A Harvesting sickle

A sickle is a hand-held agricultural tool with a variously curved blade typically used for harvesting grain crops or cutting succulent forage chiefly for feeding livestock (either freshly cut or dried as hay). Sickles have also been used as weapons, either in their original form or in various derivations.

The diversity of sickles that have been used around the globe is staggering. Between the dawn of the Iron Age and present, hundreds of region-specific variants of this basic forage-cutting tool were forged of iron, later steel. Within the industrial set-up, when the trip hammer took over from men swinging their strong arms at the anvil (between 16th and 17th century) some models of sickles were produced in up to six different sizes.^{[citation needed]}

One noteworthy feature of sickles is that their edges have been made in two very distinct manners/patterns - smooth or serrated. While both can (albeit with a different technique) be used for cutting either green grass or mature cereals, it is the serrated sickle that still dominates the duty of harvesting grain - with other words the "reaping". (The modern kitchen knives with serrated edges, as well as the grain-harvesting machines - all the way from the horse-drawn reapers to contemporary combines - in fact, "owe" their design principle to the pre-historic sickle…)

History[link]

Ancient Greek iron sickle, Kerameikos Archaeological Museum, Athens.

Pre-Neolithic[link]

The development of the sickle in Mesopotamia can be traced back to times that pre-date the Neolithic Era. Large quantities of sickle blades have been excavated in sites surrounding Palestine that have been dated to the Epipaleolithic era (18000-8000 BC).^[1] Formal digs in Wadi Ziqlab, Jordan have unearthed various forms of early sickle blades. The artifacts recovered ranged from 1 to 2 cm in length and possessed a jagged edge. This intricate ‘tooth-like’ design showed a greater degree of design and manufacturing credence than most of the other artifacts that were discovered. Sickle blades found during this time were made of flint, straight and used in more of a sawing motion than with the more modern curved design. Flints from these sickles have been discovered near Mt. Carmel, which suggest the harvesting of grains from the area about 10,000 years ago.^[2]

Neolithic[link]

Neolithic Sickle

The sickle had a profound impact on the Agricultural Revolution by assisting in the transition to farming and crop based lifestyle. It is now accepted that the use of sickles led directly to the domestication of Near Eastern Wild grasses.^[1] Research on domestication rates of wild cereals under primitive cultivation found that the use of the sickle in harvesting was critical to the people of early Mesopotamia. The relatively narrow growing season in the area and the critical role of grain in the late Neolithic Era promoted a larger investment in the design and manufacture of sickle over other tools. Standardization to an extent was done on the measurements of the sickle so that replacement or repair could be more immediate. It was important that the grain be harvested at the appropriate time at one elevation so that the next elevation could be collected in the proper time.^[2] The sickle provided a more efficient option in collecting the grain and significantly speeded up the developments of early agriculture.^[3]

Bronze Age[link]

The sickle remains common in the Bronze Age, both in the Ancient Near East and in Europe. Numerous sickles were found deposited in hoards in the context of the European Urnfield culture (e.g. Frankleben hoard), suggesting a symbolic or religious significance attached to the artefact.

In archaeological terminology, Bronze Age sickles are classified by the method of attaching the handle. E.g. the knob-sickle (German Knopfsichel) is so called because of a protruding knob at the base of the blade which apparently served to stabilize the attachment of the blade to the handle.^[4]

Americas[link]

The sickle has been discovered in Southwest America with a unique structure. These sickles are said to possibly have originated from the Far East. There is evidence that Kodiak islanders had for cutting grass “sickles made of a sharpened animal shoulder blade”.^[5] The artifacts found in present day Arizona and New Mexico resemble curved tools that were made from the horns of mountain sheep. A similar site discovered sickles made from other material such as the Caddo Sickle, which was made from a deer mandible. Scripture from early natives document the use of these sickles in the cutting of grass. The instruments ranged from 13 to 16 inches tip to tip. Several other digs in eastern Arizona uncovered wooden sickles that were shaped in a similar fashion. The handles of the tools help describe how the tool was held in such a way so that the inner portion that contained the cutting surface could also serve as a gathering surface for the grain. Sickles were sharpened by scraping a shape beveled edge with a coarse tool. This action has left marks on artifacts that have been found. The sharpening process was necessary to keep the cutting edge from being dulled after extended use. The edge is seen to be quite highly polished, which in part proves that the instrument was used to cut grass. After collection, the grass was used as material to create matting and bedding.^[5] The sickle in general provided the convenience of cutting the grass as well as gathering in one step. In South America, the sickle was used as a tool to harvest rice. Rice clusters were harvested using the instrument and left to dry in the sun.^[6]

Harvesting Sickle from Iraq dated to be around 3000 B.C.

Serrated or "toothed" sickles[link]

The genealogy of sickles with serrated edge reaches back to the Stone Age, when individual pieces of flint were first attached to a “blade body” of wood or bone. (Interestingly, the majority among the well-documented specimens made later of bronze are smooth-edged.) Nevertheless, teeth have been cut with hand-held chisels into iron, and later steel-bladed sickles for a long time. In many countries on the African continent, Central and South America as well as the Near, Middle and Far East this is still the case in the regions within these large geographies where the traditional village blacksmith remains alive and well.

England appears to have been the first to develop the industrial process of serration-making. Then, by 1897, the Redtenbacher Company of Scharstein, in Austria—at that time the largest scythe maker in the world—designed its own machine for the job, becoming the only Austrian source of serrated sickles. In 1942, its recently acquired sister company Krenhof also began to produce these. In 1970, a year before the sickle production branch of Redtenbacher was sold to Ethiopia, they were still making 1.5 million of the serrated sickles per year, predominately for market in Africa and Latin America. There were other enterprises in Austria, of course, who produced the smoothed-edged sickles for centuries. The last of the classical "round" versions were forged up until the mid- eighties and machined up until 2002.

While in Central Europe the smooth-edged sickle—either forged or machined (alternately referred to as "stamped") - has been the only one used (and in many regions the only one known), the Iberian Peninsula, Sicily and Greece long had fans of both camps. The many small family-owned enterprises in what is now Italy, Portugal and Spain produced sickles in both versions, with the teeth on the serrated models being hand-cut, one at a time, up until cca mid 20 century. The Falci Co. of Italy (established in 1921 as a union of several formerly independent forges) developed its own unique method of industrial scale serrated sickle production in 1965. Their innovations, which included tapered blade cross section (thicker at the back - for strength - gradually thinning towards the edge - for ease of penetration) were later adopted by Europe’s largest sickle producer in Spain as well as, more recently, a company in India.

Today, Italy remains the world’s first regarding sickle quality, and China regarding numbers produced per year. The present global demand is about 75% serrated to 25% smooth-edged, and the majority (of both types of sickles combined) is used in cereal harvesting. Progressive developments in agricultural technology notwithstanding, a significant portion of 21st century Earth's dwellers would perish if millions of sickles were still not swung each season in an effort to procure "the daily bread".

How a sickle is used[link]

The inside of the blade's curve is sharp, so that the user can either draw or swing it against the base of the crop, catching the stems in the curve and slicing them at the same time. The material to be cut may be held in a bunch in the other hand (for example when reaping), held in place by a wooden stick, or left free. When held in a bunch, the sickle action is typically towards the user (left to right for a right-handed user), but when used free the sickle is usually swung the opposite way. Other coloquial/regional names for principally the same tool are: grasshook, swap hook, rip-hook, slash-hook, reaping hook, brishing hook or bagging hook.

The blades of sickle models intended primarily for the cutting of grass are sometimes "cranked", meaning they are off-set downwards from the handle, which makes it easier to keep the blade closer to the ground. Sickles used for reaping do not benefit by this feature because cereals are usually not cut as close to the ground surface. Instead, what distinguishes this latter group is their often (though not always) serrated edges.

A blade which is used regularly to cut the silica-rich stems of cereal crops acquires a characteristic sickle-gloss, or wear pattern.

As a weapon[link]

Like other farming tools, sickles lend themselves naturally as improvised bladed weapons. Examples include the Japanese kusarigama, the Japanese and Filipino kama, the Chinese chicken sickles, and the makraka of the Zande people of north central Africa. Paulus Hector Mair, the author of a German Renaissance combat manual also has a chapter about fighting with sickles.

Other uses[link]

• The sickle is used as part of the well known symbol of the hammer and sickle, which is the symbol of Communism or Revolutionary Socialism. The sickle represents the agricultural working class or peasantry in this symbol.
• The emblem of the Grim Reaper - The personification of Death is sometimes portrayed as carrying a sickle rather than the more traditional scythe.
• Sickle is a fictional unit of money in the Harry Potter series.
• SS-25 Sickle is the NATO reporting name for the RT-2PM Topol intercontinental ballistic missile.
• Tacitus reports that golden sickles were used in Druidic rituals.
• Paulus Hector Mair's Manuscript Dresd. C 93 includes a section regarding the martial application of the sickle.

References[link]

Alex Zanardi In 2007, as a WTCC driver Nationality Italian Born (1966-10-23) October 23, 1966 (age 45) Bologna 2012 World Touring Car Championship Debut season 2005 Current team BMW Team Italy-Spain Car no. 9 Starts 105 Wins 4 Poles 1 Fastest laps 4 Best finish 10th in 2005 Previous series 1992,2005-06 2003-04 1997-98, 2001 1991-94, 99 1996 1989 & 91 1988-90 Italian Superturismo ETCC Champ Car World Series Formula One Indycar Series F3000 International Italian F3 Championship titles 2005 1997-98 1990 Italian Superturismo Champ Car European F3 Cup Born (1966-10-23) 23 October 1966 (age 45) Formula One World Championship career Active years 1991–1994, 1999 Teams Jordan, Minardi, Lotus, Williams Races 44 (41 starts) Championships 0 Wins 0 Podiums 0 Career points 1 Pole positions 0 Fastest laps 0 First race 1991 Spanish Grand Prix Last race 1999 Japanese Grand Prix

Alessandro "Alex" Zanardi (born October 23, 1966) is an Italian racing driver and paracyclist.

He won two CART championship titles in North America during the late 1990s. He also had a less successful career as a Formula One driver. More recently, he has attracted widespread praise for his return to competition in the aftermath of a crash in 2001 that resulted in the amputation of his legs. He returned to racing less than two years after the accident, competing in the FIA World Touring Car Championship for BMW Team Italy-Spain between 2003 and 2009.

Switching sports, Zanardi took up competition in handbiking, a form of paralympic cycling, with the stated goal of representing Italy at the 2012 Summer Paralympics. In September 2011, Zanardi won his first senior international handbiking medal, the silver medal in the H4 (Handbike) category time trial at the UCI World Road Para-Cycling Championships.^[1]

Biography[link]

Early years[link]

Alex Zanardi was born in Bologna, Italy and moved with his family to the village of Castel Maggiore on the outskirts of the city when he was four.^[2] His sister was a promising swimmer until her death in an automobile collision.^[3]

Zanardi began racing karts at the age of 13. In 1988, he joined the Italian Formula 3 series, becoming a championship contender by 1990. In 1991, he moved up to the Formula 3000 series with the Il Barone Rampante team, who were themselves newcomers to the series. Winning on his F3000 debut, he went on to score two more wins that season, en route to second in the championship.

Formula One part one and Spa-Francorchamps crash[link]

By the end of 1991 he had commenced his career in Formula One. Three starts for Jordan were his reward for a strong F3000 campaign.

For 1992 Zanardi had to be content with guest drives for Minardi, replacing the injured Christian Fittipaldi. In the off-season, he tested for Benetton, but contracted with Lotus for 1993. Zanardi compared reasonably to teammate Johnny Herbert and was important in fine-tuning the team's active suspension system, scoring his first ever F1 point at the Brazilian Grand Prix. However, his season ended prematurely after he suffered a terrible crash during practice for the Belgian Grand Prix.

Still injured, Zanardi missed the beginning of the 1994 season, but he returned in the Spanish Grand Prix, replacing Pedro Lamy, who had been hurt in a testing crash. However, that year's Lotus was highly unreliable, and Zanardi failed to score a single point or qualify higher than 13th. When Lotus' F1 effort collapsed at the end of the year, Zanardi spent a brief time in Sports car racing in 1995, his Formula One career seemingly over.

Champ Car[link]

In 1996, Zanardi made the switch to CART, having won a seat at Chip Ganassi Racing. The team's race engineer Mo Nunn advised Chip against signing him, as he believed Italian drivers were too prone to mistakes. Tellingly, Mo later signed Alex for his own team.

He rapidly became one of the series' most popular drivers. He took pole for his second race, although his first win didn't come until mid-season. In total he won three races in his rookie season and five pole positions,^[4] finishing in a tie for second in the championship points (officially scored third as Michael Andretti had won more races) behind team-mate Jimmy Vasser (who did not win after round 6 of the season) and being named Champ Racing Rookie of the Year. He would win the championship for Ganassi in both 1997 and 1998, bringing home twelve victories.

A win came at Laguna Seca for the final race of the 1996 season, where he conducted a highly risky overtaking move at the Corkscrew corner (known to many racing fans as 'The Pass'; the maneuver was banned for future years), on race leader Bryan Herta, having fought his way through the field. After winning a race, Zanardi was fond of spinning his car around in tight circles, leaving circular donut-shaped patterns of tyre rubber on the track; this would eventually become a popular means of celebrating race wins all across America.

Formula One part two[link]

Zanardi driving for Williams at the 1999 Canadian Grand Prix.

Zanardi's CART success caught the eye of Sir Frank Williams, who gave him a three-year contract in 1999. In pre-season testing, he was fast; however, everything went downhill from there. Plagued by numerous reliability issues, Zanardi also made a series of crucial errors, his F1 return in Australia a prime example. He was consistently outpaced by team-mate Ralf Schumacher and rumours spread that he would not last long at Williams. A late season up-turn in speed seemed to signal a breakthrough. At both Spa and Monza he looked competitive, but problems cost him a good result. At Monza he had qualified an impressive fourth and briefly held second, but brake difficulties curtailed his pace and he dropped to seventh. The season ended with Zanardi failing to maintain his Monza form; he was dropped for 2000. Jenson Button replaced him.

CART return and Lausitzring crash[link]

In the 2000 season Zanardi was not signed for a team, but was interested in a CART comeback. He tested for Mo Nunn and opted to sign to the team for 2001, however he was not successful for the most part. In his most competitive race of 2001, he suffered a violent accident at the EuroSpeedway Lausitz on September 15.

The crash occurred while Zanardi was leading the race in the closing laps. After a late pit stop, Zanardi was attempting to merge back onto the track when he accelerated abruptly and spun into the path of Patrick Carpentier. Carpentier was able to avoid him, but Alex Tagliani, who was just behind Carpentier at the time, could not and Zanardi's car was impacted from the side, behind the front wheel, severing the nose of the car. Zanardi lost both legs (one at and one above the knee) in the impact and nearly three-quarters of his blood volume, though rapid medical intervention saved his life. Further portions of his legs were amputated during three hours of surgery to clean and facilitate closing the wounds.^[5] This was the end of his open-wheel racing career.

Subsequent life and career[link]

Zanardi was fitted with two prosthetic limbs and began an ambitious rehabilitation program. Dissatisfied with the limitations of legs available commercially, Zanardi designed and built his own bespoke legs, to allow him to compare the weight and stiffness of various feet in order to find the most suitable for racing. In 2002, CART honoured Zanardi by giving him the privilege of waving the checkered flag in Toronto, Ontario, Canada. In 2003, Zanardi was not only back behind the wheel, he was also racing again, with the aid of hand-operated brake and accelerator controls. He completed the final thirteen laps at the race track which had nearly killed him in 2001, and did so at highly competitive speeds approaching 310 km/h (193 mph). In fact, had he been qualifying for the race that weekend, he would have been fifth. It was a fitting testament to his recovery and persuaded him that a race return was something to pursue.

Zanardi driving a BMW 320si WTCC car at Brands Hatch in 2008.

Zanardi competed at Monza, Italy, in his first race since the accident in a touring car modified to allow the use of his prosthetic feet, finishing the race quite impressively in seventh. In 2004, Zanardi returned to racing full-time, driving for Roberto Ravaglia's BMW Team Italy-Spain in the FIA European Touring Car Championship. The season did not see him score many points, but for 2005 matters were much improved, in a series which became the World Touring Car Championship by adding two non-European races. On August 24, 2005, Zanardi won his first world series race since his accident at Lausitzring. He had taken advantage of the championship's reverse grid system, in which by finishing the weekend's first race in 8th, a driver starts the second on pole. Still, Zanardi had held off attacks from several drivers, and duly celebrated his win with a series of trademark "donuts". He then finished the season strongly. He took further wins at Istanbul in 2006 and Brno in 2008 and 2009. At the end of the 2009 season he announced his retirement from the WTCC.^[6]

Zanardi returned to a Formula One car in late November 2006 at a testing session for BMW Sauber in Valencia, Spain. The car had been specially adapted to have hand controls fitted on the steering wheel. After the drive Zanardi told the main problem he was having was using only his right hand to steer through corners, as his left operated the throttle.^[7] Zanardi was quoted as saying, "Of course, I know that I won't get a contract with the Formula One team, however having the chance to drive an F1 racer again is just incredible."^[8][9]

Since 2004, he has had his own range of kart chassis, called the Zanardi, which has been raced in the European KF1 Championship and World Championship as well as in many other racing events worldwide. Dutch driver Nyck de Vries has won the CIK-FIA Karting World Championship in 2010 and 2011 with Zanardi karts.

In 2007 he achieved 4th place in the New York City Marathon in the handcycle division,^[10] after only four weeks of training. He has since taken up handcycling in earnest, and competed at the Para-Cycling Road World Championships in 2009. He stated that he was targeting a place in the Italian team for the 2012 Summer Paralympics.^[11] In 2009 he won the Venice Marathon in the category for the disabled, riding his wheelchair in one hour, thirteen minutes, 56 seconds, and won the Rome City Marathon in 2010, in a time of one hour, fifteen minutes, 53 seconds.^[12] In 2011, at his fourth attempt, Zanardi won the New York City Marathon in his handcycling class.^[13] In March 2012, Zanardi was confirmed as a member of the Italian team for the London Paralympics to be held later in the year.^[14]

Zanardi has been married to Daniela (née Manni) since 1996, and they have a son, Niccolò. He has co-written two books based on his life, Alex Zanardi: My Story (2004) and Alex Zanardi: My Sweetest Victory (2004). Zanardi and his story have been featured on the HBO sports series Real Sports with Bryant Gumbel.

Helmet[link]

Zanardi's helmet is silver with a blue shape around the visor. The chin area is grey with a silver grid, a yellow line runs across the back of the helmet near the blue shape of the visor, a red line runs under the top and there is a pineapple on the rear (an allusion to his nickname)

Zanardi Edition NSX[link]

Alex Zanardi Edition Acura NSX, basically a Japanese Honda NSX Type S variant, was introduced in 1999 for the U.S. market to commemorate his two back-to-back championship wins in 1997 and 1998 in the North American CART Champ Car open wheel racing series. Only 51 examples were ever built, and all were painted New Formula Red to reflect the color of the Champ Car he drove to 2 titles for Chip Ganassi Racing. Number 0 was a press car, while number 1 was a gift from Acura/Honda to Zanardi himself. Numbers 2 through 50 were sold to the general public through Acura dealerships across the nation.

Racing record[link]

Complete International Formula 3000 results[link]

(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

Complete Formula One results[link]

(key)

American Open-Wheel racing results[link]

CART[link]

(key)

Complete WTCC results[link]

(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

References[link]

External links[link]

Wikimedia Commons has media related to: Alessandro Zanardi

• Alex Zanardi official website
• Full Profile on Formula One Rejects
• Career information at Driver Database

This article has multiple issues. Please help improve it or discuss these issues on the talk page. It needs additional citations for verification. Tagged since September 2007. Very few or no other articles link to it. Please help introduce links to this page from other articles related to it. Tagged since January 2011. It needs to be updated. Tagged since February 2009.

Master Santiago “Sonny” Umpad[1] was born on June 26, 1948 in Bogo, Cebu, Philippines. As a young man, Sonny was exposed to and mastered the traditional Filipino martial arts of Eskrima; in his region the term “estocada” was also used to describe these arts. Sonny gave full credit to the Balintawak Eskrima and Doce Pares systems, which made up much of his early training. When he went to the USA, he continued his training with Master Raymond Tobosa in the art of Villabrille Kali.

In the United States[link]

Sonny settled in Northern California where he became acquainted with various masters from Stockton and the San Francisco Bay Area such as Angel Cabales, Leo Giron, Max Pallen and Gilbert Tenio.

Visayan Style Corto Kadena[link]

Sonny created his own style in the late 1970s, called Visayan Style Corto Kadena / Larga Mano Eskrima.^[1] The style emphasizes dance-like flowing movements, speed, elusiveness and explosive power. The art is based on the blade, although sticks, empty hands and kicks are also used.

Sonny evolved his style through systematic study and analysis of various aspects of the Filipino martial arts. Thus there are certain phases that track Sonny’s research, which he synthesized into his own unique contribution to the art. Some of this progression can be seen in different generations of students, as Sonny himself was always evolving.

Sonny’s early format focused on doblecada, use of double sticks, where he began to attract attention through his unique innovations. His insights on leverage allowed Sonny, a slight man, to hit with tremendous speed and power from any angle. He quickly became known for his centerline roll, which incorporated Wing Chun’s straight punch principle into a simple and unique method of double sticks that is “live”, meaning it does not rely on set patterns or left/right hand matchups to be effective. As students progressed, they moved from stick to blade, intensifying their training.

Always the creative investigator, Sonny worked during the late 1980s and early 1990s to define his sikaran, a Filipino style of kicking integrated for use with weaponry. While his weapon and hand techniques draw strongly on Visayan styles, Sonny’s footwork was heavily influenced by Moros (Moro (ethnic group)) from neighboring Mindanao, using low stances and cross steps to control range and angles. Low kicks attack and defend in conjunction with the weapon above and aim to cripple by hitting lowline targets such as joints.

During his later years Sonny focused his training and teaching most strongly on the blade, both sword and knife. The evasiveness of bladework refined the larga mano part of the art, which in turn contributed to working with cane and staff. In typical Sonny fashion, any of these can be used to transition fluidly from long to short range and back.

Teaching[link]

Sonny was a reclusive and humble man who taught small groups of students in his living room in order to devote sufficient attention to each student’s progress. Sonny occasionally taught seminars with his business partner, Sifu Jesse Glover. Jesse, the first student of Bruce Lee, famously called Sonny Umpad “Bruce Lee with a stick” because of the speed and economy of his movement. In fact, Sonny was chosen as the model to portray Bruce for making the Bruce Lee video game. Many of Sonny’s students in the Bay Area and Washington state came from backgrounds in Jun Fan/JKD, Kajukenbo and Wing Chun, as well as other Filipino styles.

In his last years Sonny made a couple of trips to Europe to teach at exhibitions in Switzerland and Germany, where he impressed people with his style. As a result of the exposure he got later in his career, Sonny developed qualified teachers to spread his art into Switzerland and Germany as well as in California and Washington state.

Weapons[link]

In conjunction with his martial art, Sonny was a master craftsman, hand making many artist-grade weapons for students and friends.^[2] He was among the first to create light, viable padded sticks for training, coming up with not one but several designs. Other creations included knives, swords, spears, axes, whips and more, often made from common materials, based on both traditional and street weapons of the Philippines. Some of his students continue this tradition as well, designing and making weapons for use in training.

Finally, Sonny was keen to use modern technology. From early days he videotaped students’ classes, creating an archival history documenting his art. Additionally, he and his students were interviewed and filmed in 2006 for a video produced by the Dog Brothers, The Grandfathers Speak Vol. 2, Maestro Sonny Umpad.^[3]

Death[link]

Known for the graceful beauty of his movement, timing, speed and power, Sonny Umpad lost his final battle, passing away at home from cancer on August 24, 2006, at the age of 58. He was able in his last few months to see different generations of his students come together as a community which is dedicated to propagating his art.

Notes[link]

1. ^ visayaneskrima
2. ^ Sonny's carvings
3. ^ Dogbrothers

Bibliography/Filmography[link]

• Filipino Martial Arts Digest, Special Edition 2006 Title: Maestro Sonny Umpad, Visayan Corto Kadena, An endless process of self-development and cultivation, 61pages Publisher is Mr. Steven K. Dowd available at [www.fmadigest.com]
• Full length DVD entitled "The Grandfathers Speak, Volume 2 Maestro Sonny Umpad" Producer is Mr. Marc Denny and Directed/Edited by Mr.Ron Gabriel available at [www.dogbrothers.com]
• Full Contact Magazine, pages 40–45,Volume 1, Number 6, February 1995 Ancient Warrior in Today’s World, Interview with Sonny Umpad
• Balisong The Lethal Art of Filipino Knife Fighting 1986, 184pages, by Sid Campbell, Gary Cagaanan & Sonny Umpad, Paladin Press, Boulder Colorado ISBN 0-87364-354-2. (This book is still in publication)[www.amazon.com]
• Full length DVD entitled "Kelly S. Worden's Streetwise Self Defense, Cable TV show starring Sonny Umpad, Live in Seminar." NSI Headquarters,Tacoma Washington.Natural Spirit International Production.
• "The Art of Conversation: Random Flow Training in Visayan Corto Kadena Eskrima." Maija Soderholm, B.Sc., Journal of Asian Martial Arts, Vol 13, No. 1, 2004.
• "The Visayan Eskrima of Sonny Umpad." Steven K. Magness and Chris Suboreau, Inside Kung Fu Magazine, January 2009.

External links[link]

• Angel Cabales
• Leo Giron
• Max Pallen

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2009)

The Pretty Things
The Pretty Things during a concert at Marcq-en-Barœul (France) 21 June 2008. From left to right: : Mark St. John, Dick Taylor, Phil May and George Perez.
Background information
Also known as	Electric Banana
Origin	London, England
Genres	Garage rock, rhythm and blues, beat
Years active	1963–present
Labels	Fontana, Columbia (UK), Laurie, Rare Earth, Harvest, Warner Bros. Records, Swan Song, Snapper, Cote Basque
Members
Phil May Dick Taylor Frank Holland George Perez Mark St.John Jack Greenwood
Past members
Viv Andrews Viv Prince Brian Pendleton John Stax Skip Alan Jon Povey Wally Waller John C. Alder Vic Unitt Peter Tolson Stuart Brooks Jack Green Gordon Edwards Hans Waterman Roelf ter Velt Barkley McKay Darrell Barfield

The Pretty Things are an English rock and roll band from London, who originally formed in 1963. They took their name from Bo Diddley's 1955 song "Pretty Thing". Their most commercially successful period was the mid 1960s, although they continue to perform to this day. David Bowie covered two of their songs on his album Pin Ups.^[1]

History[link]

Early stages[link]

The Pretty Things were preceded by Little Boy Blue and the Blue Boys, which consisted of Dick Taylor, fellow Sidcup Art College student Keith Richards, and Mick Jagger. When Brian Jones was recruiting for his own band, all three joined Brian and Ian Stewart and were dubbed "Rollin' Stones" by Jones. Taylor would briefly play bass guitar in the nascent Rolling Stones who employed a variety of drummers during 1962.

Taylor (born Richard Clifford Taylor, 28 January 1943, Dartford, Kent) quit the Stones several months later when he was accepted at the London Central School of Art, where he met Phil May (born Phillip Arthur Dennis Kattner, 9 November 1944, Dartford, Kent) and they formed The Pretty Things.^[2][3]