The Barbican Centre is the largest performing arts centre in Europe.^[1] Located in the City of London, England, the Centre hosts classical and contemporary music concerts, theatre performances, film screenings and art exhibitions. It also houses a library, three restaurants, and a conservatory. The London Symphony Orchestra and the BBC Symphony Orchestra are based in the Barbican Centre's concert hall.

The Barbican Centre is owned, funded, and managed by the City of London Corporation, the third-largest arts funder in the United Kingdom. It was built as the city's gift to the nation at a cost of £161 million (equivalent to £400 million in 2007),^[2] and opened by Queen Elizabeth II on 3 March 1982.

Performance halls and facilities[link]

• Barbican Hall: capacity 1,949; home of the London Symphony Orchestra and the BBC Symphony Orchestra.
• Barbican Theatre: capacity 1,166
• The Pit: flexible 200-seat theatre venue
• Barbican Art Gallery and the free new-commission gallery The Curve
• Barbican Film – 3 cinema screens with seating capacity of 288, 255 and 155
• Informal performance spaces
• Restaurants: 3
• Conference halls: 7
• Trade exhibition halls: 2

The second-floor library is one of the five City of London libraries. It is one of the largest public libraries in London and has a separate arts library, a large music library and a children's library which regularly conducts free events. The Barbican Library houses the 'London Collection' of historical books and resources, some of which date back 300 years, all being available on loan. The library presents regular literary events^[3] and has an art exhibition space for hire. The music library has a free practice piano for public use.

History and design[link]

Barbican Arts Centre and lakeside terrace

Interior – concert hall foyer; library and gallery above

The Centre had a long development period, only opening long after the surrounding Barbican Estate housing complex had been built. It is situated in an area which was badly bombed during World War II.

The Centre, designed by Chamberlin, Powell and Bon in the Brutalist style, has a complex multi-level layout with numerous entrances. Lines painted on the ground help would-be audience members avoid getting lost on the walkways of the Barbican Housing Estate on the way to the Centre. The Centre's design – a concrete ziggurat – has always been controversial and divides opinion. It was voted "London's ugliest building" in a Grey London poll in September 2003.^[4]

In September 2001, arts minister Tessa Blackstone announced that the Barbican complex was to be a Grade II listed building. It has been designated a site of special architectural interest for its scale, its cohesion and the ambition of the project.^[5] The same architectural practice also designed the Barbican Housing Estate and the nearby Golden Lane Estate. Project architect John Honer later worked on the British Library at St Pancras – a red brick ziggurat.

In the mid-1990s a cosmetic improvement scheme by Theo Crosby, of the Pentagram design studio, added statues and decorative features reminiscent of the Arts and Crafts movement. In 2005-6, the Centre underwent a more significant refurbishment, designed by architects Allford Hall Monaghan Morris, which improved circulation and introduced bold signage in a style in keeping with the Centre's original 1970s Brutalist architecture. That improvement scheme added an internal bridge linking the Silk Street foyer area with the lakeside foyer area. The Centre's Silk Street entrance, previously dominated by an access for vehicles, was modified to give better pedestrian access. The scheme included removing most of the mid-1990s embellishments.

Outside, the main focal point of the Centre is the lake and its neighbouring terrace. The theatre's fly tower has been surrounded by glass and made into a spectacular high-level conservatory. The Barbican Hall's acoustic has also been controversial: some praised it as attractively warm, but others found it too dry for large-scale orchestral performance.

In 1994, Chicago acoustician Larry Kirkegaard oversaw a £500,000 acoustic re-engineering of the hall "producing a perceptible improvement in echo control and sound absorption", music critic Norman Lebrecht wrote in October 2000^[6] – and returned in 2001 to rip out the stage canopy and drop adjustable acoustic reflectors, designed by Caruso St John, from the ceiling, as part of a £7.5 mn refurbishment of the hall. Art music magazine Gramophone still complained about "the relative dryness of the Barbican acoustic" in August 2007.^[7]

The theatre was built as the London home of the Royal Shakespeare Company, which was involved in the design, but the RSC left in 2002 after a series of allegedly^{[weasel words]} poor seasons and because the then artistic director, Adrian Noble, wanted to develop the company's touring performances. The theatre's response was to extend its existing six-month season of international productions, Barbican International Theatre Event, to the whole year.^[8]

The Guildhall School of Music and Drama and the City of London's Barbican Library, neither part of the centre, are also on the site. The Museum of London, is nearby at Aldersgate, and is also within the Barbican Estate.

Nearby railway stations[link]

• Barbican tube station
• Farringdon station
• Moorgate tube station
• Liverpool Street railway station

See also[link]

• List of concert halls
• Barbican Estate
• Museum of London

References[link]

1. ^ ""About Barbican", from the Barbican's website". http://www.barbican.org.uk/about-barbican. Retrieved 29 August 2007. 
2. ^ History of the Barbican Estate from the City of London website, accessed: 1 February 2009
3. ^ See City of London libraries
4. ^ "Barbican tops ugly buildings poll", BBC News, 22 September 2006 accessed 11 January 2007
5. ^ Listing of the Barbican complex (City of London) accessed: 11 January 2007
6. ^ Concert-Hall Blues – Oh for an Acceptable Symphonic Environment – Lebrecht Weekly, 11 October 2000.Retrieved on 16 August 2007.
7. ^ August 2007 Gramophone quoted at LSO CD Reviews, London Symphony Orchestra website, undated.Retrieved on 16 August 2007.
8. ^ Shenton, Mark (22 October 2005). "Barbican box office upsurge follows identity make-over". The Stage. http://blogs.thestage.co.uk/shenton/2005/10/barbican-box-office-upsurge-follows/. Retrieved 28 November 2007. 

External links[link]

Wikimedia Commons has media related to: Barbican Arts Centre

• The Barbican Centre official website
• The history of the Barbican Estate
• "Martin Kettle, "Good Old Barbican", The Guardian (London), 2 March 2002 Analysis of the Centre after 20 years.
• The Barbican Centre, Quicktime VR
• Interview with Alex Webb at The Barbican

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James Bond, code name 007, is a fictional character created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short story collections. There have been six other authors who wrote authorised Bond novels or novelizations after Fleming's death in 1964: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks and Jeffery Deaver; a new novel, written by William Boyd, is planned for release in 2013.^[1] Additionally, Charlie Higson wrote a series on a young James Bond and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

The fictional British Secret Service agent has also been adapted for television, radio, comic strip and video game formats as well as being used in the longest running and the second-highest grossing film franchise to date, which started in 1962 with Dr. No, starring Sean Connery as Bond. As of 2012, there have been twenty two films in the Eon Productions series, with a twenty third, Skyfall, due for release on 26 October 2012. The film will star Daniel Craig in his third portrayal of Bond: he is the sixth actor to play Bond in the Eon series. There have also been two independent productions of Bond films, Casino Royale, a 1967 spoof, and Never Say Never Again, a 1983 remake of an earlier Eon-produced film, Thunderball.

The films are renowned for a number of features, including the musical accompaniment, with the theme songs to the films having picked up Academy Award nominations on several occasions. Other important elements which run through most of the films include Bond's cars, his guns and the gadgets he is supplied with by Q Branch.

Publication history[link]

Creation and inspiration[link]

As the central figure for his works, Ian Fleming created the fictional character of James Bond, an intelligence officer in the Secret Intelligence Service, commonly known as MI6. Bond was also known by his code number, 007, and was a Royal Naval Reserve Commander.

Name

Fleming took the name for his character from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies; Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist’s wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born".^[2] He further explained that:

When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument...when I was casting around for a name for my protagonist I thought by God, (James Bond) is the dullest name I ever heard.

—Ian Fleming, The New Yorker, 21 April 1962^[3]

On another occasion Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, "James Bond" was much better than something more interesting, like "Peregrine Carruthers". Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."^[4]

Inspiration

Fleming based his fictional creation on a number of individuals he came across during his time in the Naval Intelligence Division during World War II, admitting that Bond "was a compound of all the secret agents and commando types I met during the war".^[5] Among those types were his brother, Peter, who had been involved in behind the lines operations in Norway and Greece during the war.^[6] Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, Patrick Dalzel-Job and Bill "Biffy" Dunderdale.^[5]

Hoagy Carmichael—Fleming's view of James Bond.

Tastes

Fleming also endowed Bond with many of his own traits, including sharing the same golf handicap, the taste for scrambled eggs and using the same brand of toiletries.^[7] Bond's tastes are also often taken from Fleming’s own as was his behaviour,^[8] with Bond's love of golf and gambling mirroring Fleming's own. Fleming used his experiences of his espionage career and all other aspects of his life as inspiration when writing, including using names of school friends, acquaintances, relatives and lovers throughout his books.^[5]

Looks

Fleming decided Bond should look a little like both the American singer Hoagy Carmichael and himself^[9] and in Casino Royale, Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking… Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."^[9]

Background

It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background. The book was the first to be written after the release of Dr. No in cinemas and Sean Connery's depiction of Bond affected Fleming's interpretation of the character, to give Bond both a sense of humour and Scottish antecedents that were not present in the previous stories.^[10] In a fictional obituary, purportedly published in The Times, Bond's parents were given as Andrew Bond, from the village of Glencoe, Scotland, and Monique Delacroix, from Yverdon, Switzerland.^[11] Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorised Biography of 007, gives Bond a birth date on 11 November 1920,^[12] while a study by John Griswold puts the date at 11 November 1921.^[13]

Novels and related works[link]

Ian Fleming novels[link]

Goldeneye, in Jamaica, where Fleming wrote all the Bond novels.^[14]

Whilst serving in the Naval Intelligence Division, Fleming had planned to become an author^[15] and had told a friend, "I am going to write the spy story to end all spy stories."^[5] On 17 February 1952, he began writing his first James Bond novel, Casino Royale at his Goldeneye estate in Jamaica,^[16] where he wrote all his Bond novels, during the months of January and February each year.^[17] He started the story shortly before his wedding to his pregnant girlfriend, Ann Charteris, in order to distract himself from his forthcoming nuptials.^[18]

After completing the manuscript for Casino Royale, Fleming showed the manuscript to his friend (and later editor) William Plomer to read. Plomer liked it and submitted it to the publishers, Jonathan Cape, who did not like it as much. Cape finally published it in 1953 on the recommendation of Fleming's older brother Peter, an established travel writer.^[17] Between 1953 and 1966, two years after his death, twelve novels and two short-story collections were published, with the last two books – The Man with the Golden Gun and Octopussy and The Living Daylights – published posthumously.^[19] All the books were published in the UK through Jonathan Cape.

Post-Fleming novels[link]

After Fleming's death a continuation novel, Colonel Sun, was written by Kingsley Amis (as Robert Markham) and published in 1968.^[34] Amis had already written a literary study of Fleming's Bond novels in his 1965 workThe James Bond Dossier.^[35] Although novelizations of two of the Eon Productions Bond films appeared in print, James Bond, The Spy Who Loved Me and James Bond and Moonraker, both written by screenwriter Christopher Wood,^[36] the series of novels did not continue until the 1980s. In 1981, thriller writer John Gardner picked up the series with Licence Renewed.^[37] Gardner went on to write sixteen Bond books in total; two of the books he wrote – Licence to Kill and GoldenEye – were novelizations of Eon Productions films of the same name. Gardner moved the Bond series into the 1980s, although he retained the ages of the characters as they were when Fleming had left them.^[38] In 1996, Gardner retired from writing James Bond books due to ill health.^[39]

In 1996, American author Raymond Benson became the author of the Bond novels. Benson had previously been the author of The James Bond Bedside Companion, first published in 1984.^[54] By the time he moved on to other, non-Bond related projects in 2002, Benson had written six Bond novels, three novelizations and three short stories.^[55]

After a gap of six years, Sebastian Faulks was commissioned by Ian Fleming Publications to write a new Bond novel, which was released on 28 May 2008, the 100th anniversary of Ian Fleming's birth.^[65] The book—titled Devil May Care—was published in the UK by Penguin Books and by Doubleday in the US.^[66] American writer Jeffery Deaver was then commissioned by Ian Fleming Publications to produce Carte Blanche, which was published on 26 May 2011.^[67] The book updated Bond into a post 9/11 agency, independent of MI5 or MI6.^[68]

Young Bond[link]

The Young Bond series of novels was started by Charlie Higson^[69] and, between 2005 and 2009, five novels and one short story were published.^[70] The first Young Bond novel, SilverFin was also adapted and released as a graphic novel on 2 October 2008 by Puffin Books.^[71]

The Moneypenny Diaries[link]

The Moneypenny Diaries are a trilogy of novels chronicling the life of Miss Moneypenny, M's personal secretary. The novels are penned by Samantha Weinberg under the pseudonym Kate Westbrook, who is depicted as the book's "editor".^[79] The first instalment of the trilogy, subtitled Guardian Angel, was released on 10 October 2005 in the UK.^[80] A second volume, subtitled Secret Servant was released on 2 November 2006 in the UK, published by John Murray.^[81] A third volume, subtitled Final Fling was released on 1 May 2008.^[82]

Adaptations[link]

Television[link]

In 1954 CBS paid Ian Fleming $1,000 ($8,654 in 2012 dollars^[86]) to adapt his novel Casino Royale into a one-hour television adventure as part of its Climax! series.^[87] The episode aired live on 21 October 1954 and starred Barry Nelson as "Card Sense" James 'Jimmy' Bond and Peter Lorre as Le Chiffre.^[88] The novel was adapted for American audiences to show Bond as an American agent working for "Combined Intelligence", while the character Felix Leiter—American in the novel—became British onscreen and was renamed "Clarence Leiter".^[89]

In 1973 a BBC documentary Omnibus: The British Hero featured Christopher Cazenove playing a number of such title characters (e.g. Richard Hannay and Bulldog Drummond). The documentary included James Bond in dramatised scenes from Goldfinger—notably featuring 007 being threatened with the novel's circular saw, rather than the film's laser beam—and Diamonds Are Forever.^[90] In 1991 a TV cartoon series James Bond Jr. was produced with Corey Burton in the role of Bond's nephew, also called James Bond.^[91]

Radio[link]

In 1956, the novel Moonraker was adapted for broadcast on South African radio, with Bob Holness providing the voice of Bond.^[92] According to The Independent, "listeners across the Union thrilled to Bob's cultured tones as he defeated evil master criminals in search of world domination".^[93]

The BBC have adapted three of the Fleming novels for broadcast: in 1990, You Only Live Twice was adapted into a 90 minute radio play for BBC Radio 4 with Michael Jayston playing James Bond. The production was repeated a number of times between 2008 and 2011.^[94] On 24 May 2008, BBC Radio 4 broadcast an adaptation of Dr. No. Actor Toby Stephens, who played Bond villain Gustav Graves in the Eon Productions version of Die Another Day, played James Bond, while Dr. No was played by David Suchet.^[95] Following the success of Dr. No, a second Bond story was adapted and on 3 April 2010, BBC Radio 4 broadcast Goldfinger with Toby Stephens again playing Bond.^[96] Sir Ian McKellen was Goldfinger and Stephens' Die Another Day co-star Rosamund Pike played Pussy Galore. The play was adapted from Fleming's novel by Archie Scottney and was directed by Martin Jarvis.^[97]

Comics medium[link]