KEXP-FM (90.3 FM) is a public radio station based in Seattle, Washington, that specializes in alternative and indie rock programmed by its disc jockeys. Its broadcasting license is owned by the University of Washington, which operates the station in a partnership with Paul Allen's Experience Music Project. The station was formerly operated under the call letters KCMU.

For the majority of its schedule, KEXP broadcasts a mix of primarily alternative rock. The station also features weekly speciality programs dedicated to particular musical genres, including rockabilly, blues, world music, hip hop, electronica, punk, and alternative country. Live, in-studio performances by artists are also regularly featured.

KEXP is broadcast in the Seattle area on 90.3 FM; on the Internet via streaming audio;^[1] and on Intelsat's Galaxy 18 satellite.^[2]

KEXP's streaming costs are covered by the University of Washington (UW), which also provides most of the Internet technology used by the station. KEXP is often a testing ground for the university’s Computing and Communications department, leading to features not found by other stations. In addition, music licensing fees associated with internet radio are covered by the station's affiliation with National Public Radio. The association and financial help by these two organizations have allowed KEXP to experiment with its online offerings. The station is located at 113 Dexter Avenue, on the corner of Denny Way.

History[link]

Groundwork for the station that would eventually become KEXP began in 1971, started by University of Washington undergraduates John Kean, Cliff Noonan, Victoria ("Tory") Fiedler, and Brent Wilcox. KUOW-FM (94.9), then an instructional radio station, now an NPR affiliate, had recently made some cutbacks that had removed most opportunities for student involvement in the station. The four students convinced the Communications Department to provide space and a tiny budget with which they bought "turntables, tape cartridges, and a few other items like plywood." They built their own console cabinets, successfully petitioned the UW and the FCC for a frequency and a license, and ultimately raised their own antenna. The 10-watt signal "barely reached the Ave" (the commercial heart of Seattle's University District).^[3]

In 1972, the station started operations as KCMU, a small album rock station staffed by University of Washington students that broadcast at 90.5 FM to the UW campus. (The "CMU" in its call letters referred to the abbreviation of the campus's Communications Building, the station's home.)

In 1975, its signal strength was boosted to 182 Watts, carrying the signal off campus for the first time.

In 1981, under the direction of Jon Kertzer, KCMU turned to its listening audience for public funding after the UW's budget was cut. KCMU played mostly indie rock but also was the first station to play rap artists like Grandmaster Flash. Throughout the late 1980s, the station tapped into Seattle's burgeoning music scene. Members of local bands Soundgarden and Mudhoney worked as volunteer DJs, as did both Jonathan Poneman and Bruce Pavitt, the founders of Sub-Pop. During these years, Billboard Magazine called KCMU "one of the most influential commercial-free stations in the country."

From 1983–1985, Kerry Loewen (former station manager at KFJC) was station manager.

Executive director Tom Mara

In late 1985 Chris Knab, who co-founded the record label 415 Records and was a former owner of Aquarius Records in San Francisco,sold his interest in 415 Records and became KCMU's station manager.^[4] Mr. Knab moved the station away from alternative rock-only programming, adding jazz, hip hop, world music and other genres to its lineup.

In 1986, KCMU switched frequencies to 90.3 FM and upped its transmitter signal to 400 watts, increasing its broadcast radius to 15 miles.

In 1992, KCMU dropped many of its volunteer DJs and elected to run syndicated programming. Some listeners and DJs considered this a betrayal of KCMU's democratic mission, and formed a group called CURSE (Censorship Undermines Radio Station Ethics). A program called World Cafe, based in Philadelphia, Pennsylvania, was a particular bone of contention.

CURSE encouraged local KCMU supporters to stop donating money to the station in protest. Volunteer DJs who criticized the station's policies were fired, although a lawsuit from CURSE resulted in that policy being struck down by a United States District Court. World Cafe was dropped from KCMU's lineup in 1993, but none of the fired volunteer staff returned to the station.

KCMU hired its three full-time paid DJs in 1996, a move that cost several volunteer DJs and led to further complaints from some listeners who decried what they perceived as commercialization of the non-commercial radio station.

In 2000, KCMU started streaming 128 kilobyte per second mp3 compressed audio over the Internet 24 hours a day, seven days a week. This made KCMU the first station in the world to offer online audio of this quality.

KCMU then moved from its long-time home in the Communications Bldg (CMU) to Kane Hall, at the University of Washington.

In 2001, KCMU was recalled KEXP. At the same time, it moved to a new studio near downtown Seattle (which it broadcasts from rent free), partnered with the Experience Music Project (EMP), and increased its power to 720 watts.

The kexp.org website was nominated for two Webby Awards in 2003, Best Radio Website and the People's Voice Award.

In 2004, KEXP started broadcasting on KXOT 91.7 FM in Tacoma, Washington, which extended the station's broadcast range to Olympia and the south Puget Sound region. Before then, KXOT was known as KBTC, was owned by Bates Technical College, and featured a classic rock format. Bates sold the station to Public Radio Capital for $5 million, and PRC leases it to KEXP.

As of 2005, the station has construction permits to increase the power of KEXP 90.3 FM from 720 watts to 3,300 W effective radiated power, and KXOT from 7,900 W to 39,000 W.

KEXP began podcasting their live, in-studio performances beginning with Seattle hip hop trio Boom Bap Project who appeared on 21 July 2005.

On November 3, 2005, KEXP announced it was terminating operation of KXOT 91.7 FM at the end of the calendar year. The agreement made with EMP in 2001 is set to expire, and the radio station is preparing to support increased operating costs with a smaller budget.^[5]

On March 10, 2006, KEXP increased the power of its terrestrial frequency to 4,700 W effective radiated power. The signal is radiated in a cardioid pattern.

In May 2006, "KEXP’s Audioasis local music program announced a 'community partnership' initiative 'designed to create connections between KEXP listeners and deserving local charities.' The hope is that these connections will result in an increase in awareness of the mission and work of local organizations and the impact they have on the larger community."

Joint venture with WNYE--Radio Liberation[link]

In August 2007, New York City's public radio station, WNYE, part of NYC Media Group,^[6] was planning to overhaul their programming, moving to an all music format.^[7] The plans, detailed in a February 11, 2008 press release, are to partner with KEXP, and move to a simulcast and music format branded as "Radio Liberation."^[8] Many public radio insiders believe that NYC Media Group intended to cast off the "public" and "non-commercial" aspects of WNYE and present itself as a commercial formatted station.^[9]

On March 24, 2008, KEXP DJ John Richards' (a.k.a., John in the Morning) broadcast was heard on 91.5 FM in New York City for the first time as part of Radio Liberation. Radio Liberation is the collaboration between KEXP and Radio New York (91.5 FM) to introduce NY listeners to more independent music. The collaboration aimed to simulcast one part of KEXP’s original broadcasting and three originally produced programs. John Richards’ morning show is the only program that will be simulcast on the dial in both Seattle and NYC. The other programs (Wake Up, Music That Matters, and Mo’Glo) will be produced specifically for Radio New York, but not available to Seattle or online listeners.

According to the Radio Liberation microsite, “this partnership makes it possible for KEXP to reach another 14 million terrestrial listeners in New York.” KEXP has a long-standing relationship with New York, broadcasting live from there a couple times a year. In addition to information about the project, the microsite includes a list of NY concert events, Song of the Day Podcasts, and album reviews.

Additionally, "beginning this June, John Richards will split time between Seattle and New York, broadcasting his show live from both locations throughout the year."^[10]

John Richards, who frequently creates playlists based on themes, opened the first Radio Liberation broadcast with the following songs:
Pixies-“Wave of Mutilation (UK Surf)” (his self professed favorite band)
Harvey Danger-“Pike St./Park Slope” (Seattle band singing about Seattle and Brooklyn)
Death Cab for Cutie-“Marching Bands of Manhattan” (NYC reference)

The joint venture ended on June 1, 2011. WNYE replaced KEXP programming with the WFUV show "The Alternate Side".

Website[link]

In addition to features such as dynamic playlists (page reloading unnecessary) and live streaming radio, KEXP's website includes an archive of all programs from the last two weeks as well as a massive collection of previous on-air live performances [1]. The performers in the collection are representative of the station's eclectic musical mix. These include national and international artists such as Patti Smith, Jimmie Dale Gilmore, and They Might Be Giants and local Pacific Northwest artists such as Harvey Danger, The Long Winters, and Maktub.

KEXP's website was the first site on the Internet to offer a 128 kbit/s, high-quality stream of live radio. Innovations such as the high-quality stream helped KEXP's website to win a Webby Award for best radio website in 2004. It had been nominated for the same award in 2003 but failed to win.

See also[link]

• John Richards (disc jockey), current disc jockey and assistant program director

Notes[link]

References[link]

Wikimedia Commons has media related to: KEXP-FM

• Julia Kingrey, Radio-free UW: KCMU moves off campus, University of Washington Daily, July 15, 1998
• Jeff DeRoche, Radio Ga-Ga: With Paul Allen's Money at Its Disposal, Does KCMU — Wai...KEXP Really Need Any More of Your Money? The Stranger, Apr 12–Apr 18, 2001
• Gene Johnson, Radio Station Bucks Trends, Finds Listeners, Associated Press, October 16, 2005
• Reid Davis, KEXP Seattle – What Music Radio Could Be, Paste Magazine online, undated, appears to date from 2002, accessed 12 Dec 2005
• Nina Shapiro, The Expensive Expansion of KEXP: It's globally popular and flush with donations, but Seattle's seminal eclectic-music radio station is under financial strain that is affecting morale Seattle Weekly, December 7–13, 2005.
• Ernest A. Jasmin, Flow of Tunes from KEXP Finally Stops in Tacoma, The News Tribune, February 3, 2006.
• Laura Foy & Tina Wood, Touring KEXP, Internet Radio Super Station, 10, March 13, 2006.
• Dana Bos & Liz Riley, Live Show Review: KEXP Audioasis Showcase: Thee Emergency, New Fangs, Sera Cahoone, the Fading Collection, and Daylight Basement, Three Imaginary Girls, May 2006.
• Dave Segal, Fired KEXP DJ Clears the Air, The Stranger, July 28, 2006. Interview with DJ Greg Jaspan.
• David T. Atkinson, CD Review, Live At KEXP Vol II, Glide Magazine, July 31, 2006.
• Best of Seattle 2006: Readers' Picks, Seattle Weekly, August 2, 2006.
• Rachel Shimp, Best of Seattle 2006: Critics' Picks, Seattle Weekly, August 2, 2006.
• Kyle O'Brien, Discovering Local Gems, The Oregonian, August 4, 2006.
• Rachel Shimp, Music Make U Lose Control, Seattle Weekly, August 8, 2006.
• Keenan Bowen, Audacity Limits, The Stranger, August 10–16, 2006.
• Audrey Hendrickson, Ghostland, Observed, Seattlest, August 14, 2006.
• Jennifer Kelly, Various Artists: Live at KEXP, Vol. 2, Popmatters, August 22, 2006.

External links[link]

• KEXP official website
• Query the FCC's FM station database for KEXP
• Radio-Locator information on KEXP
• Query Arbitron's FM station database for KEXP
• KEXP Music Explorer

Coordinates: 47°36′58″N 122°18′32″W / 47.616°N 122.309°W / 47.616; -122.309

Iron & Wine
Beam at a 2006 concert at Brooklyn's McCarren Park Pool
Background information
Birth name	Samuel Beam
Born	(1974-07-26) July 26, 1974 (age 37) Myrtle Beach, South Carolina, U.S.
Genres	Folk Folk rock
Instruments	Vocals, Guitar, Banjo
Labels	Sub Pop Warner Bros./4AD
Associated acts	Calexico, Rosie Thomas
Website	www.ironandwine.com

Iron & Wine's performance at the Swedish American Hall in San Francisco

Samuel Beam (born July 26, 1974), better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released four studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band.^[1]

Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Dripping Springs, near Austin, Texas.^[2] The name Iron & Wine is taken from a dietary supplement named "Beef Iron & Wine" that he found in a general store while shooting a film.^[3][4]

Early life[link]

Beam was raised in Chapin, South Carolina, where his father worked in land management and his mother was a schoolteacher. When he was a child, his family took regular trips to the country, where his grandfather ran a farm. He attended Seven Oaks Elementary School, Irmo Middle School, and Chapin High School. While home from college, he was a waiter at California Dreaming restaurant in Columbia. Beam earned a bachelor's degree in art from Virginia Commonwealth University in Richmond, Virginia.^[5] He specialized in painting. He graduated from the Florida State University Film School with an MFA degree. Before the release of the first Iron & Wine album, Beam's main source of income was as a professor of film and cinematography at the University of Miami and Miami International University of Art & Design.^[6] He had been writing songs for over seven years before a friend lent him a four-track recorder. He began making demos and gave one to his friend Michael Bridwell, brother of Band of Horses lead singer, Ben Bridwell. Michael handed it to Mike McGonigal, editor of Yeti magazine, who chose "Dead Man's Will", later released on In the Reins, for inclusion on one of his magazine's compilation CDs. Beam later came to the attention of Sub Pop Records co-owner, Jonathan Poneman, who contacted Beam to propose a deal.^{[7][8][9][10]}

Musical career[link]

Beam released his first Iron & Wine album, The Creek Drank the Cradle, on the Sub Pop label in 2002. Beam wrote, performed, recorded and produced the album in his home studio. Featuring acoustic guitars, banjo, and slide guitar, the album's music has been compared to that of Nick Drake,^[11] Simon and Garfunkel,^[12] Elliott Smith, Neil Young and John Fahey.

Also in 2002, Beam recorded a cover of The Postal Service's then-unreleased song "Such Great Heights". Rather than being included on an Iron & Wine release, the track was initially included as a b-side of the original version by The Postal Service. It was later included on the B-sides and rarities album, Around the Well. He then followed up on his debut album in 2003 with The Sea & The Rhythm, an EP containing other home-recorded tracks with a similar style to the songs on the debut.

Beam's second full-length album, Our Endless Numbered Days (2004), was recorded in a professional studio with a significant increase in fidelity. Produced in Chicago by Brian Deck, the focus was still on acoustic material, but the inclusion of other band members gave rise to a slightly different sound. That same year, he recorded the song "The Trapeze Swinger" for the film In Good Company, and had his version of "Such Great Heights" featured in an advertisement for M&M's and in the film and soundtrack for Garden State. This version was later used in a 2006 Ask.com advertisement, and eventually released as a single in 2006 backed with recordings of "The Trapeze Swinger" and "Naked as We Came" made for Radio Vienna.

In February 2005, he released an EP entitled Woman King, which expanded on the sounds of his previous LP with the addition of electric guitars. Each track features a spiritual female figure, and had subtle Biblical undertones.

The EP In the Reins, a collaboration with the Arizona-based rock band Calexico, was released in September 2005. Beam wrote all of the EP's songs years earlier, but Calexico added their trademark fusion of southwestern rock, traditional Mexican music and jazz to the songs' arrangements. Several tracks, most notably, "Burn That Broken Bed", feature brass instruments, a first for Beam's music.^[13]

The third full-length Iron & Wine album, entitled The Shepherd's Dog, was released September 25, 2007.^[14] This album was voted one of the ten best of 2007 by Paste magazine.^[15] Contributors included Joey Burns and Paul Niehaus of Calexico, as well as jazz musicians Matt Lux and Rob Burger.^[16] When asked to describe the album to The Independent, Beam remarked that "it's not a political propaganda record, but it's definitely inspired by political confusion, because I was really taken aback when Bush got reelected."^[17]

Beam has released most of his music on iTunes, including several exclusive EPs. The Iron & Wine iTunes Exclusive EP features unreleased studio recordings, including a Stereolab cover and two tracks which had previously only appeared on vinyl. The Live Session (iTunes Exclusive) features Beam and his sister, Sarah Beam, performing a number of tracks from his albums, as well as a cover of New Order's "Love Vigilantes". Sarah Beam has contributed backing vocals on many of Beam's studio recordings.

Beam's music has appeared in television series such as Grey's Anatomy, The L Word and House M.D. "Flightless Bird, American Mouth" was used in the film Twilight. The song was specifically chosen for the film's prom scene by Kristen Stewart, the female lead, and appears on the film's soundtrack.

The B-sides and rarities album Around the Well was released in 2009. Iron & Wine also contributed the song "Stolen Houses (Die)" to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization.

On November 26, 2010 Iron & Wine released a special edition Record Store Day Black Friday 12" vinyl and CD single called, Walking Far From Home for independent record stores.

Kiss Each Other Clean, Iron & Wine's fourth full-length album, was released on January 25, 2011 on Warner Bros. Records in North America and 4AD for the rest of the world.^[18] With this album, Beam blends his earlier styles with a stronger pop influence.^[19]

Personal life[link]

Beam, his wife Kim and their five daughters live in Dripping Springs near Austin, Texas.^[5][8][20]

Discography[link]

Studio, compilations, live albums and EPs[link]

Singles[link]

• "Call Your Boys" b/w "Dearest Forsaken" via Sub Pop Singles Club (CD + Clear 7" Vinyl) (2002)
• "No Moon" b/w "Sinning Hands" (Limited 7" Vinyl Bonus with first Pressing of Our Endless Numbered Days) (2004)
• "Passing Afternoon" (CD only) (2004)
• "The Trapeze Swinger" (iTunes only) (2005)
• "Such Great Heights" (UK only CD) (2006)
• "Boy with a Coin" (CD + UK only 10" Vinyl) (2007)
• "Dark Eyes" (Bob Dylan cover w/ Calexico) (2007)
• "Lovesong of the Buzzard" (CD + UK only 10" Vinyl) (2008)
• "Flightless Bird, American Mouth" (iTunes only) (2008)
• "Walking Far from Home" (2010)

Other contributions[link]

• The O.C. Soundtrack (2004) – "The Sea & the Rhythm"
• Garden State Soundtrack (2004) – "Such Great Heights"
• Sweetheart: Love Songs (2004) – "Ab's Song" (The Marshall Tucker Band cover)
• L Word: Season Two soundtrack (2004) – "Naked as We Came"
• Grey's Anatomy: Season Two soundtrack (2004) – "Naked as We Came"
• In Good Company (2004) – "Naked as We Came," "Sunset Soon Forgotten," "The Trapeze Swinger"
• Fighting in a Sack (2004) – "New Slang (Featuring Iron & Wine)[Live]"
• KCRW Sounds Eclectic Volume 3 (2005) – "Waitin' for a Superman" (Flaming Lips cover)
• I Am a Cold Rock. I Am Dull Grass. (2006) – "We All, Us Three, Will Ride"
• I'm Not There soundtrack (2007) – "Dark Eyes" (with Calexico)
• The Road Mix Volume 3, music from One Tree Hill (2007) – "He Lays in the Reins" (with Calexico)
• Acoustic 07 (2007) – "Naked as We Came"
• Numb3rs Season 3, Episode 19, "Pandora's Box" (2007) – "Naked as We Came"
• Friday Night Lights Season 1, Episode 12 (2007) – "Upward Over the Mountain"
• Friday Night Lights: Original Television Soundtrack (2007) – "Dead Man's Will" (with Calexico)
• Twilight soundtrack (2008) – "Flightless Bird, American Mouth"
• Twilight Saga: Breaking Dawn soundtrack (2011) - "Flightless Bird, American Mouth (wedding version)"
• 90210 Season 1, Episode 18, "Off the Rails" (2008) – "Cinder & Smoke"
• House M.D.
  • Season 4, Episode 16 (Season Finale, Part 2) Wilson's Heart (2008) – "Passing Afternoon"
  • Season 6, Episode 1 (Season Premiere, Part 1) Broken (2009) – "Love Vigilantes" (New Order cover)
• Dark Was the Night (2009) – "Stolen Houses (Die)"
• Ugly Betty Season 3, Episode 16 (2009) – "Naked as We Came"
• The Mysteries of Pittsburgh (2009) – "Naked as We Came"
• Misfits Season 1, Episode 6 (2009) – "Such Great Heights"
• TiMER (2009) – "The Trapeze Swinger"
• The Last Song soundtrack (2010) – "Each Coming Night"
• Degrassi (season 10) Episode 31, Halo Part. 2 (2010) - "Passing Afternoon"

References[link]

External links[link]

Wikimedia Commons has media related to: Iron & Wine

• Official site

The Tallest Man on Earth
Background information
Birth name	Kristian Matsson
Born	(1983-04-30) 30 April 1983 (age 29)
Origin	Leksand, Dalarna, Sweden
Genres	Folk, Indie
Years active	2006 – present
Labels	Gravitation, Dead Oceans
Associated acts	Montezumas
Website	tallestmanonearth.com

Kristian Matsson (born April 30, 1983) is a singer-songwriter from Dalarna, Sweden. Since 2006, he has released three full-length albums and two EPs. He performs under the moniker The Tallest Man on Earth. He is known for recording and producing his own records in whichever home he is currently living and states that the connection between his voice and guitar is so strong, he rarely records them as separately tracked performances. ^[1]He is also known both by critics and his fans for his charismatic stage presence.^[2][3] Matsson is married to fellow Swedish singer-songwriter Amanda Bergman, who performs under the moniker Idiot Wind. The couple have toured extensively together, often performing songs together on stage. He has toured with Bon Iver.^[4] Matsson also fronted the band Montezumas.

Critics have compared The Tallest Man on Earth to Bob Dylan both in terms of songwriting ability and vocal style.^[5][6][7] When asked about his lyrical style, The Tallest Man on Earth explains that he began listening to Bob Dylan at fifteen, and upon hearing Dylan's cover material, he "tried to figure out where those songs came from" and became slowly exposed to early American folk, such as Pete Seeger and Woody Guthrie. But he is careful to qualify this, say "I don't consider my work to be a part of any tradition. This is how I play. This is how I write songs"^[8]

With regards to his guitar technique, Matsson uses a variety of open tunings, and to a lesser degree standard tuning. He had classical guitar training in his youth, but says he "never really focuses on it" and that by the end of high school he "got bored playing guitar because it was like math"^[9], until he then discovered open tunings while listening to Nick Drake in his early twenties. He was drawn to this style of playing because it allowed him to focus on singing while still performing intricate music. ^[10]

Discography[link]

Studio Albums[link]

• Shallow Grave (2008)
• The Wild Hunt (2010) UK chart peak: #180^[11]
• There's No Leaving Now (2012)^[12]

EPs[link]

• The Tallest Man on Earth (2006)
• Sometimes the Blues Is Just a Passing Bird (2010)

Singles[link]

• The Gardener
• The King of Spain; The Wild Hunt
• Pistol Dreams
• The Dreamer
• Weather of a Killing Kind
• 1904

References[link]

External links[link]

Wikimedia Commons has media related to: The Tallest Man on Earth

• Official website
• Artist page for The Tallest Man on Earth at NPR Music.

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Ryan Lewis
Ryan Lewis (back) performing with Macklemore (front) at Sasquatch! Music Festival
Background information
Born	(1988-03-25) March 25, 1988 (age 24) Spokane, Washington, U.S.
Origin	Seattle, Washington, U.S.
Genres	Hip hop
Occupations	Producer, DJ
Years active	2006–present
Associated acts	Macklemore
Website	rlewis.com

Ryan Lewis (born March 25, 1988) is an American music producer, musician, music video director, photographer, graphic designer, rapper and DJ currently based in Seattle. He is best known for his collaboration with American rapper Macklemore (Ben Haggerty) producing Macklemore & Ryan Lewis — The VS. EP (2009), The Heist (2012) and a handful of other singles. Since the beginning of their collaboration in late 2008, Ryan has produced, recorded, engineered and mixed all of the music, directed music videos ("Same Love", "Thrift Shop", "And We Danced", "Otherside (Remix)"), designed visuals (album art, web design, posters) and DJed the live show.

In a recent mini-documentary, Lewis recalled meeting Macklemore for the first time. "When I met him, it was a really different time. It was less than a year after [2005's] Language of My World had come out. So he had buzz. For me being a young kid, it was very exciting to link with him. The bulk of our original relationship was photo shoots. I became kind of his photographer."^[1]

[edit] The Heist

On October 9, 2012, Macklemore & Ryan Lewis released The Heist. The album debuted at #2 on the Billboard charts and #1 on the Top R&B/Hip-Hop Albums and Top Rap Albums, selling 78,000 copies in the first week.^[2] The album also debuted at #1 on iTunes Digital Albums chart.^[3] The duo's album has received more than 1 million plays on SoundCloud, 70 million YouTube views and was accompanied by a sold-out 50-date U.S. and Canadian tour.^[4]

Discography[link]

(All credited to Macklemore & Ryan Lewis)

Studio albums[link]

EPs

Singles[link]

Notes[link]

• A ^ "Wing$" did not enter the R&B/Hip-Hop Songs chart, but peaked at number 7 on the Bubbling Under R&B/Hip-Hop Songs chart, which acts as an extension to the R&B/Hip-Hop Songs chart.^[27]
• B ^ "Same Love" did not enter the Billboard Hot 100, but peaked at number 25 on the Bubbling Under Hot 100 Singles chart, which acts as an extension to the Hot 100.^[28]

References[link]