4:35
PubMed's Medical Subject Headings (MeSH) Database Tutorial
Use the MeSH database to select the best terminology for your subject, and help you narrow...
published: 28 Jun 2010
Author: LifeWestLibrary
PubMed's Medical Subject Headings (MeSH) Database Tutorial
Use the MeSH database to select the best terminology for your subject, and help you narrow or broaden your search.
3:31
PubMed 2 - Searching with Medical Subject Headings (MeSH)
Library database tutorial on searching with medical subject headings (MeSH) in PubMed thro...
published: 11 Apr 2011
Author: LoganLibrarian
PubMed 2 - Searching with Medical Subject Headings (MeSH)
Library database tutorial on searching with medical subject headings (MeSH) in PubMed through Logan College of Chiropractic / University Programs.
0:34
Chapter 3 - Using Medical Subject Headings
Learn about Medical Subject Headings (MeSH), and how to use them while searching in MEDLIN...
published: 21 May 2010
Author: UpstateMedicalUniv
Chapter 3 - Using Medical Subject Headings
Learn about Medical Subject Headings (MeSH), and how to use them while searching in MEDLINE (Ovid).
2:38
Using PubMed & MeSH: better searching with Medical Subject Headings (MeSH): part 3
Using PubMed & MeSH: better searching with Medical Subject Headings (MeSH): part 3 pub...
published: 03 Nov 2009
Author: libraryvideochannel
Using PubMed & MeSH: better searching with Medical Subject Headings (MeSH): part 3
Using PubMed & MeSH: better searching with Medical Subject Headings (MeSH): part 3 pubmed "new pubmed" "uc davis" "part 3" mesh libraries databases medical NLM NCBI "UC Davis"
4:26
Medical Subject Headings (MeSH) - PubMed Tutorial
Learn to search PubMed using the controlled vocabulary, Medical Subject Heading (MeSH). Fo...
published: 01 Jul 2011
Author: pennlibraries
Medical Subject Headings (MeSH) - PubMed Tutorial
Learn to search PubMed using the controlled vocabulary, Medical Subject Heading (MeSH). Focus your search to retrieve highly relevant articles.
4:42
Medical Subject Headings, Introduction.mp4
A short introduction to using medical subject headings (MeSH) using Proquest and Medline. ...
published: 25 May 2012
Author: Anton Angelo
Medical Subject Headings, Introduction.mp4
A short introduction to using medical subject headings (MeSH) using Proquest and Medline. Music by Daddy_Scrabble.
9:20
Selecting Medical Subject Headings for Your PubMed Search
Demonstrates how to find appropriate Medical Subject Headings (MeSH Terms) for a PubMed se...
published: 18 Jul 2011
Author: lhlguides
Selecting Medical Subject Headings for Your PubMed Search
Demonstrates how to find appropriate Medical Subject Headings (MeSH Terms) for a PubMed search. This tutorial is featured in the following guide: http:--libguides.lhl.uab.edu-ot653
3:11
MeSH (Medical Subject Headings) via EBSCOhost Part 1
This tutorial explains the MeSH tree and demonstrates how to use the headings when searchi...
published: 21 Nov 2011
Author: refdesk100
MeSH (Medical Subject Headings) via EBSCOhost Part 1
This tutorial explains the MeSH tree and demonstrates how to use the headings when searching for records. Part 1.
2:19
Introduction Medical Subject Headings (MeSH)
A brief introduction to using MeSH terms to search PubMed...
published: 19 Jul 2012
Author: gleesonlibraryusf
Introduction Medical Subject Headings (MeSH)
A brief introduction to using MeSH terms to search PubMed
5:16
MeSH (Medical Subject Headings) via EBSCOhost Part 2 (Creighton University HSL)
This tutorial explains the MeSH tree and demonstrates how to use the headings when searchi...
published: 14 Sep 2010
Author: refdesk100
MeSH (Medical Subject Headings) via EBSCOhost Part 2 (Creighton University HSL)
This tutorial explains the MeSH tree and demonstrates how to use the headings when searching for records. Part 2. For more information, or to speak with a librarian, call (402-280-5138) or send us an email (refdesk@creighton.edu).
1:28
Combining Medical Subject Headings (MeSH)
...
published: 26 Jul 2012
Author: gleesonlibraryusf
Combining Medical Subject Headings (MeSH)
8:58
Searching PubMed Using Medical Subject Headings
Demonstrates how to search PubMed using Medical Subject Headings. This tutorial is meant t...
published: 08 Oct 2012
Author: lhlguides
Searching PubMed Using Medical Subject Headings
Demonstrates how to search PubMed using Medical Subject Headings. This tutorial is meant to be viewed after -Selecting MeSH Terms for Your PubMed Search- (http:--www.youtube.com-watch?v=KZr4UPlvxOk) and within the context of the OT 653 guide: http:--libguides.lhl.uab.edu-ot653
5:27
Using the CINAHL/MeSH Headings Feature in EBSCOhost
This tutorial demonstrates how to create a search using the new CINAHL/MeSH Headings funct...
published: 06 Aug 2010
Author: ebscopublishing
Using the CINAHL/MeSH Headings Feature in EBSCOhost
This tutorial demonstrates how to create a search using the new CINAHL/MeSH Headings functionality in EBSCOhost.
3:54
Medical Subject Heading Searching
How to search PumMed via Medical Subject Headings....
published: 24 Jul 2012
Author: The1MyChannel
Medical Subject Heading Searching
How to search PumMed via Medical Subject Headings.
Vimeo results:
57:05
Journey Through the Cross: #2 The Power of God
Paul, Bond-Slave to the King!
Paul, a servant of Christ Jesus, called to be an apostle, se...
published: 22 Feb 2010
Author: Jim Tompkins
Journey Through the Cross: #2 The Power of God
Paul, Bond-Slave to the King!
Paul, a servant of Christ Jesus, called to be an apostle, set apart for the gospel of God, which he promised beforehand through his prophets in the holy Scriptures, concerning his Son, who was descended from David according to the flesh and was declared to be the Son of God in power according to the Spirit of holiness by his resurrection from the dead, Jesus Christ our Lord, through whom we have received grace and apostleship to bring about the obedience of faith for the sake of his name among all the nations, including you who are called to belong to Jesus Christ, To all those in Rome who are loved by God and called to be saints: Grace to you and peace from God our Father and the Lord Jesus Christ.
Paul designates his highest office as bond-servant (doulos). He puts that before his office as apostle.
Paul calls himself a bond slave of Christ Jesus. The case classification is genitive of possession. The apostle is proud of the fact that he is a slave belonging to his Lord. There were certain individuals in the Roman empire designated "Slaves of the Emperor." This was a position of honor. One finds a reflection of this in Paul's act of designating himself as a slave of the King of kings. He puts this ahead of his apostleship.
You are not your own, for you were bought with a price. So glorify God in your body. 1 Corinthians 6:19-20 (ESV)
We are not our own, and Paul was proud of that fact. Instead of seeing Christianity as a system of do's and don'ts, he saw it as the privilege of privileges. His was a position of honor.
Who you are in life is largely a result of how you see yourself. We tend to value our life on the basis of our job, our possessions, our influence, our friends, our activities. Paul saw his value by Whose he was. He was a servant of the King of Kings. Who are you? When you lay in bed at night, do you fret about your health, the things you need to do, the things you didn't do? If you are a slave of the King of Kings, you have no rights over tomorrow, over your body, over your job. He has total control. There is no need to fret, no need to worry, no need to be concerned. Only the need to praise Him, draw closer to Him, wait patiently upon Him.
He was a slave first, an apostle second.
The adjective comes from the verb kaleō, "to call" in the sense here of "to call to assume an office." Paul was a called apostle in the sense that God summoned him to that position and placed him in it
Most translations say called to be an apostle, but actually the greek simply says (κλητὸς ἀπόστολος) "kletos apostolos", called apostle.
Paul heard the call of Christ on the Damascus Road, and in answering that call and seeing His Savior, he was placed as one of Christ's Apostles. He took the place of the son of perdition-Judas.
What enabled the violent, self-possessed Saul to become the slave Apostle of the one he admittedly wanted crucified?
Paul allowed himself to be set apart for the Gospel of God!
But when he who had set me apart before I was born, and who called me by his grace, Galatians 1:15 (ESV)
But the Lord said to him, “Go, for he is a chosen instrument of mine to carry my name before the Gentiles and kings and the children of Israel. Acts 9:15 (ESV)
Paul became a chosen instrument, a chosen vessel for Jesus Christ! Was he forced to comply on the Damascus Road? It may seem that way. Blinded by a strange light, hearing a strange voice-he could have resisted and kept on kicking against the Lord. Or he could have made a profession, but inwardly resented the Jesus. In any case we never would have heard from old Paul again. He would have been a pothole on the pavement of life.
But something happened to this fiery little dynamo. All his training, his intelligence, his passion for the Law and the ways of the Jews melted away when he gazed upon the one whom he had been persecuting. Yes, Paul was made to realize that he had not only been maiming and murdering 'Christians', but he had been doing the same to the very Son of God, the Messiah whom he professed to love so much.
We can't begin to fathom what the Holy Spirit was doing in those three days after his experience on the road to Damascus. But whatever it was, when Saul gave his life to Jesus Christ, he was changed completely. He was a new man, he was set apart no longer to just Jehovah. He was set apart into the GOSPEL of GOD! (ἀφωρισμένος εἰς εὐαγγέλιον Θεοῦ (aphōrismenos eis euangelion Theo).
Set Apart Into the Gospel
aphōrismenos (aphorizmo)
He was set apart into the Gospel, because the set apart is the word aphoridzo which pictures marking an area with boundaries, with a wall or fence.
So it will be at the close of the age. The angels will come out and separate the evil from the righteous Matthew 13:49 (ESV)
The Gospel of God is a natural divider of man. It will be the divider in the end times. People, you can either believe God or you can chose not to.
3:01
Ann-Margret - I Just Don't Understand (RCA Victor 7894)
fliped with ''I Don't Hurt Anymore'' issued on RCA Victor in 1961
http://www.ann-margret....
published: 05 Apr 2009
Author: boogaludo
Ann-Margret - I Just Don't Understand (RCA Victor 7894)
fliped with ''I Don't Hurt Anymore'' issued on RCA Victor in 1961
http://www.ann-margret.com/
Born Ann-Margret Olsson, 28 April 1941, Stockholm, Sweden
Actress/singer/dancer/entertainer: best known for Bye Bye Birdie and Viva Las Vegas. Nominated for best supporting actress in Carnal Knowledge and best actress in Tommy
Born in Sweden but adopted by America
The family moved to Valsjobyn when A-M was still a little baby. This is a little village of about 150 people located in the mountains in the county of Jamtland. It is 4 miles east of the border of Norway. A-M is named after a Swedish swimming star her mother admired. She has no brothers or sisters
She came to the United States with her mother when she was five, settling in Wilmette, Illinois (north of Chicago). A-M's father who had come to America previously, greeted them
Ann-Margret has dazzled screen and stage audiences. With her film debut in Frank Capra's final classic, "Pocketful of Miracles" in 1962 to the recent Oliver Stone directed "On Any Sunday" with Al Pacino, Ann-Margret's film career has spanned four decades. Displaying a versatility that few actresses can match has earned her love and admiration, not just for her beauty and her legend but also for herself
Ann-Margret Olsson becomes Ann-Margret. George Burns propels her into national prominence in Las Vegas.
Her meteoric rise to stardom begins with a LIFE Magazine cover story from 11 January 1963
See http://www.geocities.com/Hollywood/Boulevard/5000/am-life630111.jpg
Her early film career incls. "Pocketful of Miracles," "State Fair," "Bye Bye Birdie," "Viva Las Vegas" with Elvis Presley, "Stagecoach," and "The Cincinnati Kid." Her fairytale marriage to Roger Smith. TV Specials, record releases, Las Vegas nightclub act, and national recognition as a "superstar sex symbol" punctuate Ann-Margret's life in the fast paced sixties
In '72, husband Roger started producing all of A-M's stage shows. At 12:30 at night while doing her 12th show (in 6 nights) at the Sahara Hotel in Lake Tahoe on Sunday, September 10th, A-M fell 22 feet on stage. Her injuries included numerous bones in the face above an eye which were broken or fractured; jaw broken in two places; left arm broken; knee injured. Dr. Frank Ashley performs a 5-hour operation at UCLA Medical Center. Roger gives A-M a 20-karat diamond ring. Reports say she lapsed into a 3-day coma
A-M does a remarkable comeback opening at the Las Vegas Hilton on Tuesday, November 28th with the 'AM/PM' show. A-M picks up the nickname of 'Slugger' since she proved her strength recovering from her accident.
The Seventies truly defined Ann-Margret as an actress with Academy Award nominations for her work in "Carnal Knowledge", and "Tommy." The accident was a near brush with death and it almost ended her career but following her live performances draw record crowds in the Orient, Las Vegas and Miami. Her body of work expands with more films, TV Specials and awards
This is the decade in which Ann-Margret grows up. The eighties begin with her winning her first Las Vegas Entertainer of the Year Award. She tours the country with her Vegas act. Her film career is full speed ahead and she stars in her first of several critically acclaimed TV Dramas, and is nominated for three Best Actress Emmy's. However, her husband Roger is stricken with Myasthenia Gravis, and Ann-Margret is thrust into the toughest role of her career... she's in charge of her career and Roger's battle to survive.
A new, mature Ann-Margret emerges in the nineties. Roger's health stabilizes and new opportunities abound. She performs live at the Radio City Music Hall. She tackles new characters in TV Film Dramas and receives renewed acclaim for her acting. She films two classics: "Grumpy Old Men," and its sequel, "Grumpier Old Men" with Walter Mathau, Jack Lemmon and Sophia Loren. Ann-Margret just gets better and better
In 2001 she starred in the touring production of The Best Little Whorehouse in Texas is playing the lead role of Miss Mona Stangley, indomitable madam of the multi-storied Chicken Ranch brothel
She really has made a whole raft of movies - and records. Add multi -TV appearances incl. mini-series. Here's a reminder of some of the best movie roles:
Emily Porter - State Fair - 62 Kim - Bye Bye Birdie - 63 Rusty Martin - Viva Las Vegas - 64 aka Love in Las Vegas Melba - The Cincinnati Kid - 65 Laurel - Bus Riley's Back in Town - 65 Dallas - Stagecoach - 66 Kelly Olsson - The Swinger - 66 Bobbie - Carnal Knowledge - 71 Nora Walker Hobbs - Tommy - 75
Oh, Jody Dvorak in Kitten with a Whip - 64 seems to have attracted a lot of attention
On TV in biopics, she's portrayed Pamela Harriman and Diane Borchardt, then the part of Blanche DuBois in A Streetcar Named Desire - 84. Appeared in the That's Dancing! compilation - 85
Examples of her recordings:
And Here She Is Ann-Margret's first long-player from RCA, 1961. Jazzy orchestra conducted by Marty Paich.
On The Way Up, her seco
1:28
Combining Medical Subject Headings
published: 21 Jun 2012
Author: Claire Sharifi
Combining Medical Subject Headings
16:19
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
Author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
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1:56
Subject headings vs keywords
Introduction to how using a database's subject headings (sometimes called a controlled...
published: 03 Nov 2010
Author: WMHSLibrary
Subject headings vs keywords
Introduction to how using a database's subject headings (sometimes called a controlled vocabulary or a thesaurus) to find articles is different from using a keyword search. Developed at the Wellington Medical and Health Sciences Library.
1:03
PubMed Search Tip: Use Subject Headings
Authors can refer to a given disease, condition, or medical concept in multiple ways. To m...
published: 02 Aug 2011
Author: dukemedlib
PubMed Search Tip: Use Subject Headings
Authors can refer to a given disease, condition, or medical concept in multiple ways. To make it easier to find every article on a topic without having to think of every possible term an author could have used, it is best to include subject headings in your search. In PubMed, these headings are called MeSH terms, and subject experts at the National Library of Medicine have added them to every citation in the MEDLINE database. Watch the video to learn how to use subject headings in PubMed.
4:27
Subject Headings
Be a more efficient searcher. Learn the difference between conducting a keyword search and...
published: 06 Sep 2011
Author: WesternUniversity
Subject Headings
Be a more efficient searcher. Learn the difference between conducting a keyword search and conducting a search using subject headings. Survey link: www.surveymonkey.com
3:40
PubMed's Medical Subject Heading (MeSH) Database
Learn how to use PubMed's Medical Subject Heading Database, or MeSH database, to creat...
published: 01 Jul 2011
Author: LifeWestLibrary
PubMed's Medical Subject Heading (MeSH) Database
Learn how to use PubMed's Medical Subject Heading Database, or MeSH database, to create a focused search.
