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A type of whip known as a riding crop

A leather cat o' nine tails pictured with a U.S. dollar bill for size comparison.

A set of romal reins, featuring a quirt at the end of the romal

A whip is a tool traditionally used by humans to exert control over animals or other people, through pain compliance or fear of pain, although in some activities whips can be used without use of pain, such as an additional pressure aid in dressage. Whips are generally of two types, either a firm stick device designed to strike directly, or a flexible whip which must be swung in a specific manner to be effective, but has a longer reach. There are also whips which combine both a firm stick and a flexible line, such as hunting whips.

The majority of whips are designed for use on animals, although whips such as the "cat o' nine tails" and knout were designed specifically for flagellation of humans as a means of a corporal punishment or torture. Whips can be used on consenting persons, or on oneself as part of a religious practice, or during BDSM activities.

Use of whips[link]

Whips were primarily designed to inflict pain, with the objective of obtaining pain compliance to the wishes of the user. In modern times, the pain stimulus is still used in some animal training, and is permitted in many fields, including most equestrianism disciplines, some of which mandate carrying a whip. The whip can be a vital tool to back up riding aids when applied correctly, particularly when initial commands are ignored. However, many competition governing bodies limit such use of whips, and severe penalties may be in place for over-use of the whip, including disqualification and fines.^[1] Socially, the use or over-use of whips may be considered animal cruelty in some jurisdictions.^[2]

Whips can also be used without painful stimulus, as a tool that is an extension of the human hand or arm, used as a visual command, or to tap an animal, or to exert pressure, in order to indicate a certain command. Such use may be related to operant conditioning where the subject is conditioned to associate the whip with irritation, discomfort or pain, but in other cases, a whip can be used as a simple tool to provide a cue connected to positive reinforcement for compliant behavior. Such use is sometimes accompanied by practitioners renaming the whip with alternative, softer terms such as a "wand" or a "stick," calling the lash a "string" or a "popper"

Another use of the whip is to make a loud sound (the 'cracking' of a whip) which induces a fear response in animals, especially those conditioned to the pain stimulus of the whip, and this technique is often used as part of an escalation response, with sound being used first prior to a pain stimulus being applied, again as part of operant conditioning. This loud noise can be used to drive or direct livestock or teams of harnessed animals, such as oxen or mules.

When some types of flexible whip are moved in a certain way, a loop in the flexible material can be moved down the whip, increasing in speed until the tip of the whip is moving in excess of 343.2 metres per second (768 mph), which is more than 30 times the speed of the initial movement in the handle. The movement of this loop breaks the sound barrier, creating a small sonic boom, described as a "crack".^[3] Whips were the first manmade objects to break the sound barrier.

Most stick type whips cannot make a crack by themselves, unless they either have a very long lash, such as a longe whip, or are very flexible with a moderately long lash, like certain styles of buggy whip. But any design can be banged against another object such as leather boot to make a loud noise. Short, stiff crops often have a wide leather "popper" at the end which makes a particularly loud noise when slapped against an animal, boot, or other object.

Stockwhips[link]

An Australian stockwhip

An Australian bullwhip

Drafting whip (or cattle drafter) made by George Woolnough, the famous "Tenterfield Saddler"

Stockwhips (or stock whips), including bullwhips and the Australian stockwhip, are a type of single-tailed leather whip with a very long lash but a short handle. Stockwhips are primarily used to make a loud cracking sound to move livestock (cattle, sheep, horses, etc.) away from the sound. It is generally not used to actually strike an animal, as it would inflict severe pain and is difficult to apply with precision.

Australian stockwhip[link]

The Australian stockwhip is often said to have originated in the English hunting whip, but it has since become a distinct type of whip. Today, it is used primarily by Australian stockmen. Unlike the short, embedded handle of a bullwhip, the stockwhip handle is not fitted inside the lash and is usually longer. A stockwhip's handle is connected to the thong by a joint typically made of a few strands of thick leather (which is called a keeper). This allows the whip to hang across a stockman's arm when not being used. The handles are normally longer than those of a bullwhip, being between 15 and 21 inches. The thong can be from 3 feet to 10 feet long. Stockwhips are also almost exclusively made from tanned kangaroo hide.

Australia's John Brady is an internationally renowned exponent of the art of whipcracking (an expertise he demonstrated during the live musical production The Man from Snowy River: Arena Spectacular). The Australian stockwhip was shown internationally when lone rider Steve Jefferys reared his Australian Stock Horse and cracked the stockwhip to commence the 2000 Sydney Olympic Games Opening Ceremony.

The bullwhip[link]

A bullwhip consists of a handle between eight and 12 inches in length, and a lash composed of a braided thong between three and 20 feet long. Some whips have an exposed wooden grip, others have an intricately braided leather covered handle. Unlike the Australian stock whip, the thong connects in line with the handle (rather than with a joint), or even engulfs the handle entirely. At the end of the lash is the "fall" and cracker or popper. The fall is a single piece of leather between 10 and 30 inches in length. During trick shots or target work, the fall is usually the portion of the whip used to cut, strike, or tie the target. The cracker is the portion of the whip that makes the loud "sonic boom" sound, but a whip without a cracker will still make a sonic boom, simply not as loud.

Additional types[link]

A whip made of balatá, made prior to 1939.

There are other variations and lengths of stock whips. The yard whip is a type of smaller stockwhip. The yard whip is used on ground in cattle yards and other small areas where speed and precision is needed. The yard whip is also used by younger children that aren't quite strong enough to handle a large stock whip.

The cattle drafter (or drafting whip) is a cane or fibreglass rod with a handgrip, knob and wrist strap. The cane length is about 75 cm (2'6") and the flapper length is about 30 cm (12") long. These whips are used in cattle yards and also when moving pigs.

The bullock-whip was used by an Australian bullock team driver (bullocky). The thong was 8 to 10 feet long, or more, and often made of greenhide. A long handle was cut from spotted gum or another native tree and was frequently taller than the bullock driver's shoulder. The bullocky walked beside the team and kept the bullocks moving with taps from the long handle as well as using the thong as needed.^[4]

The Rose whip is another variation of the stockwhip that was pioneered in Canada in the early 19th century, though it largely fell out of use by the 1880s. The Rose whips were effective in animal yards and other small areas. It was pioneered by an American farmer, Jack Liao^{[citation needed]}.

The Raman whip is a similar variation of the stockwhip which closely relates to the Rose whip. This variation was pioneered in the small Ontario city of Hamilton in the early 20th century, though it largely fell out of use by the 1920s. The Raman whips were effective on horse farms, horse derbies, and in other rural areas. It was pioneered by the South African inventor, Delaware Kumar.

Florida cow whip[link]

The Florida cow whip used by Floridian cowboys is a two-piece unit like the stockwhip and is connected to the handle by threading two strands of the thong through a hollow part of a wooden handle before being tied off. The cowwhip is heavier than the Australian stockwhip. Early cowwhips were made mostly of cowhide or buckskin.

Modern cow whips are made of flat nylon parachute cord, which, unlike those made from leather, are still effective when wet. Most cowwhips have handles that average 16 inches, and thongs that average 12 feet. A good cowwhip can produce a loud crack by a simple push of the handle. This can make it more convenient to use than a bullwhip in a thick vegetated environment with less swinging room. The Tampa Bay Whip Enthusiasts give demonstrations of the Florida Cracker Cowboy in costume at the annual Heritage Village Civil War Days festival, located in Largo, Florida every year in May.

A 4' (1.2 m) signal whip

Signal whips[link]

Signal whips (or signalwhips) are a type of single-tailed whip, originally designed to control dog teams. A signal whip usually measures between 3 and 4 feet in length. Signal whips and snake whips are similar. What distinguishes a signal whip from a snake whip is the absence of a "fall". A fall is a piece of leather attached to the end of the body of the whip. In a snake whip, the "cracker" attaches to the fall. In a signal whip, the cracker attaches directly to the body of the whip.

Snake whips[link]

Snake whips (or snakewhips) are a type of single-tailed whip. The name snake whip is derived from the fact that this type of whip has no handle inside and so can be curled up into a small circle which resembles a coiled snake. They were once commonly carried in the saddlebag by cowboys of the old west. A full sized snake whip is usually at least 4 feet in length (excluding the fall and cracker at the tip of the whip) and around one inch in diameter at the butt of the whip.

A pocket snake whip can be curled up small enough to fit into a large pocket, and ranges in size from 4 feet to 6 feet in length. The pocket snake whip is primarily a whip for occasional use, such as in loading cattle. Both of these types of snake whips are made with a leather shot bag running approximately three quarters of the length of the whip.

Blacksnakes are the traditional whips used in Montana and Wyoming. The blacksnake has a heavy shot load extending from the butt well down the thong, and the whip is flexible right to the butt. They range in size from 6 feet to 12 feet in length. Some types concentrate a load in the butt (often a lead ball or steel ball-bearing) to facilitate its use as improvised blackjack.

Equestrian whips and crops[link]

Top: A dressage whip. Bottom: a hunting crop

Horse whips or riding whips are artificial aids used by equestrians while riding, driving, or handling horses from the ground. There are many different kinds, but all feature a handle, a long, semi-flexible shaft, and either a popper or lash at the end, depending on use. Riding whips rarely exceed 48" from handle to popper, horse whips used for ground training and carriage driving are sometimes longer.

The term "whip" is the generic word for riding whips, the term "crop" is more specific, referring to a short, stiff whip used primarily in English riding disciplines such as show jumping or hunt seat. Some of the more common types of horse whips include:

• Dressage whips are up to 43 inches long, including lash or popper, and are used to refine the aids of the rider, not to hurt the horse. They generally ask for more impulsion, and are long enough that they can reach behind the rider's leg to tap the horse while the rider still holds the reins with both hands. The shaft is slightly flexible and tapers to a fine point at the tip. A similar, but slightly longer whip is used in saddle seat style English riding.
• Longe whips have a shaft about 4–5 feet long and a lash of equal or greater length. They are used to direct the horse as it is 'moved on a circle aroung the person standing in the centre, a process known as "longeing" (pronounced "Lungeing") The whip is used to guide and signal direction and pace, and is not used with force against the horse. Taking the place of the rider's leg aids, the positioning of the longe whip in relation to the horse gives the horse signals. Occasionally, due to the long lash, it may be cracked to enforce a command.

Longeing whip

A plaited show cane

• Driving whips have a stock about the same length as a longe whips, but a short lash, often no more than 12 inches. They are used specifically for driving horses in carriages or carts.
• A crop or "bat" has a fairly stiff stock, and is only 2-2.5 feet in length, with a "popper" - a looped flap of leather - at the end. Because it is too short to reach behind the riders leg while still holding the reins, it is most often used by taking the reins in one hand and hitting the horse behind the rider's leg, using the crop, held in the other hand. Less often, it may be used to tap the horse on the shoulder as a simple reminder to the animal that the rider is carrying it. It is to back up the leg aids, when the horse is not moving forward, or occasionally as a disciplinary measure (such as when a horse refuses or runs out on a jump). Crops or bats are most commonly seen in sports such as show jumping, hunt seat style English riding, horse racing, and in rodeo speed sports such as barrel racing.
• A hunting whip is not precisely a horse whip, though it is carried by a mounted rider. It has a stock about the same length as a crop, except its "stock" is stiff, not flexible. On one end of the stock it has a lash that is several feet in length, on the other end it has a hook, which is used to help the rider open and close gates while out fox hunting. The hunting whip is not intended to be used on the horse, but rather the lash is there to remind the hounds to stay away from the horse's hooves, and it can also be used as a communication device to the hounds.
• A quirt is a short, flexible piece of thickly braided leather with two wide pieces of leather at the end, which makes a loud crack when it strikes an animal or object. They inflict more noise than pain. Quirts are occasionally carried on horses used in western riding disciplines, but because the action of a quirt is slow, they are not used to correct or guide the horse, but are more apt to be used by a rider to reach out and strike at animals, such as cattle that are being herded from horseback.
• A show cane is a short, stiff cane that may be plain, leather covered or also covered with braided leather. Rarely used now except in formal show hacking events.

Rudyard Kipling's short story Garm - a Hostage mentions a long whip used by a horseback rider in India to defend an accompanying pet dog from risk of attack by native pariah dogs. This probably was a hunting whip.

Buggy whip and coachwhip[link]

A buggy whip is a horsewhip with a long stiff shaft and a relatively short lash used for driving a horse harnessed to a buggy or other small open carriage. A coachwhip, usually provided with a long lash, is used in driving a coach with horses in front of other horses. Though similar whips are still manufactured for limited purposes, the buggy whip industry as a major economic entity ceased to exist with the introduction of the automobile, and is cited in economics and marketing as an example of an industry ceasing to exist because its market niche, and the need for its product, disappears. In discussing market regulation, it is often held that the economy would be disadvantaged as a whole if the automobile had been banned to protect the buggy-whip industry.

Buggy whips are not entirely gone. A resurgence of interest in the international sport of combined driving and historical carriage driving, sports enjoyed by people of all ages, has allowed some buggy whip manufacturers to stay in business, serving this specialty niche market. Foremost among these is a company in Westfield, Massachusetts.

Qilinbian

Qilinbian[link]

Qilinbian (麒麟鞭, literally meaning "unicorn whip") is a metal whip invented in China in the late 1900s. The 15 cm handle is made from a steel chain wrapped with leather. The lash is made of steel rods decreasing in size linked by progressively smaller steel rings. Lash varies between 150 cm and 180 cm and is attached to a fall and a cracker. Total weight is 1–2 kg. It is used for physical exercise and in performances.^[5]

As practical weapons[link]

Because of popularity of whips in film and television, people often want to learn to use the whip as a weapon, though in reality only certain types and usages are practical. Whips when applied against a human adversary work primarily through inflicting pain and fear rather than actual force.

Short, stiff whips, including crops, are capable of inflicting welts or painful stings, but typically no disabling injuries. The more martially-designed sjambok can inflict serious wounds and sometimes even cut through clothing.

Single-tailed whips hold a fearsome reputation from popular depictions; the fear of being painfully struck and the loud crack produced by long whips can scare less resolute opponents into fleeing.

Striking a person or animal with a single-tail whip can inflict cuts, but with a whip made from common materials, these wounds are simple high-speed abrasions that do not penetrate more than the depth of the skin. If the whip has sharp barbs or the tip includes material, such as Kevlar, that is fine enough and strong enough to cut, there can be more serious wounds, but even with these, a disabling injury is unlikely. Whips with these features require an expert whip handler to avoid inadvertently cutting themselves, the whip, or other people or objects the whip may contact.

A single-tail whip can wrap around limbs or body or the neck. This is fairly easy to do, but not practical in most physical combat environments where it is difficult to maintain the necessary spacing between the target and the person throwing the whip.

Some shorter whips are designed with a heavy lead or steel ball woven into the pommel or a shot bag filled with lead shot braided into the body. Other whips have flexible metallic cable or rigid metal rods in the handle. These materials provide mass, making the whip easier to crack during normal use. These weights and rigid pieces also enable the whip to be reversed and used as a bludgeon.

The Chinese Jiujiebian ("nine section whip"), is a segmented metal chain whip designed for use in martial arts. In the hands of someone trained in its uses, it is considerably more effective as a weapon than other whips.

Whip-like appendages in nature[link]

Some organisms have whip-like devices:

• Many unicellular organisms and spermatozoa have one or two whip-like appendages called flagella, which they use for propulsion. "Flagellum" is Latin for "whip".
• Some large lizards (e.g. iguanas and monitor lizards) can whip with their tails, and larger lizards can seriously injure a human if they strike at the right place.^[6] The biological names of some lizards contain Mastigo- or -mastix, which is Greek for "whip".
• The whip snake was so called from its appearance; but the old myth that it could whip a man painfully is false.
• Similarly, Thelyphonida arachnids are also known as "whip scorpions" due to their whip-like tails (and scorpion-like bodies).
• There has been a theory that all or some sauropod dinosaurs could crack the ends of their tails like coachwhips as a sound signal, as in the book form of "Walking with Dinosaurs".

In popular culture[link]

The whip is occasionally portrayed in popular culture in various contexts. Whips have appeared in many cartoons, television shows, videogames such as Castlevania and numerous films, from the original Zorro to Indiana Jones and Catwoman. Often their usage is dramatic and wildly exaggerated, showing action heroes tripping or disarming an adversary, breaking furniture, or other dramatic activities.

One of the more popular portrayals of whips involves wrapping an overhead object and then swinging from the whip across an open space. While it is possible to do so in reality, achieving a wrap strong enough to hold the body weight yet loose enough to disengage once the swing is complete is highly impractical. Further, the strain will damage or break most leather whips. In film, the effect is achieved by braiding the whip over a steel or kevlar support cable and anchoring the tip permanently to a support such as a crane or scaffolding. Many times the whip handle is attached to a concealed body harness on the actor for safety and to make the swing appear more graceful.

See also[link]

References[link]

Notes

Bibliography

• Dante, Robert (2008). Let's Get Cracking! The How-To Book of Bullwhip Skills. RDante. ISBN 1-4404-0623-5. 
• Edwards, Ron (1999). How to Make Whips. Cornell Maritime Press. ISBN 0-87033-513-8. 
• Largier, Niklaus (2007). In Praise of the Whip. Zone Books. ISBN 978-1-890951-65-8. 
• Morgan, David W. (2004). Whips and Whipmaking. Cornell Maritime Press. ISBN 0-87033-557-X. 
• Chisholm, Alec H. (1963). The Australian Encyclopaedia. Halstead Press. ISBN. 

External links[link]

Wikimedia Commons has media related to: whips

• Article on "Indiana Jones's" whip trainer
• Australian Plaiters and Whipmakers Association
• Australian Whipcrackers and Plaiters Association
• Bullwhip-Info.com
• Bullwhip FAQ
• Bullwhip making info

Nicki Minaj
Minaj at 2010 MTV Music Awards
Background information
Birth name	Onika Tanya Maraj
Born	(1982-12-08) December 8, 1982 (age 29)[1] Saint James, Trinidad and Tobago
Origin	South Jamaica, Queens, New York, U.S.
Genres	Hip hop, R&B, pop
Occupations	Rapper, singer-songwriter
Years active	2002–present
Labels	Cash Money Records, Young Money Entertainment, Universal Republic Records, Universal Motown
Associated acts	Young Money
Website	mypinkfriday.com

Onika Tanya Maraj (born December 8, 1982), known by her stage name Nicki Minaj ( /mɪˈnɑːʒ/), is a Trinidadian-born American rapper and singer-songwriter. She was born in Saint James, Trinidad and Tobago and when she was 5 years of age she moved to the New York City borough of Queens, where she grew up.

After releasing three mixtapes between 2007 and 2009 and being signed to Young Money Entertainment in August 2009, Minaj released her debut album, Pink Friday, in November 2010. It quickly became a commercial success, peaking at number one on the U.S. Billboard 200 and being certified Platinum by the Recording Industry Association of America (RIAA) a month after its release.^[2][3] She became the first female solo artist to have seven singles on the Billboard Hot 100 at the same time.^[4] Her second single, "Your Love", reached number 1 on the Billboard Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002.^[5] She also became the first female artist to be included on MTV's Annual Hottest MC List.^[6] Minaj was named the 2011 Rising Star by Billboard.^[7] Her second studio album, Pink Friday: Roman Reloaded was released on April 3, 2012.

Early life[link]

Maraj was born in 1982^{[1][note 1]} in Saint James, a suburb of Trinidad and Tobago's capital city Port of Spain.^[8][9][10] Her parents are of mixed Indian and Afro-Trinidadian ancestry^[11][12] and she lived in Saint James with her grandmother until age five, because her parents were looking for a place to live in the Queens borough of New York City at the time. Her mother would occasionally visit, and one day, when Minaj was five, her mother picked her up to move to Queens.^[13] According to Minaj, her father drank heavily, took drugs, and once tried to kill her mother by setting the house on fire.^[14]

She attended Elizabeth Blackwell Middle School 210, where she played the clarinet.^[13] She graduated from LaGuardia High School.^[15][16] At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program.^[15] She had initially planned to sing at LaGuardia but lost her voice on the day of the audition.^[15]

Career[link]

2007–09: Mixtapes and Young Money[link]

Minaj released her first mixtape in 2007 after releasing Playtime Is Over with Dirty Money Records. She released another mixtape on July 7, 2008, titled Sucka Free, under the label Be. On April 18, 2009, Minaj released a third mixtape and appeared in XXL magazine.^[17] She won the Female Artist of the Year award at the 2008 Underground Music Awards.^[18] Minaj released Beam Me Up Scotty, another mixtape, in April 2009 under the label of Trapaholics Records; it received positive coverage on both BET and MTV.^[19][20]

In August 2009, Minaj signed a record deal with Young Money Entertainment, with distribution from Universal Motown Records, after fellow American rapper Lil Wayne discovered her and secured the record deal.^[17][21] She then had a solo rap verse in their single "BedRock," which became a commercial success, reaching number 2 on the Billboard Hot 100. Minaj also appeared on "Roger That", which charted at number 56. The song, and in particular Minaj, received positive reviews from critics.^[22] Both songs were included in Young Money Entertainment's debut collaborative studio album We Are Young Money, which was released in December 2009. The album charted in the top ten on the Billboard 200, reaching number 9 and later receiving a Gold Certification by the RIAA. She was then chosen by Mariah Carey to be featured on her single and music video for "Up Out My Face". Critics praised her collaboration for helping to maintain Carey's feminine image and providing a polite track for the female R&B singer.^[23]

[edit] 2010–11: Pink Friday

Britney Spears and Minaj performing the Femme Fatale Remix of "Till the World Ends" in the Femme Fatale Tour.

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009 that Minaj had been released from a 360 deal with the label in which she retains and owns all of her 360 rights – including merchandising, sponsorships, endorsements, touring and publishing.^[24] In an interview with 95.8 Capital FM, Rihanna stated that after the two collaborated on "Raining Men" from her album Loud that the duo would be teaming up together for a possible second collaboration on Minaj's Pink Friday.^[25] Hip-hop rap artist and producer Kanye West was also confirmed for the album.^[26] On August 3, 2010 Minaj revealed on a Ustream.tv channel that the album's name would be Pink Friday, in reference to Black Friday.^[27]

Pink Friday was released on November 19, 2010 in both standard and deluxe versions.^[28][29] A buzz single, "Massive Attack", was released in April.^[30] In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the Billboard Hot 100, 7 on the Hot R&B/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List^[6] and the first female artist to top the chart unaccompanied since 2002.^[31] In October 2010, Minaj became the first artist to have seven songs on the Billboard Hot 100 chart simultaneously.^[4] Minaj released a joint single with The Black Eyed Peas front man, will.i.am titled, "Check It Out", which is Minaj's most successful single to date in Europe. "Right thru Me" was released September 24, 2010; the music video was released in late October. "Moment 4 Life" was released as the fourth single. The track featured Canadian rapper Drake and was released on December 7, 2010, becoming a success on the Billboard Hot 100. The single peaked at number 5 on the Hot Rap Songs.^[32] The album gained a Platinum certification in the United States a month after the release.^[3]

On January 29, 2011, Minaj appeared on Saturday Night Live as the musical guest, performing "Right Thru Me" and "Moment 4 Life". On February 9, 2011, it was announced that Pink Friday had reached number one on the Billboard 200 in its eleventh week on the chart.^[33] It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the The X Factor.^[34] Starting in June 2011, Minaj will be supporting Pink Friday by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, Femme Fatale.^[35] She also was featured on the official remix of Spears' track "Till the World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011.^[36] "Super Bass" was released from Pink Friday in May 2011, the single charted within the top 10 in many countries including; United Kingdom, United States, Australia, Canada and more.^[37] The song gained positive reviews from critics.^[38][39] Minaj will voice a character in the 3D animated film, Ice Age: Continental Drift, as an unknown character.^[40][41] Minaj is also featured on French DJ David Guetta's 2011 album, Nothing but the Beat on "Where Them Girls At" and "Turn Me On".

[edit] 2011–present: Pink Friday: Roman Reloaded

Minaj's second studio album, Pink Friday: Roman Reloaded, was first announced through Twitter in November 2011 and was released on April 2, 2012 in the United Kingdom and April 3, 2012 in the United States. The album features collaborations with producers Hit-Boy, Dr. Luke, Rico Beats, Kenoe, RedOne and Oak. Cash Money A&R Joshua Berkman told HitQuarters that Minaj was extremely particular about the beats and music she used saying: "She wouldn't just rap or sing on anything – I could give her a thousand tracks and she may only like one or two."^[42] Preceding the album's release, three promotional singles were released: Roman in Moscow (which didn't make the final cut of the album), "Stupid Hoe," and "Roman Reloaded." The album's first single, "Starships", was released on February 14.^[43] "Starships" became Minaj's best-peaking single in the United Kingdom, when it reached a peak of 2. It has also peaked at number 5 on the US Billboard Hot 100, making it her second top 10 arrival following, "Super Bass" in 2011. The music video was released on April 26th, 2012.^[44]

On February 12, 2012, Minaj debuted her song "Roman Holiday" at the 54th Grammy Awards. It was the first song ever performed on the Grammy stage by a solo female rapper.^[45] The exorcism-themed performance drew a mixed response online.^[46][47]

She was featured on Madonna's twelfth studio album, titled MDNA, alongside M.I.A. on its lead single "Give Me All Your Luvin'", for which a music video has been directed by Megaforce.^[48] The trio performed the song for the Super Bowl XLVI halftime show.^[49] She was also featured on a song called "I Don't Give A", another track from the album.

She released her second single, "Right by My Side", which features Chris Brown, on March 27, 2012, after premiering on Minaj's website on March 20, 2012.^[50] Following the album's release, it peaked at number 24 on the US Hot R&B/Hip-Hop Songs Chart. It also peaked in the lower regions of the UK singles chart, at position #101. The third single, "Beez in the Trap", which features 2 Chainz was released to U.S. Urban radio on April 24, 2012. It was premiered on DJ Flex's radio show at Hot 97 on March 20, 2012. It has peaked at number 24 on the US Billboard Rap Songs Chart.^[51] The video was premiered on April 6, 2012 on Minaj's official VEVO account.^[52]

Artistry[link]

Minaj in 2011 during Femme Fatale Tour

Image[link]

Minaj has been noted by the media for her curvaceous figure.^{[53][54][55][56]} In an interview with Vibe Minaj discussed her sexual image stating, "[w]hen I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot... and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing."^[57] In an interview with Interview, Minaj commented on her sexual image again stating, "I made a conscious decision to try to tone down the sexiness, I want people—especially young girls—to know that in life, nothing is going to be based on sex appeal. You’ve got to have something else to go with that.”^[58] Minaj has a tattoo in Chinese characters that reads "上帝與你常在" (shàngdì yǔ nǐ cháng zài)^[59] on her left arm, meaning, "God is always with you."^[60]

Alter egos[link]

While growing up, Minaj's home life was often chaotic, with her parents constantly fighting.^[61] As a means of escape, she would create characters and live her life through them.^[61] In an interview with New York she stated, "To get away from all their fighting, I would imagine being a new person. 'Cookie' was my first identity – that stayed with me for a while. I went on to 'Harajuku Barbie,' then 'Nicki Minaj'. Fantasy was my reality."^[61]

On November 18, 2010, Minaj assumed a different alter-ego named "Nicki Teresa".^[62] Wearing a colorful scarf around her head, she went around as the "healer to her fans" as she visited them at The Garden of Dreams Foundation at Fuse studios in New York City.^[62] Minaj made an appearance on Lopez Tonight on December 6, 2010 and presented a different alter-ego for the Spanish-inspired occasion, named "Rosa" (pronounced Rrrrrosa).^[63]

In April 2012, Minaj was asked if Roman, Martha and Rosa come out in the bedroom saying “No, they don’t come out in the bedroom, but other people come out in the bedroom,” she told Big Boy during his “Backstage Breakfast,” adding, “And there’s only one person that would know who that personality is". Minaj did not name her alter-ego.^[64]

For her debut album, Minaj created another alter-ego named "Roman Zolanski".^[65] She stated that in songs like "Bottoms Up" with Trey Songz it is not Minaj rapping, but instead Roman Zolanski, and claims that Roman is her "twin brother". She claims that he was born inside her, out of rage, and becomes him when she is angry. She has also said 'He is a demon inside her'. Roman has been compared to Eminem's alter ego Slim Shady, and on the song "Roman's Revenge" from Pink Friday, Minaj and Eminem collaborate, using these alter egos.^[66] On the collaboration, she said "The new album is going to have a lot of Roman on it ... And if you're not familiar with Roman, then you will be familiar with him very soon. He’s the boy that lives inside of me. He's a lunatic and he's gay and he'll be on there a lot."^[67] Roman also has a "mother" called "Martha Zolanski",^[68] who also appeared on the song "Roman's Revenge", with a British accent,^[69] and on "Roman Holiday", singing for the first time.^[70][71] Martha appears in the video for "Moment 4 Life" where she appears to be Minaj's magical Godmother. In songs such as "All I Do Is Win (Remix)" it is Minaj rapping.^[65] Minaj stated that on her debut album, fans will get to "meet" Nicki, Roman and Onika.^[65]

Influences[link]

Minaj has stated that artists who have influenced her musical style include Lisa "Left Eye" Lopes, Lil Wayne, Lauryn Hill, Jadakiss, Natasha Bedingfield, Foxy Brown, Lil' Kim and Missy Elliott.^[72][73] She was also inspired by Janet Jackson,^[74] Madonna, Britney Spears, Marilyn Monroe, Grace Jones,^[75] M.I.A. and Cyndi Lauper.^[76][77][78]

Product and endorsements[link]

During her career, Minaj has signed contracts with a variety of corporate interests. Companies she contracted with include soft drink manufacturer Pepsi;^[79] Mattel, which produced a custom a Nicki Minaj-themed Barbie;^[80] and MAC Cosmetics, as part of an AIDS-awareness campaign in Latin America.^[81]

Personal life[link]

Minaj is a Christian, and on Christmas Day in 2011, she indicated her faith in Jesus by tweeting John 3:16.^[82][83] In addition, she states that after her father went to rehab and started attending church, "he got saved and started changing his life."^[84] Minaj states that her heroes are "God. And my mother."^[85][86]

While some songs and interviews have implied that Minaj is bisexual,^[87][88] she has said that she does not date nor have sex with women,^[15] but added in an interview with Out magazine, "I don’t date men either."^[89] In an interview with Vibe she commented, "I just embrace all people of all lifestyles and I don’t tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don’t have anyone to tell them that and mean it, I’m gonna tell them that. But I feel like people always wanna define me and I don’t wanna be defined."^[90] She reiterated her dislike of being labeled in an interview with Out, saying: "The point is, everyone is not black and white. There are so many shades in the middle, and you’ve got to let people feel comfortable with saying what they want to say when they want to say it."^[89]

During an interview in the May 2010 issue of Details, Minaj was asked if she felt hip-hop was becoming more gay-friendly. She responded, "I think the world is getting more gay-friendly, so hip-hop is too. But it's harder to imagine an openly gay male rapper being embraced, people view gay men as having no street credibility. But I think we'll see one in my lifetime."^[88]

In July 2011, Minaj's cousin Nicholas Telemaque was murdered near his home in Brooklyn, New York City.^[91] Telemaque was referenced in Minaj's song "Champion" in her second studio album.^[92]

Discography[link]

• Pink Friday (2010)
• Pink Friday: Roman Reloaded (2012)

Touring[link]

• Pink Friday Tour (2012)

See also[link]

Nicki Minaj portal

• List of awards and nominations received by Nicki Minaj

References[link]

Notes[link]

External links[link]

	Book: Nicki Minaj
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Nicki Minaj at the Internet Movie Database
• Media related to Nicki Minaj at Wikimedia Commons

James Stewart
Studio publicity photo for Call Northside 777 (1948)
Born	James Maitland Stewart (1908-05-20)May 20, 1908 Indiana, Pennsylvania
Died	July 2, 1997(1997-07-02) (aged 89) Beverly Hills, California
Cause of death	Heart Attack
Resting place	Forest Lawn, Glendale, California
Residence	Beverly Hills, California
Nationality	American
Other names	Jimmy Stewart
Education	Mercersburg Academy
Alma mater	Princeton University (1932)
Occupation	Actor
Years active	1932–1991
Employer	MGM
Home town	Indiana, Pennsylvania
Spouse	Gloria Hatrick McLean (1949–1994; her death)
Children	4 children (including two adopted stepchildren)
Awards	Lifetime Achievement Award
Military career
Allegiance	United States of America
Service/branch	United States Army Air Forces United States Air Force Reserve
Years of service	1941–1968
Rank	Brigadier General
Unit	445th Bombardment Group 453rd Bombardment Group Eighth Air Force Strategic Air Command
Commands held	703rd Bombardment Squadron Dobbins Air Force Base
Battles/wars	World War II Vietnam War
Awards	Distinguished Service Medal Distinguished Flying Cross (2) Air Medal (4) Army Commendation Medal Armed Forces Reserve Medal Presidential Medal of Freedom French Croix de Guerre with Palm

James Maitland "Jimmy" Stewart (May 20, 1908 – July 2, 1997) was an American film and stage actor, known for his distinctive voice and persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards, winning one in competition and receiving one Lifetime Achievement award. He was a major MGM contract star. He also had a noted military career and was a World War II and Vietnam War veteran, who rose to the rank of Brigadier General in the United States Air Force Reserve.

Early life and career[link]

James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, the son of Elizabeth Ruth (née Jackson) and Alexander Maitland Stewart, who owned a hardware store.^[1] Stewart's parents were of Scottish descent and Presbyterians.^[2][3] His maternal ancestors served in the American Revolution, the War of 1812 and the American Civil War.^[4] The eldest of three children (he had two younger sisters, Virginia and Mary), he was expected to continue his father's business, which had been in the family for three generations. His mother was an excellent pianist but his father discouraged Stewart's request for lessons. But when his father accepted a gift of an accordion from a guest, young Stewart quickly learned to play the instrument, which became a fixture off-stage during his acting career. As the family grew, music continued to be an important part of family life.^[5]

Stewart attended Mercersburg Academy prep school, graduating in 1928. He was active in a variety of activities. He played on the football and track teams, was art editor of the KARUX yearbook, and a member of the choir club, glee club, and John Marshall Literary Society. During his first summer break, Stewart returned to his hometown to work as a brick loader for a local construction company and on highway and road construction jobs where he painted lines on the roads. Over the following two summers, he took a job as an assistant with a professional magician.^[6] He made his first appearance onstage at Mercersburg, as Buquet in the play The Wolves.^[7]

A shy child, Stewart spent much of his after-school time in the basement working on model airplanes, mechanical drawing and chemistry—all with a dream of going into aviation. But he abandoned visions of being a pilot when his father insisted that instead of the United States Naval Academy he attend Princeton University. Stewart enrolled at Princeton in 1928 as a member of the class of 1932. He excelled at studying architecture, so impressing his professors with his thesis on an airport design that he was awarded a scholarship for graduate studies;^[6] but he gradually became attracted to the school's drama and music clubs, including the Princeton Triangle Club.^[8] His acting and accordion talents at Princeton led him to be invited to the University Players, an intercollegiate summer stock company in West Falmouth, Massachusetts, on Cape Cod. The company had been organized in 1928 and would run until 1932, with Joshua Logan, Bretaigne Windust, and Charles Leatherbee as directors. Stewart performed in bit parts in the Players' productions in Cape Cod during the summer of 1932, after he graduated. The troupe had previously included Henry Fonda, who married Margaret Sullavan on Christmas Day 1931, while the players were in Baltimore, Maryland for an 18-week winter season.^[9] Sullavan, who had rejoined the Players in Baltimore in November 1931 at the close of the post-Broadway tour of A Modern Virgin, left the Players for good at the end of The Trial of Mary Dugan in Baltimore in March 1932. By the time Stewart joined the University Players on Cape Cod after his graduation from Princeton in 1932, Fonda and Sullavan's brief marriage had ended.^[10] Stewart and Fonda became great friends over the summer of 1932 when they shared an apartment with Joshua Logan and Myron McCormick.^[11] When Stewart came to New York at the end of the summer stock season, which had included the Broadway try-out of Goodbye Again, he shared an apartment with Fonda, who had by then finalized his divorce from Sullavan. Along with fellow University Players Alfred Dalrymple and Myron McCormick, Stewart debuted on Broadway as a chauffeur in the comedy Goodbye Again, in which he had two lines. The New Yorker noted, "Mr. James Stewart's chauffeur... comes on for three minutes and walks off to a round of spontaneous applause."^[12]

The play was a moderate success, but times were hard. Many Broadway theaters had been converted to movie houses and the Depression was reaching bottom. "From 1932 through 1934", Stewart later recalled, "I'd only worked three months. Every play I got into folded."^[13] By 1934, he had gotten more substantial stage roles, including the modest hit Page Miss Glory and his first dramatic stage role in Sidney Howard's Yellow Jack, which convinced him to continue his acting career. However, Stewart and Fonda, still roommates, were both struggling. In the fall of 1934, Fonda's success in The Farmer Takes a Wife took him to Hollywood. Finally, Stewart attracted the interest of MGM scout Bill Grady who saw Stewart on the opening night of Divided by Three, a glittering première with many luminaries in attendance, including Irving Berlin and Moss Hart and Fonda, who had returned to New York for the show. With Fonda's encouragement, Stewart agreed to take a screen test, after which he signed a contract with MGM in April 1935, as a contract player for up to seven years at $350 a week.^[14]

Stewart made four features with Margaret Sullavan, the second of which was The Shopworn Angel (1938)

Upon Stewart's arrival by train in Los Angeles, Fonda greeted him at the station and took him to Fonda's studio-supplied lodging, next door to Greta Garbo. Stewart's first job at the studio was as a participant in screen tests with newly arrived starlets. At first, he had trouble being cast in Hollywood films owing to his gangling looks and shy, humble screen presence. Aside from an unbilled appearance in a Shemp Howard comedy short called Art Trouble in 1934, his first film was the poorly received Spencer Tracy vehicle, The Murder Man (1935). Rose Marie (1936), an adaptation of a popular operetta, was more successful. After mixed success in films, he received his first substantial part in 1936's After the Thin Man.

On the romantic front, he found himself dating newly divorced Ginger Rogers.^[15] The romance soon cooled, however, and by chance Stewart encountered Margaret Sullavan again. Stewart found his footing in Hollywood thanks largely to Sullavan, who campaigned for Stewart to be her leading man in the 1936 romantic comedy Next Time We Love. She rehearsed extensively with him, having a noticeable effect on his confidence. She encouraged Stewart to feel comfortable with his unique mannerisms and boyish charm and use them naturally as his own style. Stewart was enjoying Hollywood life and had no regrets about giving up the stage, as he worked six days a week in the MGM factory.^[16] In 1936, he acquired big-time agent Leland Hayward, who would eventually marry Sullavan. Hayward started to chart Stewart's career, deciding the best path for him was through loan-outs to other studios.

Pre-war success[link]

In 1938, Stewart had a brief, tumultuous romance with Hollywood queen Norma Shearer, whose husband, Irving Thalberg, head of production at MGM, had died two years earlier. Stewart began a successful partnership with director Frank Capra in 1938, when he was loaned out to Columbia Pictures to star in You Can't Take It With You. Capra had been impressed by Stewart's minor role in Navy Blue and Gold (1937). The director had recently completed several popular movies, including It Happened One Night (1934), and was looking for the right actor to suit his needs — other recent actors in Capra's films such as Clark Gable, Ronald Colman, and Gary Cooper did not quite fit. Not only was Stewart just what he was looking for, but Capra also found Stewart understood that prototype intuitively and required very little directing. Later Capra commented, "I think he's probably the best actor who's ever hit the screen."^[18]

Frank Capra's comedy You Can't Take It With You (1938) was one of the films that brought Stewart widespread attention.

You Can't Take It With You, starring Capra's "favorite actress", comedienne Jean Arthur, won the 1938 Best Picture Academy Award. The following year saw Stewart work with Capra and Arthur again in the political comedy-drama Mr. Smith Goes to Washington. Stewart replaced intended star Gary Cooper in the film, playing an idealist thrown into the political arena. Upon its October 1939 release, the film garnered critical praise and became a box-office success. Stewart was nominated for the first of five Academy Awards for Best Actor. Stewart's father was still trying to talk him into leaving Hollywood and its sinful ways and to return to his home town to lead a decent life. Stewart took a secret trip to Europe to take a break and returned home in 1939 just as Germany invaded Poland.^[18]

Destry Rides Again, also released in 1939, became Stewart's first western film, a genre with which he would become identified later in his career. In this western parody, Stewart is a pacifist lawman and Marlene Dietrich is the dancing saloon girl who comes to love him, but doesn't get him. In the film, Dietrich sings her famous song "The Boys In the Back Room". Off-screen, Dietrich did get her man, but the romance was short-lived.^[19] Made for Each Other (1939) had Stewart sharing the screen with irrepressible Carole Lombard in a melodrama that garnered good reviews for both stars, but did less well with the public. Newsweek wrote that they were "perfectly cast in the leading roles."^[20] Between movies, Stewart began a radio career and became a distinctive voice on the Lux Radio Theater's The Screen Guild Theater and other shows. So well-known had his slow drawl become that comedians began impersonating him.^[21]

Stewart won his only Academy Award for Best Actor for 1940's The Philadelphia Story. He is seen here with co-star Katharine Hepburn.

In 1940, Stewart and Sullavan reunited for two films. The first, the Ernst Lubitsch romantic comedy, The Shop Around the Corner, starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance but who cannot stand each other in real life (this was later remade into the musical, In the Good Old Summertime with Judy Garland and Van Johnson, and later as the romantic comedy You've Got Mail with Tom Hanks and Meg Ryan). It was Stewart's fifth film of the year and that rare film shot in sequence; it was completed in only 27 days.^[22] The Mortal Storm, directed by Frank Borzage, was one of the first blatantly anti-Nazi films to be produced in Hollywood and featured the pair as friends and then lovers caught in turmoil upon Hitler's rise to power, literally hunted down by their own friends.