Much erotic literature features erotic art, illustrating the text.
English collections of erotic verse by various hands, include the Drollery collections of the 17th century; Pills to Purge Melancholy (1698–1720); the Roxburghe Ballads; Bishop Percy's Folio; The Musical Miscellany; National Ballad and Song: Merry Songs and Ballads Prior to the Year AD 1800 (1895-7) edited by J. S. Farmer; the three volume Poetica Erotica (1921) and its more obscene supplement the Immortalia (1927) both edited by T. R. Smith. French collections include Les Muses gaillardes (1606) Le Cabinet satyrique (1618) and La Parnasse des poetes satyriques (1622).
A famous collection of four erotic poems, was published in England in 1763, called An Essay on Woman. This included the title piece, an obscene parody of Alexander Pope's "An Essay on Man"; "Veni Creator: or, The Maid's Prayer", which is original; the "Universal Prayer", an obscene parody of Pope's poem of the same name, and "The Dying Lover to his Prick", which parodies "A Dying Christian to his Soul" by Pope. These poems have been attributed to John Wilkes and/or Thomas Potter and receive the distinction of being the only works of erotic literature ever read out loud, in their entirety in the House of Lords--before being declared obscene and blasphemous by that august body and the supposed author, Wilkes, declared an outlaw.
Robert Burns worked to collect and preserve Scottish folk songs, sometimes revising, expanding, and adapting them. One of the better known of these collections is The Merry Muses of Caledonia (the title is not by Burns), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century.
Pierre Louÿs helped found a literary review, La Conque in 1891, where he proceeded to publish Astarte--an early collection of erotic verse already marked by his distinctive elegance and refinement of style. He followed up in 1894 with another erotic collection in 143 prose poems--Songs of Bilitis (Les Chansons de Bilitis), this time with strong lesbian themes.
From the age of 17 Gavin Ewart acquired a reputation for wit and accomplishment through such works as "Phallus in Wonderland" and "Poems and Songs", which appeared in 1939 and was his first collection. The intelligence and casually flamboyant virtuosity with which he framed his often humorous commentaries on human behaviour made his work invariably entertaining and interesting. The irreverent eroticism for which his poetry is noted resulted in W H Smith's banning of his "The Pleasures of the Flesh" (1966) from their shops.
Canadian poet John Glassco wrote Squire Hardman (1967), a long poem in heroic couplets, purporting to be a reprint of an 18th century poem by George Colman the Younger, on the theme of flagellation.
From the medieval period we have the Decameron (1353) by the Italian Giovanni Boccaccio (made into a film by Pasolini) which features tales of lechery by monks and the seduction of nuns from convents. This book was banned in many countries. Even five centuries after publication copies were seized and destroyed by the authorities in the USA and the UK. For instance between 1954 and 1958 eight orders for destruction of the book were made by English magistrates.
From the 15th century another classic of Italian erotica is a series of bawdy folk tales called the Facetiae by Gian Francesco Poggio Bracciolini. The Tale of Two Lovers () written in 1444 was one of the bestselling books of the fifteenth century, even before its author, Aeneas Sylvius Piccolomini, became Pope Pius II. It is one of the earliest examples of an epistolary novel, full of erotic imagery. The first printed edition was published by Ulrich Zel in Cologne between 1467 and 1470.
The 16th century was notable for the Heptameron of Marguerite de Navarre (1558), inspired by Boccaccio's Decameron and the notorious I Modi which married erotic drawings, depicting postures assumed in sexual intercourse, by Giulio Romano, with obscene sonnets by Pietro Aretino.
Aretino also wrote the celebrated whore dialogue Ragionamenti in which the sex lives of wives, whores and nuns are compared and contrasted. Later works in the same genre include La Retorica delle Puttane (The Whore's Rhetoric) (1642) by Ferrante Pallavicino; L'Ecole des Filles (The school for girls) (1655), attributed to Michel Millot and Jean L'Ange. and The Dialogues of Luisa Sigea (c. 1660) by Nicolas Chorier. Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, satire and anti-clericalism. Donald Thomas has translated L'École des filles, as The School of Venus, (1972), described on its back cover as "both an uninhibited manual of sexual technique and an erotic masterpiece of the first order". In his diary Samuel Pepys records reading and (in an often censored passage) masturbating over this work. Chorier's Dialogues of Luisa Sigea goes a bit further than its predecessors in this genre and has the older female giving practical instruction of a lesbian nature to the younger woman plus recommending the spiritual and erotic benefits of a flogging from willing members of the holy orders. This work was translated into many languages under various different titles, appearing in English as A Dialogue between a Married Woman and a Maid in various editions. The School of Women first appeared as a work in Latin entitled Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris. This manuscript claimed that it was originally written in Spanish by Luisa Sigea de Velasco, an erudite poetess and maid of honor at the court of Lisbon and was then translated into Latin by Jean or Johannes Meursius. The attribution to Sigea was a lie and Meursius was a complete fabrication; the true author was Nicolas Chorier.
A unique work of this time is Sodom, or the Quintessence of Debauchery (1684), a closet play by the notorious Restoration rake, John Wilmot, 2nd Earl of Rochester in which Bolloxinion, King of Sodom, authorises "that buggery may be used O'er all the land, so cunt be not abused", which order, though appealing to soldiery, has deleterious effects generally, leading the court physician to counsel: "Fuck women, and let Bugg'ry be no more".
The rise of the novel in 18th century England provided a new medium for erotica. One of the most famous in this new genre was Fanny Hill (1748) by John Cleland. This book set a new standard in literary smut and was often adapted for the cinema in the 20th century.
French writers at this time also wrote erotica. One genre, which vies in oddness with the English "Merryland" productions, was inspired by the newly translated Arabian Nights and involved the transformation of people into objects which were in propinquity with or employed in sexual relationships: such as sofas, dildos and even bidets. The climax of this trend is represented in French philosopher Diderot's Les Bijoux indiscrets (1747) in which a magic ring is employed to get women's vaginas to give an account of their intimate sexual histories.
Other works of French erotica from this period include Thérèse Philosophe (1748) by Jean-Baptiste de Boyer, Marquis d'Argens which describes a girl's initiation into the secrets of both philosophy and sex.; The Lifted Curtain or Laura's Education, about a young girl's sexual initiation by her father, written by the French revolutionary politician Comte de Mirabeau; also Les Liaisons dangereuses (Dangerous Liaisons) by Pierre Choderlos de Laclos, first published in 1782.
In the late 18th century, such works as Justine, or the Misfortunes of Virtue and 120 Days of Sodom by the Marquis de Sade were exemplars of the theme of sado-masochism and influenced later erotic accounts of Sadism and masochism in fiction. De Sade (as did the later writer Sacher-Masoch) lent his name to the sexual acts which he describes in his work.
English erotic novels from this period include The Lustful Turk (1828); The Romance of Lust (1873); The Convent School, or Early Experiences of A Young Flagellant (1876) by Rosa Coote [pseud.]; The Mysteries of Verbena House, or, Miss Bellasis Birched for Thieving (1882) by Etonensis [pseud.], actually by George Augustus Sala and James Campbell Reddie; The Autobiography of a Flea (1887); Venus in India (1889) by 'Captain Charles Devereaux'; Flossie, a Venus of Fifteen: By one who knew this Charming Goddess and worshipped at her shrine (1897) and My Lustful Adventures by 'Ramrod'. A novel called Beatrice, once marketed as another classic of Victorian erotica from the pen of the ubiquitous "Anon", now appears to be a very clever 20th century pastiche of Victorian pornography. It first appeared in 1982 and was written by one Gordon Grimley, a sometime managing director of Penthouse International.
Clandestine erotic periodicals of this age include The Pearl, The Oyster and The Boudoir, collections of erotic tales, rhymes, songs and parodies published in London between 1879 and 1883.
(Paris, 1906)]] The centre of the trade in such material in England at this period was Holywell Street, off the Strand, London. An important publisher of erotic material in the early 19th century was George Cannon (1789–1854), followed in mid-century by William Dugdale (1800–1868) and John Camden Hotten (1832–1873).
An important and entertaining conspectus and evaluation of 19th century (pre-1885) and earlier underground erotica, from the author's own private archive, is provided by Victorian writer Henry Spencer Ashbee in his bibliographical trilogy Index Librorum Prohibitorum (1877), Centuria Librorum Absconditorum (1879) and Catena Librorum Tacendorum (1885). His plot summaries of the works he discusses in these privately printed volumes are themselves a contribution to the genre. Originally of very limited circulation, changing attitudes have led to his work now being widely available.
Notable European works of erotica at this time were Gamiani, or Two Nights of Excess (1833) by Frenchman Alfred de Musset and Venus in Furs (1870) by the Austrian author Leopold von Sacher-Masoch. The latter erotic novella brought the attention of the world to the phenomenon of masochism, named after the author.
Towards the end of the century, a more "cultured" form of erotica began to appear by such as the poet Algernon Charles Swinburne who pursued themes of paganism, lesbianism and sado-masochism in such works as Lesbia Brandon and in contributions to The Whippingham Papers (1888) edited by St George Stock, author of The Romance of Chastisement (1866). This was associated with the Decadent movement, in particular, with Aubrey Beardsley and the Yellow Book. But it was also to be found in France, amongst such writers as Pierre Louys, author of Les chansons de Bilitis (1894) (a celebration of lesbianism and sexual awakening).
Pioneering works of male homosexual erotica from this time were The Sins of the Cities of the Plain (1881), which features the celebrated Victorian transvestite duo of Boulton and Park as characters, and Teleny, or The Reverse of the Medal (1893).
Important publishers of erotic fiction at the end of the 19th century and the beginning of the twentieth were Leonard Smithers (1861–1907) and Charles Carrington (1867–1921), both of whom were subject to legal injunctions from the British authorities in order to prohibit their trade in such material. Because of this legal harassment the latter conducted his business from Paris. Erotic fiction published by Carrington at this period includes Raped on the Railway: a True Story of a Lady who was first ravished and then flagellated on the Scotch Express (1894) and The Memoirs of Dolly Morton (1899) set on a slave-plantation in the Southern States of America.
Vladimir Nabokov's Lolita is often described as an erotic novel, but other critics view it more as a literary drama with elements of eroticism.
Lolita and The Story of O were published by Olympia Press, a Paris-based publisher, launched in 1953 by Maurice Girodias as a rebadged version of the Obelisk Press he inherited from his father Jack Kahane. It published a mix of erotic fiction and avant-garde literary works. The Girls of Radcliff Hall is a roman à clef novel in the form of a lesbian girls' school story written in the 1930s by the British composer and bon-vivant Gerald Berners, the 14th Lord Berners, under the pseudonym "Adela Quebec", published and distributed privately in 1932.
Erotic fantasy has similarities to romantic fantasy, but is far more graphic and goes into much more detail when describing sex scenes.
Erotic fantasy can also be found in Fan Fiction. Much erotic fanfic is based on science fiction, fantasy, or "mainstream" television series (e.g. Star Trek, Beauty and the Beast, Highlander, Criminal Minds) and movies (e.g. Harry Potter, Star Wars, Lord of the Rings), using existing characters such as Galadriel or Éowyn, Harry Potter or Draco Malfoy, in relationships either hinted at or wholly undreamed of by their creators, in genres like slash (homoerotic fic), elf porn, etc. Many recent works of erotic fan fiction use characters from the settings made popular by Dungeons & Dragons such as Dragonlance, and to a lesser extent Forgotten Realms. Fan fiction and its Japanese counterpart, doujinshi, account for an enormous proportion of all erotica being written today; doujinshi mostly hand-published, fanfic mostly online.
Online bookstores purvey a range of professional, commercial and non-commercial erotic writing. Whereas once access to online erotic fiction was largely restricted to membership or pay sites, in recent years a marked increase in the number of community based, not-for-profit or free access websites, such as Literotica and Literarily, has led to an explosion in the level of popularity of this genre.
Increased interactivity and anonymity allows casual or hobby writers the opportunity not only to author their own stories (sometimes based on personal fantasies), but also to share them with a world-wide audience.
Many authors adopt colorful pseudonyms and can develop cult followings within their genre, though a small number use (or claim to use) their real names. Among transgendered or genderqueer authors, it is a common practice to adopt a feminine or masculine alter-ego, although it is not unheard of for a writer to use his or her own given name.
Over the years, many not-for-profit sites have limited themselves to a particular sub-genre (or fetish) such as http://www.fictionmania.tv/ (transgender theme) and http://www.mcstories.com/ (Mind Control theme). It has been common for websites to start and then vanish (or lack updates and maintenance). Some writers have their own blogs or websites given over entirely to their own work, some writers concentrate on their own sexual exploits while others explore a wide range and others use just one genre.
One of the WWW's first virtual novels is mainly erotic fiction.
Accounts of prostitution have continued as a major part of the genre of erotic literature.
In the 18th century directories of prostitutes and their services, such as Harris's List of Covent Garden Ladies (1757–1795), provided both entertainment and instruction.
In the 19th century the sensational journalism of W. T. Stead's The Maiden Tribute of Modern Babylon (1885) about the procuring of underage girls into the brothels of Victorian London provided a stimulus for the erotic imagination. Stead's account was widely translated and the revelation of "padded rooms for the purpose of stifling the cries of the tortured victims of lust and brutality" and the symbolic figure of "The Minotaur of London" confirmed European observers worst imaginings about "Le Sadisme anglais" and inspired erotic writers to write of similar scenes set in London or involving sadistic English gentlemen. Such writers include D'Annunzio in Il Piacere, Paul-Jean Toulet in Monsieur de Paur (1898), Octave Mirbeau in Jardin des Supplices (1899) and Jean Lorrain in Monsieur de Phocas (1901).
21st century works in this genre are The Intimate Adventures of a London Call Girl(2005), by Belle de Jour, and a darker take on the same 'scene' in Sisi & Sonia (2008) by Nic Penrake.
Erotic memoirs include Casanova's Histoire de ma vie, from the 18th century. Notable English works of this genre from the 19th century include The Ups and Downs of Life (1867) by Edward Sellon and My Secret Life by "Walter". Edward Sellon was a writer, translator and illustrator of erotic literature who wrote erotica for the pornographic publisher William Dugdale, including such works as The New Epicurean (1865). The true identity of "Walter" is very mysterious. Ian Gibson, in The Erotomaniac speculates that My Secret Life was really written by Henry Spencer Ashbee and therefore it is possible that "Walter" is a fiction. A famous German erotic work of this time, published in two parts in 1868 and 1875 entitled Pauline the Prima Donna purports to be the memoirs of the opera singer Wilhelmine Schröder-Devrient. Various discrepancies with known facts of the singer's life however have led many to doubt the veracity of this book and the erotic adventures contained in the second volume, at least, appear to be very implausible. These include the authoress indulging in lesbian sadomasochism, group sex, sodomy, bestiality, scatology, necrophilia, prostitution and vampirism: all before she had reached the age of 27. 20th century contributions to the genre include Frank Harris's My Life and Loves (1922–27) and the convicted Austrian sex criminal Edith Cadivec's Confessions and Experiences and its sequel Eros, the Meaning of My Life (published together 1930-1). From the twenty-first we have One Hundred Strokes of the Brush Before Bed (2004) by Melissa P.
In the 21st century, memoirs of sexual abuse, known as Misery memoirs or Misery porn, have become popular, though doubts have been cast on the motivation and veracity of some of the writers.
The Act provided for the seizure and destruction of any material deemed to be obscene, and held for sale or distribution, following information being laid before a "court of summary jurisdiction" (Magistrates' court). The Act required that following evidence of a common-law offence being committed - for example, on the report of a plain-clothes policeman who had successfully purchased the material - the court could issue a warrant for the premises to be searched and the material seized. The proprietor then would be called upon to attend court and give reason why the material should not be destroyed. Critically, the Act did not define "obscene," leaving this to the will of the courts.
Whilst the Act itself did not change, the scope of the work affected by it did. In 1868 Sir Alexander Cockburn, Campbell's successor as Lord Chief Justice, held in an appeal that the test of obscenity was "...whether the tendency of the matter charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences and into whose hands a publication of this sort may fall." This was clearly a major change from Campbell's opinion only ten years before - the test now being the effect on someone open to corruption who obtained a copy, not whether the material was intended to corrupt or offend.
Cockburn's declaration remained in force for several decades, and most of the high profile seizures under the Act relied on this interpretation. Known as the Hicklin test no cognisance was taken of the literary merit of a book or on the extent of the offending text within the book in question. The widened scope of the original legislation led to the subsequent notorious targeting of now acknowledged classics of world literature by such authors as Zola, James Joyce and D.H. Lawrence plus medical textbooks by such as Havelock Ellis rather than the blatant erotica which was the original target of this law.
In contrast to England, where actions against obscene literature were the preserve of the magistrates, in America such actions were the responsibility of the Postal Inspection Service, embodied in the federal and state Comstock laws, named after the postal officer and anti-obscenity crusader Anthony Comstock who proved himself officious in the work of suppression both in his official capacity and through his New York Society for the Suppression of Vice. The first such law was the Comstock Act, (ch. 258 enacted March 3, 1873) which made it illegal to send any "obscene, lewd, and/or lascivious" materials through the mail. Twenty-four states passed similar prohibitions on materials distributed within the states.
This question of whether a book had literary merit eventually prompted a change in the law in both America and the UK. In the United Kingdom the Obscene Publications Act 1959 provided for the protection of "literature" but conversely increased the penalties against pure "pornography." The law defined obscenity and separated it from serious works of art.
The new definition read:
[A]n article shall be deemed to be obscene if its effect or (where the article comprises two or more distinct items) the effect of any one of its items is, if taken as a whole, such as to tend to deprave and corrupt persons who are likely, having regard to all relevant circumstances, to read, see or hear the matter contained or embodied in it.
After this piece of legislation questions of the literary merit of the work in question were allowed to be put before the judge and jury as in the Lady Chatterley trial. The publishers of the latter book were found not guilty by the court on the grounds of the literary merit of the book. In later prosecutions of literary erotica under the provisions of the act, however, even purely pornographic works with no apparent literary merit escaped destruction by the authorities. Purely textual pornographic texts, with no hint of libel, have not been brought to trial since the Inside Linda Lovelace trial collapsed in 1976. However, in October 2008, a man was charged under the Obscene Publications Act for posting fictional written material to the Internet allegedly describing the kidnap, rape and murder of the pop group Girls Aloud.
In the United States, the First Amendment gives protection to written fiction—although in one case, a man pled guilty and was convicted for writing unpublished stories (these were works of fiction concerning sexually abusing children) that were contained only in his personal and private journal. That conviction was later overturned on appeal.
Importing books and texts across national borders can sometimes be subject to more stringent laws than in the nations concerned. Customs officers are often permitted to seize even merely 'indecent' works that would be perfectly legal to sell and possess once one is inside the nations concerned. Canada has been particularly notorious for such border seizures.
Although the 1857 and 1959 legislation outlawed the publication, retail and trafficking of certain writings and images, regarded as pornographic, and would order the destruction of shop and warehouse stock, meant for sale, the private possession of and viewing of pornography has not been prosecuted until recent times. In some nations, even purely textual erotic literature is still deemed illegal and is also prosecuted.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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