14:57
The advantages of a Critical Realist SSA theory
Brian O'Boyle presents that as a theoretically produced account of capitalist accumula...
published: 13 May 2012
Author: Maria Alejandra Gonzalez-Perez
The advantages of a Critical Realist SSA theory
Brian O'Boyle presents that as a theoretically produced account of capitalist accumulation, SSA theory makes foundational assumptions about the real world. However in line with the vast majority of its epistemological counterparts it has failed to adequately elaborate these presuppositions with some deliterious results such as an initial emphasis on technological determinism and occasionally on econometric modelling. O'Boyle states that Critical Realism seeks to redress this ontological deficiency by making explicit enquiries into the nature of social reality and to the extent that its results confirm the implicit assumptions of the SSA theorists it can form a useful appendage to their approach. Moreover, O'Boyle adds that the model of structure and agency furnished by critical realism can also be useful in pointing to the importance of hegemonic struggles within capitalism, and in highlighting the significance of transformative praxis within structural crises. This not only guards against naturalising capitalist production relations as they move through a 'succession of relatively stable SSA's'. But, as stated by O'Boyle it will also recover the normative elements of SSA theory as an instance of Marxian emancipatory theory. Brian O' Boyle has affiliations with the Centre for Innovation and Structural Change and the Dept. of Economics at NUI Galway where he is currently a Ph.D candidate. His research looks at the ideology of Neoliberalism and more specifically its <b>...</b>
9:20
steinmetz segment 1
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. De...
published: 03 Dec 2009
Author: ryan2394
steinmetz segment 1
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. December 1, 2009. Interviewed by Daniel Little
45:52
Margaret Archer on Reflexivity
Talk on reflexivity at the Critical Realism Dictionary Launch...
published: 12 May 2011
Author: Mark Johnson
Margaret Archer on Reflexivity
Talk on reflexivity at the Critical Realism Dictionary Launch
9:00
Gilson and "Critical Realism" 1
Philosophy...
published: 11 Aug 2012
Author: mattmenking
Gilson and "Critical Realism" 1
Philosophy
9:00
Gilson and "Critical Realism" 2
Critical Realism...
published: 11 Aug 2012
Author: mattmenking
Gilson and "Critical Realism" 2
Critical Realism
8:32
Gilson and "Critical Realism" 3
Critical Realism...
published: 11 Aug 2012
Author: mattmenking
Gilson and "Critical Realism" 3
Critical Realism
51:37
17. The Frankfurt School of Critical Theory
Introduction to Theory of Literature (ENGL 300) This first lecture on social theories of a...
published: 01 Sep 2009
Author: YaleCourses
17. The Frankfurt School of Critical Theory
Introduction to Theory of Literature (ENGL 300) This first lecture on social theories of art and artistic production examines the Frankfurt School. The theoretical writings of Theodor Adorno and Walter Benjamin are explored in historical and political contexts, including Marxism, socialist realism, and late capitalism. The concept of mechanical reproduction, specifically the relationship between labor and art, is explained at some length. Adorno's opposition to this argument, and his own position, are explained. The lecture concludes with a discussion of Benjamin's perspective on the use of distraction and shock in the process of aesthetic revelation. 00:00 - Chapter 1. Marx, Engels, and Ideology 09:46 - Chapter 2. The Aesthetics of Marxist Criticism 19:58 - Chapter 3. Adorno, the Work of Art, and Collectivity 27:54 - Chapter 4. Bloch's Principle of Hope 31:09 - Chapter 5. Benjamin and Mechanical Reproduction 37:54 - Chapter 6. Adorno and Conformism 41:01 - Chapter 7. Benjamin, the Spectator, and Distraction Complete course materials are available at the Open Yale Courses website: open.yale.edu This course was recorded in Spring 2009.
6:58
N705 Unit 1 project - Critical Realism
...
published: 02 Oct 2012
Author: Cassie Huffman
N705 Unit 1 project - Critical Realism
0:12
Critical Realism And Marxism
ll4.me Critical Realism And Marxism EAN/ISBN : 9780203299227 Publisher(s): Taylor & Fr...
published: 30 Aug 2012
Author: johnknouse6
Critical Realism And Marxism
ll4.me Critical Realism And Marxism EAN/ISBN : 9780203299227 Publisher(s): Taylor & Francis, Routledge Format: ePub/PDF Author(s): Brown, Andrew - Fleetwood, Steve - Roberts, John Michael EAN/ISBN : 9780203299227 Publisher(s): Taylor & Francis, Routledge Format: ePub/PDF Author(s): Brown, Andrew - Fleetwood, Steve - Roberts, John Micha
10:41
Critical Reading: SEP on "Realism"
btw, if you want to skip ahead understand this: I do believe in things. Things are ideas w...
published: 01 Oct 2011
Author: pyrrho314
Critical Reading: SEP on "Realism"
btw, if you want to skip ahead understand this: I do believe in things. Things are ideas we have that bundle qualia together, words do indicate things, in other words, idea. We say the ideas are "of" something, particularly, that we are not the cause of the appearance of the qualia... at least not in all cases. A belief that there is a source of information, which we process, is a system which can have a materialism based not on "externality" and "things" but on "perception" and "material facts" as a subset of perception, judged ultimately by practical criteria that have to take into account whatever we know about how we function. Ultimately every truth involves, embedded, things about how we function. Taking this discovery into account is what I'm doing. And really, it's getting a little late in the game I think, only denial offers explanation in great parts of the intellectual universe, in my opinion. It's like theists that take god so much for granted, they don't know they believe in it. A nice thing about skepticism is it highlights one's gods and beliefs for one, and one learns where their assumptions are, and it becomes much easier to transition away from an assumptions when the time finally, inevitably, comes. One that believes in evolution of idea either has to accept they are always absolutely wrong, or that there is a definition of truth that depends not on absolutes but context, and that one can be "relatively correct". But then to say things you have to admit <b>...</b>
3:36
Naturalistic Ontology
This session briefly engages critical realism and how a naturalistic ontology may be appli...
published: 28 Sep 2012
Author: LionViews
Naturalistic Ontology
This session briefly engages critical realism and how a naturalistic ontology may be applied towards understanding human or social phenomena through application of the scientific method. It acknowledges Roy Bhaskar as the founder of Critical Realism.
8:09
LAW121 - Legal Realism & CLS
Legal realists assert that judges hold the key to law's influence. In New Zealand and ...
published: 21 Sep 2011
Author: mohsenalattar1
LAW121 - Legal Realism & CLS
Legal realists assert that judges hold the key to law's influence. In New Zealand and other Western liberal democracies, law is practised as an adversarial exercise between two antagonistic parties with a judge possessing adjudicatory powers. How do judges go about making their decisions? They are, of course, guided by their interpretation of the law. However, being human means being influenced by other factors such as feelings, moods, alliances, and preferences. Legal realists highlight the fundamental importance of personality in the outcome of a dispute. Likewise, critical legal studies theory challenges law's alleged impartiality. A simple glance at society establishes how diverse our society ha become. Yet, the majority of lawyers, legislators, and judges are middle-aged, middle to upper class, white Christian men. Can the law be said to be impartial when a group rather unrepresentative of society is responsible for crafting the law, executing the law, and resolving disputes about the law? Some critical theorists even argue that law operates as a tool of privilege and power in historical and contemporary society.
8:49
Pestilence - Personal Energy / Voices From Within / Spheres
From the 1993 album "Spheres". © Roadrunner Records. Patrick Mameli - Vocal...
published: 11 Oct 2009
Author: KillerMetalUploads
Pestilence - Personal Energy / Voices From Within / Spheres
From the 1993 album "Spheres". © Roadrunner Records. Patrick Mameli - Vocals / Guitars / Synth Guitars Patrick Uterwijk - Guitars / Synth Guitars Jeroen Paul Thesseling - Six and Four string Bass Marco Foddis - Drums Lyrics: The temple of the soul Home of the spiritual source Blessed with powers we unfold Human magnetism, uncontrolled Personal energy The magic of nature A presence of ourselves we can not see Personal energy Consciousness, life towards the essence of eternity A domain of harmony Captured past and future A vision of reality Divided structures, the higher senses, polarity around all creatures, Increasing possibilities of self-discovery, Energetic thoughts creating electricity [Interlude: Voices From Within] The Highest Intelligence as the explaining principal of existence Visions and conclusions eager to reveal some kind of significance Critical realism, an imperfect reality Knowledge, a human construction of theories Moving the limits of wisdom to edges of its disappearance Explantions captured in schemes of time Unfolded with human interference The emptiness of ignorance in a darkened void of mystery Unanswered questions to be solved by the presence of some deity Spheres! An endless galaxy of time zones, dimensions, preserve the astral secrecy The unity of time and space a human philosophy A faithful reflection, an imperfect reality Knowledge, a human construction of theories Spheres!
10:00
Wolfgang Petrick Studio Visit Part I
James Kalm drop in unexpectedly for an impromptu studio visit with one of Williamsburgs mo...
published: 23 Oct 2008
Author: jameskalm
Wolfgang Petrick Studio Visit Part I
James Kalm drop in unexpectedly for an impromptu studio visit with one of Williamsburgs most significant artists, Wolfgang Petrick. Over thirty five years ago the work of Wolfgang Petrick made its initial impression on Kalm, and it still wields the same impact. As a founding member of Critical Realism Petrick has been in the forefront of German and international art. This two part feature includes views of his latest projects and an interview with the artist
Vimeo results:
59:46
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by ...
published: 06 May 2011
Author: Norwich Television
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by military educator and former superintendent of West Point, Captain Alden B. Partridge. Captain Partridge believed in the "American System of Education," a traditional liberal arts curriculum with instruction in civil engineering and military science. After leaving West Point because of congressional disapproval of his system, he returned to his native state of Vermont to create the American Literary, Scientific and Military Academy. Captain Partridge, in founding his academy, rebelled against the reforms of Sylvanus Thayer to prevent the rise of what he saw as the greatest threat to the security of the young republic: a professional officer class. He believed that a well-trained militia was an urgent necessity and developed the American system around that idea. His academy became the inspiration for a number of military colleges throughout the nation, including both the Virginia Military Institute and The Citadel, and later the land grant colleges created through the Morrill Act of 1862.[4]
Partridge's educational beliefs were considered radical at the time, and this led to his conflicting views with the federal government while he was the superintendent of West Point. Upon creation of his own school, he immediately incorporated classes of agriculture and modern languages in addition to the sciences, liberal arts, and various military subjects. Field exercises, for which Partridge borrowed cannon and muskets from the federal and state governments, supplemented classroom instruction and added an element of realism to the college’s program of well-rounded military education.
Partridge founded six other military institutions during his quest to reform the fledgling United States military. They were the Virginia Literary, Scientific and Military Academy at Portsmouth, Virginia (1839–1846), Pennsylvania Literary, Scientific, and Military Academy at Bristol, Pennsylvania (1842–1845), Pennsylvania Military Institute at Harrisburg, Pennsylvania (1845–1848), Wilmington Literary, Scientific and Military Academy at Wilmington, Delaware (1846–1848), the Scientific and Military Collegiate Institute at Reading, Pennsylvania (1850–1854), Gymnasium and Military Institute at Pembroke, New Hampshire (1850–1853) and the National Scientific and Military Academy at Brandywine Springs, Delaware (1853).[5]
[edit]Fire and hardship: Norwich in the 19th century
In 1825 the academy moved to Middletown, Connecticut, to provide better naval training to the school's growing corps of cadets. In 1829, the state of Connecticut declined to grant Captain Partridge a charter and he moved the school back to Norwich (the Middletown campus became Wesleyan University in 1831). Beginning in 1826, the college offered the first program of courses in civil engineering in the US. In 1834 Vermont granted a charter and recognized the institution as Norwich University. During the 1856 academic year, the first chapter of the Theta Chi Fraternity was founded by cadets Frederick Norton Freeman and Arthur Chase. With the beginning of the Civil War in 1861, Norwich cadets served as instructors of the state militias throughout the Northeast and the entire class of 1862 enlisted upon its graduation. Norwich turned out hundreds of officers and soldiers who served with the federal armies in the American Civil War, including four recipients of the Medal of Honor. One graduate led a corps, seven more headed divisions, 21 commanded brigades, 38 led regiments, and various alumni served in 131 different regimental organizations. In addition, these men were eyewitnesses to some of the war's most dramatic events, including the bloodiest day of the conflict at Antietam, the attack up Marye's Heights at Fredericksburg, and the repulse of Pickett's Charge at Gettysburg. Seven hundred and fifty Norwich men served in the Civil War, of whom sixty fought for the Confederacy.[6] Because of the university's participation in the struggle, the number of students dwindled to seven in the class of 1864 alone.
The Confederate raid on St. Albans, Vermont precipitated fear that Newport, Vermont was an imminent target. The corps quickly boarded an express train for Newport, the same day, October 19, 1864, to the great relief of the inhabitants.
After a catastrophic fire in 1866 which devastated the entire campus, the town of Northfield welcomed the struggling school. The Civil War, the fire, and the uncertainty regarding the continuation of the University seriously lowered the attendance, and the school opened in the fall of 1866 with only 19 students. The 1870s and 1880s saw many financially turbulent times for the institution and the renaming of the school to Lewis College in 1880. In 1881 the student body was reduced to only a dozen men. Later, by 1884, the Vermont Legislature had the name of the school changed back to Norwich. In 1898 the university was designated as the Military
5:13
Thomas Kovachevich - Ideas/Conceptual Realism
One of a group of filmed interviews of Thomas Kovachevich. In each segment a question is a...
published: 09 Feb 2012
Author: Romanov Grave
Thomas Kovachevich - Ideas/Conceptual Realism
One of a group of filmed interviews of Thomas Kovachevich. In each segment a question is asked and answered. The interview was filmed at his studio in November of 2011.
Born in Detroit, New York based Thomas Kovachevich is both an artist and a physician. He first exhibited his work at the Penthouse Gallery at MOMA and was included in Documenta V, 1972. In 2011 he exhibited at Callicoon Fine Art - http://callicoonfinearts.com/index.php?/thomas-kovachevich/2/ in NYC. You can see more of his work at http://thomaskovachevich.com/ and his videos at https://vimeo.com/user3184559
This interview is produced by Romanov Grave and Davidson Drasler Productions. Romanov Grave is a collective that curates art exhibitions and writes art criticism. The Thomas Kovachevich interviews are part of an ongoing series of artist interviews. To see more and to sign up for our mailing list visit us at http://romanovgrave.com and http://twitter.com/romanovgrave
Nancy Davidson http://nancydavidson.com, the sculptor and video artist, and Greg Drasler http://drasler.com, the painter, formed Davidson Drasler Productions to produce artist interviews and other art-related videos.
20:37
The Endz - Internet Web Series Pilot
Please Visit www.theendzdrama.com
To watch this weekly Internet Only Drama Se...
published: 26 Aug 2009
Author: The Endz Drama
The Endz - Internet Web Series Pilot
Please Visit www.theendzdrama.com
To watch this weekly Internet Only Drama Series.
‘THE ENDZ’ IS NIGH!
Written by and starring actors who have grown up in ‘The Endz’, this exciting new drama series is a tenacious portrayal of life on the streets of Manchester. Like nothing you’ve seen before, this realistic and harrowing insight into the young lives of city kids, will envelope you into a dark and unsettling environment.
Our protagonist is a young black male – hated for his colour and haunted by his surroundings. Having moved to Manchester, whilst coping with the loss of his Father, Leroy faces the pressure of joining a crew, not realising at first, just how critical membership would be for survival.
Contained in the first series alone, there are elements of racial and drug abuse, violence, radical religious beliefs and gang crime. Unlike other dramas of a similar genre, ‘The Endz’ allows the actors and the audience to live as the characters. Over half of the actors were brought up in ‘The Endz’ and their effortless portrayal of their characters certifies such roots. Nothing has been glamorised or altered to add unnecessary comedic value – this is gritty realism at its best.
Based on the working-class culture, this representation of a youth’s city life is enough to make you double-check the door at night, or ask your children a few more questions when they leave the house.
Naivety is as dangerous as ‘The Endz’ and we expect our audience to be shocked, appalled yet socially reflective on what they observe and learn. The script has not been sugar-coated and was not written for a night in with the kids. This is not a drama for the feint-hearted – watch responsibly !!!!
3:54
Gareth Price Artist Painter of Magical realism by Allan Johnston photo & Video ass Vikash Serma
A collection of visually striking, enigmatic and meticulously detailed acrylic works on ca...
published: 02 Oct 2010
Author: allan johnston
Gareth Price Artist Painter of Magical realism by Allan Johnston photo & Video ass Vikash Serma
A collection of visually striking, enigmatic and meticulously detailed acrylic works on canvas that explore ideas to do with the mysteries of life within the suburban landscape of New Zealand.
Gareth paints in a style that is closely aligned to the magical realism tradition which acted as a portal to Surrealism. This is a form of art which originated as a literary term in 1925 when German art criticism, specifically that of the writer Franz Roh, began to focus on the mystery of life behind surface reality. It is a type of realism portraying everyday life in new and unfamiliar ways and often with a twist of the bizarre and unusual. While dreamlike and fantastic elements are added to the art, the subject matter always remains within the realm of the possible which is where it differs with surrealism. “With magical realism things are a bit more considered and recognizable objects are in places they wouldn't normally be. For instance one of my paintings has a dolphin above a house” is Gareth’s take.
Suburban Fantasy features intricately detailed paintings that contain mysterious and enchanting narratives. Creatures and elements seem to float or hover either above or within the facade of a suburban dwelling, creating an odd juxtaposition which has a dreamlike effect throughout all of his paintings.
The subject matter has as its focus domestic and everyday life which is symbolized by the facade of distinctive architectural suburban dwellings such as the bungalow, villa and brick and tile from the 1970's. These are suburban homes that are nostalgic yet grounded in reality and which the artist knows well having lived in some of them in his childhood and as an adult. The symbolism of the architectural facade is profoundly interesting and invites much interpretation. Price deliberately omits human participants in his paintings in favour of fantastical creatures. With geographical references such as One Tree Hill, are unique to the New Zealand landscape and signal Gareth development of his own recognizable and distinctive form of New Zealand inspired art.
“The battle to destroy inhibition is both won and lost over Pukekohe”
In a recent interview Price revealed that a deep sense of longing and yearning for the potentially unattainable is a theme and driving force in his art but as can be possibly gleaned from the above title... he doesn’t take himself overly seriously... or maybe us!
“With my art I try to express the extraordinary within the ordinary”.
Allan Johnston Photography & Video.
www.allanjohnston.co.nz
Editing by Sam Vikash Verma
Youtube results:
3:26
Pestilence Spheres
From the 1993 album "Spheres". © Roadrunner Records Probably my favorite al...
published: 23 Sep 2012
Author: Iprofit91
Pestilence Spheres
From the 1993 album "Spheres". © Roadrunner Records Probably my favorite album from them along with Testimony. I don't know why this album got ripped on so much by the death metal community from what i see from reviews on it, I for one think this is the epitome for death metal since they took there instruments to the fullest of there ability while retaining the death metal sound, Cynic, Atheist and Pestilence being the pioneers or trailblazers so to speak Patrick Mameli - Guitars, Synth & Vocals Marco Foddis - Drums Patrick Uterwijk - Guitars & Synth Jeroen Paul Thesseling - Bass 4 & 6 Strings Fretless The Highest Intelligence as the explaining principal of existence Visions and conclusions eager to reveal some kind of significance Critical realism, an imperfect reality Knowledge, a human construction of theories Moving the limits of wisdom to edges of its disappearance Explantions captured in schemes of time Unfolded with human interference The emptiness of ignorance in a darkened void of mystery Unanswered questions to be solved by the presence of some deity Spheres! An endless galaxy of time zones, dimensions, preserve the astral secrecy The unity of time and space a human philosophy A faithful reflection, an imperfect reality Knowledge, a human construction of theories Spheres!
8:21
steinmetz segment 2
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. De...
published: 03 Dec 2009
Author: ryan2394
steinmetz segment 2
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. December 1, 2009. Interviewed by Daniel Little
2:22
Ilya Repin - The Art of Russia - Roads to Revolution - BBC4
More about this series: www.bbc.co.uk More about this programme: www.bbc.co.uk Series in w...
published: 10 Dec 2009
Author: BBC
Ilya Repin - The Art of Russia - Roads to Revolution - BBC4
More about this series: www.bbc.co.uk More about this programme: www.bbc.co.uk Series in which art critic Andrew Graham-Dixon tells the story of Russian art. He explores how Russia changed from a feudal nation of aristocratic excess to a hotbed of revolution at the beginning of the 20th century and how art moved from being a servant of the state to an agent of its destruction.
4:14
steinmetz segment 3
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. De...
published: 03 Dec 2009
Author: ryan2394
steinmetz segment 3
Interview with Prof. George Steinmetz, Department of Sociology, University of Michigan. December 1, 2009. Interviewed by Daniel Little