Grammy Awards
54th Grammy Awards
The Grammy awards are named for the trophy: a small, gilded gramophone statuette.
Awarded for	Outstanding achievements in the music industry
Presented by	National Academy of Recording Arts and Sciences
Country	United States
First awarded	1959
Official website	grammy.com
Television coverage
Network	NBC (1959–1970) ABC (1971–1972) CBS (1973–present)

A Grammy Award (originally called Gramophone Award) – or Grammy – is an accolade by the National Academy of Recording Arts and Sciences of the United States to recognize outstanding achievement in the music industry. The annual presentation ceremony features performances by prominent artists, and some of the awards of more popular interest are presented in a widely viewed televised ceremony. It is the music equivalent to the Emmy Awards for television, the Tony Awards for stage performances, and the Academy Awards for motion pictures.

The first Grammy Awards ceremony was held on May 4, 1959, and it was set up to honor musical accomplishments by performers for the year 1958. Following the 2011 ceremony, NARAS overhauled many Grammy Award categories for 2012. The 54th Grammy Awards were held on February 12, 2012, at the Staples Center in Los Angeles, California.

History[link]

The Grammy Awards had their origin in the Hollywood Walk of Fame project in the 1950s.^[1][2] As the recording executives chosen for the Walk of Fame (Tabinda Walk) committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of Edison's invention, the gramophone, for the awards, which were first given for the year 1958.^[3][4][5]

Gramophone trophy[link]

The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, and making the trophy bigger and grander.^[6] The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast.^[7]

As of February 2009, 7,578 Grammy trophies had been awarded.^[8]

Categories[link]

Bonnie Raitt holding the Grammys she won at the 1990 Grammy Awards.

The "General Field" are four awards which are not restricted by genre.

• Album of the Year is awarded to the performer and the production team of a full album.
• Record of the Year is awarded to the performer and the production team of a single song.
• Song of the Year is awarded to the writer(s)/composer(s) of a single song.
• Best New Artist is awarded to a performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release).

Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry.

Because of the large number of award categories (78 in 2012), and the desire to feature several performances by various artists, only the ones with the most popular interest are presented directly at the televised award ceremony.

2012 category restructuring[link]

On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012.^[9] The number of categories were diminished from 109 to 78. The most important change is the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances.

In the rock field, the separate categories for hard rock and metal albums have been combined and the Best Rock Instrumental Performance category were be eliminated due to a waning number of entries.

In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category.

In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.

The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009.

In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories have also been merged.

In the classical genre field, its main category Best Classical Album has been discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.

There are also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore the genre field and some categories have been renamed as Gospel/Contemporary Christian Music.

Nomination process[link]

Record companies and individuals may submit recordings to be nominated. Nominations are made online and a physical copy of the work is sent to the National Academy of Recording Arts and Sciences. Once a work is entered, reviewing sessions are held, by more than 150 experts from the recording industry, to determine whether the work is eligible and entered in the correct category for official nomination.

The resulting list is circulated to all NARAS members, each of whom may vote to nominate in the general field (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees. There may be more than five nominees if there is a tie in the nomination process.

Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings.

After nominees have been determined, final voting ballots are sent to Recording Academy members, who may then vote in the general fields and in no more than eight of the 30 fields. NARAS members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.^[10] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie. Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.

In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the academy.

The eligibility period for the 2012 Grammy Awards was October 1, 2010 to September 30, 2011.

Venue[link]

Prior to 1971, the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965.

The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles' Shrine Auditorium, the Staples Center and the Hollywood Palladium.

In 2004, the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year.

Leading winners[link]

With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins.^[11] Alison Krauss is the biggest winner among female artists with 27 awards.^[12] U2, with 22 Grammy Awards, holds the record for most awards won by a group.

Criticism[link]

The Grammy Awards has received criticism from various recording artists and music journalists.

When his band Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything."^[13] Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based." He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards.^[13] Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons:

It has also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful albums.^[15][16] In a 2011 article, Los Angeles Times writer Randall Roberts was critical of the nominations for the 54th Grammy Awards, particularly for the Album of the Year category, noting the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy, "the most critically acclaimed album of the year, a career-defining record", as a snub in favor of nominating less substantial albums.^[17] Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongs music listeners such as music sharing, stating:

In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don’t pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye’s masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year."^[18] He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.^[18]

In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded, "You know I was thinking about that a couple of months ago, someone asked me that, and I was like 'I would go and I would' – and I don’t think the Bon Iver record is the kind of record that would get nominated for a Grammy – 'I would get up there and be like, ‘This is for my parents, because they supported me,’' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: 'Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important.' That’s what I would say."^[19] He reaffirmed this sentiment and felt the Grammys are held in too, saying:

98 percent of the people in that room, their art is compromised by the fact that they’re thinking that, and that they’re hoping to get that award. And who is that award given by? It’s like they think it’s literally handed down by the musical-history gods. And I don’t know who the voters are. Like, I have a friend who’s a voter who was like, “I had to be a voter because I don’t trust the other voters.” And I was like, “Me either!” And it’s just not important and people spend too much time thinking about it.^[19]

—Justin Vernon

Bon Iver subsequently received four nominations in November for the 54th Grammy Awards.^[19] After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."^[20]

In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change."^[21] He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album." Of Kanye West's absence from the ceremony, Caramanica stated, "He didn’t even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized".^[21]

In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic."^[22] Stoute accused them of snubbing artists with more cultural impact, citing respective loses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated:

As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.^[22]

—Steve Stoute

TV broadcasts and ratings[link]

Prior to the first live Grammys telecast in 1971 on American Broadcasting Company (ABC), a series of taped annual specials in the 1960s called The Best on Record were broadcast on National Broadcasting Company (NBC). The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast.^[23] CBS Broadcasting bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result.

The Recording Academy announced on June 21, 2011 that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. CBS also broadcasted the annual nominations concert special on November 30, 2011 from Los Angeles. The Grammys aired on February 12, 2012. The 2011 Grammy Award show had 26.6 million viewers.

See also[link]

• National Academy of Recording Arts & Sciences
• Latin Academy of Recording Arts & Sciences
• Latin Grammy Awards
• Grammy Museum

Notes and references[link]

External links[link]

Look up Grammy in Wiktionary, the free dictionary.

• Official website
• Grammy Awards winners at Grammy.com (searchable database)

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Sir Elton John CBE
Elton John attending the premiere of The Union at the 2011 Tribeca Film Festival
Background information
Birth name	Reginald Kenneth Dwight
Born	(1947-03-25) 25 March 1947 (age 65) Pinner, Middlesex, England
Genres	Rock, R&B, pop rock, glam rock, soft rock
Occupations	Musician, singer-songwriter, record producer, composer
Instruments	Vocals, piano, keyboards, guitar
Years active	1964–68 (Bluesology) 1969–present (Solo)
Labels	DJM, Uni, MCA, Geffen, Rocket/Island, Universal, Interscope, Mercury, UMG
Associated acts	Bernie Taupin, Tim Rice, John Lennon, Yoko Ono, Kiki Dee, Billy Joel, George Michael, Eminem, Gladys Knight, Stevie Wonder, Dionne Warwick, Neil Sedaka
Website	eltonjohn.com

Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English rock singer-songwriter, composer, pianist and occasional actor. He has worked with lyricist Bernie Taupin as his songwriter partner since 1967; they have collaborated on more than 30 albums to date.

In his four-decade career John has sold more than 250 million records, making him one of the most successful artists of all time.^[1] His single "Candle in the Wind 1997" has sold over 33 million copies worldwide, and is the best selling single in Billboard history.^[2] He has more than 50 Top 40 hits, including seven consecutive No. 1 US albums, 56 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won six Grammy Awards, four Brit Awards, an Academy Award, a Golden Globe Award and a Tony Award. In 2004, Rolling Stone ranked him Number 49 on its list of the 100 greatest artists of all time.^[3]

John was inducted into the Rock and Roll Hall of Fame in 1994.^[4] Having been named a Commander of the Order of the British Empire in 1996, John received a knighthood from Queen Elizabeth II for "services to music and charitable services" in 1998.^[5]

He has been heavily involved in the fight against AIDS since the late 1980s.^[6] In 1992, he established the Elton John AIDS Foundation and a year later began hosting the annual Academy Award Party, which has since become one of the most high-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over $200 million.^[7]

John entered into a civil partnership with David Furnish^[8] on 21 December 2005 and continues to be a champion for LGBT social movements. In 2008, Billboard magazine ranked him as the most successful male solo artist on "The Billboard Hot 100 Top All-Time Artists" (third overall, behind only The Beatles and Madonna).^[9]

Life and career[link]

Early life[link]

John was born Reginald Kenneth Dwight on 25 March 1947, the eldest child of Stanley and only child of Sheila Eileen Dwight (née Harris)^[10][11][12] and was raised in Pinner, Middlesex in a council house of his maternal grandparents. His parents did not marry until he was 6 years old, when the family moved to a nearby semi-detached house.^[13][14][15] He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until age 17, when he left just prior to his A Level examinations to pursue a career in the music industry.^[16][17][18]

When John began to seriously consider a career in music, his father, who served as a Flight Lieutenant in the Royal Air Force, tried to steer him toward a more conventional career, such as banking.^[16] John has stated that his wild stage costumes and performances were his way of letting go after such a restrictive childhood.^[18] Both of John's parents were musically inclined, his father having been a trumpet player with the Bob Millar Band, a semi-professional big band that played at military dances.^[18] The Dwights were keen record buyers, exposing John to the popular singers and musicians of the day, and John remembers being immediately hooked on rock and roll when his mother brought home records by Elvis Presley and Bill Haley & His Comets in 1956.^[16][17]

John started playing the piano at the age of 3, and within a year, his mother heard him picking out Winifred Atwell's "The Skater's Waltz" by ear.^[16][17] After performing at parties and family gatherings, at the age of 7 he took up formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies, and gained some notoriety by playing like Jerry Lee Lewis at school functions. At the age of 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by Handel that he heard for the first time.^[17]

For the next five years he attended Saturday classes at the Academy in central London, and has stated that he enjoyed playing Chopin and Bach and singing in the choir during Saturday classes, but that he was not otherwise a diligent classical student.^[17] "I kind of resented going to the Academy", he says. "I was one of those children who could just about get away without practising and still pass, scrape through the grades."^[17] He even claims that he would sometimes skip classes and just ride around on the Tube.^[17] However, several instructors have testified that he was a "model student", and during the last few years he was taking lessons from a private tutor in addition to his classes at the Academy.^[17]

John's mother, though also strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often physically absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights would have terrible arguments that greatly distressed their son.^[17] When John was 14, they divorced.^[19] His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately referred to as "Derf", his first name in reverse.^[17] They moved into flat No. 1A in an eight-unit apartment building called Frome Court, not far from both previous homes. It was there that John would write the songs that would launch his career as a rock star; he would live there until he had four albums simultaneously in the American Top 40.^[20]

Pub pianist to staff songwriter (1962–1969)[link]

At the age of 15, with the help of his mother and stepfather, Reginald Dwight became a weekend pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights for £35 a week and tips.^[21][22] Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as songs he had written himself.^[23][24] A stint with a short-lived group called the Corvettes rounded out his time.^[17]

In 1964, Dwight and his friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians like The Isley Brothers, Major Lance, Billy Stewart, Doris Troy and Patti LaBelle and The Bluebelles. In 1966, the band became musician Long John Baldry's supporting band and played 16 times at The Marquee Club.^[25]

After failing lead vocalist auditions for King Crimson and Gentle Giant, Dwight answered an advertisement in the New Musical Express placed by Ray Williams, then the A&R manager for Liberty Records.^[26] At their first meeting, Williams gave Dwight a stack of lyrics written by Bernie Taupin, who had answered the same ad. Dwight wrote music for the lyrics, and then mailed it to Taupin, beginning a partnership that still continues^[update]. When the two first met in 1967 they recorded what would become the first Elton John/Bernie Taupin song: "Scarecrow". Six months later Dwight was going by the name "Elton John" in homage to Bluesology saxophonist Elton Dean and Long John Baldry.^[23]

The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, like Roger Cook and Lulu.^[27] Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he couldn't come up with anything quickly.^[27] For two years, they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the British entry for the Eurovision Song Contest in 1969, for Lulu, called "Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released recording, the single "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.^[28][29]

During this period, John was also a session musician for other artists including playing piano on The Hollies' "He Ain't Heavy, He's My Brother" and singing backing vocals for The Scaffold.^[30]

[edit] Debut album to Goodbye Yellow Brick Road (1969–1973)

When John transitioned to solo performance, he started wearing increasingly flamboyant clothing onstage, including this hat and domino mask

On the advice of music publisher Steve Brown, John and Taupin started writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, former Bluesology guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky.

For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the USA, and established the formula for subsequent albums; gospel-chorded rockers and poignant ballads. The first single from the album, "Border Song", made into the US Top 100, peaking at Number 92. The second single "Your Song" made the US Top Ten, peaking at number eight and becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the Billboard 200 album chart.^[31]

Backed by ex-Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at The Troubadour in Los Angeles in August 1970, and was a success.^[32]

The concept album Tumbleweed Connection was released in October 1970, and reached the Top Ten on the Billboard 200. The live album 17-11-70 (11–17–70 in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album were heavily hit in the US when an east coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music.^[33]

Elton John at the Musikhalle, Hamburg in March 1972

John and Taupin then wrote the soundtrack to the obscure film Friends and then the album Madman Across the Water, the latter reaching the Top Ten and producing the hit "Levon", while the soundtrack album produced the hit "Friends". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. The band released Honky Chateau, which became John's first American number 1 album, spending five weeks at the top of the charts and spawning the hit singles "Rocket Man (I Think It's Going To Be A Long, Long Time)" (which is often compared to David Bowie's "Space Oddity") and "Honky Cat".^[34]

The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first US Billboard Hot 100 number one hit.^[35] Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.

Goodbye Yellow Brick Road gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number 1 for two months.^[36] It also temporarily established John as a glam rock star. It contained the number 1 hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna"). There is also a VHS and DVD as part of the Classic Albums series, discussing the making, recording, and popularity of "Goodbye Yellow Brick Road" through concert and home video footage including interviews.

[edit] Rocket Records to 21 at 33 (1974–1979)

Elton John performing live in 1975

John formed his own MCA-distributed label Rocket Records and signed acts to it – notably Neil Sedaka ("Bad Blood", on which he sang background vocals) and Kiki Dee – in which he took a personal interest. Instead of releasing his own records on Rocket, he opted for $8 million offered by MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life.^[37]

In 1974 a collaboration with John Lennon took place, resulting in Elton John covering The Beatles' "Lucy in the Sky with Diamonds" and Lennon's "One Day at a Time", and in return Elton John and band being featured on Lennon's "Whatever Gets You thru the Night". In what would be Lennon's last live performance, the pair performed these two number 1 hits along with the Beatles classic "I Saw Her Standing There" at Madison Square Garden. Lennon made the rare stage appearance to keep the promise he made that he would appear on stage with Elton if "Whatever Gets You Thru The Night" became a number 1 single.^[38]

Caribou was released in 1974, and although it reached number 1, it was widely considered^[39] a lesser quality album. Reportedly recorded in a scant two weeks between live appearances, it featured "The Bitch Is Back"^[39] and the lushly orchestrated "Don't Let the Sun Go Down on Me".^[39]

John performing, 1975.

Pete Townshend of The Who asked John to play a character called the "Local Lad" in the film of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used for the movie release in 1975 and the single came out in 1976 (1975 in the US). The song charted at number 7 in England. Bally subsequently released a "Captain Fantastic" pinball machine featuring an illustration of John in his movie guise.

In the 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy, John revealed his previously ambiguous personality, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in John's music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life.

The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and who had helped build his live following since the beginning.

According to Circus Magazine^[40] a spokesman for John Reid (Connie Papas) said the decision was reached mutually via phone while Elton was in Australia promoting Tommy. She said there was no way John Reid could have fired them "because the band are not employed by John Reid, they're employed by Elton John."^[40] She went on to say Nigel would be going back to his solo work and Dee would do session work "and possibly cut a solo album".^[40]

Davey Johnstone and Ray Cooper were retained, Quaye and Roger Pope returned, and the new bassist was Kenny Passarelli; this rhythm section provided a heavier-sounding backbeat. James Newton-Howard joined to arrange in the studio and to play keyboards. John introduced the line-up before a crowd of 75,000 in London's Wembley Stadium.

John in 1975.

The rock-oriented Rock of the Westies entered the US albums chart at number 1 like Captain Fantastic, a previously unattained feat. Elton John's stage wardrobe now included ostrich feathers, $5,000 spectacles that spelled his name in lights, and dressing up like the Statue of Liberty, Donald Duck, or Mozart, among others, at his concerts.^[41][42]

To celebrate five years since he first appeared at the venue, in 1975 John played a two-night, four-show stand at The Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year he also played piano on Kevin Ayers' Sweet Deceiver, and was among the first and few white artists to appear on the black music series Soul Train on American television.^[36] On 9 August 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards at ceremonies held in Santa Monica, California.^[43]

In 1976, the live album Here and There was released in May, followed by the Blue Moves album in October, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped both the American and British charts. Finally, in an interview with Rolling Stone that year entitled "Elton's Frank Talk", John stated that he was bisexual.^[44]

John playing in Mannheim, Germany in 1979.

Besides being the most commercially successful period, 1970–1976 is also held in the most regard critically. Within only a three year span, between 1972 and 1975 John saw seven consecutive albums reach Number 1 in the charts, which had not been accomplished before.^[36] Of the six Elton John albums to make the 500 Greatest Albums of All Time in Rolling Stone'in 2003, all are from this period, with Goodbye Yellow Brick Road ranked highest at number 91; similarly, the three Elton John albums given five stars by Allmusic (Tumbleweed Connection, Honky Château, and Captain Fantastic) are all from this period too.

During the same period, John made a guest appearance on the popular Morecambe and Wise Show on the BBC. The two comics spent the episode pointing him in the direction of everywhere except the stage in order to prevent him singing.^[45]

In November 1977 John announced he was retiring from performing; Taupin began collaborating with others. Now only producing one album a year, John issued A Single Man in 1978, employing a new lyricist, Gary Osborne; the album produced no singles that made the Top 20 in the US but the two singles from the album released in the UK, Part-Time Love and Song for Guy, both made the Top 20 in the UK with the latter reaching the Top 5. In 1979, accompanied by Ray Cooper, John became one of the first Western solo artists to tour the Soviet Union (as well as one of the first in Israel), then mounted a two-man comeback tour of the US in small halls. John returned to the singles chart with "Mama Can't Buy You Love" (number 9, 1979), a song originally rejected in 1977 by MCA before being released, recorded in 1977 with Philadelphia soul producer Thom Bell.^[46] Elton reported that Thom Bell was the first person to give him voice lessons; Bell encouraged John to sing in a lower register. A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's Too Low For Zero. 21 at 33, released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), although the lyrics were written by Gary Osborne.

[edit] The 80s: The Fox to Sleeping with the Past (1981–1989)

Elton performing in the 1980s.

His 1981 album, The Fox, was recorded in part during the same sessions as 21 at 33, and also included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, John, with Olsson and Murray back in the Elton John Band, performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. His 1982 hit "Empty Garden (Hey Hey Johnny)", came from his Jump Up! album, his second under a new US recording contract with Geffen Records.

He married his close friend and sound engineer, Renate Blauel on Valentine's Day 1984 – the marriage lasted three years.^[47] The Biography Channel Special detailed the loss of Elton's voice in 1986 while on tour in Australia. Shortly thereafter he underwent throat surgery, which permanently altered his voice. Several non-cancerous polyps were removed from his vocal cords, resulting in a change in his singing voice.^[48] In 1987 he won a libel case against The Sun which published allegations of sex with rent boys.^[49]

With original band members Johnstone, Murray and Olsson together again, John was able to return to the charts with the 1983 hit album Too Low for Zero, which included "I'm Still Standing" and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number 4 in the US, giving John his biggest hit there since "Little Jeannie". He placed hits in the US Top Ten throughout the 1980s – "Little Jeannie" (number 3, 1980), "Sad Songs (Say So Much)" (number 5, 1984), "Nikita" boosted by a mini-movie pop video directed by Ken Russell (number 7, 1986), a live orchestral version of "Candle in the Wind" (number 6, 1987), and "I Don't Wanna Go On With You Like That" (number 2, 1988). His highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder on "That's What Friends Are For" (number 1, 1985); credited as Dionne and Friends, the song raised funds for AIDS research. His albums continued to sell, but of the six released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the Top 20 in the United States.

In 1985, Elton John was one of the many performers at Live Aid held at Wembley Stadium.^[50] John played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time in years; and introduced his friend George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me".^[50] He enlisted Michael to sing backing vocals on his single "Wrap Her Up", and also recruited teen idol Nik Kershaw as an instrumentalist on "Nikita". John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album Rock the Nations.

In 1988, he performed five sold-out shows at New York's Madison Square Garden,^[51] giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London.^[52]

[edit] The 90s: "Sacrifice" to Aida (1990–1999)

In 1990, John finally achieved his first UK number one hit on his own, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album Sleeping with the Past; it would stay at the top spot for six weeks.^[53] The following year, John's "Basque" won the Grammy for Best Instrumental, and a guest concert appearance he had made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the US and UK.^[54] At the 1991 Brit Awards in London, Elton John won the award for Best British Male.^[55]

In 1992 he released the US number 8 album The One, featuring the hit song "The One".^[56][57] John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, giving them the largest cash advance in music publishing history.^[58] In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen.^[59] In September, John performed "The One" at the 1992 MTV Video Music Awards, and also closed the ceremony performing "November Rain" with Guns N' Roses.^[60] The following year, he released Duets, a collaboration with 15 artists including Tammy Wynette and RuPaul. This also included a new collaboration with Kiki Dee, entitled "True Love", which reached the Top 10 of the UK charts.^[61]

Along with Tim Rice, Elton John wrote the songs for the 1994 Disney animated film The Lion King, which became the 3rd highest-grossing animated feature of all time.^[62] At the 67th Academy Awards ceremony, The Lion King provided three of the five nominees for the Academy Award for Best Song, which John won with "Can You Feel the Love Tonight".^[63] Both that and "Circle of Life" became hit songs for John.^[64][65] "Can You Feel the Love Tonight" would also win Elton John the Grammy Award for Best Male Pop Vocal Performance at the 37th Grammy Awards.^[63] After the release of the The Lion King soundtrack, the album remained at the top of Billboard's charts for nine weeks. On 10 November 1999, the RIAA certified The Lion King "Diamond" for selling 15 million copies.^[2]

In 1995 John released Made in England (number 3, 1995), which featured the single "Believe".^[66] John performed "Believe" at the 1995 Brit Awards, and picked up the prize for Outstanding Contribution to Music.^[67] A compilation called Love Songs was released in 1996.^[68]

Early in 1997 John held a 50th birthday party, costumed as Louis XIV, for 500 friends. John also performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat, a work by French ballet legend Maurice Béjart which draws upon AIDS and the deaths of Freddie Mercury and the company's principal dancer Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered; Diana, Princess of Wales died in a Paris car crash on 31 August.^[69]

	"Candle in the Wind 1997" noicon Most of the lyrics of "Candle in the Wind 1997" were written to suit the circumstances of Diana, Princess of Wales' life and death
Problems listening to this file? See media help.

In early September, John contacted his writing partner Bernie Taupin, asking him to revise the lyrics of his 1973 song "Candle in the Wind" to honour Diana, and Taupin rewrote the song accordingly.^[70] On 6 September 1997, John performed "Candle in the Wind 1997" at the funeral of Diana, Princess of Wales in Westminster Abbey.^[71] The song became the fastest, and biggest-selling single of all time, eventually selling over 33 million copies worldwide.^[2][72][73] The best-selling single in UK Chart history, it sold 4.86 million copies in the UK.^[74] The best-selling single in Billboard history, and the only single ever certified Diamond in the United States, the single sold over 11 million copies in the U.S.^[75][76] The song proceeds of approximately £55 million were donated to the Diana, Princess of Wales Memorial Fund. It would win John the Grammy Award for Best Male Pop Vocal Performance at the 40th Grammy Awards ceremony in 1998.^[73] John has publicly performed "Candle in the Wind 1997" only once, at Diana's funeral, vowing never to perform it again unless asked by Diana's sons.^[77]

In the musical theatre world, in addition to a 1998 adaptation of The Lion King for Broadway, John also composed music for a Disney production of Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards,^[78] and the Grammy Award for Best Musical Show Album at the 43rd Grammy Awards.^[79][80] The musical was given its world premiere in the Alliance Theatre in Atlanta. It went on to Chicago and eventually Broadway. He also released a live compilation album called Elton John One Night Only – The Greatest Hits from the show he did at Madison Square Garden in New York City that same year.

2000 to present[link]

Elton John performs at the Keepmoat Stadium in Doncaster, July 2008

In 2000, John and Tim Rice teamed again to create songs for DreamWorks' animated film The Road to El Dorado. In August 2003, John scored his fifth UK number one single when "Are You Ready for Love" topped the UK Charts.^[81] Returning again to musical theatre, John composed music for a West End Theatre production of Billy Elliot the Musical in 2005 with playwright Lee Hall. John's only theatrical project with Bernie Taupin so far is Lestat: The Musical, based on the Anne Rice vampire novels. However it was slammed by the critics and closed in May 2006 after 39 performances.^[82]

John was named a Disney Legend for his numerous outstanding contributions to Disney's films and theatrical works on 9 October 2006, by The Walt Disney Company.^[83] In 2006 he told Rolling Stone magazine that he plans for his next record to be in the R&B/hip-hop genre. "I want to work with Pharrell {Williams}, Timbaland, Snoop {Dogg}, Kanye {West}, Eminem and just see what happens."^[84]

In March 2007 he performed at Madison Square Garden for a record breaking 60th time for his 60th birthday, the concert was broadcast live and a DVD recording was released as Elton 60 - Live at Madison Square Garden;^[85] a greatest-hits compilation CD, Rocket Man – Number Ones, was released in 17 different versions worldwide, including a CD/DVD combo; and his back catalogue – almost 500 songs from 32 albums – became available for legal download.^[86]

Elton John on stage at the Concert for Diana at Wembley Stadium, London, 1 July 2007

On 1 July 2007, Elton John appeared at the Concert for Diana held at Wembley Stadium in London, in honour of Diana, Princess of Wales, on what would have been her 46th birthday.^[87] John opened the concert with "Your Song", and then closed the concert with his second performance, with "Saturday Night's Alright For Fighting", "Tiny Dancer", and "Are You Ready For Love".^[87]

In a September 2008 interview with GQ magazine, John said: "I’m going on the road again with Billy Joel again next year," referring to "Face to Face," a series of concerts featuring both musicians. The tour began in March and will continue for at least two more years.^[88]

In October 2003, John announced that he had signed an exclusive agreement to perform 75 shows over three years at Caesars Palace on the Las Vegas Strip. The show, entitled The Red Piano, was a multimedia concert featuring massive props and video montages created by David LaChapelle. Effectively, he and Celine Dion share performances at Caesars Palace throughout the year – while one performs, one rests. The first of these shows took place on 13 February 2004.^[89] On 21 June 2008, he performed his 200th show in Caesars Palace. A DVD/CD package of The Red Piano was released through Best Buy in November 2008. A two year global tour was sandwiched between commitments in Las Vegas, Nevada, some of the venues of which were new to John. The Red Piano Tour closed in Las Vegas in April 2009.

Elton John performed a piano duet with Lady Gaga at the 52nd Grammy Awards.^[90] On 6 June 2010, John performed at the fourth wedding of conservative commentator Rush Limbaugh for a reported US$1 million fee.^[91] Eleven days later, and 17 years to the day after his last previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other then-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, Elton John noted he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after Elton did, but cancelled in the wake of the aforementioned raid, citing his [Costello's] conscience.^[92][93]

John's latest studio album is entitled The Union and was released on 19 October 2010. John says his collaboration with American singer-songwriter and sideman Leon Russell marks a new chapter in his recording career, saying: "I don't have to make pop records any more."^[94]

Elton John began his new show "The Million Dollar Piano" at The Colosseum at Caesars Palace, Las Vegas on 28 September 2011.^[95] John will be performing the show at Caesars for the next three years. John performed his 3000th concert on Saturday 8 October 2011 at Caesars.^[96][97] In 2011, John performed vocals on Snowed in at Wheeler Street with Kate Bush for her 50 Words for Snow album.^[98]

It was announced in March 2012 that Elton had recently completed work on his thirty-first album entitled The Diving Board. The album was produced by T-Bone Burnett and is set for release in the fall of 2012.^[99][100] The album's release will be delayed until February 2013 for promotional reasons.^[101]

Artistry[link]

Songwriting[link]

Elton John with Bernie Taupin (left) in 1971.

John has written with his songwriting partner Bernie Taupin since 1967 when he answered an advertisement for talent placed in the popular UK music publication, New Musical Express, by Liberty records A&R man Ray Williams.^[102] The pair have collaborated on more than 30 albums to date.^[103]

The 1991 film documentary Two Rooms described the writing style that John and Taupin use, which involves Taupin writing the lyrics on his own, and John then putting them to music, with the two never in the same room during the process. Taupin would write a set of lyrics, then mail them to John, wherever he was in the world, who would then lay down the music, arrange it, and record.^[104] John is a fellow of the British Academy of Songwriters, Composers and Authors (BASCA).^[105]

Music style[link]

John's voice was once classed as tenor; it is now baritone.^[17] His piano playing is influenced by classical and gospel music.^[106] He used Paul Buckmaster to arrange the music on his studio albums during the 1970s.^[107]

Personal life[link]

Family[link]

In the late 1960s, John was engaged to be married to his first lover, secretary Linda Woodrow, who is mentioned in the song "Someone Saved My Life Tonight".^[108][109] He married German recording engineer Renate Blauel on 14 February 1984, in Darling Point, Sydney, with speculation that the marriage was a cover for his homosexuality. John had come out as bisexual in a 1976 interview with Rolling Stone,^[108][109] but after his divorce from Blauel in 1988 he told the magazine that he was "comfortable" being gay.^[110]

In 1993, John began a relationship with David Furnish, a former advertising executive and now filmmaker. John and Furnish entered a civil partnership on 21 December 2005. They held a low-key ceremony at the Windsor Guildhall, followed by a lavish party at their Berkshire mansion,^[111] thought to have cost £1 million.^[112] Their son, Zachary Jackson Levon Furnish-John, was born to a surrogate mother on 25 December 2010 in California.^[113][114] John and Furnish chose Lady Gaga, magazine editor Ingrid Sischy, and Sichy's partner Sandy Brant as Zachary's godmothers.^[115]

In September 2009, John announced his intention to adopt a 14-month-old boy, Lev, from an AIDS orphanage in Ukraine, but he was denied due to his age and marital status.^[116] Furnish stated they would continue to financially support Lev and his brother and would campaign for a change in Ukrainian law.^[117] John has ten known godchildren, including Sean Lennon, David and Victoria Beckham's sons Brooklyn and Romeo, Elizabeth Hurley's son Damian Charles, and the daughter of Seymour Stein.^{[118][119][120]}

Wealth[link]

John on stage in July 2008

In April 2009, the Sunday Times Rich List estimated John's wealth to be £175 million (US$265 million), and ranked him as the 322nd richest person in Britain.^[121] John was estimated to have a fortune of £195 million in the Sunday Times Rich List of 2011, making him one of the 10 richest people in the British music industry.^[122] Aside from his main home "Woodside" in Old Windsor, Berkshire, John owns residences in Atlanta, Nice, London's Holland Park, and Venice. John is an art collector, and is believed to have one of the largest private photography collections in the world.^[123]

In 2000, John admitted to spending £30 million in just under two years—an average of £1.5 million a month. Between January 1996 and September 1997, he spent more than £9.6m on property and £293,000 on flowers.^[124] In June 2001 John sold 20 of his cars at Christie's, saying he didn't get the chance to drive them because he was out of the country so often.^[125] The sale, which included a 1993 Jaguar XJ220, the most expensive at £234,750, and several Ferraris, Rolls-Royces, and Bentleys, raised nearly £2 million.^[126] In 2003, John sold the contents of his Holland Park home—expected to fetch £800,000 at Sotheby's—in a bid to create more room for his collection of contemporary art which includes many works of art by Young British Artists such as Sam Taylor-Wood and Tracy Emin.^[127] Every year since 2004, John has opened a shop called "Elton's Closet" in which he sells his second-hand clothes.^[128]

Other[link]

Throughout his career, John has battled addictions to alcohol and cocaine. By 1975, the pressures of stardom had begun to take a serious toll on him. During "Elton Week" in Los Angeles that year, John suffered a drug overdose.^[129] He also battled the eating disorder bulimia. In a CNN interview with Larry King in 2002, King asked if John knew of Diana, Princess of Wales' eating disorder. John replied, "Yes, I did. We were both bulimic."^[130]

A longtime tennis enthusiast, John wrote the song "Philadelphia Freedom" in tribute to long-time friend Billie Jean King and her World Team Tennis franchise of the same name. John and King also co-host an annual pro-am event to benefit AIDS charities, most notably John's own Elton John AIDS Foundation, for which King is a chairwoman. John was coached by Donald Watt, who often toured with him during the 1980s & early 90's. Watt was a coach at David Lloyd Leisure and then operations director for it, then Next Generation Clubs^[131] (now merged with David Lloyd). Watt was also close friends with Tim Henman,^[132] and also David and John Lloyd. John, who maintains a part-time residence in Atlanta, Georgia, became a fan of the Atlanta Braves baseball team when he moved there in 1991.^[133]

Watford Football Club[link]

John became chairman and director of Watford Football Club in 1976, appointing Graham Taylor as manager and investing large sums of money as the club rose three divisions into the First Division.^[134] The pinnacle of the club's success was finishing runners up in the First Division in 1983 and reaching the FA Cup Final a year later. He sold the club to Jack Petchey in 1987, but remained their life-long president.^[135] In 1997 he re-purchased the club from Petchey and once again became chairman. He stepped down in 2002 when the club needed a full-time chairman although he continued as president of the club.^[135] Although no longer the majority shareholder, he still holds a significant financial interest. In June 2005 he held a concert at Watford's Vicarage Road ground, donating the funds to the club, and another concert in May 2010.^[135] For a time^[when?] he was also a part-owner of the Los Angeles Aztecs of the North American Soccer League.

AIDS Foundation[link]

John has been associated with AIDS charities since the deaths of his friends Ryan White and Freddie Mercury, raising large amounts of money and using his public profile to raise awareness of the disease. For example, in 1986 he joined with Dionne Warwick, Gladys Knight, and Stevie Wonder to record the single "That's What Friends Are For", with all profits being donated to the American Foundation for AIDS Research. The song won John and the others the Grammy Award for Best Pop Performance by a Duo or Group with Vocal (as well as Song of the Year for its writers, Burt Bacharach and Carole Bayer Sager). In April 1990, John performed "Skyline Pigeon" at the funeral of White, a teenage haemophiliac he had befriended.

John founded the Elton John AIDS Foundation in 1992 as a charity to fund programmes for HIV/AIDS prevention, for the elimination of prejudice and discrimination against HIV/AIDS-affected individuals, and for providing services to people living with or at risk of contracting HIV/AIDS. This cause continues to be one of his personal passions. In early 2006, John donated the smaller of two bright-red Yamaha pianos from his Las Vegas, Nevada show to auction on eBay to raise public awareness and funds for the foundation.

To raise money for his AIDS charity, John hosts annually a glamorous White Tie & Tiara Ball, to which many famous celebrities are invited. On 28 June 2007, the 9th annual White Tie & Tiara Ball took place. The menu consisted of a truffle soufflé followed by Surf and Turf (filet mignon with Maine lobster tail) and a giant Knickerbocker glory ice cream. An auction followed the dinner held by Stephen Fry. A Rolls Royce ‘Phantom’ drophead coupe and a piece of Tracey Emin's artwork both raised £800,000 for the charity fund, with the total amount raised reaching £3.5 million.^[136] Later on in the event, John sang "Delilah" with Tom Jones and "Big Spender" with Shirley Bassey.^[137] Tickets for the Ball cost £1,000 a head. The event raised £4.6 million for his AIDS Foundation in 2006.^[138]

Activism[link]

On 1 April 2010, John joined Cyndi Lauper in the launch of her Give a Damn campaign to bring a wider awareness of discrimination of the LGBT community as part of her True Colors Fund.^[139] In the advertisement, John states: "Imagine walking down the street and wondering if this is the day you'll get beaten up, or even killed, simply because of who you are".^[139] The campaign is to bring straight people to stand up with the gay, lesbian, bisexual, transgendered community and stop the discrimination. Other names included in the campaign are Whoopi Goldberg, Jason Mraz, Judith Light, Cynthia Nixon, Kim Kardashian, Clay Aiken, Sharon Osbourne, Kelly Osbourne, and Anna Paquin.^[139]

He is an occasional columnist in The Guardian.^[140]

Honours and awards[link]

John was inducted into the Rock and Roll Hall of Fame in his first year of eligibility in 1994. He and Bernie Taupin had previously been inducted into the Songwriters Hall of Fame in 1992. John was made a Commander of the Order of the British Empire (CBE) in 1995.^[141] For his charitable work, John was knighted by Queen Elizabeth II on 24 February 1998. In October 1975, John became the 1,662nd person to receive a star on the Hollywood Walk of Fame.^[142]

He became a recipient of a Kennedy Center Honor in 2004, and a Disney Legends Award in 2006. In 2010, Elton John was awarded with the PRS for Music Heritage Award, which was erected, on The Namaste Lounge Pub in Watford, where Elton performed his first ever gig.^[143]

Music awards include the Academy Award for Best Original Song for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); the Golden Globe Award for Best Original Song in 1994 for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); and the Tony Award for Best Original Score in 2000 for Elton John and Tim Rice's Aida (award shared with Tim Rice).

John has six Grammy Awards:

• 1987: Best Pop Performance by a Duo or Group with Vocal for "That's What Friends Are For", performed by Dionne Warwick & Friends (award shared with Dionne Warwick, Gladys Knight & Stevie Wonder)
• 1991: Best Instrumental Composition for "Basque", performed by James Galway
• 1994: Best Male Pop Vocal Performance for "Can You Feel The Love Tonight"
• 1997: Best Male Pop Vocal Performance for "Candle In The Wind" 1997
• 1999: Grammy Legend Award
• 2001: Best Musical Show Album for Elton John & Tim Rice's Aida (award shared with Guy Babylon, Paul Bogaev & Chris Montan (producers), Tim Rice (lyricist) and the original Broadway cast with Heather Headley, Adam Pascal, and Sherie Rene Scott)

Elton John Band[link]

Since 1970, John's band, of which he is the pianist and lead singer, has been known as the Elton John Band.^[144][145] The band has had multiple line-up changes, but Nigel Olsson, Davey Johnstone, and Ray Cooper have been members (albeit non-consecutively) since 1970 (Olsson) and 1972 (Johnstone and Cooper). Ray Cooper is on and off with the Elton John Band because he works with other musicians as a session and road-tour percussionist. Furthermore, John has also used a number of session musicians in the time of his career.

Discography[link]

Studio albums

• Empty Sky (1969)
• Elton John (1970)
• Tumbleweed Connection (1970)
• Madman Across the Water (1971)
• Honky Château (1972)
• Don't Shoot Me I'm Only the Piano Player (1973)
• Goodbye Yellow Brick Road (1973)
• Caribou (1974)
• Captain Fantastic and the Brown Dirt Cowboy (1975)
• Rock of the Westies (1975)
• Blue Moves (1976)
• A Single Man (1978)
• Victim of Love (1979)
• 21 at 33 (1980)
• The Fox (1981)
• Jump Up! (1982)
• Too Low for Zero (1983)
• Breaking Hearts (1984)
• Ice on Fire (1985)
• Leather Jackets (1986)
• Reg Strikes Back (1988)
• Sleeping with the Past (1989)
• The One (1992)
• Duets (1993)
• Made in England (1995)
• The Big Picture (1997)
• Songs from the West Coast (2001)
• Peachtree Road (2004)
• The Captain & the Kid (2006)
• The Union (with Leon Russell) (2010)
• The Diving Board (2013)

Soundtracks, scores & theatre albums

• Friends (1971)
• The Lion King (1994)
• Aida (1998)
• The Muse (1999)
• The Road to El Dorado (2000)
• Billy Elliot (2005)
• Lestat (2005)
• Gnomeo & Juliet (2011)

Films

• Elton John: Me, Myself & I (2007) autobiography as himself
• The Country Bears, US (2002) as himself
• Spice World, UK (1997) as himself
• Tommy, UK (1975) as Pinball Wizard
• Born to Boogie, US playing as himself with Marc Bolan and Ringo Starr

References[link]