Look up theme in Wiktionary, the free dictionary.

Theme or Themes may refer to:

Art[link]

• Theme (arts), the unifying subject or idea of the type of visual work
• Theme (literature), the unifying subject or idea of a story
• Theme (music), the initial or principal melody in a musical piece
• Theme music, signature music which recurs in a film, television program or performance

Music titles[link]

• Themes (Vangelis album), a compilation album from 1989 by Vangelis
• Themes (Clannad album), a compilation album from 1992 by Clannad
• Themes (Silent Stream of Godless Elegy album), a 2000 album by Moravian ethno metal band, Silent Stream Of Godless Elegy

Miscellaneous[link]

• Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos
• Theme (computing), a custom graphical appearance for certain software, similar to a graphics skin
• Theme (linguistics), topic
• Theme (magazine)
• Theme Building, a landmark building in the Los Angeles International Airport
• Theme vowel or thematic vowel, a vowel placed before the word ending in certain Proto-Indo-European words

See also[link]

• All pages beginning with "Theme"
• All pages with titles containing "Theme"
• Genre
• Principle

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

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Benny Hill
A waxwork of Hill in character as Fred Scuttle on The Benny Hill Show
Birth name	Alfred Hawthorne Hill
Born	(1924-01-21)21 January 1924[1] Southampton, Hampshire, England
Died	20 April 1992(1992-04-20) (aged 68) Teddington, London, England
Medium	Comedian, actor
Nationality	British
Years active	1937–1992
Genres	Comedy, television
Influences	Jack Benny
Notable works and roles	The Benny Hill Show (1951–91) Who Done It? (1956) Light Up the Sky! (1960) Those Magnificent Men in Their Flying Machines (1965) Chitty Chitty Bang Bang (1968) The Italian Job (1969)

Benny Hill (21 January 1924 – 20 April 1992) was an English comedian and actor, notable for his long-running television programme The Benny Hill Show.

Early life[link]

This unreferenced section requires citations to ensure verifiability.

Alfred Hawthorne Hill was born in Southampton and attended Taunton's School. During World War II, he was evacuated to Bournemouth.^{[citation needed]}

After leaving school, Hill worked at Woolworth's,^[2] as a milkman, a bridge operator, a driver and a drummer before he finally got a foot in the door of the entertainment industry by becoming assistant stage manager with a touring review. He was called up in 1942 and trained as a mechanic, but transferred to the Combined Services Entertainment^[3] division before the end of the war. It was there that he met his future agent, Richard Stone, then a colonel.^{[citation needed]}

Inspired by the "star comedians" of British music hall shows, Hill set out to make his mark in show business. For the stage, he changed his first name to 'Benny', in homage to his favourite comedian, Jack Benny.^[2] Hill began appearing at working men's clubs and Masonic dinners before moving on to nightclub and theatre jobs. Hill auditioned for Soho's famed Windmill Theatre (home of Revudeville, a popular show of singers, comedians and nude girls), but he was not hired. Hill's first job in professional theatre as a performer was as Reg Varney's straight man, beating a then unknown Peter Sellers to the role.^{[citation needed]}

Career[link]

Between the end of World War II and the dawn of television, Hill worked as a radio performer. His first appearance on television was in 1950. In addition, he attempted a sitcom anthology, Benny Hill, which ran from 1962 to 1963, in which he played a different character in each episode. In 1964, he played Nick Bottom in an all-star TV film production of William Shakespeare's A Midsummer Night's Dream. He also had a short-lived radio programme, Benny Hill Time, on BBC Radio's Light Programme from 1964 to 1966.

Films and recordings[link]

Benny Hill's film credits include parts in nine films including Who Done It? (1956); Those Magnificent Men in Their Flying Machines (1965); Chitty Chitty Bang Bang (1968), in which he played the relatively straight role of the Toymaker; The Italian Job (1969); and, finally, a clip-show film spin-off of his early Thames shows (1969–73), called The Best of Benny Hill (1974). Hill's audio recordings include Gather in the Mushrooms, (1961), Pepys' Diary (song), (1961), Transistor Radio (1961), Harvest of Love (1963), and Ernie (The Fastest Milkman In The West) (1971). He also appeared in the 1986 video of the song Anything She Does by the band Genesis. Hill's song, Ernie (The Fastest Milkman In The West), on the Best of Benny Hill album, was the UK Singles Chart Christmas number one single in 1971.^[4]

The Benny Hill Show[link]

Hill had struggled on stage and had uneven success in radio. But in television he found a form that played to his strengths, allowing him a format that included live comedy and filmed segments, with him at the focus of almost every segment. It was to prove one of the great success stories of television comedy, keeping Hill a star for nearly four decades, generating impressive revenues for Thames TV, and remaining a cult series in much of the world long after Hill's death.

The show had a music hall-derived format and its humour relied on slapstick, innuendo, and parody. Recurring players on his show during the BBC years included Patricia Hayes, Jeremy Hawk, Peter Vernon, Ronnie Brody, and his co-writer from the early 1950s to early 1960s, Dave Freeman. He remained mostly with the BBC through to 1968, except for a few sojourns with ITV station ATV between 1957 and 1960 and again in 1967. In 1969, his show moved from the BBC to Thames Television, where it remained until cancellation in 1989, with an erratic schedule of one-hour specials. The series showcased Hill's talents as an imaginative writer, comic performer and impressionist. He also bought scripts from various comedy writers but they never received an onscreen credit. He had a need to be in sole control of the show. There is evidence that he bought a script from one of his regular cast members in 1976, Cherri Gilham, whom he wrote to from Spain and told her he was using her "Fat Lady idea on the show" in January 1977.

The most common running gag in Benny Hill's shows was the closing sequence, The 'run-off', which was literally a "running gag" in that it featured various members of the cast chasing Hill as part of the chase, along with other stock comedy characters, such as policemen, vicars, old ladies, and so on. This was commonly filmed using stop motion and time-lapse techniques for comic effect, and included other comic devices such as characters running off one side of the screen and reappearing running on from the other. The tune used in all the chases, Boots Randolph's "Yakety Sax", is commonly referred to as "The Benny Hill Theme". It has been used as a form of parody in many ways by television shows and a small number of films. The Wachowskis used the same style (and musical theme) in a scene in the film V for Vendetta (2006). It also appears in the cult movie The Gods Must Be Crazy.

From the start of the eighties the show featured a troupe of attractive young women, known collectively as 'Hills Angels'. They would appear either on their own in a dance sequence, or in character as foils against Hill. Sue Upton, one of the longest serving members of the Angels, said of Hill, "He was one of the nicest, kindest, most gentle of men to work with".^{[citation needed]} However, the sexual content of the routines contributed to feminist accusations of sexism.^{[citation needed]}

The alternative comedian Ben Elton made a headline-grabbing allegation, both on the TV show Saturday Live and in the pages of Q magazine (in its January 1987 issue), that The Benny Hill Show was single-handedly responsible for the incidences of rape in England during the period in question, and also suggested the programme incited other acts of violence against women.^[5] But a writer in The Independent newspaper opined that Elton's assault was "like watching an elderly uncle being kicked to death by young thugs".^[6] Elton later claimed his comment was taken out of context, and he appeared in a parody for Harry Enfield and Chums, Benny Elton, where Elton ends up being chased by angry women, accompanied by the "Yakety Sax" theme, after trying to force them to be more feminist rather than letting them make their own decisions.

In response to the accusations of sexism, defenders of Hill have said the show used traditional comic stereotypes to reflect universal human truths in a way that was non-malicious and fundamentally harmless. Hill's friend and producer Dennis Kirkland said it was the women who chased Hill in anger for undressing them, all of which was done accidentally by some ridiculous means. An article on 27 May 2006 in The Independent quoted Hill and Kirkland as saying they believed this misrepresentation demonstrated critics could not have watched his programmes.^{[citation needed]}

In an episode about Hill transmitted as part of the documentary series Living Famously, John Howard Davies, the head of light entertainment at Thames Television who had cancelled the show, stated there were three reasons why he did so: "The audiences were going down, the programme was costing a vast amount of money, and he (Hill) was looking a little tired."^{[citation needed]}

The loss of his show totally devastated Hill (or, as one former supporting player put it, "He started to die from there"), and what followed was a self-inflicted decline in his health. In 1990 a new show was produced complete with Hill and his usual team, called Benny Hill's World Tour: New York!.

In February 1992, Thames Television, which received a steady stream of requests from viewers for The Benny Hill Show repeats, finally gave in and put together a number of re-edited shows. Hill died on 20 April 1992, the same day that a new contract arrived in the post from Central Independent Television, for which he was to have made a series of specials. Hill turned down competing offers from Carlton and Thames.

Celebrity fans[link]

Charlie Chaplin was a fan of Hill's work: Hill had discovered that Chaplin, his childhood idol, was a fan when he was invited to Chaplin's home in Switzerland by Chaplin's family and discovered that Chaplin had a collection of Hill's work on video. Hill and Dennis Kirkland were the first outside the family to be invited into Chaplin's private study. Hill was awarded the Charlie Chaplin International Award for Comedy at the 1991 Festival of Comedy in Vevey, Switzerland.^[7]

Radio and TV show host Adam Carolla claimed that he was a fan of Benny Hill and that he considered Hill "as American as the Beatles." Indeed, during an episode of The Man Show, Carolla performed in what was billed as a tribute to "our favourite Englishman, Sir Benny Hill" in a more risqué takeoff of the sketches that Hill popularised. (Note: Hill was never knighted.) Carolla played a rude and lecherous waiter; a role Hill essayed numerous times in his shows—and the sketch featured many of the staples of Hill's shows, including a Jackie Wright-esque bald man, as well as the usual scantily-clad women.

Michael Jackson was a Benny Hill fan: "I just love your Benny Hill!" the young Jackson told a bemused English music-press critic during a 1970s tour. "He's so funny!". During Benny Hill's decline in his health he was visited by Jackson, who was in the UK at the time.

In Benny Hill: The World's Favourite Clown, filmed shortly before his death, celebrities such as Burt Reynolds, Michael Caine, John Mortimer, Mickey Rooney, and Walter Cronkite, among others, expressed their appreciation of and admiration for Hill and his humour – and in Reynolds' case, the appreciation extended to the Hill's Angels as well. More surprisingly, perhaps, the novelist Anthony Burgess made no secret of his admiration for Hill. Burgess, whose novels were often comic, relished language, wordplay and dialect, admired the verbal and comedic skill that underlay Hill's success. Reviewing a biography of Hill, Saucy Boy, in the Guardian in 1990, Burgess described Hill as "a comic genius steeped in the British music-hall tradition" and "one of the great artists of our age". A meeting between the two men was described in a newspaper article by Burgess and recalled in the Telegraph newspaper by the satirist Craig Brown.^[8]

In 2006, broadcaster and critic Garry Bushell launched a campaign to erect a statue of Hill in Southampton, with the support of Barbara Windsor, Brian Conley and other British comedy favourites. Those taking part in the first fundraising concert included Neville Staple, Right Said Fred and Rick Wakeman.

In a June 2011 interview in The Observer, the American rapper Snoop Dogg declared himself to be a fan of Benny Hill.^[9]

In a 2011 interview British actor and director Mark Noyce stated that Benny Hill was his all-time favourite comedian. He was quoted as saying “he was way ahead of his time and an absolute master of his art. I would have loved the opportunity to have met him and I hope he will be remembered as the genius I believe he was.”^[10]

Personal life[link]

Hill never married, although he did propose to three women—one the daughter of a British writer—but was turned down by all three. Although he owned the family home in Southampton, he never owned his own home in London, nor a car. Hill preferred to rent a place to live rather than buy one, first a large double apartment in Queensgate, London for 26 years until 1986, and then a small flat in Teddington, London, within walking distance of the studios of Thames Television where he recorded his shows.

His mother died in 1976 at age 82, and Hill kept the family house at 22 Westrow Gardens in Southampton as a shrine to her, not changing a thing. Before his move to Teddington, whilst looking for somewhere else to live in the Richmond area of London, he lived at 22 Westrow Gardens. Travelling was the one luxury Hill permitted himself; he became a francophile, enjoying frequent visits to France, and in particular Marseille, where until the 1980s he could enjoy anonymity in outdoor cafés, on public transport, and socialising with local women. Besides mastering French, Hill also spoke enough German, Dutch and Italian to get by when travelling. Such holidays were often gathering missions for comedy material, borrowed from regional acts.

Death[link]

After suffering a mild heart attack on 24 February 1992, doctors told him he needed to lose weight and recommended a heart bypass. He declined, and a week later was found to have kidney failure. Hill died at the age of 68 on 20 April 1992.^[1] On 22 April, after several days of unanswered telephone calls, his producer, Dennis Kirkland, climbed a ladder to the balcony of Hill's 3rd floor apartment and upon seeing the body through a window had the neighbours call the police. The police broke into the apartment and found Hill, dead, sitting in his armchair in front of the television. Hill's cause of death was recorded as coronary thrombosis.^[11]

Hill was buried at Hollybrook Cemetery near his birthplace in Southampton on 26 April 1992. In October 1992, following rumours that he was buried with large amounts of gold jewellery, an attempt was made by thieves to exhume his body. When authorities looked into his open grave the following morning "The vandals had dug down, exposing his coffin [...] Within two hours of the discovery, cemetery staff had refilled the grave and covered it with a half-ton concrete slab."^[12]

Hill's fortune was estimated at £10 million. His only will, however, dated from 1961 and left his entire estate to his parents, both of whom had since died. Next in line were his brother Leonard and sister Diana, both of whom were also dead. This left his seven nieces and nephews, among whom the money was divided. A note was found among his belongings assigning huge sums of money to his close friends, but because there was no witness the note had no legal standing.^{[citation needed]}

Posthumous reception[link]

Although still shown worldwide, The Benny Hill Show has not been shown on UK terrestrial, networked television since a tribute season on Channel 4 in 1992, and not on satellite or cable since a run on the now defunct channel Granada Plus – now ITV3 – in 1999. To quote his biographer Mark Lewisohn, "In Britain, Benny Hill is taboo". In the United States the show has recently been aired on the BBC America cable channel and over Tribune Broadcasting's Antenna TV digital subchannel network. An Australian channel, Seven Network, showed some episodes as part of a Great Comedy Classics slot. On the new Australian channel 7TWO, The Benny Hill Show is shown frequently. In Italy, Sky television broadcasts quite regularly on Comedy Channel. And in Finland the channel MTV3 MAX presents "The Benny Hill Show" every weekend.

In 1998 Channel 4 featured Hill in one of its Heroes Of Comedy programmes.

On 28 December 2006, Channel 4 broadcast the documentary Is Benny Hill Still Funny?. The programme featured an audience that comprised a cross-section of young adults who had little or no knowledge of Hill, to discover whether Hill's comedy was valid to a generation that enjoyed the likes of Little Britain, The Catherine Tate Show and Borat. The participants were asked to watch a 30-minute compilation that included examples of Hill's humour from both his BBC and ITV shows. The responses and results demonstrated that none of the sample of viewers took offence at any of the sketches shown.

Hill's silent "Wishing Well" sketch was discovered to be the most popular. The alternative comedian Ben Elton, who had criticised Hill for sexism, was interviewed in the programme. Elton said he still had reservations about certain aspects of Hill's sketches, but claimed to be an admirer of Hill's talent and abilities as a comic performer.

References[link]

Notes

Bibliography

• Lewisohn, Mark. Funny, Peculiar – The True Story of Benny Hill
• Smith, John. Benny Hill Story New York: St. Martin's Press, 1989
• GRO – Alfred H. Hill born MAR qtr 1924 2c 52 SOUTHAMPTON, mmn = Cave
• GRO – Alfred Hawthorne Hill died: APR 1992 14 1352 Richmond-upon-Thames, aged 68, his date of birth was 21 January 1924

External links[link]

Wikiquote has a collection of quotations related to: Benny Hill

Biography portal

• Benny Hill - Daily Telegraph obituary
• Benny Hill page at the Museum of Broadcast Communications
• The Benny Hill Show page at the Museum of Broadcast Communications
• Benny Hill at the Internet Movie Database
• The Eastleigh Photograph Archive Photos of the dairy and streets where Benny worked as a milkman, inspiring the song Ernie (The fastest milkman in the west)
• The Benny Hill Songbook Lyrics, guitar chords and transcripts
• Benny's Place featuring Louise English & Hill's Angels A tribute to Benny Hill and his beautiful ladies known as Hill's Angels
• Laughterlog.com Article with complete list of appearances on television, radio and record
• BBC Hampshire BBC article on Benny Hill's Hampshire connections

Alan Silvestri
Silvestri in 2009
Background information
Birth name	Alan Anthony Silvestri
Born	(1950-03-26) March 26, 1950 (age 62) New York City
Genres	Film score
Occupations	Composer, conductor
Instruments	Guitar, Piano, Synthesizer, Synclavier, Drums
Years active	1972–present

Alan Anthony Silvestri (born March 26, 1950) is an American film composer and conductor.

Career[link]

Silvestri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009) and The Avengers (2012).

Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/science fiction film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004, and G.I. Joe: The Rise of Cobra in 2009. His most recent work included The Avengers in 2012.

Silvestri has also composed music for television shows, including TJ Hooker (one episode), Starsky & Hutch (three episodes), CHiPs, and Manimal (all but one episode).

Silvestri was 21 years old when he started his film/television composing career. His early style is marked by a strong use of the octatonic scale, as well as an eclectic use of different notes and instruments.

Personal life[link]

Silvestri was born in New York City. He studied guitar at the Berklee College of Music in Boston, but dropped out after two years to tour with Wayne Cochran and the C.C. Riders.

Silvestri grew up in Teaneck, New Jersey^[1] and attended Teaneck High School there.^[2]

Silvestri also owns a vineyard, Silvestri Vineyards, located in Carmel Valley, California.^[3]

Awards[link]

Silvestri has received two Academy Award nominations, one for Best Original Score for Forrest Gump (1994) and one for Best Original Song for "Believe" on The Polar Express soundtrack. He also received two Golden Globe nominations: Best Score for Forrest Gump and Best Song for The Polar Express.

He has also received four Grammy Award nominations, winning two awards – Best Song Written for a Motion Picture, Television or Other Visual Media, for “Believe” from The Polar Express in 2004 and Best Instrumental Composition, for "Cast Away End Credits" from Cast Away in 2002. His other two nominations were for Best Soundtrack Album (for Back to the Future and Who Framed Roger Rabbit). During the 2005 Grammys, Josh Groban performed "Believe." ^[4]

On September 23, 2011 he was awarded with the Max Steiner Film Music Achievement Award by the City of Vienna at the yearly film music gala concert Hollywood in Vienna.

Discography[link]

References[link]

External links[link]

• AlanSilvestri.com
• Alan Silvestri at Allmusic
• Alan Silvestri at the Internet Movie Database
• Alan Silvestri at Soundtrackguide.net
• Castell'Alfero (Italy) country of Asti of which it is City Honorarium
• Complete Alan Silvestri Discography

James Bond, code name 007, is a fictional character created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short story collections. There have been six other authors who wrote authorised Bond novels or novelizations after Fleming's death in 1964: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks and Jeffery Deaver; a new novel, written by William Boyd, is planned for release in 2013.^[1] Additionally, Charlie Higson wrote a series on a young James Bond and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

The fictional British Secret Service agent has also been adapted for television, radio, comic strip and video game formats as well as being used in the longest running and the second-highest grossing film franchise to date, which started in 1962 with Dr. No, starring Sean Connery as Bond. As of 2012, there have been twenty two films in the Eon Productions series, with a twenty third, Skyfall, due for release on 26 October 2012. The film will star Daniel Craig in his third portrayal of Bond: he is the sixth actor to play Bond in the Eon series. There have also been two independent productions of Bond films, Casino Royale, a 1967 spoof, and Never Say Never Again, a 1983 remake of an earlier Eon-produced film, Thunderball.

The films are renowned for a number of features, including the musical accompaniment, with the theme songs to the films having picked up Academy Award nominations on several occasions. Other important elements which run through most of the films include Bond's cars, his guns and the gadgets he is supplied with by Q Branch.

Publication history[link]

Creation and inspiration[link]

As the central figure for his works, Ian Fleming created the fictional character of James Bond, an intelligence officer in the Secret Intelligence Service, commonly known as MI6. Bond was also known by his code number, 007, and was a Royal Naval Reserve Commander.

Name

Fleming took the name for his character from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies; Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist’s wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born".^[2] He further explained that:

When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument...when I was casting around for a name for my protagonist I thought by God, (James Bond) is the dullest name I ever heard.

—Ian Fleming, The New Yorker, 21 April 1962^[3]

On another occasion Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, "James Bond" was much better than something more interesting, like "Peregrine Carruthers". Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."^[4]

Inspiration

Fleming based his fictional creation on a number of individuals he came across during his time in the Naval Intelligence Division during World War II, admitting that Bond "was a compound of all the secret agents and commando types I met during the war".^[5] Among those types were his brother, Peter, who had been involved in behind the lines operations in Norway and Greece during the war.^[6] Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, Patrick Dalzel-Job and Bill "Biffy" Dunderdale.^[5]

Hoagy Carmichael—Fleming's view of James Bond.

Tastes

Fleming also endowed Bond with many of his own traits, including sharing the same golf handicap, the taste for scrambled eggs and using the same brand of toiletries.^[7] Bond's tastes are also often taken from Fleming’s own as was his behaviour,^[8] with Bond's love of golf and gambling mirroring Fleming's own. Fleming used his experiences of his espionage career and all other aspects of his life as inspiration when writing, including using names of school friends, acquaintances, relatives and lovers throughout his books.^[5]

Looks

Fleming decided Bond should look a little like both the American singer Hoagy Carmichael and himself^[9] and in Casino Royale, Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking… Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."^[9]

Background

It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background. The book was the first to be written after the release of Dr. No in cinemas and Sean Connery's depiction of Bond affected Fleming's interpretation of the character, to give Bond both a sense of humour and Scottish antecedents that were not present in the previous stories.^[10] In a fictional obituary, purportedly published in The Times, Bond's parents were given as Andrew Bond, from the village of Glencoe, Scotland, and Monique Delacroix, from Yverdon, Switzerland.^[11] Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorised Biography of 007, gives Bond a birth date on 11 November 1920,^[12] while a study by John Griswold puts the date at 11 November 1921.^[13]

Novels and related works[link]

Ian Fleming novels[link]

Goldeneye, in Jamaica, where Fleming wrote all the Bond novels.^[14]

Whilst serving in the Naval Intelligence Division, Fleming had planned to become an author^[15] and had told a friend, "I am going to write the spy story to end all spy stories."^[5] On 17 February 1952, he began writing his first James Bond novel, Casino Royale at his Goldeneye estate in Jamaica,^[16] where he wrote all his Bond novels, during the months of January and February each year.^[17] He started the story shortly before his wedding to his pregnant girlfriend, Ann Charteris, in order to distract himself from his forthcoming nuptials.^[18]

After completing the manuscript for Casino Royale, Fleming showed the manuscript to his friend (and later editor) William Plomer to read. Plomer liked it and submitted it to the publishers, Jonathan Cape, who did not like it as much. Cape finally published it in 1953 on the recommendation of Fleming's older brother Peter, an established travel writer.^[17] Between 1953 and 1966, two years after his death, twelve novels and two short-story collections were published, with the last two books – The Man with the Golden Gun and Octopussy and The Living Daylights – published posthumously.^[19] All the books were published in the UK through Jonathan Cape.

Post-Fleming novels[link]

After Fleming's death a continuation novel, Colonel Sun, was written by Kingsley Amis (as Robert Markham) and published in 1968.^[34] Amis had already written a literary study of Fleming's Bond novels in his 1965 workThe James Bond Dossier.^[35] Although novelizations of two of the Eon Productions Bond films appeared in print, James Bond, The Spy Who Loved Me and James Bond and Moonraker, both written by screenwriter Christopher Wood,^[36] the series of novels did not continue until the 1980s. In 1981, thriller writer John Gardner picked up the series with Licence Renewed.^[37] Gardner went on to write sixteen Bond books in total; two of the books he wrote – Licence to Kill and GoldenEye – were novelizations of Eon Productions films of the same name. Gardner moved the Bond series into the 1980s, although he retained the ages of the characters as they were when Fleming had left them.^[38] In 1996, Gardner retired from writing James Bond books due to ill health.^[39]

In 1996, American author Raymond Benson became the author of the Bond novels. Benson had previously been the author of The James Bond Bedside Companion, first published in 1984.^[54] By the time he moved on to other, non-Bond related projects in 2002, Benson had written six Bond novels, three novelizations and three short stories.^[55]

After a gap of six years, Sebastian Faulks was commissioned by Ian Fleming Publications to write a new Bond novel, which was released on 28 May 2008, the 100th anniversary of Ian Fleming's birth.^[65] The book—titled Devil May Care—was published in the UK by Penguin Books and by Doubleday in the US.^[66] American writer Jeffery Deaver was then commissioned by Ian Fleming Publications to produce Carte Blanche, which was published on 26 May 2011.^[67] The book updated Bond into a post 9/11 agency, independent of MI5 or MI6.^[68]

Young Bond[link]

The Young Bond series of novels was started by Charlie Higson^[69] and, between 2005 and 2009, five novels and one short story were published.^[70] The first Young Bond novel, SilverFin was also adapted and released as a graphic novel on 2 October 2008 by Puffin Books.^[71]

The Moneypenny Diaries[link]

The Moneypenny Diaries are a trilogy of novels chronicling the life of Miss Moneypenny, M's personal secretary. The novels are penned by Samantha Weinberg under the pseudonym Kate Westbrook, who is depicted as the book's "editor".^[79] The first instalment of the trilogy, subtitled Guardian Angel, was released on 10 October 2005 in the UK.^[80] A second volume, subtitled Secret Servant was released on 2 November 2006 in the UK, published by John Murray.^[81] A third volume, subtitled Final Fling was released on 1 May 2008.^[82]

Adaptations[link]

Television[link]

In 1954 CBS paid Ian Fleming $1,000 ($8,654 in 2012 dollars^[86]) to adapt his novel Casino Royale into a one-hour television adventure as part of its Climax! series.^[87] The episode aired live on 21 October 1954 and starred Barry Nelson as "Card Sense" James 'Jimmy' Bond and Peter Lorre as Le Chiffre.^[88] The novel was adapted for American audiences to show Bond as an American agent working for "Combined Intelligence", while the character Felix Leiter—American in the novel—became British onscreen and was renamed "Clarence Leiter".^[89]

In 1973 a BBC documentary Omnibus: The British Hero featured Christopher Cazenove playing a number of such title characters (e.g. Richard Hannay and Bulldog Drummond). The documentary included James Bond in dramatised scenes from Goldfinger—notably featuring 007 being threatened with the novel's circular saw, rather than the film's laser beam—and Diamonds Are Forever.^[90] In 1991 a TV cartoon series James Bond Jr. was produced with Corey Burton in the role of Bond's nephew, also called James Bond.^[91]

Radio[link]

In 1956, the novel Moonraker was adapted for broadcast on South African radio, with Bob Holness providing the voice of Bond.^[92] According to The Independent, "listeners across the Union thrilled to Bob's cultured tones as he defeated evil master criminals in search of world domination".^[93]

The BBC have adapted three of the Fleming novels for broadcast: in 1990, You Only Live Twice was adapted into a 90 minute radio play for BBC Radio 4 with Michael Jayston playing James Bond. The production was repeated a number of times between 2008 and 2011.^[94] On 24 May 2008, BBC Radio 4 broadcast an adaptation of Dr. No. Actor Toby Stephens, who played Bond villain Gustav Graves in the Eon Productions version of Die Another Day, played James Bond, while Dr. No was played by David Suchet.^[95] Following the success of Dr. No, a second Bond story was adapted and on 3 April 2010, BBC Radio 4 broadcast Goldfinger with Toby Stephens again playing Bond.^[96] Sir Ian McKellen was Goldfinger and Stephens' Die Another Day co-star Rosamund Pike played Pussy Galore. The play was adapted from Fleming's novel by Archie Scottney and was directed by Martin Jarvis.^[97]

Comics medium[link]

In 1957, the Daily Express approached Ian Fleming to adapt his stories into comic strips, offering him £1,500 per novel and a share of takings from syndication.^[98] After initial reluctance, Fleming, who felt the strips would lack the quality of his writing, agreed.^[99] To aid the Daily Express in illustrating Bond, Fleming commissioned an artist to create a sketch of how he believed James Bond looked. The illustrator, John McLusky, however, felt that Fleming's 007 looked too "outdated" and "pre-war" and changed Bond to give him a more masculine look.^[100] The first strip, Casino Royale was published from 7 July 1958 to 13 December 1958^[101] and was written by Anthony Hern and illustrated by John McLusky.^[102]

Most of the Bond novels and short stories have since been adapted for illustration, as well as Kingsley Amis's Colonel Sun; the works were written by Henry Gammidge or Jim Lawrence with Yaroslav Horak replacing McClusky as artist in 1966.^[101] After the Fleming and Amis material had been adapted, original stories were produced, continuing in the Daily Express and Sunday Express until May 1977.^[100]

Several comic book adaptations of the James Bond films have been published through the years: at the time of Dr. No's release in October 1962, a comic book adaptation of the screenplay, written by Norman J. Nodel, was published in Britain as part of the Classics Illustrated anthology series.^[103] It was later reprinted in the United States by DC Comics as part of its Showcase anthology series, in January 1963. This was the first American comic book appearance of James Bond and is noteworthy for being a relatively rare example of a British comic being reprinted in a fairly high-profile American comic. It was also one of the earliest comics to be censored on racial grounds (some skin tones and dialogue were changed for the American market).^[104][103]

With the release of the 1981 film For Your Eyes Only, Marvel Comics published a two-issue comic book adaptation of the film.^[105][106] When Octopussy was released in the cinemas in 1983, Marvel published an accompanying comic;^[103] Eclipse also produced a one-off comic for Licence to Kill, although Timothy Dalton refused to allow his likeness to be used.^[107] New Bond stories were also drawn up and published from 1989 onwards through Marvel, Eclipse Comics and Dark Horse Comics.^[103][106]

Films[link]

The Eon Productions films[link]

In 1962 Eon Productions, the company of Canadian Harry Saltzman and American Albert R. "Cubby" Broccoli released the first cinema adaptation of an Ian Fleming novel, Dr. No, featuring Sean Connery as 007.^[108] Connery starred in a further four films before leaving the role after You Only Live Twice,^[109] which was taken up by George Lazenby for On Her Majesty's Secret Service.^[110] Lazenby left the role after just one appearance and Connery was tempted back for his last Eon-produced film Diamonds Are Forever.^[111]

In 1973, Roger Moore was appointed to the role of 007 for Live and Let Die and played Bond a further six times over twelve years before being replaced by Timothy Dalton for two films. After a six year hiatus, during which a legal wrangle threatened Eon's productions of the Bond films,^[112] Irish actor Pierce Brosnan was cast as Bond in GoldenEye, released in 1995; he remained in the role for a total of four films, before leaving in 2002. In 2006, Daniel Craig was given the role of Bond for Casino Royale, which rebooted the franchise.^[113] The twenty-third Eon produced film, Skyfall, was announced in November 2011, with release scheduled for 26 October 2012.^[114] The Eon Productions series has grossed $4,910,000,000 (over $12,360,000,000 when adjusted for inflation) worldwide, making it the second highest grossing film series, behind Harry Potter.^[115]

Non-Eon films[link]

In 1967, Casino Royale was adapted into a parody Bond film starring David Niven as Sir James Bond and Ursula Andress as Vesper Lynd. David Niven had been Ian Fleming's preference for the part of James Bond.^[116] The result of a court case in the High Court in London in 1963 allowed Kevin McClory to produce a remake of Thunderball titled Never Say Never Again in 1983.^[117] The film, starring Sean Connery as Bond, was not part of the Eon series of Bond films. In 1997 the Sony Corporation acquired all or some of McClory's rights in an undisclosed deal,^[117] which were then subsequently acquired by MGM, whilst on 4 December 1997, MGM announced that the company had purchased the rights to Never Say Never Again from Schwartzman's company Taliafilm.^[118] Eon now currently (as of 2012) holds the full adaptation rights to all of Fleming's Bond novels.^[117][119]

Music[link]

The "James Bond Theme" was written by Monty Norman and was first orchestrated by the John Barry Orchestra for 1962's Dr. No, although the actual authorship of the music has been a matter of controversy for many years.^[121] In 2001, Norman won £30,000 in libel damages from the The Sunday Times newspaper, which suggested that Barry was entirely responsible for the composition.^[122] The theme, as written by Norman and arranged by Barry, was described by another Bond film composer, David Arnold, as "bebop-swing vibe coupled with that vicious, dark, distorted electric guitar, definitely an instrument of rock 'n' roll...it represented everything about the character you would want: It was cocky, swaggering, confident, dark, dangerous, suggestive, sexy, unstoppable. And he did it in two minutes."^[120] Barry composed the scores for eleven Bond films^[123] and had an uncredited contribution to Dr. No with his arrangement of the Bond Theme.^[120]

A Bond film staple are the theme songs heard during their title sequences sung by well-known popular singers.^[124] Several of the songs produced for the films have been nominated for Academy Awards for Original Song, including Paul McCartney's "Live and Let Die",^[125] Carly Simon's "Nobody Does It Better"^[126] and Sheena Easton's "For Your Eyes Only".^[127] For the non-Eon produced Casino Royale, Burt Bacharach's score included "The Look Of Love", which was nominated for an Academy Award for Best Song.^[128]

Video games[link]

In 1983, the first Bond video game, developed and published by Parker Brothers, was released for the Atari 2600, the Atari 5200, the Atari 800, the Commodore 64 and the ColecoVision.^[129] Since then, there have been numerous video games either based on the films or using original storylines. In 1997, the first-person shooter video game GoldenEye 007 was developed by Rare for the Nintendo 64, based on the 1995 Pierce Brosnan film GoldenEye.^[130] The game received very positive reviews,^[131] won the BAFTA Interactive Entertainment Award for UK Developer of the Year in 1998^[132] and generated $250 million of sales worldwide.^[133]

In 1999, Electronic Arts acquired the licence and released Tomorrow Never Dies on 16 December 1999.^[134] In October 2000, they released The World Is Not Enough^[135] for the Nintendo 64^[136] followed by007 Racing for the PlayStation on 21 November 2000.^[137] In 2003, the company released Everything or Nothing,^[138] which included the likenesses and voices of Pierce Brosnan, Willem Dafoe, Heidi Klum, Judi Dench and John Cleese, amongst others.^[139] In November 2005, Electronic Arts released a video game adaptation of From Russia with Love,^[140] which involved Sean Connery's image and voice-over for Bond.^[140]

In 2006 Electronic Arts announced a game based on then-upcoming film Casino Royale: the game was cancelled because it would not be ready by the film's release in November of that year. With MGM losing revenue from lost licensing fees, the franchise was removed from EA to Activision.^[141] Activision subsequently released the 007: Quantum of Solace game on 31 October 2008, based on the film of the same name.^[142]

Guns, vehicles and gadgets[link]

The Walther PPK is the most famous of Bond's handguns

Guns

For the first five novels, Fleming armed Bond with a Beretta 418^[143] until he received a letter from a thirty-one-year-old Bond enthusiast and gun expert, Geoffrey Boothroyd, criticising Fleming's choice of firearm for Bond,^[144] calling it "a lady's gun – and not a very nice lady at that!"^[145] Boothroyd suggested that Bond should swap his Beretta for a Walther PPK 7.65mm and this exchange of arms made it to Dr. No.^[146] Boothroyd also gave Fleming advice on the Berns-Martin triple draw shoulder holster and a number of the weapons used by SMERSH and other villains.^[147] In thanks, Fleming gave the MI6 Armourer in his novels the name Major Boothroyd and, in Dr. No, M introduces him to Bond as "the greatest small-arms expert in the world".^[146] Bond also used a variety of rifles, including the Savage Model 99 in "For Your Eyes Only" and a Winchester .308 target rifle in "The Living Daylights".^[143] Other handguns used by Bond in the Fleming books included the Colt Detective Special and a long-barrelled Colt .45 Army Special.^[143]

The first Bond film, Dr. No, saw M ordering Bond to leave his Beretta behind and take up the Walther PPK,^[148] which the film Bond used in eighteen films.^[149] Since Tomorrow Never Dies, Bond's main weapon has been the Walther P99 semi-automatic pistol.^[149]

An Aston Martin DB5 as seen in Goldfinger.

Vehicles

In the early Bond stories Fleming gave Bond a battleship-grey Bentley 4½ Litre with an Amherst Villiers supercharger.^[150] After Bond's car was written off by Hugo Drax in Moonraker, Fleming gave Bond a Mark II Continental Bentley, which he used in the remaining books of the series.^[151] During Goldfinger, Bond was issued with an Aston Martin DB Mark III with a homing device, which he used to track Goldfinger across France. Bond returned to his Bentley for the subsequent novels.^[151]

The Bond of the films has driven a number of cars, including the Aston Martin V8 Vantage^[152], during the 1980s), the V12 Vanquish^[152] and DBS^[153] during the 2000s, as well as the Lotus Esprit;^[154] the BMW Z3,^[155] BMW 750iL^[155] and the BMW Z8.^[155] He has, however, also needed to drive a number of other vehicles, ranging from a Citroën 2CV to a Routemaster Bus, amongst others.^[156]

Bond's most famous car is the silver grey Aston Martin DB5, first seen in Goldfinger;^[157] it later featured in Thunderball, GoldenEye, Tomorrow Never Dies and Casino Royale.^[158] The films have used a number of different Aston Martins for filming and publicity, one of which was sold in January 2006 at an auction in the US for $2,090,000 to an unnamed European collector.^[159]

Gadgets

The Little Nellie autogyro with its creator and pilot, Ken Wallis

Fleming's novels and early screen adaptations presented minimal equipment such as the booby-trapped attaché case in From Russia with Love, although this situation changed dramatically with the films.^[160] However, the effects of the two Eon-produced Bond films Dr. No and From Russia with Love had an effect on the novel The Man with the Golden Gun, through the increased number of devices used in Fleming's final story.^[161]

For the film adaptations of Bond, the pre-mission briefing by Q Branch became one of the motifs that ran through the series.^[162] Dr. No provided no spy-related gadgets, but a Geiger counter was used; industrial designer Andy Davey observed that the first ever onscreen spy-gadget was the attaché case shown in From Russia with Love, which he described as "a classic 007 product".^[163] The gadgets assumed a higher profile in the 1964 film Goldfinger. The film's success encouraged further espionage equipment from Q Branch to be supplied to Bond, although the increased use of technology led to an accusation that Bond was over-reliant on equipment, particularly in the later films.^[164]

Davey noted that "Bond's gizmos follow the zeitgeist more closely than any other...nuance in the films"^[163] as they moved from the potential representations of the future in the early films, through to the brand-name obsessions of the later films.^[163] It is also noticeable that, although Bond uses a number of pieces of equipment from Q Branch, including the Little Nellie autogyro,^[165] a jet pack^[166] and the exploding attaché case,^[167] the villains are also well-equipped with custom made devices,^[163] including Scaramanga's golden gun,^[168] Rosa Klebb's poison-tipped shoes,^[169] Oddjob's steel-rimmed bowler hat^[170] and Blofeld's communication and bacteriological warfare agents vanity case.^[163]

Cultural impact[link]

Cinematically James Bond has been a major influence within the spy genre since the release of Dr. No in 1962.^[171] The first parody was the 1964 film Carry on Spying showing the villain Dr. Crow being overcome by agents who included James Bind (Charles Hawtry) and Daphne Honeybutt (Barbara Windsor).^[172] One of the films that reacted against the portrayal of Bond was the Harry Palmer series, whose first film, The Ipcress File was released in 1965. The eponymous hero of the series was what academic Jeremy Packer called an "anti-Bond",^[173] or what Christoph Lindner calls "the thinking man's Bond".^[174] The Palmer series were produced by Harry Saltzman, who also used key crew members from the Bond franchise, including designer Ken Adam, editor Peter R. Hunt and composer John Barry.^[175] In 1966 there were twenty two secret agent films released attempting to capitalise on the popularity and success of Bond.^[176] The four "Matt Helm" films starring Dean Martin were released between 1966 and 1969,^[177] the "Flint" series starring James Coburn provided two films in 1966 and 1969,^[178] whilst The Man from U.N.C.L.E. also moved onto the cinema screen, with eight films released: all were testaments to Bond's prominence in popular culture.^[123] More recently, the Austin Powers series by writer, producer and comedian Mike Myers^[179] and other parodies such as the 2003 film Johnny English^[180] have also used elements from or parodied the Bond films.

Following the release of the film Dr. No in 1962, the quote "Bond ... James Bond", became a catch phrase that entered the lexicon of Western popular culture: writers Cork and Scivally said of the introduction in Dr. No that the "signature introduction would become the most famous and loved film line ever".^[181] In 2001 it was voted as the "best-loved one-liner in cinema" by British cinema goers^[182] and in 2005, it was honoured as the 22nd greatest quotation in cinema history by the American Film Institute as part of their 100 Years Series.^[183] The 2005 American Film Institute's '100 Years' series also recognised the character of James Bond himself in the film as the third greatest film hero.^[184] He was also placed at number eleven on a similar list by Empire.^[185] Premiere also listed Bond as the fifth greatest movie character of all time.^[186]

The twenty two James Bond films produced by Eon Productions, which have grossed $4,910,000,000 in box office returns alone,^[187] have made the series one of the highest-grossing ever. It is estimated that since Dr. No, a quarter of the world's population have seen at least one Bond film.^[188] The UK Film Distributors' Association have stated that the importance of the Bond series of films to the British film industry cannot be overstated, as they "form the backbone of the industry".^[189]

Television also saw the effect of Bond films, with the NBC series The Man from U.N.C.L.E.,^[190] which was described as the "first network television imitation" of Bond,^[191] largely because Fleming provided advice and ideas on the development of the series, even giving the main character the name Napoleon Solo.^[192] Other 1960s television imitations of Bond included I Spy,^[178] and Get Smart.^[193]

See also[link]

James Bond portal

• Shaken, not stirred
• Sir Fitzroy MacLean, 1st Baronet
• The Battle for Bond
• 9007 James Bond Asteroid named after the character

References[link]