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Three Gringos in Central America and Venezuela, 1896 book by Richard Harding Davis (poster by Edward Penfield)

Gringo (Spanish: [ˈgɾiŋgo], Portuguese: [ˈgɾĩgu]) is a slang Spanish and Portuguese word used in Spanish-speaking and Portuguese-speaking countries in Latin America, to denote foreigners, often from the United States. The term can be applied to someone who is actually a foreigner, or it can denote a strong association or assimilation into foreign (particularly US) society and culture. While in Spanish it simply identifies a foreigner, without any negative connotation,^[1] in English the word is often considered offensive or disparaging.^[2]

The word was used in Spain - although the word is nowadays rarely heard there - long before it crossed the Atlantic to denote foreign, non-native speakers of Spanish.^[3]

Etymology[link]

The word gringo, was first recorded in the Diccionario castellano con las voces de Ciencias y Artes y sus correspondientes en las 3 lenguas francesa, latina e italiana (Castilian Dictionary including the Words of the Sciences and the Arts, and their Correspondents in 3 Languages: the French, the Latin, and the Italian, 1786), by Terreros y Pando, wherein it is defined as:

Gringos llaman en Málaga a los extranjeros que tienen cierta especie de acento, que los priva de una locución fácil y natural Castellana; y en Madrid dan el mismo nombre con particularidad a los irlandeses.

Gringos is what, in Malaga, they call foreigners who have a certain type of accent that prevents them from speaking Castilian easily and naturally; and in Madrid they give the same name, in particular, to the Irish.^[4]

The etymologic consensus is that gringo is a variant of griego ‘Greek’ speech (cf. Greek to me); yet the contrary also is proposed, that griego > gringo is phonetically unlikely, because the derivation requires two steps: (i) griego > grigo, and (ii) grigo > gringo, and, instead, might derive from Caló, the language of the Romani people of Spain, as a variant of (pere)gringo ‘peregrine’, ‘wayfarer’, and ‘stranger’.^{[5][6][7][8][9]}

The gringo entry in the Nuevo diccionario francés-español (New French–Spanish Dictionary, 1817), by Antonio de Capmany, records: ^[10]

. . . hablar en griego, en guirigay, en gringo.^[11]

. . . to speak in Greek, in gibberish, in gringo.

Gringo, griego: aplícase a lo que se dice o escribe sin entenderse.^[12]

Gringo, Greek : applies to what is said or written without understanding it.

Moreover, besides “Hablar en gringo”, Spanish also contains the analogous phrase “hablar en chino (To speak in Chinese)”, when referring to someone whose language is difficult understand, thereby re-enforcing the notion that alluding to the languages of other nations is a cliché. Furthermore, in the 1840s, Johann Jakob von Tschudi said that gringo was common Peruvian Spanish usage in Lima:

Gringo is a nickname applied to Europeans. It is probably derived from griego (Greek). The Germans say of anything incomprehensible, “That sounds like Spanish”, — and, in like manner, the Spaniards say of anything they do not understand, “That is Greek”. ^[13]

In English[link]

"Gringo" has been in use in the English language since the 19th century.^[14] According to the Oxford English Dictionary, the first recorded use of the term in an English source is in John W. Audubon's Western Journal of 1849;^[14] Audubon recalls that he and his associates were derided and called "Gringoes" while passing through the town of Cerro Gordo, Veracruz.^[15]

Folk etymologies[link]

One common folk etymology purports that gringo comes from a tune Green Grow the Lilacs sung around campfires by invading Anglo-Americans, not only English but Irish and German. When the Mexican-American War began in 1846, from a few to several hundred recently immigrated Irish, German, Matorian and other Catholic Americans who were sent by the U.S. government to fight against Mexico came to question why they were fighting against a Catholic country for a Protestant one, combined with resentment over their treatment by their Anglo-Protestant officers, and deserted to join forces with Mexico. Led by Captain Jon Riley of County Galway, they called themselves St. Patrick's Battalion (in Spanish, Batallón de San Patricio).^[16] Green was the color of the Irish, who also first used the Gaelic slogan Erin go Bragh (Ireland forever), but more importantly the soldiers frequently sang "Green Grow the Rushes, Oh!," an old folk song (and most likely not the song based on the similarly-titled Robert Burns poem, "Green Grow the Rashes"),^[17] or an earlier Scottish tune Green Grows the Laurel, which they called Green Grow the Lilacs,^[18] which traces back to a song composed in the early 16th century by English king Henry VIII called Green Grows the Holly.^[19]

Rafael Abal considers the origin of gringo as "green horn", an apprentice jeweller in Europe. In the United States, men from the west coast are called "westman", while people from the east coast are called "green horns". Spanish speakers called them "gringo".

All these folk etymologies place the origin of the word gringo in the 19th century. This is a problem because the word has been documented from the 18th century, including the 1786 Diccionario castellano con las voces de Ciencias y Artes y sus correspondientes en las 3 lenguas francesa, latina e italiana by Esteban de Terreros y Pando, and South American literature. In Esteban Echeverría's El matadero (1840), and in José Hernández's Martín Fierro (1872, 1879), the word gringo refers to persons from England.

Brazil and Portugal[link]

In Brazilian and Portuguese popular culture, someone unintelligible is traditionally said to speak Greek.^[20]

Absorption from Spanish is also reflected in that the word usage is not naturally widespread and only generally in regions exposed to tourism like Rio de Janeiro. There, the word means basically any foreigner, North American, European or even Latin American. Generally it applies more to any English-speaking person, not necessarily based on race or skin color but on attitude and clothing. The more popularly-used terms for fair-skinned and blond people would be "alemão" (i.e., German), "russo" (Russian) or "galego" (Galician).

The opposite of alemão/russo/galego among white people in Brazil is branco moreno, or white people of dark hair or darker complexions. Moreno is actually the opposite of the most formal term for people of fair complexion (including most East Asians and many Levantine Arabs, among others Middle Easterners and other ethnicities of light skin), pálido (IPA: [ˈpalidu], Portuguese: pale).

Moreno white people includes most Brazilians of pure or mostly European, Rromani, or Levantine descent. It also includes mixed-race people perceived as phenotypically closer to Caucasians than to Pardos—caboclos (Pardos, or Brown people. The majority of Brazilians are of some Amerindian descent, and some may have more Amerindian features than many people labeled as mestizo in nearby nations—since it actually describes strictly non-white people (and not those somewhere in-between). This broader definition of white people also includes light-skinned mulattoes of loosely coiled or straight hair and generally European features. Moreno can describe people of all races and ethnicities in Brazil, but most often refers to White Brazilians and Pardos. It is not politically correct to refer to an Afro-Brazilian by this term (because some may interpreted blackness being a minor deniable element of the person's characteristics—the stigma of being Black or partly Black in Brazil caused the phenomena of racially promoting: educated or affluent Afro-Brazilian historically "elevated" as Pardos, or very colloquially, morenos, and Pardos being seen as white people.

The most pejorative terms for white people in Brazil, both for locals and foreigners, even used by brancos morenos against fair-skinned White Brazilians, are branquelo (IPA: [bɾɐ̃ˈkɛlu], literally Portuguese: whitey, or also honky) and the even more disparaging leite azedo (IPA: [ˌlejtʃ(j) aˈzedu], Portuguese: rancid milk, in reference to the combination of an unusual light complexion, almost white as the milk, and the negative stereotype of the bad smell in Westerners — in most of Brazil, including White-majority states of Centro-Sul such as Rio de Janeiro and São Paulo, the normative social habit is to take at least one bath per day year-round, and Westerners are said to generally be not used to this — still the term is so common that in some regions it does not carry more the same negative connotation it carried in the past, although without losing its disparaging meaning). Gringo, on the other hand, is almost absent of pejorative connotation outside politically nationalist circles.

In Portugal the word is seldom used and so is "Ianque" (Portuguese spelling of Yank). It is never used in a formal context. It specifically describes someone from the USA (as does "Ianque"), and is not related to any particular physical or racial features.^[21]

Other uses[link]

In Mexican cuisine, a gringa is a flour tortilla with al pastor meat with cheese, heated on the comal and then served with a salsa de chilli (chilli sauce). It is thought that the dish was born when an American citizen living in México City went to the same taco place and always ordered a pastor taco with cheese. The waiters started calling this dish "taco de la gringa."

In the 1950s, the blue fifty Mexican peso bill was called an ojo de gringa ("gringa's eye").^[22] In Brazilian and Portuguese popular culture, someone unintelligible is traditionally said to speak Italian.[20]

Meanings[link]

A woman reads the Gringo Gazette in Cabo San Lucas, Baja California Sur, Mexico

For most Latin Americans^{[citation needed]} the word has only very mild pejorative connotations, or none at all. Typically, the word is simply used to describe someone from the US. The other three options would be either "Estadounidense" (Unitedstatesan), which is unwieldy, "Americano," which many Latin Americans begrudge, since all inhabitants of the Americas are Americans, or Yanqui (Yankee). However, there is variation between individual Latin-American countries in how the word gringo is used:

• In Mexico, El Salvador, and Venezuela, Cuba, Guatemala, Nicaragua, Costa Rica, Panama, and the Dominican Republic, the term applies to U.S. citizens, and is widely accepted as a colloquial demonym. Depending on the context, it may or may not be pejorative.
• In Puerto Rico, the term refers to U.S. citizens from the U.S. mainland.
• In Cuba the term Yuma is also used with the same meaning.
• In Honduras, the term is used to refer to any English-speakers, but mainly people from the United States.
• In the Dominican Republic the term is also used to refer to non-free-range store-bought chicken (pollo gringo).
• In Rio Grande do Sul, the southernmost state of Brazil, the term is applied to Italian settlers and their descendants).
• In some places^[which?] the term may be used to refer to any foreigner who does not speak Spanish (or, in Brazil, Portuguese) as a native language.
• In Ecuador the term can be used to refer to foreigners from any country (mainly US or European), especially light-skinned blond-haired people.^{[citation needed]}
• In Bolivia, Chile, Paraguay, Argentina, and Peru the word refers to light-skinned, blonde haired people, whether local or foreign.^{[citation needed]} There may or may not be a pejorative connotation depending on the context of the sentence. For instance ¨La Gringa¨ is the nickname for Sofia Mulanovich a blonde Peruvian surfer.
• In Venezuela the term "Musiú" (Moo-see-oo') is applied to European foreigners, a corruption of the French "Monsieur."

See also[link]

Look up gringo or right in Wiktionary, the free dictionary.

• Anglo
• Bolillo
• Bule
• Canuck
• Cracker
• Farang
• Gabacho
• Gaijin
• Goy
• Gringo Trail
• Güero (disambiguation) (Huero)
• Guiri
• Gweilo
• Honky
• List of terms for white people in non-Western cultures
• Moskal
• Old Gringo
• Pakeha
• Pindos
• Pocho
• Use of the word American
• Yankee
• Mat Salleh

References[link]

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (January 2008)

Eric Schwartz is an American folk singer/songwriter known for his often humorous, sexually explicit lyrics, as in the songs "Clinton Got A Blowjob" and "Who Da Bitch Now". His video, "Keep Your Jesus Off My Penis" has been downloaded over a million times. He cites Dr. Demento as an inspiration. He graduated from Tufts University with a degree in biology and worked as an actor and guitarist, before moving to Greenwich Village to begin his songwriting career. He has played several times at the Kerrville Folk Festival and was a finalist in the songwriting contest in 2001. He was at winner of the Falcon Ridge Folk Festival Emerging Artist Showcase. He now lives in Los Angeles, California.

Discography[link]

• That's How It's Gonna Be (1999)
• Pleading The First: Songs My Mother Hates (2000)
• Sunday Blue (2002)
• Self-Bootleg (2003)
• Redder than Ever (2006)

External links[link]

• Official web site

This article on a singer-songwriter is a stub. You can help Wikipedia by expanding it. v t e

Mel Gibson
Mel Gibson at the 2011 Cannes Film Festival.
Born	Mel Colm-Cille Gerard Gibson (1956-01-03) 3 January 1956 (age 56) Peekskill, New York, U.S.
Occupation	Actor, film director, producer, screenwriter
Years active	1976–present
Religion	Catholicism[1]
Denomination	traditionalist Catholicism[1]
Spouse	Robyn Moore Gibson (m. 1980–2011)[2]
Children	6 sons, 2 daughters
Parents	Hutton Gibson Anne Patricia (née Reilly, deceased)

Mel Colm-Cille Gerard Gibson, AO (born 3 January 1956) is an American actor, film director, producer and screenwriter. He was born in Peekskill, New York, moved with his parents to Sydney, Australia when he was 12 years old, and later studied acting at the Australian National Institute of Dramatic Art.

After appearing in the Mad Max and Lethal Weapon series, Gibson went on to direct and star in the Academy Award-winning Braveheart. In 2004, he directed and produced The Passion of the Christ, a film portraying the last hours in the life of Jesus.

Early life[link]

Gibson was born in Peekskill, New York State, the sixth of 11 children, and the second son of Hutton Gibson and Irish-born Anne Patricia (née Reilly, died 1990).^[3][4] His paternal grandmother was the Australian opera contralto Eva Mylott (1875–1920).^[5] One of Gibson's younger brothers, Donal, is also an actor. Gibson's first name comes from Saint Mel, fifth-century Irish saint, and founder of Gibson's mother's native diocese, Ardagh, while his second name, Colm-Cille,^[6] is also shared by an Irish saint^[7] and is the name of the parish in County Longford where Gibson's mother was born and raised. Because of his mother, Gibson holds dual Irish and American citizenship.^[8]

Soon after being awarded US$145,000 in a work-related-injury lawsuit against New York Central Railroad on 14 February 1968, Hutton Gibson relocated his family to West Pymble, Sydney.^[9] Mel Gibson was 12 years old at the time. The move to Hutton's mother's native Australia was for economic reasons, and because Hutton thought the Australian Defence Forces would reject his oldest son for the draft during the Vietnam War.^[1]

Gibson was educated by members of the Congregation of Christian Brothers at St Leo's Catholic College in Wahroonga, New South Wales, during his high school years.^[10][11]

Career[link]

Gibson gained very favorable notices from film critics when he first entered the cinematic scene, as well as comparisons to several classic movie stars. In 1982, Vincent Canby wrote that "Mr. Gibson recalls the young Steve McQueen... I can't define "star quality," but whatever it is, Mr. Gibson has it."^[12] Gibson has also been likened to "a combination Clark Gable and Humphrey Bogart."^[13] Gibson's roles in the "Mad Max" series of films, Peter Weir's Gallipoli, and the "Lethal Weapon" series of films earned him the label of "action hero".^[14] Later, Gibson expanded into a variety of acting projects including human dramas such as Hamlet, and comedic roles such as those in Maverick and What Women Want. He expanded beyond acting into directing and producing, with: The Man Without a Face, in 1993; Braveheart, in 1995; The Passion of the Christ, in 2004; and Apocalypto, in 2006. Jess Cagle of TIME has compared Gibson to Cary Grant, Sean Connery, and Robert Redford.^[14] Connery once suggested Gibson should play the next James Bond to Connery's M. Gibson turned down the role, reportedly because he feared being typecast.^[15]

Stage[link]

Gibson studied at the National Institute of Dramatic Art (NIDA) in Sydney. The students at NIDA were classically trained in the British-theater tradition rather than in preparation for screen acting.^[16] As students, Gibson and actress Judy Davis played the leads in Romeo and Juliet, and Gibson played the role of Queen Titania in an experimental production of A Midsummer Night's Dream.^[17] After graduation in 1977,^[18] Gibson immediately began work on the filming of Mad Max, but continued to work as a stage actor, and joined the State Theatre Company of South Australia in Adelaide. Gibson’s theatrical credits include the character Estragon (opposite Geoffrey Rush) in Waiting for Godot, and the role of Biff Loman in a 1982 production of Death of a Salesman in Sydney. Gibson’s most recent theatrical performance, opposite Sissy Spacek, was the 1993 production of Love Letters by A. R. Gurney, in Telluride, Colorado.^[19]

Australian television and cinema[link]

While a student at NIDA, Gibson made his film debut in the 1977 film Summer City, for which he was paid $400.^[20]

Gibson then played the title character in the film Mad Max (1979). He was paid $15000 for this role.^[20] Shortly after making the film he did a season with the South Australian Theatre Company. During this period he shared a $30 a week apartment in Adelaide with his future wife Robyn. After Mad Max Gibson also played a mentally slow youth in the film Tim.^[21]

During this period Gibson also appeared in Australian television series guest roles. He appeared in serial The Sullivans as naval lieutenant Ray Henderson,^[22] in police procedural Cop Shop,^[21] and in the pilot episode of prison serial Punishment which was produced in 1980, screened 1981.^[23][24]

Gibson joined the cast of the World War II action film Attack Force Z, which was not released until 1982 when Gibson had become a bigger star. Director Peter Weir cast Gibson as one of the leads in the critically acclaimed World War I drama Gallipoli, which earned Gibson another Best Actor Award from the Australian Film Institute.^[25] The film Gallipoli also helped to earn Gibson the reputation of a serious, versatile actor and gained him the Hollywood agent Ed Limato. The sequel Mad Max 2 was his first hit in America (released as The Road Warrior). In 1982 Gibson again attracted critical acclaim in Peter Weir’s romantic thriller The Year of Living Dangerously. Following a year hiatus from film acting after the birth of his twin sons, Gibson took on the role of Fletcher Christian in The Bounty in 1984. Playing Max Rockatansky for the third time in Mad Max Beyond Thunderdome, in 1985, earned Gibson his first million dollar salary.^[26]

Hollywood[link]

Mel Gibson in 1990 at an Air America premiere.

Early Hollywood years[link]

Mel Gibson's first American film was Mark Rydell’s 1984 drama The River, in which he and Sissy Spacek played struggling Tennessee farmers. Gibson then starred in the Gothic romance Mrs. Soffel for Australian director Gillian Armstrong. He and Matthew Modine played condemned convict brothers opposite Diane Keaton as the warden's wife who visits them to read the Bible. In 1985, after working on four films in a row, Gibson took almost two years off at his Australian cattle station.^[27] He returned to play the role of Martin Riggs in Lethal Weapon, a film which helped to cement his status as a Hollywood "leading man".^[28] Gibson's next film was Robert Towne’s Tequila Sunrise, followed by Lethal Weapon 2, in 1989. Gibson next starred in three films back-to-back: Bird on a Wire, Air America, and Hamlet; all were released in 1990.

1990s[link]

During the 1990s, Gibson alternated between commercial and personal projects. His films in the first half of the decade were Forever Young, Lethal Weapon 3, Maverick, and Braveheart. He then starred in Ransom, Conspiracy Theory, Lethal Weapon 4, and Payback. Gibson also served as the speaking and singing voice of John Smith in Disney’s Pocahontas.

After 2000[link]

Gibson at the 2011 Cannes Film Festival.

In 2000, Gibson acted in three films that each grossed over $100 million: The Patriot, Chicken Run, and What Women Want.^[14] In 2002, Gibson appeared in the Vietnam War drama We Were Soldiers and M. Night Shyamalan’s Signs, which became the highest-grossing film of Gibson’s acting career.^[29] While promoting Signs, Gibson said that he no longer wanted to be a movie star and would only act in film again if the script were truly extraordinary. In 2010, Gibson appeared in Edge of Darkness, which marked his first starring role since 2002^[30] and was an adaptation of the BBC miniseries, Edge of Darkness.^[31] In 2010, following an outburst at his ex-girlfriend that was made public, Gibson was dropped from the talent agency of William Morris Endeavor.^[32]

Producer[link]

After his success in Hollywood with the Lethal Weapon series, Gibson began to move into producing and directing. With partner Bruce Davey, Gibson formed Icon Productions in 1989 in order to make Hamlet.^[33] In addition to producing or co-producing many of Gibson's own star vehicles, Icon has turned out many other small films, ranging from Immortal Beloved to An Ideal Husband. Gibson has taken supporting roles in some of these films, such as The Million Dollar Hotel and The Singing Detective. Gibson has also produced a number of projects for television, including a biopic on The Three Stooges and the 2008 PBS documentary Carrier. Icon has grown from being just a production company to also be an international distribution company and film exhibitor in Australia and New Zealand.^[34]

Director[link]

Mel Gibson has credited his directors, particularly George Miller, Peter Weir, and Richard Donner, with teaching him the craft of filmmaking and influencing him as a director. According to Robert Downey, Jr., studio executives encouraged Gibson in 1989 to try directing, an idea he rebuffed at the time.^[35] Gibson made his directorial debut in 1993 with The Man Without a Face, followed two years later by Braveheart, which earned Gibson the Academy Award for Best Director. Gibson had long planned to direct a remake of Fahrenheit 451, but in 1999 the project was indefinitely postponed because of scheduling conflicts.^[36] Gibson was scheduled to direct Robert Downey, Jr. in a Los Angeles stage production of Hamlet in January 2001, but Downey's drug relapse ended the project.^[37] In 2002, while promoting We Were Soldiers and Signs to the press, Gibson mentioned that he was planning to pare back on acting and return to directing.^[38] In September 2002, Gibson announced that he would direct a film called The Passion in Aramaic and Latin with no subtitles because he hoped to "transcend language barriers with filmic storytelling."^[39] In 2004, he released the controversial film The Passion of the Christ, with subtitles, which he co-wrote, co-produced, and directed. The film went on to become the highest grossing rated R film of all time with $370,782,930 in U.S. box office sales.^[40] Gibson directed a few episodes of Complete Savages for the ABC network. In 2006, he directed the action-adventure film Apocalypto, his second film to feature sparse dialogue in a non-English language.

Filmography[link]

Gibson's acting career began in 1976, with a role on the Australian television series The Sullivans. In his career, Gibson has appeared in 43 films, including the Mad Max and Lethal Weapon film series. In addition to acting, Gibson has also directed four films, including Braveheart and The Passion of the Christ; produced 11 films; and written two films. Films either starring or directed by Mel Gibson have earned over US$2.5 billion, in the United States alone.^[41][42] Gibson's filmography includes television series, feature films, television films, and animated films.

Films[link]

[edit] Mad Max series

Gibson got his breakthrough role as the leather-clad post-apocalyptic survivor in George Miller's Mad Max. The independently financed blockbuster helped to make him an international star everywhere but in the United States, where the actors' Australian accents were dubbed with American accents.^[43] The original film spawned two sequels: Mad Max 2 (known in North America as The Road Warrior), and Mad Max 3 (known in North America as Mad Max Beyond Thunderdome). A fourth movie, Mad Max 4: Fury Road, is in development, but both Gibson and George Miller have indicated that the starring role would go to a younger actor.^[44]

[edit] Gallipoli

Gibson played the role of the cynical Frank Dunne alongside co-star Mark Lee in the 1981 Peter Weir film. Gallipoli is about a group of young men from rural Western Australia who enlist in the Australian Imperial Force during World War I. They are sent to the Ottoman Empire, where they take part in the Gallipoli Campaign. During the course of the movie, the young men slowly lose their innocence about the war. The climax of the movie occurs at the brutal attack during Battle of the Nek. According to Gibson, "Gallipoli was the birth of a nation. It was the shattering of a dream for Australia. They had banded together to fight the Hun and died by the thousands in a dirty little trench war."^{[45][verification needed]} The critically acclaimed film helped to further launch Gibson's career.^[46] He won the award for Best Actor in a Leading Role from the Australian Film Institute.^[25]

[edit] The Year of Living Dangerously

Gibson played a naïve but ambitious journalist opposite Sigourney Weaver and Linda Hunt in Peter Weir’s atmospheric 1982 film The Year of Living Dangerously, based on the novel of the same name by Christopher Koch. The movie was both a critical and commercial success, and the upcoming Australian actor was heavily marketed by MGM studio. In his review of the film, Vincent Canby of The New York Times wrote, "If this film doesn't make an international star of Mr. Gibson, then nothing will. He possesses both the necessary talent and the screen presence."^[47] According to John Hiscock of The Daily Telegraph, the film did, indeed, establish Gibson as an international talent.^[48]

Gibson was initially reluctant to accept the role of Guy Hamilton. "I didn't necessarily see my role as a great challenge. My character was, like the film suggests, a puppet. And I went with that. It wasn't some star thing, even though they advertised it that way."^[49] Gibson saw some similarities between himself and the character of Guy. "He's not a silver-tongued devil. He's kind of immature and he has some rough edges and I guess you could say the same for me."^[13] Gibson has cited this screen performance as his personal favorite.^[when?]

[edit] The Bounty

Gibson followed the footsteps of Errol Flynn, Clark Gable, and Marlon Brando by starring as Fletcher Christian in a cinematic retelling of the mutiny on the Bounty. The resulting 1984 film The Bounty is considered to be the most historically accurate version. However, Gibson thinks that the film's revisionism did not go far enough. He stated that his character should have been portrayed as more of a villain and described Anthony Hopkins's performance as William Bligh as the best aspect of the film.^[49]

[edit] Lethal Weapon series

Gibson moved into more mainstream commercial filmmaking with the popular buddy cop Lethal Weapon series, which began with the 1987 original. In the films he played LAPD Detective Martin Riggs, a recently widowed Vietnam veteran with a death wish and a penchant for violence and gunplay. In the films, he is partnered with a reserved family man named Roger Murtaugh (Danny Glover). Following the success of Lethal Weapon, director Richard Donner and principal cast revisited the characters in three sequels, Lethal Weapon 2 (1989), Lethal Weapon 3 (1993), and Lethal Weapon 4 (1998). With its fourth installment, the Lethal Weapon series embodied "the quintessence of the buddy cop pic".^[50]

[edit] Hamlet

Gibson made the unusual transition from the action to classical genres, playing the melancholic Danish prince in Franco Zeffirelli's Hamlet. Gibson was cast alongside such experienced Shakespearean actors as Ian Holm, Alan Bates, and Paul Scofield. He described working with his fellow cast members as similar to being "thrown into the ring with Mike Tyson".^[51]

[edit] Braveheart

Mel Gibson directed, produced, and starred in Braveheart, an epic telling of the legend of Sir William Wallace, a 13th century Scottish patriot. Gibson received two Academy Awards, Best Director and Best Picture, for his second directorial effort. In winning the Academy Award for Best Director, Gibson became only the sixth actor-turned-filmmaker to do so.^[52] Braveheart influenced the Scottish nationalist movement and helped to revive the film genre of the historical epic; the Battle of Stirling Bridge sequence is considered by critics to be one of the all-time-best-directed battle scenes.^[53]

[edit] The Passion of the Christ

Gibson directed, produced, co-wrote, and funded the 2004 film The Passion of the Christ, which chronicled the passion and death of Jesus (Jim Caviezel). The film was shot exclusively in Aramaic, Latin, and Hebrew. Although Gibson originally intended to release the film without subtitles; he eventually relented for theatrical exhibition. The film sparked divergent reviews, ranging from high praise to criticism of the violence.

The Anti-Defamation League further accused Gibson of anti-semitism over the film's unflattering depiction of Caiaphas and the Sanhedrin. Among those to defend Gibson were Orthodox Jewish Rabbi Daniel Lapin and radio personality Michael Medved. Referring to ADL National Director Abraham Foxman, Rabbi Lapin said that by calling The Passion of the Christ anti-Semitic, "what he is saying is that the only way (for Christians) to escape the wrath of Foxman is to repudiate (their own) faith."

In an interview with the Globe and Mail, Gibson stated, "If anyone has distorted Gospel passages to rationalize cruelty towards Jews or anyone, it's in defiance of repeated Papal condemnation. The Papacy has condemned racism in any form... Jesus died for the sins of all times, and I'll be the first on the line for culpability".^[54]

Eventually, the continued media attacks began to anger Gibson. After his father's Holocaust denial was sharply criticized in print by The New York Times writer Frank Rich,^[55] Gibson retorted, "I want to kill him. I want his intestines on a stick.... I want to kill his dog."^[56][57]

Gibson's Traditionalist Catholic upbringing was also the target of criticism. In a 2006 interview with Diane Sawyer, Gibson stated that he feels that his "human rights were violated" by the often vitriolic attacks on his person, his father's beliefs, and his religious beliefs which were sparked by The Passion.^[58]

The movie grossed US$611,899,420 worldwide and $370,782,930 in the US alone,^[59] surpassing any motion picture starring Gibson.^[60] In US box offices, it became the eighth (at the time) highest-grossing film in history^[61] and the highest-grossing rated R film of all time.^[62] The film was nominated for three Academy Awards^[63] and won the People's Choice Award for Favorite Dramatic Motion Picture.^[64]

[edit] Apocalypto

Gibson received further critical acclaim for his directing of the 2006 action-adventure film Apocalypto.^[65] Gibson's fourth directorial effort is set in Mesoamerica during the early 16th century against the turbulent end times of a Maya civilization. The sparse dialogue is spoken in the Yucatec Maya language by a cast of Native American descent.^[66][67]

[edit] The Beaver

Gibson starred in The Beaver, a film directed by former Maverick co-star, Jodie Foster.^[68] The Beaver premiered at The South by Southwest Festival in Austin on 16 March 2011. The opening weekend in 22 theaters was considered a flop: it made $104,000 which comes to a per-theater average of $4,745.^[69] The film's distributor, Summit Entertainment, had originally planned for a wide release of The Beaver for the weekend of 20 May, but after the initial box-office returns for the film, the company changed course and decided instead to give the film a "limited art-house run".^[70] Michael Cieply of the New York Times observed on 5 June 2011, that the film had cleared just about $1 million, making it a certified "flop".^[71] Director Jodie Foster opined that the film did not do well with American audiences because it was a dramedy and "And very often Americans are not comfortable with (that)."^[72]

Future films[link]

In March 2007, Gibson told a screening audience that he was preparing another script with Farhad Safinia about the writing of the Oxford English Dictionary (OED).^[73] Gibson's company has long owned the rights to The Professor and the Madman, which tells the story of the creation of the OED.^[74]

Gibson has dismissed the rumors that he is considering directing a film about Spanish explorer Vasco Núñez de Balboa.^[75][76][77] Asked in September 2007 if he planned to return to acting and specifically to action roles, Gibson said: "I think I’m too old for that, but you never know. I just like telling stories. Entertainment is valid and I guess I’ll probably do it again before it's over. You know, do something that people won’t get mad with me for."^[78]

In 2005, the film Sam and George was announced as the seventh collaboration between director Richard Donner and Gibson. In February 2009, Donner said that this Paramount project was "dead,"^[79] but that he and Gibson were planning another film based on an original script by Brian Helgeland for production in fall 2009.^[80]

He has also expressed an intention to direct a movie set during the Viking Age, starring Leonardo DiCaprio. The as-yet untitled film, like The Passion of the Christ and Apocalypto, will feature dialogue in period languages.^[81] However, DiCaprio ultimately opted out of the project.^[82] In a 2012 interview, Gibson announced that the project, which he has titled Berserker, was still moving forward.^[83]

In June 2010, Gibson was in Brownsville, Texas, filming scenes for another movie, How I Spent My Summer Vacation, about a career criminal put in a tough prison in Mexico.^[84]

In October 2010, it was reported that Gibson would have a small role in The Hangover: Part II,^[85] but he was removed from the film after the cast and crew objected to his involvement.^[86]

In 2011, it was announced that Gibson had commissioned a screenplay from Joe Eszterhas about the Maccabees. The film is to be distributed by Warner Brothers Pictures. The announcement generated significant controversy.^[87] In a 2012 interview, Gibson explained that the project was still in preparation. He explained he was drawn to the Biblical account of the Maccabees due to its similarity to the Western genre.^[88]

Personal life[link]

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Family[link]

Gibson met Robyn Denise Moore in the late 1970s soon after filming Mad Max when they were both tenants at a house in Adelaide. At the time, Robyn was a dental nurse and Mel was an unknown actor working for the South Australian Theatre Company.^[89] On 7 June 1980, Mel and Robyn Gibson were married in a Roman Catholic church in Forestville, New South Wales.^[90] They currently have one daughter, six sons, and three grandchildren as of 2011.^[91]

After 26 years of marriage, Mel and Robyn Gibson separated on 29 July 2006.^[92] In a 2011 interview, Gibson stated that the separation began the day following his arrest for drunk driving in Malibu.^[93] Robyn Gibson filed for divorce on 13 April 2009, citing irreconcilable differences. In a joint statement, the Gibsons declared, "Throughout our marriage and separation we have always strived to maintain the privacy and integrity of our family and will continue to do so."^[6] The divorce filing followed the March 2009 release of photographs appearing to show him on a beach embracing Russian pianist Oksana Grigorieva.^[94][95] Gibson's divorce was finalized on 23 December 2011, and the settlement with his ex-wife was said to be the highest in Hollywood history at over $400,000,000.^[96]

On 28 April 2009, Gibson made a red carpet appearance with Grigorieva. Grigorieva, who had previously had a son with actor Timothy Dalton,^[97] gave birth to Gibson's daughter Lucia on 30 October 2009.^[98][99] In April 2010, it was made public that Gibson and Grigorieva had split.^[100] On 21 June 2010, Grigorieva filed a restraining order against Gibson to keep him away from her and their child. The restraining order was modified the next day regarding Gibson's contact with their child.^[101] Gibson obtained a restraining order against Grigorieva on 25 June 2010.^[101][102] In response to claims by Grigorieva that an incident of domestic violence occurred in January 2010, the Los Angeles County Sheriff’s Department launched a domestic violence investigation in July 2010.^[103][104]

Investments[link]

Gibson is a property investor, with multiple properties in Malibu, California, several locations in Costa Rica, a private island in Fiji and properties in Australia.^[105][106] In December 2004, Gibson sold his 300-acre (1.2 km²) Australian farm in the Kiewa Valley for $6 million.^[107] Also in December 2004, Gibson purchased Mago Island in Fiji from Tokyu Corporation of Japan for $15 million. Descendants of the original native inhabitants of Mago, who were displaced in the 1860s, have protested the purchase. Gibson stated it was his intention to retain the pristine environment of the undeveloped island.^[108] In early 2005, he sold his 45,000-acre (180 km²) Montana ranch to a neighbour.^[109] In April 2007 he purchased a 400-acre (1.6 km²) ranch in Costa Rica for $26 million, and in July 2007 he sold his 76-acre (310,000 m²) Tudor estate in Connecticut (which he purchased in 1994 for $9 million) for $40 million to an unnamed buyer.^[110] Also that month, he sold a Malibu property for $30 million that he had purchased for $24 million two years before.^[111] In 2008, he purchased the Malibu home of David Duchovny and Téa Leoni.^[112]

Prankster[link]

Gibson has a reputation for practical jokes, puns, Stooge-inspired physical comedy, and doing outrageous things to shock people. As a director he sometimes breaks the tension on set by having his actors perform serious scenes wearing a red clown nose.^[113] Helena Bonham Carter, who appeared alongside him in Hamlet, said of him, "He has a very basic sense of humor. It's a bit lavatorial and not very sophisticated."^[114] During the filming of Hamlet, Gibson would relieve pressure on the set by mooning the cast and crew, directly following a serious scene.^[115] In addition to inserting several homages to the Three Stooges in his Lethal Weapon movies, Gibson produced a 2000 television movie about the comedy group which starred Michael Chiklis as Curly Howard. As a gag,^{[citation needed]} Gibson inserted a single frame of himself smoking a cigarette into the 2005 teaser trailer of Apocalypto.^[116]

Philanthropy[link]

Gibson at the Christmas party for charity Mending Kids in 2007. His former wife Robyn is president of the charity.

Gibson and his former wife have contributed a substantial amount of money to various charities, one of which is Healing the Children. According to Cris Embleton, one of the founders, the Gibsons gave millions to provide lifesaving medical treatment to needy children worldwide.^[117][118] They also supported the restoration of Renaissance artwork^[119] and gave millions of dollars to NIDA.^[120]

Gibson donated $500,000 to the El Mirador Basin Project to protect the last tract of virgin rain forest in Central America and to fund archeological excavations in the "cradle of Mayan civilization."^[121] In July 2007, Gibson again visited Central America to make arrangements for donations to the indigenous population. Gibson met with Costa Rican President Óscar Arias to discuss how to "channel the funds."^[122] During the same month, Gibson pledged to give financial assistance to a Malaysian company named Green Rubber Global for a tire recycling factory located in Gallup, New Mexico.^[123] While on a business trip to Singapore in September 2007, Gibson donated to a local charity for children with chronic and terminal illnesses.^[124] Gibson is also a supporter of 'Angels at Risk', a nonprofit organization focusing on education about drug and alcohol abuse among teens.^[125]

In a 2011 interview, Gibson said of his philanthropic works, "It gives you perspective. It’s one of my faults, you tend to focus on yourself a lot. Which is not always the healthiest thing for your psyche or anything else. If you take a little time out to think about other people, it’s good. It’s uplifting."^[126]

Religious and political views[link]

Faith[link]

Gibson was raised a traditionalist Catholic.^[1] When asked about the Catholic doctrine of "Extra Ecclesiam nulla salus", Gibson replied, "There is no salvation for those outside the Church ... I believe it. Put it this way. My wife is a saint. She's a much better person than I am. Honestly. She's... Episcopalian, Church of England. She prays, she believes in God, she knows Jesus, she believes in that stuff. And it's just not fair if she doesn't make it, she's better than I am. But that is a pronouncement from the chair. I go with it."^[56][127] When he was asked whether John 14:6 is an intolerant position, he said that "through the merits of Jesus' sacrifice... even people who don't know Jesus are able to be saved, but through him."^[128] Acquaintance Father William Fulco has said that Gibson denies neither the Pope nor Vatican II.^[129] Gibson told Diane Sawyer that he believes non-Catholics and non-Christians can go to heaven.^[58][130]

Politics[link]

Gibson has been described as "ultraconservative".^[131]

Gibson complimented filmmaker Michael Moore and his documentary Fahrenheit 9/11 when he and Moore were recognized at the 2005 People's Choice Awards.^[132] Gibson's Icon Productions originally agreed to finance Moore's film, but later sold the rights to Miramax Films. Moore said that his agent Ari Emanuel claimed that "top Republicans" called Mel Gibson to tell him, "don’t expect to get more invitations to the White House".^[133] Icon's spokesman dismissed this story, saying "We never run from a controversy. You'd have to be out of your mind to think that of the company that just put out The Passion of the Christ."^[134]

In a July 1995 interview with Playboy magazine, Gibson said President Bill Clinton was a "low-level opportunist" and someone was "telling him what to do". He said that the Rhodes Scholarship was established for young men and women who want to strive for a "new world order" and this was a campaign for Marxism.^[135] Gibson later backed away from such conspiracy theories saying, "It was like: 'Hey, tell us a conspiracy'... so I laid out this thing, and suddenly, it was like I was talking the gospel truth, espousing all this political shit like I believed in it."^[136] In the same 1995 Playboy interview, Gibson argued against ordaining women to the priesthood.^{[135][137][138]}

In 2004, he publicly spoke out against taxpayer-funded embryonic stem-cell research that involves the cloning and destruction of human embryos.^[139] In March 2005, he condemned the outcome of the Terri Schiavo case, referring to Schiavo's death as "state-sanctioned murder".^[140]

Gibson questioned the Iraq War in March 2004.^[141] In 2006, Gibson said that the "fearmongering" depicted in his film Apocalypto "reminds me a little of President Bush and his guys."^[131]

In a 2011 interview, Gibson stated,

"The whole notion of politics is they always present you with this or this or this. I’ll get a newspaper to read between the lines. Why do you have to adhere to prescribed formulas that they have and people argue over them and they’re all in a box. And you watch Fox claw CNN, and CNN claw Fox. Sometimes I catch a piece of the news and it seems insanity to me. I quietly support candidates. I’m not out there banging a drum for candidates. But I have supported a candidate and it’s a whole other world. Once you’ve been exposed to it, once or twice or however many times, if you know the facts and see how they’re presented, it’s mind-boggling. It’s a very scary arena to be in, but I do vote. I go in there and pull the lever. It’s kind of like pulling the lever and watching the trap door fall out from beneath you. Why should we trust any of these people? None of them ever deliver on anything. It’s always disappointing."^[93]

Controversial remarks[link]

Alleged homophobia[link]

The Gay & Lesbian Alliance Against Defamation (GLAAD) accused Gibson of homophobia after a December 1991 interview in the Spanish newspaper El País in which he made derogatory comments about homosexuals.^[138][142] Gibson later defended his comments^[142] and rejected calls to apologise.^[135] However, Gibson joined GLAAD in hosting 10 lesbian and gay filmmakers for an on-location seminar on the set of the movie Conspiracy Theory in January 1997.^[143] In 1999 when asked about the comments to El País, Gibson said, "I shouldn't have said it, but I was tickling a bit of vodka during that interview, and the quote came back to bite me on the ass."^[136]

[edit] Alleged anti-semitism in The Passion of the Christ

Gibson's 2004 film The Passion of the Christ sparked a fierce debate over alleged antisemitic imagery and overtones. Gibson denied that the film was antisemitic, but critics remained divided. Some agreed that the film was consistent with the Gospels and traditional Catholic teachings, while others argued that it reflected a selective reading of the Gospels.^[144] James Carroll, in Constantine's Sword: The Church and the Jews, states that the Catholic Church traditionally blames the Jews for the death of Jesus; John Dominic Crossan's Who Killed Jesus points out that the traditional Jewish method of execution was stoning; crucifixion was a Roman method. Crossan also looks at the record of Pontius Pilate, who never hesitated to use extreme measures against unruly Jews.

Allegations of sexism and domestic violence[link]

In July 2010, it was alleged that Gibson had been recorded during a phone call with Oksana Grigorieva suggesting that if she got "raped by a pack of niggers," she would be to blame.^{[145][146][147][148]} Gibson was barred from coming near Grigorieva or her daughter due to a domestic violence-related restraining order.^[145] The Los Angeles County Sheriff’s Department has launched a domestic violence investigation against Gibson.^[104] Gibson's estranged wife, Robyn Gibson, has filed a court statement declaring that she never experienced any abuse from Gibson,^[149] while forensic experts have questioned the validity of some of the tapes.^[150] In March 2011, Mel Gibson agreed to plead no contest to a misdemeanor battery charge.^[151]

In a subsequent interview, Gibson stated,

I was allowed to end the case and still maintain my innocence. It’s called a West Plea^[152] and it’s not something that prosecutors normally allow. But in my case, the prosecutors and the judge agreed that it was the right thing to do. I could have continued to fight this for years and it probably would have come out fine. But I ended it for my children and my family. This was going to be such a circus. You don’t drag other people in your life through this sewer needlessly, so I’ll take the hit and move on.^[93]

Accusations of racism[link]

On 8 July 2010, Gibson was alleged to have used the term "wetbacks" as he suggested turning in one of his employees to immigration authorities.^[153] On 9 July 2010, some audio recordings alleged to be of Gibson were posted on the internet.^[153] The same day Gibson was dropped by his agency, William Morris Endeavor.^[153] Civil rights activists commented that Gibson had shown patterns of racism, sexism and anti-Semitism and called for a boycott of Gibson's movies.^[154]

In April 2011, Gibson finally broke his silence about the incident in question. In an interview with Deadline.com, Gibson expressed gratitude to longtime friends Whoopi Goldberg and Jodie Foster, both of whom had spoken publicly in his defense. About the recordings, Gibson said,

I’ve never treated anyone badly or in a discriminatory way based on their gender, race, religion or sexuality – period. I don’t blame some people for thinking that though, from the garbage they heard on those leaked tapes, which have been edited. You have to put it all in the proper context of being in an irrationally, heated discussion at the height of a breakdown, trying to get out of a really unhealthy relationship. It’s one terribly, awful moment in time, said to one person, in the span of one day and doesn’t represent what I truly believe or how I’ve treated people my entire life.^[93]

In April 2012, screenwriter Joe Eszterhas wrote a letter to Mel Gibson accusing him of sabotaging the movie they had been working together on about the Maccabees because he "hates Jews", and citing a series of private incidents during which he heard Gibson express extreme anti-semitic views. Although written as a private letter, it was subsequently published on a film industry website.^[155]

Alcohol abuse and legal issues[link]

Gibson has said that he started drinking at the age of thirteen.^[156] In a 2002 interview about his time at NIDA, Gibson said, "I had really good highs but some very low lows. I found out recently I'm manic depressive."^[157]

Gibson was banned from driving in Ontario for three months in 1984, after rear-ending a car in Toronto while under the influence of alcohol.^[158] He retreated to his Australian farm for over a year to recover, but he continued to struggle with drinking. Despite this problem, Gibson gained a reputation in Hollywood for professionalism and punctuality such that Lethal Weapon 2 director Richard Donner was shocked when Gibson confided that he was drinking five pints of beer for breakfast.^[58] Reflecting in 2003 and 2004, Gibson said that despair in his mid-30s led him to contemplate suicide, and he meditated on Christ's Passion to heal his wounds.^{[58][127][159]} He took more time off acting in 1991 and sought professional help.^[160] That year, Gibson's attorneys were unsuccessful at blocking the Sunday Mirror from publishing what Gibson shared at AA meetings.^{[161][clarification needed]} In 1992, Gibson provided financial support to Hollywood's Recovery Center, saying, "Alcoholism is something that runs in my family. It's something that's close to me. People do come back from it, and it's a miracle."^[162]

Driving under the influence incident with antisemitic remarks[link]

Mugshot of Mel Gibson taken on 28 July 2006.

On 28 July 2006, Gibson was arrested for driving under the influence (DUI) while speeding in his vehicle with an open container of alcohol, which is illegal in much of the United States. According to a 2011 article in Vanity Fair, Gibson first told the arresting officer, "My life is over. I’m fucked. Robyn’s going to leave me."^[163] According to the arrest report, Gibson then exploded into an angry tirade at the arresting officer. Gibson climaxed with the words, "Fucking Jews... the Jews are responsible for all the wars in the world."^[164][165]

After the arrest report of was leaked on TMZ.com, Gibson issued two apologies through his publicist,^[166][167] and in a televised interview with Diane Sawyer, he affirmed the accuracy of the quotations.^[168] He further apologized for his "despicable" behavior, saying the comments were "blurted out in a moment of insanity"^[169] and asked to meet with Jewish leaders to help him "discern the appropriate path for healing."^[170] After Gibson's arrest, his publicist said he had entered a recovery program to battle alcoholism.

On 17 August 2006, Gibson pleaded no contest to a misdemeanor drunken-driving charge and was sentenced to three years probation.^[169] He was ordered to attend self-help meetings five times a week for four and a half months and three times a week for the remainder of the first year of his probation. He was also ordered to attend a First Offenders Program, was fined $1,300, and his license was restricted for 90 days.^[169]

At a May 2007 progress hearing, Gibson was praised for his compliance with the terms of his probation and his extensive participation in a self-help program beyond what was required.^[171]

According to a friend interviewed on condition of anonymity, "It is my belief he felt that he had just absolutely failed as a human being. Mel was trying to invite death by cop. I don’t think this was about being anti-Semitic. I think he was trying to rile that guy into pulling out a gun and shooting him. Before he left the restaurant that night, he went to every single table and said good-bye. Why would you say good-bye to every table unless you think you’re never going to see them again? I believe that what was going on that night was a farewell."^[163]

Honors[link]

On 25 July 1997, Gibson was named an honorary Officer of the Order of Australia (AO), in recognition of his "service to the Australian film industry". The award was honorary because substantive awards are made only to Australian citizens.^[172][173] In 1985, Gibson was named "The Sexiest Man Alive" by People, the first person to be named so.^[174] Gibson quietly declined the Chevalier des Arts et Lettres from the French government in 1995 as a protest against France's resumption of nuclear testing in the Southwest Pacific.^[175] TIME magazine chose Mel Gibson and Michael Moore as Men of the Year in 2004, but Gibson turned down the photo session and interview, and the cover went instead to George W. Bush.^[176]

Theatre Credits[link]

• Le Chateau d'Hydro-Therapie Magnetique by Helmut Bakaitis - Jane Street Theatre, Sydney, 1976 - with Steve Bisley
• Mother and Son by Louis Esson - NIDA Theatre, Sydney, 1977 - with Steve Bisley and Judy Davis, directed by Aubrey Mellor
• The Hostage by Brendan Behan - NIDA Theatre, Sydney, 1977 - with Steve Bisley, directed by George Whaley
• Once in a Lifetime by Kaufman and Hart - NIDA, Sydney, 1977 - with Steve Bisley and Judy Davis, directed by Richard Wherrett
• A Midsummer Night's Dream by William Shakespeare
• Oedipus the King by Sophocles - Adelaide Festival of the Arts, 1978 - with Colin Friels
• Cedoona by Roger Pulvers - Adelaide Festival of the Arts, 1978 - with Colin Friels and Judy Davis directed by Ron Blair
• The Les Darcy Show by Jack Hibberd - Adelaide, 1978 - with Colin Friels and Judy Davis, directed by Ron Blair
• Romeo and Juliet by William Shakespeare - Perth & Sydney, 1979 - with Angela Punch-McGregor directed by John Bell
• Waiting for Godot by Samuel Beckett - with Geoffrey Rush
• On Our Selection by Bert Bailey and Edmund Duggan - Sydney, 1979 - directed by George Whaley
• No Names, No Pack Drill by Bob Herbert - Sydney, 1981 - with Noni Hazelhurst
• Death of a Salesman by Arthur Miller as Biff - Sydney, 1982 - with Warren Mitchell directed by George Ogilvie
• Love Letters by A. R. Gurney - Telluride, Colorado, 1993 - with Sissy Spacek

Awards and accomplishments[link]

• Australian Film Institute Award: Best Actor in a Lead Role, for Tim (1979)^[177] and Gallipoli (1981)^[178]
• Academy Award: Best Picture, for Braveheart (1995)^[52]
• Academy Award: Best Director, for Braveheart (1995)^[52]
• People's Choice Awards: Favorite Motion Picture Actor (1991,^[179] 1997,^[180] 2001,^[181] 2003,^[182] 2004)^[183]
• People's Choice Awards: Favorite Motion Picture Star in a Comedy (2001)^[181]
• ShoWest Award: Male Star of the Year (1993)^[184]
• ShoWest Award: Director of the Year (1996)^[185]
• American Cinematheque Gala Tribute: American Cinematheque Award (1995)^[186]
• Hasty Pudding Theatricals: Man of the Year (1997)^[187]
• Australian Film Institute: Global Achievement Award (2002)^[188]
• Honorary Doctorate Recipient and Undergraduate Commencement Speaker, Loyola Marymount University (2003)^[189]
• World's most powerful celebrity by US business magazine Forbes (2004)^[190]
• Hollywood Reporter Innovator of the Year (2004)^[191]
• Honorary fellowship in Performing Arts by Limkokwing University (2007)^[192]
• Outstanding Contribution to World Cinema Award at the Irish Film and Television Awards (2008)^[193]