- published: 20 Oct 2012
- views: 14632
- author: GerbilGod7
5:01
Ultra High-speed Robot Based on 1 kHz Vision System
By Masatoshi Ishikawa, Akio Namiki, Taku Senoo and Yuji Yamakawa...
published: 20 Oct 2012
author: GerbilGod7
Ultra High-speed Robot Based on 1 kHz Vision System
By Masatoshi Ishikawa, Akio Namiki, Taku Senoo and Yuji Yamakawa
- published: 20 Oct 2012
- views: 14632
- author: GerbilGod7
7:36
Viva le Spy Français
March 17th 2010 Enigma 2000 member Hans alerted the group to a new numbers station on 1342...
published: 19 Mar 2010
author: mikesndbs
Viva le Spy Français
March 17th 2010 Enigma 2000 member Hans alerted the group to a new numbers station on 13420kHz saying that it has been active since 07:42z. This station was passing French numbers. Its family resemblance to the Russian family 1 numbers stations such as E06 and G06 was clear from the start. Further surprises were in store and this video documents them for you. Please see our numbers station site www.mikeandsniffy.co.uk for more and consider joining Enigma 2000 the home of the serious numbers stations monitors! groups.yahoo.com Also if you value shortwave radio please visit and support UKQRM www.mikeandsniffy.co.uk
- published: 19 Mar 2010
- views: 3805
- author: mikesndbs
7:06
Komaton - Sweet Princess (BVoice & Khz Dub Remix)
▪ From: Sweet Princess EP [PT019] ▪ © Pro-Tez 21.02.2011 • soundcloud.com • www.facebook.c...
published: 22 Mar 2011
author: TheOceanSwanEternal2
Komaton - Sweet Princess (BVoice & Khz Dub Remix)
▪ From: Sweet Princess EP [PT019] ▪ © Pro-Tez 21.02.2011 • soundcloud.com • www.facebook.com • www.myspace.com • www.myspace.com • Buy @ : www.beatport.com ▪ Art: supermalade.deviantart.com
- published: 22 Mar 2011
- views: 9349
- author: TheOceanSwanEternal2
4:35
Black Gene For The Next Scene - Namida-kHz PV (HD/1080p)
Don't forget to hit the "HD button."...
published: 22 Jul 2012
author: Masamune Hiro
Black Gene For The Next Scene - Namida-kHz PV (HD/1080p)
Don't forget to hit the "HD button."
- published: 22 Jul 2012
- views: 8928
- author: Masamune Hiro
4:31
Black Gene For the Next Scene 「涙khz」振付動画
Black Gene For the Next Scene の2ndシングル「涙khz」の振付動画です。...
published: 20 Aug 2012
author: BandsaidYT
Black Gene For the Next Scene 「涙khz」振付動画
Black Gene For the Next Scene の2ndシングル「涙khz」の振付動画です。
- published: 20 Aug 2012
- views: 14872
- author: BandsaidYT
2:13
OCTA-CAPTURE 10x10 24-bit/192 kHz Hi-Speed USB Audio Interface Overview
www.rolandconnect.com www.rolandconnect.com 8 Premium Mic Preamps, Compact I/O, Pristine S...
published: 10 Sep 2010
author: RolandChannel
OCTA-CAPTURE 10x10 24-bit/192 kHz Hi-Speed USB Audio Interface Overview
www.rolandconnect.com www.rolandconnect.com 8 Premium Mic Preamps, Compact I/O, Pristine Sound Quality With ten inputs, ten outputs, eight VS PREAMPS, and superb 24-bit/192 kHz audio quality, OCTA-CAPTURE sets a new standard in portable USB 2.0 audio interfaces. Designed for high-level audio production, it combines premium components, Roland-quality engineering, and proprietary preamp and streaming technology.
- published: 10 Sep 2010
- views: 28202
- author: RolandChannel
5:59
Brooklyn Pirate Radio WFAT
WFAT 1620 AM Brooklyn, New York. Circa 1980. This film features DJs Hank Hayes, Jim Nazium...
published: 15 Sep 2006
author: Hank Hayes
Brooklyn Pirate Radio WFAT
WFAT 1620 AM Brooklyn, New York. Circa 1980. This film features DJs Hank Hayes, Jim Nazium, and the FCC agents that kept busting them, Judah Mansbach and Alexander Zimney. WHOT went on to be an AM and FM operation covering heard in 19 states, two time zones in the US and Canada. All we wanted to do was go wild and do fun shows. These two DJs are still up to their fun antics every day at Stickam.com
- published: 15 Sep 2006
- views: 27674
- author: Hank Hayes
4:57
Radio Vision (Chiclayo, Peru) - Weak signal and strong QRN! - 4790 kHz
Reception of Radio Vision (Chiclayo, Peru) on 4790 by CX2ABP in Jaureguiberry, Uruguay (GF...
published: 27 Feb 2013
author: CX2ABP
Radio Vision (Chiclayo, Peru) - Weak signal and strong QRN! - 4790 kHz
Reception of Radio Vision (Chiclayo, Peru) on 4790 by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0808 UTC. ID at 04:24 Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- views: 1
- author: CX2ABP
3:27
Solomon Islands Broadcasting Corporation (Honiara, Solomon Islands) - 5020 kHz
Reception of Channel Africa (Meyerton, South Africa) on 6155 kHz by CX2ABP in Jaureguiberr...
published: 27 Feb 2013
author: CX2ABP
Solomon Islands Broadcasting Corporation (Honiara, Solomon Islands) - 5020 kHz
Reception of Channel Africa (Meyerton, South Africa) on 6155 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0322 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
3:06
Trans World Radio (Manzini, Swaziland) in lomwe language (beamed to Mozambique) - 4775 kHz
Reception of Trans World Radio (Manzini, Swaziland) in lomwe language (beamed to Mozambiqu...
published: 27 Feb 2013
author: CX2ABP
Trans World Radio (Manzini, Swaziland) in lomwe language (beamed to Mozambique) - 4775 kHz
Reception of Trans World Radio (Manzini, Swaziland) in lomwe language (beamed to Mozambique) on 4775 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0342 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
2:46
Radio Fenix (Temperley, Buenos Aires, Argentina) - 1650 kHz
Reception of Radio Fenix (Temperley, Buenos Aires, Argentina) on 1650 kHz by CX2ABP in Jau...
published: 27 Feb 2013
author: CX2ABP
Radio Fenix (Temperley, Buenos Aires, Argentina) - 1650 kHz
Reception of Radio Fenix (Temperley, Buenos Aires, Argentina) on 1650 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf) (273 km). February 26, 2013 at 0625 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
2:38
PMA The Cross Radio (Pohnpei, Federated States of Micronesia) - 4755 kHz
Reception of PMA The Cross Radio (Pohnpei, Federated States of Micronesia) on 4755 kHz by ...
published: 27 Feb 2013
author: CX2ABP
PMA The Cross Radio (Pohnpei, Federated States of Micronesia) - 4755 kHz
Reception of PMA The Cross Radio (Pohnpei, Federated States of Micronesia) on 4755 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0814 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
Vimeo results:
10:43
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fr...
published: 23 Dec 2010
author: Alessio Nanni
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
14:51
Franz Liszt - Ballade in b minor nr.2 - Alessio Nanni, piano
The Steinway Artist Alessio Nanni plays the Ballade in b minor nr.2 by Franz Liszt.
This ...
published: 28 May 2011
author: Alessio Nanni
Franz Liszt - Ballade in b minor nr.2 - Alessio Nanni, piano
The Steinway Artist Alessio Nanni plays the Ballade in b minor nr.2 by Franz Liszt.
This piano work unquestionably represents the beauty of darkness in one of Liszt's most intriguing rendering ever.
Unexplainably this Ballade is also one of his great neglected piano work ever.
This piano work is based on a Byzantine myth, 'Hero and Leander', relating the story of Hero, a priestess of Aphrodite who dwelt in a tower in Sestos on the European side of the Dardanelles, and Leander, a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to be with her. Hero would light a lamp at the top of her tower to guide his way.
Succumbing to Leander's soft words, and to his argument that Aphrodite, as goddess of love, would scorn the worship of a virgin, Hero allowed him to make love to her. This routine lasted through the warm summer. But one stormy winter night, the waves tossed Leander in the sea and the breezes blew out Hero's light, and Leander lost his way, and was drowned. Hero threw herself from the tower in grief and died as well.
Liszt's ending definitely is not a tragic one, though. There is certainly a storm at the end as the soaring waves of the Hellespont and the love duet commingle, but one way or another they make it out of the storm.
__________________________________________________________
Recorded on may 1st 2011 at Passadori Steinway Hall - Brescia
Produced in collaboration with passadoripianoforti.it.
Video release date : 6/6/2011
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano technician: Giulio Passadori
Logistic supervisor: Flavio Gheruzzi
Piano: Steinway & Sons, Concert Grand mod. D
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Simona Passadori.
© by Alessio Nanni - All Rights Reserved
alessionanni.com
1:00
Darts at Lark Tavern - Albany, NY - 08, Dec
People playing darts at the Lark Tavern in Albany, NY.
Thank you for your patience, rando...
published: 27 Dec 2008
author: Sébastien B.
Darts at Lark Tavern - Albany, NY - 08, Dec
People playing darts at the Lark Tavern in Albany, NY.
Thank you for your patience, random serious people :)
This is my second video test with a Canon 5D Mark II, at a higher shutter speed this time, with the same Canon 50mm f/1.4. Once again, nothing interesting going on here, but an opportunity for me to describe my workflow in more details. Or lack thereof. Here are my first experiments taming the beast.
Update May 1st, 2010: THIS IS IT guys, Adobe released the Premiere Pro CS5 Trial today, and they delivered! I just installed it a few minutes ago, and CS5 plays full-resolution original 5DMII files out-of-the-box, no proxies needed, and that was in software mode only. I can only imagine how fast hardware-acceleration will be with one of the supported NVidia graphics card. This is great news and absolutely worth an upgrade.
Update November 12, 2009: Great news, Adobe's new playback engine, Mercury, looks fantastic and may just save us from those pesky proxies. Check this preview here: http://tv.adobe.com/watch/davtechtable/sneak-peek-at-the-new-adobe-mercury-playback-engine-technology/
Update January 01, 2009: Augment the "Create Proxy Files" section with a comparison between several codecs and several frame sizes.
Update January 30, 2008: Add a "About previews and pre-rendering" section.
Update January 29, 2008: I found out how to auto-scale low-res proxy files to the project's frame size, and updated this document accordingly. This fixes one major issue.
The issue:
--------------------
As I described in my first video test (http://www.vimeo.com/2624143), the amount of data captured by the 5D is hammering both my computers at home (see hardware specs at the end of this document). At 1920x1080p 30fps, the H.264 codec used by Canon seems to push about 39 Mbps of video down the pipe. Ugh. While I can *replay* the clips nicely from Quicktime or Windows Media Player, I'm not able to perform any native editing from Adobe Premiere CS4; the first few seconds play fine, but it's a complete halt soon after that, even in Draft mode. Basic tasks like trimming assets, tweaking ends points, adding and previewing transitions are out of my reach.
While this could be blamed on the H.264 MainConcept codec used in Premiere (ffmpeg's x264 in WMP and Quicktime's H264 codec replay fine), and/or my specs, I'm doubtful I will be able to do any serious work on native 5D's video files at full-res anyway, short of buying a very expensive rig and/or a compatible H.264 hardware decoder card.
One solution:
--------------------
This is, however, not a new problem; people have been dealing with high resolution files in the past through clever use of proxy files and offline editing:
http://en.wikipedia.org/wiki/Offline_editing
From what I understand, proxy files are alternate versions of your original clips, either re-encoded for faster access and/or resampled to a smaller, lower resolution frame size (preferably with the same aspect ratio). Editing, pre-viewing and draft rendering are performed using those proxies; once you are happy with the results, the final high-resolution movie is created by first replacing the proxies with the original full-res clips. Easy enough.
H.264 is not a slow codec per se, but the bitrate in the full-res 5D files is really high, at about 38.6 Mbps, about the same as a Blu-Ray DVD, more than a HD DVD. I'm not going to re-encode 1920x1080p clips using a different codec at full-res; a faster decoder would only mean more (i.e. less compressed) data. Not only would I end up with a huge amount of video but I'm actually not even sure either my hard-disks or Premiere could sustain that much. Storage is cheap, but at 1920x1080 30fps, this is still a lot of image processing going on. Resizing the clips to a lower 640x360 frame size seemed the way to go in my situation, and I'll describe shortly how I created my proxies and switched between full-res and low-res.
Now if that whole proxy switcheroo seems to make reasonable sense to me, why is it so tedious to set up in Adobe Premiere CS4? Granted, I'm new to Premiere, but from what I gather on Adobe's "About online and offline editing" help page, I'm not the only one to struggle:
http://tinyurl.com/9jzdhk
My workflow:
--------------------
Here is quick overview of my workflow:
0) Create proxy files for your original 5D clips (I'll go over this in a separate section, let's just stick to the workflow).
1) Create a new Premiere project. The "New Sequence" video and audio settings should match the settings of your original assets, i.e. your native 5DMII files, 1920x1080p @ 30fps. Check my detailed "New Sequence: Canon 5DMII native settings" preset at the end of this document.
2) Drop a few native 5D clips in the project. Important: do *not* put them in the timeline.
3) Switch to offline editing.
a) In the left panel, select all clips, right-click and select "Make Offline...". No deleting the originals! The full-res clips are now disconnected from your projec
44:18
The Disappearing Male
The Disappearing Male
"We are conducting a vast toxicological experiment in which our chi...
published: 27 Sep 2010
author: Life in Pierce County
The Disappearing Male
The Disappearing Male
"We are conducting a vast toxicological experiment in which our children and our children's children are the experimental subjects." Dr. Herbert Needleman
The Disappearing Male is about one of the most important, and least publicized, issues facing the human species: the toxic threat to the male reproductive system.
The last few decades have seen steady and dramatic increases in the incidence of boys and young men suffering from genital deformities, low sperm count, sperm abnormalities and testicular cancer.
At the same time, boys are now far more at risk of suffering from ADHD, autism, Tourette's syndrome, cerebral palsy, and dyslexia.
The Disappearing Male takes a close and disturbing look at what many doctors and researchers now suspect are responsible for many of these problems: a class of common chemicals that are ubiquitous in our world.
Found in everything from shampoo, sunglasses, meat and dairy products, carpet, cosmetics and baby bottles, they are called "hormone mimicking" or "endocrine disrupting" chemicals and they may be starting to damage the most basic building blocks of human development.
Video #0 : MPEG-4 Visual at 1 000 Kbps
Aspect : 608 x 352 (1.727) at 29.970 fps
Audio #0 : MPEG Audio at 96.0 Kbps
Infos : 2 channels, 32.0 KHz
This movie is part of the collection: Community Video
Audio/Visual: sound, color
Creative Commons license: Public Domain
Youtube results:
2:24
Zambia NBC Radio 1 (Lusaka, Zambia) - Cool music - 5915 kHz
Reception of Zambia NBC Radio 1 (Lusaka, Zambia) on 5915 kHz by CX2ABP in Jaureguiberry, U...
published: 27 Feb 2013
author: CX2ABP
Zambia NBC Radio 1 (Lusaka, Zambia) - Cool music - 5915 kHz
Reception of Zambia NBC Radio 1 (Lusaka, Zambia) on 5915 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0252 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
2:20
Radio Itatiaia (Belo Horizonte, Minas Gerais, Brazil) - 5970 kHz
Reception of Radio Itatiaia (Belo Horizonte, Minas Gerais, Brazil) on 5970 kHz by CX2ABP i...
published: 27 Feb 2013
author: CX2ABP
Radio Itatiaia (Belo Horizonte, Minas Gerais, Brazil) - 5970 kHz
Reception of Radio Itatiaia (Belo Horizonte, Minas Gerais, Brazil) on 5970 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0819 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
2:05
Channel Africa (Meyerton, South Africa) - 6155 kHz
Reception of Channel Africa (Meyerton, South Africa) on 6155 kHz by CX2ABP in Jaureguiberr...
published: 27 Feb 2013
author: CX2ABP
Channel Africa (Meyerton, South Africa) - 6155 kHz
Reception of Channel Africa (Meyerton, South Africa) on 6155 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0322 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP
1:27
Iranian jammer against The Voice of Iranian Kurdistan - 6165 and 4860 kHz
Reception of Iranian jammer against The Voice of Iranian Kurdistan on 6165 and 4860 kHz by...
published: 27 Feb 2013
author: CX2ABP
Iranian jammer against The Voice of Iranian Kurdistan - 6165 and 4860 kHz
Reception of Iranian jammer against The Voice of Iranian Kurdistan on 6165 and 4860 kHz by CX2ABP in Jaureguiberry, Uruguay (GF25hf). February 26, 2013 at 0326 and 0340 UTC. Receiver: National Panasonic DR-49. Antenna: 100 meters longwire.
- published: 27 Feb 2013
- author: CX2ABP