[link]

On May 21, 2010, the 30th anniversary of the arcade game Pac-Man, Google unveiled worldwide their first interactive logo, created in association with Namco.^[17] Anyone who visited Google could play Pac-Man on the logo, which featured the letters of the word 'Google' on the Pac-Man maze. The logo also mimicked the sounds the original arcade game made. The "I'm Feeling Lucky" button was replaced with an "Insert Coin" button. Pressing this once enabled you to play the Pac-Man logo. Pressing it once more added a second player, Ms. Pac-Man, enabling 2 players to play at once, controlled using the W,A,S,D keys, instead of the arrows as used by Player 1. Pressing it for a third time performed an "I'm Feeling Lucky" search. It was then removed on May 23, 2010, initially replacing Pac-Man with the normal logo. Later on that day, Google released^[18] a permanent Google Pac-Man site, due to the popular user demand for the playable logo.^[18]

On September 4, 2010, Google replaced the logo with an interactive Buckminsterfullerene or "buckyball" doodle to commemorate the 25th anniversary of its discovery.^[19]

On September 6, 2010, Google added another interactive logo, which consisted of numerous coloured balls that fly near a cursor.^[20] On February 8, 2011, Google ran one of its most interactive Doodles in honor of Sci-Fi writer Jules Verne's 183rd birthday.^[21] "Pulling" on a lever enabled viewers to get a Nautilus submarine's view undersea of everything from divers to treasure to sea creatures, including a coral formation in the shape of the logo.^[22]

On October 8, 2010, Google ran its first animated doodle, a short music video of "Imagine" to commemorate John Lennon's 70th birthday.^[23] Similarly, Freddie Mercury's 65th birthday was celebrated on September 5, 2011 with an animated clip set to "Don't Stop Me Now".^[24] On April 15, 2011, Google sported the first video doodle, commemorating Charlie Chaplin's 122nd birthday.^[25] This doodle was a black and white YouTube video that, when clicked upon, started playing before redirecting to the usual Google search featuring the doodle's special occasion. All parts in this short film were played by the Google doodle team, and special behind-the-scenes footage was to be found on the Google blog.

Google displayed an interactive electric guitar doodle starting June 9, 2011 to celebrate the 96th birthday of Les Paul.

Apart from being able to hover the cursor over the doodle to strum the strings just like one of Les Paul's Gibson guitars, there was also a keyboard button, which when enabled allowed interaction with the doodle via the keyboard. The doodle still maintained some resemblance to the Google logo. In the U.S, the doodle also allowed the user to record a 30 second clip, after which a URL is created and able to be sent to others. The doodle remained on the site an extra day due to popularity in the US. It now has its own page linked to the Google Doodles archives ^[26]

On June 15, 2011, Google displayed images updated almost in real time of an ongoing total lunar eclipse, along with a scroll bar allowing visitors to view images from the entire duration of the event.^[27] Images were captured from cameras in places where the eclipse was visible including South Africa, Dubai and the Canary Islands.^[27]

On November 23, 2011, Google celebrated the 60th anniversary of Stanislaw Lem's first book, The Astronauts, by creating an interactive logo using concepts and illustrations from The Cyberiad.^[28] August 6th and October 12th of the same year also included interactive doodles - the former date, Lucille Ball's 100th birthday, made the Google logo a television set playing clips of I Love Lucy.^[29] The latter date, Art Clokey's 90th birthday, made the Google logo into interactive versions of Gumby characters.^[30]

On May 23, 2012, Google's logo changed into a playable synthesizer in honor of Robert Moog's 78th birthday.^[31]

Doodle4Google competitions[link]

Google holds a Doodle4Google^[32] competition for students in grades K–12 to create their own Google doodle. Winning doodles go onto the Doodle4Google website, where the public can vote for the winner, who wins a trip to the Googleplex and the hosting of the winning doodle for 24 hours on the Google website. The competition originated in the United Kingdom, and now also exists in the United States. The competition was also held in Ireland in 2008.^[33] Google announced Doodle4Google competition for India in 2009^[34] and the winning doodle was displayed on the Google India homepage on November 14.^[35] A similar competition held in Singapore based on the theme "Our Singapore" was launched in January 2010 and the winning entry was chosen from over 30,000 entries received. The winning design will be shown on Singapore's National Day on Google Singapore's homepage.^[36]

Colorless logo[link]

From time to time, Google shows a special colorless logo ^[37] on a local homepage in recognition of a major tragedy, often for several days. The design was apparently first used on the Google Poland homepage following the air disaster that killed President Lech Kaczyński in April 2010. A few days later, the logo was used in China and Hong Kong to pay respects to the victims of the Qinghai earthquake.^[38]

On September 8, 2010, the doodle once again changed to a greyed-out Google logo that lit up with the standard Google colors as the first 6 letters of a search query were entered. It goes by the name of the Keystroke Logo.^[39]

Favicon[link]

Google's favicon is a version of the lowercase "g" from its official logo, introduced in 2008 - 2009, and originally intended to be a part of a larger set of icons developed for better scalability on mobile devices.^[40] The current version includes background colors red, green, blue and yellow.^[41][42] In June 2008, Google launched a contest intended to receive favicon submissions, and a design made by André Resende, a computer science undergraduate student at the University of Campinas in Brazil, formed the basis of the new design. From Official Google Blog: "His placement of a white 'g' on a color-blocked background was highly recognizable and attractive, while seeming to capture the essence of Google".^[41]

References[link]

^{[43] [44]}

External links[link]

• Official Google logos
• Dennis Hwang: The man behind Google Doodles
• Google: Pac-Man
• Google Happy Birthday 13 Year
• Today's Google Doodle

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2012)

Robert Moog
Born	(1934-05-23)May 23, 1934 New York City, New York
Died	August 21, 2005(2005-08-21) (aged 71) Asheville, North Carolina
Nationality	American
Occupation	Electronic music pioneer, inventor of Moog synthesizer Entrepreneur

Robert Arthur "Bob" Moog (/ˈmoʊɡ/ MOHG; May 23, 1934 – August 21, 2005), founder of Moog Music, was an American pioneer of electronic music, best known as the inventor of the Moog synthesizer.

Bob Moog's innovative electronic design is employed in numerous synthesizers including the Minimoog Model D, Minimoog Voyager, Little Phatty, Moog Taurus Bass Pedals, Moog Minitaur, and the Moogerfooger line of effects pedals.

Life[link]

A native of New York City, Moog attended the Bronx High School of Science in New York, graduating in 1952. Moog earned a bachelor's degree in physics from Queens College, New York in 1957, another in electrical engineering from Columbia University, and a Ph.D. in engineering physics from Cornell University. Moog's awards include honorary doctorates from Polytechnic Institute of New York University (New York City) and Lycoming College (Williamsport, Pennsylvania).

During his lifetime, Moog founded two companies for manufacturing electronic musical instruments. He also worked as a consultant and vice president for new product research at Kurzweil Music Systems from 1984 to 1988, helping to develop the Kurzweil K2000. He spent the early 1990s as a research professor of music at the University of North Carolina at Asheville.

Moog received a Grammy Trustees Award for lifetime achievement in 1970. In 2002, Moog was honored with a Special Merit/Technical Grammy Award, and an honorary doctorate degree from Berklee College of Music.

He gave an enthusiastically-received lecture at the 2004 New Interfaces for Musical Expression (NIME-04), held in Hamamatsu, Japan's "City of Musical Instruments", in June, 2004. Moog was the inspiration behind the 2004 film Moog.

Moog's first wife was Shirleigh Moog (née Leigh), a grammar school teacher whom he married in 1958. The couple had three daughters (Laura Moog Lanier, Michelle Moog-Koussa, Renee Moog) and one son (Matthew Moog) before their divorce. Moog was married to his second wife Ileana Grams, a philosophy professor, for nine years until his death. Moog's stepdaughter, Miranda Richmond, is Grams's daughter from a previous marriage. Moog also had five grandchildren.

Moog was diagnosed with a glioblastoma multiforme brain tumor on April 28, 2005. He died at the age of 71 in Asheville, North Carolina on August 21, 2005. He is buried in the Lou Pollack Cemetery in Asheville. The Bob Moog Foundation was created as a memorial, with the aim of continuing his life's work of developing electronic music.

Development of the Moog synthesizer[link]

The Moog synthesizer was one of the first widely used electronic musical instruments. Early developmental work on the components of the synthesizer occurred at the Columbia-Princeton Electronic Music Center, now the Computer Music Center. While there, Moog developed the voltage controlled oscillators, ADSR envelope generators, and other synthesizer modules with composer Herbert Deutsch.

Moog created the first voltage-controlled subtractive synthesizer to utilize a keyboard as a controller and demonstrated it at the AES convention in 1964. In 1966, Moog filed a patent application for his unique low-pass filter U.S. Patent 3,475,623, which issued in October 1969. He is a listed inventor on ten US patents.^{[1] [2]}

Moog employed his theremin company (R. A. Moog Co., which would later become Moog Music) to manufacture and market his synthesizers. Unlike the few other 1960s synthesizer manufacturers, Moog shipped a piano-style keyboard as the standard user interface to his synthesizers. Moog also established standards for analog synthesizer control interfacing, with a logarithmic one volt-per-octave pitch control and a separate pulse triggering signal.

The first Moog instruments were modular synthesizers. In 1971 Moog Music began production of the Minimoog Model D which was among the first widely available, portable and relatively affordable synthesizers.

One of Moog's earliest musical customers was Wendy Carlos whom he credits with providing feedback that was valuable to the further development of Moog synthesizers. Through his involvement in electronic music, Moog developed close professional relationships with artists such as Don Buchla, Keith Emerson, Rick Wakeman, John Cage, Gershon Kingsley, Clara Rockmore, Jean Jacques Perrey , and Pamelia Kurstin. In a 2000 interview, Moog said "I'm an engineer. I see myself as a toolmaker and the musicians are my customers. They use my tools."

On May 23rd, 2012, Google featured a replica of the Moog synthesizer in its Google Doodle honoring Moog's 78th birthday. This Doodle was playable, and visitors were able to try the synthesizer by clicking on the keys.^[3]

R.A. Moog Co. and Moog Music[link]

In 1953 at age 19, Moog founded his first company, R.A. Moog Co., to manufacture theremin kits. During the 1950s, composer and electronic music pioneer Raymond Scott approached Moog, asking him to design circuits for him. Moog later acknowledged Scott as an important influence. Later, in the 1960s, the company was employed to build modular synthesizers based on Moog's designs.

In 1972 Moog changed the company's name to Moog Music. Throughout the 1970s, Moog Music went through various changes of ownership, eventually being bought out by musical instrument manufacturer Norlin. Poor management and marketing led to Moog's departure from his own company in 1977.

In 1978 after leaving his namesake firm, Moog started making electronic musical instruments again with a new company, Big Briar. Their first specialty was theremins, but by 1999 the company expanded to produce a line of analog effects pedals called moogerfoogers. In 1999, Moog partnered with Bomb Factory to co-develop the first digital effects based on Moog technology in the form of plugins for Pro Tools software.

Despite Moog Music's closing in 1993, Moog did not have the rights to market products using his own name throughout the 1990s. Big Briar acquired the rights to use the Moog Music name in 2002 after a legal battle with Don Martin who had previously bought the rights to the name Moog Music. At the same time, Moog designed a new version of the Minimoog called the Minimoog Voyager. The Voyager includes nearly all of the features of the original Model D in addition to numerous modern features.

Theremin[link]

Moog constructed his own theremin as early as 1948. Later he described a theremin in the hobbyist magazine Electronics World and offered a kit of parts for the construction of the Electronic World's Theremin, which became very successful. In the late 1980s Moog repaired the original theremin of Clara Rockmore, an accomplishment which he considered a high point of his professional career. He also produced, in collaboration with first wife Shirleigh Moog, Mrs. Rockmore's album, The Art of the Theremin. Moog was a principal interview subject in the award-winning documentary film, Theremin: An Electronic Odyssey, the success of which led to a revival of interest in the theremin. Moog Music went back to its roots and once again began manufacturing theremins. Thousands have been sold to date and are used by both professional and amateur musicians around the globe. In 1996 he published another do-it-yourself theremin guide. Today, Moog Music is the leading manufacturer of performance-quality theremins.

Pronunciation[link]

The surname Moog is one of the most divergently pronounced names in popular culture.^{[citation needed]} The following interview excerpt reveals Robert Moog's preferred pronunciation:

— Reviewer: First off: Does your name rhyme with "vogue" or is like a cow’s "moo" plus a g at the end?

— Dr. Robert Moog: It rhymes with "vogue." That is the usual German pronunciation.^[4] My father's grandfather came from Marburg, Germany. I like the way that pronunciation sounds better than the way the cow's "moo-g" sounds.^[5]

In a deleted scene from the DVD version of the documentary Moog, Moog describes the three pronunciations of the name Moog: the Dutch /moːɣ/, which he believes would be too demanding of English speakers; the preferred Anglo-German pronunciation, /moʊɡ/; and a more anglicized pronunciation, /muːɡ/. Moog reveals that some of his family members prefer the anglicized pronunciation, while others, including himself (and his wife) prefer the Anglo-German pronunciation.

See also[link]

Footnotes[link]

References[link]

• Pinch, Trevor and Trocco, Frank (2002). Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, MA: Harvard University Press. Hardcover: ISBN 0-674-00889-8, 2004 paperback: ISBN 0-674-01617-3

External links[link]

Interviews and articles[link]

Patents[link]

Obituaries[link]

Tributes[link]

Jim Henson
Henson at the 1989 Emmy Awards
Born	James Maury Henson (1936-09-24)September 24, 1936 Greenville, Mississippi, U.S.
Died	May 16, 1990(1990-05-16) (aged 53) New York City, New York, U.S.
Cause of death	Organ failure
Nationality	American
Education	Northwestern High School
Alma mater	University of Maryland, College Park
Occupation	Puppeteer Film director Television producer
Years active	1954–90
Known for	Creator of The Muppets
Home town	Leland, Mississippi
Board member of	Jim Henson Foundation The Jim Henson Company Jim Henson's Creature Shop
Spouse	Jane Nebel (1959–86; separated)
Children	Lisa Henson Cheryl Henson Brian Henson John Henson Heather Henson
Parents	Paul Ransom Henson Betty Marcella (née Brown)
Awards	Courage Conscience Award Disney Legend Award Emmy Award

James Maury "Jim" Henson (September 24, 1936 – May 16, 1990) was an American puppeteer, best known as the creator of The Muppets. As a puppeteer, Henson performed in various television programs, such as Sesame Street and The Muppet Show, films such as The Muppet Movie and The Great Muppet Caper, and created advanced puppets for projects like Fraggle Rock, The Dark Crystal, and Labyrinth. He was also an Oscar-nominated film director, Emmy Award-winning television producer, and the founder of The Jim Henson Company, the Jim Henson Foundation, and Jim Henson's Creature Shop. He died on May 16, 1990 of organ failure resulting from a Group A streptococcal infection caused by Streptococcus pyogenes.

Henson, who was born in Greenville, Mississippi and educated at University of Maryland, College Park, is one of the most widely known puppeteers ever.^[1] He created Sam and Friends as a freshman in College Park. After suffering struggles with programs that he created, he eventually was selected to participate in Sesame Street. During this time, he also contributed to Saturday Night Live. The success of Sesame Street spawned The Muppet Show, which featured Muppets created by Henson. He also co-created with Michael Jacobs the television show Dinosaurs during his final years. On June 16, 2011, he posthumously received the Disney Legends Award.

Early life[link]

Jim Henson was born in Greenville, Mississippi, the younger of two boys. His parents were Betty Marcella (née Brown) and Paul Ransom Henson, an agronomist for the U.S. Department of Agriculture.^[2] He was raised as a Christian Scientist and spent his early childhood in Leland, Mississippi, moving with his family to Hyattsville, Maryland, near Washington, DC, in the late 1940s.^[3] He later remembered the arrival of the family's first television as "the biggest event of his adolescence,"^[4] having been heavily influenced by radio ventriloquist Edgar Bergen and the early television puppets of Burr Tillstrom (on Kukla, Fran, and Ollie) and Bil and Cora Baird.^[4]

In 1954 while attending Northwestern High School, he began working for WTOP-TV, creating puppets for a Saturday morning children's show called The Junior Morning Show. After graduating from high school, Henson enrolled at the University of Maryland, College Park, as a studio arts major, thinking he might become a commercial artist.^[5] A puppetry class offered in the applied arts department introduced him to the craft and textiles courses in the College of Home Economics, and he graduated in 1960 with a B.S. in home economics. As a freshman, he had been asked to create Sam and Friends, a five-minute puppet show for WRC-TV. The characters on Sam and Friends were forerunners of Muppets, and the show included a prototype of Henson's most famous character: Kermit the Frog.^[6]Henson would remain at WRC for seven years from 1954 to 1961. "Among the first of his assignments at WRC was Afternoon, a magazine show aimed at housewives. This marked his first collaboration with Jane Nebel—the woman who later became his wife"^[7]

In the show he began experimenting with techniques that would change the way puppetry had been used on television, including using the frame defined by the camera shot to allow the puppeteer to work from off-camera. Believing that television puppets needed to have "life and sensitivity,"^[8] Henson began making characters from flexible, fabric-covered foam rubber, allowing them to express a wider array of emotions at a time when many puppets were made of carved wood.^[2] A marionette's arms are manipulated by strings, but Henson used rods to move his Muppets' arms, allowing greater control of expression. Additionally, Henson wanted the Muppet characters to "speak" more creatively than was possible for previous puppets—which had seemed to have random mouth movements—so he used precise mouth movements to match the dialogue.

When Henson began work on Sam and Friends, he asked fellow University of Maryland freshman Jane Nebel to assist him. The show was a financial success, but after graduating from college, Jim began to have doubts about going into a career as a puppeteer. He wandered off to Europe for several months, where he was inspired by European puppeteers who look on their work as an art form.^[9] Upon Henson's return to the United States, he and Jane began dating. They were married in 1959 and had five children, Lisa (b. 1960), Cheryl (b. 1961), Brian (b. 1962), John (b. 1965), and Heather (b. 1970).

Projects in the 1960s[link]

Despite the success of Sam and Friends, which ran for six years, Henson spent much of the next two decades working in commercials, talk shows, and children's projects before being able to realize his dream of the Muppets as "entertainment for everybody".^[4] The popularity of his work on Sam and Friends in the late fifties led to a series of guest appearances on network talk and variety shows. Henson himself appeared as a guest on many shows, including The Ed Sullivan Show (although on his appearance on the Sept. 11, 1966 episode of the show—released to DVD on 2011 as part of a collection of episodes featuring the Rolling Stones—Sullivan mis-introduces Henson as "Jim Newsom and his Puppets"). This greatly increased exposure led to hundreds of commercial appearances by Henson characters throughout the sixties.

Among the most popular of Henson's commercials was a series for the local Wilkins Coffee company in Washington, D.C.,^[10] in which his Muppets were able to get away with a greater level of slapstick violence than might have been acceptable with human actors and would later find its way into many acts on The Muppet Show. In the first Wilkins ad, a Muppet named Wilkins is poised behind a cannon seen in profile. Another Muppet named Wontkins (with Rowlf's voice) is in front of its barrel. Wilkins asks, "What do you think of Wilkins Coffee?" and Wontkins responds gruffly, "Never tasted it!" Wilkins fires the cannon and blows Wontkins away, then turns the cannon directly toward the viewer and ends the ad with, "Now, what do you think of Wilkins?" Henson later explained, "Till then, [advertising] agencies believed that the hard sell was the only way to get their message over on television. We took a very different approach. We tried to sell things by making people laugh."^[11] The first seven-second commercial for Wilkins was an immediate hit and was syndicated and re-shot by Henson for local coffee companies across the United States;^[10] he ultimately produced more than 300 coffee ads.^[11] The same setup was used to pitch Kraml Milk in the Chicago, Il., area and Red Diamond coffee.

In 1963 Henson and his wife moved to New York City, where the newly formed Muppets, Inc., would reside for some time. Jane quit muppeteering to raise their children. Henson hired writer Jerry Juhl in 1961 and puppeteer Frank Oz in 1963 to replace her.^[12] Henson later credited both writers with developing much of the humor and character of his Muppets.^[13] Henson and Oz developed a close friendship and a performing partnership that lasted 27 years; their teamwork is particularly evident in their portrayals of the characters of Bert and Ernie and Kermit and Fozzie Bear.^[14]

Henson's sixties' talk show appearances culminated when he devised Rowlf, a piano-playing anthropomorphic dog. Rowlf became the first Muppet to make regular appearances on a network show, The Jimmy Dean Show. Henson was so grateful for this break that he offered Jimmy Dean a 40% interest in his production company, but Dean declined stating that Henson deserved all the rewards for his own work, a decision of conscience Dean never regretted.^[15] From 1963 to 1966, Henson began exploring film-making and produced a series of experimental films.^[16] His nine-minute Time Piece was nominated by the Academy of Motion Picture Arts and Sciences for an Oscar for Short Film in 1966. The year 1969 saw the production of the NBC-TV movie The Cube—another Henson-produced experimental film.

Also around this time, the first drafts of a live-action experimental film script were written with Jerry Juhl, which would eventually become Henson's last unproduced full-length screenplay, Tale of Sand. The script remained in the Henson Company archives until the screenplay was adapted in the 2012 graphic novel, Jim Henson's Tale of Sand.

[edit] Sesame Street

In 1969, Joan Ganz Cooney and the team at the Children's Television Workshop asked Henson to work on Sesame Street, a visionary children's program for public television. Part of the show was set aside for a series of funny, colorful puppet characters living on the titular street. These included Oscar the Grouch, Bert and Ernie, Cookie Monster and Big Bird. Henson performed the characters of Ernie, game-show host Guy Smiley, and Kermit, who appeared as a roving television news reporter. It was around this time that a frill was added around Kermit's neck to make him more frog-like. The collar was functional as well: it covered the joint where the Muppet's neck and body met.

At first Henson's Muppets appeared separately from the realistic segments on the Street, but after a poor test-screening in Philadelphia, Pennsylvania, the show was revamped to integrate the two, placing much greater emphasis on Henson's work. Though Henson would often downplay his role in Sesame Street's success, Cooney frequently praised Jim's work and, in 1990, the Public Broadcasting Service called him "the spark that ignited our fledgling broadcast service."^[4] The success of Sesame Street also allowed Henson to stop producing commercials. He later remembered that "it was a pleasure to get out of that world".^[10]

In addition to creating and performing Muppet characters, Henson was involved in producing various film and animation insets during the first two seasons. During the first, Henson produced a series of counting films for the numbers 1 through 10, which always ended with a baker (voiced by Henson) falling down the stairs while carrying the featured number of desserts. For seasons two to seven, Henson worked on a variety of inserts for the numbers 2 through 12, in a number of different styles—including film ("Dollhouse", "Number Three Ball Film"), stop-motion ("King of Eight", "Queen of Six"), cut-out animation ("Eleven Cheer"), and computer animation ("Nobody Counts To 10").

Concurrently with the first years of Sesame Street, Henson directed Tales from Muppetland, a short series of TV movie specials—in the form of comedic tellings of classic fairy tales—aimed at a young audience and hosted by Kermit the Frog. The series included Hey, Cinderella!, The Frog Prince, and The Muppet Musicians of Bremen.

Expansion of audience[link]

Concerned that the company was becoming typecast as a purveyor of solely children's entertainment, Henson, Frank Oz, and his team targeted an adult audience with a series of sketches on the first season of the groundbreaking comedy series Saturday Night Live (SNL). Eleven "Dregs and Vestiges" sketches, set mostly in the Land of Gorch, aired between October 1975 and January 1976, with four additional appearances in March, April, May, and September. Henson recalled that "I saw what [creator Lorne Michaels] was going for and I really liked it and wanted to be a part of it, but somehow what we were trying to do and what his writers could write for it never gelled."^[10] The SNL writers never got comfortable writing for the characters, and frequently disparaged Henson's creations; one, Michael O'Donoghue, memorably quipped, "I won't write for felt."^[17]

Around the time of Henson's characters' final appearances on SNL, he began developing two projects featuring the Muppets: a Broadway show and a weekly television series.^[10] In 1976 the series was initially rejected by the American networks who believed that Muppets would appeal to only a child audience. Henson was finally able to convince British impresario Lew Grade to finance the show, which would be shot in the United Kingdom and syndicated worldwide.^[9] That same year, he abandoned work on his Broadway show and moved his creative team to England, where The Muppet Show began filming. The Muppet Show featured Kermit as host, and a variety of other memorable characters, notably Miss Piggy, Gonzo the Great, and Fozzie Bear. Kermit's role on The Muppet Show was often compared by his co-workers to Henson's role in Muppet Productions: a shy, gentle boss with "a whim of steel"^[14] who "[ran] things as firmly as it is possible to run an explosion in a mattress factory."^[18] Caroll Spinney, the puppeteer of Big Bird and Oscar the Grouch, remembered that Henson "would never say he didn't like something. He would just go 'Hmm.' That was famous. And if he liked it, he would say, 'Lovely!' "^[3]Henson himself recognized Kermit as an alter-ego, though he thought that Kermit was bolder than his creator; he once said of Kermit, "He can say things I hold back."^[19]

Jim Henson was the performer for several well known characters, including Kermit the Frog, Rowlf the Dog, Dr. Teeth, the Swedish Chef, Waldorf, Link Hogthrob, and the Muppet Newsman.

Transition to the big screen[link]

Three years after the start of The Muppet Show, the Muppets appeared in their first theatrical feature film, 1979's The Muppet Movie. The film was both a critical and financial success;^[20] it made US$65.2 million domestically and (at the time) was the 61st highest-grossing film ever made.^[21]

A song from the film, "The Rainbow Connection", sung by Henson as Kermit, hit No. 25 on the Billboard Hot 100 and was nominated for an Academy Award. In 1981, a Henson-directed sequel, The Great Muppet Caper, followed, and Henson decided to end the still-popular Muppet Show to concentrate on making films.^[2] From time to time, the Muppet characters continued to appear in made-for-TV-movies and television specials.

In addition to his own puppetry projects, Henson also aided others in their work. In 1979, he was asked by the producers of the Star Wars sequel The Empire Strikes Back to aid make-up artist Stuart Freeborn in the creation and articulation of enigmatic Jedi Master Yoda. Henson suggested to Star Wars creator George Lucas that he use Frank Oz as the puppeteer and voice of Yoda. Oz voiced Yoda in The Empire Strikes Back and each of the four subsequent Star Wars films, and the naturalistic, lifelike Yoda became one of the most popular characters of the Star Wars franchise. Lucas even lobbied unsuccessfully to have Oz nominated for a Best Supporting Actor Academy Award.^[22]

In 1982, Henson founded the Jim Henson Foundation to promote and develop the art of puppetry in the United States. Around that time, he also began creating darker and more realistic fantasy films that did not feature the Muppets and displayed "a growing, brooding interest in mortality."^[14] With 1982's The Dark Crystal, which he co-directed with Frank Oz and also co-wrote, Henson said he was "trying to go toward a sense of realism—toward a reality of creatures that are actually alive [where] it's not so much a symbol of the thing, but you're trying to [present] the thing itself."^[10] To provide a visual style distinct from the Muppets, the puppets in The Dark Crystal were based on conceptual artwork by Brian Froud.

The Dark Crystal was a financial and critical success, and, a year later, the Muppet-starring The Muppets Take Manhattan (directed by Frank Oz) did fair box-office business, grossing $25.5 million domestically and ranking as one of the top 40 films of 1984.^[23] However, 1986's Labyrinth, a Crystal-like fantasy that Henson directed by himself, was considered (in part due to its cost) a commercial disappointment. Despite some positive reviews (The New York Times called it "a fabulous film"),^[24] the commercial failure of Labyrinth demoralized Henson to the point that son Brian Henson remembered the time of its release as being "the closest I've seen him to turning in on himself and getting quite depressed."^[14] The film later became a cult classic.^[25] Henson and his wife also separated the same year, although they remained close for the rest of his life.^[3] Jane later said that Jim was so involved with his work that he had very little time to spend with her or their children.^[3] All five of his children began working with Muppets at an early age, partly because, as Cheryl Henson remembered, "one of the best ways of being around him was to work with him".^[8]

Later career[link]

Though he was still engaged in creating children's television, such as the successful eighties shows Fraggle Rock and the animated Muppet Babies, Henson continued to explore darker, mature themes with the folk tale and mythology-oriented show The Storyteller (1988). The Storyteller won an Emmy for Outstanding Children's Program. The next year, Henson returned to television with The Jim Henson Hour, which mixed lighthearted Muppet fare with riskier material. The show was critically well received and won Henson another Emmy for Outstanding Directing in a Variety or Music Program, but was canceled after 13 episodes due to low ratings. Henson blamed its failure on NBC's constant rescheduling.^[26]

In late 1989, Henson entered into negotiations to sell his company to The Walt Disney Company for almost $150 million, hoping that, with Disney handling business matters, he would "be able to spend a lot more of my time on the creative side of things."^[26] By 1990, he had completed production on a television special, The Muppets at Walt Disney World, and a Disney World (Later Disney California Adventure Park as well) attraction, Jim Henson's Muppet*Vision 3D, and was developing film ideas and a television series titled Muppet High.^[3]

[edit] Natural History Project and Dinosaurs

In the late 1980s, Henson worked with illustrator/designer William Stout on a feature film starring animatronic dinosaurs with the working title of The Natural History Project. In 1991, news stories written around the premiere of The Jim Henson Company-produced Dinosaurs sitcom highlighted the show's connection to Henson. "Jim Henson dreamed up the show's basic concept about three years ago," said a New York Times article in April 1991. "'He wanted it to be a sitcom with a pretty standard structure, with the biggest differences being that it's a family of dinosaurs and their society has this strange toxic life style,' said [his son] Brian Henson. But until The Simpsons took off, said Alex Rockwell, a vice president of the Henson organization, 'people thought it was a crazy idea.'"^[27] A New Yorker article said that Henson continued to work on a dinosaur project (presumably the Dinosaurs concept) until the "last months of his life."^[28]

Illness and death[link]

During production of his later projects, Henson began to experience flu-like symptoms.^[3] On May 4, 1990, Henson made an appearance on The Arsenio Hall Show, one of his last television appearances. At the time, he mentioned to his publicist that he was tired and had a sore throat, but felt that it would go away.^[3]

On May 12, 1990, Henson traveled to Ahoskie, North Carolina, with his daughter Cheryl to visit his father and stepmother. The next day, feeling tired and ill, he consulted a physician in North Carolina, who could find no evidence of pneumonia by physical examination and prescribed no treatment except aspirin.^[29] Henson returned to New York on an earlier flight and cancelled a Muppet recording session scheduled for May 14.^[3]

Henson's wife Jane, from whom he was separated, came to visit and sat with him talking throughout the evening. At 2 am on May 15, Henson was having trouble breathing and began coughing up blood. He suggested to his wife that he might be dying, but did not want to bother going to the hospital which would have gone against his religion. She later told People Magazine that it was likely due to his desire not to be a bother to people.^[3]

Two hours later, Henson finally agreed to go to New York Hospital. By the time he was admitted at 4:58 am, he could no longer breathe on his own and had abscesses in his lungs. He was placed on a mechanical ventilator to help him breathe, but his condition deteriorated rapidly into septic shock, despite aggressive treatment with multiple antibiotics. After two cardiac arrests over 20 hours after he was admitted, Jim Henson died on the morning of May 16, 1990, at the age of 53.

The official cause of death was first reported as Streptococcus pneumoniae, a bacterial infection.^[4] Bacterial pneumonia is usually caused by Streptococcus pneumoniae, an alpha-hemolytic species of Streptococcus. Henson's cause of death, however, was organ failure resulting from Streptococcus pyogenes, a severe Group A streptococcal infection.^[30] S. pyogenes is the bacterial species that causes strep throat, scarlet fever, and rheumatic fever. It can also cause other infections.

On May 21, a public memorial service was held in New York City at the Cathedral of St. John the Divine. Another one was held on July 2 at St. Paul's Cathedral in London. As per Henson's wishes, no one in attendance wore black, and The Dirty Dozen Brass Band finished the service by performing "When the Saints Go Marching In". Harry Belafonte sang "Turn the World Around," a song he had debuted on The Muppet Show, as each member of the congregation waved, with a puppeteer's rod, an individual, brightly colored foam butterfly.^[31][32] Later, Big Bird (performed by Caroll Spinney) walked out onto the stage and sang Kermit the Frog's signature song, "Bein' Green".^[33] Henson was cremated at Ferncliff Cemetery. His ashes were scattered in Santa Fe, New Mexico, at his ranch.^[34]

In the final minutes of the two-and-a-half hour service, six of the core Muppet performers sang, in their characters' voices, a medley of Jim Henson's favorite songs, culminating in a performance of "Just One Person" that began with Richard Hunt singing alone, as Scooter.^[35] "As each verse progressed," Henson employee Chris Barry recalled, "each Muppeteer joined in with their own Muppets until the stage was filled with all the Muppet performers and their beloved characters."^[33] The funeral was later described by LIFE as "an epic and almost unbearably moving event." The image of a growing number of performers singing "Just One Person" was recreated for the 1990 television special The Muppets Celebrate Jim Henson and inspired screenwriter Richard Curtis, who attended the London service, to write the growing-orchestra wedding scene of his 2003 film Love Actually.^[36]

Henson's sudden death resulted in an outpouring of public and professional affection. There have since been numerous tributes and dedications in his memory. Henson’s companies, which are now run by his children, continue to produce films and television shows.

Legacy[link]

The Jim Henson Company and the Jim Henson Foundation continued after his death, producing new series and specials. Jim Henson's Creature Shop, founded by Henson, also continues to build creatures for a large number of other films and series (e.g. the science-fiction production Farscape, the film adaptation of The Hitchhiker's Guide to the Galaxy, and the movie MirrorMask) and is considered one of the most advanced and well respected creators of film creatures. His son Brian and daughter Lisa are currently the co-chairs and co-CEOs of the company; his daughter Cheryl is the president of the foundation. Steve Whitmire, a veteran member of the Muppet puppeteering crew, has assumed the roles of Kermit the Frog and Ernie, the most famous characters formerly played by Jim Henson.^[37]

On February 17, 2004, it was announced that the Muppets (excluding the Sesame Street characters, which are separately owned by Sesame Workshop) and the Bear in the Big Blue House properties had been sold by Henson's heirs to The Walt Disney Company. However, as a result, Sesame Workshop (formerly the Children's Television Workshop), also lost the rights to Kermit the Frog, and he could no longer appear on any new material on Sesame Street, although Kermit did later appear on the premiere of the show's 40th season on November 10, 2009.

One of Henson's last projects is a show attraction in Walt Disney World and Disneyland featuring the Muppets, called Muppet*Vision 3D, which opened in 1991, shortly after his death.

The Jim Henson Company retains the Creature Shop, as well as the rest of its film and television library including Fraggle Rock, Farscape, The Dark Crystal, and Labyrinth.^[38]

In 2010 it was announced that the first major biography of Henson, sanctioned by the family and the Jim Henson Legacy, was under way.^[39]

Tributes[link]

• Henson is honored both as himself and as Kermit the Frog on the Hollywood Walk of Fame. Only two other people have received this honor: Mel Blanc, the voice actor of Bugs Bunny and Daffy Duck; and Walt Disney, the voice actor of Mickey Mouse.
• The theater at his alma mater, Northwestern High School, in Hyattsville, MD, is named in his honor.
• Teenage Mutant Ninja Turtles II: The Secret of the Ooze and The Muppet Christmas Carol are both dedicated to him.
• Stephen Lynch produced a song titled "Jim Henson's Dead", in which he pays homage to many of the characters from The Muppet Show and Sesame Street.
• Henson featured in The American Adventure in Epcot at the Walt Disney World Resort.
• Philip Roth often quotes Jim Henson in his Sabbath's Theater as the "great regret" for Mickey Sabbath.
• The Jim Henson Museum, located in his hometown of Leland, Mississippi, features an assortment of original Muppet characters, official certificates from the Mississippi Legislature honoring Henson and his characters, and a statue of Kermit in the middle of the stream behind the museum.
• The 1990 television special The Muppets Celebrate Jim Henson allowed the Muppets themselves to pay tribute to Henson. The special featured interviews with Steven Spielberg and others.
• Celtic singer, musician, and songwriter Heather Alexander wrote a song titled "Storyteller" in 1990 as a tribute to Jim Henson which harkens to his "Storyteller" series as well as his role as a modern storyteller.
• Tom Smith's Henson tribute song, "A Boy and His Frog", won the Pegasus Award for Best Folk Song in 1991.
• Henson was featured in Boyz II Men's 1991 video, "It's So Hard to Say Goodbye to Yesterday".
• Episode 2880 of Sesame Street (which aired on November 15, 1991) was dedicated in his memory, with a memorial card following the closing credits.
• The classes of 1994, 1998, and 1999 at the University of Maryland, College Park, Henson's alma mater, commissioned a life-size statue of Henson and Kermit the Frog, which was dedicated on September 24, 2003, Henson's 67th birthday. The statue cost $217,000, and is displayed outside Maryland's student union.^[40] In 2006, Maryland introduced 50 statues of their school mascot, Testudo the Terrapin, with various designs chosen by different sponsoring groups. Among them was Kertle, a statue by Washington DC artist Elizabeth Baldwin designed to look like Kermit the Frog.
• On the evening of October 25, 2000, Comedy Central had a banner sign that said: Jim Henson [1936–1990].
• In 2003, Jim Henson was honored at the annual Norsk Høstfest in Minot, North Dakota.^[41]
• Oury Atlan, Thibaut Berland, and Damien Ferri wrote, directed, and animated a 3D tribute to Henson entitled Over Time that was shown as part of the 2005 Electronic Theater at SIGGRAPH.
• The Center for Puppetry Arts in Atlanta, Georgia, has acquired more than 700 puppets created by Henson and his studio, including some of the earliest Muppets. Many of these are displayed in the museum exhibit Jim Henson: Puppeteer. In September 2008, the Center opened Jim Henson: Wonders From His Workshop, highlighting creations from Fraggle Rock, Labyrinth, and other later works.
• On September 24, 2011, Henson's hometown of Leland renamed one of their bridges "The Rainbow Connection" to honor Henson and his work.^[42] He was also honored with a Google doodle on his 75th birthday; the Google logo had six Muppets that were clickable using the “hand” buttons.^[43]

References[link]

Further reading[link]

External links[link]

	Maryland portal
	Biography portal
	Animation portal
	Muppets portal

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Media related to Jim Henson at Wikimedia Commons

• The Jim Henson Legacy
• Jim Henson at the Internet Movie Database
• Art Directors Club biography and portrait
• Jim Henson at Find A Grave
• Jim Henson on Muppet Wiki, an external wiki
• The Jim Henson Works at the University of Maryland: 70+ digital videos available to students, scholars and visitors at the University of Maryland (College Park, MD)
• Early Jim Henson films in the AT&T Archives: "Robot" and "Charlie Magnetico," two films that Henson created for the Bell Data Communications Seminar in the early 1960s