An engagement or betrothal is a promise to marry, and also the period of time between proposal and marriagewhich may be lengthy or trivial. During this period, a couple is said to be betrothed, affianced, engaged to be married, or simply engaged. Future brides and grooms may be called the betrothed, a husband-to-be or wife-to-be, fiancées or fiancés, respectively (from the French word fiancé). The duration of the courtship varies vastly.
Long engagements were once common in formal arranged marriages and it was not uncommon for parents betrothing children to arrange such many years before the engaged couple were old enough to marry.
This was later adopted in Ancient Greece as the ''gamos'' and ''engeysis'' rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party.
In Jewish weddings during Talmudic times (c.1st century BCE - 6th century CE), the two ceremonies of betrothal (''erusin'') and wedding usually took place up to a year apart; the bride lived with her parents until the actual marriage ceremony (''nissuin''), which would take place in a room or tent that the groom had set up for her. Since the Middle Ages the two ceremonies have taken place as a combined ceremony performed in public. The ''betrothal'' is now generally part of the Jewish wedding ceremony, accomplished when the groom gives the bride the ring or another object of at least nominal value. (As mentioned above, betrothal in Judaism is separate from engagement; breaking a betrothal requires a formal divorce, and violation of betrothal is considered adultary.)
Typical steps of a match were the following:
The exact duration of a betrothal varies according to culture and the participants’ needs and wishes. For adults, it may be anywhere from several hours (when the betrothal is incorporated into the wedding day itself) to a period of several years. A year and a day are common in neo-pagan groups today. In the case of child marriage, betrothal might last from infancy until the age of marriage.
The responsibilities and privileges of betrothal vary. In most cultures, the betrothed couple is expected to spend much time together, learning about each other. In some historical cultures (including colonial North America), the betrothal was essentially a trial marriage, with marriage only being required in cases of conception of a child. In almost all cultures there is a loosening of restrictions against physical contact between partners, even in cultures which would normally otherwise have strong prohibitions against it. The betrothal period was also considered to be a preparatory time, in which the groom would build a house, start a business or otherwise prove his readiness to enter adult society.
In medieval Europe, in canon law, a betrothal could be formed by the exchange of vows in the future tense ("I ''will'' take you as my wife/husband," instead of "I take you as my wife/husband"), but sexual intercourse consummated the vows, making a binding marriage rather than a betrothal. Although these betrothals could be concluded with only the vows spoken by the couple, they had legal implications: Richard III of England had his older brother's children declared illegitimate on the grounds their father had been betrothed to another woman when he married their mother.
A betrothal is considered to be a 'semi-binding' contract. Normal reasons for invalidation of a betrothal include:
Normally a betrothal can also be broken at the behest of either party, though some financial penalty (such as forfeit of the bride price) usually will apply.
Historically betrothal in Catholicism was a formal contract considered as binding as marriage, and a divorce was necessary to terminate a betrothal. Betrothed couples were regarded legally as husband and wife - even before their wedding and physical union. The concept of an official engagement period in Western European culture may have begun in 1215 at the Fourth Lateran Council, headed by Pope Innocent III, which decreed that "marriages are to be ... announced publicly in the churches by the priests during a suitable and fixed time, so that if legitimate impediments exist, they may be made known." Such a formal church announcement of the intent to marry is known as banns. In some jurisdictions, reading the banns may be part of one type of legal marriage.
Customs for engagement rings vary according to time, place, and culture. An engagement ring has historically been uncommon, and when such a gift was given, it was separate from the wedding ring.
The tradition of giving a ring for marriage engagement originated from Judaism that was originally a golden nose ring (Chayei Sarah 24:22) given by Eliezer of Damascus to Rebecca, with Saadiah Gaon also citing as a possible source of the practice in the phrase in Nehemiah 7:46 ''be’nei tabbaot'' (children of the rings). There, law required it as a money equivalent, ''shaveh kessef'' that the bride could own from the first moment of the marriage contract; in Jewish law the bride has to know only that the ring is valued at a minimum of a ''pe’rutah'', a symbolic low-valued coin, the actual value of the contract written in the Ketubah.
Romantic rings from the time of the Roman Empire sometimes bore clasped hands symbolizing contract, from which the later Celtic Claddagh symbol (two hands clasping a heart) may have evolved as a symbol of love and commitment between two people. Romans believed the circle was a bond between the two people who were to be married and signified eternity, but was first practiced on the fourth finger/ring finger by the Romans, who believed this finger to be the beginning of the ''vena amoris'' ("vein of love"), the vein that leads to the heart. In cultures with European origin, and many other countries, an engagement ring is worn following the practice of the Romans who "...wore the ring either on the right middle finger or the left ring [4th] finger, from which, according to ancient Egyptian physicians, a nerve led directly to the heart." The custom in Continental Europe and other countries is to wear it on the right hand. One historical exception arose in monarchical regimes, in which a nobleman entering into morganatic marriage, a marriage in which the person, usually the woman, of lower rank stayed at the same rank instead of rising ranks, would present his left hand to receive the ring, hence the alternative term 'marriage with the left hand' (Ger. ''Ehe zur linken Hand''), the offspring of such marriages considered to be disinherited from birth.
The modern Western form of the practice of giving or exchanging engagement rings is traditionally thought to have begun in 1477 when Maximilian I, Holy Roman Emperor, gave Mary of Burgundy a diamond ring as an engagement present.
In other countries like Argentina, men and women each wear a ring similar to wedding bands. They are made of silver ("alianza de plata") when manifesting an informal "boyfriend-girlfriend" relationship, though this first step might not always happen; howbeit depending on finances, this may be the only ring given at all. The gold band ("anillo de compromiso" or "alianza de oro") is given to the bride when the commitment is formal and the [optional] diamond ring ("cintillo") is reserved for the wedding ceremony when the groom gives it to the bride. The gold band that the groom wore during the engagement - or a new one, as some men choose not to wear them during engagement - is then given to the groom by the bride; and the bride receives both the original gold band and the new diamond at the ceremony. The bride's diamond ring is worn on top of the engagement band at the wedding and thereafter, especially at formal occasions or parties; otherwise the engagement band suffices for daily wear for both parties. At the wedding, the rings are swapped from the right to the left hand. In Brazil, they are always made of gold, and there is no tradition for the engagement ring. Both men and women wear the wedding band on their right hand while engaged, and, after they marry, they shift the rings to their left hands. In Nordic countries such as Finland and Norway, both men and women wear an engagement ring.
In the modern era, some women's wedding rings are made into two separate pieces. One part is given to her to wear as an engagement ring when she accepts the marriage proposal and the other during the wedding ceremony. When worn together, the two rings look like one piece of jewelry.
In modern times, engagement parties often celebrate a previously publicized engagement. Whether presents are given at these engagement parties varies from culture to culture.
ar:خطوبة arc:ܡܟܝܪܘܬܐ da:Forlovelse de:Verlöbnis es:Esponsales eo:Fianĉiĝo fa:نامزدی fr:Fiançailles ko:약혼 hi:वाग्दान id:Pertunangan it:Promessa di matrimonio he:אירוסים ka:ნიშნობა nl:Verloving ja:婚約 no:Forlovelse km:ពិធីបញ្ជាប់ពាក្យ pl:Zaręczyny pt:Noivado ru:Обручение sq:Fejesa simple:Engagement fi:Kihlaus sv:Förlovning tr:Nişan uk:Заручини zh-yue:訂婚 zh:訂婚
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
He produced albums on which he arranged, performed, mixed and mastered every song, although his album, ''Om'' (2006), was produced together with Terry Oldfield and ''Om2'' (2010), was produced together with Aroshanti. There is an updated list of his albums at MG Music and at All Music web sites.
Many of Goodall's recent releases have been under the alias Midori. He explains that he chose this alias so he "could record projects that were more ethnic, eastern, or produced for the healing arts" without confusing fans of his other music. However, there are also other musical artists using or known by the name Midori (such as the jazz-punk combo Midori and the Japanese violinist Midori Goto).
One of Goodall's tracks, "Free Spirit" from his album ''Meditations and Visualisations'' (2001) has sampled the "Summer Forest" music in the video game Spyro 2: Ripto's Rage!, as composed by Stewart Copeland.
Category:1961 births Category:Living people Category:English New Age musicians
pl:Medwyn GoodallThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Anna Netrebko |
---|---|
background | solo_singer |
birth name | Anna Yuryevna Netrebko |
birth date | September 18, 1971 |
birth place | Krasnodar, Soviet Union(now Krasnodar, Russia) |
instrument | Vocals |
genre | Opera |
occupation | Opera singer (soprano) |
years active | 1993–present |
website | }} |
In 1994, she sang the Queen of the Night in ''Die Zauberflöte'' with the Riga Independent Opera Avangarda Akadēmija under conductor David Milnes.
In March 2006, Netrebko applied to become an Austrian citizen, receiving her citizenship in late July. According to an interview in the Austrian weekly news, she will live in Vienna and Salzburg. This has led to some backlash in Russia. Netrebko cites the cumbersome and humiliating process of obtaining visas (as a Russian citizen) for her many performances abroad as the main reason for obtaining Austrian citizenship.
In March 2007, Netrebko announced that she would be an ambassador for SOS Children's Village in Austria, and be a sponsor for the Tomilino village in Russia.
In April 2008, Netrebko announced that she and her fiancé, Uruguayan baritone Erwin Schrott, had married. Their son Tiago Aruã Schrott was born on 5 September 2008 in Vienna.. In July 2011, she talked of opening a restaurant .
In 2002, Netrebko made her debut at the Metropolitan Opera as Natasha in the Met premiere of ''War and Peace''. In the same year, she sang her first Donna Anna at the Salzburg Festival's production of ''Don Giovanni'', conducted by Nikolaus Harnoncourt. She also performed at the Russian Children's Welfare Society's major fund raiser, the "Petroushka Ball". She returned to the Ball in 2003 and 2006 and is an honorary director of the charity.
In 2003, Netrebko performed as Violetta in Verdi's ''La traviata'' in Munich, the title role in ''Lucia di Lammermoor'' at the Los Angeles Opera, and Donna Anna at the Royal Opera House, Covent Garden. Her second album, ''Sempre Libera'', was released the following year. She later appeared as Violetta Valéry in ''La traviata'' at the Salzburg Festival, conducted by Carlo Rizzi and in 2008 she performed the same role at Covent Garden to triumphant acclaim on the opening night, opposite Jonas Kaufmann and Dmitri Hvorostovsky in performances conducted by Maurizio Benini. However, she cancelled three subsequent performances due to suffering a bronchial condition. This was the second time she had cancelled her performances at the Royal Opera House, having withdrawn from some performances of ''Don Giovanni'' the previous summer due to illness.
On 30 May 2007, Netrebko made her Carnegie Hall debut with Dmitri Hvorostovsky and the Orchestra of St. Luke's. Originally scheduled for 2 March 2006, Netrebko postponed the recital because she did not feel artistically ready.
Netrebko appeared at the Last Night of the Proms on 8 September 2007 where she performed "Ah! Se una volta ... Ah! Non credea mirarti ... Ah! Non giunge" from ''La sonnambula'', "Meine Lippen, sie küssen so heiß" (''Giuditta'') and the song "Morgen!" by Richard Strauss (with violinist Joshua Bell). In the fall of 2007 she reprised her role as Juliette in ''Roméo et Juliette'' at the Metropolitan Opera. In December 2007, Netrebko performed for Martin Scorsese, a 2007 Honoree, at the Kennedy Center Honors, and in May 2008 she made a much-awaited debut at the Paris Opera in ''I Capuleti e i Montecchi'', with Joyce DiDonato as her Romeo.
Netrebko was scheduled to sing Lucia in ''Lucia di Lammermoor'' in October 2008 at the Metropolitan Opera, but due to her pregnancy she decided to drop out of the role.
In her first performance after her maternity leave, Netrebko sang Lucia in ''Lucia di Lammermoor'' when it opened at the Mariinsky Theatre in Saint Petersburg on 14 January 2009, in a production from the Scottish Opera led by John Doyle. She then sang the same role in January and February 2009 at the Metropolitan Opera. Netrebko appeared as Giulietta in ''I Capuleti e i Montecchi'' at the Royal Opera House in Spring 2009, and as Violetta in ''La traviata'' in June 2009 at the San Francisco Opera. On November 13, 2010 in a matinee performance broadcast nationally by PBS, she sang the role of Norina in ''Don Pasquale'' at New York's Metropolitan Opera House under conductor James Levine. On April 2, 2011, she sang the title role of Gaetano Donizetti's ''Anna Bolena'' at the Vienna State Opera for a sold-out premiere there, and the repeat performance on April 5, 2011 was broadcast live to cinemas around the world.
!# | !Recordingyear | !Opera | !Cast | !Conductor,Opera house and orchestra | !Releaseyear | !Label |
1 | 1995 | Anna Netrebko Vladimir Ognovenko Larissa Diadkova Gennady Bezzubenkov Galina Gorchakova | 2003 | |||
2 | 1998 | Anna Netrebko Larissa Diadkova Nikolai Gassiev Aleksander Gergalov Sergei Aleksashkin | 2005 | |||
3 | 2005 | Anna Netrebko Rolando Villazón Thomas Hampson Helene Schneiderman Diane Pilcher | 2006 | Deutsche Grammophon | ||
4 | 2005 | Anna Netrebko Rolando Villazón Ildebrando D'Arcangelo Leo Nucci Inna Los | Alfred Eschwé Vienna State Opera orchestra, chorus and stage orchestra | 2007 | ||
5 | 2006 | Anna Netrebko Ildebrando D'Arcangelo Bo Skovhus Dorothea Röschmann Christine Schäfer | Nicolaus Harnoncourt Vienna Philharmonic and Vienna State Opera chorus | 2007 | Deutsche Grammophon | |
6 | 2007 | Anna Netrebko Eduardo Valdes Franco Vasallo John Relyea Eric Cutler | Patrick Summers Metropolitan Opera orchestra, chorus and ballet | 2008 | Deutsche Grammophon | |
7 | 2007 | Anna Netrebko Rolando Villazón Christof Fischesser Alfredo Daza Rémy Coraza | Daniel Barenboim Staatskapelle Berlin and Berlin State Opera chorus | 2008 | Deutsche Grammophon | |
8 | 2008 | Anna Netrebko Rolando Villazón George von Bergen Nicole Cabell Adrian Eröd | Bertrand de Billy Bavarian Radio Symphony Orchestra and chorus Staatstheater am Gärtnerplatz children chorus | 2009 | Axiom Films | |
9 | 2009 | Anna Netrebko Mariusz Kwiecien Piotr Beczala Colin Lee Ildar Abdrazakov | Marco Armiliato Metropolitan Opera orchestra, chorus and ballet | 2009 | Deutsche Grammophon | |
10 | 2010 | Anna Netrebko Mariusz Kwiecien Matthew Polenzani John del Carlo | James Levine Metropolitan Opera orchestra and chorus | 2011 | Deutsche Grammophon | |
!# | !Recordingyear | !Opera | !Cast | !Conductor,Opera house and orchestra | !Releaseyear | !Label |
1 | 1995 | Anna Netrebko Vladimir Ognovenko Larissa Diadkova Gennady Bezzubenkov Galina Gorchakova | 2003 | |||
2 | 1997 | Anna Netrebko Larissa Diadkova Mikhail Kit Evgeny Akimov Alexander Morozov | 2001 | |||
3 | 1998 | Anna Netrebko Larissa Diadkova Nikolai Gassiev Aleksander Gergalov Sergei Aleksashkin | 1999 | |||
4 | 2005 | Anna Netrebko Rolando Villazón Thomas Hampson Helene Schneiderman Diane Pilcher | 2006 | Deutsche Grammophon | ||
5 | 2006 | Anna Netrebko Ildebrando D'Arcangelo Bo Skovhus Dorothea Röschmann Christine Schäfer | Nicolaus Harnoncourt Vienna Philharmonic and Vienna State Opera chorus | 2007 | Deutsche Grammophon | |
6 | 2007 | Anna Netrebko Rolando Villazón Boaz Daniel Nicole Cabell Stéphane Degout | Bertrand de Billy Bavarian Radio Symphony Orchestra and chorus Staatstheater am Gärtnerplatz children chorus | 2008 | Deutsche Grammophon | |
7 | 2008 | Anna Netrebko Elīna Garanča Joseph Calleja Robert Gleadow Tiziano Bracci | Fabio Luisi Vienna Symphony and the Wiener Singakademie | 2009 | Deutsche Grammophon | |
She was awarded the State Prize of the Russian Federation (2004) and was made a People's Artist of Russia by President Putin in 2008.
''Playboy'' magazine placed her in their "sexiest babes of classical music" list.
Netrebko has also won two prestigious Classical BRIT Awards: the 2007 Singer of the Year Award and the 2008 Female of the Year.
Category:1971 births Category:Living people Category:Operatic sopranos Category:People from Krasnodar Category:People's Artists of Russia Category:Russian expatriates in Austria Category:Russian female singers Category:Russian opera singers Category:Russian people of Ukrainian descent Category:Russian sopranos Category:Saint Petersburg Conservatory alumni Category:State Prize of the Russian Federation laureates
ca:Anna Netrebko cs:Anna Netrebko da:Anna Netrebko de:Anna Jurjewna Netrebko et:Anna Netrebko es:Anna Netrebko fr:Anna Netrebko ko:안나 네트렙코 it:Anna Jur'evna Netrebko he:אנה נטרבקו la:Anna Netrebko lt:Ana Netrebko nl:Anna Netrebko ja:アンナ・ネトレプコ no:Anna Netrebko pl:Anna Netrebko pt:Anna Netrebko ru:Нетребко, Анна Юрьевна sl:Anna Netrebko fi:Anna Netrebko sv:Anna Netrebko tr:Anna Netrebko uk:Нетребко Ганна Юріївна zh:安娜·奈瑞贝科This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Category:Educational institutions established in 1960 Category:High schools in San Bernardino County, California Category:Chino, California
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
He became the chief conductor and artistic director of the Mariinsky in 1988, and overall director of the company, appointed by the Russian government, in 1996. In addition to his artistic work with the Mariinsky, Gergiev has worked in fund-raising for such projects as the recently built 1100-seat Mariinsky Hall, and intends to achieve complete renovations of the Mariinsky Theatre by 2010.
From 1995 to 2008, Gergiev was principal conductor of the Rotterdam Philharmonic Orchestra. In 1997, Gergiev became principal guest conductor of the Metropolitan Opera in New York City. His contract there ran through the 2007-2008 season. His premieres there have included a new version of Mussorgsky's ''Boris Godunov'', revised and reorchestrated by Igor Buketoff.
In 2002, Gergiev was featured in one scene in the film Russian Ark, directed by Alexander Sokurov and filmed at the Hermitage Museum in St. Petersburg, Russia.
In 2003, he initiated and conducted at the Mariinsky Theatre the first complete cycle of Wagner's ''The Ring of the Nibelung'' to be performed in Russia for over 90 years. The production's design and concept reflects many aspects of Ossetian culture. Gergiev conducted this production in Cardiff in 2006 at the Wales Millennium Centre, and in Costa Mesa, California in October 2006 at the Orange County Performing Arts Center. This production was presented at the Lincoln Center in New York City in July 2007 to a great acclaim, and the run was completely sold out.
In 1988, Gergiev made his first guest conducting appearance with the London Symphony Orchestra (LSO). In his next appearance with the LSO in 2004, he conducted the symphonies of Sergei Prokofiev. This engagement led to his appointment in 2005 as the Orchestra's fifteenth principal conductor, succeeding Sir Colin Davis effective January 1, 2007. Gergiev's initial contract with the LSO was for 3 years. His first official concert as the LSO Principal Conductor was on 23 January 2007, as he was supposed to have conducted his first concert as LSO Principal Conductor on 13 January, but had to withdraw because of illness.
In October 2007 Gergiev took part in a unique holiday project featured in the 100th anniversary issue of the Neiman Marcus Christmas Book. A concert by Gergiev and the Kirov Orchestra featuring piano virtuoso Lola Astanova became a part of a $1.59 million fantasy gift. The super concert is said to be hosted by the Emmy-winning American television personality Regis Philbin.
In June 2011, Gergiev took up a highly prominent reformist role as chairman of the International Tchaikovsky Competition. He replaced academic judges with famous performers and introduced an openness to the process, arranging for all performance to be streamed live and free on the internet and for the judges to speak their minds in public as and where they wished. The contest was considered a massive personal triumph
Gergiev has a reputation for an abrasive, yet passionate, conducting style. He is a driven conductor who produces his best in pieces of great drama. Curiously, he often conducts using a toothpick as a baton, as can be seen in his performances of Rimsky-Korsakov's ''Capriccio Espagnol'' and Verdi's overture to ''La Forza del Destino'' on YouTube. He has stated that his favourite composer is Sergei Prokofiev in his DVD recording of Prokofiev's Scythian Suite. He was awarded the 2006 Polar Music Prize together with Led Zeppelin.
Gergiev has also been a consistent supporter of peace in the Caucasus, particularly in the conflict between the Georgian central government and South Ossetia. After the 2004 Beslan school massacre, Gergiev made an appeal on television for calm and against any revenge. He conducted concerts in tribute to the victims of the massacre.
During the 2008 South Ossetia war, Gergiev accused the Georgian government of massacring ethnic Ossetians, triggering the conflict with Russia. He came to Tskhinvali and conducted a concert near the ruined building of the South Ossetian Parliament as tribute to the victims of the war.
Gergiev's recording of Prokofiev's Romeo and Juliet with London Symphony Orchestra on LSO live in 2010 was the winner of the Orchestral category and the Disc of the Year of the 2011 BBC Music Magazine Awards.
Category:Russian conductors (music) Category:Soviet conductors (music) Category:Artistic directors (music) Category:Music directors (opera) Category:London Symphony Orchestra principal conductors Category:Order of Merit for the Fatherland recipients Category:Honorary Members of the Royal Academy of Music Category:Saint Petersburg Conservatory alumni Category:Ossetian people Category:1953 births Category:Living people Category:Officers Crosses of the Order of Merit of the Federal Republic of Germany
cs:Valerij Gergijev de:Waleri Abissalowitsch Gergijew et:Valeri Gergijev es:Valeri Gérgiev eo:Valerij Gergijev fr:Valeri Guerguiev gl:Valeri Gérgiev hr:Valerij Abisalovič Gergijev os:Гергиты Валери it:Valerij Abisalovič Gergiev he:ואלרי גרגייב ka:ვალერი გერგიევი nl:Valeri Gergiev ja:ヴァレリー・ゲルギエフ pl:Walerij Giergijew pt:Valery Gergiev ru:Гергиев, Валерий Абисалович simple:Valery Gergiev sl:Valerij Gergijev fi:Valeri Gergijev sv:Valerij Gergijev tr:Valeri Gergiyev uk:Гергієв Валерій Абісалович zh:瓦列里·格吉耶夫This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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