- published: 18 Aug 2016
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Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic and theorist she has published steadily since 1965 in Artforum, Art International and Art in America. She was associate editor of Artforum from 1971 to 1974 and has been editor of October, a journal of contemporary arts criticism and theory that she co-founded in 1976.
Krauss was born to Matthew M. Epstein and Bertha Luber in Washington D.C. and grew up in the area, visiting art museums with her father. After graduating from Wellesley in 1962, she attended Harvard, whose Department of Fine Arts (now Department of History of Art and Architecture) had a strong tradition of the intensive analysis of actual art objects under the aegis of the Fogg Museum.
Krauss wrote her dissertation on the work of David Smith. Krauss received her Ph.D. in 1969. The dissertation was published as Terminal Iron Works in 1971.
Krauss is a German surname; notable people with this surname include:
Johann Strauss II (October 25, 1825 – June 3, 1899), also known as Johann Strauss, Jr., the Younger, the Son (German: Sohn), Johann Baptist Strauss, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely then responsible for the popularity of the waltz in Vienna during the 19th century.
Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well known as their elder brother. Some of Johann Strauss' most famous works include "The Blue Danube", "Kaiser-Walzer", "Tales from the Vienna Woods", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Strauss was born in St Ulrich near Vienna (now a part of Neubau), Austria, on October 25, 1825, to the composer Johann Strauss I. His paternal great-grandfather was a Hungarian Jew – a fact which the Nazis, who lionised Strauss's music as "so German", later tried to conceal. His father did not want him to become a musician but rather a banker. Nevertheless, Strauss Junior studied the violin secretly as a child with the first violinist of his father's orchestra, Franz Amon. When his father discovered his son secretly practising on a violin one day, he gave him a severe whipping, saying that he was going to beat the music out of the boy. It seems that rather than trying to avoid a Strauss rivalry, the elder Strauss only wanted his son to escape the rigours of a musician's life. It was only when the father abandoned his family for a mistress, Emilie Trampusch, that the son was able to concentrate fully on a career as a composer with the support of his mother.
Die Fledermaus (The Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.
The original source for Die Fledermaus is Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix (1811–1873). Another source is the French vaudeville play Le Réveillon, by Henri Meilhac and Ludovic Halévy, which was first translated by Karl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a New Year's Eve supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner.
The operetta premièred on 5 April 1874 at the Theater an der Wien in Vienna and has been part of the regular repertoire ever since:
Tacita Charlotte Dean OBE (born 1965) is an English visual artist who works primarily in film. She is one of the Young British Artists, and was a nominee for the Turner Prize in 1998. She lives and works in Berlin.
Tacita Dean was born in Canterbury, Kent. Her mother is named Jenefer and her father was Joseph Dean, a lawyer who studied classics at Merton College, Oxford. She has a sister named Antigone and a brother, an architect, named Ptolemy Dean. Her grandfather was Basil Dean, the founder of Ealing Studios.
Dean was educated at Kent College, Canterbury. She studied at Falmouth University, graduating in 1988. From 1990 to 1992, Dean studied for a Masters degree at the Slade School of Fine Art.
In 1995, she was included in General Release: Young British Artists held at the XLVI Venice Biennale. She is one of the "key names", along with Jake and Dinos Chapman, Gary Hume, Sam Taylor-Wood, Fiona Banner and Douglas Gordon, of the Young British Artists (YBAs). Her work actually had little in common with the prominent YBAs, Damien Hirst and Tracey Emin.
Rosalind Krauss on Tacita Dean’s 'FILM' | Tate Talks
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J. Strauss II - Die Fledermaus - So muss allein - Gueden, Patzak, Lipp - Krauss (1950)
J. Strauss II - Die Fledermaus - Brüderlein und Schwesterlein - Poell, Patzak, Gueden - Krauss
ELISABETH BERGNER IM GESPRÄCH
sensualità a corte
Campo Expandido
Reading Rosalind Krauss
British artist Tacita Dean created a filmwork for Tate Modern's Turbine Hall. FILM is an experimental response to the architecture of the space and a portrait of the medium itself. Professor Rosalind E. Krauss discusses Tacita Dean’s work FILM 2011, in relation to her ongoing championing of medium specificity. Rosalind E Krauss, editor and cofounder of October magazine, is University Professor at Columbia University. She is the author of The Originality of the Avant-Garde and Other Modernist Myths, The Optical Unconscious, Bachelors, and Perpetual Inventory. Her latest book, Under Blue Cup (2011), explores the relation of aesthetic mediums to memory. This event is related to the 2011 exhibition The Unilever Series: Tacita Dean: FILM http://www2.tate.org.uk/tacitadean/
Phillip O'Sullivan examines the logic of Krauss's famous 'expanded field' art theory. How solid is the reasoning of this art world heavy-hitter? An incomplete interim sketch of an ongoing examination. Part One, version 1 LOOK for 'Part One Version 2', and Part Two Version 2 ''' 2013 Also see philliposullivan.co.nz , masculist-art.com and Google for 'Population Economy' - (this video is created 2012) What are the connections between Dia Art Foundation; connected through marriage to Jewish oil Exploring magnate; the worlds largest oil exploring company... and Earth art and the low leases of sequestering oil exploration land in The United States of America. Large tax breaks for compromised Arts foundations and support for the launch of influential October art magazine in the convenie...
La conferenza della leggendaria storica dell’arte e critica americana Rosalind Krauss tenutasi mercoledì 21 giugno 2017
ROBERT MORRIS: RETROSPECTIVE a film by Michael Blackwood Website: http://www.michaelblackwoodproductions.com/old/artm_morris.php featuring: Robert Morris; Rosalind Krauss This retrospective exhibition gives brilliant insight into the artist's work of the last 4 decades. Credit for this highly sensitive selection of Morris' work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist's progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time. © Michael Blackwood Productions 2016 All Rights Reserved
Johann Strauss II Die Fledermaus So muss allein ich bleiben Rosalinde - Hilde Gueden Gabriel von Eisenstein - Julius Patzak Adele - Wilma Lipp Wiener Philarmoniker Clemens Krauss, conductor Decca, 1950
Johann Strauss II Die Fledermaus Herr Chevalier, ich grüsse Sie! ... Brüderlein und Schwesterlein Gabriel von Eisenstein - Julius Patzak Frank - Kurt Preger Falke - Alfred Poell Prinz Orlofsky - Sieglinde Wagner Rosalinde - Hilde Gueden Adele - Wilma Lipp Wiener Staatsopernchor Wiener Philarmoniker Clemens Krauss, conductor Decca, 1950
Elisabeth Bergner ist laengst zu einer Legende geworden. Sie ist eine der seltenen Erscheinungen, die das deutsche Theater der 20iger Jahre gepraegt, die Dichter, Maler und Bildhauer ihrer Zeit inspiriert und die das Lebensgefuehl einer ganzen Epoche beeinflusst hat. Ob sie als "Fraeulein Julie", als "Rosalinde", "Koenigin Christine" oder "Heilige Johanna" auf der Buehne stand, oder als "Fraeulein Eise", "Ariane" oder im "Traeumenden Mund" im Mittelpunkt eines Films - ganz Berlin lag ihr zu Fuessen, die Kritiker beteten sie an, die groessten Schauspieler jener Zeit wollten ihre Partner sein... Albert Bassermann, Rudolf Forster, Werner Krauss, Heinrich George... und die Grossen ihrer Zeit - Thomas Mann, Schnitzler, Hauptmann, Shaw, Barry, Brecht, Einstein - sie alle waren dem Zauber und ...
la capraman e la signorina rottermaier in esibizioneee.. interpretano -jean clod e la madree
British artist Tacita Dean created a filmwork for Tate Modern's Turbine Hall. FILM is an experimental response to the architecture of the space and a portrait of the medium itself. Professor Rosalind E. Krauss discusses Tacita Dean’s work FILM 2011, in relation to her ongoing championing of medium specificity. Rosalind E Krauss, editor and cofounder of October magazine, is University Professor at Columbia University. She is the author of The Originality of the Avant-Garde and Other Modernist Myths, The Optical Unconscious, Bachelors, and Perpetual Inventory. Her latest book, Under Blue Cup (2011), explores the relation of aesthetic mediums to memory. This event is related to the 2011 exhibition The Unilever Series: Tacita Dean: FILM http://www2.tate.org.uk/tacitadean/
ROBERT MORRIS: RETROSPECTIVE a film by Michael Blackwood Website: http://www.michaelblackwoodproductions.com/old/artm_morris.php featuring: Robert Morris; Rosalind Krauss This retrospective exhibition gives brilliant insight into the artist's work of the last 4 decades. Credit for this highly sensitive selection of Morris' work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist's progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time. © Michael Blackwood Productions 2016 All Rights Reserved
Phillip O'Sullivan examines the logic of Krauss's famous 'expanded field' art theory. How solid is the reasoning of this art world heavy-hitter? An incomplete interim sketch of an ongoing examination. Part One, version 1 LOOK for 'Part One Version 2', and Part Two Version 2 ''' 2013 Also see philliposullivan.co.nz , masculist-art.com and Google for 'Population Economy' - (this video is created 2012) What are the connections between Dia Art Foundation; connected through marriage to Jewish oil Exploring magnate; the worlds largest oil exploring company... and Earth art and the low leases of sequestering oil exploration land in The United States of America. Large tax breaks for compromised Arts foundations and support for the launch of influential October art magazine in the convenie...
This week Sarah breaks down why The Art Assignment sign-off cannot be "Please Don't Break the Law," and discusses artists Ai Weiwei and Pussy Riot who have broken the law for good reasons. What should our sign off be? Please Break The Law: Reading List (please suggest other readings in the comments) Modernism - Charles Baudelaire, "The Painter of Modern Life" (1863) - Serge Guilbaut, Benjamin H.D. Buchloh, and David Solkin (eds), Modernism and Modernity (1983) - Francis Frascina and Jonathan Harris (eds), Art in Modern Culture: An Anthology of Critical Texts (1992) - Meyer Shapiro, Modern Art: 19th and 20th Century, Selected Papers, vol. 2 (1978) The Avant-Garde - Henri de Saint-Simon, "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist") (1825) - ...
Elisabeth Bergner ist laengst zu einer Legende geworden. Sie ist eine der seltenen Erscheinungen, die das deutsche Theater der 20iger Jahre gepraegt, die Dichter, Maler und Bildhauer ihrer Zeit inspiriert und die das Lebensgefuehl einer ganzen Epoche beeinflusst hat. Ob sie als "Fraeulein Julie", als "Rosalinde", "Koenigin Christine" oder "Heilige Johanna" auf der Buehne stand, oder als "Fraeulein Eise", "Ariane" oder im "Traeumenden Mund" im Mittelpunkt eines Films - ganz Berlin lag ihr zu Fuessen, die Kritiker beteten sie an, die groessten Schauspieler jener Zeit wollten ihre Partner sein... Albert Bassermann, Rudolf Forster, Werner Krauss, Heinrich George... und die Grossen ihrer Zeit - Thomas Mann, Schnitzler, Hauptmann, Shaw, Barry, Brecht, Einstein - sie alle waren dem Zauber und ...
3/11/2016: Power inscribes order on space through codes. Bureaucratic codes measure and normalize dynamic ecologies and constitute the substrate of any infrastructural system, organization, and praxis. They striate space and punctuate time to increase efficiency, maximize profit, reduce risk, and maintain order in cultural, social, economic, and political spheres. #decoding gauges the agency of spatial practices in relation to the challenges and capacities prompted by codes and protocols. Organized by students in the Doctor of Design Studies program, this conference investigates the impact of codes, concerned with mapping of environments, demarcation of legal territories, operational protocols of logistics and risk management, and codes of building and subtraction. By exposing the spatial...
In the XX century this person and his colleagues changed the course of science. SciOne interviews the Nobel Prize in Physiology or Medicine winner James Watson. We talked about main problems of today’s science, the cure for cancer, what is means to be happy and why the Pope is one of his heroes. Interview in Russian: https://youtu.be/4D85KWYCPus We would also like to thank Sci-One for filming and editing this interview. For more videos go to: http://goo.gl/evGW5k
THE DR. ALLEN W. ROOT CONTEMPORARY ART DISTINGUISHED LECTURESHIP Richard Meyer, Associate Professor, Art History and Fine Arts Director, The Contemporary Project University of Southern California Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. Here Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early-twentieth-century art and visual culture.
In "La psychanalyse", a two part documentary, the psychoanalyst Jacques Lacan answers to questions submitted by his son-in-law Jacques-Alain Miller under the direction of Benoit Jacquot. The Office de Radiodiffusion Television Francaise (ORTF, the french public TV) broadcast this program. This documentary and its text became famous because this is the only televisual experience practiced by Lacan. It would be fair to say that there are few twentieth century thinkers who have had such a far-reaching influence on subsequent intellectual life in the humanities as Jacques Lacan. Lacan’s “return to the meaning of Freud” profoundly changed the institutional face of the psychoanalytic movement internationally. His seminars in the 1950s were one of the formative envir...