Misogyny ( /mɪˈsɒdʒɪni/) is the hatred or dislike of women or girls. According to feminist theory, misogyny can be manifested in numerous ways, including sexual discrimination, denigration of women, violence against women, and sexual objectification of women.^[1][2] Misogyny has been characterised as a prominent feature of various religions. In addition, many influential Western philosophers have been described as misogynistic.^[1]

Definitions[link]

According to sociologist Allan G. Johnson, "misogyny is a cultural attitude of hatred for females because they are female." Johnson argues that:

"Misogyny .... is a central part of sexist prejudice and ideology and, as such, is an important basis for the oppression of females in male-dominated societies. Misogyny is manifested in many different ways, from jokes to pornography to violence to the self-contempt women may be taught to feel toward their own bodies."^[3]

Michael Flood defines misogyny as the hatred of women, and notes:

"Though most common in men, misogyny also exists in and is practiced by women against other women or even themselves. Misogyny functions as an ideology or belief system that has accompanied patriarchal, or male-dominated societies for thousands of years and continues to place women in subordinate positions with limited access to power and decision making. [...] Aristotle contended that women exist as natural deformities or imperfect males [...] Ever since, women in Western cultures have internalised their role as societal scapegoats, influenced in the twenty-first century by multimedia objectification of women with its culturally sanctioned self-loathing and fixations on plastic surgery, anorexia and bulimia."^[4]

Dictionaries define misogyny as 'hatred of women'^[5][6][7] and as "hatred, dislike, or mistrust of women".^[8]

Classical Greece[link]

Euripides

In his book City of Sokrates: An Introduction to Classical Athens, J.W. Roberts argues that older than tragedy and comedy was a misogynistic tradition in Greek literature, reaching back at least as far as Hesiod.^[9]

Misogyny comes into English from the ancient Greek word, misogynia (μισογυνία), which survives in two passages.^[10]

The earlier, longer and more complete passage comes from a stoic philosopher called Antipater of Tarsus in a moral tract known as On Marriage (c. 150 BC).^[11][12] Antipater argues that marriage is the foundation of the state, and considers it to be based on divine (polytheistic) decree. Antipater uses misogynia to describe Euripides' usual writing—tēn misogynian en tō graphein (τὴν μισογυνίαν ἐν τῷ γράφειν "the misogyny in the writing").^[12]

However, he mentions this by way of contrast. He goes on to quote Euripides at some length, writing in praise of wives. Antipater does not tell us what it is about Euripides' writing that he believes is misogynistic, he simply expresses his belief that even a man thought to hate women (namely Euripides) praises wives, so concluding his argument for the importance of marriage. He says, "This thing is truly heroic."^[12]

Euripides' reputation as a misogynist is known from another source. Athenaeus, in Deipnosophistae or Banquet of the Learned, has one of the diners quoting Hieronymus of Cardia who confirms the view was widespread, while offering Sophocles' comment on the matter.

Euripides the poet, also, was much addicted to women: at all events Hieronymus in his Historical Commentaries speaks as follows,—"When some one told Sophocles that Euripides was a woman-hater, 'He may be,' said he, 'in his tragedies, but in his bed he is very fond of women.'"

—Athenaeus, Deipnosophists, 2nd/3rd century., ^[13]

Despite Euripides' reputation, Antipater is not the only writer to see appreciation of women in his writing. Katherine Henderson and Barbara McManus consider he "showed more empathy for women than any other ancient writer", citing "relatively modern critics" to support their claim.^[14]

The other surviving use of the original Greek word is by Chrysippus, in a fragment from On affections, quoted by Galen in Hippocrates on Affections.^[15] Here, misogyny is the first in a short list of three "disaffections"—women (misogynian), wine (misoinian, μισοινίαν) and humanity (misanthrōpian, μισανθρωπίαν).

Chrysippus' point is more abstract than Antipater's, and Galen quotes the passage as an example of an opinion contrary to his own. What is clear, however, is that he groups hatred of women with hatred of humanity generally, and even hatred of wine. "It was the prevailing medical opinion of his day that wine strengthens body and soul alike."^[16]

So, as with his fellow stoic, Antipater, misogyny is viewed negatively, a disease, a dislike of something that is good. It is this issue of conflicted or alternating emotions that was philosophically contentious to the ancient writers. Ricardo Salles suggests the general stoic view was that, "A man may not only alternate between philogyny and misogyny, philanthropy and misanthropy, but be prompted to each by the other."^[17]

Marcus Tullius Cicero

Aristotle has also been accused of being a misogynist; He has written that women were inferior to men. For example, to cite Cynthia Freeland's catalogue: "Aristotle says that the courage of a man lies in commanding, a woman's lies in obeying; that "matter yearns for form, as the female for the male and the ugly for the beautiful;" that women have fewer teeth than men; that a female is an incomplete male or "as it were, a deformity": which contributes only matter and not form to the generation of offspring; that in general "a woman is perhaps an inferior being"; that female characters in a tragedy will be inappropriate if they are too brave or too clever"(Freeland 1994: 145-46)^[18]

In the Routledge philosophy guidebook to Plato and the Republic, Nickolas Pappas describes the "problem of misogyny" and states

"In the Apology, Socrates calls those who plead for their lives in court "no better than women" (35b)... The Timaeus warns men that if they live immorally they will be reincarnated as women (42b-c; cf. 75d-e). The Republic contains a number of comments in the same spirit (387e, 395d-e, 398e, 431b-c, 469d), evidence of nothing so much as of contempt toward women. Even Socrates' words for his bold new proposal about marriage... suggest that the women are to be "held in common" by men. He never says that the men might be held in common by the women... We also have to acknowledge Socrates' insistence that men surpass women at any task that both sexes attempt (455c, 456a), and his remark in Book 8 that one sign of democracy's moral failure is the sexual equality it promotes (563b)."^[19]

Misogynist is also found in the Greek—misogynēs (μισογύνης)—in Deipnosophistae (above) and in Plutarch's Parallel Lives, where it is used as the title of Heracles in the history of Phocion.

It was also the title of a play by Menander, which we know of from book seven (concerning Alexandria) of Strabo's 17 volume Geography,^[10][20] and quotations of Menander by Clement of Alexandria and Stobaeus that relate to marriage.^[21]

Menander also wrote a play called Misoumenos (Μισούμενος) or The Man (She) Hated. Another Greek play with a similar name, Misogynos (Μισόγυνος) or Woman-hater, is reported by Cicero (in Latin) and attributed to (Marcus) Atilius (poet).^[22]

Marcus Tullius Cicero reports that Greek philosophers considered misogyny to be caused by gynophobia, a fear of women.^[23] The context is worth quoting in full, because it deals directly with matters already discussed in this article.

It is the same with other diseases; as the desire of glory, a passion for women, to which the Greeks give the name of philogyneia: and thus all other diseases and sicknesses are generated. But those feelings which are the contrary of these are supposed to have fear for their foundation, as a hatred of women, such as is displayed in the Woman-hater of Atilius; or the hatred of the whole human species, as Timon is reported to have done, whom they call the Misanthrope. Of the same kind is inhospitality. And all these diseases proceed from a certain dread of such things as they hate and avoid.

—Cicero, Tusculanae Quaestiones, 1st century BC.^[23]

The more common form of this general word for woman hating is misogynaios (μισογύναιος).^[10]

• There are also some persons easily sated with their connection with the same woman, being at once both mad for women and women haters. — Philo, Of Special Laws, 1st Century.^[24]
• Allied with Venus in honourable positions Saturn makes his subjects haters of women, lovers of antiquity, solitary, unpleasant to meet, unambitious, hating the beautiful, ... — Ptolemy, 'Of the Quality of the Soul', 2nd century.^[25]
• I will prove to you that this wonderful teacher, this woman-hater, is not satisfied with ordinary enjoyments during the night. — Alciphron, 'Thais to Euthyedmus', 2nd century.^[26]

The word is also found in Vettius Valens' Anthology and Damascius' Principles.^[27][28]

In summary, Greek literature considered misogyny to be a disease, an anti-social condition, in that it ran contrary to their perceptions of the value of women as wives, and of the family as the foundation of society. These points are widely noted in the secondary literature.^[12]

Mythology[link]

In Misogyny: The World's Oldest Prejudice, Jack Holland sees evidence of misogyny in the mythology of the ancient world. In Greek mythology according to Hesiod, the human race had already existed before the creation of women — a peaceful, autonomous existence as a companion to the gods. When Prometheus decides to steal the secret of fire from the gods, Zeus becomes infuriated and decides to punish humankind with an "evil thing for their delight" — Pandora, the first woman, who carried a jar (usually described — incorrectly — as a box) she was told to never open. Epimetheus (the brother of Prometheus) is overwhelmed by her beauty, disregards Prometheus' warnings about her, and marries her. Pandora cannot resist peeking into the jar, and by opening it all evil is unleashed into the world — labour, sickness, old age, and death.^[29]

Religion[link]

Eve rides astride the Serpent on a capital in Laach Abbey church, 13th century

Buddhism[link]

In his book The Power of Denial: Buddhism, Purity, and Gender, professor Bernard Faure of Columbia University argued generally that "Buddhism is paradoxically neither as sexist nor as egalitarian as is usually thought." He remarked, "Many feminist scholars have emphasized the misogynistic (or at least androcentric) nature of Buddhism." He emphasised that Buddhism morally exalts its male monks while the mothers and wives of the monks also have important roles. He wrote as well:

"While some scholars see Buddhism as part of a movement of emancipation, others see it as a source of oppression. Perhaps this is only a distinction between optimists and pessimists, if not between idealists and realists... As we begin to realize, the term "Buddhism" does not designate a monolithic entity, but covers a number of doctrines, ideologies, and practices--some of which seem to invite, tolerate, and even cultivate "otherness" on their margins".^[30]

Christianity[link]

Katharine M. Rogers in The Troublesome Helpmate alleges Christianity to be misogynistic, listing what she says are specific examples from the New Testament letters of the Christian apostle Paul of Tarsus. She argues that the legacy of Christian misogyny was consolidated by the so-called "Fathers" of the Church, like Tertullian, who thought a woman was not only "the gateway of the devil" but also "a temple built over a sewer."^[31] Rogers states:

The foundations of early Christian misogyny — its guilt about sex, its insistence on female subjection, its dread of female seduction — are all in St. Paul's epistles.^[32]

The verse Galatians 3:28 has attracted much attention during the modern gender role debate. It says:

"There is neither Jew nor Greek, there is neither slave nor free, there is neither male nor female; for you are all one in Christ Jesus."

David M. Scholer, a Biblical scholar at Fuller Theological Seminary, stated that the verse Gal 3:28 is "the fundamental Pauline theological basis for the inclusion of women and men as equal and mutual partners in all of the ministries of the church."^[33][34] In his book Equality in Christ? Galatians 3.28 and the Gender Dispute, Richard Hove argues that while Galatians 3:28 means that one's sex does not affect salvation, "there remains a pattern of in which the wife is to emulate the church's submission to Christ (Eph 5:21-33) and the husband is to emulate Christ's love for the church."^[35]

Jack Holland also sees evidence of misogyny in the Old Testament story of the Fall of Man from the Book of Genesis. In Misogyny: The World's Oldest Prejudice, he characterizes the Fall of Man as "a myth that blames woman for the ills and sufferings of mankind."^[36] (See also Original Sin.)

Clinical psychologist Margaret J. Rinck has written in Christian Men Who Hate Women that Christian social culture often allows misogynists to "misuse of the biblical ideal of submission". However, she argues this a distortion of "a healthy relationship of mutual submission" actually specified in Christian doctrine where "[l]ove is based on a deep, mutual respect as the guiding principle behind all decisions, actions, and plans".^[37]

Islam[link]

The fourth chapter (or sura) of the Qur'an is called Women (An-Nisa). The 34th verse is a key verse in feminist criticism of Islam.^[38] The verse reads: "Men are the maintainers of women because Allah has made some of them to excel others and because they spend out of their property; the good women are therefore obedient, guarding the unseen as Allah has guarded; and (as to) those on whose part you fear desertion, admonish them, and leave them alone in the sleeping-places and beat them; then if they obey you, do not seek a way against them; surely Allah is High, Great."

Taj Hashmi discusses misogyny in relation to Muslim culture, and Bangladesh specifically, in the book Popular Islam and Misogyny: A Case Study of Bangladesh.

[T]hanks to the subjective interpretations of the Quran (almost exclusively by men), the preponderance of the misogynic mullahs and the regressive Shariah law in most “Muslim” countries, Islam is synonymously known as a promoter of misogyny in its worst form. Although there is no way of defending the so-called “great” traditions of Islam as libertarian and egalitarian with regard to women, we may draw a line between the Quranic texts and the corpus of avowedly misogynic writing and spoken words by the mullah having very little or no relevance to the Quran.^[39]

In a Washington Post article, Asra Q. Nomani discussed An-Nisa, 34 and stated that "Domestic violence is prevalent today in non-Muslim communities as well, but the apparent religious sanction in Islam makes the challenge especially difficult." She further wrote that although "Islamic historians agree that the prophet Muhammad never hit a woman, it is also clear that Muslim communities face a domestic violence problem." Nomani notes that in his book No god but God, University of Southern California professor Reza Aslan wrote that "misogynistic interpretation" has dogged An-Nisa, 34 because Koranic commentary "has been the exclusive domain of Muslim men."^[40]

Sikhism[link]

Guru Nanak Dev in the center, amongst other Sikh figures

Scholars William M. Reynolds and Julie A. Webber have written that Guru Nanak Dev, the founder of the Sikh faith tradition, was a "fighter for women's rights" that was "in no way misogynistic" in contrast to some of his contemporaries.^[41]

Scientology[link]

L. Ron Hubbard wrote the following passages in his 1965 book Scientology: A New Slant on Life:

"A society in which women are taught anything but the management of a family, the care of men, and the creation of the future generation is a society which is on its way out."

"The historian can peg the point where a society begins its sharpest decline at the instant when women begin to take part, on an equal footing with men, in political and business affairs, since this means that the men are decadent and the women are no longer women. This is not a sermon on the role or position of women; it is a statement of bald and basic fact."

These have been criticised by Alan Scherstuhl of The Village Voice as expressions of hatred towards women.^[42] However, Baylor University professor Dr. J. Gordon Melton has written that Hubbard disregarded and abrogated much of his earlier views about women, which Melton views as merely echos of common prejudices at the time. Melton has also stated that the Church of Scientology welcomes both genders equally at all levels from leadership positions to auditing and so on since Scientologists view people as spiritual beings.^[43]

18th and 19th century philosophers[link]

This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (June 2011)

Weininger[link]

Otto Weininger freely admits his misogyny in his book Sex and Character, in which he characterizes the "woman" part of each individual as being essentially "nothing," and having no real existence, having no effective consciousness or rationality.^[44]

Schopenhauer[link]

Arthur Schopenhauer has been accused of misogyny for his essay "On Women" (Über die Weiber), in which he expressed his opposition to what he called "Teutonico-Christian stupidity" on female affairs. He claimed that "woman is by nature meant to obey." He also noted that "Men are by nature merely indifferent to one another; but women are by nature enemies."

Nietzsche[link]

Friedrich Nietzsche stated that every higher form of civilization implied stricter controls on women (Beyond Good and Evil, 7:238). He frequently insulted women, and is known to have said "Women are less than shallow," and "Are you going to women? Do not forget the whip!"^[45] Whether or not this amounts to misogyny, whether his polemic against women is meant to be taken literally, and the exact nature of his opinions of women, are controversial.^[46]

Kant[link]

Charlotte Witt wrote that Kant's and Aristotle's writings contained overt statements of sexism and racism. She found derogatory remarks about women in Kant's Observations on the Feeling of the Beautiful and Sublime.^[47]

Hegel[link]

Hegel's view of women has been said to be misogynist.^[48] Passages from Hegel's Elements of the Philosophy of Right are frequently used to illustrate Hegel's supposed misogyny:

"Women are capable of education, but they are not made for activities which demand a universal faculty such as the more advanced sciences, philosophy and certain forms of artistic production... Women regulate their actions not by the demands of universality, but by arbitrary inclinations and opinions."^[49] G.W.F Hegel, Elements of the Philosophy of Right, quoted in Alanen, Lilli and Witt, Charlotte, Feminist reflections on the history of philosophy'

Feminist theory[link]

In the late 20th century, second wave feminism theorists claim that misogyny is both a cause and result of patriarchal social structures.^[50]

Traditional feminist theorists^[who?] describe many different attitudes as misogyny. According to feminists,^[who?] in its most overt expression, a misogynist will openly hate all women simply because they are female.

In feminist theory,^{[clarification needed]} other forms of misogyny may be less overt. Some misogynists may simply be prejudiced against all women, or may hate women who do not fall into one or more acceptable categories. Subscribers to one model claim that some misogynists think in terms of the mother/whore dichotomy, where they hold that women can only be "mothers" or "whores." Another variant model is the one alleging that certain men think in terms of a virgin/whore dichotomy, in which women who do not adhere to an Abrahamic standard of moral purity are considered "whores".^{[citation needed]}

The term misogynist is frequently used in a looser sense as a term of derision to describe anyone who holds a prejudiced view about women as a group. Therefore, someone like Schopenhauer who proposes that women are naturally subservient to men, has been criticised by some scholars^[who?] as a misogynist. As another example, a man who is considered by many including himself to be "a great lover of women", is often regarded as being misogynist. Examples of this type of man would be Giacomo Casanova and Don Juan, who were both reputed to have had many libertine affairs with women.

In feminist theory,^{[clarification needed]} misogyny is a negative attitude towards women as a group, and so need not fully determine a misogynist's attitude towards each individual woman. The fact that someone holds misogynist views may not prevent him or her from having positive relationships with some women. Conversely, simply having negative relationships with some women does not necessarily mean someone holds misogynistic views. The term, like most negative descriptions of attitudes, is applied to a wide variety of behaviors and attitudes.

Feminist theorist Marilyn Frye claims that misogyny is phallogocentric and homoerotic at its root. In Politics of Reality, Frye analyzes the alleged misogyny characteristic of the fiction and Christian apologetics of C.S. Lewis. Frye argues that such misogyny privileges the masculine as a subject of erotic attention. She compares the alleged misogyny characteristic of Lewis' ideal of gender relations to underground male prostitution rings, which allegedly share the quality of men seeking to dominate subjects seen as less likely to take on submissive roles by a patriarchal society, but in both cases doing so as a theatrical mockery of women.^[51]

In comparing misogyny with misandry, sociologist Michael Flood, at the University of Wollongong, has argued that "misandry lacks the systemic, transhistoric, institutionalized, and legislated antipathy of misogyny."^[52]

Camille Paglia,^[53] a self-described "dissident feminist" who has often been at odds with other academic feminists, argues that the Marxist-inspired interpretation of misogyny so prevalent in second-wave feminism is seriously flawed. In contrast, Paglia argues that a close reading of historical texts find that men do not hate women but fear them.

See also[link]

• Honor killing
• Antifeminism
• Violence against women
• Wife selling
• Misogyny in hip hop culture
• Object relations theory
• Philogyny
• Misandry
• Misogyny and mass media
• Misanthropy

Notes and references[link]

Bibliography[link]

• Boteach, Shmuley. Hating Women: America's Hostile Campaign Against the Fairer Sex. 2005.
• Brownmiller, Susan. Against Our Will: Men, Women, and Rape. New York: Simon and Schuster, 1975.
• Clack, Beverley. Misogyny in the Western Philosophical Tradition.
• Dijkstra, Bram. Idols of Perversity: Fantacies of Feminine Evil. New York: Oxford University Press, 1987.
• Chodorow, Nancy. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender. University of California, Berkeley, 1978.
• Dworkin, Andrea. Woman Hating. New York: E. P. Dutton, 1974.
• Ellmann, Mary. Thinking About Women. 1968.
• Ferguson, Frances and R. Howard Bloch. Misogyny, Misandry, and Misanthropy. Berkeley: University of California Press, 1989. ISBN 978-0-520-06544-4
• Forward, Susan, and Joan Torres. Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why. Bantam Books, 1986. ISBN 0-553-28037-6
• Gilmore, David D. Misogyny: the Male Malady. 2001.
• Griffin, Susan. . :,.
• Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. 1974. University of Chicago Press, 1987.
• Holland, Jack. Misogyny: The World's Oldest Prejudice. 2006.
• Kipnis, Laura. The Female Thing: Dirt, Sex, Envy, Vulnerability. 2006. ISBN 0-375-42417-2
• Klein, Melanie. The Collected Writings of Melanie Klein. 4 volumes. London: Hogarth Press, 1975.
• Marshall, Gordon. 'Misogyny'. In Oxford Dictionary of Sociology. Oxford University Press, 1998.
• Johnson, Allan G. 'Misogyny'. In Blackwell Dictionary of Sociology: A User's Guide to Sociological Language. Oxford: Blackwell Publishing, 2000.
• Millett, Kate. Sexual Politics. New York: Doubleday, 1970.
• Morgan, Fidelis. A Misogynist's Source Book.
• Patai, Daphne, and Noretta Koertge. Professing Feminism: Cautionary Tales from the Strange World of Women's Studies. 1995. ISBN 0-465-09827-4
• Penelope, Julia. Speaking Freely: Unlearning the Lies of our Fathers' Tongues. Toronto: Pergamon Press Canada, 1990.
• Rich, Adrienne. :,.
• Rogers, Katharine M. The Troublesome Helpmate: A History of Misogyny in Literature. 1966.
• Smith, Joan. Misogynies. 1989. Revised 1993.
• Tumanov, Vladimir. “Mary versus Eve: Paternal Uncertainty and the Christian View of Women.” Neophilologus: International Journal of Modern and Mediaeval Language and Literature 95 (4) 2011: 507-521.
• World Health Organization Multi-country Study on Women's Health and Domestic Violence against Women* 2005.

External links[link]

Look up misogyny in Wiktionary, the free dictionary.

• Misogyny, Misandry, and Misanthropy

German[link]

• Hans Friedrich August von Arnim. Stoicorum Veterum Fragmenta (SVF, Old Stoic Fragments), 1903.

Greek[link]

• Volume 3.

Kanye West
West at the SWU Music & Arts Festival, 2011
Background information
Birth name	Kanye Omari West
Born	(1977-06-08) June 8, 1977 (age 35) Atlanta, Georgia, United States
Origin	Chicago, Illinois, United States
Genres	Hip hop
Occupations	rapper, singer, songwriter, record producer, music video director, film director, fashion designer
Instruments	Vocals, keyboards, sampler, percussion, synthesizer
Years active	1996–present
Labels	GOOD Music, Roc-A-Fella, Def Jam
Associated acts	Go Getters, Child Rebel Soldier, Jay-Z, The Throne, Common, John Legend, Kid Cudi, Rihanna, Jeff Bhasker, Pusha T, Mos Def, Mr Hudson, Talib Kweli, Big Sean, A-Trak, Pharrell, Lupe Fiasco, RZA
Website	kanyewest.com

Kanye Omari West ( /ˈkɑːnjeɪ/; born June 8, 1977)^[1] is an American musician, film director and fashion designer. West first rose to fame as a producer for Roc-A-Fella Records, where he eventually achieved recognition for his work on Jay-Z's album The Blueprint, as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used pitched-up vocal samples from soul songs incorporated with his own drums and instruments. However, subsequent productions saw him broadening his musical palette and expressing influences encompassing '70s R&B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synthpop, and classical music.^[2]

West released his debut album The College Dropout in 2004, his second album Late Registration in 2005, his third album Graduation in 2007, his fourth album 808s & Heartbreak in 2008, and his fifth album My Beautiful Dark Twisted Fantasy in 2010. West released a collaborative album, Watch the Throne with Jay-Z in 2011, which is the duo's first collaborative album. His five solo albums, all of which have gone platinum, have received numerous awards and critical acclaim.^[3] As of 2012, West has won a total of eighteen Grammy Awards, making him one of the most awarded artists of all-time.^[4] All albums have been very commercially successful, with My Beautiful Dark Twisted Fantasy becoming his fourth consecutive No. 1 album in the U.S. upon release.^[5] West has had 5 songs exceed 3 million in digital sales as of July 2011, with "Gold Digger" selling 3,086,000, "Stronger" selling 4,402,000, "Heartless" selling 3,742,000, "E.T." selling over 4,000,000 and "Love Lockdown" selling over 3,000,000^[6][7] placing him third in overall digital sales of the past decade.^[8][9] He has sold over 30 million digital songs in the United States making him one of the best-selling digital artists of all-time.^[10]

West also runs his own record label GOOD Music, home to artists such as John Legend, Common and Kid Cudi.^[11] West's mascot and trademark is "Dropout Bear," a teddy bear which has appeared on the covers of three of his five solo albums as well as various single covers and in his music videos.^[12] About.com ranked Kanye West No. 8 on their "Top 50 Hip-Hop Producers" list.^[13] On May 16, 2008, Kanye West was crowned by MTV as the year's No. 1 "Hottest MC in the Game."^[14] On December 17, 2010, Kanye West was voted as the MTV Man of the Year by MTV.^[15] Billboard ranked Kanye West No. 3 on their list of Top 10 Producers of the Decade.^[16] West has also been included in the Time 100 list of the most influential people in the world as well as being listed in a number of Forbes' annual lists.^[17]

Kanye will release the full-length album entitled Cruel Summer with GOOD Music signed artists sometime in 2012.

Early life[link]

Kanye West was born in Atlanta, Georgia,^[18] where he lived with his parents. When he was three years old, his parents divorced, and he and his mother moved to Chicago, Illinois.^[19] His father was Ray West, a former Black Panther who was one of the first black photojournalists at The Atlanta Journal-Constitution, and is now a Christian counselor.^[19] West's mother, Dr. Donda West, was a Professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as West's manager. He was raised in a middle-class background, attending Polaris High School^[20] in suburban Oak Lawn, Illinois after living in Chicago.^[21] When asked about his grades in high school, West replied, "I got A's and B's. And I'm not even frontin'".^[22]

West attended art classes at the American Academy of Art in Chicago, and also enrolled at Chicago State University, but dropped out to focus on his music career.^[23] While attending school, West produced for local artists. He later gained fame by producing hit singles for major hip hop/R&B artists, including Jay-Z, Talib Kweli, Cam'ron, Paul Wall, Common, Mobb Deep, Jermaine Dupri, Scarface, The Game, Alicia Keys, Janet Jackson, John Legend among others. He also "ghost-produced" for his mentor Deric Angelettie, according to his song "Last Call" and the credits of Nas' "Poppa Was a Playa".^[23]

Music career[link]

1996–2003: Career beginnings[link]

Kanye West's first career productions came on Chicago rapper Grav's 1996 debut album Down to Earth. West produced eight tracks on the album. While the album did not attract much attention and would be the only album released by Grav, West would soon be producing for higher profile artists. In 1998–1999 he produced for well-known artists such as Jermaine Dupri, Foxy Brown, Goodie Mob, and the group Harlem World.

West got his big break in the year 2000, when he began to produce for artists on Roc-a-Fella Records. He produced the well-received Jay-Z song "This Can't Be Life" off of the album The Dynasty: Roc La Familia. West would later state that to create the beat for "This Can't Be Life", he sped up the drum beat from Dr. Dre's song "Xxplosive".^[24]

After producing for Jay-Z earlier, West’s sound was featured heavily on Jay-Z's critically acclaimed album The Blueprint, released September 11, 2001.^[25] His work was featured on the lead single "Izzo (H.O.V.A.)", "Heart of the City (Ain't No Love)" and a diss track against Nas and Mobb Deep named "Takeover"; West has worked with Mobb Deep and Nas since the track's release.^[25]

After meeting great commercial success and critical acclaim for his productions on The Blueprint, West became a sought after producer in the hip-hop industry, even before he became known as a rapper and solo artist. In the years 2002–2003 he would produce for artists such as Nas, Scarface, Talib Kweli, Mos Def, T.I., Ludacris, DMX, and Monica. He also continued producing for Roc-a-Fella Records artists and contribued four tracks to Jay-Z's follow up album to The Blueprint, The Blueprint²: The Gift & the Curse.

After great successes as a producer, West now looked to pursue a career as a rapper and solo artist, but struggled to get a record deal. Chris Anokute, then A&R at Def Jam, said that when West regularly dropped by the office to pick up his producer checks he would play demos of solo material to Anokute in his cubicle and bemoan the fact that no one was taking him seriously as a rapper.^[26] Jay-Z admitted that Roc-A-Fella was initially reluctant to support West as a rapper, claiming that he saw him as a producer first and foremost.^[27] Multiple record companies felt he was not as marketable as rappers who portray the "street image" prominent in hip hop culture.^[24] Beginning his career as a rapper, Kanye West recorded the third verse on the song "The Bounce" off of Jay-Z's The Blueprint²: The Gift & the Curse, an album he produced for, from the same label he was signed to as a rapper.

[edit] 2004–05: The College Dropout and Late Registration

On October 23, 2002, West was involved in a near fatal car crash while driving home from the recording studio.^[28] The crash provided inspiration for West's first single, "Through the Wire".^[29] West's faith is apparent in many of his songs, such as "Jesus Walks", which became a staple at his benefit performances, such as the Live 8 concert. These songs were featured on West's debut album, The College Dropout, which was released on Roc-A-Fella Records in February 2004, and went on to receive critical acclaim. The album also defined the style for which West would become known, including wordplay and sampling.^[29] The album was eventually certified triple platinum. Guest appearances included Jay-Z, Ludacris, GLC, Consequence, Talib Kweli, Mos Def, Common, and Syleena Johnson. The album also featured the singles, "All Falls Down" and "The New Workout Plan", as well as Twista's number one single, "Slow Jamz".^[30] During 2003 West also co-produced songs for British singer Javine Hylton, even appearing in the music video to Real Things playing the love interest of Javine.

West was involved in a financial dispute over Royce Da 5'9"'s song "Heartbeat", produced by West and released on Build & Destroy: The Lost Sessions. West maintains that Royce never paid for the beat, but recorded to it and released it; hearing him on the beat, the original customers decided not to buy it from West. After the disagreement, West vowed to never work with Royce again.^[31] Other Kanye West-produced hit singles during the period The College Dropout was released included "I Changed My Mind" by Keyshia Cole, "Overnight Celebrity" by Twista and "Talk About Our Love" by Brandy.^[29]

West and Jamie Foxx performing "Gold Digger" at the Democratic Convention in Denver, Colorado

Taking a more eclectic route, West collaborated with American film score composer Jon Brion to construct his second album, Late Registration, which was released on August 30, 2005.^[32] Like its predecessor, the sophomore effort garnered universal acclaim from music critics.^[33] Late Registration topped countless critic polls and was revered as the best album of the year by numerous publications, including USA Today, Spin, and Time.^[34][35] Rolling Stone awarded the album the highest position on their end of the year record list and hailed it as a "sweepingly generous, absurdly virtuosic hip-hop classic."^[36] The record earned the number one spot on the Village Voice's Pazz & Jop critics' poll of 2005 for the second consecutive year.^[37] Late Registration was also a commercial success, selling over 860,000 copies in its first week alone and topping the Billboard 200.^[38] Grossing over 2.3 million units sold in the United States alone by year's end, Late Registration was considered by industry observers as the sole majorly successful album release of the fall of 2005, a season that was plagued by steadily declining CD sales.^[39] The second album earned eight Grammy Award nominations including Album of the Year and Record of the Year for the song "Gold Digger".^[40] The album is certified triple platinum.^[41]

On August 22, 2005, the MTV special All Eyes On Kanye West aired, in which West spoke out against homophobia in hip-hop. He claimed that hip-hop has always been about "speaking your mind and about breaking down barriers, but everyone in hip-hop discriminates against gay people."^[42] He then reflected on a personal experience. He said that he had a "turning point" when he realized one of his cousins was gay. He said regarding this experience: "This is my cousin. I love him and I've been discriminating against gays." He drew comparison between African Americans' struggle for civil rights and today's gay rights movement. The following year, in an interview with Entertainment Weekly, West further expounded his experiences with and views on the relationship between the black and gay communities.^[43]

In September 2005, West announced that he would release his Pastelle Clothing line in spring 2006:^[44] "Now that I have a Grammy under my belt and Late Registration is finished, I am ready to launch my clothing line next spring." In that year, West produced the hit singles "Go" by Common and "Dreams" by The Game.^[45]

[edit] 2007–09: Graduation and 808s & Heartbreak

West performing in Kuala Lumpur, Malaysia, April 2007.

In 2007, it was announced that West would be starring in a series directed by Larry Charles. He has been working on the pilot episode for the past two years with Larry Charles and Rick Rubin. He also had this to say on January 14: "I wouldn't do something as cliché as a reality show. At least give me the credit for being more creative than that. It's a situational half-hour comedy. It's fictional, and loosely based on my life.^[46] " West also collaborated with Japanese hip-hop group Teriyaki Boyz to produce the single "I Still Love H.E.R.", a reference to Common's 1994 single "I Used to Love H.E.R.". Further to this, during a radio appearance in early 2007, West, like many of his peers, recorded an impromptu freestyle to the popular song "Throw Some D's." The song that to all other rappers was about automobile rims, was used by West to comically refer to D-cup breasts. Because of the unexpected success of the song, West went on to make a video for the freestyle, in which he is seen playing his 'Old Ass Cousin'.^[47]

West was also featured in a new song called "Classic (Better Than I've Ever Been)". It was believed to be a single for, Graduation, because he is featured on the track, but Nike quickly explained that it was for the Nike Air Force 1's anniversary. It was meant only to be an exclusive track for the company.^[48]

On March 25, 2007, he and his father Ray West supported World Water Day by having a "Walk for Water" rally.^[49] After a two-year break, West has returned to being a fashion columnist in lifestyle magazine Complex.^[50] On July 7, 2007, West performed with The Police and John Mayer at the American leg of Live Earth.^[51] West hosted the August 17 edition of British comedy- variety show The Friday Night Project.^[52]

In July 2007, West changed the release date of Graduation, his third album, from September 18, 2007, to the same release date as 50 Cent's album Curtis, September 11, 2007.^[53] 50 Cent later claimed that if Graduation were to sell more records than Curtis, he would stop releasing solo albums. However, 50 Cent would later dispel his comments.^[54] The album has been certified double platinum. Guest appearances included T-Pain, Mos Def, and Lil Wayne.^[55]

On August 26, 2007, West appeared as himself on the HBO television show Entourage which he used as a platform to premier his new single "Good Life" during the end credits. On September 9, 2007, West performed at the 2007 MTV Video Music Awards, losing in every category he was nominated for; he gave an angry speech immediately afterward. (see "Controversies" section)

Following the MTV stint, West was nominated in eight Grammy Award categories for the 50th annual Grammy Awards.^[57] He won four of them,^[58] including Best Rap Album for Graduation and Best Rap Solo Performance for "Stronger" from Graduation. During the four-hour televised Grammy Awards ceremony, West also performed two songs: "Stronger" (with Daft Punk) and "Hey Mama" (in honor of his recently deceased mother).^[59]

West kicked off the Glow in the Dark Tour in Seattle at the Key Arena on April 16. The tour was originally scheduled to end in June in Cincinnati but was extended into August. Over the course of the tour West was joined by a varying group of opening acts, including Lupe Fiasco, Rihanna, N.E.R.D., DJ Craze, and Gnarls Barkley. On June 15, West was scheduled to perform a late night set at the Bonnaroo Music Festival. His performance started almost two hours late and ran for half of its alloted time, angering many fans in the audience. West later wrote an outraged entry on his blog, blaming the festival organizers as well as Pearl Jam's preceding set, which ran longer than expected.

On September 7, West debuted a new song "Love Lockdown" at the 2008 MTV Video Music Awards. "Love Lockdown" features no rapping and only singing using an auto-tune device. This song appears on West's fourth studio album, 808s & Heartbreak. The new album was expected to be released on December 16, but West announced on his blog on September 24, 2008, that he had finished the album and would be releasing it sometime in November, earlier than previously scheduled. In early October, West made a surprise appearance at a T.I. concert in Los Angeles, where he stated that 808s & Heartbreak was scheduled to be released on November 25, though it was actually released on the 24th, and that the second single is "Heartless". The album was another number one album for West, even though the first week numbers fell well short of Graduation with 450,145 sold.^[60]

West performing in 2008

West performed at the American Music Awards ceremony on November 23.^[61] That same night he won two AMA awards, including Favorite Rap/Hip-Hop Album for Graduation and Favorite Rap/Hip-Hop Male Artist. West performed at the Democratic National Convention in Denver in August 2008, along with Wyclef Jean and N.E.R.D. in support of Barack Obama. On January 20, 2009, Kanye West performed at the Youth Inaugural Ball hosted by MTV for Obama's inauguration.

On February 17, 2009, West was named one of Top 10 Most Stylish Men in America by GQ.^[62] The next day, February 18, 2009, West won International Male Solo Artist at The Brit Awards 2009. West was not in attendance but accepted his award with a video speech, saying "Barack is the 'Best Interracial Male' but I'm proud to be the Best International Male in the world.^[63]

In April 2009, Kanye West recorded a song called "Hurricane" with 30 Seconds to Mars to appear on their album This Is War, but was not released due to legal issues with both record companies. The song was eventually released on the deluxe version of This Is War, titled "Hurricane 2.0".^[64][65][66]

[edit] 2010–present: My Beautiful Dark Twisted Fantasy and Watch the Throne

West performing at The Big Chill

In May 2010, West made an animated television guest appearance on Fox's animated television series The Cleveland Show (a spin-off of Family Guy) as the voice behind "Kenny West", a rival of Cleveland Brown's son.^[67] In his first episode he performed in a rap battle with Cleveland's son. The producers stated working with West was a very good experience and a reason they chose him was because they knew he was a fan of Family Guy.^[68] Kenny West re-appeared in the season 2 premiere of The Cleveland Show.

West spent the first half of 2010 in Honolulu, Hawaii, working on his new album with the working title "Good Ass Job", later named My Beautiful Dark Twisted Fantasy, released on November 22, 2010.^[69] West has cited Maya Angelou, Gil Scott-Heron and Nina Simone as his musical inspirations for this album. Outside production is said to come from RZA, Q-Tip, Pete Rock, and DJ Premier.^[70][71] West also had Justin Vernon flown into his studio on Oahu after seemingly expressing interest in sampling one of Bon Iver's songs; Vernon proceeded to feature on a number of new tracks, including "Lost In The World," which features Vernon's vocal line from Woods.^[72]

On May 28, the Dwele-assisted first single from the album, entitled "Power", leaked to the Internet. On June 30, the track was officially released via iTunes. The upcoming music video was quoted as being "apocalyptic, in a very personal way" by the director Marco Brambilla.^[73]

On September 12, 2010, West performed a new song, "Runaway" featuring Pusha T, at the 2010 MTV Video Music Awards.^[74] Shortly after the performance, Kanye revealed he was working on a 35 minute short film based around the song. The movie is said to be influenced by film noir and concerns a fallen phoenix whom Kanye falls in love with.^[75] On October 15, 2010, Kanye West was ranked 3rd in BET's "Top Ten Rappers of the 21st Century" list.^[76]

West performing at a benefit at the Museum of Modern Art in 2011

Watch the Throne, a collaborative studio album by West and Jay-Z,^[77] was released by Def Jam Recordings on August 8, 2011.^[78] It has been under production since August 2010 as part of West's GOOD Friday initiative of releasing new songs every Friday between August 20 and Christmas 2010.^[79] West said through a recent interview with MTV that the album is "going to be very dark and sexy, like couture hip hop."^[79][80][81] He appeared at the Macy's Thanksgiving Day Parade, performing the track "Lost in the World" from My Beautiful Dark Twisted Fantasy.^[82] On January 6, 2011, Kanye announced via Twitter that the first official single from Watch the Throne would be a song called "H•A•M" produced by Lex Luger. The song was released on January 11, 2011.^[83]

On April 17, 2011, West closed the Coachella Festival with a headlining set that received glowing praise from fans and critics alike.^[84][85] On July 20, a track titled "Otis" from the album was released in the iTunes Store. It samples "Try a Little Tenderness" by Otis Redding.^[86] On October 19, 2011, via his Twitter, West announced plans for a Spring 2012 GOOD Music album release.^[87] On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released.^[88] The song, produced by newly signed in-house producer Lifted, features West along with Big Sean, Pusha T and southern rapper 2 Chainz.^[89]

Other ventures[link]

Business ventures[link]

In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago.^[90] Additionally, West planned to launch his fashion career, and applied for internships with major European fashion houses.^[91] He was due to release his own clothing line called Past Tell in 2009. He also collaborated with Nike to release his own shoe, Air Yeezys.

On January 22, 2009, during Paris Fashion Week, West introduced his first shoe line designed for Louis Vuitton. The line was released in summer 2009.

On October 1, 2011, Kanye West premiered his women's fashion label, DW Kanye West^[92] at Paris Fashion Week. He received support from DSquared2 duo Dean and Dan Caten, Olivier Theyskens, Jeremy Scott, Azzedine Alaïa, and the Olsen twins, who were also in attendance during his show. His debut fashion show received mixed-to-negative reviews,^[93][94] ranging from reserved observations by Style.com^[95] to excoriating commentary by The Wall Street Journal,^[96] the New York Times,^[97] the International Herald Tribune, Elleuk.com, The Daily Telegraph, Harper's Bazaar and many others.^{[98][99][100]}

Philanthropy[link]

West started the "Kanye West Foundation" in Chicago in 2003. On August 24, 2007, West hosted the inaugural benefit concert to launch the foundation's partnership with Strong American Schools. It is focused on helping Latino and African American children stay in school and continue education through grade school, high school, and college. The foundation also helps children pursue music in school. West has contributed over $500,000 to his foundation. The foundation has also been called the "Donda West Foundation".

Kanye West has appeared and participated in many fundraisers, benefit concerts, and has done community work for Hurricane Katrina relief, the Kanye West Foundation, the Millions More Movement, 100 Black Men of America, a Live Earth concert benefit, World Water Day rally and march, Nike runs, and a MTV special helping young Iraq War veterans who struggle through debt and PTSD a second chance after returning home.^[101]

Musical style and influences[link]

West working in the studio with his mentor No I.D. (left)

At the start of his career, Kanye West's production style often used pitched-up vocal samples, usually from soul songs, with his own drums and instruments.^[25] His first major release featuring his trademark vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West said he sped up the drum beat of Dr. Dre's "Xxplosive" to use as a replacement for his drums on "This Can't Be Life".^[24]

West has said that Wu-Tang Clan producer RZA influenced him in his style,^[21][102] and has said on numerous occasions that Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard were some of his all-time favorites, "Wu-Tang? Me and my friends talk about this all the time... We think Wu-Tang had one of the biggest impacts as far as a movement. From slang to style of dress, skits, the samples. Similar to the [production] style I use, RZA has been doing that."^[103] RZA himself has spoken quite positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye. He came up to me about a year or two ago. He gave me mad praising and blessings... For people to say Wu-Tang inspire Kanye, Kanye is one of the biggest artists in the world. That goes back to what we say: 'Wu-Tang is forever.' Kanye is going to inspire people to be like him."^[104] After hearing his work on The Blueprint, RZA claimed that a torch-passing had occurred between him and West, saying, "The shoes gotta be filled. If you ain't gonna do it, somebody else is gonna do it. That's how I feel about rap today."^[104]

West accompanied by an eleven-piece chamber orchestra

While his use of sampling has lessened over time, West's production continues to feature distinctive and intricate string arrangements. This characteristic arose from him listening to the English trip hop group Portishead, whose 1998 live album Roseland NYC Live, with the New York Philharmonic Orchestra inspired him to incorporate string sections into his hip hop production.^[2] Though he was unable to afford live instruments beyond violin riffs provided by Israeli violinist Miri Ben-Ari around the time of his debut album, its subsequent commercial success allowed him to hire his very own eleven-piece string orchestra. For a time, West stood as the sole current pop star to tour with a string section.^[2]

West has stated on several occasions that outside of work, he favors listening to rock music over hip-hop. He cites Franz Ferdinand, Red Hot Chili Peppers, and The Killers as some of his favorite musical groups. Additionally, on Graduation, West drew inspiration from arena rock bands such as U2, The Rolling Stones and Led Zeppelin for melody and chord progression.^[105] Both a fan and supporter of indie culture, West uses his official website to promote obscure indie rock bands, posting up music videos and mp3s on a daily basis.^[106] This musical affinity is mutual, as West has collaborated with indie artists such as Santigold, Peter Bjorn and John, and Lykke Li while his songs have gone on to be covered countless times by myriad rock bands.^[107]

Personal life[link]

Relationships[link]

Kanye West and designer Alexis Phifer ended their 18-month engagement in 2008. The couple had been dating on and off since 2002, with West eventually proposing in August 2006. According to a friend, the couple's relationship had become increasingly strained, burdened by the sheer amount of time and attention West was dedicating to his current concert tour. "It's always sad when things like this end, and we remain friends," Phifer told People.^[108]

West was also in a high profile on/off relationship with Amber Rose from 2008 until the summer of 2010. He is now reportedly dating reality star Kim Kardashian.^[109]

Mother's death[link]

Donda West in August 2007

On November 10, 2007, West's mother, Donda West, died of complications from cosmetic surgery involving abdominoplasty and breast reduction.^[110] TMZ reported that Beverly Hills plastic surgeon Andre Aboolian refused to do the surgery because Donda West had a health condition that placed her at risk for a heart attack.^[110] Aboolian referred her to an internist to investigate her cardiac issue.^[110] Donda never met with the doctor recommended by Aboolian and had the procedures performed by a third doctor, Jan Adams.^[110] She was 58 years old (1949–2007).

Adams sent condolences to Donda West's family but declined to publicly discuss the procedure because of confidentiality.^[111] He had previously been under scrutiny by the medical board.^{[112][113][114]} Adams appeared on Larry King Live on November 20, 2007 but left before speaking. Two days later, he appeared again, with his attorney, stating he was there to "defend himself." He said that the recently released autopsy results "spoke for themselves".^[115] The final coroner's report January 10, 2008 concluded that Donda West died of "coronary artery disease and multiple post-operative factors due to or as a consequence of liposuction and mammoplasty."^[116]

The funeral and burial for Donda West was held in Oklahoma City on November 20, 2007.^[117] West held his first concert following the funeral at The O2 in London on November 22. He dedicated a performance of "Hey Mama", as well as a cover of Journey's "Don't Stop Believin'", to his mother, and did so on all other dates of his Glow in the Dark tour.^[118]

At a December 2008 press conference in New Zealand, West spoke about his mother's death for the first time. "It was like losing an arm and a leg and trying to walk through that," he told reporters.^[119]

California governor Arnold Schwarzenegger passed the "Donda West Law," a legislation which makes it mandatory for patients to provide medical clearance for elective cosmetic surgery.^[120]

Legal issues[link]

In December 2006, Robert "Evel" Knievel sued West for trademark infringement in West's video for "Touch the Sky." Knievel took issue with a "sexually charged video" in which West takes on the persona of "Evel Kanyevel" and attempts flying a rocket over a canyon. The suit filed in federal court claims infringement on his trademarked name and likeness. Knievel also claims the "vulgar and offensive" images depicted in the video damage his reputation. The suit seeks damages and to stop distribution of the video.^[121] West's attorneys argued that the music video amounted to satire and therefore was covered under the First Amendment. Just days before his death in November 2007, Knievel amicably settled the suit after being paid a visit from West, saying, "I thought he was a wonderful guy and quite a gentleman."^[122]

On September 11, 2008, West and his road manager/bodyguard Don "Don C." Crowley were arrested at Los Angeles International Airport and booked on charges of felony vandalism after an altercation with the paparazzi in which West and Crowley broke the photographers' cameras.^[123][124] West was later released from the Los Angeles Police Department's Pacific Division station in Culver City on $20,000 bail bond. On September 26, 2008 the Los Angeles County District Attorney's Office said it would not file felony counts against West over the incident. Instead the case file was forwarded to the city attorney's office, which charged West with one count of misdemeanor vandalism, one count of grand theft and one count of battery and his manager with three counts of each on March 18, 2009.^[125] West's and Crowley's arraignment was delayed from an original date of April 14, 2009.^[126]

West was arrested again on November 14, 2008 at the Hilton hotel near Gateshead after another scuffle involving a photographer outside the famous Tup Tup Palace nightclub in Newcastle Upon Tyne. He was later released "with no further action", according to a police spokesperson.^[127]

Controversies[link]

General media[link]

West has had several controversies throughout his career. On September 2, 2005, during a benefit concert for Hurricane Katrina relief on NBC, A Concert for Hurricane Relief, West was a featured speaker. When West was presenting alongside actor Mike Myers, he deviated from the prepared script. Myers spoke next and continued to read the script. Once it was West's turn to speak again, he said "George Bush doesn't care about black people." At this point, telethon producer Rick Kaplan cut off the microphone and then cut away to Chris Tucker, who was unaware of the cut for a few seconds. Still, West's comment reached much of the United States.^[128][129] Bush stated in an interview that the comment was "one of the most disgusting moments” of his presidency.^[130]

In January 2006, West again sparked controversy when he appeared on the cover of Rolling Stone in the image of Jesus wearing a crown of thorns.^[131]

In November, 2010, in a taped interview with Matt Lauer for the Today Show, West expressed regret for his criticism of Bush. "I would tell George Bush in my moment of frustration, I didn't have the grounds to call him a racist," he told Lauer. "I believe that in a situation of high emotion like that we as human beings don't always choose the right words." The following day, Bush reacted to the apology in a live interview with Lauer saying he appreciated the rapper's remorse. "I'm not a hater," Bush said. "I don't hate Kanye West. I was talking about an environment in which people were willing to say things that hurt. Nobody wants to be called a racist if in your heart you believe in equality of races."

Reactions were mixed, but some felt that West had no need to apologize. "It was not the particulars of your words that mattered, it was the essence of a feeling of the insensitivity towards our communities that many of us have felt for far too long," noted Def Jam co-founder Russell Simmons.^[132] Dr. Boyce Watkins said that West was, "now part of the establishment, where waffling on your principles is fully expected. Bush deserved no apology, for you don’t apologize to a criminal after repudiating him for an egregious crime.^[133] " Bush himself was receptive to the apology, saying, "I appreciate that. It wasn't just Kanye West who was talking like that during Katrina, I cited him as an example, I cited others as an example as well. You know, I appreciate that."^[134]

Award shows[link]

In 2004, West had his first of a number of incidents involving music award events. At the American Music Awards of 2004, West stormed out of the auditorium after losing Best New Artist to country singer Gretchen Wilson. He later commented, "I felt like I was definitely robbed [...] I was the best new artist this year."^[135] After the 2006 Grammy nominations were released, West said he would "really have a problem" if he did not win the Album of the Year, saying, "I don't care what I do, I don't care how much I stunt – you can never take away from the amount of work I put into it. I don't want to hear all of that politically correct stuff."^[136] On November 2, 2006, when his "Touch the Sky" failed to win Best Video at the MTV Europe Music Awards, West went onto the stage as the award was being presented to Justice and Simian for "We Are Your Friends" and argued that he should have won the award instead.^[137][138] Hundreds of news outlets worldwide criticized the outburst. On November 7, 2006, West apologized for this outburst publicly during his performance as support act for U2 for their Vertigo concert in Brisbane.^[139] He later spoofed the incident in the season premiere of Saturday Night Live.

On September 9, 2007, West suggested that his race had to do with his being overlooked for opening the 2007 MTV Video Music Awards (VMAs) in favor of Britney Spears; he claimed, "Maybe my skin’s not right."^[140] West was performing at the event; that night, he lost all 5 awards that he was nominated for, including Best Male Artist and Video of the Year. After the show, he was visibly upset that he had lost at the VMAs two years in a row, stating that he would not come back to MTV ever again. He also appeared on several radio stations saying that when he made the song "Stronger" that it was his dream to open the VMAs with it. He has also stated that Spears has not had a hit in a long period of time and that MTV exploited her for ratings.^[141]

On September 13, 2009, during the 2009 MTV Video Music Awards while Taylor Swift was accepting her award for Best Female Video for "You Belong with Me", West went on stage and grabbed the microphone to proclaim that Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time". He was subsequently removed from the remainder of the show for his actions.^{[142][143][144]} When Beyoncé later won the award for Best Video of the Year for "Single Ladies (Put a Ring on It)", she called Swift up on stage so that she could finish her acceptance speech.^[142] West was criticized by various celebrities for the outburst,^{[143][145][146][147][148]} and by President Barack Obama, who called West a "jackass".^{[149][150][151][152][153]} In addition, West's VMA disruption sparked a large influx of Internet photo memes with blogs, forums and "tweets" with the "Let you finish" photo-jokes.^[154] Subsequently, West posted two apologies for the outburst on his personal blog; one on the night of the incident and the other the same day he appeared on The Jay Leno Show, on September 14, 2009, where he apologized again.^[146][155] After Swift appeared on The View two days after the outburst, partly to discuss the matter, West called her to apologize personally. Swift said she accepted his apology.^{[156][157][158]} In September 2010, West wrote a series of apologetic tweets addressed to Swift including "Beyonce didn't need that. MTV didn't need that and Taylor and her family friends and fans definitely didn't want or need that" and concluding with "I'm sorry Taylor." West also revealed he had written a song for Swift and if she did not accept the song, he would perform it himself.^[159] However, on November 8, 2010, in an interview with a Minnesota radio station, West seemed to recant a bit of his past apologies by attempting to describe the act at the 2009 awards show as "selfless" and downgrade the perception of disrespect it created.^[160][161]

Discography[link]

Solo Albums

• The College Dropout (2004)
• Late Registration (2005)
• Graduation (2007)
• 808s & Heartbreak (2008)
• My Beautiful Dark Twisted Fantasy (2010)

Collaborations

• Watch the Throne (2011) – with Jay-Z
• Cruel Summer (2012) – with GOOD Music artists^[87]

Filmography[link]

• We Were Once a Fairytale (2009)
• Runaway (2010)
• Cruel Summer (2012)

Awards and nominations[link]

Kanye West portal

References[link]