For the town in France, see Nargis, Loiret; For the 2008 cyclone which devastated the Irrawaddy Delta and the city of Yangon, see Cyclone Nargis, for the flower, see Nargis (flower), for the other actress, see Nargis (actress)

Nargis Dutt (Hindi: नर्गिस; 1 June 1929 – 3 May 1981), born Fatima Rashid but known by her screen name, Nargis,^[1] was an Indian film actress. She is widely regarded as one of the greatest actresses in the history of Hindi cinema. She made her screen debut as a child in Talash-E-Haq in 1935, but her acting career began in 1942 with Tamanna. During a career that spanned from the 1940s to the 60s, Nargis appeared in numerous commercially successful as well as critically appreciated films, many of which featured her alongside actor and filmmaker Raj Kapoor.

One of her best-known roles was that of Radha in the Academy Award-nominated Mother India (1957), a performance that won her Best Actress trophy at the Filmfare Awards. In 1958, Nargis married her Mother India co-star, actor Sunil Dutt, and left the film industry. She would appear infrequently in films during the 60s. Some of her films of this period include the drama Raat Aur Din (1967), for which she got the inaugural National Film Award for Best Actress.

Along with her husband, Nargis formed the Ajanta Arts Cultural Troupe, which roped in several leading actors and singers of the time and held stage shows at border areas.^[2] In early 1970s, she became the first patron of Spastics Society of India,^[3] and her subsequent work with the organisation brought her recognition as a social worker, and later a Rajya Sabha nomination in 1980.^[4]

Nargis died in 1981 of pancreatic cancer, a few days before her son Sanjay Dutt made his film debut in Bollywood. In 1982, the Nargis Dutt Memorial Cancer Foundation was established in her memory.^[5] The award for best feature film on national integration in the annual National Film Awards ceremony is called the Nargis Dutt Award in her honour.^[6]

Early life and background[link]

Nargis was born in Calcutta. Her mother, the Allahabad-based Hindustani classical music singer and courtesan Jaddanbai.^[7] She introduced her into the movie culture unfolding in India at the time. Her father was one Uttamchand Mohanchand (popularly known as Mohanbabu), a wealthy doctor born in a Mohyal Brahmin family from Rawalpindi.^[8] Her only brother, Anwar Hussain, also became a film actor. Anwar Hussain was born to Jaddanbai and a different husband, and was raised in Muslim tradition like his mother.

Career[link]

Dev Anand and Nargis starred in Birha Ki Raat (1950)

Fatima was recruited to the cinema at an early age. She made her first film appearance in the 1935 Talashe Haq when she was six years old, credited as "Baby Nargis". Nargis, her stage name, means "Narcissus", the flower. She was subsequently credited as Nargis in all of her films.

Nargis appeared in numerous movies after her film debut; she won lasting fame for her later, adult, roles, starting with at the age of 14, in Mehboob Khan's Taqdeer in 1943 opposite, Motilal.^[4] She starred in many popular Hindi movies of the late 1940s and 1950s such as Barsaat (1949), Andaz (1949), Awaara (1951), Deedar (1951), Shree 420 (1955), and Chori Chori (1956). In most of her films she starred alongside Raj Kapoor and Dilip Kumar.

Her most famous role came in Mehboob Khan's Oscar-nominated rural drama Mother India in 1957. She won the Filmfare Best Actress Award for her performance. After her marriage to Sunil Dutt in 1958, Nargis gave up her film career after her last few film releases to settle down with her family. She made her last film appearance in the 1967 film Raat Aur Din for which she won a National Film Award for Best Actress, the first actress to win in this category. She also received a Filmfare Best Actress Award Nomination for this film.

In 2011, Rediff.com listed her as the greatest actress of all time, noting, "An actress with range, style, grace and an incredibly warm screen presence, Nargis is truly a leading lady to celebrate."^[9] According to M.L. Dhawan from The Tribune, "In almost all her films Nargis created a woman who could be desired and deified. The charisma of Nargis’s screen image lay in that it oscillated between the simple and the chic with equal ease."^[10]

Personal life[link]

Nargis married actor Sunil Dutt (himself a Mohyal from Jhelum, British India). Reportedly, Dutt had saved her life from a fire accident on the sets of Mother India.^[11] The couple married on 11 March 1958 and had three children together: Sanjay, Namrata, and Priya. Sanjay Dutt went on to become a very successful film actor. Namrata married actor Kumar Gaurav, son of veteran actor Rajendra Kumar who had appeared alongside both Nargis and Sunil Dutt in Mother India. Priya became a politician, and since 2005 has been a Member of Parliament (Lok Sabha).^[11]

Along with her husband, Nargis formed the Ajanta Arts Cultural Troupe, which roped in several leading actors and singers of the time, and performed at remote frontiers to entertain the Indian soldiers; it was the first troupe to perform at Dhaka, after the Indo-Pakistani War of 1971 and the formation of Bangladesh.^[2] Later, Nargis worked for the cause of spastic children. She became the first patron of The Spastics Society of India. Her charitable work for the organisation got her recognition as a social worker.^[2]

Death[link]

Nargis was diagnosed with pancreatic cancer and underwent treatment for the disease at Memorial Sloan–Kettering Cancer Center in New York.^[11] Upon her return to India, her condition deteriorated, and she was admitted to Breach Candy Hospital in Mumbai. She sank into a coma on 2 May 1981 and died on 3 May 1981.^[11] Her absence at the premiere of her son's debut film Rocky on 7 May 1981, where one seat was kept vacant for her, was a nationally famous event.^[11]

Nargis is buried at Badakabarastan in Marine Lines, Mumbai. A street in Bandra, Mumbai was renamed Nargis Dutt Road in her memory.

Awards and recognitions[link]

• 1957 - Filmfare Best Actress Award for Mother India
• 1958 - She was the first film actress to conferred by the Government of India with the Padma Shri title, the fourth highest civilian award.^[4]
• 1968 - National Film Award for Best Actress for Raat Aur Din.^[4]
• 1969 - Nominated, Filmfare Best Actress Award for Raat Aur Din
• She was also nominated to the Rajya Sabha (Upper house of Indian Parliament) (1980–81),^[1][12] but fell ill and died during her tenure.^[13]
• The National Film Awards honored Dutt by instituting the Nargis Dutt Award for Best Feature Film on National Integration upon her achievement in Bollywood.^[14]
• On 8 January 2001, Nargis Dutt was honoured with the "Best Artists of the Millennium" award by Hero Honda and film magazine Stardust along with actor Amitabh Bachan.^[15]

Filmography[link]

Further reading[link]

• Mr. and Mrs. Dutt: Memories of our Parents, Namrata Dutt Kumar and Priya Dutt, 2007, Roli Books. ISBN 978-81-7436-455-5.^[16]
• Darlingji: The True Love Story of Nargis and Sunil Dutt, Kishwar Desai. 2007, Harper Collins. ISBN 978-81-7223-697-7.
• The Life and Times of Nargis, T. J. S. George. 1994, Harper Collins. ISBN 978-81-7223-149-1.

References[link]

External links[link]

• Nargis at the Internet Movie Database
• Nargis Dutt Memorial Foundation

v t e Bollywood (Hindi cinema) Directors · Actors · Playback singers · Music Directors · Songs · Bibliography Hindi films A–Z—Highest-grossing Films by year: 1930s · 1940 · 1941 · 1942 · 1943 · 1944 · 1945 · 1946 · 1947 · 1948 · 1949 · 1950 · 1951 · 1952 · 1953 · 1954 · 1955 · 1956 · 1957 · 1958 · 1959 · 1960 · 1961 · 1962 · 1963 · 1964 · 1965 · 1966 · 1967 · 1968 · 1969 · 1970 · 1971 · 1972 · 1973 · 1974 · 1975 · 1976 · 1977 · 1978 · 1979 · 1980 · 1981 · 1982 · 1983 · 1984 · 1985 · 1986 · 1987 · 1988 · 1989 · 1990 · 1991 · 1992 · 1993 · 1994 · 1995 · 1996 · 1997 · 1998 · 1999 · 2000 · 2001 · 2002 · 2003 · 2004 · 2005 · 2006 · 2007 · 2008 · 2009 · 2010 · 2011 · 2012

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2011)

Babrik Shah (Urdu, Pashto: بابرک شاہ) is a Pakistani film actor. He was introduced by Ajab Gul in film Kyun Tum Se Itna Pyar Hai. Later that year he also appeared in Reema Khan's Koi Tujh Sa Kahan. He achieved popularity after his role as the villain Basanta Singh in the famous 2010 drama serial Dastaan.

Film career[link]

Babrak Shah is a son of the famous actor in Lollywood Tariq Shah(Death 09 December,2011). His chance to work alongside Veena Malik in Ajab Gul's film took him outside the box of modelling. The film was very successful, especially in Karachi. He then appeared in Koi Tujh Sa Kahan, alongside Simran, playing a role important enough to get him noticed. 2006 was his chance to work with top film maker Sangeeta. There he worked alongside Indian Punjabi actress Sheeba Bhagri. In the same year, Pashto film director Arshad Khan made his first Punjabi film, Mahi Aawe Ga. Babrak's is well educated and belongs to a very religious family. Shah also had a brief relationship and affair with Film actress Veena Malik.

Filmography[link]

Films[link]

Dramas[link]

• Dastaan

External links[link]

• Babrak Shah at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2010)

Tariq Teddy is one of Pakistan's popular theatre comedians,^[1] known for his quick, sharp replies. He performs in Punjabi stage dramas and has acted in the movie Salakhein. He is from Faisalabad. His comedic persona was a fierce rival of the late fellow comedian Mastana, though the two were close friends off the stage.

Stage shows[link]

• Sub Say Bara Ruppiya
• Rabba Ishq Na Howay
• Husn Meri Majboori
• Ji Karda
• Do Rangelay
• Beatho Beatho Liya Dala
• Asli Tay Naqli
• Jhoot Bolda
• Mirch Masala
• Ghoonghat Utha Loon
• Eid Da Chan
• Basti Jat Lai
• Abhi To Main Jawan Hun
• Krazy 4
• Mithiyan Sharartan
• Uff Yeh Biwiyan
• Welcome
• He is also one of the pioneer of vulgar comedy in Pakistani stage dramas.

See also[link]

• Iftikhar Thakur
• Nasir Chinyoti
• Naseem Vicky
• Zaferi Khan
• Sakhawat Naz
• tahir anjum

References[link]

External links[link]

• Complete website of Pakistani stage
• Watch Pakistani Stage Shows

(chalak totay9

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2009)

Nasir Chinyoti (ناصر چنیوٹی) is a Pakistani actor.^[1] He is a comedian, stage, and TV actor. He is from Chiniot.He started his acting at Multan Stage.^[2] He has starred in many stage dramas/telefilms in various languages, including Urdu and Punjabi. He is most notable for comedy stage dramas based in Lahore. He is famous for using improvised dialogue during stage plays.

Nasir Chinyoti has acted with a number of other comedy actors including Babu Baral, Sohail Ahmad, Iftikhar Thakur, Anwar Ali, Tariq Teddy, and Sakhawat Naz.

References[link]

Lata Mangeshkar
Mangeshkar in 2008
Background information
Born	(1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India
Genres	Film music (playback singing)
Occupations	Singer
Instruments	Vocals
Years active	1942–present

Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.^[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.^[3]

Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.^[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.^[6]

Early life[link]

Lata Mangeshkar was born in Sikh Mohalla,^[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.^[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.^[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career[link]

Early career in the 1940s[link]

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.^[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),^[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."^[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).^[8]

Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.^[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.^[9]

One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s[link]

Mangeshkar as a young woman

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.^[8]

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s[link]

Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.^[8][10]

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s[link]

In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman^{[citation needed]}. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards[link]

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.