Palmyra ܬܕܡܘܪܬܐ
Palmyra and Temple of Baal-Shamin
Palmyra Location in Syria
Coordinates: 34°33′36″N 38°16′2″E / 34.56°N 38.26722°E / 34.56; 38.26722
Country	Syria
Governorate	Homs Governorate
District	Palmyra District
Elevation	405 m (1,329 ft)
Population (2004 census)
• Total	51,323
Area code(s)	31
UNESCO World Heritage Site
Official name: Site of Palmyra
Type:	Cultural
Criteria:	i, ii, iv
Designated:	1980 (4th session)
Reference #:	23
State Party:	Syria
Region:	Arab States

Palmyra (Aramaic: ܬܕܡܘܪܬܐ‎;Hebrew: תדמור‎; tiḏmor, Greek: Παλμύρα, Arabic: تدمر‎; Tadmur, English pronunciation: /ˌpælˈmaɪrə/) was an ancient city in central Syria. In antiquity, it was an important city located in an oasis 215 km northeast of Damascus^[1] and 180 km southwest of the Euphrates at Deir ez-Zor. It had long been a vital caravan stop for travellers crossing the Syrian desert and was known as the Bride of the Desert. The earliest documented reference to the city by its Semitic name Tadmor, Tadmur or Tudmur (which means "the town that repels" in Amorite and "the indomitable town" in Aramaic)^[2] is recorded in Babylonian tablets found in Mari.^[3]

Though the ancient site fell into disuse after the 16th century, it is still known as Tadmor^[4] in Arabic (aka Tedmor^[5]), and there is a newer town of the same name next to the ruins.^[6] The Palmyrenes constructed a series of large-scale monuments containing funerary art such as limestone slabs with human busts representing the deceased.

Culture[link]

Palmyrans bore Aramaic names,^[7][8] and worshipped a variety of deities from Mesopotamia (Marduk and Ruda),^[9] Syria (Hadad, Baʿal, Astarte),^[10] Arabia (Allāt) and Greece (Athena).^[11] Palmyrans were originally speakers of Aramaic but later shifted to the Greek language. At the time of the Islamic conquests Palmyra was inhabited by several Arab tribes, primarily the Qada'ah and Kalb.^[12]

History[link]

A general view of the site

Ancient[link]

The exact etymology of the name "Palmyra" is unknown, although some scholars believe it was related to the palm trees in the area. Others, however, believe it may have come from an incorrect translation of the name "Tadmor" (cf. Colledge, Seyrig, Starcky, and others). The city was first mentioned in the archives of Mari in the second millennium BC. It was a trading city in the extensive trade network that linked Mesopotamia and northern Syria. Tadmor is mentioned in the Hebrew Bible (Second Book of Chronicles 8:4) as a desert city built (or fortified) by the King Solomon of Judea:

There had been a temple at Palmyra for 2000 years before the Romans ever saw it. Its form, a large stone-walled chamber with columns outside, is much closer to the sort of thing attributed to Solomon than to anything Roman. It is mentioned in the Bible as part of Solomon's Kingdom. In fact, it says he built it.

—Terry Jones and Alan Ereira, Terry Jones' Barbarians, p. 183

Flavius Josephus also attributes the founding of Tadmor to Solomon in his Antiquities of the Jews (Book VIII), along with the Greek name of Palmyra, although this may be a confusion with biblical "Tamara". Several citations in the tractates of the Talmud and of the Midrash also refer to the city in the Syrian desert (sometimes interchanging the letters "d" and "t" - "Tatmor" instead of "Tadmor").

Greco-Roman periods[link]

Detail of a Parthian cavalryman escorting a camel caravan. Rubbing of a relief at Palmyra

Inscription of Queen Zenobia at Palmyra.

When the Seleucids took control of Syria in 323 BC, the city was left to itself and it became independent, flourishing as a caravan halt in the 1st century BC. In 41 BCE, Mark Antony sent a raiding party to Palmyra, but the Palmyrans had received intelligence of their approach and escaped to the other side of the Euphrates, demonstrating that at that time Palmyra was still a nomadic settlement and its valuables could be removed at short notice.^[13]

In the mid 1st century AD, Palmyra, a wealthy and elegant city located along the caravan routes linking Persia with the Mediterranean ports of Roman Syria and Phoenicia, came under Roman control. A period of great prosperity followed.

Jones and Erieira note that Palmyran merchants owned ships in Italian waters and controlled the Indian silk trade. "Palmyra became one of the richest cities of the Near East." "The Palmyrans had really pulled off a great trick, they were the only people who managed to live alongside Rome without being Romanized. They simply pretended to be Romans."

Palmyra was made part of the Roman province of Syria during the reign of Tiberius (14–37 AD). It steadily grew in importance as a trade route linking Persia, India, China, and the Roman Empire. In 129, Hadrian visited the city and was so enthralled by it that he proclaimed it a free city and renamed it Palmyra Hadriana.

Beginning in 212, Palmyra's trade diminished as the Sassanids occupied the mouth of the Tigris and the Euphrates. Septimius Odaenathus, a Prince of Palmyra, was appointed by Valerian as the governor of the province of Syria. After Valerian was captured by the Sassanids and died in captivity in Bishapur, Odaenathus campaigned as far as Ctesiphon (near modern-day Baghdad) for revenge, invading the city twice. When Odaenathus was assassinated by his nephew Maconius, his wife Septimia Zenobia took power, ruling Palmyra on the behalf of her son, Vabalathus.

Zenobia rebelled against Roman authority with the help of Cassius Longinus and took over Bosra and lands as far to the west as Egypt, establishing the short-lived Palmyrene Empire. Next, she took Antioch and large sections of Asia Minor to the north. In 272, the Roman Emperor Aurelian finally restored Roman control and Palmyra was besieged and sacked, never to recover her former glory. Aurelian captured Zenobia, bringing her back to Rome. He paraded her in golden chains in the presence of the senator Marcellus Petrus Nutenus, but allowed her to retire to a villa in Tibur, where she took an active part in society for years. A legionary fortress was established in Palmyra and although no longer an important trade center, it nevertheless remained an important junction of Roman roads in the Syrian desert.^[14]

Diocletian expanded the city to harbor even more legions and walled it in to try and save it from the Sassanid threat. The Byzantine period following the Roman Empire only resulted in the building of a few churches; much of the city went to ruin.

Islamic rule[link]

The city was captured by Muslim Arabs under Khalid ibn al-Walid in 634 but left intact. After the year 800 and the civil wars that followed the fall of the Umayyad caliphs, people started abandoning the city. At the time of the Crusades, Palmyra was under the Burid emirs of Damascus, then under Toghtekin, Mohammed the son of Shirkuh, and finally under the emirs of Homs. In 1132 the Burids had the Temple of Ba'al turned into a fortress. In the 13th century the city was handed over to the Mamluk sultan Baybars. In 1401, it was sacked by Timur, but recovered quickly, so that in the 15th century it was described as boasting "vast gardens, flourishing trades and bizarre monuments" by Ibn Fadlallah al-Omari.

In the 16th century, Qala'at ibn Maan castle was built on top of a mountain overlooking the oasis by Fakhr ad-Din al-Maan II, a Lebanese prince who tried to control the Syrian Desert. The castle was surrounded by a moat, with access only available through a drawbridge. It is possible that earlier fortifications existed on the hill well before then.

The city declined under Ottoman rule, reduced to no more than an oasis village with a small garrison. In the 17th century its location was rediscovered by Western travellers, and was studied by European and American archaeologists starting in the 19th century. The villagers who had settled in the Temple of Ba'al were dislodged in 1929 by the French authority.

Main sights[link]

The Temple of Yarchabol

The decumanus

City remains[link]

The most striking building in Palmyra is the huge temple of Ba'al, considered "the most important religious building of the first century AD in the Middle East".^[15] It originated as a Hellenistic temple, of which only fragments of stones survive. The central shrine (cella) was added in the early 1st century AD, followed by a large double colonnaded portico in Corinthian style. The west portico and the entrance (propylaeum) date from the 2nd century. The temple measures 205 x 210 m.

Starting from the temple, a colonnaded street, corresponding to the ancient decumanus, leads to the rest of the ancient city. It has a monumental arch (dating to the reign of Septimius Severus, early 3rd century AD) with rich decorations. Next were a temple of Nabu, of which little remains today apart from the podium, and the so-called baths of Diocletian.

The second most noteworthy remain in Palmyra is the theater, today with nine rows of seats, but most likely originally having up to twelve with the addition of wooden structures.^[16] It has been dated to the early 1st century AD. Behind the theater were located a small Senate building, where the local nobility discussed laws and made political decisions, and the so-called "Tariff Court", with an inscription suggesting that it was a place for caravans to make payments. Nearby is the large agora (measuring 48 x 71 m), with remains of a banquet room (triclinium); the agora's entrance was decorated with statues of Septimius Severus and his family.

The first section of the excavations ends with a largely restored tetrapylon ("four columns"), a platform with four sets of four columns (only one of the originals in Egyptian granite is still visible). A transverse street leads to Diocletian's Camp, built by the Governor of Syria, Sosianus Hierocles,^[17] with the remains of the large central principia (hall housing the legions' standards). Nearby are the temple of the Syrian goddess Allāt (2nd century AD), the Damascus Gate and the Temple of Ba'al-Shamin, erected in AD 17 and later expanded under the reign of Odenathus. Remains include a notable portico leading to the cella.

Funerary art[link]

Funerary bust of a woman. Palmyra. Mid-late 2nd century. British Museum.

Outside the ancient walls, the Palmyrenes constructed a series of large-scale funerary monuments which now form the so-called Valley of the Tombs, a 1 km long necropolis, with a series of large, richly decorated structures. These tombs, some of which were below ground, had interior walls that were cut away or constructed to form burial compartments in which the deceased, extended at full length, were placed. Limestone slabs with human busts in high relief sealed the rectangular openings of the compartments.

These reliefs represented the "personality" or "soul" of the person interred and formed part of the wall decoration inside the tomb chamber. A banquet scene depicted on this relief suggests a family tomb rather than that of an individual.

Further excavations[link]

Archaeological teams from various countries have worked on-and-off on different parts of the site. In May 2005, a Polish team excavating at the Lat temple discovered a highly-detailed stone statue of the winged goddess of victory, they also used rock to paint, they also used humans.

Recently, archaeologists in working in central Syria have unearthed the remnants of a 1,200-year-old church believed to be the largest ever discovered in Syria, at an excavation site in the ancient town of Palmyra. This church is the fourth to be discovered in Palmyra. Officials described it as the biggest of its kind to be found so far — its base measuring an impressive 47 meters by 27 meters. The church columns were estimated to be 6 meters tall, with the height of the wooden ceiling more than 15 meters. A small amphitheater was found in the church's courtyard where the experts believe some Christian rituals were practiced.^[18] In November 2010 Austrian media manager Helmut Thoma admitted to looting a Palmyrian grave, where he has stolen architectural pieces, today presented in his private living room.^[19] German and Austrian archaeologists protested against this crime.^[20][21]

Early morning panorama of Palmyra

Panorama of Palmyra

Temple of Bel

Panoramic view of the theater

Climate[link]

See also[link]

Ancient arches at Palmyra

• Tadmor Prison
• Palmyrene Empire
• Palmyra, Pennsylvania
• Palmyra, New Jersey

Notes[link]

Bibliography[link]

• Burns, Ross (1999). Monuments of Syria. London and New York: I.B. Tauris. pp. 162–175. 
• Isaac, Benjamin (2000). The Limits of Empire - the Roman Army in the East (revised ed.). Oxford: Clarendon Press. 

External links[link]

Wikimedia Commons has media related to: Palmyra

• Christian Sahner, "The Temple of the Bride of the Desert," The Wall Street Journal, 27 August 2011 [1]
• Metropolitan Museum of Art - Palmyra
• Temple of Baal, Palmyra, Syria
• Palmyra. Italian-Syrian Archaeological Mission of the University of Milan
• http://i-cias.com/e.o/palmyra.htm

v t e World Heritage Sites in Syria Ancient City of Aleppo · Ancient City of Bosra · Krak des Chevaliers and Qal’at Salah El-Din · Ancient City of Damascus · Palmyra · Ancient Villages of Northern Syria

v t e Homs Governorate Cities Homs al-Qusayr al-Rastan Tadmur Talkalakh Homs Governorate Towns and villages al-Akkari al-Hwash Arak Aqrab Ayfir Bir Basiri Dar al-Abid al-Sud Deir Ba'albah Fayruzah Furqlus al-Ghantoo al-Ghuntir al-Halbah Hisyah Hulayhila Huwaysis al-Jabbat Jibab Hamad Jubb al-Jarrah Jubb al-Shami Kafr Laha al-Kawm Khirbet Duwayzin Mahin Marmarita Mashrafah Mihassah Mukharram al-Fawqani al-Qadr al-Qaryatayn Qattin Qatna Ribla Sab Abar Sadad Sayyadah al-Shumariyeh Shin Shinshar al-Sukhnah Talbisa Taldou al-Tanf Tayyibah Tiyas Zaydal Zweitina

Coordinates: 34°33′36″N 38°16′2″E / 34.56°N 38.26722°E / 34.56; 38.26722

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2012)

Jolie Holland
Jolie Holland performing in 2009
Background information
Born	(1975-09-11) September 11, 1975 (age 36) Houston, Texas United States
Genres	Rock, traditional, country, Americana
Occupations	Musician
Instruments	Vocals, piano, guitar, violin, accordion
Labels	ANTI-
Associated acts	The Be Good Tanyas
Website	jolieholland.com

Jolie Holland (born September 11, 1975 in Houston, Texas)^[1] is an American singer and performer who combines elements of folk, traditional, country, rock, jazz, and blues. She was one of the founding members of The Be Good Tanyas.

Career[link]

Holland at the keyboards

ANTI- labelmates Tom Waits and Sage Francis are both outspoken fans of Holland's: Waits nominated her for the Shortlist music prize^[2] while Francis has said that Holland's album Escondida was his most listened to album of 2005.^[3] Holland collaborated with Francis on two tracks on his album Human the Death Dance.

Discography[link]

Live albums[link]

• Jolie Holland and The Quiet Orkestra 2002
• Catalpa 2003

Studio albums[link]

• Escondida 2004
• Springtime Can Kill You 2006
• The Living and the Dead 2008
• Pint of Blood 2011

Contributions[link]

• Multiple collaborations with David Dondero, including backing vocals on the song "Analysis Of A 1970's Divorce" on Dondero's 2001 album Shooting at the Sun With a Water Gun
• Lead vocals on The Grey Funnel Line on Hal Willner's Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys (2006, ANTI-)
• Backing vocals for Bad Religion frontman Greg Graffin's studio solo album Cold as the Clay
• Violin on The Speakers' album Yeats Is Greats
• Backing vocals on Chuck Ragan's album Feast or Famine
• Lyrics and performance of Flood of Dreams in the film King of California
• Backing vocals on "Cinders of the Sun" and "Heart of Misery"^[4] for Steve Abel and the Chrysalids' album Flax Happyon
• Backing vocals on David Gray's "Kathleen"
• Contributed to two tracks on Sage Francis' Human the Death Dance
• Backing vocals on "Songs for Love Drunk Sinners" by Jan Bell and the Cheap Dates
• Collaboration with Booker T. Jones on the album "What A Wonderful World"
• Backing vocals on "Old/New" by Frally
• Backing vocals on "Alabama chicken" and "Rattlesnake charm (Dream machine)" by Sean Hayes (musician)

References[link]

External links[link]

Wikimedia Commons has media related to: Jolie Holland

• Jolie Holland Official Website

This article about a singer-songwriter from the United States is a stub. You can help Wikipedia by expanding it. v t e

This article has multiple issues. Please help improve it or discuss these issues on the talk page. This biography of a living person needs additional citations for verification. Tagged since June 2011. It may have been edited by a contributor who has a close connection with its subject. Tagged since June 2011. The notability of this article's subject is in question. If notability cannot be established, it may be listed for deletion or removed. Tagged since June 2011. Very few or no other articles link to it. Please help introduce links to this page from other articles related to it. Tagged since June 2011.

Jo Blankenburg is a German composer based in Los Angeles. He writes music for easy listening purposes, for example the albums Floatovations and The Feather Dance. He also writes music for movies and production music companies. He has worked with Immediate Music and wrote the track "Mythos" from Themes for Orchestra & Choir 3. He is currently working for Position Music and has just recently released his first album called Vendetta for that company^[1]

Filmography[link]

• "The World Beneath" (2005)
• "Ticket" (2005)
• "Poetry" (2006)
• "Stages" (2006)
• "Vahveraasio" (2007)
• "Omega99" (2007)
• "Squalid" (2008)

Discography[link]

• Floatovations (Solo album) (2007)
• The Feather Dance (Solo album) (2008)
• Vendetta (for Position Music) (2010)

Single cues[link]

• "Mythos" from Immediate Music "Themes for Orchestra and Choir 3 (2007)
• Main theme for World of Wearable Art (2009)
• "Below The Surface" for The Human Experience (2010)

References[link]

External links[link]

Wikimedia Commons has media related to: Jo Blankenburg

• Official website
• Jo Blankenburg at the Internet Movie Database
• Floatovations album
• The Feather Dance album
• Position Music
• Vendetta album

This article about a German composer is a stub. You can help Wikipedia by expanding it. v t e