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Billboard

The Billboard logo
Editor	Danyel Smith
Weekly
Circulation	16,327
First issue	1894
Company	Prometheus Global Media
Country	United States
Language	English
Website	www.billboard.com
ISSN	0006-2510

Billboard is an international newsweekly magazine devoted to the music industry, and is one of the oldest trade magazines in the world. It maintains several internationally recognized music charts that track the most popular songs and albums in various categories on a weekly basis. The two most notable charts are the Billboard Hot 100, which ranks the top 100 songs regardless of genre and is based on digital sales, radio airplay, and internet streaming data; and the Billboard 200, the corresponding chart for album sales.

History[link]

A Billboard issue in 1896.

Billboard was founded in Cincinnati on November 1, 1894, by William h. Donaldson and James Hennegan.^[1][2] Originally titled Billboard Advertising it was a trade paper for the bill posting industry, hence the magazine's name.^[1] Within a few years of its founding, it began to carry news of outdoor amusements, a major consumer of billboard space. Eventually Billboard became the paper of record for circuses, carnivals, amusement parks, fairs, vaudeville, minstrels, whale shows and other live entertainment. The magazine began coverage of motion pictures in 1909 and of radio in the 1920s.

With the development of the jukebox industry during the 1930s, The Billboard began publishing music charts. Originally, there were only three genre-specific charts: Pop, Rhythm & Blues, and Country & Western. In the 1950s it introduced a section covering the television industry, including ratings charts for programs. It continued to carry news of fairs, carnivals, theme parks and other outdoor entertainments until 1961 when these departments were spun off into a new weekly magazine called Amusement Business. By this time the television coverage had also been moved to another publication.

At the start of 1961, The Billboard was renamed Billboard Music Week. The publication was now devoted almost entirely to the music industry, with some coverage of coin-operated vending and entertainment machines on its jukebox pages. The title was changed to simply Billboard at the start of 1963. In 2005, the magazine and its web sites were repositioned to provide coverage of all forms of digital and mobile entertainment.

Amusement Business prospered for a few decades, but was struggling by the beginning of the 21st Century. Shortly after then its frequency of publication was reduced to monthly, and it finally ceased publication following its May 2006 issue.

Billboard charts[link]

On January 4, 1936 The Billboard published its first music hit parade, and on July 20, 1940 the first Music Popularity Chart was calculated. Since August 4, 1958, the Hot 100 has been published, combining single sales and radio airplay.

Billboard currently puts out over 100 charts each week, the most popular ones being Hot 100, Billboard 200, and Hot 100 Airplay.

Radio countdown programs[link]

For many years, the weekly syndicated radio program American Top 40, hosted by Casey Kasem (July 4, 1970 to August 6, 1988), and Shadoe Stevens (August 13, 1988 to January 28, 1995), played the top 40 songs on the Billboard Hot 100 chart in reverse order; in late November 1991, it switched to using the top 40 portion of the Hot 100 Airplay chart. Later, in early 1993, it began using the Top 40 Mainstream chart until it temporarily went off the air in 1995. When the show returned in 1998, it no longer used Billboard charts as its source, instead relying on Mediabase charts based purely on radio airplay.

A country music version of American Top 40, called American Country Countdown, has been on the air since October 1973. The show is hosted each week by Kix Brooks of the country duo Brooks & Dunn, who replaced radio legend Bob Kingsley in January 2006. American Country Countdown used the top 40 songs of the Hot Country Songs chart until August 2009.

[edit] Billboard today

Billboard Publications became a major trade magazine publisher, acquiring The Hollywood Reporter, Kirkus Reviews, Adweek and Mediaweek. It was acquired by Dutch publisher VNU (later renamed the Nielsen Company) in 1993, but later sold in 2009 along with the other Nielsen Business Media properties to the new company e5 Global Media, which was renamed in 2010 to Prometheus Global Media.^[3]

Billboard is intended for music professionals, such as record label executives, artists, music retailers, and radio DJs. Although it is generally considered a business-to-business magazine, it can be found at many consumer bookstores and magazine stands, particularly in cities with a large music industry presence such as New York, Los Angeles, Nashville, and Miami. Editorial coverage and broader strategy are guided by its editorial director, Bill Werde.

Much of the magazine is available at Billboard's B2B site, Billboard.biz. Billboard.com is the consumer-centered site, and includes artist interviews, daily news and charts.

Billboard Books[link]

The group behind the billboard has an imprint of the Crown Publishing Group (itself a part of Random House) known as Billboard Reads, which bought the imprint from Nielsen in 2008. The publishing agency describes itself as "a leading publisher of music and entertainment titles".^[4]

See also[link]

• American Top 40
• Billboard Brasil (local Brazilian version of Billboard magazine)
• Billboard Touring Awards
• Billboard Türkiye (local Turkish version of Billboard magazine)
• Billboard Chile (local Chilean version of Billboard magazine)^[5]

References[link]

Further reading[link]

• Durkee, Rob. American Top 40: The Countdown of the Century. Schriner Books, New York City, 1999.
• Battistini, Pete, American Top 40 with Casey Kasem The 1970s. Authorhouse.com, January 31, 2005. ISBN 1-4184-1070-5.

External links[link]

Wikimedia Commons has media related to: Billboard magazine

• Official Billboard website
• Billboard archive on Google Books

"Pumped Up Kicks" is a song by American indie pop band Foster the People. It was released as the group's debut single in September 2010, and the following year was included on their EP Foster the People and their debut album Torches. "Pumped Up Kicks" became the group's breakthrough hit and was one of the most popular songs of 2011. The song was written and recorded by frontman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth.

The track received considerable attention after it was posted online in 2010 as a free download, and it helped the group garner a multi-album record deal with Columbia Records imprint Startime International before they had issued a commercial release. The song became both a crossover hit and a sleeper hit in 2011, as it received significant airplay on modern rock and contemporary hit radio stations. The song spent eight consecutive weeks at number three on the Billboard Hot 100 chart in the United States, making it the first Billboard Alternative Songs number-one single to crack the U.S. top 5 since Kings of Leon's "Use Somebody" in 2009. The song was widely praised by critics, and it has been licensed for use in a wide range of popular media since its release. "Pumped Up Kicks" received a Grammy Award nomination for Best Pop Duo/Group Performance.

Recording[link]

Soon after Mark Foster formed Foster the People in 2009, he wrote and recorded "Pumped Up Kicks" in five hours while working as a commercial jingle writer at Mophonics in Los Angeles.^[1][2] Thinking that he was just recording a demo, he played all of the instruments on the song. Ultimately, Foster's original version of the song is what ended up being released.^[3]

Composition and inspiration[link]

The lyrics to "Pumped Up Kicks" are written from the perspective of a troubled and delusional youth with homicidal thoughts.^[3] The lines in the chorus warn potential victims to "outrun my gun" and that they "better run, better run, faster than my bullet". Foster said, "I was trying to get inside the head of an isolated, psychotic kid."^[3] He wrote the lyrics in order to "bring awareness" to the issue of gun violence amongst youth, which he feels is an epidemic perpetuated by "lack of family, lack of love, and isolation".^[5][6] The song's title refers to shoes that the narrator's peers wear as a status symbol.^[7] The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999. Fink said of his cousin's experience, "She was actually in the library when everything went down, so I actually flew out to be with her the day after it happened and experienced the trauma surrounding it and saw how affected she was by it. She is as close as a sister, so obviously, it affected me deeply. So to be able to have a song to create a platform to talk about this stuff has been good for us."^[4]

Contrasting with the dark lyrics of the song, the music, which was written first, is upbeat. Foster said, "It's a 'fuck you' song to the hipsters in a way—but it's a song the hipsters are going to want to dance to."^[3] Jeffery Berg of Frontier Psychiatrist said, "I was so engrossed with the cheery melody of its chorus that it took me a few listens to discover that the lyrics suggest dark, Columbine revenge."^[8]

Due to the opening lyrics, "Robert's got a quick hand," many have speculated that the song is a reference to Robert Hawkins, perpetrator of Omaha's Westroads Mall shooting. The band's publicist refutes this with "This is completely false. The character name in the song is just a coincidence."^[9] For play on the television channels MTV and MTVu, the words "gun" and "bullet" were removed from the song's chorus.^[10] Foster believes many have misinterpreted the song's meaning, and he has written letters to his record label and called radio stations to complain. He explained, "The song is not about condoning violence at all. It's the complete opposite. The song is an amazing platform to have a conversation with your kids about something that shouldn't be ignored, to talk about it in a loving way."^[2]

Release and promotion[link]

Initial attention[link]

"Pumped Up Kicks" was written by Mark Foster (pictured) while he was working as a jingle writer. Initially posted on his website as a free download, the song grew in popularity through viral outlets and earned the band a record deal.

"Pumped Up Kicks" drew considerable attention online after Foster posted the song on his website as a free download in early 2010; Nylon magazine used the track in an online advertising campaign,^[11] and through various blogs, it went viral.^[12] Foster the People first performed the song live at the Stand Up Charity Benefit in Venice in February.^[13] The group, yet to be signed, reached additional audiences with performances at the South by Southwest music festival in March 2010.^[14] Foster was emailed by many people about the song, and needing professional guidance, he contacted artist manager Brent Kredel at Monotone, Inc., saying, "Everyone is calling me and emailing me—what do I do? Who are the good guys, who are the bad guys?" Kredel recalled that "He went from the guy who couldn't get a hold of anyone to being the guy who had hundreds of emails in his inbox." Kredel and Brett Williams were subsequently hired to co-manage Foster the People, and they helped the group get a multi-album record deal with Columbia Records imprint Startime International in May 2010.^[11]

"Pumped Up Kicks" was licensed for use in a July 2010 episode of the TV series Entourage, the first of many instances in which Foster the People's music was licensed in popular media.^[11] Wishing to release a record that would back up the song's success, the group wrote new material between July–September 2010.^[11] The song received its first widespread radio play in July 2010 on Sirius XM's Alt Nation channel and the Australian radio station Triple J.^[15] The song was released as their debut single on September 14, 2010.^{[citation needed]} In November, the University of Maryland's radio station WMUC played the song, marking its debut on US terrestrial radio.^[16] The song placed at number 32 in the Triple J's Hottest 100 for 2010,^[17] a big achievement due to the band being relatively unknown in Australia. Still, the group was inexperienced as a live act, and as a result, their booking agent Tom Windish secured them several club shows "to help them get their sea legs." Foster the People promoted these concerts in January 2011 by emailing fans who had downloaded "Pumped Up Kicks" from their website, notifying them of the shows. The group continued to grow its fanbase with a month-long residency of concerts in January at The Echo nightclub in Los Angeles. By the group's third show at the venue, according to Windish, "there were hundreds of people trying to get in outside... It was an obvious turning point that could be measured in numbers." The residency also drew the attention of music supervisors in attendance who would later help the group license their music.^[11]

Commercial breakthrough[link]

In January 2011, the band issued their first commercial non-single release, a self-titled EP on which "Pumped Up Kicks" appeared. Around the same time, many alternative radio stations began playing "Pumped Up Kicks", including Los Angeles terrestrial stations KROQ-FM and KYSR, and it continued to gain popularity on Alt Nation.^[11] Mark Foster credits Sirius XM's airplay with the song's success, saying, "Alt Nation played our music before any other radio outlet in the country."^[18] On January 29, the song debuted on Billboard's Rock Songs chart and a week later, it debuted on the Alternative Songs chart. In May, the track debuted at number 96 on the Billboard Hot 100, and later that month, the group released their first full-length studio album, Torches, on which "Pumped Up Kicks" appears.^[11] On May 23, 2011, BBC Radio 1 DJ Greg James selected the song as his Record of the Week, which ran until May 27. During this time, James released an accompanying video of him dancing to the song which he entitled and promoted "The Bum Dance".^[19]

The song proved to be a crossover hit, peaking at number three on the Rock Songs chart in July and number one on the Alternative Songs chart in June, while breaking into the top 40 of the Hot 100 in late July and appearing on the Adult Top 40 and Mainstream Top 40 charts. Columbia senior VP of promotion Lee Leipsner said, "It was one of the only alternative bands I remember in a while that you could actually dance to. And the fact that the record has a groove and rhythmic feel to it—not heavy guitar-based at all—gave us a wide opportunity to cross the record." He credits the song's crossover success and push into the top 40 to a June presentation of new music by Clear Channel president of national programming platforms Tom Poleman. According to Leipsner, "After we showed our presentation, we had so many Clear Channel major-market programmers come up to us and say, 'The record I want to play besides Adele is Foster the People.'" "Pumped Up Kicks" peaked at number three on the Hot 100, spending eight consecutive weeks at the position.^[11] It has been certified 3× platinum in the US, Canada,^[20][21] and Australia,^[22] while receiving a gold certification in Germany.^[23] The song ranked as the sixth-best-selling digital song of 2011, selling 3.61 million copies.^[24]

Music video[link]

The music video, directed by Josef Geiger, was filmed at multiple locations in Los Angeles with insert footage from San Francisco^{[citation needed]} and features the band playing a show. There are also cuts to band members doing other activities, such as playing frisbee and surfing. The video peaked at #21 on the MuchMusic Countdown in Canada.^[25] The video has received over 83 million views on YouTube.^[2]

Reception[link]

Critical reaction[link]

"Pumped Up Kicks" received positive reviews from critics. Barry Walters of Spin said that with the song as their debut single, Foster the People "announce themselves as major players".^[26] Jon Dolan of Rolling Stone described the song as having a "slinky groove, misty guitar flange and delicious astral-wimp vocals".^[27] Rob Webb of NME drew some parallels between the song and other indie pop hits like "Young Folks", "Paris", and "Kids" describing its rise in popularity as thus: "artist writes (undeniably brilliant) pop song, makes it catchy as hell, but quirky enough for the 'cool' crowd, song subsequently gets some big pimping from every blog/radio station/Hype Machine user on the planet and, seemingly overnight, becomes utterly, irritatingly inescapable."^[28] August Brown of the Los Angeles Times called it a "reputation-making single" that "cakes Foster in Strokes-y vocal distortion atop a loping synth bass".^[29] Jon Pareles of The New York Times called it a "pop ditty with dazed, dweeby vocals and a handclapping chorus that warns, 'You better run, better run, outrun my gun'".^[30] BBC Music's Mark Beaumont called the song a "psychedelic block party skipping tune". Reflecting on the song's fusion of various musical elements, Beaumont said the song is a prime example of how they "adapt Animal Collective's art-tronic adventurousness to incorporate the funky danceability of Scissor Sisters, the fuzzy pop catchiness of 'Kids' and the knack of throwing in deceptively downbeat twists akin to Girls, Sleigh Bells or Smith Westerns".^[31] Matt Collar of Allmusic said the song, like other tracks from the album, is "catchy, electro-lite dance-pop that fits nicely next to such contemporaries as MGMT and Phoenix".^[32] The Guardian's Michael Hann was less receptive, saying it "amounts to little more than a bassline and a chorus" and that "It's as irresistible as it is infuriating".^[33]

Accolades[link]

A Rolling Stone readers poll named it the second-best song of summer 2011.^[34] Claire Suddath of Time magazine named "Pumped Up Kicks" one of the Top 10 Songs of 2011.^[35] In end-of-year polls, writers for Rolling Stone selected "Pumped Up Kicks" as the 11th-best song of 2011,^[36] while the publication's readers voted it the year's sixth-best song.^[37] A listeners poll by Toronto radio station CFNY-FM (102.1 The Edge) voted it #1 in a list of the top 102 new rock songs of 2011.^[38] Entertainment Weekly selected the song as the second-best single of 2011.^[39] NME ranked it number 21 on its list of the "50 Best Tracks of 2011", writing, "Unusually for a song so omnipresent, listening to its hyper-upbeat melodies about a psycho high-school kid-killer is still an enjoyable experience."^[40] The magazine's readers voted "Pumped Up Kicks" the year's eighth-best song.^[41] At the end of 2011, the song received a Grammy Award nomination for Best Pop Duo/Group Performance.^[42]

Impact[link]

In an article for The Huffington Post, DJ Louie XIV singled out "Pumped Up Kicks" as one of several popular songs that helped usher in the return of commercially successful indie music. In discussing the growing acceptance of fringe cultures, he wrote, "It seems only fitting, then, that the soundtrack to this time period should be music that was itself once viewed as fringe culture."^[43] Reflecting on the song's success, Gary Trust, the associate director of charts/radio for Billboard, said, "They're walking a tightrope very well in terms of eras, formats and styles. When you mix all that together, it becomes a very good recipe for a hit that works on so many levels. It's the perfect song." Foster said of the song, "There's a spirit there and that's what people resonate with. 'Pumped Up Kicks' wasn't an accident."^[2]

Use in popular media[link]

The song was used in TV series such as Entourage,^[44] Gossip Girl, CSI:NY, Cougar Town, Homeland, Warehouse 13 and The Vampire Diaries and also in the 2011 films Friends with Benefits^[11] and Fright Night, as well as sampled in Shawn Chrystopher's song "All the Other Kids", from his 2010 hip-hop album You, and Only You. The whistling part of the song is part of the rotation of bumper music played on the Michael Medved syndicated radio program. The song is also used on the BBC programme Match of the Day. On October 8, 2011, Foster the People performed the song on Saturday Night Live. The song was also used in Australian beer XXXX's "XXXX Summer Bright Lager" television commercial.^[45]

Cover versions and remixes[link]

The official remix of the single was released by New York City-duo The Knocks in April 2011, under the name "Pumped Up Kicks (The Knocks Speeding Bullet Remix)", and was made available to subscribers to the band's email list. The song was covered by Weezer during their 2011 North American Tour, at the Orange County Fair on August 4, 2011. Weezer also played the song during their grandstand performance at the Minnesota State Fair on September 3, 2011.^[46] Mark Foster said in reaction, "Nine years ago, I met Rivers Cuomo at a party, and I had my acoustic guitar with me. He taught me how to play 'Say It Ain't So'. So nine years later, to watch him play one of my songs - it was wild. I can't wait to meet him and remind him of that story."^[47]

In 2011, The Kooks covered song in BBC Radio 1's Live Lounge.^[48] Australian musician Owl Eyes performed a version of "Pumped Up Kicks" for Triple J's Like a Version. In the Triple J Hottest 100, 2011, Owl Eyes' version came in at 28, four positions higher than the original did the previous year. Singer-songwriters Dani Shay and Justin Chase covered the song in a theatrical music video October 2011^[49] and released the single in November 2011.^[50] A parody of the song was performed by Taylor Swift and Zac Efron on The Ellen DeGeneres Show, as a serenade to the host. Its lyrics were about how they felt weird when Ellen used to put them as a couple when they were not.^[51] On March 12, 2012 singers Lex Land and Charlotte Sometimes performed the song during the second "Battle Round" episode of The Voice.^[52]

Track listing[link]

Charts[link]

Release history[link]

See also[link]

• List of number-one Billboard Alternative Songs of 2011
• List of number-one dance airplay hits of 2011 (U.S.)
• List of number-one singles of 2012 (Australia)

References[link]

External links[link]

• "Pumped Up Kicks" Official music video on YouTube

Diana "Wynter" Gordon (born August 25, 1985 in South Jamaica, Queens, New York) is an American pop/dance singer-songwriter. She began as a writer for other artists, later signing with Atlantic Records where she began working on an album while continuing to write songs for other acts and providing vocals on songs. Her debut With the Music I Die was released in 2011.

Early life[link]

Gordon was born in Queens, New York City and was brought up in a poor and dangerous neighborhood in South Jamaica. She is the middle child of six, they lived in a two bedroom house.^[1] She recalled in an interview that many people she knew were deceased at a young age, because they "got into the wrong things".^[1] However, she refused to call her childhood difficult, she said that "if things were rough, I didn't feel it," explaining that the familiarity of the environment that she grew up in prevented her from objectively describing it.^[1] She attributed her well being to her strict mother who did not allow her to leave the yard and told her to go to the library after school.^[1] Her mother remarried when Gordon was 5, but Gordon did not have a close relationship with her step father.^[2] Her strict upbringing resulted in a strained relationship with her parents.^[2]

Gordon began singing at a young age and she began singing at funerals from the age of 6.^[1] She and her siblings would perform together in church and at street corners by her parents.^[2] They were strict about the music that Gordon and her siblings sang, only allowing them to listen to and sing gospel.^[2] However, Gordon would listen to the radio when her parents were not at home and recorded songs from the radio onto tapes that she smuggled into the house.^[2] It was during high school that Gordon decided that she was going to pursue music.^[3] She was later accepted to the Fiorello H. LaGuardia High School of Music & Art and Performing Arts^[2] and interned at a record company.^[3] Gordon wrote her first complete song, "Daddy's Song" at age 15.^[3]

Career[link]

2005–08: Career beginnings[link]

After high school, Wynter threw herself fully into realizing her music dreams, while also dealing with surviving on her own for the first time. She juggled several jobs while working in the studio at nights and as much as she could. During this time, Wynter met her manager, Keith White who introduced her to Don Pooh at Atlantic Records. Wynter worked closely with producer D'Mile since 2004 where they both came with her first track to fame, "Gonna Breakthrough" written by Wynter Gordon and produced by D'Mile was used as the title track to Mary J. Blige's 2005 album The Breakthrough. Soon after, Wynter was given an opportunity and signed to Atlantic Records, through Don Pooh Music Group, where she has been working on her debut album since 2004. Also, in 2008, Wynter penned two tracks for Danity Kane's second album Welcome to the Dollhouse, "2 of You" and "Do Me Good".

[edit] 2009–present: With the Music I Die and New Recordings

Wynter co-wrote the single "Sugar", a track that she was featured on with Flo Rida on his album R.O.O.T.S. (2009) after laying down a reference vocal.^[4] The track became an international hit and peaked at number five on the US Billboard Hot 100. Wynter also co-wrote and sang on the dance track "Toyfriend" from French DJ David Guetta's album One Love (2009). She worked closely with Jennifer Lopez, writing four tracks including "What Is Love", "What Is Love Part II", "Starting Over" and "Everybody's Girl" for her seventh studio album Love? (2011). Wynter is also writing for artists including Adrienne Bailon, Estelle & Gossip Girl star Leighton Meester.^[4]

She released her debut album, With the Music I Die, on June 17, 2011 in Australia. The first single from the album, "Dirty Talk" topped the US (Billboard) Hot Dance Club Songs and the Australian Singles Chart, and was certified 3x Platinum, The song was released in the UK and Ireland on 18 February 2011 where it peaked eight in Ireland and 25 in the UK. The song spent a total on eleven weeks inside the Top 40.^[5] The second single, "Til Death" has currently peaked on the Australian Singles Chart at 16 and number 3 on the US Dance Chart. She opened for Patrick Stump's second US tour in August and September. "Buy My Love" was released as the third single from "With The Music I Die".

Wynter announced via Twitter that she has already recorded some songs and hinted at her second studio album.

Discography[link]

Studio albums[link]

Extended plays[link]

Singles[link]

Promotional singles[link]

As a featured artist[link]