"Sound and Vision" is a song and single by David Bowie which appeared on the album Low in 1977.

The song is notable for juxtaposing an uplifting guitar and synthesizer-led instrumental track with Bowie’s withdrawn lyrics. These were drawn from the cocaine-fueled paranoia the singer had lived in while residing in Los Angeles^{[citation needed]}.

In keeping with the minimalist approach of Low, co-producer Visconti and Bowie originally recorded the track as an instrumental, bar the backing vocal (performed by Visconti’s wife, Mary Hopkin). Bowie then recorded his vocal after the rest of the band had left the studio, before trimming verses off the lyric, and leaving a relatively lengthy instrumental intro on the finished song.

Selected as a first single from the album, “Sound and Vision” was used by the BBC on trailers at the time. This provided considerable exposure, much needed as Bowie opted to do nothing to promote the single himself, and helped the song to #3. In the US, “Sound and Vision” was less of a hit. At the time in America, the general record-buying public saw Bowie as a disco artist, with the song too much of a departure from his recent singles, and “Sound and Vision” stalled at #69.

David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.