Ki-51
Mitsubishi Ki-51
Role	Type 99 Attacker
Manufacturer	Mitsubishi
First flight	mid-1939
Primary user	Imperial Japanese Army Air Force
Number built	2385

The Mitsubishi Ki-51 (Army designation "Type 99 Assault Plane". Allied nickname "Sonia") was a light bomber/dive bomber in service with the Imperial Japanese Army during World War II. It first flew in mid-1939. Initially deployed against Chinese forces, it proved to be too slow to hold up against the fighter aircraft of the other Allied powers. However, it performed a useful ground-attack role in the China-Burma-India theatre, notably from airfields too rough for many other aircraft. As the war drew to a close, they began to be used in kamikaze attacks. Total production was around 2,385 units.

On the day Hiroshima was destroyed by an atomic bomb, two Ki-51s scored the last Japanese victory against US submarines, and of which is confirmed as the 52nd USN submarine lost during the war; essentially, she would have been second to last, as USS Halibut (SS-232) was irreparably damaged in action months before Bullhead was lost, and was decommissioned in early 1945. Two depth charges hit USS Bullhead (SS-332), in which she later exploded and sank with all hands.

Charles Lindbergh, flying a P-38 Lightning shot down a Ki-51 after a vigorous dogfight in which the much slower Ki-51 utilized its low speed maneuverability and made a fight of it.

Versions[link]

• Prototypes: 2 built
• Service trials: 11 built
• Ki-51: 2,372 built (Manufacturers: Mitsubishi (1,462), Tachikawa Army Air Arsenal (913))
• Mansyu Ki-71: 3 protoypes of a tactical reconnaissance variant built by Mansyu with a retractable landing gear, did not enter production.^[1]

Operators[link]

 Japan

• Imperial Japanese Army Air Force

 Indonesia

• In 1945, Indonesian People's Security Force (IPSF) (Indonesian pro-independence guerrillas) captured a small number of aircraft at numerous Japanese air bases, including Bugis Air Base in Malang (repatriated 18 September 1945). Most aircraft were destroyed in military conflicts between the Netherlands and the newly proclaimed-Republic of Indonesia during the Indonesian National Revolution of 1945-1949.

 China

• Communist Chinese (captured): The last 4 Ki-51s retired in 1953.

Specifications (Ki-51)[link]

Mitsubishi Ki-51 planes at the Seoul airport, 1945

Data from Japanese Aircraft of the Pacific War^[2]

General characteristics

• Crew: Two
• Length: 9.21 m (30 ft 2⅝ in)
• Wingspan: 12.1 m (39 ft 8⅜ in)
• Height: 2.73 m (8 ft 11½ in)
• Wing area: 24.0 m² (259 ft²)
• Empty weight: 1,873 kg (4,129 lb)
• Loaded weight: 2,798 kg (6,169 lb)
• Max. takeoff weight: 2,920 kg (6,415 lb)
• Powerplant: 1 × Mitsubishi Ha-26-II 14 cylinder air cooled radial engine, 709 kW (950 hp)

Performance

• Maximum speed: 424 km/h (229 kn, 263 mph)
• Range: 1,060 km (574 nmi, 660 mi)
• Service ceiling: 8,270 m (27,130 ft)
• Wing loading: 117 kg/m² (23.8 lb/ft²)
• Power/mass: 0.24 kW/kg (0.15 hp/lb)
  
• Climb to 5,000 m (16,400 ft): 9 min 55 sec

Armament

• Guns:
  
  • 2× fixed, forward-firing 7.7 mm (.303 in) Type 89 machine guns (replaced with 2× 12.7 mm (.5 in) Ho-103 machine guns in later models)
  • 1× 7.7 mm (.303 in) Te-4 Machine gun rearward-firing machine gun.
• Bombs: 200 kg (441 lb) bombs (normal operations); 250 kg (551 lb) for suicide operations^[2]

See also[link]

Aircraft of comparable role, configuration and era

• Junkers Ju 87
  

Related lists

• List of military aircraft of Japan
  

References[link]

Notes

Bibliography

External links[link]

• Mitsubishi Ki 51 Sonia in Virtual Aircraft Museum
• Mitsubishi Ki 51 Sonia at Warbirds Resource Group
• Mitsubishi Ki 51 Sonia at Pilotfriend

R.K.Laxman
Born	(1921-10-24) 24 October 1921 (age 90) Mysore, India
Occupation	Cartoonist, Illustrator
Signature

Rasipuram Krishnaswamy Iyer Laxman^[1] born 24 October 1921^[2], Mysore, India) is an Indian cartoonist, illustrator, and humorist. He is widely regarded as India's greatest-ever cartoonist^[3] and is best known for his creation The Common Man.

Birth and childhood[link]

R. K. Laxman was born in Mysore, in a Tamil Iyer family.^[1] His father was a headmaster and Laxman was the youngest of six sons.^[4] One of his siblings is R.K. Narayan, English language novelist.

Laxman was engrossed by the illustrations in magazines such as Strand Magazine, Punch, Bystander, Wide World and Tit-Bits, even before he could read.^[5] Soon he was drawing on his own, on the floors, walls and doors of his house and doodling caricatures of his teachers at school; praised by a teacher for his drawing of a peepal leaf, he began to think of himself as an artist in the making.^[6] Another early influence on Laxman were the cartoons of the world-renowned British cartoonist, Sir David Low (whose signature he misread as "cow" for a long time) that appeared now and then in The Hindu.^[7] Laxman notes in his autobiography, The Tunnel of Time:

Laxman was the captain of his local "Rough and Tough and Jolly" cricket team and his antics inspired the stories "Dodu the money maker" and "The Regal Cricket Club" written by his brother, Narayan.^[9] Laxman's idyllic childhood was shaken for a while when his father suffered a paralytic stroke and died around a year later, but the elders at home bore most of the increased responsibility, while Laxman continued with his schooling.^[10]

After high school, Laxman applied to the JJ School of Arts, Bombay hoping to concentrate on his lifelong interests of drawing and painting, but the dean of the school wrote to him that his drawings lacked, "the kind of talent to qualify for enrollment in our institution as a student", and refused admission.^[11] He finally graduated with a Bachelor of Arts from the University of Mysore. In the meantime he continued his freelance artistic activities and contributed cartoons to Swarajya and an animated film based on the mythological character, Narada.^[12]

Career[link]

Beginning[link]

Laxman's earliest work was for newspapers and magazines such as Swarajya and Blitz. While still at the Maharaja College of Mysore, he began to illustrate his elder brother R K Narayan's stories in The Hindu, and he drew political cartoons for the local newspapers and for the Swatantra. Laxman also drew cartoons, for the Kannada humour magazine, Koravanji. Incidentally, Koravanji was founded in 1942 by Dr M Shivaram who was a allopath and had a clinic around Majestic area in Bangalore. He started this monthly magazine, dedicating it to hilarious/satirical articles and cartoons. Dr Shivaram himself was an eminent humourist in Kannada. He encouraged Laxman quite a lot. He held a summer job at the Gemini Studios, Madras. His first full-time job was as a political cartoonist for the The Free Press Journal in Mumbai, Bal Thackeray, was his colleague. Laxman later joined The Times of India, beginning a career that has spanned for over fifty years.

Other creations[link]

He also created a popular mascot for the Asian Paints group called Gattu. Laxman has also penned a few novels. His cartoons have appeared in Hindi films such as Mr. and Mrs. 55 and a Tamil Film "KAMARAJ".

R K Laxman Chair at Symbiosis International University[link]

There is a chair named after R. K. Laxman at Symbiosis International University.^[13]

Personal life[link]

He was first married to Bharatanatyam dancer and movie actress Kamala Laxman (also known before marriage as Baby Kamala and Kumari Kamala). After a divorce, he married again and his second wife's (a children's book writer) name was also Kamala. He lives both in Mumbai and Pune. In a cartoon series named "The star I never met" in film magazine Filmfare he painted a cartoon of Kamala Laxman, with the title "The star I only met!".

In September 2003, Laxman was affected by a stroke which left him paralysed on his left side. He has partly recovered from its effects. On the evening of 20 June 2010, Laxman was admitted to Breach Candy Hospital in Mumbai after being transported by an air ambulance from Pune. His condition was said to be stable.^[14]

Awards[link]

• B.D. Goenka Award - The Indian Express
• Durga Ratan Gold Medal - Hindustan Times
• Padma Bhushan - Govt. of India
• Padma Vibhushan - Govt. of India
• Ramon Magsaysay Award for Journalism, Literature and Creative Communication Arts - 1984
• Lifetime Achievement Award for Journalism - CNN IBN TV18, 29 January 2008.

Bibliography[link]

• The Eloquent Brush: A Selection of Cartoons from Nehru to Rajiv
• 50 Years of Independence through the eyes of R.K.Laxman
• The Best of Laxman series
• Hotel Riviera
• The Messenger
• Servants of India
• The Tunnel of Time (autobiography)
• His autobiography Lakshmanrekha is published in Marathi.
• The Reel World [cartoons]published by Marwah Studios
• Brushing Up The Years- A Cartoonist's History of India- 1947 to the Present- Penguin Books

Multi-media[link]

• India Through The Eyes of R. K. Laxman - Then To Now (CD-ROM).
• Laxman Rekhas-A TOI Publication

Notes[link]

References[link]

• Laxman, R. K. (1998). The tunnel of time. India: Penguin Books. 
• Laxman's-eye view Frontline Magazine - 18–31 July 1998

Nusrat Fateh Ali Khan (Punjabi: نصرت فتح علی خان (Shahmukhī)) (October 13, 1948 – August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis (a mystical tradition within Islam). Considered one of the greatest singers ever recorded, he possessed a six-octave vocal range^{[citation needed]} and could perform at a high level of intensity for several hours.^[1] Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Sufi music to international audiences.^[2][3] He was popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".^[4]

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He officially became the head of the family qawwali party in 1971, and was signed by Oriental Star Agencies (OSA), Birmingham, U.K., in the early 1980s. In subsequent years, Khan released movie scores and albums for various labels in Pakistan, Europe, Japan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist in the process. He toured extensively, performing in over 40 countries.^[5]

Biography[link]

Early life and career[link]

Khan was born on October 13, 1948 in the city of Lyallpur (now Faisalabad), Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented.^[6] Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's sargam improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.^[7]

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.G

Later career[link]

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle.^[8]

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996),^[9] and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. One of these songs ("The Long Road") was re-used on the soundtrack for Eat Pray Love in 2010. Khan also contributed to the soundtrack of Natural Born Killers. He composed the music for the 1994 film Bandit Queen in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Khan provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collabrated with Michael Brook to create music for the song "Sweet Pain" used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya (in which he also sang the song onscreen) and Kachche Dhaage. He sang the title song of the film Dhadkan. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie Dillagi. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.^[10]

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Khan Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death[link]

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England, while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48.^[11] His body was returned to Faisalabad, Pakistan, and his funeral was attended by the public.

Composition of Nusrat's qawwali party[link]

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

1. Mujahid Mubarak Ali Khan: Khan's first cousin, vocals
2. Farrukh Fateh Ali Khan: Khan's brother, vocals and lead harmonium
3. Rehmat Ali: vocals and second harmonium
4. Maqsood Hussain: vocals
5. Rahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocals
6. Dildar Hussain: percussion
7. Majawar Abbas: mandolin and guitar/chorus, handclapping
8. Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping
9. Asad Ali: chorus, handclapping. Khan's cousin
10. Ghulam Farid: chorus, handclapping
11. Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Awards and titles[link]

Khan is widely considered to be the most important qawwal in history.^[12][13] In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music.^[8][14] In 1995 he received the UNESCO Music Prize.^[15][16] In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema.^[17] In 2005, Khan was awarded the "Legends" award at the UK Asian Music Awards.^[18] Time magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years.^[19] He also appeared on NPR's 50 Great Voices list in 2010.^[20] In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years.^[21]

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.^[22]

Tributes, legacy and influence[link]

Alexandra A. Seno of Asiaweek wrote:^[23]

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts.^[24][25] Many other artists have also cited Khan as an influence, such as A. R. Rahman,^[26] Sheila Chandra,^[27] and Alim Qasimov.^[28]

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).^[29]

In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.^[30]

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.^[31]

Films[link]

Documentaries[link]

• Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
• Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)
• A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)
• Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan's career.
• The King of Qawalli (2009). A short film aired on Dawn News about Khan's life and career.

Concert films[link]

• The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
• Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the Ethnomusicology Program there.)
• Live in Concert in the U.K. (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:
  • Live in Concert in UK (DVD vol. 1)
  • Live in Concert (DVD vol. 2)
  • Live in Concert (DVD vol. 3)
  • Live in UK (DVD vol. 4)
  • Live in UK (DVD vol. 5)
  • Live in Concert (DVD vol. 6)
  • Live in UK (DVD vol. 7)
  • Live in UK (DVD vol. 8)
  • Live in UK (DVD vol. 9)
  • Live in UK (DVD vol. 10)
  • Live in UK (DVD vol. 11)
  • Digbeth Birmingham 12 November 1983 (DVD vol. 12)
  • Digbeth 30 October 1983 (DVD vol. 13)
• Akhiyan Udeek Diyan (DVD) [Nupur Audio]
• Je Tun Rab Nu Manauna (DVD) [Nupur Audio]
• Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]
• Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)
• VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)
  • Luxor Cinema Birmingham (VHS vol. 1, 1979)
  • Digbeth Birmingham (VHS vol. 2, 1983)
  • St. Francis Hall Birmingham (VHS vol. 3, 1983)
  • Royal Oak Birmingham (VHS vol. 4, 1983)
  • Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
  • Private Mehfil (VHS vol. 6, 1983)
  • Natraj Cinema Leicester (VHS vol. 7, 1983)
  • Live In Southall (VHS vol. 8)
  • Live In Bradford (VHS vol. 9, 1983)
  • Live In Birmingham (VHS vol. 10, 1985)
  • Allah Ditta Hall (VHS vol. 11, 1985)
  • Harrow Leisure Centre (VHS vol. 12)
  • University Of Aston (VHS vol. 13, 1988)
  • Aston University (VHS vol. 14, 1988)
  • WOMAD Festival Bracknell (VHS vol. 15, 1988)
  • Live In Paris (VHS vol. 16, 1988)
  • Poplar Civic Centre London (VHS vol. 17)
  • Imperial Hotel Birmingham (VHS vol. 18, 1985)
  • Slough Gurdawara (SHABADS) (VHS vol. 19)
  • Imran Khan Cancer Appeal (VHS vol. 20)
  • Town Hall Birmingham (VHS vol. 21, 1993)

See also[link]

• List of Pakistani musicians
• Nusrat Fateh Ali Khan albums

References[link]

Additional reading[link]

• Baud, Pierre-Alain. Nusrat Fateh Ali Khan, The Messenger of Qawwali. Editions Demi-Lune, 2008. (A biography of Nusrat)

External links[link]

Wikiquote has a collection of quotations related to: Nusrat Fateh Ali Khan

• Article with brief 1993 interview (edwebproject.org)
• King of Qawali documentary on YouTube
• NPR Audio Report: Nusrat Fateh Ali Khan: The Voice Of Pakistan
• Nusrat Fateh Ali Khan at the Internet Movie Database