The Massive Ordnance Air Blast (MOAB) bomb produced in the United States is the second most powerful conventional bomb in the world.

A bomb is any of a range (short or long distance) of explosive weapons that only rely on the exothermic reaction of an explosive material to provide an extremely sudden and violent release of energy (an explosive device). Detonations inflict damage principally through ground- and atmosphere-transmitted mechanical stress, the impact and penetration of pressure-driven projectiles, pressure damage, and explosion-generated effects.^[1] A nuclear weapon employs chemical-based explosives to initiate a much larger nuclear-based explosion.

The term bomb is not usually applied to explosive devices used for civilian- purposes such as construction or mining, although the people using the devices may sometimes refer to them as "bomb". The military use of the term "bomb", or more specifically aerial bomb action, typically refers to airdropped, unpowered explosive weapons most commonly used by air forces and naval aviation. Other military explosive weapons not classified as "bombs" include grenades, shells, depth charges (used in water), warheads when in missiles, or land mines. In unconventional warfare, "bomb" can refer to a range of offensive weaponry. For instance, in recent conflicts, "bombs" known as improvised explosive devices (IEDS) have been employed by insurgent fighters to great effectiveness.

The word comes from the Latin bombus, which in turn comes from the Greek βόμβος (bombos),^[2] an onomatopoetic term meaning "booming".

Shock[link]

Explosive shock waves can cause situations such as body displacement (i.e., people being thrown through the air), dismemberment, internal bleeding and ruptured eardrums.^[3]

Shock waves produced by explosive events have two distinct components, the positive and negative wave. The positive wave shoves outward from the point of detonation, followed by the trailing vacuum space "sucking back" towards the point of origin as the shock bubble collapses. The greatest defense against shock injuries is distance from the source of shock.^[4] As a point of reference, the overpressure at the Oklahoma City bombing was estimated in the range of 4000 psi.^[5]

Heat[link]

A thermal wave is created by the sudden release of heat caused by an explosion. Military bomb tests have documented temperatures of up to 2,480 °C (4,500 °F). While capable of inflicting severe to catastrophic burns and causing secondary fires, thermal wave effects are considered very limited in range compared to shock and fragmentation. This rule has been challenged, however, by military development of thermobaric weapons, which employ a combination of negative shock wave effects and extreme temperature to incinerate objects within the blast radius.

Fragmentation[link]

Fragmentation is produced by the acceleration of shattered pieces of bomb casing and adjacent physical objects. While conventionally viewed as small metal shards moving at super- to hypersonic speeds, fragmentation can occur in epic proportions and travel for extensive distances. When the S.S. Grandcamp exploded in the Texas City Disaster on April 16, 1947, one fragment of that blast was a two ton anchor which was hurled nearly two miles inland to embed itself in the parking lot of the Pan American refinery. Fragmentation should not be confused with shrapnel, which relies on the momentum of a shell to cause damage.

Effects on living things[link]

To people who are close to a blast incident, such as bomb disposal technicians, soldiers wearing body armor, deminers or individuals wearing little to no protection, there are four types of blast effects on the human body: overpressure (shock), fragmentation, impact and heat. Overpressure refers to the sudden and drastic rise in ambient pressure that can damage the internal organs, possibly leading to permanent damage or death. Fragmentation includes the shrapnel described above but can also include sand, debris and vegetation from the area surrounding the blast source. This is very common in anti-personnel mine blasts.^[6] The projection of materials poses a potentially lethal threat caused by cuts in soft tissues, as well as infections, and injuries to the internal organs. When the overpressure wave impacts the body it can induce violent levels of blast-induced acceleration. Resulting injuries range from minor to unsurvivable. Immediately following this initial acceleration, deceleration injuries can occur when a person impacts directly against a rigid surface or obstacle after being set in motion by the force of the blast. Finally, injury and fatality can result from the explosive fireball as well as incendiary agents projected onto the body. Personal protective equipment, such as a bomb suit or demining ensemble, as well as helmets, visors and foot protection, can dramatically reduce the four effects, depending upon the charge, proximity and other variables.

Effects on structures[link]

This section requires expansion.

Types[link]

Diagram of a simple time bomb in the form of a pipe bomb

An American B61 nuclear bomb on its loading carriage

Experts commonly distinguish between civilian and military bombs. The latter are almost always mass-produced weapons, developed and constructed to a standard design out of standard components and intended to be deployed in a standard explosive device. IEDs are divided into three basic categories by basic size and delivery. Type 76, IEDs are hand-carried parcel or suitcase bombs, type 80, are "suicide vests" worn by a bomber, and type 3 devices are vehicles laden with explosives to act as large-scale stationary or self-propelled bombs, also known as VBIED (vehicle-borne IEDs).

Improvised explosive materials are typically very unstable and subject to spontaneous, unintentional detonation triggered by a wide range of environmental effects ranging from impact and friction to electrostatic shock. Even subtle motion, change in temperature, or the nearby use of cellphones or radios, can trigger an unstable or remote-controlled device. Any interaction with explosive materials or devices by unqualified personnel should be considered a grave and immediate risk of death or dire injury. The safest response to finding an object believed to be an explosive device is to get as far away from it as possible.

Atomic bombs are based on the theory of nuclear fission, that when a large atom splits it releases a massive amount of energy. Hydrogen bombs use the energy from an initial fission explosion to create an even more powerful fusion explosion.

The term dirty bomb refers to a specialized device that relies on a comparatively low explosive yield to scatter harmful material over a wide area. Most commonly associated with radiological or chemical materials, dirty bombs seek to kill or injure and then to deny access to a contaminated area until a thorough clean-up can be accomplished. In the case of urban settings, this clean-up may take extensive time, rendering the contaminated zone virtually uninhabitable in the interim.

The power of large bombs is typically measured in kilotons (Kt) or megatons of TNT (Mt). The most powerful bombs ever used in combat were the two atomic bombs dropped by the United States to attack Hiroshima and Nagasaki, and the most powerful ever tested was the Tsar Bomba. The most powerful non-nuclear bomb is Russian "Father of All Bombs" (officially Aviation Thermobaric Bomb of Increased Power (ATBIP))^[7] followed by the United States Air Force's MOAB (officially Massive Ordnance Air Blast, or more commonly known as the "Mother of All Bombs").

Below is a list of five different types of bombs based on the fundamental explosive mechanism they employ.

Compressed Gas[link]

Relatively small explosions can be produced by pressurizing a container until catastrophic failure such as with a dry ice bomb. Technically, devices that create explosions of this type can not be classified as "bombs" by the definition presented at the top of this article. However, the explosions created by these devices can cause property damage, injury, or death. Flammable liquids, gasses and gas mixtures dispersed in these explosions may also ignite if exposed to a spark or flame.

Low Explosive[link]

The simplest and oldest type of bombs store energy in the form of a low explosive. Black powder is an example of a low explosive. Low explosives typically consist of a composition of an oxidizing salt, such as potassium nitrate, and solid fuel, such as charcoal or aluminum powder. These compositions deflagrate upon ignition producing hot gas. Under normal circumstances deflagration occurs too slowly to produce a significant pressure wave. Low explosives must, therefore, be used in large quantities or confined in a container with a high burst pressure to be used as an effective bomb.

High Explosive[link]

A high explosive bomb is one that employs a process called "detonation" to rapidly release its chemical energy. Detonation is distinct from deflagration in that the chemical reaction propagates faster than the speed of sound (often many times faster) in an intense shock wave. Therefore, the pressure wave produced by a high explosive is not significantly increased by confinement as detonation occurs so quickly that the resulting plasma does not expand much before all the explosive material has reacted. This has led to the development of plastic explosive. A casing is still employed in some high explosive bombs, but with the purpose of fragmentation. Most high explosive bombs consist of an insensitive secondary explosive that must be detonated with a blasting cap containing a more sensitive primary explosive.

Nuclear Fission[link]

Nuclear fission type atomic bombs utilize the energy present in very heavy atomic nuclei, such as U-235 or Pu-239. In order to release this energy rapidly, a certain amount of the fissile material must be very rapidly consolidated while being exposed to a neutron source. If consolidation occurs slowly, repulsive forces drive the material apart before a significant explosion can occur. Under the right circumstances, rapid consolidation can provoke a chain reaction that can proliferate and intensify by many orders of magnitude within microseconds. The energy released by a nuclear fission bomb may be tens of thousands of times greater than a chemical bomb of the same mass.

Nuclear Fusion[link]

Nuclear fusion type atomic bombs release energy through the fusion of the light atomic nuclei of deuterium and tritium. With this type of bomb, a thermonuclear detonation is triggered by the detonation of a fission type nuclear bomb contained within a material containing high concentrations of deuterium and tritium. Weapon yield is typically increased with a tamper that increases the duration and intensity of the reaction through inertial confinement and neutron reflection. Nuclear fusion bombs can have arbitrarily high yields making them hundreds or thousands of times more powerful than nuclear fission bombs.

Delivery[link]

A B-2 Spirit drops forty-seven 500 lb (230 kg) class Mark 82 bombs (little more than half a B-2's total ordnance payload) in a 1994 live fire exercise in California

An F-15E Strike Eagle releasing 1 5,000 lb (2,300 kg) GBU-28 "Bunker Buster" during a test

The first air-dropped bombs were used by the Austrians in the 1849 siege of Venice. Two hundred unmanned balloons carried small bombs although few bombs actually hit the city.^[8]

The first bombing from a fixed-wing aircraft took place in 1911 when the Italians bombed the Turkish lines in what is now Libya, during the Italo-Turkish War. The bombs were dropped by hand.^[9]

The first large scale dropping of bombs took place during World War I starting in 1915 with the German Zeppelin Airship raids on London, England. One raid on the 8th of September 1915 dropped 4,000 lb (1,800 kg) of high explosives and incendiary bombs, including one bomb which weighed 600 lb (270 kg).^[10]

The first significant bombing in the United States took place nine years later at noon on September 16, 1920 when an explosives-laden horse-drawn wagon detonated on the lunchtime-crowded streets of New York's financial district. The Wall Street bombing employed many aspects of modern VNSA devices, such as cast-iron slugs added for shrapnel, in an attack that killed 38 and injured some 400 others.

Modern military bomber aircraft are designed around a large-capacity internal bomb bay while fighter bombers usually carry bombs externally on pylons or bomb racks, or on multiple ejection racks which enable mounting several bombs on a single pylon. Modern bombs, precision-guided munitions, may be guided after they leave an aircraft by remote control, or by autonomous guidance. When bombs such as nuclear weapons are mounted on a powered platform, they are called guided missiles.

Some bombs are equipped with a parachute, such as the World War II "parafrag", which was an 11 kg fragmentation bomb, the Vietnam-era daisy cutters, and the bomblets of some modern cluster bombs. Parachutes slow the bomb's descent, giving the dropping aircraft time to get to a safe distance from the explosion. This is especially important with airburst nuclear weapons, and in situations where the aircraft releases a bomb at low altitude.^[11]

A hand grenade is delivered by being thrown. Grenades can also be projected by other means, such as being launched from the muzzle of a rifle, as in the rifle grenade or using the M203 grenade launcher or by attaching a rocket to the explosive grenade as in a rocket-propelled grenade (RPG).

A bomb may also be positioned in advance and concealed.

A bomb destroying a rail track just before a train arrives causes a train to derail. Apart from the damage to vehicles and people, a bomb exploding in a transport network often also damages, and is sometimes mainly intended to damage that network. This applies for railways, bridges, runways, and ports, and to a lesser extent, depending on circumstances, to roads.

In the case of suicide bombing the bomb is often carried by the attacker on his or her body, or in a vehicle driven to the target.

The Blue Peacock nuclear mines, which were also termed "bombs", were planned to be positioned during wartime and be constructed such that, if they were disturbed, they would explode within ten seconds.

The explosion of a bomb may be triggered by a detonator or a fuse. Detonators are triggered by clocks, remote controls like cell phones or some kind of sensor, such as pressure (altitude), radar, vibration or contact. Detonators vary in ways they work, they can be electrical, fire fuze or blast initiated detonators and others,

Blast seat[link]

In forensic science, the point of detonation of a bomb is referred to as its blast seat, seat of explosion, blast hole or epicenter. Depending on the type, quantity and placement of explosives, the blast seat may be either diffuse or concentrated (i.e., an explosion crater).^[12]

Other types of explosions, such as dust or vapor explosions, do not cause craters or even have definitive blast seats.^[12]

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2007)

External links[link]

Wikimedia Commons has media related to: Bombs

• Explosive Violence, The Problem of Explosive Weapons A report by Richard Moyes (Landmine Action, 2009) on the humanitarian problems caused by the use of bombs and other explosive weapons in populated areas
• FAS.org Bombs for Beginners
• MakeItLouder.com How a bomb functions and rating their power

Jeff Dunham
Dunham and his character "Achmed the Dead Terrorist", February 2009
Birth name	Jeffrey Dunham
Born	(1962-04-18) April 18, 1962 (age 50) Dallas, Texas, U.S.
Medium	Stand-up
Nationality	American
Genres	Ventriloquism, observational comedy, black comedy
Influences	Edgar Bergen[1]
Spouse	Paige Dunham (1994-2008)
Notable works and roles	Jeff Dunham: Arguing with Myself Jeff Dunham: Spark of Insanity Jeff Dunham's Very Special Christmas Special The Jeff Dunham Show Jeff Dunham: Controlled Chaos
Website	jeffdunham.com

Jeff Dunham (born April 18, 1962) is an American ventriloquist and stand-up comedian who has also appeared on numerous television shows, including Late Show with David Letterman, Comedy Central Presents, The Tonight Show and Sonny With a Chance. He has four specials that run on Comedy Central: Jeff Dunham: Arguing with Myself, Jeff Dunham: Spark of Insanity, Jeff Dunham's Very Special Christmas Special, and Jeff Dunham: Controlled Chaos. Dunham also starred in The Jeff Dunham Show, a series on the network in 2009.^[1] His style has been described as "a dressed-down, more digestible version of Don Rickles with multiple personality disorder".^[2] Describing his characters, Time observes, "All of them are politically incorrect, gratuitously insulting and ill tempered."^[3] Dunham has been credited with reviving ventriloquism,^[4] and doing more to promote the art form than anyone since Edgar Bergen.^[1]

Dunham has been called "America's favorite comedian" by Slate.com, and according to the concert industry publication Pollstar, he is the top-grossing standup act in North America, and is among the most successful acts in Europe as well. As of November 2009, he has sold over four million DVDs, an additional $7 million in merchandise sales,^[5] and received more than 350 million hits on YouTube as of October 2009 (his introduction of Achmed the Dead Terrorist in Spark of Insanity was ranked as the ninth most watched YouTube video at the time).^[1] A Very Special Christmas Special was the most-watched telecast in Comedy Central history, with its DVD going quadruple platinum (selling over 400,000) in its first two weeks.^[6] Forbes.com ranked Dunham as the third highest-paid comedian in the United States behind Jerry Seinfeld and Chris Rock,^[5] and reported that he was one of the highest-earning comics from June 2008 to June 2009, earning approximately $30 million during that period.^[7]

Early life[link]

Dunham was born in Dallas, Texas on April 18, 1962.^[8][9][10] When he was three months old he was adopted by real estate appraiser Howard Dunham, and his homemaker wife Joyce, who raised him in a devoutly Presbyterian household^[10] in an affluent Dallas neighborhood as an only child.^[11] He began ventriloquism in 1970 at age eight, when his parents gave him a Mortimer Snerd dummy for Christmas, and an accompanying how-to album.^[9] The next day he checked out a how-to book on ventriloquism from the library,^[1][10] and explained in 2011 that he still had it, remarking that he was "a thief in the third grade". By the fourth grade, Dunham decided he not only wanted to be a professional ventriloquist, but the best one ever.^[10] Dunham began practicing for hours in front of a mirror, studying the routines of Edgar Bergen, and the how-to record Jimmy Nelson's Instant Ventriloquism,^[1] finding ventriloquism to be a learned skill, similar to juggling, that anyone with a normal speaking voice can acquire.^[12] Dunham explains that as an only child, he enjoyed being alone, likening his solitude to a "warm blanket" with which he could explore his own thoughts and ideas, which prepared him for the solitude of living alone when he later moved to Los Angeles as a struggling comedian.^[10]

When Dunham was in the sixth grade, he began attending the Vent Haven ConVENTion in Fort Mitchell, Kentucky, an annual international meeting of ventriloquists that includes competitions, where he met Jimmy Nelson in person. Dunham has missed only one ConVENTion since then, in 1977. The organizers of the ConVENTion eventually declared Dunham a "retired champion", ineligible from entering any more competitions, as other attendees were too intimidated to compete against him. The Vent Haven Museum devotes a section to Dunham, alongside Señor Wences and his idol, Edgar Bergen.^[1]

Career[link]

Career beginnings and move to Los Angeles[link]

Dunham began performing for audiences as a teenager,^[9] in various venues such as school, church, and during his job at Six Flags. By his middle school years, he began to perform for banquets attended by local celebrities such as Dallas Cowboys quarterback Roger Staubach, having developed his style of lampooning those he performed for, using the puppets to say things too risque for him to say without them.^[1] Dunham's television debut came in 1976 when the still prepubescent performer caught the attention of Dallas reporters like Bill O'Reilly, who interviewed Dunham for a local news story.^[10] Dunham later did commercials for Datsun dealerships in Dallas and Tyler while in high school.^[1][10] While emceeing a high school talent show, he dealt with a heckler, and won over the rest of the audience.^[10] During this period he became so associated with his craft that he and one of his dummies "cowrote" a column in the school paper, and he would pose with his dummies for yearbooks^[1] as an inexpensive way to acquire professional photos of his act for promotional purposes.^[13] He was voted Most Likely to Succeed, and in 1980, after he graduated from high school, Dunham gave himself a career goal of obtaining, within ten years, an appearance on The Tonight Show with Johnny Carson, which was seen as the "holy grail" for comedians.^[10]

That year Dunham began attending Baylor University, hoping to graduate with a degree in communications, while performing around campus.^[10] He would also fly around the country on weekends,^[1] doing up to 100 private shows a year,^[10] entertaining corporate customers such as General Electric, whose CEO, Jack Welch, he mocked during his routine.^[1] By his junior year in college (1983–1984), Dunham was making $70,000 a year, and as word spread of his act, he landed featured spots opening for Bob Hope and George Burns, though he still perceived his act as raw, as he did not have any knowledge of standup comedy beyond his Bill Cosby albums.^[10] He caught a break in 1985 when he was asked to join the Broadway show Sugar Babies with Mickey Rooney and Ann Miller, replacing the outgoing variety act. For the naive and devoutly-raised Dunham, Broadway was a new world filled with beautiful showgirls and crusty stagehands, and his first taste of entertainment industry egos came when Rooney called Dunham into his dressing room, and told him he was there for one reason alone: so that Rooney could change his costumes.^[10] Dunham also performed at the Westbury Music Fair on Long Island. These early experiences, in which he used characters like José Jalapeño on a Stick, taught him the value of modifying his act regionally, as the jalapeño jokes that worked well in Texas were not as well received by audiences in Long Island.^[2]

After graduating from Baylor University in 1986,^[12] he continued honing his act in comedy clubs in the Southwest with new characters such as Peanut and Jose Jalapeño, but struggled against the perception he relates from fellow comedians that he was not a true a comedian because he relied on props. His experience at Catch a Rising Star in New York City served as a bitter confirmation of where ventriloquists stood in the comedic food chain, as the emcee at that club gave Dunham little respect. According to Dunham, after he arrived at the club in the evening and informed the emcee that he was a ventriloquist, the emcee reacted with derision, telling Dunham that he would be given a late time slot, and after that time slot came and passed, kept postponing Dunham's stage time until Dunham left the club.^[10] By the end of 1988, Dunham felt his career went as far as it could go in Texas, and he moved to Los Angeles, California,^[9][10] never having, as he has commented, "a real job",^[2][14] much to the concern of his parents, who assumed he would relegate his act to local venues such as church groups. When he first arrived in Los Angeles, the comedy in his act bombed. Dunham attributes to his underdeveloped comedy, explaining that while the characters' personalities were developed at that point, his jokes were not. In addition to this, the comedy world was not welcoming to ventriloquists, and his manager, Judi Brown-Marmel, did not use the word "ventriloquist" when finding bookings for him, choosing to present him as a comedy duo. After Dunham became friends with Mike Lacey, the owner of The Comedy & Magic Club in Hermosa Beach, Lacey gave Dunham a steady slot at the club, where Dunham sharpened his act by observing the techniques of comedians like Jerry Seinfeld, and taking the advice of colleague Bill Engvall, moving away from his G-Rated material toward edgier, more adult themes.^[10]

[edit] The Tonight Show and beyond

At the end of 1988, Dunham was told by James McCawley, a talent booker for The Tonight Show with Johnny Carson, that Dunham would be given a spot on the coveted program. Though the 26-year-old Dunham was elated that his 10-year goal was arriving two years early, McCawley later cancelled Dunham's appearance after attending, with Roseanne Barr, a public performance of Dunham's the day before Dunham's scheduled Tonight Show taping. McCawley informed Dunham on the day of the scheduled taping that he had been wrong in his initial assessment of Dunham, whom he now said was not ready for The Tonight Show. His dreams dashed, the humiliated Dunham continued to tighten his act in Los Angeles clubs, performing same six minute segment with Peanut a total of nine times for McCawley over the next few months. Finally at the Ice-House in Pasadena in April 1990, after Dunham did the same segment, McCawley informed Dunham that he would finally get his Tonight Show appearance. Dunham and Peanut appeared on The Tonight Show with Johnny Carson on April 6, 1990, alongside guests Bob Hope and B.B. King.^[10] Following his bit, he was invited to sit on Johnny Carson’s couch, a mark of approval that only three comedians had ever garnered during their first Carson appearance.^[2][10] Upon sitting down next to Carson's desk, Dunham pulled out Walter, who told Carson sidekick Ed McMahon, "Stop sending me all your damn mail." At the time, Dunham saw his Tonight Show appearance as his big break, but was frustrated at his parents' initial disapproval over Walter's use of the words "hell" and "damn",^[10] and he would toil in obscurity for another twelve years, continuing his stand up at venues such as The Improv chain, and appearing in small roles on TV.^[5] One of these was such as a 1996 episode of Ellen, in which he appeared with Walter.^[1] Dunham also appeared with Walter in a TV commercial for Hertz.^[15] Dunham would appear on The Tonight Show a total of four times, as well as similar TV venues such as Hot Country Nights, appearing in one segment on that show with singer Reba McEntire. This exposure helped make Dunham a large theater headliner, a rare accomplishment for a ventriloquist, but by the mid 1990s, his television appearances had dwindled, and with them, so did his stage audiences.^[10]

Dunham moved back to clubs, more than 200 appearances a year. To maintain a connection with his fan base, he would use question cards that he had audiences fill out for his performances to build a database, which was tailor-made for the burgeoning World Wide Web. Though he was voted Funniest Male Standup at the American Comedy Awards in 1998, his club work kept him away from his wife and daughters between two and three weeks each month, which put a strain on his marriage, and made paying bills for his expanded family difficult. By 2002, Dunham was hoping to obtain more TV work to raise his profile and ease his standup schedule. Such exposure was elusive until a successful appearance on The Best Damn Sports Show Period, where Dunham and Walter made jokes at the expense of co-hosts Tom Arnold, Michael Irvin, John Salley and John Kruk, generating laughter from them, and giving Dunham much-needed exposure. In 2003, Dunham was the frontrunner to replace Jimmy Kimmel on Fox NFL Sunday, but hosts Howie Long and Terry Bradshaw were not amenable to the idea of being upstaged by a puppet, and, as Dunham tells it, did not provide a welcoming atmosphere to Dunham, nor allow him to get a word in edgewise during his appearance.^[10]

Finding stardom: Dunham's first Comedy Central specials[link]

On July 18, 2003, Dunham appeared on Comedy Central Presents, his first solo appearance on Comedy Central. During his half hour piece, he showcased José Jalapeño on a Stick, Walter, an early version of Melvin the Superhero Guy and Peanut, whom Dunham had begun to merchandise into a line of dolls. The appearance was successful, but Comedy Central resisted giving Dunham more airtime, feeling that he was not a good fit for them.^[1] By 2005 Dunham decided to gamble on financing his own comedy DVD, Jeff Dunham: Arguing with Myself, which was taped in Santa Ana, California.^[10] Dunham’s manager, Judi Brown-Marmel, lobbied the network to air it, pointing to Dunham's drawing power and merchandising profits, and arguing that the network needed more diverse content. Surprised by the high ratings of the first Blue Collar Comics concert movie that same year, the network began to reconsider its brand. In late 2006, Comedy Central aired Arguing with Myself, drawing two million viewers when it aired,^[1] and selling two million DVDs.^[10]

In 2007, Dunham appeared as The Amazing Ken with José Jalapeño on a Stick in the Larry the Cable Guy feature film Delta Farce.

His second special, Jeff Dunham: Spark of Insanity, was taped at the Warner Theater in Washington, D.C. that same year. It served not only to cement Dunham's stardom, but to introduce his most controversial character, Achmed the Dead Terrorist, which became a viral Internet sensation. A clip of Achmed from Insanity attracted over 140 million hits on YouTube,^[10] making it the ninth most watched clip on that website as of October 2009.^[1] By 2008, Dunham's characters had crossed language barriers, with his specials dubbed for audiences in various countries such as France, and Dunham attracting requests for performances in South Africa, Australia, Norway, Denmark, China and the Middle East.^[10] Jeff Dunham's Very Special Christmas Special was taped at the Pabst Theater in Milwaukee, Wisconsin that same year, and premiered on Comedy Central on November 16, 2008, watched by 6.6 million people.^[1] It became available on DVD and Blu-ray on November 18, 2008.^[16] The special's premiere was the highest rated telecast in Comedy Central's history.^[3][17]

In September 2008, Dunham's career reached new heights as he began performing in arenas filled with tens of thousands of people. Dunham was somewhat wary of such large venues, but adapted by adjusting the timing of his often rapid exchanges with the puppets so that audience members farthest from the stage could have time to react.^[10]

In addition to his comedy specials, Dunham also released his first music album, Don't Come Home for Christmas, on November 4, 2008.^[18] It contains original Christmas songs as well as a parody of "Jingle Bells" by Achmed entitled "Jingle Bombs". All the songs, with the exception of "Jingle Bombs", were written and accompanied by Brian Haner, who joined Dunham's act as "Guitar Guy". His first onscreen appearance was in Jeff Dunham's Very Special Christmas Special.

2009 – present[link]

In March 2009, Dunham signed a multi-platform deal with Comedy Central. It included a fourth stand-up special to air in 2010, DVDs, a consumer products partnership, a 60-city tour beginning in September 2010, and an order for a television series called The Jeff Dunham Show that premiered on October 22, 2009.^[6][19] Despite having the most-watched premiere in Comedy Central history, and higher average ratings than other shows on that network initially, the show was canceled after only one season, amid poor reviews, dwindling ratings and higher production costs than other Comedy Central shows.^{[20] [21]}

Dunham appeared in a guest role with Bubba J on NBC's sictom 30 Rock, playing a ventriloquist named Rick Wayne and his dummy Pumpkin from Stone Mountain, Georgia.^[22] In November 2009 Dunham also appeared with Walter in "Hart to Hart", an episode of the Disney Channel series Sonny With a Chance, as two security guards.

Dunham appeared in the 2010 Steve Carell/Paul Rudd comedy, Dinner for Schmucks, as Lewis, with a new puppet named Diane.^[23]

His fourth special, Jeff Dunham: Controlled Chaos, premiered on September 25, 2011 on Comedy Central.

Critical praise and controversy[link]

In January 2008, Dunham was voted by fans the Top Comic in Comedy Central's “Stand-Up Showdown.” He is the only person ever to win the "Ventriloquist of the Year" Award twice, was nominated "Comedian of the Year" by the TNN Music City News Country Awards,^[14] and has drawn praise from the Dallas Morning News for his technique and timing.^[14]

Some have accused Dunham's characters of being racist caricatures, sexist, and homophobic.^[5][24] In 2008, a TV commercial for a ringtone featuring Dunham's character Achmed the Dead Terrorist (see Characters below) was banned by the South African Advertising Standards Authority after a complaint was filed by a citizen stating that the ad was offensive to Muslims, and portrayed all Muslims as terrorists. Dunham responded that "Achmed makes it clear in my act that he is not Muslim." However, the Advertising Standards Authority noted that the name Achmed was of Arab origin and was one of the names of Muhammad. Dunham responded, "I've skewered whites, blacks, Hispanics, Christians, Jews, Muslims, gays, straights, rednecks, addicts, the elderly, and my wife. As a standup comic, it is my job to make the majority of people laugh, and I believe that comedy is the last true form of free speech." He further commented, "I'm considering renaming Achmed, 'Bill.'"^[25][26] Dunham has conceded that he does exhibit particular sensitivity to the "conservative country crowd," or those characterized by "basic Christian values," as they are one of his largest constituencies, and part of his upbringing.^[1]

Dunham was heckled and criticized for mocking TV critics during a July 2009 press tour to promote his then-upcoming Comedy Central TV series, The Jeff Dunham Show, as well as Comedy Central programming chief Lauren Correo.^[1][27] In October 2009 The Jeff Dunham Show enjoyed good initial ratings, but was not well liked by critics,^[28] who did not find it funny, and either questioned the wisdom of translating his act into a series, or conceded a prejudice against Dunham, his previous specials, or ventriloquism itself.^{[29][30][31][32]}

J.P. Williams, the producer of the Blue Collar Comedy Tour, has opined that Dunham's act is not funny on its own merits, and that his material gets a greater reaction because of the puppet characters that it would otherwise not garner by itself.^[1] Blue Collar veteran Bill Engvall, a friend of Dunham's insists otherwise, saying that Dunham is inherently funny with or without the puppets.^[10]

Books[link]

In 2003, BRASMA Publications released Dear Walter, a collection of questions asked of Dunham's fictional curmudgeon at live performances, authored by Dunham, and Walter Cummings.^[33]

Dunham's autobiography, All By My Selves: Walter, Peanut, Achmed and Me, was published by Dutton in November 2010.^[13]

Characters[link]

Walter[link]

Dunham with Walter, in a shot from a 2007 performance.

Walter is a retired, grumpy old man with arms always crossed in discontent. Dunham was inspired to create Walter when he watched Bette Davis' final appearance on The Tonight Show with Johnny Carson, giving her honest, unfiltered candor to Walter, and patterning Walter's frown on Dunham's own.^[10] He has a brash, negative and often sarcastic view on today's world. He is a Vietnam War veteran and a former welder, and "doesn't give a damn" about anyone, especially his own wife and certain audience members. Walter has appeared in all four Comedy Central specials. He's been married for several decades, and when Dunham asks him if he remembers the happiest moment of his life after Walter tells him he has been married for forty-six years, Walter responds, "Forty-seven years ago!" Dunham created the Walter puppet himself, including both the initial sculpture and the silicon mold, though he eventually began using professional effects companies for the latter stages with his subsequent puppets.^[34]

Peanut[link]

Peanut is a hyperactive,^[1] purple-skinned "woozle"^[35] with white fur covering most of his body, a tuft of green hair on the top of his head, and one sneaker on his left foot. Dunham explains in Arguing with Myself that Peanut is from a small Micronesian island, and that they met in Florida. Peanut's humor is not based on a particular motif or stereotype, as those of the other characters, and has been described as "the bad kid".^[3] He often makes fun of Dunham, and torments and mocks José Jalapeño on a Stick. Touching upon his unusual appearance and personality, he asks Dunham in Arguing with Myself, after Dunham denies ever having done drugs, "Then how the hell did you come up with me?"

José Jalapeño on a Stick[link]

José is a talking jalapeño pepper on a stick who wears a small sombrero. José, who speaks with a thick Spanish accent, is typically paired with Peanut, who often makes fun of José, uses appeals to Latino stereotypes when doing so, and makes fun of his being on a stick.^[36] Although José was not Dunham's first puppet, it was the first that Dunham made himself.^[37]

Bubba J[link]

Bubba J is a beer-drinking redneck that Dunham describes in Arguing with Myself and A Very Special Christmas Special as "white trash trailer park", and whom Dunham uses for humor centered on such stereotypes. To this end, he frequently does jokes involving Bubba J's love of drinking beer and NASCAR, and his low intelligence. Touching upon such stereotypes, Bubba mentions in Arguing with Myself that he met his wife at a family reunion, and remembers seeing her with a corn dog in one hand, a beer in another, and leaning against a ferris wheel, "making it tilt".^[36] Although he does not appear onstage, Bubba has a prominent role as the backstage security guard in Controlled Chaos.

Sweet Daddy Dee[link]

Dunham introduces Sweet Daddy Dee in Arguing with Myself as his "new manager". He calls himself a "pimp", which he says stands for "Player In the Management Profession." According to Sweet Daddy, because he is a pimp, that makes Jeff the "ho". When Dunham objects, Daddy Dee points out that Dunham makes people laugh and feel good for a living. When Dunham agrees that this is the case, Daddy Dee says, "You a ho." When Dunham asks what he would say if he told him that he was a comedian only because he enjoyed it, Daddy Dee responds, "You a dumb ho."^[36]

Melvin the Superhero Guy[link]

Melvin wears a blue superhero costume, and is used to poke fun at superheroes. When asked about his superhuman powers, he indicates that he has X-ray vision, adding, "I love looking at boobies!" He appears to have no other powers, however: When Dunham asks how far he can fly, he responds, "How far can you throw me?", and when asked if he can stop a bullet like Superman, he responds, "Yeah. Once." Dunham portrays Melvin as unimpressed with other superheroes: When told Superman can leap tall buildings in a single bound, Melvin dismisses him as a "showoff," arguing that he can simply walk around them, observes that Aquaman has the same powers as SpongeBob SquarePants, asserts that the Flash's super speed is derived from methamphetamine, that the Hulk's vaunted ability to get stronger as he gets angrier merely mirrors "every white trash guy on COPS," and makes innuendo about the questionable relationship between Batman and the underage Robin. Melvin's first onscreen appearance was in the July 2003 Comedy Central Presents episode, in which he had small, black, beady eyes. By his next appearance, in Spark of Insanity, he had been modified to have large, blue, crossed eyes. He also has an enormous nose, which he claims is his symbol, and whose similarity in shape to that of a penis is alluded to in the act. Dunham sculpted the current version of Melvin's head himself, and hired an effects company called Renegade Effects Groups to create the rubber mold and complete the puppet, before then installing the mechanics himself.^[34]

Achmed the Dead Terrorist[link]

Achmed is the skeletal corpse of an incompetent suicide bomber, whom Dunham uses to satirize the contemporary issue of terrorism. He is known for yelling, "Silence! I kill you!" to Dunham and people laughing in the audience. Achmed first appeared in Spark of Insanity, and later made an appearance in the Very Special Christmas Special, singing a song called "Jingle Bombs". He also dubs the so-called Guitar Guy "You racist bastard"! for warming up with typical Arab chords. Most of the humor Dunham expresses with Achmed centers on this motif. When mentioning that Achmed appears to be dead because he's a skeleton, Achmed responds, "It's a flesh wound." When Dunham inquires as to how he died, Achmed explains his incompetence with explosives, while also casting aspersions on Dunham's sexual prowess, by saying that they both suffer from "premature detonation." Although he frequently mentions working for Osama Bin Laden, Achmed claims he does not think he's a Muslim ("look at my ass! It says 'Made in China'"). As of June 2009, the sketch in which Dunham introduced Achmed is the fourth most watched online video ever, having amassed nearly 200 million views.^[3][38] The large, round, articulated eyes of puppets such as Achmed and Achmed Junior are constructed by the same effects artist who created the dinosaur eyes for the Jurassic Park films.^[10]

Diane[link]

Diane first appeared with Dunham in the 2010 film Dinner for Schmucks as "Debbie", his character's "wife". She made her stand-up debut in Dunham's Identity Crisis Tour 2010.^[39]

Achmed Junior[link]

Achmed Junior is the estranged son of Achmed. He first appeared during the Identity Crisis Tour 2010, and makes his first onscreen appearance in Dunham's fourth special, Jeff Dunham: Controlled Chaos. Like his father, Achmed Junior is the victim of a bomb, which resulted in the destruction of the half of his face and body. He speaks with a British accent, and does not wish to be a suicide bomber.

Others[link]

Other characters that Dunham has voiced include a miniature puppet of Peanut's, which turns out to be a small version of Dunham himself, and an unseen worm inside a bottle of tequila, both of which he has used, for example, in his appearance on A&E's An Evening at The Improv.^[40] The miniature Dunham puppet was also used in Dunham's 2011 Comedy Central special, Controlled Chaos.

Personal life[link]

Dunham met his first wife, Paige Brown, at the Comedy Corner in West Palm Beach, Florida. They began dating in December 1992. In May 1994, Dunham married Brown and adopted her one and a half year-old daughter, Bree. Their daughters Ashlyn and Kenna were born in 1995 and 1997, respectively. Dunham's time away while performing proved a strain on the marriage,^[10] and in November 2008 he filed for divorce.^{[1][3][10][13]} By mid-2009, Dunham was in a relationship with fellow Texan Audrey Murdick, a certified nutritionist, personal trainer and competition bodybuilder,^[10][13] and on December 25, 2011 they became engaged.^[41]

In addition to building the dummies he uses in his act, Dunham also restores antique ones as a hobby, such as The Umpire, a 6-foot-tall (1.8 m) mechanized dummy built in 1941 to work the plate at a girl's softball game, but which went unused and packed away for 50 years, before Dunham acquired it in early 2008.^[1]

Dunham has harbored a love of helicopters since childhood and is fond of building and flying his own kit helicopters from Rotorway helicopter kits. At the time he finished writing his autobiography in June 2010, he was beginning to build his fourth kit.^[10][11][13] He is also an aficionado of muscle cars and Apple Computer products.^[13]

References[link]

External links[link]

Wikimedia Commons has media related to: Jeff Dunham

Wikiquote has a collection of quotations related to: Jeff Dunham

• Jeff Dunham's official website
• Jeff Dunham at Comedy Central
• Jeff Dunham at the Internet Movie Database

Wiz Khalifa
Wiz Khalifa in Brooklyn, New York in August 2009.
Background information
Birth name	Cameron Jibril Thomaz
Born	(1987-09-08) September 8, 1987 (age 24) Minot, North Dakota, United States
Genres	Hip hop
Occupations	Rapper, singer, songwriter, actor
Years active	2005–present
Labels	Rostrum, Taylor Gang, Warner Bros., Atlantic
Associated acts	Snoop Dogg, Rick Ross, Curren$y, Big Sean, Chevy Woods, Mac Miller, Juicy J, Tinie Tempah, Yelawolf, Maroon 5, Big K.R.I.T.
Website	wizkhalifa.com

Cameron Jibril Thomaz (born September 8, 1987), better known by the stage name Wiz Khalifa, is an American rapper. He released his debut album, Show and Prove, in 2006, and signed to Warner Bros. Records in 2007. His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008.^[1] Khalifa parted with Warner Bros. and released his second album, Deal or No Deal, in November 2009. He released the mixtape Kush and Orange Juice as a free download in April 2010; he then signed with Atlantic Records.^[2] He is also well known for his debut single for Atlantic, "Black and Yellow", which peaked at number 1 on the Billboard Hot 100. His debut album for the label, Rolling Papers, was released on March 29, 2011.^[3]

Early life[link]

Khalifa was born on September 8, 1987 to a mother and a father serving in the military.^[1][4] His parents divorced when Khalifa was about three years old. His parents' military service caused him to move regularly: Khalifa lived in Germany, the United Kingdom, and Japan before settling in Pittsburgh where he attended Taylor Allderdice High School.^[1][4]

His stage name is derived from khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy .^[5] Khalifa stated to spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got his stage name tattooed on his 17th birthday.^[6][7] He includes Jimi Hendrix, Camp Lo, The Notorious B.I.G. and Bone Thugs-n-Harmony among his influences.^[8]

Career[link]

[edit] 2005–08: Early mixtapes and Show and Prove

Rostrum Records president Benjy Grinberg first heard about Wiz Khalifa in 2004 when the rapper's contribution to a mixtape of various new Pittsburgh artists attracted his interest.^[9] When Grinberg finally met the 16-year-old artist, he immediately decided he wanted to work with him, later telling HitQuarters: "Even though he wasn’t all the way developed you could just tell that he was a diamond in the rough, and that with some polishing, guidance and backing he could become something special."^[9] Khalifa signed to the label shortly after and began a seven year period of artist development.^[9]

Khalifa released his first mixtape, Prince of the City: Welcome to Pistolvania, in 2005. The mixtape paved the way for his first full length album entitled Show and Prove in 2006. Khalifa was declared an "artist to watch" that year in Rolling Stone magazine.^[10][11]

In 2007, Khalifa signed to Warner Bros. Records and released two mixtapes through Rostrum Records: Grow Season, hosted by DJ Green Lantern and released on July 4, 2007, and Prince of the City 2, released on November 20, 2007. His debut Warner Bros. single "Say Yeah" reached number 25 on the Billboard Rhythmic Top 40 music chart and number 20 on Billboard's Hot Rap Tracks. The song samples "Better Off Alone" by Alice Deejay. Khalifa's vocals from "Say Yeah" appear near the end of Pittsburgh mash up producer Girl Talk's 2008 album, Feed the Animals, over music from Underworld's "Born Slippy", Usher's "Love in This Club", and the Cure's "In Between Days".^[12] Khalifa appeared with The Game, David Banner and Play-n-Skillz at U92's Summer Jam at the USANA Amphitheatre in West Valley City, Utah on August 2, 2008.^[13] Khalifa released the mixtapes Star Power in September 2008, and Flight School in April 2009 on Rostrum Records.

Khalifa parted ways with Warner Bros. Records in July 2009 after numerous delays in releasing his planned debut album for the label, First Flight. Khalifa stated to the Pittsburgh Post-Gazette that, "I learned a lot during my time there and matured as an artist during the process. I'm happy to be moving on with all of my material and having the chance to be in control of my next moves".^[14] Khalifa appeared with Girl Talk, Modey Lemon, Donora, Grand Buffet, and Don Caballero at the Amphitheatre at Station Square in Pittsburgh on July 31, 2009, where he announced that his relationship with Warner Bros. was over.^[15]

Wiz Khalifa performing at Columbia University in New York City in April 2010.

[edit] 2009–10: Deal or No Deal

Continuing his association with Rostrum Records, Khalifa released the single "Teach U to Fly", and the mixtape How Fly, a collaboration with New Orleans rapper Curren$y, on August 9, 2009.^[14] Khalifa introduced a more melodic style on the mixtape, alternating between singing and rapping. He opened for Wu-Tang Clan member U-God at the 2009 CMJ Music Marathon in New York City.^[16] Khalifa released the mixtape Burn After Rolling on November 2, 2009, where he raps over familiar beats from other artists, including the songs "If I Were A Boy" and "Diva" by Beyoncé, "Walking on a Dream" by Empire of the Sun, "Luchini AKA This Is It" by Camp Lo, and "Best I Ever Had" by Drake.^[17] Khalifa released his second album, Deal or No Deal, on November 24, 2009.^[18]

Khalifa performed at Emo's in Austin, Texas in March 2010 as part of the 2010 South by Southwest Music Festival.^[19] He appeared on the cover of XXL magazine that same month, for the magazine's annual list of Top 10 Freshman, which included Donnis, J. Cole, Pill, Freddie Gibbs, and Fashawn. Wiz Khalifa was named 2010 "Rookie Of The Year" by "The Source", with alongside Rick Ross, "The Man Of The Year".^[20] He toured with rapper Yelawolf on a 20-date tour, the Deal Or No Deal Tour.^[21] Khalifa released the free mixtape Kush and Orange Juice for download on April 14, 2010. Due to Khalifa's devoted grassroots fan base, the mixtape became the No. 1 trending topic on Twitter with the hash tag #kushandorangejuice, and "Kush and Orange Juice download” ranked No. 1 on Google’s hot search trends.^[22]

2010: Signing with Atlantic Records[link]

Citing music industry insiders, New York magazine wrote that Khalifa signed with Atlantic Records in April 2010, although the rapper did not confirm it.^[23] He stated to AllHipHop in June 2010 that he was working on a new album, but was weighing his options and had not yet decided on a label to distribute it.^[24] Khalifa confirmed to MTV on July 30 that he was signing an Atlantic Records deal.^[25]

Wiz Khalifa on stage in Boston in August 2010.

Khalifa was featured in a remix and video for the 2010 Rick Ross single "Super High", alongside Curren$y.^[26] He guested on the mixtape Grey Goose, Head Phones, and Thirsty Women by St. Louis rapper M.C,^[27] and was featured on the track "The Breeze (Cool)" on rapper Wale's August 2010 mixtape More About Nothing.^[28] Khalifa was named MTV's Hottest Breakthrough MC of 2010, winning with nearly 70,000 votes, and beating out finalists Nicki Minaj, J. Cole, Travis Porter, and Diggy Simmons.^[29]

Khalifa appeared at the Soundset 2010 festival in May 2010 in Minneapolis, Minnesota, alongside Method Man & Redman, Del the Funky Homosapien and Hieroglyphics, Atmosphere, Murs, Cage, and others.^[30] He also performed at the 2010 Rock the Bells festival, along with hip hop veterans Wu-Tang Clan, Snoop Dogg, Lauryn Hill, A Tribe Called Quest, Rakim, KRS-One, Jedi Mind Tricks and Slick Rick.^[31] Khalifa declined an invitation to tour with rapper Drake and launched his own "Waken Baken" tour, a 50-city national tour with rapper Yelawolf. The tour, scheduled to last from September to November 2010, has, as of October, sold out every venue.^[8] On November 2010, during his "Waken Baken" tour at East Carolina University, Wiz Khalifa was arrested for possession and trafficking of marijuana. He was then released the next morning after a $300K bail, and resumed his tour. Khalifa performed in a cypher during the 2010 BET Hip-Hop Awards. He recited his verse from the song, "The Check Point", from his mixtape with Curren$y, How Fly.^[32]

[edit] 2010–11: Mainstream success and Rolling Papers

Wiz Khalifa at SXSW in 2010

Khalifa released "Black and Yellow", his first single for Rostrum/Atlantic, produced by Stargate, which has received radio airplay.^[8][33] The single was peaked at number 1 on the Billboard Hot 100; the title of the song refers to the colours of the City of Pittsburgh.^[34] Khalifa released his debut album with Atlantic Records in 2011.^[35] He appeared with Curren$y on the track "Scaling the Building" on producer Ski Beatz' 2010 album, 24 Hour Karate School.^[36] Khalifa's record label is Taylor Gang Records, named after his love of Chuck Taylor All-Stars^[8], and Taylor Allderdice High School in Pittsburgh, PA, where he graduated from.

On March 29, 2011, Khalifa released his first studio album, Rolling Papers. The album debuted at number two on the US Billboard 200 chart, with first-week sales of 197,000 copies in the United States.^[37] Shortly afterward on March 31, 2011 Wiz Khalifa performed at Emory University in Atlanta, Georgia as part of the school's annual Dooley's Weekend.^[38] On June 26, 2011, Khalifa was nominated and won Best New Artist at the BET Awards of 2011.^[39] Khalifa collaborated with British rapper Tinie Tempah whom Tinie announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" and would feature Wiz Khalifa and is to be produced by Stargate.^[40][41] The single and the video song were released at the end of June 2011.^[42]

Personal life[link]

Thomaz proposed to model Amber Rose on March 1, 2012 showing off the ring on Twitter.^[43] He is personal friends with Snoop Dogg, Juicy J, Yelawolf, and fellow Pittsburgh rapper Mac Miller.^[44]

In March 2012, Thomaz purchased a 2.8 private wooded acres with a 3,891-square-foot residence in Canonsburg, Pennsylvania, a small community southwest of Pittsburgh. The residence includes 5-bedroom, 4-bath eco-friendly, Brazilian Koa floors, stainless steel appliances, a separate guest house, and a lavish master suite with high ceilings.^[45] He currently resides there with his fiancée Amber Rose.

Discography[link]

Studio albums

• 2006: Show and Prove
• 2009: Deal or No Deal
• 2011: Rolling Papers
• 2012: O.N.I.F.C. ^[11][46][47]

Collaborative albums

• 2011: Mac & Devin Go to High School (with Snoop Dogg)
• 2012: TBA (with Taylor Gang)