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240px
Location(s)	Great Stage Park, Manchester, Tennessee, USA
Years active	2002–present
Date(s)	June 7–10, 2012
Genre	Indie rock, Jam bands, Jazz, Americana, Bluegrass, Country, Folk, Gospel, Alternative rock, Hip hop, Reggae, Metal, Electronica, Funk, R&B, Stoner Rock
Website	Official website

The Bonnaroo Music and Arts Festival is an annual four day music festival created and produced by Mark Barr and AC Entertainment, held at Great Stage Park on a 700-acre (2.8 km²) farm in Manchester, Tennessee, USA. It hosted its tenth annual event June 9–12, 2011. The main attractions of the festival are the multiple stages of live music, featuring a diverse array of musical styles including indie rock, world music, hip hop, jazz, americana, bluegrass, country music, folk, gospel, reggae, electronica, and other alternative music. The festival began with a primary focus on jam bands and folk rock, but has diversified greatly in recent years but continues to pay tribute to its roots. Past notable acts include Phish, Stevie Wonder, The White Stripes, Dave Matthews Band, Neil Young, Pearl Jam, Tom Petty, The Dead, The Allman Brothers Band, James Brown, The Flaming Lips, Willie Nelson, Bob Dylan, Radiohead, Buffalo Springfield, Arcade Fire, The Strokes, The Black Crowes, and Widespread Panic. The festival features craftsmen and artisans selling unique products, food and drink vendors, a comedy tent, silent disco, cinema tent, and ferris wheel.

The festival was named one of the "50 Moments That Changed Rock & Roll" by Rolling Stone Magazine.^[1] and "Festival of the Decade" by Consequence of Sound and amongst the 10 Best Festivals by GQ Magazine.

History[link]

The word Bonnaroo, popularized by New Orleans R&B singer Dr. John with his 1974 album Desitively Bonnaroo,^[2] means "a really good time." It is a Ninth Ward slang construction taken from the French "bon" meaning "good," and "rue" from the French "street," translating to "the best on the streets."^[3] The name was chosen both for its literal meaning and to honor the rich Louisiana music tradition.

The first Bonnaroo took place in 2002 and took inspiration from music festivals like Coachella and Glastonbury. With no traditional advertising, the festival sold out in nearly two weeks. By 2003, the festival had been named by Rolling Stone as one of the top 50 moments in rock & roll. Comedy acts like Jim Breuer were first added in 2005. In 2007, Bonnaroo purchased the land for the festival, creating Great Stage Park with all of its iconic features. A permanent main stage was installed in 2010.^[4]

Economy[link]

On January 10, 2007, Bonnaroo organizers Superfly Productions and AC Entertainment purchased a major portion of the site where the annual music festival is held. The purchase of 530 acres (2.1 km²) encompassed all of the performance areas and much of the camping and parking area used for the annual festival; the festival will continue to lease another 250 acres (1.0 km²) that currently serve as additional parking and camping. Since its inception, Bonnaroo has contributed more than $1 million directly to Coffee County organizations. In addition to annual charitable contributions, the festival's activities provide annual revenue to the county. Measured in a 2005 study, the economic impact of the event on Coffee County was more than $14 million in business revenues and more than $4 million in personal income.^[5] The Bonnaroo music festival makes most of its income from the fans.

Environmentalism[link]

Bonnaroo promotes itself as a sustainable festival. ^[6] As a reward for sending a letter to a legislator in support of climate change legislation, the Natural Resources Defense Council gave 17 free downloads from various Bonnaroo artists.^[7] A Greener Festival has recognized Bonnaroo's efforts for the past three years.^[8] There is a defined process, which includes a self-evaluation and an audit from Greener Festival auditors during Bonnaroo. ^[9]

Accolades[link]

In 2008, it was named "Best Festival" by Rolling Stone magazine, calling it "the ultimate over-the-top summer festival." ^[10]

One of “50 moments that changed rock & roll” – Rolling Stone

“Bonnaroo has revolutionized the modern rock festival” – The New York Times ^[11]

“Festival of the Year” – Pollstar

“Best festival of the summer” – SPIN ^[12]

“The culmination of a musical movement” – USA Today ^[13]

“The concert event of the summer” – USA Today

“Music and subculture melted together into a pot of creative bubbling energy” – CNN ^[14]

“Bonnaroo: Three days of musical history in the making” - AP

Venues[link]

The official venues located at Bonnaroo often change from year to year. The following are a few of the more permanent venues.

Which Stage at the Bonnaroo Music Festival in Manchester, TN.

• Centeroo - The Central area of Bonnaroo. Serviced by two main entrances, nearly all of the festival activity is enclosed in this area. Various merchants and activities supplement the plethora of music related activities located within Centeroo. While Centeroo is open 24 hours a day, musical artists generally only play from noon until the evening, followed by the unopposed headlining act. Afterwards, there are late-night sets, usually running from midnight until the early morning, sometimes as late as 5 or 6 AM.
• What Stage - The main stage of the festival is also the largest. What Stage is open from approximately noon until midnight (late night sets usually over by 3am). Traditionally, the headlining act each day will play on the What Stage with no other acts performing on any other stages.
• Which Stage - The second stage, Which Stage, is generally one of the last stages to finish before the headlining act each night. After the headlining act performs, a late night show generally follows here.
• This Tent, That Tent, and The Other Tent - These three tents serve as a combined tertiary tier for musical performances. Late night shows also generally occur in all three of these venues, along with the yearly Superjam, a one-off combination of various musicians performing at the festival.
• Comedy Tent - This tent is reserved strictly for comedy acts, such as stand up comedians.

Various other small tents and stages also exist, such as the Solar Stage, Lunar Stage, Sonic Stage, and the Cinema tent. See the Bonnaroo website for further details on these venues.

Activities[link]

Some graffiti by artist Ryan McCauley on the Graffiti Wall, which separates Centeroo from the campsites.

Available to the Bonnaroo public throughout the week are various activity tents. These tents become most popular with the night crowd, with such activities set up as The Silent Disco tent and several other club or bar-themed venues. In the Silent Disco, each person upon entering the tent is given a set of headphones that syncs with the DJ and the music, so everyone is listening to the same song through the headphones while appearing from the outside to be dancing to no music at all. Other activities include the Comedy Tent where comedians from Mike Birbiglia to Flight of the Conchords have performed. The Cinema tent, showing a variety of mainstream and independent movies, is also popular as it is one of the air conditioned tents, and the Broo’ers Festival tent is a popular attraction featuring a variety of breweries from all over the United States. Outside the big tents, Planet Roo hosts a variety of non-profit organizations sharing information on healthy lifestyles and resource conservation, and Splash-a-Roo (a giant slip-n-slide area) and a giant mushroom fountain provide a practical way to beat the heat. Bonnaroo creators designated the wall surrounding Centeroo, colloquially called "the Graffiti Wall", as a place for street artists to paint whatever they feel like painting.

Activities like these,along with great food vendors and unique shopping, provide an easy and fun way to hang around the Centeroo in between music performances. In 2009, Bonnaroo debuted the Bungaloo, a community art project that invited festival goers to paint a small tile that was then affixed to 10 foot water drops suspended between The Other Tent and This Tent. For each tile painted, the festival-goer could vote for the charity of their choice. Bungaloo, a new online paint company, made a $1000 donation to the charity with the most votes.

Bonnaroo Music Festival by year[link]

• 2012 Bonnaroo Music Festival
• 2011 Bonnaroo Music Festival
• 2010 Bonnaroo Music Festival
• 2009 Bonnaroo Music Festival
• 2008 Bonnaroo Music Festival
• 2007 Bonnaroo Music Festival
• 2006 Bonnaroo Music Festival
• 2005 Bonnaroo Music Festival
• 2004 Bonnaroo Music Festival
• 2003 Bonnaroo Music Festival
• 2002 Bonnaroo Music Festival

Notes[link]

External links[link]

Wikimedia Commons has media related to: Bonnaroo Music & Arts Festival

• Bonnaroo.com Official Bonnaroo Music & Arts Festival website
• GreatStagePark.com Official Site of Bonnaroo Property
• Inforoo.com The Unofficial Bonnaroo Message Board
• BehindTheRoo.com A Bonnaroo 2011 Documentary
• Survival Guide Leo's Unofficial Bonnaroo Survival Guide
• Faces of Bonnaroo: 2009 @ Swigged!
• How Do You Roo? A Survivor's Pocket Guide to Bonnaroo (Lulu, 2010) The first (and only) unofficial guidebook to the Bonnaroo Music & Arts Festival

Tom Petty
Background information
Birth name	Thomas Earl Petty
Also known as	Charlie T. Wilbury, Jr Muddy Wilbury
Born	(1950-10-20) October 20, 1950 (age 61)
Origin	Gainesville, Florida, U.S.
Genres	Rock and roll, roots rock, heartland rock, Southern rock, blues-rock, psychedelic rock, country
Occupations	Singer-songwriter, musician
Instruments	Guitar, vocals, harmonica, piano, keyboards, percussion, bass, organ, harpsichord, drums
Years active	1973–present
Labels	Shelter, Backstreet, MCA, Warner Bros., American, Reprise
Associated acts	Epics, Mudcrutch, Tom Petty and the Heartbreakers, Traveling Wilburys, Stevie Nicks, Bob Dylan, Jeff Lynne, Grateful Dead, Roy Orbison, Bonnie Raitt, Dwight Twilley
Website	tompetty.com
Notable instruments
Rickenbacker 660/12 Vox Mark III Gibson Dove Fender Stratocaster

Thomas Earl "Tom" Petty (born October 20, 1950) is an American singer-songwriter and multi-instrumentalist. He is the frontman of Tom Petty and the Heartbreakers and was a founding member of the late 1980s supergroup Traveling Wilburys and Mudcrutch. He has also performed under the pseudonyms of Charlie T. Wilbury, Jr. and Muddy Wilbury.

He has recorded a number of hit singles with the Heartbreakers and as a solo artist, many of which remain heavily played on adult contemporary and classic rock radio. His music, and notably his hits, have become popular among younger generations as he continues to host sold-out shows.^[1] Throughout his career, Petty and his collaborators have sold 60 million albums.^[2]

Childhood and early life[link]

Tom Petty was born and raised in Gainesville, Florida, and attended Gainesville High School. His interest in rock and roll music began at age 10 when he met Elvis Presley.^[3] In the summer of 1961, his uncle was working on the set of Presley's film Follow That Dream in nearby Ocala, Florida and invited Petty to come down and watch the shoot.^[4] He instantly became an Elvis Presley fan and soon traded his Wham-O slingshot for a box of Elvis 45s.^[5] In a 2006 interview on the National Public Radio program Fresh Air, Petty said that he knew he wanted to be in a band the moment he saw The Beatles on The Ed Sullivan Show.^[6] One of his first guitar teachers was Don Felder, a fellow Gainesville resident, who would later join the Eagles.^[7] As a young man, Petty worked briefly on the grounds crew for the University of Florida, but never attended as a student. An Ogeechee lime tree that he planted while employed at the University is now called the Tom Petty tree.^[8][9]

Petty also overcame a difficult relationship with his father, who found it hard to accept that his son was "a mild-mannered kid who was interested in the arts" and subjected him to verbal and physical abuse on a regular basis. Petty was extremely close to his mother, and remains close to his brother Bruce.^[10][11][12]

Recording career[link]

Tom Petty and the Heartbreakers (1976–1987)[link]

Shortly after forming his musical aspirations, Petty started a band known as the Epics, later to evolve into Mudcrutch. Although the band, which featured future Heartbreakers Mike Campbell and Benmont Tench, were popular in Gainesville, their recordings went unnoticed by a mainstream audience. However, their only single, "Depot Street", remains popular amongst fans. The original Mudcrutch included guitarist Danny Roberts who was later replaced by bass guitarist Charlie Souza.

After Mudcrutch split up, Petty reluctantly agreed to pursue a solo career. Tench decided to form his own group, whose sound Petty appreciated. Eventually, Petty and Campbell collaborated with Tench and fellow members Ron Blair and Stan Lynch, resulting in the first line-up of the Heartbreakers. Their first album, simply titled Tom Petty & the Heartbreakers, gained minute popularity amongst American audiences, achieving more success in Britain. The single "Breakdown" was re-released in 1977 and peaked at #40 in early 1978 after the band toured in the United Kingdom in support of Nils Lofgren. The debut album was released by Shelter Records, which at that time was distributed by ABC Records.^[13]

Their second album, You're Gonna Get It!, marked the band's first Top 40 album^[13] and featured the singles "I Need to Know" and "Listen To Her Heart". Their third album, Damn the Torpedoes, quickly went platinum, selling nearly two million copies; it includes their breakthrough singles "Don't Do Me Like That", "Here Comes My Girl" and "Refugee".^[14]

In September 1979, Tom Petty and the Heartbreakers performed at a Musicians United for Safe Energy concert at Madison Square Garden in New York.^[15] Their rendition of "Cry To Me" was featured on the resulting No Nukes album.^[16]

1981's Hard Promises became a top-ten hit, going platinum and spawning the hit single "The Waiting". The album also featured Petty's first duet, "Insider" with Stevie Nicks.

Bass player Ron Blair quit the group, and was replaced on the fifth album (1982's Long After Dark) by Howie Epstein; the resulting line-up would last until 1994. In 1985, the band participated in Live Aid, playing four songs at Philadelphia's John F. Kennedy Stadium. Southern Accents was also released in 1985. This album included the hit single "Don't Come Around Here No More", which was produced by Dave Stewart. The song's video featured Petty dressed as the Mad Hatter, mocking and chasing Alice from the book Alice's Adventures in Wonderland, then cutting and eating her as if she were a cake. The ensuing tour led to the live album Pack Up the Plantation: Live! and to an invitation from Bob Dylan; Tom Petty & the Heartbreakers joined him on his True Confessions Tour and also played some dates with the Grateful Dead in 1986 and 1987. Also in 1987, the group released Let Me Up (I've Had Enough) which includes "Jammin' Me" which Petty wrote with Dylan.^[17]

Traveling Wilburys, solo career, and "return" to the Heartbreakers (1988–1991)[link]

In 1988, Petty became a founding member of the Traveling Wilburys, along with Bob Dylan, George Harrison, Roy Orbison, and Jeff Lynne. The band's first song, "Handle With Care", was intended as a B-side of one of Harrison's singles, but was judged too good for that purpose and the group decided to record a full album, Traveling Wilburys Vol. 1. A second Wilburys album, mischievously titled Traveling Wilburys Vol. 3 and recorded without the recently deceased Orbison, followed in 1990. The album was named Vol. 3 as a response to a series of bootlegged studio sessions being sold as Travelling Wilburys Vol. 2. In recent years, Petty has begun to incorporate Travelling Wilburys songs into his live shows, consistently playing "Handle With Care" in shows from 2003–2006, and for his 2008 tour making "End of the Line" a staple of his setlist.

In 1989, Petty released Full Moon Fever, which featured hits "I Won't Back Down", "Free Fallin'" and "Runnin' Down a Dream". It was nominally his first solo album, although several Heartbreakers and other well-known musicians participated: Mike Campbell co-produced the album with Petty and Jeff Lynne of Electric Light Orchestra, and backing musicians included Campbell, Lynne, and fellow Wilburys Roy Orbison and George Harrison (Ringo Starr appears on drums in the video for "I Won't Back Down", but they were actually performed by Phil Jones). Since all the original Traveling Wilburys except Bob Dylan participated on the album, it is sometimes considered the unofficial Traveling Wilbury's "Volume Two".^{[by whom?]}

Petty & the Heartbreakers reformed in 1991 and released Into the Great Wide Open, which was co-produced by Lynne and included the hit singles "Learning To Fly" and "Into The Great Wide Open", the latter featuring Johnny Depp, Gabrielle Anwar, Faye Dunaway, and Matt LeBlanc in the video.

Before leaving MCA Records, Tom and the Heartbreakers got together to record, live in the studio, two new songs for a Greatest Hits package. "Mary Jane's Last Dance" and Thunderclap Newman's "Something in the Air". This was Stan Lynch's last recorded performance with The Heartbreakers. Tom commented "He left right after the session without really saying goodbye." The package went on to sell over ten million copies, therefore receiving diamond certification by the RIAA.

Move to Warner Bros. Records (1991–present)[link]

In 1989, while still under contract to MCA, Petty secretly signed a lucrative deal with Warner Bros. Records, to which the Traveling Wilburys had been signed.^[18] His first album on his new label, 1994's Wildflowers (Petty's 2nd of 3 solo albums), included the singles "You Don't Know How It Feels", "You Wreck Me," "It's Good to Be King" and "A Higher Place". The album, produced by Rick Rubin, sold over three million copies in the U.S.

In 1996, Petty, with the Heartbreakers, released a soundtrack to the movie She's the One, starring Cameron Diaz and Jennifer Aniston (see Songs and Music from "She's the One"). The album's singles were "Walls (Circus)" (featuring Lindsey Buckingham), "Climb that Hill" and a song written by Lucinda Williams, "Change the Locks." The album also included a cover of "Asshole," a song by Beck. The same year, the band accompanied Johnny Cash on Unchained, for which Cash would win a Grammy for Best Country Album (Cash would later cover Petty's "I Won't Back Down" on American III: Solitary Man).

Tom Petty and the Heartbreakers performing live in Indianapolis, June 23, 2006.

In 1999, Tom Petty & the Heartbreakers released their last album with Rubin at the helm, Echo. Two songs were released as singles in the U.S., "Room at the Top" and "Free Girl Now". The album reached number 10 in the U.S. album charts.

Tom Petty & the Heartbreakers played "I Won't Back Down" at the America: A Tribute to Heroes benefit concert for victims of the September 11, 2001 attacks. The following year, they played "Taxman", "I Need You", and "Handle With Care" (joined for the last by Jeff Lynne, Dhani Harrison, and Jim Keltner) at the Concert for George in honor of Petty's friend and former bandmate George Harrison.

2002's The Last DJ included several attacks on the music industry, criticizing it for greed, watering down music, and releasing pop music made by scantily-clad young women and reached number 9 on the U.S. charts. Tom has commented though that he didn't like being called "bitter" by the media and that The Last DJ is full of hope, if you look for it.

In 2005, Petty began hosting his own show "Buried Treasure" on XM Radio, on which he shares selections from his personal record collection.

In February 2006, Tom Petty and The Heartbreakers agreed to be the headline act at the fifth annual Bonnaroo Music and Arts Festival. Following that announcement came the itinerary for Tom & the Heartbreakers' "30th Anniversary Tour". Special guests included Stevie Nicks, Pearl Jam, The Allman Brothers, Trey Anastasio, The Derek Trucks Band, and The Black Crowes (who also opened for Petty on their 2005 Summer Tour). Stevie Nicks would join Tom and the Heartbreakers on stage for renditions of "Stop Draggin' My Heart Around" and "Insider," and "I Need to Know" where Nicks took the lead vocal spot. Eddie Vedder of Pearl Jam also joined Tom and the Heartbreakers on stage at some shows where Vedder sang the lead on "The Waiting" (which is available on the Runnin' Down a Dream package: bonus features) and a verse in the concert-closer "American Girl".

In July 2006, Petty released a new solo album titled Highway Companion, which included the hit "Saving Grace". It debuted at number 4 on the Billboard 200, becoming Petty's highest chart position since the introduction of the Nielsen SoundScan system for tracking album sales in 1991. Highway Companion was briefly promoted on the "30th Anniversary Tour" with the Heartbreakers in 2006 with performances of "Saving Grace", "Square One", "Down South," and "Flirting with Time".

In 2006, the American Broadcasting Company hired Petty to do the music for its National Basketball Association playoffs coverage.

During the summer of 2007, Petty reunited with his old bandmates Tom Leadon and Randall Marsh along with Heartbreakers Benmont Tench & Mike Campbell to reform his pre-Heartbreakers band Mudcrutch. The band originally formed in 1967 in Gainesville, Florida before relocating to California where they released one single in 1974 before breaking up. The quintet recorded this self titled new album of fourteen songs that was released on April 29, 2008 (on iTunes, an additional song "Special Place" was available if the album was pre-ordered). The band supported the album with a brief tour of California in the spring of 2008.

In 2007, artists as diverse as Willie Nelson, Lucinda Williams, Norah Jones, Lenny Kravitz and Paul McCartney paid tribute to Fats Domino on the double-CD covers set Goin' Home: A Tribute to Fats Domino. The album's sales helped buy instruments for students in New Orleans public schools and they contributed to the building of a community center in the city’s Hurricane Katrina-damaged Ninth Ward. Tom and the Heartbreakers’ contributed a critically acclaimed cover of “I'm Walkin'" to the package.^[19]

In January 2008, it was announced that the band would be embarking on a North American Tour which was set to start on May 30 following the appearance at Super Bowl XLII.^[20] Steve Winwood served as the opening act, who joined Petty and the Heartbreakers on stage at select shows, starting on June 6, 2008 in Philadelphia, PA. Winwood's Spencer Davis Group hit "Gimme Some Loving" was performed and occasionally his Blind Faith hit "Can't Find My Way Home" was performed before it.

On February 3, 2008, Tom Petty & the Heartbreakers performed during the halftime-show of Super Bowl XLII at the University of Phoenix Stadium. They played "American Girl", "I Won't Back Down", "Free Fallin'", and "Runnin' Down a Dream", in that order. 'I Won't Back Down' was used in the closing credits of the coverage on BBC Two.

The Live Anthology is the most-recently announced project of Tom Petty and the Heartbreakers.^{[dated info]} Its announcement comes nearly a year after Petty's last record, Extended Play Live, by Mudcrutch.

In November 2009, Petty told Rolling Stone that he is working on a new album with the Heartbreakers, saying "It's blues-based. Some of the tunes are longer, more jam-y kind of music. A couple of tracks really sound like the Allman Brothers — not the songs but the atmosphere of the band." In February 2010, Petty announced a new Heartbreakers Album, Mojo to be released on June 15, 2010.^{[dated info]} This was followed by a North American Summer Tour beginning on June 1, 2010.^{[dated info]} The band also appeared as musical guests on the season finale of Saturday Night Live on May 15, 2010.

Petty has been managed by Tony Dimitriades since 1976.^[5]

Acting[link]

Petty's first appearance in film took place in 1978, when he had a cameo in FM. He later had a small part in 1987's Made in Heaven, and appeared in several episodes of It's Garry Shandling's Show between 1987 and 1990, playing himself as one of Garry Shandling's neighbors. Petty was also featured in Shandling's other show, The Larry Sanders Show, as one of the Story within a story final guests. In the episode, Petty gets bumped from the show and nearly comes to blows with Greg Kinnear.

Petty appeared in the 1997 movie The Postman, directed by and starring Kevin Costner, as The Bridge City Mayor (from the dialogue it is implied that he is playing a future version of himself).

In 2002, he appeared on The Simpsons in the episode "How I Spent My Strummer Vacation". In it, he spoofed himself as a "tutor" to Homer Simpson on the art of lyric writing, composing a brief song about a drunk girl driving down the road while concerned with the state of public schools. Later in the episode, he loses a toe during a riot.

Petty had a recurring role as the voice of Elroy "Lucky" Kleinschmidt in the animated comedy series King of the Hill.

In 2008, Petty made a guest appearance as himself in the Comedy Central show Lil Bush's season 2 finale. He is asked to write a song for Bush and his cronies. At the end, he is shown riding off into the sunset in a flying car alongside Iggy Pop, who is a regular voice actor on the people.

In 2010, Petty made a 5-second cameo appearance with comedian Andy Samberg in a musical video titled "Great Day" featured on the bonus DVD as part of Lonely Island's new album "Turtleneck & Chain". In this video, Samberg plays an enthusiastic, upbeat cocaine addict who believes that Alec Baldwin (who also co-stars) and Tom Petty are his very best friends--only to be quickly rejected by both. After finding out the hard way they are quite the opposite and feeling heartbroken, the addict then briefly sings about losing them.

Awards and accolades[link]

In 1994, You Got Lucky, a Tom Petty tribute album featuring such bands as Everclear and Silkworm was released.

In April 1996, Petty received the UCLA's George Gershwin and Ira Gershwin Award for Lifetime Musical Achievement. The next month, Petty won the American Society of Composers, Authors and Publishers' Golden Note Award.

Hollywood Walk of Fame star.

In 1999 Tom Petty & the Heartbreakers received a star on the Hollywood Walk of Fame for their contribution to the recording industry.

In 2002, Tom Petty and the Heartbreakers were inducted into the Rock and Roll Hall of Fame. On December 6, 2005, Petty received the Billboard Century Award for his lifetime achievements. The same year, Conversations with Tom Petty, an oral history/biography composed of interviews conducted in 2004 and 2005 with Petty by music journalist Paul Zollo was published (ISBN 1-84449-815-8).

On September 21, 2006, Tom Petty and the Heartbreakers received the keys to the city of Gainesville, Florida, where he and his bandmates either lived or grew up.^[21] From July 2006 until 2007 the Rock and Roll Hall of Fame in Cleveland, Ohio featured an exhibit of Tom Petty items. Much of the content was donated by Petty himself during a visit to his home by some of the Hall's curatorial staff.

Peter Bogdanovich's documentary film on Petty's career entitled Runnin' Down A Dream (film) premiered at the New York Film Festival on October 14, 2007.

Views on artistic control[link]

Petty is known as a staunch guardian of his artistic control and artistic freedom. In 1979, he was dragged into a legal dispute when ABC Records was sold to MCA Records. He refused to be transferred to another record label without his consent. In May 1979, he filed for bankruptcy and was signed to the new MCA subsidiary Backstreet Records.

In early 1981, the upcoming Tom Petty and the Heartbreakers album, which would become Hard Promises, was slated to be the next MCA release with the new list price of $9.98, following Steely Dan's Gaucho (album) and the Olivia Newton-John/Electric Light Orchestra Xanadu soundtrack. This so-called "superstar pricing" was $1.00 more than the usual list price of $8.98.^[22] Petty voiced his objections to the price hike in the press and the issue became a popular cause among music fans. Non-delivery of the album and naming it Eight Ninety-Eight were considered, but eventually MCA decided against the price increase.^[23] In 1987, Petty sued tire company B.F. Goodrich for $1 million for using a song very similar to his song "Mary's New Car" in a TV commercial. The ad agency that produced the commercial had previously sought permission to use Petty's song but was refused. A judge issued a temporary restraining order prohibiting further use of the ad and the suit was later settled out of court.^[24]

Some have claimed that the Red Hot Chili Peppers single "Dani California", released in May 2006, is very similar to Petty's "Mary Jane's Last Dance".^[25] Petty told Rolling Stone, "I seriously doubt that there is any negative intent there. And a lot of rock 'n' roll songs sound alike. Ask Chuck Berry. The Strokes took 'American Girl' for their song '[[Last Nite]]', and I saw an interview with them where they actually admitted it. That made me laugh out loud. I was like, 'OK, good for you' ... If someone took my song note for note and stole it maliciously, then maybe [I'd sue]. But I don't believe in lawsuits much. I think there are enough frivolous lawsuits in this country without people fighting over pop songs."^[26]

Personal life[link]

His first marriage, to Jane Benyo, lasted 22 years from March 26, 1974 to September 9, 1996. He spent most of those years working, on the road or in the studio. Petty and Benyo have two daughters; Adria is a film director and AnnaKim Violette is an artist. Since June 3, 2001 he is married to Dana York, whom he first met years earlier when she visited one of his concerts. Petty has a stepson from York's first marriage named Dylan.^[27]

On May 17, 1987, an arsonist set fire to Petty's house in Encino, California. Firefighters were able to salvage the basement recording studio and the original tapes stored there, as well as his Gibson Dove acoustic guitar. His signature gray top hat, however, was destroyed. Petty later rebuilt the house with fireproof materials.^[28][29]

Musical equipment[link]

Petty owns and has used a number of guitars over the years. From 1976-1982, his main instrument was a sunburst 1964 Fender Stratocaster. He has also used a number of Rickenbacker guitars from 1979 onward, notably a 1965 Rose Morris 1993 and 1987 reissue of the Rose Morris 1997, a 1967 360/12 and 1989 660/12TP. The Rickenbacker 660/12TP was designed by Petty (specifically the neck) and featured his signature from 1991 to 1997.^[30] Other electrics currently used on tour include a Gretsch Tennessean, two 1960s Fender Telecasters and a Gibson Firebird.

For acoustic guitars, Petty has had a signature C.F. Martin HD-40, and has written virtually all of his songs on a Gibson Dove acoustic saved from his 1987 house fire. He currently uses a Gibson J-200 in a natural finish and a late '70s Guild D25 12-string acoustic.

Petty's current amplifer setup features 2 Fender Vibro-King 60 watt combos.^[31]

Heartbreakers lineup[link]

Discography[link]

See also[link]

• List of artists who reached number one on the U.S. Mainstream Rock chart
• List of best-selling music artists

References[link]

External links[link]

Wikimedia Commons has media related to: Tom Petty

Wikiquote has a collection of quotations related to: Tom Petty

• Official website
• Official Fan Club
• Tom Petty at Myspace
• Tom Petty at YouTube

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2010)

The Heartbreakers, also known as Johnny Thunders and the Heartbreakers, were an American proto-punk band, formed in New York in May, 1975. The band spearheaded the first wave of punk rock.

History[link]

In May 1975, Johnny Thunders (vocals/guitar) and Jerry Nolan (drums) quit the New York Dolls, the same week that Richard Hell (vocals/bass) left Television. Their first gig was on May 31st of that year, at the Coventry, a rock club in Queens. The trio soon adding Walter Lure (guitar/vocals), who had played with a glam-punk band called the Demons.

In 1976 Hell left the group and was replaced by Billy Rath. Hell went on to form his own band, Richard Hell & The Voidoids.

Arriving for a European tour just as the UK punk scene was building momentum, the Heartbreakers developed a following in and around London. The band's members and image were widely associated with drug use, specifically heroin. The Sex Pistols invited the band to open for them on the ill-fated Anarchy Tour. They briefly signed with Track Records. Their debut, and only studio album, L.A.M.F., was poorly received. The release of the album created conflict within the band, due to the poor quality of the recording and difficulty in the mastering process. Several band members left at this point. The band reformed in 1979 for a few farewell shows at Max's Kansas City with drummer Ty Stix sitting in for Nolan. These shows recorded and released under the title Live at Max's Kansas City '79. The Heartbreakers' song, "London Boys", is a swipe at the Sex Pistols, in response to the Pistols' "New York", a put-down of the New York Dolls^{[citation needed]}.

After their initial break up, the band reformed occasionally to play at New York clubs. Live shows often consisted of songs performed with the New York Dolls or taken from Thunders' solo career. Rath had left in 1985 and was replaced by Tony Coiro. Johnny Thunders died in 1991. The last time the Heartbreakers played was at Johnny Thunders Memorial Concert with Walter Lure, Jerry Nolan, Tony Coiro and Joey Pinter playing in place of Thunders. The line up, which included Lure, Joey Pinter, Tony Coiro, and Jeff West released Rent Party in 1994. Lure subsequently worked on Wall St. but still performs with his current Waldos lineup in NYC. He also travels around the globe playing when his day job allows the time for it. In 2007 Walter Lure teamed up with Belgian punk rocker Dee Jaywalker and went on a short European tour which resulted in a live album, released on Nicotine Records.

Nolan died in 1992. Hell rarely plays music live, concentrating instead on writing and spoken-word performances. Billy Rath currently lives in New Jersey and played with Walter Lure at the Max's Kansas City Reunion in September 2010.

Discography[link]

• L.A.M.F. (1977, Track)
  • L.A.M.F. Revisited (1984, Jungle)
  • L.A.M.F. The Lost '77 Mixes (1994, Jungle)
• Live at Max's Kansas City (1979, Max's Kansas City Records)
• D.T.K. Live At The Speakeasy (1982, Jungle)
• Live At The Lyceum Ballroom 1984 (1985, Jungle)
• Live At Mothers (1991, Fanclub)
• What Goes Around (1991, Bomp!)
• Vive La Révolution (Live In Paris - Le Bataclan - December 8, 1977) (1992, Skydog)
• Thunderstorm In Detroit (Live At The Silverbird 21/12/80) (2002, Captain Trip Records)
• Down To Kill (2005, Jungle)

References[link]

External links[link]

• NME Artists - Heartbreakers
• The Heartbreakers: Information from Answers.com

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

Alice Cooper
Cooper at the Scream Awards, 2007
Background information
Birth name	Vincent Damon Furnier
Born	(1948-02-04) February 4, 1948 (age 64) Detroit, Michigan, United States
Genres	Rock, hard rock, heavy metal, shock rock
Occupations	Singer-songwriter, actor, DJ
Instruments	Vocals, harmonica, guitar
Years active	1964–present
Labels	Straight, Warner Bros., Atlantic, MCA, Epic, Spitfire, Eagle, New West
Website	www.alicecooper.com

Alice Cooper (born Vincent Damon Furnier; February 4, 1948)^[1] is an American rock singer, songwriter, and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors, and baby dolls, Cooper has drawn equally from horror movies, vaudeville, and garage rock to pioneer a grandly theatrical and violent brand of heavy metal designed to shock.^[2]

Originating in Detroit in the late 1960s, Alice Cooper was originally a band consisting of Furnier on vocals and harmonica, lead guitarist Glen Buxton, Michael Bruce on rhythm guitar, Dennis Dunaway on bass guitar, and drummer Neal Smith. The original Alice Cooper band broke into the international music mainstream with the 1971 hit "I'm Eighteen" from the album Love It to Death, which was followed by the even bigger single "School's Out" in 1972. The band reached their commercial peak with the 1973 album Billion Dollar Babies.

Furnier's solo career as Alice Cooper, adopting the band's name as his own name, began with the 1975 concept album Welcome to My Nightmare; in 2011 he released Welcome 2 My Nightmare, his 19th album as a solo artist, and his 26th album in total. Expanding from his Detroit rock roots, in his career Cooper has experimented with a number of musical styles, including conceptual rock, art rock, hard rock, New Wave, pop rock, experimental rock and industrial rock.

Alice Cooper is known for his social and witty persona offstage; The Rolling Stone Album Guide has called him the world's most "beloved heavy metal entertainer".^[3] Cooper is credited with helping to shape the sound and look of heavy metal, and he is regarded as being the artist who "first introduced horror imagery to rock'n'roll, and whose stagecraft and showmanship have permanently transformed the genre".^[4] Away from music, Cooper is a film actor, a golfing celebrity, a restaurateur and, since 2004, a popular radio DJ with his classic rock show Nights with Alice Cooper.

In 2011 the original Alice Cooper band was inducted into The Rock and Roll Hall of Fame.^[5]

Early life[link]

Cooper was born as Vincent Damon Furnier in Detroit, Michigan, the son of Ella Mae (née McCart) and Ether Moroni Furnier. His father was a lay preacher in the Church of Jesus Christ (also known as the Bickertonite Church) which, historically, is a branch of the Latter Day Saint movement.^[6] He has French Huguenot, Sioux Native American, English, Scottish, and Irish ancestry,^[7] and was named after one of his uncles (Vincent Collier Furnier) and the writer Damon Runyon.^[8] His paternal grandfather, Thurman Sylvester Furnier, was an apostle in the Church of Jesus Christ (Bickertonite). Vincent Furnier was active in his church at the ages of 11 and 12.^[9][10]

While growing up in Detroit, Furnier attended Washington Elementary School, then Nankin Mills Jr. High, now Lutheran High School Westland. Following a series of childhood illnesses, Furnier moved with his family to Phoenix, Arizona, where he attended Cortez High School in north Phoenix.^[11] Vincent had gained admission into the University of Arizona, University of Colorado and University of California-Davis – he declined all these offers.^{[citation needed]}

Recording career[link]

1960s[link]

In 1964 sixteen year-old Furnier was eager to take part in the local annual letterman's talent show, so he gathered fellow cross-country teammates to form a group for the show.^[12] They named themselves The Earwigs. Because they did not know how to play any instruments at the time, they dressed up like The Beatles and mimed their performance to Beatles songs. As a result of winning the talent show and loving the experience of being onstage, the group immediately proceeded to learn how to play instruments they acquired from a local pawn shop. They soon renamed themselves The Spiders, featuring Furnier on vocals, Glen Buxton on lead guitar, John Tatum on rhythm guitar, Dennis Dunaway on bass guitar and John Speer on drums.^{[citation needed]} Musically, the group was inspired by artists such as The Beatles, The Rolling Stones, The Who, The Kinks, The Doors and The Yardbirds. For the next year the band performed regularly around the Phoenix area with a huge black spider's web as their backdrop, the group's first stage prop. In 1965 they recorded their first single, "Why Don't You Love Me" (originally performed by The Blackwells), with Furnier learning the harmonica for the song.^{[citation needed]}

In 1966 The Spiders graduated from high school, and after North High School footballer Michael Bruce replaced John Tatum on rhythm guitar, the band scored a local No. 1 radio hit with "Don't Blow Your Mind", an original composition from their second single release. By 1967 the band had begun to make regular road trips to Los Angeles to play shows. They soon renamed themselves The Nazz and released the single "Wonder Who's Lovin' Her Now", backed with future Alice Cooper track "Lay Down And Die, Goodbye". At around this time drummer John Speer was replaced by Neal Smith. By the end of the year the band had relocated to Los Angeles.^{[citation needed]}

In 1968 upon learning that Todd Rundgren also had a band called Nazz, the band was again in need of another stage name. Believing that the group needed a gimmick to succeed, and that other bands were not exploiting the showmanship potential of the stage, Furnier chose "Alice Cooper" as the band's name and adopted this stage name as his own. Cooper later stated that the name change was one of his most important and successful career moves.^[13]

Nonetheless, at the time Cooper and the band realized that the concept of a male playing the role of a villain, a woman killer, in tattered women's clothing and wearing make-up, would have the potential to cause considerable social controversy and grab headlines. In 2007 in his book Alice Cooper, Golf Monster Cooper stated that his look was inspired in part by film. One of the band's all-time favorite movies was What Ever Happened to Baby Jane starring Bette Davis. "In the movie, Bette wears disgusting caked makeup smeared on her face and underneath her eyes, with deep, dark, black eyeliner." Another movie the band watched over and over was Barbarella. "When I saw Anita Pallenberg playing the Great Tyrant in that movie in 1968, wearing long black leather gloves with switchblades coming out of them, I thought, 'That's what Alice should look like'. That, and a little bit of Emma Peel from The Avengers".^[14]

The classic Alice Cooper group line-up consisted of singer Alice Cooper (Vincent Furnier), lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway and drummer Neal Smith. With the exception of Smith, who graduated from Camelback High School (which is referred to in the song "Alma Mater" on the album School's Out), all of the band members were on the Cortez High School cross-country team, and many of Cooper's stage effects were inspired by their cross-country coach, Emmett Smith^[15] (one of Smith's class projects was to build a working guillotine for slicing watermelons). Cooper, Buxton and Dunaway were also art students, and their admiration for the works of surrealist artists such as Salvador Dalí would further inspire their future stage antics.^{[citation needed]}

One night after an unsuccessful gig at the Cheetah club in Venice, California, where the band emptied the entire room of patrons after playing just ten minutes, they were approached and enlisted by music manager Shep Gordon, who ironically saw the band's negative impact that night as a force that could be turned in a more productive direction. Shep then arranged an audition for the band with composer and renowned record producer, Frank Zappa, who was looking to sign bizarre music acts to his new record label, Straight Records. For the audition Zappa told them to come to his house "at 7 o'clock." The band mistakenly assumed he meant 7 o'clock in the morning. Being woken up by a band willing to play that particular brand of psychedelic rock at seven in the morning impressed Zappa enough to sign them to a three-album deal. Another Zappa-signed act, the all-female GTOs, who liked to "dress the Cooper boys up like full size Barbie dolls," played a major role in developing the band's early onstage look.^[16][17]

Cooper's first album Pretties for You (released in 1969) had a slight psychedelic feel. Although it touched the US charts for one week at No. 193, it was ultimately a critical and commercial failure.

Alice Cooper's "shock rock" reputation apparently developed almost by accident at first. An unrehearsed stage routine involving Cooper, a feather pillow and a live chicken garnered attention from the press; the band decided to capitalize on the tabloid sensationalism, creating in the process a new subgenre, shock rock. Cooper claims that the infamous "Chicken Incident" at the Toronto Rock and Roll Revival concert in September 1969 was an accident. A chicken somehow made its way onto the stage into the feathers of a feather pillow they would open during Cooper's performance, and not having any experience around farm animals, Cooper presumed that, because the chicken had wings, it would be able to fly.^[18] He picked it up and threw it out over the crowd, expecting it to fly away. The chicken instead plummeted into the first few rows occupied by disabled people in wheelchairs, who reportedly proceeded to tear the bird to pieces.^[19]

The next day the incident made the front page of national newspapers, and Zappa phoned Cooper and asked if the story, which reported that he had bitten off the chicken's head and drunk its blood on stage, was true. Cooper denied the rumor, whereupon Zappa told him, "Well, whatever you do, don't tell anyone you didn't do it",^[20] obviously recognizing that such publicity would be priceless for the band.^[21]

The band have later claimed that this period was highly influenced by Pink Floyd, and especially the album Piper at the Gates of Dawn. Glen Buxton could listen to Syd Barrett's guitar for hours at a time.^[22]

1970s[link]

Despite the publicity from the Chicken Incident, the band's second album, Easy Action, released in June 1970, met with the same fate as its predecessor. At around this time the band, fed up with Californians' indifference to their act, relocated to Cooper's birthplace, Detroit, where their bizarre stage act was much better received by the crowds of the Midwest states who were accustomed to the similar hard rock styles of local bands such as The Stooges and The MC5. Despite this, Cooper still managed to receive a cream pie in the face when performing at the Cincinnati Pop Festival. Detroit would remain their steady home base until 1972. "L.A. just didn’t get it," Cooper stated. "They were all on the wrong drug for us. They were on acid and we were basically drinking beer. We fit much more in Detroit than we did anywhere else."^[23]

Alice Cooper appeared at the Woodstock-esque, Strawberry Fields Festival near Toronto, Ontario in August 1970. The band's mix of glam and increasingly violent stage theatrics stood out in stark contrast to the bearded, denim-clad hippie bands of the time.^[24] As Cooper himself stated: "We were into fun, sex, death and money when everybody was into peace and love. We wanted to see what was next. It turned out we were next, and we drove a stake through the heart of the Love Generation".^[25]

In autumn 1970 the Alice Cooper group teamed with producer Bob Ezrin for the recording of their third album Love It to Death. This was the final album in their Straight Records contract and the band's last chance to create a hit. That first success came with the single "I'm Eighteen", released in November 1970, which reached number 21 on the Billboard Hot 100 in early 1971. Not long after the album's release in January 1971 Warner Bros. Records purchased Alice Cooper's contract from Straight and re-issued the album, giving the group a higher level of promotion.^{[citation needed]}

Love It to Death proved to be their breakthrough album, reaching number 35 on the U.S. Billboard 200 album charts. It would be the first of eleven^[26] Alice Cooper group and solo albums produced by Ezrin, who is widely seen as being instrumental in helping to create and develop the band's definitive sound.^[27]

The group's 1971 tour featured a stage show involving mock fights and gothic torture modes being imposed on Cooper climaxing with a staged execution by electric chair, with the band sporting tight, sequined, and color-contrasting glam rock-style costumes made by prominent rock fashion designer Cindy Dunaway (sister of band member Neal Smith, and wife of band member Dennis Dunaway). Cooper's androgynous stage role had developed to present a villainous side, portraying a potential threat to modern society. The success of the band's single and album, and their tour of 1971, which included their first tour of Europe (audience members reportedly included Elton John and a pre-Ziggy David Bowie), provided enough encouragement for Warner Bros. to offer the band a new multi-album contract.

Their follow-up album Killer, released in late 1971, continued the commercial success of Love It to Death and included further single success with "Under My Wheels", "Be My Lover" in early 1972, and "Halo of Flies" which became a Top 10 hit in the Netherlands in 1972. Thematically, Killer expanded on the villainous side of Cooper's androgynous stage role, with its music becoming the soundtrack to the group's morality-based stage show, which by then featured a boa constrictor hugging Cooper on-stage, the murderous axe chopping of bloodied baby dolls, and execution by hanging at the gallows. Back then, the real criticism was aimed at questioning the artists' sexual ambiguity, rather than the stage gore.^{[citation needed]} In January 1972, Cooper was again asked about his peculiar name, and told talk show hostess Dinah Shore that he took the name from a "Mayberry RFD" character.^{[citation needed]}

The summer of 1972 saw the release of the single "School's Out". It went Top 10 in the US, was a No. 1 single in the UK, and remains a staple on classic rock radio to this day. The album School's Out reached No. 2 on the US charts and sold over a million copies. The band now relocated to their new mansion in Greenwich, Connecticut.^[28] With Cooper's on-stage androgynous persona completely replaced with brattiness and machismo, the band solidified their success with subsequent tours in the US and Europe, and won over devoted fans in droves while at the same time horrifying parents and outraging the social establishment.^{[citation needed]} In the United Kingdom, Mary Whitehouse, a well-known campaigner for values of morality and decency, succeeded in having the BBC ban the video for "School's Out"^{[citation needed]} and Member of Parliament Leo Abse petitioned Home Secretary Reginald Maudling to have the group banned altogether from performing in the country.^[29]

In February 1973 Billion Dollar Babies was released worldwide and became the band's most commercially successful album, reaching No. 1 in both the US and UK. "Elected", a late-1972 Top 10 UK hit from the album, which inspired one of the first MTV-style story-line promo videos ever made for a song (three years before Queen's promotional video for "Bohemian Rhapsody"), was followed by two more UK Top 10 singles, "Hello Hooray" and "No More Mr. Nice Guy", the latter of which was the last UK single from the album; it reached No. 25 in the US.^{[citation needed]} The title track, featuring guest vocals by Donovan, was also a US hit single. Around this time Glen Buxton left Alice Cooper briefly due to his waning health.

The group in 1973.

With a string of successful concept albums and several hit singles, the band continued their gruelling schedule and toured the US once again. Continued attempts by politicians and pressure groups to ban their shocking act only served to fuel the myth of Alice Cooper further and generate even greater public interest.^{[citation needed]} Their 1973 US tour broke box office records previously set by The Rolling Stones and raised rock theatrics to new heights; the multi-level stage show by then featured numerous special effects, including Billion Dollar Bills, decapitated baby dolls and mannequins, a dental psychosis scene complete with dancing teeth, and the ultimate execution prop and highlight of the show: the guillotine. The guillotine and other stage effects were designed for the band by magician James Randi, who appeared on stage during some of the shows as executioner. The Alice Cooper group had now reached its peak and it was among the most visible and successful acts in the industry. Beneath the surface, however, the repetitive schedule of recording and touring had begun to take its toll on the band, and Cooper, who was under the constant pressure of getting into character for that night's show, was consistently sighted nursing a can of beer.

Muscle of Love, released at the end of 1973, was to be the last studio album from the classic line-up, and marked Alice Cooper's last UK Top 20 single of the 1970s with "Teenage Lament '74". An unsolicited theme song was recorded for the James Bond movie The Man with the Golden Gun, but a different song of the same name by Lulu was chosen instead. By 1974, the Muscle of Love album had not matched the top-charting success of its predecessor, and the band began to have constant disagreements. For various reasons the band decided to take a hiatus.

During this time Cooper relocated back to Los Angeles and started appearing regularly on TV shows such as Hollywood Squares, and Warner Bros. released the Alice Cooper's Greatest Hits compilation album. It featured classic style artwork and reached the US Top 10, performing better than Muscle of Love. However, the band's 1974 feature film Good to See You Again, Alice Cooper (consisting mainly of 1973 concert footage with 'comedic' sketches woven throughout to a faint storyline), released on a minor theatrical run mostly to drive-in theaters, saw little box office success.

In 1975 Alice released his first solo album, Welcome to My Nightmare. To avoid legal complications over ownership of the group name, Alice Cooper had by then become the singer's new legal name. The success of the solo album marked the final break with the original members of the band with Cooper collaborating with their producer Bob Ezrin, who recruited Lou Reed's backing band, including guitarists Dick Wagner and Steve Hunter, to play on the album. Spearheaded by the US Top 20 hit ballad, "Only Women Bleed", the album was released by Atlantic Records in March of that year and became a Top 10 hit for Cooper. It was a concept album that was based on the nightmare of a child named Steven, featuring narration by classic horror movie film star Vincent Price (who several years after Welcome to My Nightmare guested on Michael Jackson's "Thriller"), and serving as the soundtrack to Cooper's new stage show, which now included more theatrics than ever (including an 8-foot-tall (2.4 m) furry Cyclops which Cooper decapitates and kills).

Cooper (second from right) laughs at Mae West's words after the opening of her last movie in 1978.

By this time, however, alcohol was clearly affecting Cooper's performances. During the Welcome to My Nightmare tour in Vancouver, and only a few songs into the routine, Cooper tripped over a foot-light, staggered a few paces, lost his bearings, and plunged head-first off the stage and onto the concrete floor of the Pacific Coliseum. Some fans, thinking it was all part of the act, reached through the barriers to pull at his blood-matted hair before bouncers could pull him away for help. He was taken to a local hospital, where medical staff stitched his head wound and provided him with a skullcap. Cooper returned to the venue a couple of hours later and tried to perform two more songs, but within minutes he had to call it a night.

Accompanying the album and stage show was the TV special The Nightmare, starring Cooper and Vincent Price, which aired on US prime-time TV in April 1975. The Nightmare (which was later released on home video in 1983 and gained a Grammy Awards nomination for Best Long Form Music Video) was regarded as another groundbreaking moment in rock history. Adding to all that, a concert film, also called Welcome to My Nightmare produced, directed and choreographed by the West Side Story cast member David Winters and filmed live at London's Wembley Arena in September 1975, was released to theaters in 1976.^[30][31] Though it failed at the box office, it later became a midnight movie favorite and a cult classic.

Such was the immense success of Cooper's solo project that he decided to continue alone as a solo artist, and the original band became officially defunct. It was also during this time that Cooper co-founded the legendary drinking club The Hollywood Vampires.

Cooper in 1978.

Following the 1976 US No. 12 ballad hit "I Never Cry";^[32] two albums, Alice Cooper Goes to Hell and Lace and Whiskey; and the 1977 US No. 9 ballad hit "You and Me", it became clear from many performances during his 1977 US tour that Cooper was in dire need of help with his alcoholism (at his alcoholic peak it was rumored that Cooper was consuming up to two cases of Budweiser and a bottle of whiskey a day). Following the tour, Cooper had himself hospitalized in a New York sanitarium for treatment, during which time the live album The Alice Cooper Show was released.

In 1978 a sobered Cooper used his experience in the sanitarium as the inspiration for the semi-autobiographical album From the Inside, which he co-wrote with Bernie Taupin. The release spawned another US Top 20 hit "How You Gonna See Me Now", yet another ballad. The subsequent tour's stage show was based inside an asylum, and was filmed for Cooper's first home video release, The Strange Case of Alice Cooper, in 1979. Around this time, Cooper performed "Welcome to My Nightmare", "You and Me" and "School's Out" on The Muppet Show (episode # 307) on March 28, 1978 (he played one of the devil's henchmen trying to dupe Kermit the Frog and Gonzo into selling their souls). He also appeared in an against-typecasting role as a piano-playing disco bellboy in Mae West's final film, Sextette, and as a villain in the film Sgt. Pepper's Lonely Hearts Club Band. Cooper also led celebrities in raising money to remodel the famous Hollywood Sign in California. Cooper himself contributed over $27,000 to the project, buying an O in the sign in memory of friend and comedian Groucho Marx.

1980s[link]

Cooper's albums from the beginning of the 1980s, Flush the Fashion, Special Forces, Zipper Catches Skin and DaDa, were not as commercially successful as his past releases. Flush the Fashion, produced by Queen producer Roy Thomas Baker, had a thick, edgy New Wave musical sound that baffled even long-time fans, though it still yielded the US Top 40 hit "(We're All) Clones". The album Special Forces featured a more aggressive but consistent form of New Wave style, and included a new version of "Generation Landslide". The following album, Zipper Catches Skin was a more power pop-oriented recording, with lots of quirky high-energy guitar-driven songs. While those three albums engaged the experimental New Wave sound with energetic results, 1983 marked the return collaboration of producer Bob Ezrin and guitarist Dick Wagner with the haunting epic DaDa, the final album in his Warner Bros. contract.

In 1983 after the recording of DaDa, Cooper was re-hospitalized for alcoholism. In a deathly state of health he moved back to Phoenix to save his marriage from collapse, and so that he could receive the support of family and friends. Cooper was finally clean and sober by the time DaDa and The Nightmare home video (of his 1975 TV Special) were released in the fall of that year; however, both releases performed below expectations. Even with The Nightmare scoring a nomination for 1984's Grammy Award for Best Long Form Music Video (he lost to Duran Duran), it was not enough for Warner Bros. to keep Cooper on their books, so in 1984 Cooper became a "free agent" for the first time in his career.

After over a year on hiatus, during which time he spent being a full-time father, perfecting his golf swing every day on the golf course, and finding time to star in the Spanish B-grade horror movie production Monster Dog, Cooper sought to pick up the pieces of his musical career. In 1985 he met and began writing songs with guitarist Kane Roberts. Cooper was subsequently signed to MCA Records, and appeared as guest vocalist on Twisted Sister's song "Be Chrool To Your Scuel". A video was made for the song, featuring Cooper donning his black snake-eyes make-up for the first time since 1979. But any publicity it may have generated toward Cooper's return to the music scene was cut short as the video was promptly banned because of its graphically gory make-up (by Tom Savini), and because of the innumerable zombies in the video and their insatiable appetite for gorging on human flesh.

In 1986 Alice Cooper officially returned to the music industry with the album Constrictor. The album spawned the hits "He's Back (The Man Behind the Mask)" (the theme song for the movie Friday the 13th Part VI: Jason Lives; in the video of the song Cooper was given a cameo role as a deranged psychiatrist) and the fan favorite "Teenage Frankenstein". The Constrictor album was a catalyst for Cooper to make (for the first time since the 1982 Special Forces tour) a triumphant return to the road, on a tour appropriately entitled The Nightmare Returns. The Detroit leg of this tour, which took place at the end of October 1986during Halloween, was captured on film as The Nightmare Returns, and is viewed by some as being the definitive Alice Cooper concert film.^[33] The concert, which received rave reviews in the rock music press,^[34] was also described by Rolling Stone magazine as bringing "Cooper's violent, twisted onstage fantasies to a new generation". The Constrictor album was followed by Raise Your Fist and Yell in 1987, which had an even rougher sound than its predecessor, as well as the Cooper classic "Freedom". The subsequent tour of Raise Your Fist and Yell, which was heavily inspired by the slasher horror movies of the time such as the Friday the 13th series and Nightmare on Elm Street, served up a shocking spectacle similar to its predecessor, and courted the kind of controversy, especially in Europe, that recalled the public outrage caused by Cooper's public performances in America in the early 1970s.

In Britain Labour M.P. David Blunkett called for the show to be banned, saying "I'm horrified by his behaviour – it goes beyond the bounds of entertainment" (even though Blunkett has been blind from birth).^[35] The controversy spilled over into the German segment of the tour, with the German government actually succeeding in having some of the gorier segments of the performance removed.^[36] It was also during the London leg of the tour that Cooper met with a near fatal accident during the hanging execution sequence at the end of the show.^[37]

Constrictor and Raise Your Fist and Yell were recorded with lead guitarist Kane Roberts and bassist Kip Winger, both of whom would leave the band by the end of 1988 (although Kane Roberts played guitar on "Bed of Nails" on 1989's album Trash).

In 1987 Cooper made a brief appearance as a vagrant in the horror movie Prince of Darkness, directed by John Carpenter. His role had no lines and consisted of generally menacing the protagonists before eventually impaling one of them with a bicycle frame. Cooper also appeared at WrestleMania III, escorting wrestler Jake 'The Snake' Roberts to the ring. After the match was over, Cooper got involved and threw Jake's snake Damien at The Honky Tonk Man's manager Jimmy Hart. Jake considered the involvement of Cooper to be an honor, as he had idolized Cooper in his youth and was still a huge fan.

In 1988, Cooper's contract with MCA Records expired and he signed with Epic Records. Then in 1989 his career finally experienced a legitimate revival with the Desmond Child produced and Grammy-nominated album Trash, which spawned a hit single "Poison", which reached No. 2 in the UK and No. 7 in the US, and a worldwide arena tour.

1990s[link]

1991 saw the release of Cooper's 19th studio album, Hey Stoopid, again featuring several of rock music’s glitterati guesting on the record. Released as glam metal's popularity was on the wane, and just before the explosion of grunge, it failed to have the same commercial impact as its predecessor. The same year also saw the release of the video Alice Cooper: Prime Cuts which chronicled his entire career using in depth interviews with Cooper himself, Bob Ezrin, and Shep Gordon. One critic has noted that Prime Cuts demonstrates how Cooper had used (in contrast to similar artists who succeeded him) themes of satire and moralisation to such good effect throughout his career.^[38] It was in the Prime Cuts video that Bob Ezrin delivered his own summation of the Alice Cooper persona: "He is the psycho killer in all of us. He's the axe murderer, he's the spoiled child, he's the abuser, he's the abused; he's the perpetrator, he's the victim, he's the gun slinger, and he's the guy lying dead in the middle of the street".^[39]

By the early 1990s Cooper had become a genuine cultural icon, guesting on records by the most successful bands of the time, such as the Guns N' Roses album Use Your Illusion I, on which he shared vocal duties with Axl Rose on the track "The Garden"; making a brief appearance as the abusive stepfather of Freddy Krueger in the Nightmare On Elm Street film Freddy's Dead: The Final Nightmare (1991).

Cooper made a famous cameo appearance in the 1992 hit comedy film Wayne's World. Cooper and his band first appear onstage performing "Feed My Frankenstein" from Hey Stoopid. Afterwards at a backstage party, the movie's main characters Wayne and Garth discover that when offstage Cooper is a calm, articulate intellectual when he and his band discuss the history of Milwaukee in surprising depth. In a now famous scene, Wayne and Garth respond to an invitation to hang out with Cooper by kneeling and bowing reverently before him while chanting "We're not worthy! We're not worthy!"

In 1994 Cooper released The Last Temptation, his first concept album since DaDa. The album deals with issues of faith, temptation, alienation and the frustrations of modern life, and has been described as "a young man's struggle to see the truth through the distractions of the 'Sideshow' of the modern world".^[40] Concurrent with the release of The Last Temptation was a three-part comic book series written by Neil Gaiman, fleshing out the album's story. This was to be Cooper’s last album with Epic Records, and his last studio release for six years, though during this period the live album A Fistful of Alice^[41] was released, and in 1997 he lent his voice to the first track of Insane Clown Posse's The Great Milenko. In 1999, the four-disc box set The Life and Crimes of Alice Cooper appeared, which contained an authorized biography of Cooper, Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American, written by Creem magazine editor Jeffrey Morgan.

During his absence from the recording studio, Cooper toured extensively every year throughout the latter part of the 1990s, including, in 1996, South America, which he had not visited since 1974. Also in 1996, Cooper sang the role of Herod on the London cast recording of the musical Jesus Christ Superstar.^[42]

He also made an appearance on an episode of That 70s Show, at the end of which he and two other (minor) guest characters parody Dungeons & Dragons.

2000s[link]

Cooper in 2004 on a film set in L.A.

The first decade of the 21st century saw a sustained period of activity from Alice Cooper. In the decade that he turned sixty, he toured extensively and released (after a significant break) a steady stream of studio albums to favorable critical acclaim. During this period Cooper was also recognized and awarded in various ways: he received a Rock Immortal award at the 2007 Scream Awards;^[43] was given a star on the Hollywood Walk of Fame in 2003;^[44] he received (in May 2004) an honorary doctoral degree from Grand Canyon University;^[45] was given (in May 2006) the key to the city of Alice, North Dakota;^[46] he won the living legend award at the 2006 Classic Rock Roll of Honour event;^[47] and he won the 2007 Mojo music magazine Hero Award.

The lengthy break between studio albums ended in 2000 with Brutal Planet, which was a return to horror-lined heavy metal, with industrial rock, and with subject matter thematically inspired by the brutality of the modern world, set in a dystopian post-apocalyptic future, and also inspired by a number of news stories that had recently appeared on the CNN news channel.^[48] The album was produced by Bob Marlett, with longtime Cooper production collaborator Bob Ezrin returning as executive producer. The accompanying world tour, which included Cooper's first concert in Russia, was a resounding success, introducing Alice Cooper to a new audience and producing the live home video, Brutally Live, in 2001. During one memorable episode in Brutally Live, Britney Spears (being played by Alice Cooper's real life daughter, Calico), and representing "everything that my audience hates – the softening of rock and roll...the sweetness of it" is executed by Cooper.

Brutal Planet was succeeded by the sonically similar and widely acclaimed sequel Dragontown, which saw Bob Ezrin back at the helm as producer. The album has been described as leading the listener down "a nightmarish path into the mind of rock's original conceptual storyteller"^[49] and by Cooper himself as being "the worst town on Brutal Planet". Like The Last Temptation, both Brutal Planet and Dragontown are albums which explore Cooper's personal faith perspective (born again Christianity). It is often cited in the music media that Dragontown forms the third chapter in a trilogy begun with The Last Temptation;^[50] however, Cooper has indicated that this in fact is not the case.^[51]

Cooper again adopted a leaner, cleaner sound for his critically acclaimed^[52] 2003 release The Eyes of Alice Cooper. Recognizing that many contemporary bands were having great success with his former sounds and styles, Cooper worked with a somewhat younger group of road and studio musicians who were very familiar with his oeuvre of old. However, instead of rehashing the old sounds, they updated them, often with surprisingly effective results. The resulting Bare Bones tour adopted a less-orchestrated performance style that had fewer theatrical flourishes and a greater emphasis on musicality. The success of this tour helped support the growing recognition that the classic Cooper songs were exceptionally clever, tuneful and unique.

Cooper's radio show, Nights with Alice Cooper, began airing on January 26, 2004 in several US cities. The program showcases classic rock, Cooper's personal stories about his life as a rock icon and interviews with prominent rock artists. The show is broadcast on nearly 100 stations in the US and Canada,^[53] and has also been broadcast all over the world. In 2005 Alice Cooper was inducted into the Michigan Rock and Roll Legends online Hall of Fame.^[54] Two of the hit recordings of the original Alice Cooper band have been voted Legendary Michigan Songs: "Eighteen" in 2008, and "School's Out" in 2009.^[55]

A continuation of the songwriting approach adopted on The Eyes of Alice Cooper was again adopted by Cooper for his 24th studio album, Dirty Diamonds, released in 2005. Dirty Diamonds became Cooper's highest charting album since 1994's The Last Temptation.^[56] The Dirty Diamonds tour launched in America in August 2005 after several European concerts, including a performance at the Montreux Jazz Festival in Switzerland on July 12. Cooper and his band, including Kiss drummer Eric Singer, were filmed for a DVD released as Alice Cooper: Live at Montreux 2005. One critic, in a review of the Montreux release, commented that Cooper was to be applauded for "still mining pretty much the same territory of teenage angst and rebellion" as he had done more than thirty years previously.^[57]

In December 2006 the original Alice Cooper band reunited to perform six classic Alice Cooper songs at Cooper's annual charity event in Phoenix, entitled "Christmas Pudding".^[58]

On July 1, 2007 Cooper performed a duet with Marilyn Manson at the B'Estival event in Bucharest, Romania.^[59] The performance represented a reconciliation between the two artists; Cooper had previously taken issue with Manson over his overtly anti-Christian on-stage antics and had sarcastically made reference to the originality of Manson's choosing a female name and dressing in women's clothing.^[48] Cooper and Manson have been the subject of an academic paper on the significance of adolescent antiheroes.^[60]

In January 2008 he was one of the guest singers on the new Avantasia album The Scarecrow, singing the 7th track, "The Toy Master". In July 2008, after lengthy delays, Cooper released Along Came a Spider, his 25th studio album. It was Cooper's highest charting album since 1991's Hey Stoopid, reaching No. 53 in the US and No. 31 in the UK. The album, visiting similar territory explored in 1987's Raise Your Fist and Yell, deals with the nefarious antics of a deranged serial killer named "Spider" who is on a quest to use the limbs of his victims to create a human spider. The album generally received positive reviews from music critics, though Rolling Stone magazine opined that the music on the record sorely missed Bob Ezrin's production values.^[61] The resulting Theatre of Death tour of the album (during which Cooper is executed on four separate occasions) was described in a long November 2009 article about Cooper in The Times as "epic" and featuring "enough fake blood to remake Saving Private Ryan".

2010s[link]

In January 2010, it was announced that Alice would be touring with Rob Zombie on the "Gruesome Twosome" tour.^[62] In May 2010, Cooper made an appearance during the beginning of the season finale of the reality-show American Idol, in which he sang "School's Out".^[63]

With his daughter and former band member Dick Wagner, Cooper scored the music for the indie horror flick Silas Gore.^[64]

During 2010, Cooper began working on a new album, dubbed Welcome 2 My Nightmare, a sequel to the original Welcome to My Nightmare.^[65] In a Radio Metal interview, he said that "We'll put some of the original people on it and add some new people [...] I'm very happy with working with Bob (Ezrin) again."^[65]

On December 15, 2010, it was announced Cooper and his former band would be inducted into the Rock and Roll Hall of Fame. The official Rock and Roll Hall of Fame induction ceremony took place March 14, 2011 where Cooper was inducted by fellow horror-rocker Rob Zombie. Original members Bruce, Cooper, Dunaway, and Smith all made brief acceptance speeches and performed "I'm Eighteen" and "School's Out" live together, with Steve Hunter filling in for the late Glen Buxton. Alice showed up for the event wearing a (presumably fake) blood-splattered shirt and had a live giant albino boa snake wrapped around his neck.^[5][66] Cooper told Rolling Stone magazine that he was "elated" by the news and that the nomination had been made for the original band, as "We all did go to the same high school together, and we were all on the track team, and it was pretty cool that guys that knew each other before the band ended up going that far".^[67]

On March 10, 2011, Jackson Browne, David Crosby, Graham Nash, Alice Cooper, Jennifer Warnes and others performed at a benefit concert in Tucson, Arizona benefiting The Fund for Civility, Respect and Understanding, a foundation that raises awareness about and provides medical prevention and treatment services to people with mental disorders.^[68] In June 2011 Cooper took his place in the Reasonably Priced Car at the BBC auto show Top Gear.^[69]

Cooper supported Iron Maiden on tour from June to July 21.^[70]

Style and influences[link]

During an interview for the program Entertainment USA in 1986 Cooper stunned interviewer Jonathan King by stating that The Yardbirds were his favorite band of all time.^[71] Perhaps King should not have been so taken aback, as Cooper had as far back as 1969 said that it was music from the mid-sixties, and particularly from British bands The Beatles, The Who, and The Rolling Stones, as well as The Yardbirds, that had the greatest influence on him.^[72] Cooper would later pay homage to The Who by singing "I'm A Boy" for A Celebration: The Music of Pete Townshend and The Who in 1994 at Carnegie Hall in New York, and performing a cover of "My Generation" on the Brutal Planet tour of 2000.

During an interview with Ozzy Osbourne from radio program Nights with Alice Cooper on May 22, 2007, Cooper again affirmed his debt of gratitude to these bands, and to The Beatles in particular. During their discussion, Cooper and Osbourne bemoaned the often inferior quality of songwriting coming from contemporary rock artists. Cooper stated that in his opinion the cause of the problem was that certain modern bands "had forgotten to listen to The Beatles".

On the 25th anniversary DVD of Cabaret, Liza Minnelli stated that Cooper had told her that his whole career was based on the movie Cabaret.^{[citation needed]}

Evidence of Cooper's eclectic tastes in classic and contemporary rock music can be seen in the track listings of his radio show; in addition, when he appeared on the BBC Radio 2 program Tracks of My Years in September 2007, he listed his favorite tracks of all time as being: "19th Nervous Breakdown" (1966) by The Rolling Stones; "Turning Japanese" (1980) by The Vapors; "My Sharona" (1979) by The Knack; "Beds Are Burning" (1987) by Midnight Oil; "My Generation" (1965) by The Who; "Welcome to the Jungle" (1987) by Guns N' Roses; "Rebel Rebel" (1974) by David Bowie; "Over Under Sideways Down" (1966) by The Yardbirds; "Are You Gonna Be My Girl" (2003) by Jet; and "A Hard Day's Night" (1964) by The Beatles,^[73] and when he appeared on Desert Island Discs in 2010 he chose the songs "Happenings Ten Years Time Ago" by The Yardbirds; "I Get Around" by The Beach Boys; "I'm a Boy" by The Who; "Timer" by Laura Nyro; "21st Century Schizoid Man" by King Crimson; "Been Caught Stealing" by Jane's Addiction; "Work Song" by The Paul Butterfield Blues Band and "Ballad of a Thin Man" by Bob Dylan.^[74]

Rob Zombie, former front man of White Zombie, claims his first "metal moment" was seeing Alice Cooper on Don Kirshner's Rock Concert.^[75] Zombie has also claimed to have been heavily influenced by Cooper's costumes.^[76]

In a 1978 interview with Rolling Stone, Bob Dylan stated, "I think Alice Cooper is an overlooked songwriter".^[77]

In the foreword to Alice Cooper's CD retrospective box set The Life and Crimes of Alice Cooper, John Lydon of The Sex Pistols pronounced Killer as the greatest rock album of all time, and in 2002 Lydon presented his own tribute program to Cooper on BBC radio. Lydon told the BBC that "I know the words to every Alice Cooper song. The fact is, if you can call what I have a musical career, it all started with me miming to I'm Eighteen on a jukebox".^[78][79]

The Flaming Lips are longtime Alice Cooper fans and used the bass line from "Levity Ball" (an early song from the 1969 release Pretties for You) for their song "The Ceiling Is Bending". They also covered "Sun Arise" for an Alice Cooper tribute album. (Cooper's version, which closes the album Love It to Death, was itself a cover of a Rolf Harris song.)

In 1999 Cleopatra Records released Humanary Stew: A Tribute to Alice Cooper featuring a number of contributions from rock and metal all-star collaborations, including Dave Mustaine, Roger Daltrey, Ronnie James Dio, Slash, Bruce Dickinson, and Steve Jones.^[80] The album was notable for the fact that it was possible to assemble a different supergroup for each cover version on the record, which gave an indication of the depth of esteem in which Cooper is held by other eminent musicians within the music industry.

A song by alternative rock group They Might Be Giants from their 1994 album John Henry entitled "Why Must I Be Sad?" mentions 13 Cooper songs, and has been described as being "from the perspective of a kid who hears all of his unspoken sadness given voice in the music of Alice Cooper; Alice says everything the kid has been wishing he could say about his alienated, frustrated, teenage world".^[81]

Such unlikely non-musician fans of Cooper included Groucho Marx and Mae West, who both reportedly saw the early shows as a form of vaudeville revue,^[82] and artist Salvador Dalí, who on attending a show in 1973 described it as being surreal, and made a hologram, First Cylindric Chromo-Hologram Portrait of Alice Cooper's Brain.^[83][84]

Personal life[link]

Cooper, a huge fan of The Simpsons, was asked to contribute a storyline for the September 2004 edition of Bongo Comics's Bart Simpson's Treehouse of Horror, a special Monsters of Rock issue that also included stories plotted by Gene Simmons, Rob Zombie and Pat Boone.^[85] Cooper's story featured Homer Simpson being a Jason Voorhees, Friday the 13th style killer and Alice and the citizens of Springfield are being stalked by Homer.

On June 20, 2005, ahead of his June–July 2005 tour, Cooper had a wide-ranging interview with interviewer of celebrities Andrew Denton for the Australian ABC Television's Enough Rope. Cooper discussed various issues during a revealing and frank talk, including the horrors of acute alcoholism and his subsequent cure, being a Christian, and his social and work relationship with his family.^[86] During the interview, Cooper remarked "I look at Mick Jagger and he's on an 18-month tour and he's six [sic] years older than me, so I figure, when he retires, I have six more years. I will not let him beat me when it comes to longevity."^[87]

The actual ownership of the Alice Cooper name is an example of the value of a single copyright or trademark. Since "Alice Cooper" was originally the name of the band, and not the lead singer (cf. Uriah Heep, Jethro Tull, Amy Meredith, etc.), and it was actually owned by the band as whole, Cooper paid, and continues to pay, a yearly royalty to his original bandmates for the right to use the name commercially.

Cooper is a fan of the NHL Phoenix Coyotes.^[88] On February 18, 2012 the Coyotes gave away his bobblehead in a promotion for the first 10,000 fans for a game with the Dallas Stars.^[89]

Relationships and family[link]

In the period when the Alice Cooper group was signed to Frank Zappa's Straight label, Miss Christine of the GTOs became Cooper's girlfriend. Miss Christine (real name: Christine Frka), who had actually recommended Zappa to the group, died on November 5, 1972 of an overdose.^[90]

Another long-time girlfriend of Cooper's was Cindy Lang, with whom he lived for several years. They separated in 1975. Lang sued Cooper for palimony, and they eventually settled out of court in the early 1980s.^[91][92]

After his separation from Lang, Cooper was briefly linked with actress Raquel Welch.^[93] Cooper then reportedly left Welch, however, to marry, on March 20, 1976, ballerina instructor/choreographer Sheryl Goddard, who performed in the Alice Cooper show from 1975 to 1982. In November 1983, at the height of Cooper's alcoholism, Sheryl filed for divorce, but by mid-1984, she and Cooper had reconciled.^[94] The couple has remained together since. In a 2002 television interview, Cooper claimed that he had "never cheated" on his wife in all the time they had been together. In the same interview, he also claimed that the secret to a lasting and successful relationship is to continue going out on dates with your partner.^[95] The couple have three children: elder daughter Calico Cooper (born 1981), an actress and singer who has been performing in the Alice Cooper show since 2000; son Dash (b. 1985), a student at Arizona State University, and also plays in a band called Runaway Phoenix; and younger daughter Sonora Rose (b. 1993).

Drug recovery[link]

In 1986, Megadeth was asked to open for Cooper for dates on his US Constrictor tour. After noticing the hardcore abuse of alcohol and other drugs in the band, Cooper personally approached the band members to try to help them control their abuse, and he has stayed close to front man Dave Mustaine, who considers Cooper to be his "godfather".^[96] Since overcoming his own addiction to alcohol in the mid-1980s, Cooper has continued to help and counsel other rock musicians with addiction problems. "I've made myself very available to friends of mine – they're people who would call me late at night and say, 'Between you and me, I've got a problem.'"^[97] In recognition of the work he has done in helping other addicts in the recovery process, Cooper received in 2008 the Stevie Ray Vaughan Award at the fourth annual MusiCares MAP Fund benefit concert in Los Angeles.^[98]

Religion and politics[link]

Although he originally tended to shy away from speaking publicly about his religious beliefs, Cooper has in recent years been vocal about his faith as a born-again Christian.^[99]

Throughout his career, Cooper's philosophy regarding politics is that politics should not be mixed with rock music. He has usually kept his political views to himself, and in 2010 said "I am extremely non-political. I go out of my way to be non-political. I'm probably the biggest moderate you know. When John Lennon and Harry Nilsson used to argue politics, I was sitting right in the middle of them, and I was the guy who was going 'I don't care.' When my parents would start talking politics, I would go in my room and put on The Rolling Stones or The Who on as long as I could to avoid politics. And I still feel that way".^[67] On occasion he has spoken out against musicians who promote or opine on politics; for example, in the run-up to the 2004 presidential election, he told the Canadian Press that the then crop of rock stars campaigning for and touring on behalf of Democratic candidate John Kerry were committing "treason against rock n' roll". He also added that upon seeing the list of musicians who supported Kerry, "if I wasn't already a Bush supporter, I would have immediately switched. Linda Ronstadt? Don Henley? Geez, that's a good reason right there to vote for Bush."^[100]

Love of golf[link]

Cooper has on several occasions credited golf as having played a major role in helping him to overcome his addiction to alcohol,^[101] and has even gone as far to say that when he took up golf, it was a case of replacing one addiction with another.^[102][103] The importance that the game has had in his life is also reflected in the title to his 2007 autobiography, Alice Cooper, Golf Monster.^[104] Cooper, who has participated in a number of Pro-Am competitions,^[105] plays the game six days a week, off a handicap of two.^[74] Since 1997 he has hosted an annual golf competition, the Alice Cooper Celebrity AM Golf Tournament, all proceeds from which go to his charity, the Solid Rock Foundation. In 2005 while playing with manager Shep Gordon on The Champion Course in Palm Beach Gardens, Florida, Cooper recorded an impressive round of two-over par 74 on the world-class course. Cooper has also appeared in commercials for Callaway Golf equipment, was a guest of veteran British player and broadcaster Peter Alliss on A Golfer's Travels.^[106] He wrote the foreword to the Gary McCord book "Ryder Cup" and participated in the second All*Star Cup in South Wales.^[107] In an interview with VH1, friend and fellow golfer Pat Boone said that Cooper was "'this close' to being a pro".

Discography[link]

See: Alice Cooper discography

Awards and nominations[link]

Grammy Awards

Filmography[link]

See: Alice Cooper filmography

List of Alice Cooper band personnel[link]

Current

• Alice Cooper – vocals, guitar, harmonica (1963–present)
• Chuck Garric – bass guitar, vocals (2002–present)
• Ryan Roxie – guitar, vocals (1996–2006, 2012-presemt)
• Tommy Henriksen – guitar, vocals (2011–present)
• Orianthi – guitar, vocals (2011–present)
• Glen Sobel – drums, percussion (2011–present)

Past

Notes[link]