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Agni
God of Fire
Devanagari	अग्नि
Sanskrit Transliteration	Agni
Affiliation	Deva
Consort	Svaha
Mount	Ram

Agni (Sanskrit: अग्नि) is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire^[1] and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods. He is ever-young, because the fire is re-lit every day, and also immortal.

Agni, the Vedic god of fire, has two heads, one marks immortality and the other marks an unknown symbol of life. Agni has made the transition into the Hindu pantheon of gods, without losing his importance. With Varuna and Indra he is one of the supreme gods in the Rigveda. The link between heaven and earth, the deities and the humans, he is associated with Vedic sacrifice, taking offerings to the other world in his fire. In Hinduism, his vehicle is the ram.^[2]

Etymology[link]

The word agni is Sanskrit for "fire" (noun), cognate with Latin ignis (the root of English ignite), Russian огонь (ogon), Polish "ogień", and Lithuanian ugnis—all with the meaning "fire", with the reconstructed Proto-Indo-European root being h₁égni-. Agni has three forms: fire, lightning and the sun.^[3]

Vedas[link]

Agni is the first word of the first hymn of the Rigveda:

अग्नि॒म् ई॑ळे पुरो॒हि॑तं यज्ञ॒स्य॑ देव॒म् ऋत्वि॒ज॑म् । होता॑रं रत्नधा॒त॑मम् ॥

agním īḷe puróhitaṃ / yajñásya devám ṛtvíjam / hótāraṃ ratnadhâtamam

Agni I laud, the high priest, god, minister of sacrifice, The invoker, lavishest of wealth.

He is the supreme director of religious ceremonies and duties, and figures as messenger between mortals and gods. Vedic rituals all involve Agni, for example the elaborate Agnicayana, that is, the piling of the fire altar, the Agnihotra, viz., offering to Agni.

The Rigveda often says that Agni arises from water or dwells in the waters. He may have originally been the same as Apam Napat, who is also sometimes described as fire arising from water which in a natural explanation may have referred to flames from natural gas or oil seepages surfacing through water, or as the seven rays or bands of light of a rainbow. Other Rigvedic names, epithets or aspects of Agni include Matarishvan, Jatavedas, or Bharata.

Agni is a deva, second only to Indra in the power and importance attributed to him in Vedic mythology, with 218 out of 1,028 hymns of the Rigveda dedicated to him. He is Indra's twin, and therefore a son of Dyaus Pita and Prthivi. However, he is also said to have two mothers^[4] (the two parts of the firedrill used to start the fire), and ten servant maids (the fingers of the man who is lighting the fire) or as the twice-born.^[5] He is one of the Guardians of the directions, representing the southeast.

Significance[link]

Agni, god of fire acts as the divine model for the sacrificial priest. He is the messenger who carries the oblation from humans to the gods, bringing the gods to sacrifice, and interceding between gods and humans (RgV.1.26.3). When Agni is pleased, the gods are generous. Agni represents the cultivated, cooked and cultured aspects of Vedic ritual. Together with Soma, Agni is invoked in the Rig Veda more than any other gods.^[6]

In a later Hindu interpretation, Agni stands for knowledge for it is seen by the learned people, covering all things that move and do not move^[7] and because it summons the Devatas endowed with knowledge ^[8] the light Agni emits is the light of knowledge. Therefore, it is also known as the illuminator of knowledge who lights up the path leading to Truth. Agni reveals the true nature of one's own self^[9] because it is the innermost light that shines ever so brightly in all things living and nonliving as their inner consciousness (impeller).^[10]

Depictions[link]

Agni with his consort Svaha.

In Hindu scriptures, Agni is depicted with two or seven hands, two heads and three legs. He has seven fiery tongues with which he licks sacrificial butter. He rides a ram or in a chariot harnessed by fiery horses. His Agni is represented as red and two-faced, suggesting both his destructive and beneficent qualities, and with black eyes and hair, three legs and seven arms. He rides a ram, or a chariot pulled by goats or, more rarely, parrots. Seven rays of light emanate from his body. One of his names is Saptajihva, "having seven tongues".^[11] Another one of his epithets is Abhimani (from Sanskrit: abhi towards + the verbal root man to think, reflect upon) meaning dignified, proud; longing for, thinking.

Legends[link]

Agni is the eldest son of Brahma. In Visnu Purana, Agni (Abhimani) the fire god is said to have sprung from the mouth of the Virat purusha, the Cosmic Man. His wife is Svaha. Abhimani had three sons of surpassing brilliancy: Pavaka, Pavamana, and Suchi, the personifications of the three fires that produced our earth and humanity (VP 1:10).^[12] All these three names indicate purity. Abhimanin, his three sons, and their 45 sons constitute the mystic 49 fires of the Puranas and theosophy. (cf Agni Purana.)

His three sons, according to the Vayu Purana, stand for three different aspects of Agni (fire): Pavaka is the electric fire, Pavamana the fire produced by friction, and Suchi the solar fire. Interpreted on the cosmic and human planes, these three fires are "Spirit, Soul, and Body, the three great Root groups, with their four additional divisions" (SD 2:247). They are said to have been cursed by the sage Vasishtha to be born again and again (cf BP 4:24,4; SD 2:247-8). "Every fire has a distinct function and meaning in the worlds of the physical and the spiritual. It has, moreover, in its essential nature a corresponding relation to one of the human psychic faculties, besides its well determined chemical and physical potencies when coming in contact with the terrestrially differentiated matter" (SD 1:521).

Agni is also an important entity in Ayurveda. It is considered to be the one which is responsible for the sustenance of life. Agni helps in the various physiological functions of the body.^{[citation needed]}

In some Hindu symbolism, Agni's parents are said to be the two components of the firedrill used to start the fire, and when young he was said to be cared for by ten servants, which represent the fingers of the man who is starting the fire.

Cultural influence[link]

Agni is the name of India's first long-range strategic missile capable of nuclear weapons delivery, becoming only the fourth country to have this combined technology (after the Soviet Union/Russia, the United States and China). The Agni-V was successfully test launched on April 19, 2012.

Other religions[link]

Sculpture of Agni from Musée Guimet

In Newar, Tibetan and Japanese Buddhism, he is a lokapāla guarding the Southeast. In the Tibetan text Jigten lugs kyi bstan bcos it says "Make your hearth in the southeast corner of the house, which is the quarter of Agni". He also plays a central role in most Buddhist homa fire-puja rites. A typical praise to Agni starts "Son of Brahma, Lord of the World, King of fire gods empowered by Takki, Whose supreme wisdom burns all delusion [...]"^[13]

See also[link]

• Apris
• Atar (Zoroastrian yazata of fire)
• Hindu deities

References[link]

1. ^ Cavendish, Richard (1998). Mythology, An Illustrated Encyclopedia of the Principal Myths and Religions of the World. ISBN 1-84056-070-3
2. ^ Bowker, John (1997). World Religions. New York: DK Publishing, Inc.
3. ^ Agni, the Vedic God of Fire
4. ^ Soni, Ravinder Kumar (2008). The Illumination of Knowledge. Delhi: GBD Books. p. 197. http://books.google.co.in/books?id=K2H_PgAACAAJ. "Rig Veda 1.31.2 - the term used is Dwimata shayuah " 
5. ^ Rig Veda 1.149.4 ibid p.43
6. ^ Doniger, Wendy (2010). The Hindus, an Alternative History. Oxford University Press. ISBN 978019959334 (Pbk)
7. ^ Ravinder Kumar Soni (2008). The Illumination of Knowledge. Delhi: GBD Books. p. 197. http://books.google.co.in/books?id=K2H_PgAACAAJ. "Rig Veda 10.5.3" 
8. ^ Rig Veda 1.44.7 ibid p.42
9. ^ Ravinder Kumar Soni (2008). The Illumination of Knowledge. Delhi: GBD Books. p. 214. http://books.google.co.in/books?id=K2H_PgAACAAJ. "Rig Veda 10.15.14- Meaning of the cited mantra :-"...these fatherly figures, the learned ones, who keep the fire alight at their homes and those who do not (who have renounced everything this world has to offer),owing to their knowledge of the highest Truth enjoy eternal happiness; the bright fire that burns within the as the very life principle giving them yogic powers..."" 
10. ^ Ravinder Kumar Soni (2008). The Illumination of Knowledge. Delhi: GBD Books. p. 120. http://books.google.co.in/books?id=K2H_PgAACAAJ. "Rig Veda 10.57.2" 
11. ^ Jansen, Eva Rudy (1993). The Book of Hindu Imagery: Gods, Manifestations and Their Meaning. p. 64
12. ^ Dowson, John (1961). A Classical Dictionary of Hindu Mythology and Religion: Geography, History, and Literature. Kessinger Publishing. ISBN 0-7661-7589-8
13. ^ Perrott, Michael; Tuluku, Sharpa (1987). A Manual of Ritual Fire Offerings. Library of Tibetan Works and Archives. ISBN 81-85102-66-X p. 20.

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Priya Suriyasena is a Sri Lankan popular vocalist and lecturer in music who embarked his music career through the Sri Lanka Broadcasting Corporation (SLBC) in 1972.

Childhood[link]

M.L.D. Priyadharsha Suriyasena Liyanage was born to the parents of an up-country middle-class origin, in Nattandiya in the Chilaw district. His father is late M. L. D Jamis Liyanage and mother is late A.M. Podi Manike. He was the only son in a family of three. He had his primary education at Nattandiya Primary School and completed his GCE O/L and A/L at Madampa Central College in Puttalam district.

His father who was a poet. As a student Suriyasena won several prizes after participating in musical programmes. One of them is UNESCO talent competition in which he won the first prize.

After his A/L from 1968 to 1971 he sat for external exams conducted by the government musical college ‘Heywood’ and obtained a diploma in music. Afterward he joined the government as a music teacher and recorded some of his original songs which were aired in SLBC in 1972. At this stage he shortened his name from Priyadharsha to "Priya".

Rise to fame[link]

After the release of his first four songs Suriyasena became a heartthrob of youngsters in 1970s. His first four songs (‘Sarathasa niwa’, ‘Mata wasana’, ‘Heta davase’ and ‘Andura Andura mage’) were recorded for the corporation in 1972. ‘Andura Andura mage’ was written by Rohana Fernando and ‘Heta davase’, ‘Sarathasa niwa’ and ‘Mata wasana’ by the late veteran lyricist Premakeerthi de Alwis, and Suriyasena wrote the music for the songs.

The release of “Sudu Parevi Rena” (hit song) brought Suriyasena up to one of the top singers in 1970s bringing a controversy at the time where the Sri Lankan government prohibited broadcasting the song through radio channels for a period of time.

Suriyasena released one of the first music audio cassettes in Sri Lanka under the guidance of Wijewardene under the Tharanga label. His popularity was raised with the Sarasawiya Award for "Kendan Yannam," a song from Sena Samarasinghe's Aethin Aethata (Movie) in 1984.

In 1996 with the album “Sunflowers with Priya”, he brought a new musical generation to the country grossing revenue over Rs. 8 million for the album and becoming the most popular singer in the country.^{[citation needed]} “Sudu Parevi Rena”, “Ratakin Eha”, “Jeewithe Mage”, “Etha Ranviman, “Kendam Yannam”, “Neranjana”, “Mulu Muhudama”, “Pathum Pireela”, “Apasu Enawa”, “Mata Wasana” and “Me Paalu Mawathe” became hits once again with the music of the famous music band “Sunflowers”.

His hit song “Etha ranviman” became the most popular song in 2006, developing controversies between Suriyasena and Sirasa Super Stars.

Career[link]

Suriyasena started his career in 1971 as a music teacher for Kelaniya Gurukula College whilst also as an on stage singer at the same time. After about 10 years of service Suriyasena left his teaching career giving priority to his music career.

The veteran music directors who conducted music for his songs were Lal Thenabadu, the late Sarath Dassanayake, Stanley Peiris, Sarath de Alwis, late Clarence Wijewardene and Ranjith Perera. Suriyasena directed music for songs such as ‘Adaraniya Neranjana’, ‘Heta davase’, ‘Mata wasana’, ‘Sanda ma gawai’, ‘Mage samarum pothe’, ‘Ekama vidiye’, ‘Mohathaka suwa dena’ and ‘Gelawata banda wu muthu pote’ (neckless tied to the neck). Some of the veteran vocalists who had their music directed by Suriyasena were M. S. Fernando, Anton Jones, Milton Mallawarachchi, Punsiri Soysa, Mervyn Perera, Gratien Ananda, late Mervyn Mihindukula, Chandralekha Perera, Freddie Silva and H R Jothipala.

At the beginning of 1990s Suriyasena was leaned towards cassette production business where he started “Luckshitha Trade Centre” and released cassettes that were highly grossed of MS Fernando, Punsiri Soysa H.R Jothipala and Champa Kalhari.

He was also a play back singer in many films which were Mal kekulu in earlier 1980s, song ‘Bindu bindu kandulu sala’ duet with Shayami Fonseka and music directed by Sarath Dassanayake and produced by Sena Samarasinghe. Further he sang in many other films like ‘Selinage Walawwa’, ‘Mudukkuwe Juliet’, ‘Hariyanakota ohama thamai’, and ‘Pina paduna da’. In ‘Ethin Ethata’ he sang a duet with Milton Mallawarachchi to the music direction of Sarath Dassanayake ("Kandan yannan ran mal mala dala") which won an award by “Sarasaviya” (Sarasavi Sammana) in 1980s. In the film Suhada Sohoyuro he played a minor role. However, later Suriyasena gave up singing as a play back singer focusing only on stage. In 2006 he sang a duet “Gimhanaye” with Samitha Mudunkotuwa for the film ‘Kalu Sudu Mal’ as the male playback for Kamal Addaraaarachchi.

Foreign tours[link]

His maiden foreign tour was to Singapore in 1978. Subsequently he made it to over 44 other countries including United States, Europe, Asia, Middle East and Australia.

He performed in Qatar, which has a significant Sri Lankan community, in October 2007.^[1][2]

Personal life[link]

In 1978 he wedded Thamara Kumari Weerasinghe who was also a music teacher with a diploma in music from Heywood. He is now a father of four children - three daughters Minoshi and Iroshi both studying abroad, Gayashi of Visakha, Colombo and son, Luckshitha who is studying in the US.

References[link]

• Gunewardene, Prasad (July 23, 2006). "Comedy and tragedy of "Super Stars"". Sunday Observer. http://www.sundayobserver.lk/2006/07/23/pow04.asp. Retrieved 2008-06-20.