Owen Philip King (born February 21, 1977)^{[citation needed]} is an American author and the youngest son of authors Stephen and Tabitha King. He has two older siblings, Naomi King and Joseph Hillstrom King, and grew up in Bangor, Maine. He is married to the writer Kelly Braffet.

King's first book, We’re All In This Together, a collection of three short stories and a novella, was published in 2005 by Bloomsbury USA to very strong reviews. Kirkus Reviews wrote: "The title novella of King's first collection is its heart and soul: a powerful exploration of the flimsiness of political moral certainty....The novella...like all great storytelling, has real strength. Newcomer King is a talent to watch."

His forthcoming book, Reenactment, is described as "an epic, comic novel about a young auteur making his first film and coming to terms with his life in the aftermath of that film's spectacularly bizarre failure."^[1] King's short fiction has appeared in One Story and Prairie Schooner among other journals, and he was recognized for special mention in the 2009 Pen-O. Henry Prize Stories.^[2]

Andrea Sachs interviewed King about the book for Time Magazine; she asked him what it was like to be the child of Stephen and Tabitha King. Owen answered: "I understand people's curiosity and yet, I've made a really decided effort to write in a way that's individual to me, and do as much as I can possibly do on my own without being insane about it."^[3]

In 2006, King told an interviewer for the Sunday Telegraph: "I obviously have an advantage as a writer in terms of name recognition. But it's also a disadvantage because people expect it just to be a nepotistic exercise and for you to suck. You have to keep working to convince them to give you a chance."^[4]

A poem, "For Owen", is included in Stephen King's story collection Skeleton Crew. In the story collection Nightmares & Dreamscapes, the non-fictional story Head Down is about Owen's Little League baseball team.

Owen King's likeness was used for the G.I. Joe figure Sneak Peek, as he was an avid fan as a child. The non-fiction book Haunted Heart: The Life and Times of Stephen King also indicates that Owen had a hand in creating the Crystal Ball character.

References[link]

v t e Works of Stephen King Novels Carrie (1974) 'Salem's Lot (1975) The Shining (1977) The Stand (1978) The Dead Zone (1979) Firestarter (1980) Cujo (1981) Christine (1983) Pet Sematary (1983) Cycle of the Werewolf (1983) The Talisman (1984; with Peter Straub) It (1986) The Eyes of the Dragon (1987) Misery (1987) The Tommyknockers (1987) The Dark Half (1989) Needful Things (1991) Gerald's Game (1992) Dolores Claiborne (1992) Insomnia (1994) Rose Madder (1995) The Green Mile (1996) Desperation (1996) Bag of Bones (1998) The Girl Who Loved Tom Gordon (1999) Dreamcatcher (2001) Black House (2001; with Peter Straub) From a Buick 8 (2002) The Colorado Kid (2005) Cell (2006) Lisey's Story (2006) Duma Key (2008) Under the Dome (2009) Blockade Billy (2010) 11/22/63 (2011) Doctor Sleep (2013) Joyland (2013) The Dark Tower series The Gunslinger (1982) The Drawing of the Three (1987) The Waste Lands (1991) Wizard and Glass (1997) Wolves of the Calla (2003) Song of Susannah (2004) The Dark Tower (2004) The Wind Through the Keyhole (2012) Richard Bachman novels Rage (1977) The Long Walk (1979) Roadwork (1981) The Running Man (1982) Thinner (1984) The Bachman Books (1985) The Regulators (1996) Blaze (2007) Short fiction collections Night Shift (1978) Different Seasons (1982) Skeleton Crew (1985) Four Past Midnight (1990) Nightmares & Dreamscapes (1993) Hearts in Atlantis (1999) Everything's Eventual (2002) Just After Sunset (2008) Full Dark, No Stars (2010) Non-fiction Danse Macabre (1981) Nightmares in the Sky (1988) On Writing (2000) Secret Windows (2000) Faithful (2004; with Stewart O'Nan) E-books Riding the Bullet (2000) The Plant (2000; unfinished) Ur (2009) Mile 81 (2011) Screenplays Creepshow (1982) Cat's Eye (1985) Silver Bullet (1985) Maximum Overdrive (1986; also director) Pet Sematary (1989) Sleepwalkers (1992) Cell (2012) Teleplays Sorry, Right Number (1988) Golden Years (1991) The Stand (1994) The Shining (1997) "Chinga" (1998; with Chris Carter) Storm of the Century (1999) Rose Red (2002) Kingdom Hospital (2004) Desperation (2006) Collaborations with musicians Michael Jackson's Ghosts (1997; with Michael Jackson) Black Ribbons (2010; with Shooter Jennings) Ghost Brothers of Darkland County (2012; with John Mellencamp) Graphic novels Creepshow (1982) The Dark Tower (2007-Present) The Stand (2008-2012) The Talisman (2009-2010) American Vampire (2010) N. (2010) Road Rage (2012) Related articles Unpublished and uncollected works by Stephen King Media based on Stephen King works Books about Stephen King Tabitha King Naomi King Joe Hill Owen King Peter Straub Rock Bottom Remainders Dollar Baby Jerusalem's Lot Castle Rock, Maine Derry, Maine The Diary of Ellen Rimbauer: My Life at Rose Red Book:Stephen King

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Peter Roland Cope (7 December 1921 – 4 April 2005) was the last surviving test pilot from the Avro Arrow program.

Born in Croydon, England, Cope signed up for the Royal Air Force in 1939 after graduating from Croydon College with a degree in science and applied mathematics.

In August 1941 Cope was called up for training in the U.S., on the Vultee BT-13 Valiant at Maxwell Field, Alabama with the USAAC.

Cope returned to England in 1942 and flew a variety of aircraft.

Cope attended No. 5 Course at the Empire Test Pilots' School in 1946/1947.^[1]

He was hired by Armstrong-Whitworth Company to test the Gloster Meteor

In April 1952 Cope moved to Canada to work for A.V.Roe Canada. Because of his experience in the war he became the unofficial armament development pilot.

Cope was one of four pilots assigned to test fly the Arrow, and flew it five times.

In 1960 Cope left Avro for Boeing, from which he retired in 1986.

Cope died in Bellevue, Washington.

Notes[link]

References[link]

• "The Empire Test Pilots' School - Twenty Five Years". ETPS Brochure (4th ed.) (HMSO for The Empire Test Pilots' School): 68 pp.. 1968. 

Dave Owen (born April 25, 1958 in Cleburne, Texas), is a former professional baseball player who played infielder in the Major Leagues from 1983-1988. He played for the Chicago Cubs and Kansas City Royals. He got the game-winning RBI game during the The Sandberg Game. He attended the University of Texas at Arlington and played for the Mavericks from 1977 to 1979.^[1]

References[link]

External links[link]

• Career statistics and player information from Baseball-Reference, or Fangraphs, or The Baseball Cube

This biographical article relating to an American baseball shortstop is a stub. You can help Wikipedia by expanding it. v t e

Owen Hart
Ring name(s)	The Blue Blazer[1] The King of Harts[1] Owen Hart[1] Owen James[1] The Rocket[1]
Billed height	5 ft 10 in (1.78 m)[1]
Billed weight	227 lb (103 kg)[1]
Born	(1965-05-07)May 7, 1965[1] Calgary, Alberta, Canada
Died	May 23, 1999(1999-05-23) (aged 34) Kansas City, Missouri
Billed from	Calgary, Alberta, Canada Parts Unknown (as the Blue Blazer)
Trained by	Stu Hart [1]
Debut	May 30, 1986[1]

Owen James Hart (May 7, 1965 – May 23, 1999)^[1] was a Canadian professional and amateur wrestler who worked for several promotions including Stampede Wrestling, New Japan Pro Wrestling (NJPW), World Championship Wrestling (WCW), and most notably, the World Wrestling Federation (WWF), where he wrestled under both his own name, and ring name The Blue Blazer. A member of the Hart wrestling family, Hart was born in Calgary, Alberta, Canada the youngest of 12 children to Stampede Wrestling promoter and WWE Hall of Famer Stu Hart and Helen Hart.

Among other accolades, Hart was a one-time world champion: a one-time USWA Unified World Heavyweight Champion; a two-time WWF Intercontinental Champion; one-time IWGP Junior Heavyweight Champion; one-time WWF European Champion and four-time WWF World Tag Team Champion. He was also the winner of the 1994 WWF King of the Ring. Hart has been cited by a number of peers as one of the WWF's greatest professional wrestlers.^[2][3][4]

Hart died on May 23, 1999 when an equipment malfunction occurred during his entrance from the rafters of Kemper Arena in Kansas City, Missouri, U.S., at the WWF's Over the Edge pay-per-view event.

Professional wrestling career[link]

Training and independent circuit (1986–1988)[link]

Hart first gained wrestling experience in the amateur wrestling division at high school, through which he met his wife, Martha.^[5] Wrestling was not Hart's first choice for a career; as Martha explained in her book Broken Harts, Owen tried numerous times to find a profitable living outside of wrestling.^[6] As those attempts were unsuccessful, Hart was trained in his father's Hart Dungeon and made his professional debut in 1986 for his father’s federation, Stampede Wrestling. He remained with Stampede for the next couple of years while honing his skills. During 1986, Hart teamed with Ben Bassarab and won the Stampede Wrestling International Tag Team Championship.^[7] The success of the team and Hart's in ring skills earned him Pro Wrestling Illustrated's Rookie of the Year Award in 1987. After he and Bassarab lost the tag team title,^[7] he feuded with Johnny Smith and Dynamite Kid.

In 1987, Hart branched out to Japan where he wrestled for New Japan Pro Wrestling (NJPW) on several tours. In NJPW, he wrestled Keiichi Yamada both unmasked^[8] and later under the Jushin Liger gimmick. On May 27, 1988, Hart defeated Hiroshi Hase for the IWGP Junior Heavyweight Championship.^[7]

World Wrestling Federation (1988-1989)[link]

Hart's success in Japan and Stampede’s working relationship with the World Wrestling Federation led to Hart signing with the company in the fall of 1988. He debuted at the Los Angeles Sports Arena in August 1988 under a mask called the Blue Angel. Instead of promoting Owen as Bret Hart’s younger brother, the WWF decided to create a masked "superhero" type gimmick for him known as The Blue Blazer. The Blazer was eliminated at Survivor Series,^[9] lost to Ted DiBiase on the March 11, 1989 edition of Saturday Night's Main Event,^[10] and was defeated by Mr. Perfect at WrestleMania V.^[11]

Return to independent circuit (1989-1991)[link]

Shortly after WrestleMania, Hart left the WWF to tour the world both with and without the Blue Blazer gimmick. He also returned to Stampede, until it shut down in December 1989. In 1991, Hart lost the Blue Blazer mask in a mascara contra mascara match against Mexican wrestler El Canek, thus bidding farewell to the Blue Blazer gimmick.^[12]

World Championship Wrestling (1991)[link]

Owen debuted in World Championship Wrestling's self-titled TV show on March 16, 1991, the first of five TV matches he competed in, all of which were against preliminary talent. One of the bouts saw Owen team with Ricky Morton.^[13]

Return to World Wrestling Federation[link]

The New Foundation (1991–1992)[link]

Hart had been engaged in contract discussions with WCW but the deal was never struck, as Owen was not willing to move himself and his family to the company's headquarters in Atlanta.^[6] Instead, he signed with the WWF for a second time. In the WWF the popular Hart Foundation, composed of his brother Bret and real-life brother-in-law Jim Neidhart, had split up; Bret set out on a singles career while Neidhart was used sparingly. When Neidhart returned from a storyline injury, he joined Owen to form a team known as The New Foundation.

Owen and Neidhart first feuded with the Beverly Brothers. They then had their only pay-per-view match at the Royal Rumble in January 1992 where they beat The Orient Express.^[14] Neidhart left the WWF shortly afterward, and Hart set out on a very short run as a singles wrestler, including a match at WrestleMania VIII against Skinner.^[15] Shortly after WrestleMania, Hart was teamed up with Koko B. Ware to form the duo known as High Energy. They had only one pay-per-view match as a team, at the Survivor Series where they lost to The Headshrinkers.^[16] The team was quietly dropped at the start of 1993 with Hart starting a singles career.

Feud with Bret (1993–1995)[link]

Owen's feud with his brother Bret, won the Pro Wrestling Illustrated Feud of the Year award and garnered praise from the Wrestling Observer Newsletter for their steel cage match at SummerSlam.

In the middle of 1993, when Bret Hart’s feud with Jerry Lawler ignited, Owen stood by his brother’s side and fought against Lawler in the United States Wrestling Association where most of the WWF talent were considered the heels. Owen won the USWA Unified World Heavyweight Championship from Papa Shango.^[7] Owen’s participation in the WWF vs. USWA feud was cut short when he suffered a knee injury in the summer of 1993 and was forced to take some time away from the ring.

Hart returned to the WWF ring in the fall of 1993, at a time when Bret’s feud with Lawler was temporarily sidetracked. Bret, along with Owen and their brothers Bruce and Keith, were scheduled to face Lawler and his team at Survivor Series. However, Lawler was unable to make it to the show, and as a result could not appear on WWF television. Lawler was replaced with Shawn Michaels. During the match Owen and Bret inadvertently crashed into each other, causing Owen to be eliminated from the team. Owen showed up after the match and had a heated confrontation with Bret, while Keith, Bruce and Stu tried to calm things down. This confrontation resulted in Owen leaving the ring to boos while his brothers and father watched in dismay and mother Helen cried at ringside. The following night Owen adopted the pink and black tights, sunglasses and Sharpshooter finisher to send a message to his brother. Owen, angry with being in Bret's shadow, challenged his brother which Bret declined. Instead the brothers seemed to reunite by the holidays.

Owen Hart adorned his attire with the nickname The King of Harts after winning the 1994 King of the Ring.

Bret tried to make amends with Owen, teaming with him on a regular basis. Bret even secured the two a shot at the WWF Tag Team Championship. They faced the Quebecers for the title at the Royal Rumble in January 1994. Initially everything was fine between the brothers, but when Bret hurt his knee (kayfabe) and was unable to tag Owen in for a long period of time, the younger Hart got frustrated. When the referee stopped the match due to Bret's damaged knee, Owen snapped; he kicked his brother in the knee and then walked off, berating Bret on the Titantron shortly after as Bret was being helped backstage. This started his run as a heel.^[17] After the act an infuriated Owen accused his brother of being selfish and holding him down. Owen admitted that it felt good to take out his brother. The two brothers faced off for the first time at WrestleMania X, where Owen cleanly pinned his older brother. Later in the evening, Bret won the WWF Title while Owen stood by and watched in jealousy as Bret celebrated in the ring.^[18] Owen won the King of the Ring Tournament with Jim Neidhart’s help.^[19] After the victory, Owen took the nickname “The King of Harts."

Owen and Bret feuded throughout the summer of 1994, clashing many times both in singles and later in tag team matches (with Bret joined by the returning British Bulldog). Two matches stand out in this feud: first, their Steel Cage match at SummerSlam for Bret's WWF Championship, which Bret won.^[20] This match later recevied a 5-star rating from Dave Meltzer. The second was a lumberjack match on August 17 that Owen initially won and was announced as WWF Champion; Bret won the match after it was ordered to continue due to interference.^[21] At the Survivor Series, Owen struck the most damaging blow against his brother as he conned his own mother Helen to throw in the towel for Bret. The ploy cost Bret the world title to Bob Backlund.^[22] Owen also prevented Bret from regaining the title at the Royal Rumble in 1995 when he interfered in the match between Bret and new champion Diesel.^[23] In the weeks after the Rumble, Bret and Owen clashed again with Bret soundly defeating his brother, thus putting an end to their feud for the time being.

Owen rebounded from the loss to Bret by winning the WWF Tag Team title from The Smoking Gunns at WrestleMania XI.^[7] Owen, who was joined by a "Mystery Partner", had challenged the Gunns to a title match; the partner turned out to be former world champion Yokozuna.^[24][25] After the victory Owen took Jim Cornette and Mr. Fuji as his managers, who already managed Yokozuna. The team defended the title for 5 months until they lost them to Shawn Michaels and Diesel at In Your House 3. They would briefly hold the title a second time when the belts were handed back to them^[26] before the Smoking Gunns regained the title.^[7] Owen and Yokozuna would continue to team off and on until the end of the year.

Team with The British Bulldog (1996–1997)[link]

In 1995, Owen's brother-in-law Davey Boy Smith turned heel and joined the Camp Cornette stable. During the summer of 1996 the two brothers in law started to team up more and more, sometimes alongside Vader who was also a member of Camp Cornette.^[27] Owen was also a color commentator for the 1996 King of the Ring (exhibiting clear partisan support for Vader and Smith) and during this time wore a cast on his right forearm for several months, feigning a nagging injury to subsequently use his cast as a weapon during his matches.

In September 1996, Bulldog and Hart earned a pay-per-view shot at the tag team title at In Your House 10.^[28] Owen and Bulldog left with the gold after defeating the Smoking Gunns.^[7][29] They also left with a new manager as Clarence Mason had conned Jim Cornette into signing over the contracts of the new champions. Signs of dissension, however, slowly started to show. One occasion where this was evident was at the Royal Rumble when Hart accidentally eliminated Bulldog.^[30] After the Rumble, Bulldog fired Mason, something which did not sit well with Hart. Another bone of contention between the two was the newly created WWF European Championship; both men had fought their way to the finals to crown the first champion with Bulldog coming out as the victor.^[7]

After retaining the tag team title against the Headbangers by disqualification on the March 24, 1997 edition of Monday Night Raw, the tension between the two bubbled over. An incensed Hart demanded a shot at Bulldog’s European title the next week.^[31] The match was booked for March 31; on the night, the two went at it with such intensity that many thought the tag team champions had finally gone their separate ways. Then in a shocking moment, the recently turned heel Bret Hart appeared at ringside and stopped the match. Bret appealed to both Owen and Bulldog, talking about the importance of family.^[32] They agreed to put their differences aside and join with Bret to form the new Hart Foundation, an anti-American stable that also included Hart in-law Jim Neidhart and Hart family friend Brian Pillman.

The Hart Foundation (1997)[link]

After forming the Hart Foundation, Owen quickly gained singles gold of his own as he pinned Rocky Maivia to win his first WWF Intercontinental Championship.^[7][33] This meant that the Hart Foundation held every WWF title except the World title, cementing their dominance over the federation. It was not all success for Owen, though, as he and the British Bulldog lost their tag team title to Stone Cold Steve Austin and Shawn Michaels on May 25, 1997.^[7] He began feuding with Austin shortly thereafter.

Owen and Bulldog got a second chance at regaining the tag team titles after Michaels vacated his half of the championship due to an injury. On the July 14, 1997 edition of Raw the two entered a tournament and won to face Austin and a partner of his choice that evening for the vacant titles. That partner turned out to be Dude Love, who declared himself to be Austin's partner and helped him defeat Hart and Bulldog for the tag team championship.

Hart in 1997

At SummerSlam in August, Hart was to defend his Intercontinental Championship against Austin in a "Kiss My Ass" match, where Hart put the title up against Austin having to kiss his buttocks if he lost. During the match, Hart botched a piledriver and dropped Austin on the top of his head, injuring his neck.^[34] Austin won the title from Hart that evening,^[7] but due to the injury was forced to vacate the title. Although the entire situation was an accident, the WWF decided to make it part of the storyline as Owen began wearing a t-shirt patterned after Austin's that read "Owen 3:16/I Just Broke Your Neck". Hart was then entered into a tournament to crown a new champion.

Hart fought his way to the finals of the tournament to crown the next Intercontinental champion and was set to face Faarooq at In Your House: Bad Blood. Owen beat Faarooq with Austin’s help.^[35] Afterward, Austin explained that he wanted to beat Hart for the title when he returned and would not allow Faarooq or anyone else to beat him. After Hart retained the title twice by disqualification between Bad Blood and Survivor Series in Montreal, Austin got his wish and defeated Hart for the Intercontinental Championship again.^[7][36] Later that night, the Montreal Screwjob took place. Bret left the Federation after the event and both the British Bulldog and Jim Neidhart were granted quick releases from their contracts to jump to WCW. This left Owen as the only Hart family member remaining in the WWF, due to his contractual obligations. Unlike Smith and Neidhart, Vince McMahon did not grant Owen a release from his contract and Owen remained with the company. He was skeptical about returning to WCW anyway, as he was not confident that the organization would use him correctly. Bret has said that the biggest reason Owen did not make the move was because WCW president Eric Bischoff was unwilling to match his WWF contract.^[37]

The Black Hart and Nation of Domination (1997–1998)[link]

Hart was not seen or mentioned on WWF programming until he made a surprise appearance after Shawn Michaels retained his title following a disqualification loss to Ken Shamrock at In Your House: D-Generation X where he attacked Michaels. Now a fan favorite, but with a new edgy, antisocial attitude, Hart became known as "The Lone Hart" and also "The Black Hart".^[38] Owen had a feud with DX and challenged Shawn Michaels for the WWF Championship on the December 29, 1997 edition of Raw: Hart had Michaels locked in the sharpshooter when Triple H interfered in order to save Michaels' title, giving Hart the victory by disqualification.^[39] He later won the European title from Triple H, although not directly.^[40] Goldust dressed up as Triple H in an attempt to swerve Hart, but Commissioner Slaughter considered him to be a legitimate replacement.^[7][40] Hart later suffered a kayfabe ankle injury during a match involving Triple H. When Hart joined the commentary at ringside, Triple H managed to draw Owen into an impromptu title match and regained the title. Chyna interfered while the referee wasn't looking and while Triple H was distracting the referee, she struck Hart behind the left knee with a baseball bat, picked him up and threw him back into the ring where Triple H put Hart in a reverse ankle lock to his injured right ankle to win the Europeon Championship under referees discretion in controversial fashion. ^[7]

Owen Hart in the final years of his life.

Four weeks after WrestleMania, during a tag team match with Ken Shamrock against D'Lo Brown and Rocky Maivia (later known as The Rock), Hart turned on Shamrock, "snapping" his ankle and "biting his ear" in the process.^[41] After the attack on Shamrock, Hart became the co-leader, with The Rock, of the Nation of Domination, claiming that “Enough is enough and it’s time for a change". The Nation’s first big feud after Hart joined was against DX. It was during this feud that D-Generation X parodied the Nation of Domination. The imitation was complete with Jason Sensation dressing up as Hart and coining the phrase “I am not a nugget"; this was in response to Shawn Michaels referring to Owen as a nugget of feces sticking to the side of a toilet bowl, and no matter how many times Shawn Michaels flushed, it kept sticking around and he was unable to get rid of it. "Nugget" became a derisive term that followed Hart for the rest of his career. Hart’s participation in the DX feud was sidetracked when Shamrock returned from injuries dead set on getting revenge on Hart. The two split a pair of specialty matches on pay-per-view,^[42][43] but nothing was ever conclusively settled between them.

Teaming with Jeff Jarrett (1998–1999)[link]

Hart remained with the Nation throughout the year until the stable slowly dissolved. After SummerSlam, he teamed with Jeff Jarrett. Hart and Jarrett had Jarrett's manager Debra in their corner. During this time a storyline was proposed that Hart was supposed to have an on-screen affair with Debra, something which Owen turned down.^[6]

After a match in which Hart "accidentally injured" Dan Severn, Hart seemingly quit the WWF.^[44] Playing off the legitimate injury Hart had inflicted on Austin the year before, the angle blurred the lines between reality and "storyline". Yet as soon as Hart "quit", the Blue Blazer appeared in the WWF claiming to in no way be Hart despite it being very obvious who was under the mask. Unlike the first run of the character, the Blazer was now an overbearing, self-righteous heel who treated the edgy Attitude Era WWF with disdain. Hart and Jarrett ended up making the storyline comical. To prove that Hart was not the Blazer, he showed up beside the Blue Blazer, who was a masked Jarrett. In a later attempt to prove that neither Hart or Jarrett was the Blazer, they both appeared next to a man in the Blue Blazer mask; however, it was obvious that a black man was under the mask (Hart's former tag team partner Koko B. Ware).^[1] On January 25, 1999, in the midst of the Blue Blazer angle Hart and Jarrett defeated Ken Shamrock and The Big Boss Man for the tag team title.^[7][45] They continued to team together until Hart's death in May during the Over the Edge pay-per-view event.

Personal life[link]

He met Martha Joan Patterson in 1982.^{[citation needed]}They married on July 1, 1989, and they had two children. Oje Edward Hart was born on March 5, 1992 and Athena Christie Hart was born on September 23, 1995.^{[citation needed]}

On May 28, 2011- Owen was inducted into the Legends Pro Wrestling "Hall of Fame" by Jack Blaze in Wheeling, WV at their "LPW Hart & Soul Tour" event. The award was accepted by his brother-in-law Jim Neidhart who was also inducted that night.

Death[link]

On May 23, 1999, Hart fell to his death in Kansas City, Missouri during the Over the Edge pay-per-view event.^[46] Hart was in the process of being lowered via harness and grapple line into the ring from the rafters of Kemper Arena for a booked Intercontinental Championship match against The Godfather. In keeping with the Blazer's new "buffoonish superhero" character, he was to begin a dramatic entrance, being lowered to just above ring level, at which time he would act "entangled", then release himself from the safety harness and fall flat on his face for comedic effect—this necessitated the use of a quick release mechanism. It was an elaboration on a Blue Blazer stunt done previously on the Sunday Night Heat before Survivor Series in 1998.^[44] Many suspected the harness was made for lowering small tools to carpenters, not for any human being. Hart fell 78 feet (24 m) into the ring, landing chest-first on the top rope, approximately a foot from the nearest turnbuckle, throwing him into the ring.^[47]

Hart had performed the stunt only a few times before and was worried about performing the stunt at Kemper due to the height involved. Hart's wife Martha has suggested that, by moving around to get comfortable with both the harness and his cape on, Hart unintentionally triggered an early release. Television viewers at home did not see the incident or its aftermath—at the moment of the fall, a pre-taped vignette was being shown on the pay-per-view broadcast as well as on the monitors in the darkened arena. After, while Hart was being worked on by medical personnel inside the ring, the live event's broadcast showed only the audience. Meanwhile, WWF television announcer Jim Ross repeatedly told those watching live on pay-per-view that what had just transpired was not a wrestling angle or storyline and that Hart was hurt badly, emphasizing the seriousness of the situation.^[48] Hart was transported to Truman Medical Center in Kansas City, where several attempts to revive him were made, until he died from his injuries; some believe he died in the ring.^[49] He was 34 years old. The cause was later revealed to be internal bleeding from blunt chest trauma. ^[50]

Controversy and lawsuit[link]

The WWF management controversially chose to continue the event.^[51] Later, Jim Ross announced the death of Hart to the home viewers during the pay-per-view, but not to the crowd in the arena.^[52] While the show did go on, it has never been released commercially by WWF Home Video. In the weeks that followed, much attention was focused on the harness Hart used that night, especially on the "quick release" trigger and safety latches. When someone is lowered from the rafters in a harness, there are backup latches that must be latched for safety purposes.

Three weeks after the event, the Hart family sued the WWF over how dangerous and poorly planned the stunt was, and that the harness system was defective.^[53] After over a year and a half into the case, a settlement was reached on November 2, 2000, which saw the WWF give the Hart family $18 million.^[54][55][56] The manufacturer of the harness system was also a defendant against the Hart family, but they were dismissed from the case after the settlement was reached.^[53][54] Martha used millions of the settlement to establish the Owen Hart Foundation.^[57] Martha wrote a book about Hart's life in 2002 called Broken Harts: The Life and Death of Owen Hart.^[6]

In his DVD set Bret "Hit Man" Hart: The Best There Is, The Best There Was, The Best There Ever Will Be, Bret said that he wishes he had been with the WWF the night Owen's accident happened, as he would have discouraged Owen from performing the stunt.^[58]

[edit] Raw is Owen

Raw is Owen is the name given to a special live episode of WWF Raw is War that aired on May 24, 1999, the night after Hart's death. It was broadcast live from the Kiel Center in St. Louis.^[4] It featured shoot interviews from his fellow wrestlers.^[4][59] According to Raw Exposed (a special that aired before the first Raw airing on its return to USA Network on October 3, 2005), WWF management gave all wrestlers on the roster the option of working or not. Nevertheless, ten matches were booked with no angles.

The show began with all the wrestlers, managers, referees and agents of the WWF (except WWF Champion The Undertaker and Kane) standing on the entrance ramp; Vince, Linda, and Stephanie McMahon were at the front of the ramp. Howard Finkel called for a ten-bell salute. Hart's former Nation of Domination comrades were emotional, most notably Mark Henry, who read a poem that he wrote in memory of Hart. A tribute video narrated by Vince then played on the Titan Tron.^[60] Throughout the broadcast, personal thoughts on Hart in the form of shoot interviews with various WWF Superstars were played. Before the first commercial break, such thoughts were aired from Mick Foley and Bradshaw. Foley noted that Hart was his son's favorite wrestler and had proudly gotten a haircut like Owen's, although he also said his son did not quite understand that "nugget" was not a term of endearment.^[61] Bradshaw talked about how Hart spent less money on the road than most wrestlers because he wanted to retire early and spend time with his family. Owen's friend and Nation of Domination partner The Rock also made a short speech before engaging in a short match against Val Venis. The broadcast ended with Steve Austin coming out for a special salute to Hart by climbing the turnbuckle and performing his famous beer guzzling routine, and leaving one beer in the ring 'for Owen'. The only notable absence from this show was The Undertaker as he decided to visit his real-life good friend, Bret Hart.

The tribute show scored a Nielsen ratings score of 7.2, making the highest rated show in Raw history. Shawn Michaels, in his Heartbreak and Triumph autobiography, notes that "Owen is the only guy you could have a 2-hour show for, and no-one would say a bad word about him." The next day, WWF taped the episode of Raw for May 31, 1999. During that show, Jeff Jarrett defeated The Godfather to win the WWF Intercontinental Championship,^[7] the title Hart was booked to win for a third time at Over the Edge. Jarrett screamed Hart's name as the belt was handed to him.

In wrestling[link]

• Finishing moves
  • As Owen Hart
    • Bridging Northern Lights suplex – Early career;^[62] Used as a regular move from 1994–1999
    • Missile dropkick^[1] – Early career;^[62] Used as a regular move from 1994–1999
    • Reverse piledriver,^[1] sometimes while kneeling^[1] – 1997–1999
    • Sharpshooter^[1]
  • As The Blue Blazer
    • Diving splash^[63]
    • Moonsault^[63]

• Signature moves
  • Belly to belly suplex^[1]
  • Diving elbow drop^[1]
  • Diving headbutt^[1]
  • Dragon sleeper^[1]
  • Gutwrench suplex^[1]
  • Jackknife pin^[1]
  • Leg-feed enzuigiri^[1]
  • Leg grapevine^[1]
  • Spinning heel kick^[1]
  • Superkick^[1]

• With Jim Neidhart
  • Rocket launcher

• Managers
  • Jim Cornette^[64]
  • Clarence Mason
  • Debra
  • Bret Hart
  • Mr. Fuji

• Nicknames
  • "The Rocket"^[1]
  • "The King of Harts"^[1]
  • "The Black Hart"^[1]
  • "The Lone Hart"^[1]
  • "The Two-Time Slammy Award Winner"^[1]

• Entrance themes
  • World Wrestling Federation/Entertainment
    • "Superhero (V1)" As Blue Blazer
    • "Rocket"
    • "Enough Is Enough"
    • "Enough Is Enough (Nation)" Used While Part Of The Nation Of Domination
    • "Blackhart (V1)"
    • "Blackhart (V2)"
    • "Country Rock Theme" Used While Teaming With Jeff Jarrett
    • "Superhero (V2)" As Blue Blazer

Championships and accomplishments[link]

Hart won every major championship in the WWF, except for the WWF Championship he is seen holding here.

• Legends Pro Wrestling
  • Inducted into the LPW Hall of Fame (5/28/11)

• New Japan Pro Wrestling
  • IWGP Junior Heavyweight Championship (1 time)^[65]

• Pro Wrestling Illustrated
  • PWI Editor's Award^[66] (1999)
  • PWI Feud of the Year^[67] (1994) vs. Bret Hart
  • PWI Rookie of the Year^[68] (1987)
  • PWI ranked him #10 of the 500 singles wrestlers in the PWI 500 in 1994^[69]
  • PWI ranked him #84 of the 100 best tag teams of the PWI Years with Davey Boy Smith in 2003^[70]
  • PWI ranked him #66 of the top 500 singles wrestlers of the "PWI Years" in 2003^[71]

• Stampede Wrestling
  • Stampede British Commonwealth Mid-Heavyweight Championship (1 time)^[72]
  • Stampede Wrestling International Tag Team Championship (1 time) – with Ben Bassarab^[73]
  • Stampede North American Heavyweight Championship (2 times)^[74]
  • Stampede Wrestling Hall of Fame^[75]

• United States Wrestling Association
  • USWA Unified World Heavyweight Championship (1 time)^[76]

• World Wrestling Federation
  • WWF European Championship (1 time)^[40]
  • WWF Intercontinental Championship (2 times)^[33][35]
  • WWF World Tag Team Championship (4 times) – with Yokozuna (2),^[25][26] The British Bulldog (1),^[29] and Jeff Jarrett (1)^[45]
  • King of the Ring (1994)
  • Slammy Award for Squared Circle Shocker (1996)¹
  • Slammy Award for Best Bow Tie (1997)^2[77]

• Wrestling Observer Newsletter awards
  • 5 Star Match (1994) vs. Bret Hart in a cage match at SummerSlam
  • Best Flying Wrestler (1987, 1988)
  • Feud of the Year (1997) with Bret Hart, Jim Neidhart, Davey Boy Smith, and Brian Pillman vs. Steve Austin

¹Awarded to Shawn Michaels for collapsing but Hart accepted the award for himself.
²After he presented the Award, Hart never awarded it to any of the possible candidates and instead stole it for himself.

See also[link]

	Biography portal
	Professional wrestling portal

• Deaths in sports
• Hart wrestling family
• List of unusual deaths

References[link]

External links[link]

• Owen Hart's Funeral
• Owen Hart at Find a Grave
• Bret Hart column mentioning he and Owen holding dual citizenship
• Bret Hart and Hart family News

Statue of King Arthur, Hofkirche, Innsbruck, designed by Albrecht Dürer and cast by Peter Vischer the Elder, 1520s^[1]

King Arthur of Britain, by Howard Pyle from The Story of King Arthur and His Knights. (1903)

King Arthur is a legendary British leader of the late 5th and early 6th centuries, who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the early 6th century. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians.^[2] The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.^[3]

The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain).^[4] Some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn.^[5] How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.

Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. Many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, Arthur's wife Guinevere, the sword Excalibur, Arthur's conception at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chrétien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. However, the Arthur in films and television is clearly depicted as living during a much later period – the costumes used in such dramatizations resemble those of people living in the 12th century more than they do those used during the 5th or 6th.

Debated historicity[link]

Arthur as one of the Nine Worthies, tapestry, c. 1385

The first datable mention of King Arthur is in a 9th century Latin text. The Historia Brittonum, a 9th-century Latin historical compilation attributed in some late manuscripts to a Welsh cleric called Nennius, lists twelve battles that Arthur fought. These culminate in the Battle of Mons Badonicus, or Mount Badon, where he is said to have single-handedly killed 960 men. Recent studies, however, question the reliability of the Historia Brittonum.^[6] The historical basis for the King Arthur legend has long been debated by scholars. One school of thought, citing entries in the Historia Brittonum (History of the Britons) and Annales Cambriae (Welsh Annals), sees Arthur as a genuine historical figure, a Romano-British leader who fought against the invading Anglo-Saxons sometime in the late 5th to early 6th century.

The other text that seems to support the case for Arthur's historical existence is the 10th-century Annales Cambriae, which also link Arthur with the Battle of Mount Badon. The Annales date this battle to 516–518, and also mention the Battle of Camlann, in which Arthur and Medraut (Mordred) were both killed, dated to 537–539. These details have often been used to bolster confidence in the Historia's account and to confirm that Arthur really did fight at Mount Badon. Problems have been identified, however, with using this source to support the Historia Brittonum's account. The latest research shows that the Annales Cambriae was based on a chronicle begun in the late 8th century in Wales. Additionally, the complex textual history of the Annales Cambriae precludes any certainty that the Arthurian annals were added to it even that early. They were more likely added at some point in the 10th century and may never have existed in any earlier set of annals. The Mount Badon entry probably derived from the Historia Brittonum.^[7]

This lack of convincing early evidence is the reason many recent historians exclude Arthur from their accounts of sub-Roman Britain. In the view of historian Thomas Charles-Edwards, "at this stage of the enquiry, one can only say that there may well have been an historical Arthur [but ...] the historian can as yet say nothing of value about him".^[8] These modern admissions of ignorance are a relatively recent trend; earlier generations of historians were less sceptical. Historian John Morris made the putative reign of Arthur the organising principle of his history of sub-Roman Britain and Ireland, The Age of Arthur (1973). Even so, he found little to say about a historical Arthur.^[9]

The 10th-century Annales Cambriae, as copied into a manuscript of c. 1100

Partly in reaction to such theories, another school of thought emerged which argued that Arthur had no historical existence at all. Morris's Age of Arthur prompted archaeologist Nowell Myres to observe that "no figure on the borderline of history and mythology has wasted more of the historian's time".^[10] Gildas' 6th-century polemic De Excidio et Conquestu Britanniae (On the Ruin and Conquest of Britain), written within living memory of Mount Badon, mentions the battle but does not mention Arthur.^[11] Arthur is not mentioned in the Anglo-Saxon Chronicle or named in any surviving manuscript written between 400 and 820.^[12] He is absent from Bede's early 8th-century Ecclesiastical History of the English People, another major early source for post-Roman history that mentions Mount Badon.^[13] Historian David Dumville has written: "I think we can dispose of him [Arthur] quite briefly. He owes his place in our history books to a 'no smoke without fire' school of thought ... The fact of the matter is that there is no historical evidence about Arthur; we must reject him from our histories and, above all, from the titles of our books."^[14]

Some scholars argue that Arthur was originally a fictional hero of folklore—or even a half-forgotten Celtic deity—who became credited with real deeds in the distant past. They cite parallels with figures such as the Kentish totemic horse-gods Hengest and Horsa, who later became historicised. Bede ascribed to these legendary figures a historical role in the 5th-century Anglo-Saxon conquest of eastern Britain.^[15] It is not even certain that Arthur was considered a king in the early texts. Neither the Historia nor the Annales calls him "rex": the former calls him instead "dux bellorum" (leader of battles) and "miles" (soldier).^[16]

Historical documents for the post-Roman period are scarce, so a definitive answer to the question of Arthur's historical existence is unlikely. Sites and places have been identified as "Arthurian" since the 12th century,^[17] but archaeology can confidently reveal names only through inscriptions found in secure contexts. The so-called "Arthur stone", discovered in 1998 among the ruins at Tintagel Castle in Cornwall in securely dated 6th-century contexts, created a brief stir but proved irrelevant.^[18] Other inscriptional evidence for Arthur, including the Glastonbury cross, is tainted with the suggestion of forgery.^[19] Although several historical figures have been proposed as the basis for Arthur,^[20] no convincing evidence for these identifications has emerged.

Name[link]

The origin of the name Arthur remains a matter of debate. Some suggest it is derived from the Roman nomen gentile (family name) Artōrius, of obscure and contested etymology^[21] (but possibly of Messapic^[22][23][24] or Etruscan origin^[25][26][27]). Some scholars have suggested it is relevant to this debate that the legendary King Arthur's name only appears as Arthur, or Arturus, in early Latin Arthurian texts, never as Artōrius (though it should be noted that Classical Latin Artōrius became Arturius in some Vulgar Latin dialects). However, this may not say anything about the origin of the name Arthur, as Artōrius would regularly become Art(h)ur when borrowed into Welsh.^[28]

Another possibility is that it is derived from a Brittonic patronym *Arto-rīg-ios (the root of which, *arto-rīg- "bear-king" is to be found in the Old Irish personal name Art-ri) via a Latinized form Artōrius.^[29] Less likely is the commonly proposed derivation from Welsh arth "bear" + (g)wr "man" (earlier *Arto-uiros in Brittonic); there are phonological difficulties with this theory—notably that a Brittonic compound name *Arto-uiros should produce Old Welsh *Artgur and Middle/Modern Welsh *Arthwr and not Arthur (in Welsh poetry the name is always spelled Arthur and is exclusively rhymed with words ending in -ur - never words ending in -wr - which confirms that the second element cannot be [g]wr "man").^[30][31]

An alternative theory, which has gained only limited acceptance among professional scholars,^[32] derives the name Arthur from Arcturus, the brightest star in the constellation Boötes, near Ursa Major or the Great Bear. Classical Latin Arcturus would also have become Art(h)ur when borrowed into Welsh, and its brightness and position in the sky led people to regard it as the "guardian of the bear" (which is the meaning of the name in Ancient Greek) and the "leader" of the other stars in Boötes.^[33]

A similar first name is Old Irish Artúr, which is believed to be derived directly from an early Old Welsh or Cumbric Artur.^[34] The earliest historically attested bearer of the name is a son or grandson of Áedán mac Gabráin (d. AD 609).^[35]

Medieval literary traditions[link]

The creator of the familiar literary persona of Arthur was Geoffrey of Monmouth, with his pseudo-historical Historia Regum Britanniae (History of the Kings of Britain), written in the 1130s. The textual sources for Arthur are usually divided into those written before Geoffrey's Historia (known as pre-Galfridian texts, from the Latin form of Geoffrey, Galfridus) and those written afterwards, which could not avoid his influence (Galfridian, or post-Galfridian, texts).

Pre-Galfridian traditions[link]

A facsimile page of Y Gododdin, one of the most famous early Welsh texts featuring Arthur, c. 1275

The earliest literary references to Arthur come from Welsh and Breton sources. There have been few attempts to define the nature and character of Arthur in the pre-Galfridian tradition as a whole, rather than in a single text or text/story-type. One recent academic survey that does attempt this, by Thomas Green, identifies three key strands to the portrayal of Arthur in this earliest material.^[36] The first is that he was a peerless warrior who functioned as the monster-hunting protector of Britain from all internal and external threats. Some of these are human threats, such as the Saxons he fights in the Historia Brittonum, but the majority are supernatural, including giant cat-monsters, destructive divine boars, dragons, dogheads, giants and witches.^[37] The second is that the pre-Galfridian Arthur was a figure of folklore (particularly topographic or onomastic folklore) and localised magical wonder-tales, the leader of a band of superhuman heroes who live in the wilds of the landscape.^[38] The third and final strand is that the early Welsh Arthur had a close connection with the Welsh Otherworld, Annwn. On the one hand, he launches assaults on Otherworldly fortresses in search of treasure and frees their prisoners. On the other, his warband in the earliest sources includes former pagan gods, and his wife and his possessions are clearly Otherworldly in origin.^[39]

One of the most famous Welsh poetic references to Arthur comes in the collection of heroic death-songs known as Y Gododdin (The Gododdin), attributed to the 6th-century poet Aneirin. In one stanza, the bravery of a warrior who slew 300 enemies is praised, but it is then noted that despite this "he was no Arthur", that is to say his feats cannot compare to the valour of Arthur.^[40] Y Gododdin is known only from a 13th-century manuscript, so it is impossible to determine whether this passage is original or a later interpolation, but John Koch's view that the passage dates from a 7th-century or earlier version is regarded as unproven; 9th- or 10th-century dates are often proposed for it.^[41] Several poems attributed to Taliesin, a poet said to have lived in the 6th century, also refer to Arthur, although these all probably date from between the 8th and 12th centuries.^[42] They include "Kadeir Teyrnon" ("The Chair of the Prince"),^[43] which refers to "Arthur the Blessed", "Preiddeu Annwn" ("The Spoils of Annwn"),^[44] which recounts an expedition of Arthur to the Otherworld, and "Marwnat vthyr pen[dragon]" ("The Elegy of Uther Pen[dragon]"),^[45] which refers to Arthur's valour and is suggestive of a father-son relationship for Arthur and Uther that pre-dates Geoffrey of Monmouth.

Other early Welsh Arthurian texts include a poem found in the Black Book of Carmarthen, "Pa gur yv y porthaur?" ("What man is the gatekeeper?").^[46] This takes the form of a dialogue between Arthur and the gatekeeper of a fortress he wishes to enter, in which Arthur recounts the names and deeds of himself and his men, notably Cei (Kay) and Bedwyr (Bedivere). The Welsh prose tale Culhwch and Olwen (c. 1100), included in the modern Mabinogion collection, has a much longer list of more than 200 of Arthur's men, though Cei and Bedwyr again take a central place. The story as a whole tells of Arthur helping his kinsman Culhwch win the hand of Olwen, daughter of Ysbaddaden Chief-Giant, by completing a series of apparently impossible tasks, including the hunt for the great semi-divine boar Twrch Trwyth. The 9th-century Historia Brittonum also refers to this tale, with the boar there named Troy(n)t.^[47] Finally, Arthur is mentioned numerous times in the Welsh Triads, a collection of short summaries of Welsh tradition and legend which are classified into groups of three linked characters or episodes in order to assist recall. The later manuscripts of the Triads are partly derivative from Geoffrey of Monmouth and later continental traditions, but the earliest ones show no such influence and are usually agreed to refer to pre-existing Welsh traditions. Even in these, however, Arthur's court has started to embody legendary Britain as a whole, with "Arthur's Court" sometimes substituted for "The Island of Britain" in the formula "Three XXX of the Island of Britain".^[48] While it is not clear from the Historia Brittonum and the Annales Cambriae that Arthur was even considered a king, by the time Culhwch and Olwen and the Triads were written he had become Penteyrnedd yr Ynys hon, "Chief of the Lords of this Island", the overlord of Wales, Cornwall and the North.^[49]

In addition to these pre-Galfridian Welsh poems and tales, Arthur appears in some other early Latin texts besides the Historia Brittonum and the Annales Cambriae. In particular, Arthur features in a number of well-known vitae ("Lives") of post-Roman saints, none of which are now generally considered to be reliable historical sources (the earliest probably dates from the 11th century).^[50] According to the Life of Saint Gildas, written in the early 12th century by Caradoc of Llancarfan, Arthur is said to have killed Gildas' brother Hueil and to have rescued his wife Gwenhwyfar from Glastonbury.^[51] In the Life of Saint Cadoc, written around 1100 or a little before by Lifris of Llancarfan, the saint gives protection to a man who killed three of Arthur's soldiers, and Arthur demands a herd of cattle as wergeld for his men. Cadoc delivers them as demanded, but when Arthur takes possession of the animals, they turn into bundles of ferns.^[52] Similar incidents are described in the medieval biographies of Carannog, Padarn and Eufflam, probably written around the 12th century. A less obviously legendary account of Arthur appears in the Legenda Sancti Goeznovii, which is often claimed to date from the early 11th century although the earliest manuscript of this text dates from the 15th century.^[53] Also important are the references to Arthur in William of Malmesbury's De Gestis Regum Anglorum and Herman's De Miraculis Sanctae Mariae Laudensis, which together provide the first certain evidence for a belief that Arthur was not actually dead and would at some point return, a theme that is often revisited in post-Galfridian folklore.^[54]

Geoffrey of Monmouth[link]

Mordred, Arthur's final foe according to Geoffrey of Monmouth, illustrated by H. J. Ford for Andrew Lang's King Arthur: The Tales of the Round Table, 1902

The first narrative account of Arthur's life is found in Geoffrey of Monmouth's Latin work Historia Regum Britanniae (History of the Kings of Britain).^[55] This work, completed c. 1138, is an imaginative and fanciful account of British kings from the legendary Trojan exile Brutus to the 7th-century Welsh king Cadwallader. Geoffrey places Arthur in the same post-Roman period as do Historia Brittonum and Annales Cambriae. He incorporates Arthur's father, Uther Pendragon, his magician advisor Merlin, and the story of Arthur's conception, in which Uther, disguised as his enemy Gorlois by Merlin's magic, sleeps with Gorlois's wife Igerna at Tintagel, and she conceives Arthur. On Uther's death, the fifteen-year-old Arthur succeeds him as King of Britain and fights a series of battles, similar to those in the Historia Brittonum, culminating in the Battle of Bath. He then defeats the Picts and Scots before creating an Arthurian empire through his conquests of Ireland, Iceland and the Orkney Islands. After twelve years of peace, Arthur sets out to expand his empire once more, taking control of Norway, Denmark and Gaul. Gaul is still held by the Roman Empire when it is conquered, and Arthur's victory naturally leads to a further confrontation between his empire and Rome's. Arthur and his warriors, including Kaius (Kay), Beduerus (Bedivere) and Gualguanus (Gawain), defeat the Roman emperor Lucius Tiberius in Gaul but, as he prepares to march on Rome, Arthur hears that his nephew Modredus (Mordred)—whom he had left in charge of Britain—has married his wife Guenhuuara (Guinevere) and seized the throne. Arthur returns to Britain and defeats and kills Modredus on the river Camblam in Cornwall, but he is mortally wounded. He hands the crown to his kinsman Constantine and is taken to the isle of Avalon to be healed of his wounds, never to be seen again.^[56]

Merlin the wizard, c. 1300^[57]

How much of this narrative was Geoffrey's own invention is open to debate. Certainly, Geoffrey seems to have made use of the list of Arthur's twelve battles against the Saxons found in the 9th-century Historia Brittonum, along with the battle of Camlann from the Annales Cambriae and the idea that Arthur was still alive.^[58] Arthur's personal status as the king of all Britain would also seem to be borrowed from pre-Galfridian tradition, being found in Culhwch and Olwen, the Triads and the Saints' Lives.^[59] In addition, many of the elements that Monmouth's King Arthur includes are strong parallels to "Culhwch and Olwen." The motifs and themes of loyalty, honor, giants, gift giving, wife-stealing, and magical creatures are prominent in both stories. Furthermore, Monmouth derived many of his character's names from "Culhwch and Olwen"; Sir Kay comes from "Kai"; Sir Bedivere is derived from "Bedwyr"; and lastly Sir Gawain is "Gwalchmei" in Welsh. Also, the heroines of both tales have similar names: the meaning of Guinever is "White Phantom", while Olwen equates with "of the white track."^[60] Finally, Geoffrey borrowed many of the names for Arthur's possessions, close family and companions from the pre-Galfridian Welsh tradition, including Kaius (Cei), Beduerus (Bedwyr), Guenhuuara (Gwenhwyfar), Uther (Uthyr) and perhaps also Caliburnus (Caledfwlch), the latter becoming Excalibur in subsequent Arthurian tales.^[61] However, while names, key events and titles may have been borrowed, Brynley Roberts has argued that "the Arthurian section is Geoffrey’s literary creation and it owes nothing to prior narrative."^[62] So, for instance, the Welsh Medraut is made the villainous Modredus by Geoffrey, but there is no trace of such a negative character for this figure in Welsh sources until the 16th century.^[63] There have been relatively few modern attempts to challenge this notion that the Historia Regum Britanniae is primarily Geoffrey's own work, with scholarly opinion often echoing William of Newburgh's late-12th-century comment that Geoffrey "made up" his narrative, perhaps through an "inordinate love of lying".^[64] Geoffrey Ashe is one dissenter from this view, believing that Geoffrey's narrative is partially derived from a lost source telling of the deeds of a 5th-century British king named Riotamus, this figure being the original Arthur, although historians and Celticists have been reluctant to follow Ashe in his conclusions.^[65]

Whatever his sources may have been, the immense popularity of Geoffrey's Historia Regum Britanniae cannot be denied. Well over 200 manuscript copies of Geoffrey’s Latin work are known to have survived, and this does not include translations into other languages.^[66] Thus, for example, around 60 manuscripts are extant containing Welsh-language versions of the Historia, the earliest of which were created in the 13th century; the old notion that some of these Welsh versions actually underlie Geoffrey's Historia, advanced by antiquarians such as the 18th-century Lewis Morris, has long since been discounted in academic circles.^[67] As a result of this popularity, Geoffrey's Historia Regum Britanniae was enormously influential on the later medieval development of the Arthurian legend. While it was by no means the only creative force behind Arthurian romance, many of its elements were borrowed and developed (e.g., Merlin and the final fate of Arthur), and it provided the historical framework into which the romancers' tales of magical and wonderful adventures were inserted.^[68]

Romance traditions[link]

During the 12th century, Arthur's character began to be marginalised by the accretion of "Arthurian" side-stories such as that of Tristan and Iseult. John William Waterhouse, 1916

The popularity of Geoffrey's Historia and its other derivative works (such as Wace's Roman de Brut) is generally agreed to be an important factor in explaining the appearance of significant numbers of new Arthurian works in continental Europe during the 12th and 13th centuries, particularly in France.^[69] It was not, however, the only Arthurian influence on the developing "Matter of Britain". There is clear evidence for a knowledge of Arthur and Arthurian tales on the Continent before Geoffrey's work became widely known (see for example, the Modena Archivolt),^[70] as well as for the use of "Celtic" names and stories not found in Geoffrey's Historia in the Arthurian romances.^[71] From the perspective of Arthur, perhaps the most significant effect of this great outpouring of new Arthurian story was on the role of the king himself: much of this 12th-century and later Arthurian literature centres less on Arthur himself than on characters such as Lancelot and Guenevere, Perceval, Galahad, Gawain, and Tristan and Isolde. Whereas Arthur is very much at the centre of the pre-Galfridian material and Geoffrey's Historia itself, in the romances he is rapidly sidelined.^[72] His character also alters significantly. In both the earliest materials and Geoffrey he is a great and ferocious warrior, who laughs as he personally slaughters witches and giants and takes a leading role in all military campaigns,^[73] whereas in the continental romances he becomes the roi fainéant, the "do-nothing king", whose "inactivity and acquiescence constituted a central flaw in his otherwise ideal society".^[74] Arthur's role in these works is frequently that of a wise, dignified, even-tempered, somewhat bland, and occasionally feeble monarch. So, he simply turns pale and silent when he learns of Lancelot's affair with Guinevere in the Mort Artu, whilst in Chrétien de Troyes's Yvain, the Knight of the Lion he is unable to stay awake after a feast and has to retire for a nap.^[75] Nonetheless, as Norris J. Lacy has observed, whatever his faults and frailties may be in these Arthurian romances, "his prestige is never—or almost never—compromised by his personal weaknesses ... his authority and glory remain intact."^[76]

Arthur and his retinue appear in some of the Lais of Marie de France,^[77] but it was the work of another French poet, Chrétien de Troyes, that had the greatest influence with regard to the above development of the character of Arthur and his legend.^[78] Chrétien wrote five Arthurian romances between c. 1170 and c. 1190. Erec and Enide and Cligès are tales of courtly love with Arthur's court as their backdrop, demonstrating the shift away from the heroic world of the Welsh and Galfridian Arthur, while Yvain, the Knight of the Lion features Yvain and Gawain in a supernatural adventure, with Arthur very much on the sidelines and weakened. However, the most significant for the development of the Arthurian legend are Lancelot, the Knight of the Cart, which introduces Lancelot and his adulterous relationship with Arthur's queen (Guinevere), extending and popularizing the recurring theme of Arthur as a cuckold, and Perceval, the Story of the Grail, which introduces the Holy Grail and the Fisher King and which again sees Arthur having a much reduced role.^[79] Chrétien was thus "instrumental both in the elaboration of the Arthurian legend and in the establishment of the ideal form for the diffusion of that legend",^[80] and much of what came after him in terms of the portrayal of Arthur and his world built upon the foundations he had laid. Perceval, although unfinished, was particularly popular: four separate continuations of the poem appeared over the next half century, with the notion of the Grail and its quest being developed by other writers such as Robert de Boron, a fact that helped accelerate the decline of Arthur in continental romance.^[81] Similarly, Lancelot and his cuckolding of Arthur with Guinevere became one of the classic motifs of the Arthurian legend, although the Lancelot of the prose Lancelot (c. 1225) and later texts was a combination of Chrétien's character and that of Ulrich von Zatzikhoven's Lanzelet.^[82] Chrétien's work even appears to feed back into Welsh Arthurian literature, with the result that the romance Arthur began to replace the heroic, active Arthur in Welsh literary tradition.^[83] Particularly significant in this development were the three Welsh Arthurian romances, which are closely similar to those of Chrétien, albeit with some significant differences: Owain, or the Lady of the Fountain is related to Chrétien's Yvain; Geraint and Enid, to Erec and Enide; and Peredur son of Efrawg, to Perceval.^[84]

The Round Table experience a vision of the Holy Grail. From a 15th century French manuscript.

Up to c. 1210, continental Arthurian romance was expressed primarily through poetry; after this date the tales began to be told in prose. The most significant of these 13th-century prose romances was the Vulgate Cycle (also known as the Lancelot-Grail Cycle), a series of five Middle French prose works written in the first half of that century.^[85] These works were the Estoire del Saint Grail, the Estoire de Merlin, the Lancelot propre (or Prose Lancelot, which made up half the entire Vulgate Cycle on its own), the Queste del Saint Graal and the Mort Artu, which combine to form the first coherent version of the entire Arthurian legend. The cycle continued the trend towards reducing the role played by Arthur in his own legend, partly through the introduction of the character of Galahad and an expansion of the role of Merlin. It also made Mordred the result of an incestuous relationship between Arthur and his sister and established the role of Camelot, first mentioned in passing in Chrétien's Lancelot, as Arthur's primary court.^[86] This series of texts was quickly followed by the Post-Vulgate Cycle (c. 1230–40), of which the Suite du Merlin is a part, which greatly reduced the importance of Lancelot's affair with Guinevere but continued to sideline Arthur, now in order to focus more on the Grail quest.^[85] As such, Arthur became even more of a relatively minor character in these French prose romances; in the Vulgate itself he only figures significantly in the Estoire de Merlin and the Mort Artu.

The development of the medieval Arthurian cycle and the character of the "Arthur of romance" culminated in Le Morte d'Arthur, Thomas Malory's retelling of the entire legend in a single work in English in the late 15th century. Malory based his book—originally titled The Whole Book of King Arthur and of His Noble Knights of the Round Table—on the various previous romance versions, in particular the Vulgate Cycle, and appears to have aimed at creating a comprehensive and authoritative collection of Arthurian stories.^[87] Perhaps as a result of this, and the fact that Le Morte D'Arthur was one of the earliest printed books in England, published by William Caxton in 1485, most later Arthurian works are derivative of Malory's.^[88]

Decline, revival, and the modern legend[link]

Post-medieval literature[link]