Silla 신라
← 57 BC–935 →
Silla at its height in 576.
Capital	Gyeongju
Language(s)	Silla language (Part of Old Korean)
Religion	Buddhism, Confucianism, Taoism, Korean shamanism
Government	Monarchy
King
- 57 BC – 4	Hyeokgeose (first)
- 540–576	Jinheung
- 654–661	Muyeol
- 661–681	Munmu
- 681–692	Sinmun
- 927–935	Gyeongsun (last)
Historical era	Ancient
- Establishment	57 BC
- Introduction of Buddhism	527
- Campaigns of King Jinheung	551–576
- Unified Silla	676–935
- Handover to the Goryeo Dynasty	935

This article contains Korean text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Hangul or Hanja.

Silla (57 BC^{[note 1]} – 935 AD) (Korean pronunciation: [ɕilːa]) was one of the Three Kingdoms of Korea, and one of the longest sustained dynasties in Asian history. Although it was founded by King Park Hyeokgeose, who is also known to be the originator of the Korean family name Park (박, 朴), the dynasty was to see the Gyeongju Kim (김, 金) clan hold rule for most of its 992-year history. What began as a chiefdom in the Samhan confederacies, once allied with China, Silla eventually conquered the other two kingdoms, Baekje in 660 and Goguryeo in 668. Thereafter, Unified Silla or Later Silla, as it is often referred to, occupied most of the Korean Peninsula, while the northern part re-emerged as Balhae, a successor-state of Goguryeo. After nearly 1000 years of rule, Silla fragmented into the brief Later Three Kingdoms, handing over power to its successor dynasty Goryeo in 935.^[1]

Name[link]

From its founding until its growth into a full-fledged kingdom, Silla was recorded with various hanja phonetically approximating its native Korean name: 斯盧 (사로, Saro), 斯羅 (사라, Sara), 徐那(伐) (서나[벌], Seona[beol]), 徐耶(伐) (서야[벌], Seoya[beol]), 徐羅(伐) (서라[벌], Seora[beol]), and 徐伐 (서벌, Seobeol). In 503, King Jijeung standardized on the characters 新羅(신라), which in Modern Korean is pronounced "Shilla".

An etymological hypothesis (there are various other speculations) suggests that, the native name Seorabeol might have been the origin of the native word Seoul meaning "capital city" and also the name of the present capital of South Korea, a city which was previously known as Hanseong or Hanyang. The name of the Silla capital might have been changed into the Late Middle Korean form Syeobeul (셔블) meaning "royal capital city", which soon might have altered into Syeoul (셔울), and finally resulted in Seoul (서울) in the Modern Korean language.

The name of either Silla or its capital Seora-beol was also widely used throughout Northeast Asia as the ethnonym for the people of Silla, appearing as Shiragi in the language of the Yamato Japanese and as Sogol or Solho in the language of the medieval Jurchens and their later descendants, the Manchus, respectively.

Silla was also referred to as Gyerim (鷄林, 계림), literally "chicken forest", a name that has its origins in the forest near the Silla capital where by legend the state's founder was hatched from the egg of a cockatrice (Kor. gyeryong, 雞龍, 계룡, literally "chicken-dragon").

History[link]

Cheonmado from Cheonmachong

History of Korea
This article is part of a series
Prehistory
Jeulmun period
Mumun period
Gojoseon ?–108 BC
Wiman Joseon 194 BC–108 BC
Proto–Three Kingdoms 300–57 BC
Buyeo, Goguryeo, Okjeo, Dongye
Jin state, Samhan (Ma, Byeon, Jin)
Four Commanderies of Han
Three Kingdoms 57 BC–668
Goguryeo 37 BC–668
Baekje 18 BC–660
Silla 57 BC–935
Gaya 42–562
North and South States 698–926
Unified Silla 668–935
Balhae 698–926
Later Three Kingdoms 892–936
Taebong, Hubaekje, Silla
Goryeo 918–1392
Joseon 1392–1897
Korean Empire 1897–1910
Colonial Korea 1910–1945
Provisional Gov't 1919–1948
Division of Korea 1945–present
North Korea 1948–present
South Korea 1948–present
By topic
Timeline
List of monarchs
Linguistic history
Science and technology history
Art history
Military history
Naval history
Korea Portal v t e

Scholars have traditionally divided Silla history into three distinct periods: Early (trad. 57 BC–654 AD), Middle (654–780), and Late (780–935).

Shifting of power[link]

The Park clan held power for three generations before being faced with a coup by the Seok clan. During the reign of the first Seok ruler, Talhae of Silla, the Kim clan's presence in Silla is mentioned in the form of a tale in which Kim Alji is born from a golden box that Hogong discovered. The Park and Seok clans constantly fight each other for power and both are eventually overthrown by the Kim clan. The Kim clan solely rules over Silla for many generations with the Park and Seok clans as nobility. The final ruler of Later Silla, King Gyeongsun, was a member of the Kim clan.

Founding[link]

During the Proto–Three Kingdoms period, the city-states of central and southern Korea were grouped into three confederacies called Samhan. Silla began as Saro-guk, a statelet within the 12-member confederacy called Jinhan. Saro-guk consisted of six villages and six clans.

According to Korean records, Silla was founded by King Park Hyeokgeose in 57 BC, around present-day Gyeongju. Hyeokgeose is said to have been hatched from an egg laid from a white horse, and when he turned 13, six clans submitted to him as king and established Saro (or Seona). He is also the progenitor of the Park (박) clan, now one of the most common family names in Korea.

The earliest recording of this date is found in the Samguk Sagi, a 12th century Korean history. Current archeological evidence indicates that while a polity may have been established even earlier than this in the Gyeongju region, it is too early to call it a kingdom. The author of the Samguk Sagi, Kim Bu-sik, probably attempted to legitimize Silla rule by giving it historical seniority over its rival kingdoms Baekje and Goguryeo.

Early Period[link]

By the 2nd century, Silla existed as a distinct state in the southeastern area of the Korean peninsula. It expanded its influence over neighboring Jinhan chiefdoms, but through the 3rd century, it was probably no more than the strongest city-state in a loose federation.

To the west, Baekje had centralized into a kingdom by about 250, by overtaking the Mahan confederacy. To the southwest, Byeonhan was being replaced by the Gaya confederacy. In northern Korea, Goguryeo, a kingdom by about 50 CE, destroyed the last Chinese commandary in 313 and had grown into a threatening regional power.

Emergence of a centralized monarchy[link]

King Naemul (356–402) of the Kim clan established a hereditary monarchy, eliminating the rotating power-sharing scheme, and the leader's now truly royal title became Maripgan (from the native Korean root Han or Gan, "leader" or "great", which was previously used for ruling princes in southern Korea, and which may have some relationship with the Mongol/Turkic title Khan). In 377, it sent emissaries to China and established relations with Goguryeo.

Facing pressure from Baekje in the west and Japan in the south,^[2] in the later part of the 4th century, Silla allied with Goguryeo. However, when Goguryeo began to expand its territory southward, moving its capital to Pyongyang in 427, Nulji was forced to ally with Baekje.

By the time of King Beopheung (514–540), Silla was a full-fledged kingdom, with Buddhism as state religion, and its own era name systems. Silla absorbed the Gaya confederacy during the Gaya–Silla Wars, annexing Geumgwan Gaya in 532 and conquering Daegaya in 562, thereby expanding its borders to the Nakdong River basin.

King Jinheung (540–576) established a strong military force. Silla helped Baekje drive Goguryeo out of the Han River (Seoul) territory, and then wrested control of the entire strategic region from Baekje in 553, breaching the 120-year Baekje-Silla alliance. Also, King Jinheung established the Hwarang.

The early period ended with the demise of the "hallowed bone" (seonggol) rank with the death of Queen Jindeok.

Three Kingdoms of Korea, at the end of the 5th century

Later Silla[link]

In the 7th century Silla allied itself with the Chinese Tang dynasty. In 660, under King Muyeol (654-661), Silla subjugated Baekje. In 668, under King Munmu (King Muyeol's successor) and the General Kim Yu-shin, Silla conquered Goguryeo to its north. Silla then fought for nearly a decade to expel Chinese forces on the peninsula intent on creating Tang colonies there to finally establish a unified kingdom as far north as modern Pyongyang.^[3] The northern region of the defunct Goguryeo state later reemerged as Balhae.

Silla's middle period is characterized by the rising power of the monarchy at the expense of the jingol nobility. This was made possible by the new wealth and prestige garnered as a result of Silla's unification of the peninsula, as well as the monarchy's successful suppression of several armed aristocratic revolts following early upon unification, which afforded the king the opportunity of purging the most powerful families and rivals to central authority. Further, for a brief period of about a century from the late 7th to late 8th centuries the monarchy made an attempt to divest aristocratic officialdom of their landed base by instituting a system of salary payments, or office land (jikjeon, 직전, 職田), in lieu of the former system whereby aristocratic officials were given grants of land to exploit as salary (the so–called tax villages, or nogeup, 녹읍, 祿邑).

By the late 8th century, however, these royal initiatives had failed to check the power of the entrenched aristocracy. The mid to late 8th century saw renewed revolts led by branches of the Kim clan which effectively limited royal authority. Most prominent of these was a revolt led by Kim Daegong that persisted for three years. One key evidence of the erosion of kingly authority was the rescinding of the office land system and the re-institution of the former tax village system as salary land for aristocratic officialdom in 757.

The middle period of Silla came to an end with the assassination of King Hyegong in 780, terminating the kingly line of succession of King Muyeol, the architect of Silla's unification of the peninsula. Hyegong‘s demise was a bloody one, the culmination of an extended civil war involving most of the kingdom‘s high–ranking noble families. With Hyegong‘s death, during the remaining years of Silla the king was reduced to little more than a figurehead as powerful aristocratic families became increasingly independent of central control.

Thereafter the Silla kingship was fixed in the house of King Wonseong (785–798), though the office itself was continually contested among various branches of the Kim lineage.

Nevertheless, the middle period of Silla witnessed the state at its zenith, the brief consolidation of royal power, and the attempt to institute a Chinese style bureaucratic system.

Decline and fall[link]

The final century and a half of the Silla state was one of nearly constant upheaval and civil war as the king was reduced to little more than a figurehead and powerful aristocratic families rose to actual dominance outside the capital and royal court.

The tail end of this period, called the Later Three Kingdoms period, briefly saw the emergence of the kingdoms of Later Baekje and Later Goguryeo, which were really composed of military forces capitalizing on their respective region's historic background, and Silla's submission to the Goryeo dynasty.

Society and politics[link]

Silla crown

From at least the 6th century, when Silla acquired a detailed system of law and governance, social status and official advancement were dictated by the bone rank system. This rigid lineage-based system also dictated clothing, house size and the permitted range of marriage.

Since its emergence as a centralized polity Silla society had been characterized by its strict aristocratic makeup. Silla had two royal classes: "sacred bone" (seonggol, 성골, 聖骨) and "true bone" (jingol, 진골, 眞骨). Up until the reign of King Muyeol this aristocracy had been divided into "sacred bone" and "true bone" aristocrats, with the former differentiated by their eligibility to attain the kingship. This duality had ended when Queen Jindeok, the last ruler from the "sacred bone" class, died in 654.^[4] The numbers of "sacred bone" aristocrats had been decreasing, as the title was only conferred to those whose parents were both "sacred bones", whereas children of a "sacred" and a "true bone" parent were considered as "true bones".

The king (or queen) theoretically was an absolute monarch, but royal powers were somewhat constrained by a strong aristocracy.

The "Hwabaek" (화백) served as royal council with decision-making authorities on some vital issues like succession to the throne or declarations of war. The Hwabaek was headed by a person (Sangdaedeung) chosen from the "sacred bone" rank. One of the key decisions of this royal council was the adoption of Buddhism as state religion.^[5]

Following unification Silla began to rely more upon Chinese models of bureaucracy to administer its greatly expanded territory. This was a marked change from pre-unification days when the Silla monarchy stressed Buddhism, and the Silla monarch's role as a "Buddha-king". Another salient factor in post-unification politics were the increasing tensions between the Korean monarchy and aristocracy.

Military[link]

The early Silla military was built around a small number of Silla royal guards designed to protect royalty and nobility and in times of war served as the primary military force if needed. Due to the frequency of conflicts between Baekje and Goguryeo as well as Yamato Japan, Silla created six local garrisons one for each district. The royal guards eventually morphed into "sworn banner" or Sodang units. In 625 another group of Sodang was created. Garrison soldiers were responsible for local defense and also served as a police force.

A number of Silla's greatest generals and military leaders were Hwarang (equivalent to the Western knights or chevaliers). Originally a social group, due to the continuous military rivalry between the Three Kingdoms of Korea, they eventually transformed from a group of elite male aristocratic youth into soldiers and military leaders. Hwarang were key in the fall of Goguryeo (which resulted in the unification of the Korean Peninsula under Unified Silla) and the Silla–Tang Wars, which expelled Tang forces in the other two Korean kingdoms.

Culture[link]

Silla porcelain

The capital of the Silla kingdom was Gyeongju. A great number of Silla tombs can still be found in the centre of Gyeongju. Silla tombs took the form of a stone chamber which was surrounded by a soil mound.The historic area around Gyeongju was added to the UNESCO World Heritage list in 2000.^[6] Much of it is also protected as part of Gyeongju National Park. Additionally, two villages near Gyeongju area names of which are Hahoe and Yangdong would be submitted for UNESCO heritages in 2008 or later by related cities and the South Korean government.^[7] Since the tombs were harder to break into than those of Baekje, a larger amount of objects has been perserved.^[8] Notable amongst these are Silla's elaborate gold crowns and jewelry.

The Bronze Bell of King Seongdeok the Great attracts a large number of tourists. The bell produces a distinctive sound, about which there is a legend. Cheomseongdae near Gyeongju is the oldest extant astronomical observatory in East Asia, while some disagree on its exact functions. It was built during the reign of Queen Seondeok (623–647).

Muslim traders brought the name "Silla" to the world outside the traditional East Asian sphere through the Silk Road. Geographers of the Arab and Persian world, including ibn Khurdadhbih, al-Masudi, Dimashiki, al-Nuwairi, and al-Maqrizi, left records about Silla.

The current descendants to the Silla dynasty fall under the Kim name. Family records since the last ruler have been provided, but these records have yet to be fully verified.

Buddhism[link]

Gold gilded statues of Buddha in Bulguksa

Buddhism was formally adopted by Silla in 527 under King Beopheung, though it had been exposed to the religion for over a century during which the faith had certainly made inroads into the native populace. It was the Buddhist monk Ado who first exposed Silla to Buddhism when he arrived to proselytize from Goguryeo in the mid 5th century.^[9] However, according to legend, the Silla monarchy was convinced to adopt the faith by the martyrdom of the Silla court noble Ichadon, who was executed for his Buddhist faith by the Silla king in 527 only to have his blood flow the color of milk.

The importance of Buddhism in Silla society of the late early period is difficult to exaggerate. From King Beopheung and for the following six reigns Silla kings adopted Buddhist names and came to portray themselves as Buddhist–kings.^[10] Buddhism in Silla was, more so than in the case of Baekje and Goguryeo, an officially sponsored faith. Its state–protection aspects were emphasized. The Hwarang corps, an elite corps of youthful warriors that would play a central role in Silla unification of the peninsula, had strong connections to Buddhism, particularly the worship of the Maitreya Buddha. The late early period of Silla saw Buddhism‘s apogee there. A great number of temples were built, often financed and sponsored by high ranking nobility, the most notable being Hwangnyongsa, Bulguksa and Seokguram. Hwangyongsa (Imperial Dragon) temple in particular emphasized the power of the monarchy and Buddhism‘s role in state protection and aggrandizement. The nine stories of its wooden pagoda, perhaps the tallest manmade structure in East Asia of the period, were said to symbolize the nine nations destined to submit to Silla rule. Silla attached great importance to the pagoda, building them of stone as well as wood.

With Silla unification Buddhism came to play a less perceptible role in politics as the monarchy attempted to adopt Chinese Confucian institutions of statecraft to govern an enlarged state and to curb the power of the aristocratic families. Nevertheless, Buddhism still enjoyed a central place in larger Silla society. Hundreds of Silla monks traveled to Tang China in search of education and for the procurement of much needed Buddhism sutras.

Silla's strong Buddhist nature is also reflected by the thousands of remnant Buddhist stone figures and carvings, mostly importantly on Namsan. The international influence of the Tang Dynasty on these figures and carvings can be witnessed in the hallmarks of a round full form, a stern expression of the face, and drapery that clings to the body, but stylistic elements of native Korean culture can still be identified. ^[11]

Gallery[link]

• 

  An ancient Silla observatory at Gyeongju

• 

  A Crown of Silla, 5-6th century

• 

  A Silla dagger, 5th century

• 

  The Bronze Bell of King Seongdeok the Great

• 

  Stone pagoda on Mt. Namsan near Gyeongju

• 

  Buddha relief carved into stone on Mt. Namsan near Gyeongju

• 

  Buddhist temple showing ancient jumonji at Gyeongju

• 

  gold ornament from early Silla

• 

  reliquary from 7th century

• 

  A monkey warrior statue of Silla at the National Museum of Korea.

• Dragon figure tile.JPG

  Dragon figure tile in Unified Silla period.

• 

  Decorated brick, 8th century, Silla kingdom.

• 

  Decorated slab, 8th century, Silla kingdom.

See also[link]

Korea portal

• List of Silla people
• List of longest-lasting empires

Notes and references[link]

References[link]

Sources[link]

• Connor, Mary E. (2009). The Koreas. ABC-CLIO, LLC. 

External links[link]

Wikimedia Commons has media related to: Silla Kingdom

• Gyeongju National Museum

Silvio Rodríguez
Background information
Birth name	Silvio Rodríguez Domínguez
Born	(1946-11-29) November 29, 1946 (age 65)
Origin	San Antonio de los Baños, Havana Province, Cuba
Genres	Nueva trova
Occupations	Singer-songwriter
Instruments	Guitar, vocals
Years active	1967–present
Website	www.silviorodriguez.org

Silvio Rodríguez Domínguez (born November 29, 1946 in San Antonio de los Baños) is a Cuban musician, and a leader of the nueva trova movement.

He is considered Cuba's best known folk singer and known for his highly eloquent and symbolic lyrics. Many of his songs have become classics in Latin American music, such as Ojalá, Playa Girón, Unicornio and La maza. He has released nearly 20 albums.

Rodríguez, musically and politically, is a symbol of the Latin American left wing. His lyrics are notably introspective. His songs combine romanticism, love (even eroticism), revolutionary politics, and idealism.

Biography[link]

Rodríguez was born on November 29, 1946 in San Antonio de los Baños, a fertile valley in Havana Province known for its tobacco crop. He was raised in a family of poor farmers. His father, Víctor Dagoberto Rodríguez Ortega, was a farmer and amateur poet who supported socialist causes. His mother, Argelia Domínguez León, was a house wife. On many occasions Rodríguez has spoken how his love of music was developed by his mother, who would pass time singing boleros and songs from Santiago. Although Rodríguez had an uncle who played the bass, his mother had a far greater influence. Later, she also collaborated with him on a few musical works.

When the Revolution led by Fidel Castro triumphed in January 1959, Rodríguez was only 13 years old, and, like most Cubans of his generation, became involved in the new Revolutionary enthusiasm. He participated in the Literacy Campaign held in 1961, and then started working as a comics designer in a magazine. During this period a friend of his, Lázaro Fundora, taught him how to play the guitar.

Guitar playing took a major role in his life while he was doing his military service in the army, during 1964, but it wasn't until 1967, with his first television experience, that he started to become well known and influential among Cuban revolutionary youth. With pro-revolution yet very independent lyrics (together with his very informal dress code), Rodríguez soon attracted the animosity of some members of the new Culture Ministry, which was devoted to the eradication of the United States' influence in Cuban culture. In this context, a very important role was played by the cultural institution Casa de las Américas and its then director Haydée Santamaría, the former a respected revolutionary who participated in the Moncada barracks assault of 1953 and sister of Abel Santamaría, who was tortured and killed after the failure of the assault. Haydée Santamaría became a protective mother-figure of the young composers and of several of his colleagues at the time. Casa de las Américas became the home not only for the new Cuban trovadores but also for many other Latin Americans on the left. It was in this institution that Rodríguez met Pablo Milanés, and Noel Nicola, who along with Rodriguez would become the most famous nueva trova singers and composers.

In 1969, for almost five months, he worked as part of the crew on the fishing boat Playa Girón, and during this fertile episode he wrote 62 songs, among which are the famous "Ojalá" and "Playa Girón." The lyrics and music of these songs became a book named Canciones del Mar. In 1976, he decided to join Cuban troops in Angola, playing for the soldiers.

After more than 40 years of artistic work, Rodríguez has now written a vast number of songs and poems (said to be between 500 and more than one thousand), many of which have never been set to music and probably never will be. Although his musical knowledge has been continuously increasing (counting among his teachers the famous Cuban composer Leo Brouwer), he is more widely praised for the poetry in his songs than for the accompanying music. His lyrics are a staple of leftist culture throughout the whole Spanish-speaking world, and he has been banned from the media during several of the dictatorial regimes that ruled Latin America in the late 1970s and early 1980s.

His debut album was Dias y Flores, launched in 1975. Al Final de Este Viaje and Cuando Digo Futuro feature songs he composed before Dias y Flores. He reached international popularity in the early 1980s with Rabo de Nube and, in particular, Unicornio. In the early part of his career his work displayed a fair amount of revolutionary optimism. Mujeres, released in 1979, is in contrast a romantic and highly intimist album. In the middle of his career, Silvio Rodriguez experimented with sounds and rhythms departing from his trademark acoustic guitar, accompanied by the group Afrocuba (e.g. in Causas y Azares). At maturity, Silvio Rodriguez thoroughly purified his sound through a return to acoustic guitar, great care and sophistication in the voice, and exclusive control of the production process from beginning to end. His lyrics became more introspective, at times even self-absorbed or self-justifying, expressing melancholic longings about the shortcomings of real-life socialism in Cuba while vindicating idealism and revolutionary hope amongst the youth. The trilogy, called Silvio, Rodriguez, and Dominguez (his first name, his father's last name, his mother's last name) displays sound artistic talent. The doubts, absent in the early part of his career, also correspond to the fall of communism worldwide and the so-called Special Period in Cuba. An unnoticed recurrent theme in the lyrics of the early part of his career is that of death, particularly although not only as associated with guerrilla warfare. In contrast to the explicitness of his early songs and political positions, there was a displacement of emphasis in his later years toward fantasy and dreams. Both, however, are about an alternative that is not present but is called for, or what Laclau would call a longing for a "missing fullness". This is true politically, romantically, and existentially. In a similar way, the unusual confessional tone of many of his songs allows for an unorthodox combination of transgression, eroticism, longing, and at times (probably accurate) self-deprecation in many of his lyrics.

The entire work of Silvio Rodriguez offers an intimate and introspective window into the life cycle of the artist. If the lyrics of the early part of his career are about revolutionary enthusiasm, love encounters and disappointments, as well as sensual desire, and if the middle-aged Silvio is more self-questioning, often looking backward; his most recent albums, such as Cita Con Angeles, talk in part about his life as a grandfather and has a certain focus on children, while Erase Que Se Era is the release (with all the means that come with being an established artist) of songs written early in his youth but never previously recorded. Mariposas also featured two classics composed in his youth.

Silvio Rodriguez stands out in the Spanish-speaking world for the intimacy and subtlety of his lyrics, as well as for his acoustic melodies and "chord picking." He is particularly popular amongst intellectual circles of the left in Latin America and Spain. He has also often served as Cuban cultural emissary in events of solidarity, whether in Chile (Silvio Rodriguez in Chile, 1991) or Argentina (En Vivo en Argentina, recorded in 1984), both massive concerts given shortly after the fall of the right-wing dictatorships. Cuban flags are always conspicuous in the crowd during his concerts.

In 2007, he received a doctorate honoris causa from Universidad Nacional Mayor de San Marcos in Peru.^[1] (Lima, Peru).

Rodriguez has been a major influence on many folk artists, including the Swedish artist José González.^[2]

U.S. Appearance[link]

Silvio Rodríguez has been denied a U.S. visa several times, and it was particularly controversial in 2009 when he was invited to celebrate the 90th birthday of Pete Seeger. However in 2010, he obtained a U.S. visa and performed at venues in Puerto Rico (May 30), New York (June 4 and 10), San Francisco (Oakland, June 12), Los Angeles (June 17), Washington, D.C. (June 19), and Orlando (June 23). These were his first appearances in the U.S. in 30 years.^[3][4]

Discography[link]

• 1975 - Días y Flores
• 1978 - Al Final de Este Viaje...
• 1979 - Mujeres
• 1979 - Rabo de Nube
• 1982 - Unicornio
• 1984 - Tríptico: Volumes I, II & III
• 1986 - Causas y Azares
• 1988 - Oh, Melancolía
• 1991 - Silvio en Chile (Live Concert with Irakere)
• 1992 - Silvio
• 1992 - Mano a mano (Silvio Rodríguez y Luis Eduardo Aute)
• 1994 - Rodríguez
• 1996 - Domínguez
• 1998 - Descartes
• 1999 - Mariposas
• 2001 - En Vivo en Argentina (Live Concert with Pablo Milanés)
• 2002 - Expedición
• 2003 - Cita con Ángeles
• 2006 - Érase Que Se Era
• 2010 - Segunda Cita

References[link]

External links[link]

Wikimedia Commons has media related to: Silvio Rodríguez

• Official Silvio Rodriguez's website Songs, pictures, writings (in Spanish)
• Official Silvio Rodriguez's blog - More than 5800 followers (in Spanish)
• Analysis of Silvio Rodriguez Songs Meaning of lyrics (in Spanish)
• Che, Guía y Ejemplo: - Songs of Silvio Rodriguez dedicated to Che Guevara
• Hasta Siempre Commandante - performed live by Silvio Rodriguez
• TRANS Analysis of the harmonies of Silvio's songs, socio-cultural background
• Brief reviews of Silvio's albums
• Silvio's page in Patria Grande
• Cuban Singer Complains that U.S. Didn’t Give Him Visa by the Latin American Herald Tribune
• Cuba's Silvio Rodriguez Dedicates Song to 'Che' AP, July 23, 2009
• Cuban Folk Singer Plays Rare US Show June 5, 2010
• Silvio Rodriguez Concert in USA Photo Feature by Bill Hackwell, Havana Times, June 17, 2010

v t e Cuba Culture Art Cinema Internet Literature Media Music Musical theater Newspapers Public holidays Radio Religion Sports (Baseball, Boxing, Football) Television Universities Demographics Cubans Afro-Cubans Cape Verdean Chinese Ciboney Filipino German Haitian Isleños Italian Japanese Jews Korean LGBT Spanish White Women Economy Agriculture Agrarian reform Agricultural cooperatives Airline Central bank Communications Peso Convertible peso Tourism Transport Geography General Almendares River Sierra Maestra World Heritage Sites Cities Bayamo Camagüey Ciego de Ávila Cienfuegos Guantánamo Havana Holguín Victoria de Las Tunas Matanzas Pinar del Río Sancti Spíritus Santa Clara Santiago de Cuba Provinces Artemisa Camagüey Ciego de Ávila Cienfuegos Ciudad de La Habana Granma Guantánamo Holguín Isla de la Juventud Las Tunas Matanzas Mayabeque Pinar del Río Sancti Spíritus Santiago de Cuba Villa Clara History Timeline Colonial governors Ten Years' War Little War Cuban War of Independence Sinking of the USS Maine Spanish–American War Platt Amendment Revolution 1932 Cuba Hurricane La Coubre explosion Bay of Pigs Invasion Cuban Missile Crisis War Against the Bandits Cuban intervention in Angola (1975-1991) Cubana Flight 455 Mariel boatlift Special Period 2006 Cuban transfer of presidential duties Tropical cyclones People By Career Academics‎ Activists‎ Actors‎ Architects‎ Artists‎ Ballet Dancers‎ Businesspeople‎ Chefs‎ Comedians‎ Composers‎ Cosmonauts‎ Criminals‎ Dancers‎ Economists‎ Educators‎ Engineers‎ Entertainers‎ Farmers‎ Film Directors‎ Film Producers‎ Geographers‎ Heads Of State‎ Colonial Heads‎ Historians‎ Illustrators‎ Journalists‎ Judges‎ Lawyers‎ Librarians‎ Mathematicians‎ Military Personnel‎ Models‎ Musicians‎ Notaries‎ Painters‎ Philosophers‎ Photographers‎ Physicians‎ Poets‎ Politicians‎ Presidents‎ Psychologists‎ Radio Personalities‎ Rappers‎ Rebels‎ Religious Leaders‎ Revolutionaries‎ Sailors‎ Scientists‎ Sculptors‎ Sex Workers‎ Singers‎ Social Scientists‎ Soldiers‎ Songwriters‎ Sportspeople‎ Television Personalities‎ Women By Occupation‎ Writers‎ By Name Desi Arnaz Fulgencio Batista Leo Brouwer Fidel Castro Raúl Castro Celia Cruz Ibrahim Ferrer Osmani García "La Voz" Máximo Gómez Elián González affair Nicolás Guillén José Martí Pablo Milanés Omara Portuondo Silvio Rodríguez Compay Segundo Félix Varela Politics General Castroism Constitution Elections Foreign relations Law Military Government Opposition Presidency Cuba-U.S. Bay of Pigs Invasion Brothers to the Rescue Commission for Assistance to a Free Cuba Cuban American Cuban-American lobby Cuban dissident movement Cuban Five Cuban Missile Crisis Elián González affair Guantanamo Bay Naval Base Helms–Burton Act Cuba-U.S. hijackings Luis Posada Carriles Mariel boatlift Operation Northwoods Operation Peter Pan Platt Amendment Spanish–American War U.S. ambassador U.S. embargo U.S. Interests Section Parties Communist Party Christian Democratic Democratic Socialist Current Democratic Social-Revolutionary Democratic Solidarity Liberal Liberal Movement Social Democratic Co-ordination Former parties: Auténtico Cuban National Democratic Union Independent Republican Ortodoxo Popular Socialist Republican (Havana) Security Military Cuban Revolutionary Armed Forces (MINFAR) Army Navy Air Force Territorial Troops Militia Law enforcement National Revolutionary Police Force Intelligence Military Counterintelligence Directorate Intelligence Directorate Society Censorship Committees for the Defense of the Revolution Education Healthcare Human rights Rationing Sociolismo Scouting and Guiding

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2011)

Kitty Kat
Background information
Birth name	Katharina Löwel
Born	(1982-01-22) 22 January 1982 (age 30) Berlin, Germany
Genres	Rap, Hip Hop
Labels	Aggro Berlin (2006-2009)
Associated acts	Sido, B-Tight, Fler

Katharina Löwel (born 22 January 1982 in Berlin, Germany), better known under her stage name Kitty Kat or Kitten Ket, became famous as an Aggro Berlin member, where she was signed from 2006 to 2009.

Biography[link]

Katharina Löwel was born in East Berlin. Her parents fled with her and her sister to West Germany, where they continued their life in Augsburg. After finishing secondary school, she started training as a bank clerk in Munich. She returned to Berlin in 2003, where she met Paul NZA, who contacted Aggro Berlin, and in 2006 signed with Aggro Berlin, appearing as a guest artist on several releases. Her physical appearance remained a secret until the release of the sampler Aggro Anti Ansage Nr. 8. Since then, she has performed as a solo artist.

In an interview with the magazine Bravo HipHop Special, she announced that she was working on her first solo album Miyo!, which was released in mid-2009, after the lead singles "Bitchfresse (L.M.S)" and "Braves Mädchen" had been released.

Discography[link]

Albums[link]

Singles[link]

Other releases[link]

References[link]

External links[link]

• Aggro Ansage Nr.8 track list