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Feeling Fucked Up Since I Got That Bite
What In Hell Was Eating That Fucking Guy?
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Feelings Of Foreboding Stalking Through My Mind
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Blood Fever
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Blood Fever
Blood Fever
Blood Fever | |
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File:BloodFever.jpg Puffin Books 2006 British paperback edition. |
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Author(s) | Charlie Higson |
Cover artist | Kev Walker (U.S. 1st hardback ed.) |
Country | United Kingdom |
Language | English |
Series | James Bond / Young Bond |
Genre(s) | Spy novel |
Publisher | Puffin Books |
Publication date | 5 January 2006 |
Media type | Print (Hardcover and Paperback) |
Pages | 384 pp (first edition, paperback) |
ISBN | ISBN 0-14-131860-0 (first edition, paperback) |
OCLC Number | 62132226 |
Preceded by | SilverFin |
Followed by | Double or Die |
Blood Fever is the second novel in the Young Bond series depicting Ian Fleming's superspy James Bond as a teenager in the 1930s. The novel, written by Charlie Higson, was released in the UK on January 5, 2006 by Puffin Books and in the U.S. by Miramax Books/Hyperion on June 1, 2006.
Unlike the previous Young Bond novel, SilverFin, which had its U.S. edition edited to remove descriptions that were considered too racy for younger readers, Blood Fever's U.S. edition was unedited.[1] The cover of the U.S. edition also features entirely different artwork by Kev Walker who is currently working on a graphic novel adaptation of SilverFin.[2]
Contents |
Blood Fever begins with a prologue during which a young girl named Amy Goodenough is aboard her father's yacht in the middle of the Mediterranean when she becomes witness to a band of pirates under the command of Zoltan the Magyar who board the yacht. Zoltan's men ransack the vessel and in the process murder Amy's father who was unwilling to part with his priceless possessions. When Amy fails to get revenge by throwing a knife at Zoltan and hitting him in the shoulder, she is taken prisoner, but swears she will one day succeed in achieving vengeance.
Following the adventure SilverFin, James Bond is back at Eton where he is now a member of a secret risk-taking club known as the Danger Society. As summer vacation looms, James is given the opportunity to go to Sardinia on a field trip with one of his professors, Peter Haight and a colleague, Cooper-ffrench. While there Bond would also be able to visit his cousin, Victor Delacroix (a relation of Monique Delacroix, James deceased mother).
Prior to leaving, Bond learns of the tragedy that took place on the Goodenough's yacht from his friend, Mark Goodenough, Amy's brother who attends Eton. Bond is also witness to a mysterious group whose followers are marked on both of their hands with an 'M' (double M), which James eventually learns is the mark of the Millenaria, a defunct secret Italian society that has had plans throughout history to restore the Roman Empire.
Once arriving in Sardinia, James and his classmates begin a tour of the country to learn its history, during which Bond is poisoned (though the reader is not aware of it at the time) and almost killed. To get away and relax, Bond departs from his classmates to spend time with his Cousin Victor, his artist friend Poliponi, and his teenage servant Mauro. While there Victor is host to the Count Ugo Carnifex, a man who is later identified as the leader of the reorganized Millenaria that plans once again to restore the glory of the Roman Empire. Carnifex achieves the funding for such a task, as well as for his palace located high in the mountains of Sardinia, and his lavish lifestyle, by hiring pirates such as Zoltan the Magyar to plunder valuable items; however, Carnifex is a fraud who cannot actually afford to compensate his "employees". Additionally, when Zoltan arrives at Carnifex's palace, Carnifex declares ownership over Amy Goodenough, much to the great annoyance of Zoltan, whom during his travels to Sardinia had formed a unique and strange bond with Amy.
Later Bond is once again reunited with his classmates who are now in a town near Carnifex's palace. During one night, Bond sneaks into the palace and finds Amy's cell, but is unable to rescue her and instead informs Peter Haight. Things go bad, however, when Haight reveals himself to be a loyal servant of Carnifex and had earlier attempted to poison and kill James for asking too many questions about the Millenaria. Carnifex subsequently tortures James by allowing the mosquitoes to have a field day (Carnifex betting that at some point one of them will be a carrier of malaria) while James is stripped of his shirt and strapped down, thus preventing him from escaping, killing any mosquitoes feeding and scratching itches, bringing the pain to a maximum. Bond is later rescued by Mauro's sister, Vendetta, who kisses him consistently.
Having put up with Carnifex for as long as he could bear, Zoltan turns against Carnifex by flooding his palace leaving it in ruins. Carnifex's sea plane is swept away by the water and flies straight into the count, killing him. Just prior, Bond sneaks into the palace with the help of Vendetta, much to her dismay, to rescue Amy. Vendetta is reluctant to let Bond go and attacks him. Bond convinces her not to follow and, for good measure, he gives her a tongue kiss of his own. After the destruction of the palace, Bond and Amy return to Victor Delacroix's villa, but are ambushed on the way by Peter Haight. Bond and Amy are saved, however, by Zoltan the Magyar who gives his life for their protection in the process. The grief-stricken Amy hugs Bond for comfort.
Amy and Bond arrive at Victor's villa. After skinny dipping and lying on the beach, they go up together. However, Jana Carnifex, Ugo's sister, is waiting for them. Bond tricks her, however, by jumping off the rock, while Victor distracts her. She slips and falls into a bed of sea urchins, where she finally dies from the pain and poison. As Bond and Amy wade to the surface, Amy suddenly steps on a sea urchin. Bond knows exactly how to remove it (and the text implies they share a kiss due to what happened earlier in the book and how Mauro removed the broken spines from James).
Justin Bieber | |
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Justin Bieber at the NRJ Music Awards in Cannes, France in 2012 |
|
Background information | |
Birth name | Justin Drew Bieber[1] |
Born | (1994-03-01) March 1, 1994 (age 18)[2] London, Ontario, Canada |
Origin | Stratford, Ontario, Canada |
Genres | Pop, R&B, teen pop[3][4][5] |
Occupations | Singer-songwriter, musician, actor |
Instruments | Vocals, guitar, piano, percussion,[6] trumpet[7] |
Years active | 2008–present |
Labels | Island, RBMG |
Associated acts | Usher, Ludacris |
Website | justinbiebermusic.com |
Justin Drew Bieber ( /ˈbiːbər/ BEE-bər, born March 1, 1994)[2] is a Canadian Pop/R&B singer-songwriter, musician, and actor.[3][5] Bieber was discovered in 2008 by Scooter Braun,[8] who came across Bieber's videos on YouTube and later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher,[9] and then to a recording contract with Island Records offered by L.A. Reid.[6][10] Bieber's debut single, "One Time", was released in 2009 and peaked in the top twenty in Canada and charted in the top thirty in several international markets. His debut album, the seven-track EP My World, followed in November 2009, and was soon certified platinum in the United States. He became the first artist to have seven songs from a debut album chart on the Billboard Hot 100.[11]
Bieber's first full-length studio album, My World 2.0, was released in March 2010. It debuted at number one or within the top ten in several countries and was certified platinum in the United States. It was preceded by the worldwide top-ten single, "Baby". The music video of "Baby" is currently ranked as the most viewed and most discussed YouTube video.[12] Bieber followed up the release of his debut album with his first headlining tour, the My World Tour, the remix albums My Worlds Acoustic and Never Say Never – The Remixes, and the 3D biopic-concert film Justin Bieber: Never Say Never, that nearly matched the record for the biggest opening weekend gross for a concert-film. Bieber released his second studio album, Under the Mistletoe, in November 2011, which debuted at number one on the Billboard 200. Bieber has received numerous awards, including Artist of the Year at the 2010 American Music Awards, and has been nominated for such awards as Best New Artist and Best Pop Vocal Album at the 53rd Grammy Awards. In 2012, Bieber was named Forbes 3rd most powerful celebrity in the world, earning $55 million. As of May 2012, Bieber has sold 15 million albums.[13]
Contents |
Bieber was born on March 1, 1994, in London, Ontario in St Joseph's Hospital,[14][15] and was raised in Stratford, Ontario.[16] Bieber's mother, Patricia Lynn "Pattie" Mallette, was 18 years old when she became pregnant. Mallette, originally from Stratford, raised her son with the help of her parents, Bruce and Diane.[17] Mallette worked a series of low-paying office jobs, raising Bieber as a single mother in low-income housing. Bieber has maintained contact with his father, Jeremy Jack Bieber, who married another woman and had two children.[18][19][20] Bieber's great-grandfather was from Germany.[21] Bieber's mother's ancestry is French Canadian.[22] Bieber attended a French immersion elementary school in Stratford called Jeanne Sauvé Catholic School.[17]
During his childhood, Bieber was interested in hockey, soccer, and chess; he often kept his musical aspirations to himself.[18] As he grew up, Bieber taught himself to play the piano, drums, guitar, and trumpet.[16][23] In early 2007, when he was twelve, Bieber sang Ne-Yo's "So Sick" for a local singing competition in Stratford and was placed second.[6][23] Mallette posted a video of the performance on YouTube for their family and friends to see. She continued to upload videos of Bieber singing covers of various R&B songs, and Bieber's popularity on the site grew.[10] Chris Hicks, Bieber's A&R at Island/Def Jam, explained the young artist's huge online following to HitQuarters by saying:
"He was doing something different. He was an attractive white kid singing very soulful R&B hits. That set him apart immediately from anyone in his range because no one was covering or singing these kind of records. But equally important was that you believed in these songs – it was real. And you wanted to hear more."[24]
While searching for videos of a different singer, Scooter Braun, a former marketing executive of So So Def, clicked on one of Bieber's 2007 videos by accident.[18] Impressed, Braun tracked down the theater Bieber was performing in, located Bieber's school, and finally contacted Mallette. Mallette was reluctant because of Braun's Jewish religion; she remembered praying, "God, I gave him to you. You could send me a Christian man, a Christian label! ... you don’t want this Jewish kid to be Justin’s man, do you?"[18] However, after praying with her church elders and receiving their encouragement, she permitted Braun to fly Bieber, then 13,[10] to Atlanta, Georgia, to record demo tapes.[18] A week after arriving, Bieber sang for R&B singer/songwriter Usher.[25] Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher.[9] Justin Timberlake was also reportedly in the running to sign Bieber, but lost the bidding war to Usher.[9][26] Usher then sought assistance in finding a label home for the artist from then manager Chris Hicks, who helped engineer an audition with his contact Antonio L.A. Reid of Island Def Jam Music Group.[24] Reid signed Bieber to Island Records in October 2008 (resulting in a joint venture between RBMG and Island Records) and appointed Hicks as executive Vice-President of Def Jam where he would be able manage Bieber's career at the label.[6][9][10][24] At that point, Bieber and his mother moved to Atlanta temporarily, also the home of Usher and Braun, to record and get counseling from Braun.[9] Braun became Bieber's manager.[10]
Bieber's first single, "One Time", was released to radio while Bieber was still recording his debut album.[27] The song reached number 12 on the Canadian Hot 100 during its first week of release in July 2009,[10] and later peaked at number 17 on the Billboard Hot 100. During fall 2009 it had success in international markets.[28] The song was certified Platinum in Canada and the US and Gold in Australia and New Zealand.[29][30][31] Bieber's first release, an extended play entitled My World, was released on November 17, 2009. The album's second single, "One Less Lonely Girl", and two promo singles, "Love Me", and "Favorite Girl", were released exclusively on the iTunes store and charted within the top forty of the Billboard Hot 100.[28] "One Less Lonely Girl" was later also released to radio and peaked within the top fifteen in Canada and the US, being certified Gold in the latter.[28] My World was eventually certified Platinum in the US and Double Platinum in both Canada and the UK.[31][32][33] To promote the album, Bieber performed on several live shows such as mtvU's VMA 09 Tour, European program The Dome, YTV's The Next Star, The Today Show,[34][35] The Wendy Williams Show, Lopez Tonight, The Ellen DeGeneres Show, It's On with Alexa Chung, Good Morning America, Chelsea Lately, and BET's 106 & Park with Rihanna. Bieber also guest starred in an episode of True Jackson, VP in late 2009.[36]
Bieber performed Stevie Wonder's "Someday at Christmas" for U.S. President Barack Obama and first lady Michelle Obama at the White House for Christmas in Washington, which was broadcast on December 20, 2009, on U.S. television broadcaster TNT.[37] Bieber was also one of the performers at Dick Clark's New Year's Rockin' Eve with Ryan Seacrest on December 31, 2009.[38] Bieber was a presenter at the 52nd Grammy Awards on January 31, 2010. He was invited to be a vocalist for the remake of We Are The World (a song written by Michael Jackson and Lionel Richie) for its 25th anniversary to benefit Haiti after the earthquake. Bieber sings the opening line, which was sung by Lionel Richie in the original version.[39] On March 12, 2010, a version of K'naan's "Wavin' Flag" recorded by a collective of Canadian musicians known as Young Artists for Haiti was released. Bieber is featured in the song, performing the closing lines.
"Baby", the lead single from his debut album, My World 2.0, which features Ludacris, was released in January 2010 and became his biggest hit thus far, charting at number five in the U.S. and reaching the top ten in seven other countries.[28] Two promo singles "Never Let You Go", and "U Smile" were top thirty hits on the U.S. Hot 100, and top twenty hits in Canada.[28] According to review aggregator Metacritic, the album has received "generally favorable reviews".[40] It debuted at number one on the U.S. Billboard 200, making Bieber the youngest solo male act to top the chart since Stevie Wonder in 1963.[41] My World 2.0 also debuted at number one on the Canadian Albums Chart, Irish Albums Chart, Australian Albums Chart, and the New Zealand Albums Chart[28] and reached the top ten of fifteen other countries.[42][43] To promote the album, Bieber appeared on several live programs including The View, the 2010 Kids Choice Awards, Nightline, The Late Show with David Letterman, The Dome and 106 and Park.[44] Bieber collaborated with Sean Kingston on his single "Eenie Meenie" which also appeared on Bieber's debut album. The song reached the top ten in the United Kingdom and Australia, and the top-twenty of most other markets.
On April 10, 2010, Bieber was the musical guest on Saturday Night Live.[45] On July 4, 2010, Bieber performed at the Macy's Fourth of July Fireworks Spectacular in New York City.[46] The second single from My World 2.0, "Somebody to Love", was released in April 2010, and a remix was released featuring Bieber's mentor Usher. The single reached number ten in Canada, number fifteen in the United States, and the top twenty in multiple international countries.
On June 23, 2010, Bieber went on his first official headlining tour, the My World Tour, starting in Hartford, Connecticut, to promote My World and My World 2.0.[47] In July 2010, it was reported that Bieber was the most searched for celebrity on the Internet.[48] That same month his music video, "Baby", surpassed Lady Gaga's "Bad Romance" to become the most viewed, and most disliked YouTube video ever.[49] In September 2010, it was reported that Bieber accounted for three percent of all traffic on Twitter, according to an employee of the social-networking site.[50]
Bieber began recording his second album in July 2010 in New York City.[51] At this point, because of puberty, his voice was deeper than it was when he recorded his first album. In April 2010, the singer discussing his vocals remarked, "It cracks. Like every teenage boy, I'm dealing with it and I have the best vocal coach in the world. [...] Some of the notes I hit on "Baby" I can't hit anymore. We have to lower the key when I sing live."[52]
Bieber guest-starred in the season premiere of the CBS crime drama CSI: Crime Scene Investigation, which aired on September 23, 2010. He played a "troubled teen who is faced with a difficult decision regarding his only brother", who is also a serial bomber. Bieber was also in a subsequent episode which aired on February 17, 2011, in which his character is killed.[53] Bieber performed a medley of "U Smile", "Baby", and "Somebody to Love" and briefly played the drums at the 2010 MTV Video Music Awards on September 12, 2010.[54] Bieber announced in October 2010 that he would release an acoustic album, called My Worlds Acoustic.[55] It was released on Black Friday in the United States and featured acoustic versions of songs from his previous albums, and accompanied the release of a completely new song titled "Pray".[56]
A 3-D part-biopic, part-concert film starring Bieber entitled Justin Bieber: Never Say Never, was released on February 11, 2011, directed by Step Up 3D director Jon Chu. It topped the box office with an estimated gross of $12.4 million on its opening day from 3,105 theaters.[57] It grossed $30.3 million for the weekend and was narrowly beaten by the romantic comedy Just Go With It, which grossed $31 million.[58] Never Say Never is said to have exceeded industry expectations, nearly matching the $31.1 million grossed by Miley Cyrus's 2008 3-D concert film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, which holds the record for the top debut for a music-documentary.[59][60] Never Say Never grossed a total of $98,441,954 worldwide.[61] The film is accompanied by his second remix album, Never Say Never – The Remixes, released February 14, 2011, and features remixes of songs from his debut album, with guest appearances from Miley Cyrus, Chris Brown, and Kanye West, among others.[62]
On February 27, 2011, Bieber attended the 2011 Vanity Fair Oscar Party with American actress and singer Selena Gomez,[63] confirming several months of media speculation about a romantic relationship between the pair.[64][65][66][67][68][69]
In June 2011, Bieber was ranked number 2 on the Forbes list of Best-Paid Celebrities under 30. He is the youngest star and 1 of 7 musicians on the list raking in with $53 million earned in a 12 month period.[70] On November 1, 2011, Bieber released Under the Mistletoe, his second studio album.[71] It debuted at number one on the Billboard 200, selling 210,000 copies in its first week of release.[72]
In late 2011, Bieber began recording his third studio album, entitled Believe. Kanye West and Drake are confirmed to be featured on the album.[73] On February 22, 2012, Bieber announced via Twitter that the first single off Believe will be released in March 2012.[74] The following week, Bieber appeared on The Ellen DeGeneres Show to announce that the first single will be called "Boyfriend" and was released on March 26, 2012.[75] The song was co-written by Mike Posner.[76] The second single, Die In Your Arms, was released on May 29th, 2012. [77]
Justin Bieber has a higher score on the Klout online "influence" scale than Barack Obama or The Dalai Lama.[78] According to Jan Hoffman of The New York Times, part of Bieber's appeal stems from his YouTube channel. Long before he released his EP, My World, in mid-November, the YouTube videos attracted millions of views.[18] Braun recognized the appeal. Prior to flying him to Atlanta, Braun wanted to "build him up more on YouTube first" and had Bieber record more home videos for the channel. "I said: 'Justin, sing like there’s no one in the room. But let's not use expensive cameras.' We'll give it to kids, let them do the work, so that they feel like it's theirs", recalled Braun.[18] Bieber continues to upload videos to the same channel and has opened a Twitter account, from which he interacts with fans regularly;[10] his account was reported in November 2010 to have over 6 million followers.[79] Since then he has been consistently gaining followers at an average of 24,000 per day.[80] The accounts also serve marketing purposes; for example, Bieber's music video for "One Time" only began selling quickly after it was uploaded to YouTube.[81]
Usher comments that while he and Bieber were both signed at the same age, "I had the chance to ramp up my success, where this has happened to Bieber abruptly." As a result, Usher, Braun, Bieber's bodyguard Kenny, and other adults surrounding Bieber constantly coach him on handling fame and his public image.[18] After signing Bieber, Usher appointed one of his former assistants, Ryan Good, to be Bieber's road manager and stylist. Good, once nicknamed Bieber's "swagger coach", created a "streetwise look" for the singer which consisted of baseball caps, hoodies, dog chains and flashy sneakers. Amy Kaufman of The Los Angeles Times comments, "Though a product of a middle-class suburban upbringing in Stratford, Ontario, Bieber's manner of dress and speech ("Wassup man, how you doin'?" or "It's like, you know, whateva' ") suggest he's mimicking his favorite rappers."[82]
Bieber is often featured in teen magazines such as Tiger Beat,[18] and has been labeled as a "teen heartthrob".[83] Bieber has released a collection of nail varnishes to raise awareness for charity.[84] Wax statues of Bieber are on display at Madame Tussauds wax museums in New York, Amsterdam and London.[85] His change of hairstyle in 2010, and the consequent alterations to Bieber products, led to it being called 'the most expensive musical haircut of all time;[86] one company spent $100,000 to fix its dolls for the 2011 Christmas season.[87]
Bieber has been criticized for looking and sounding younger than his age, his teen-pop music, image, and frequent media attention.[88] He has been a frequent target of Internet bloggers and message board posters, notably by users of Internet message board 4chan and users of YouTube.[89] Nick Collins of The Daily Telegraph speculated that "Bieber's character also appears to strike a particularly sour note with his Internet critics, with many remarks commenting on his youthful appearance, his teen-pop songs, his image as a heart-throb to young teenage girls and his manner of speech".[90]
Bieber is a Christian,[91] and said he has a relationship with Jesus, talks to him and that "he's the reason I'm here".[92]
Bieber's comments in a February 2011 profile in Rolling Stone sparked controversy.[93] Asked about abstinence, Bieber responded, "I don't think you should have sex with anyone unless you love them." He said he does not "believe in abortion" and that it is "like killing a baby".[94] He described sexual orientation as "everyone's own decision."[95] Bieber has contributed to the It Gets Better Project,[96] which aims to prevent suicide among LGBT youth.[97]
Bieber has said he is not interested in obtaining United States citizenship and has criticized America's health care system. Praising Canada as being "the best country in the world", he cited its health care system as a model example.[94]
In May 2012, Bieber purchased a 10,000 square-foot mansion on 1.3 acres of land, located in the community of Calabasas, California, a suburb of Los Angeles.[98]
As of April 2012[update], Bieber's Twitter account (@justinbieber) is the second most popular celebrity account behind that of Lady Gaga.[99] By mid-April 2012, he had over 20 million followers.[100][101] His follower acquisition is one new follower every other second.[102][103] His popularity on Twitter at one point accounted for three percent of all Twitter related traffic, with a Twitter employee commenting that "racks of servers are dedicated" to Bieber.[103][104][105][106][107][108][109][110][111][112] This resulted in over 180 million page views for the service each month.[105] Bieber was frequently a trending topic on Twitter when the feature first launched[105] because his fans frequently discussed him on the network. [113] and was named the top trending star on Twitter in 2010;[114] Klout gave his account a score of 100.[115][116]
The size of Bieber's and Gaga's follower bases are cited as a reason why marketers should pay attention to Twitter:[117] with an ability to reach millions of people with a single tweet.[117] 8.3% of tweets mentioning "bieber" were semi-automated and probably Twitter related spam.[118] Research done about Twitter and the 2011 Egyptian revolution includes Bieber as he made tweets about the topic at a time when he had roughly 8 million followers. His multiple tweets resulted in 32,000 responses each, which made Bieber's Twitter account one of the single largest nodes for discussion about the uprising one of the largest on Twitter.[119][120]
In March 2012, Bieber fans launched an unsuccessful attempt to unseat Lady Gaga as the most popular celebrity on Twitter. Neither Bieber nor Lady Gaga discussed their mutual fanbase's campaigns on Twitter.[121]
Year | Title | Role | Notes |
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2009 | True Jackson, VP | Himself | Guest star |
My Date With... | |||
2010 | Silent Library | ||
School Gyrls | Cameo | ||
Saturday Night Live | Guest star/performer | Ep 35.18 | |
CSI: Crime Scene Investigation | Jason McCann | Shock Waves (Season 11, Episode 1) | |
Hubworld | Guest star | Season 1, Episode 1 | |
The X Factor (UK) | Performer | Series 7, Week 8 | |
2011 | Extreme Makeover: Home Edition | Guest star[122] | |
CSI: Crime Scene Investigation | Jason McCann | Targets of Obsession (Season 11, Episode 15). | |
Khloé & Lamar | Himself | Episode:The Father In Law (uncredited) Himself playing the NBA Celebrity All Star Game | |
Saturday Night Live | Guest star | Ep. 36.14 | |
Justin Bieber: Never Say Never[123] | Himself | Film produced by MTV Films and distributed by Paramount Pictures released February 2011 in United States; and March to April worldwide[124] The official movie trailer was released on October 26[125] | |
Dancing With The Stars | Guest star | Week 7 Result Show | |
So Random! | Himself | He performed in December 2011. | |
Disney Parks Christmas Day Parade | Guest star | Performed at Walt Disney World Resort | |
The X Factor (UK) | Performer | Series 8, Week 9 | |
2012 | Men in Black 3 | Baby Alien |
Wikimedia Commons has media related to: Justin Bieber |
Wikiquote has a collection of quotations related to: Justin Bieber |
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Persondata | |
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Name | Bieber, Justin |
Alternative names | |
Short description | Canadian singer |
Date of birth | March 1, 1994 |
Place of birth | Stratford, Ontario, Canada |
Date of death | |
Place of death |
Jonny Greenwood | |
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Background information | |
Birth name | Jonathan Richard Guy Greenwood |
Born | (1971-11-05) 5 November 1971 (age 40) Oxford, England |
Genres | Electronic music Classical music[1][2] Art rock Ambient music Alternative rock |
Occupations | Musician, composer, score composer, multi-instrumentalist |
Instruments | Guitar, electronic keyboard, piano, synthesizer, viola, violin, drums, percussion, glockenspiel, ondes Martenot, sampler, Mellotron, banjo, organ, accordion, bass guitar, harmonica, recorder, trumpet |
Years active | 1985–present |
Labels | XL, TBD, Sanctuary, Nonesuch |
Associated acts | Radiohead, The Weird Sisters |
Website | www.radiohead.com |
Notable instruments | |
Fender Telecaster Plus Fender Starcaster Ondes Martenot |
Jonathan Richard Guy "Jonny" Greenwood (born 5 November 1971) is an English musician and composer best known as a member of the English rock band Radiohead. Noted for his aggressive playing style,[3] Greenwood is consistently named as one of the greatest guitarists of the modern era.[4][5][6][7][8][9][10][11] Beyond his primary roles as the band's lead guitarist and keyboardist, Greenwood is a multi-instrumentalist and also plays viola, harmonica, glockenspiel, ondes Martenot, banjo and drums, and works with computer-generated sounds and sampling; he is also a computer programmer and writes music software used by Radiohead.
Outside his work with Radiohead, Greenwood wrote the soundtracks for the films Bodysong (2003), There Will Be Blood (2007), Norwegian Wood (2010) and We Need To Talk About Kevin (2010), and serves as composer-in-residence for the BBC Concert Orchestra. He is the younger brother of Radiohead bassist Colin Greenwood.
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Greenwood had begun studying music and psychology at Oxford Brookes University when Radiohead, then known as On A Friday, signed a recording contract with EMI in 1991. He left the university shortly after. While Greenwood is the only member of Radiohead to have been classically trained on any instrument (he took viola lessons as a child), he is also the only band member without a university degree.
Greenwood's influence on Radiohead's recording and writing can be heard in many songs, as he usually takes the traditional lead-guitarist role. For a while, Greenwood wore an arm brace due to a repetitive strain injury attributed to his "aggressive" way of playing the instrument, often billed as "abusive guitar". He has said that "It's like taping up your fingers before a boxing match."[12]
Greenwood is often credited as the second major influence on songwriting in Radiohead, next to Thom Yorke. He wrote the music for the closing tracks of OK Computer ("The Tourist"), Kid A ("Motion Picture Soundtrack"), Amnesiac ("Life in a Glasshouse") and Hail to the Thief ("A Wolf at the Door"). He also wrote the intro, chorus and outro sections of the song "Subterranean Homesick Alien" from the OK Computer album, as well as the "rain down" section of "Paranoid Android". According to Yorke, the track "Just" from The Bends was "a competition by me and Jonny to get as many chords as possible into a song". An example of Greenwood's versatility is his use of the Ondes Martenot, which is featured on songs such as "The National Anthem" and "How to Disappear Completely" from the album Kid A, and "Pyramid Song" from the album Amnesiac. The song "Where I End and You Begin" from Hail to the Thief, which also features the instrument, was dedicated to the memory of Jeanne Loriod, a pioneer of the Ondes.
Greenwood and Yorke also collaborated on the song "Arpeggi" which is a piece in a classical style centered around arpeggios for voice, Ondes, and orchestra. It was performed with the London Sinfonietta and Arab Orchestra of Nazareth at the Ether Festival in March 2005;[13] the song would later be adapted for the full band to play in 2006, rearranged for guitar. A studio version (closer to the full band version than the orchestral version) appeared on the album In Rainbows as "Weird Fishes/Arpeggi".
In 2003, Greenwood released his first solo album, Bodysong (2003), the soundtrack for the movie of the same title by filmmaker Simon Pummell. Bodysong also features contributions from his brother Colin on bass.
Jonny Greenwood was hired by the BBC as composer in residence to the BBC Concert Orchestra in May 2004, a job which gave him the opportunity to compose several pieces for symphony orchestra, piano and/or Ondes Martenot: smear, Piano for Children and Popcorn Superhet Receiver. smear premiered in 2004, and on 23 April 2005 Greenwood premiered his new work commissioned by BBC Radio 3, with music performed live by the BBC Concert Orchestra in London.[14] The printed music for smear, Popcorn Superhet Receiver, Doghouse, Suite from Norwegian Wood and 48 Responses to Polymorphia (see below) is available from Faber Music Ltd in London. smear has also been recorded by the London Sinfonietta conducted by Martyn Brabbins and was Greenwood's recorded debut in the genre. Popcorn Superhet Receiver and 48 Responses to Polymorphia have also been released commercially.
Greenwood won the Radio 3 Listeners' Award at the 2006 BBC British Composer Awards[15] for his piece, "Popcorn Superhet Receiver". The piece was inspired by radio static and the elaborate, dissonant tone clusters of Polish composer Krzysztof Penderecki's Threnody to the Victims of Hiroshima. It can be streamed from a BBC website.[16] Upon winning the award Greenwood received £10,000 from the PRS Foundation towards a commission for a new orchestral work.[17]
A fan of dub reggae,[18] Greenwood released a compilation in collaboration with Trojan Records, entitled Jonny Greenwood Is The Controller in March 2007. This is the latest in Trojan’s Artist Choice Jukebox series, to which DJ Spooky and Don Letts have already contributed.[19] Trojan Records provided Greenwood with its extensive catalog of songs, of which he chose 17.[20] The title is a play on the first track on the collection, entitled "Dread Are The Controller", by Linval Thompson. The album contains tracks by artists such as Derrick Harriott, Gregory Isaacs, The Heptones and many more.
Greenwood composed the score for the 2007 film, There Will Be Blood, from director Paul Thomas Anderson. The soundtrack contains excerpts from "Popcorn Superhet Receiver". His work as the composer for this film was highly acclaimed by reviewers and earned him an award at the Critics' Choice Awards. On January 21, 2008, however, the score was declared ineligible for an Academy Award nomination under a rule that prohibited "scores diluted by the use of tracked themes or other pre-existing music."[21][22] On 4 February 2008 it was announced that Greenwood had won the trophy for Best Film Score in the Evening Standard British Film Awards for 2007.[23] In its 2009 end-of-decade round-up Rolling Stone magazine named the film the best of the decade and cited Greenwood's score as a major element in its success, "redefining what is possible in film scores".
In 2008, Greenwood wrote the theme music for Adam Buxton's comedy pilot meeBOX,[24] and collaborated with Israeli rock musician Dudu Tasa on Tasa's Hebrew-language single "What a Day".[25]
In February 2010, Greenwood debuted a composition entitled "Doghouse" at the BBC’s Maida Vale Studios. In an interview following the performance, Greenwood and conductor Robert Ziegler revealed that the composition would be extrapolated into a score for the upcoming film Norwegian Wood directed by Anh Hung Tran, based on the best-selling novel of the same name by Haruki Murakami. Greenwood described the writing of the piece to the BBC, "I wrote this piece mostly in hotels and dressing rooms while touring with Radiohead. This was more practical than glamorous — lots of time sitting around indoors, lots of instruments about — and aside from picking up a few geographical working titles, I can’t think that it had any effect where, on tour, it was written." The premiere of the entire score took place on 19 March 2010.[26]
In 2011, Greenwood composed the score for the film adaptation of Lionel Shriver's novel We Need to Talk About Kevin.[27] He is also set to compose the score for Paul Thomas Anderson's upcoming picture The Master. This will be the second collaboration between the two.[28]
On March 13, 2012, Greenwood and Polish composer Krzysztof Penderecki released an album together on the Nonesuch label. It includes Greenwood's "Popcorn Superhet Receiver" and a new string orchestra work, "48 Responses to Polymorphia" (a homage to Penderecki's "Polymorphia" of 1961).[29]
Greenwood is greatly influenced by jazz and classical music; his favourites include Lee Morgan and Miles Davis. He is a major fan of the Mo' Wax label (onetime home of Blackalicious, DJ Krush, DJ Shadow and Dr. Octagon). Along with other Radiohead band members, he loves Krautrock band Can and Polish composer Krzysztof Penderecki. Greenwood has stated that his all time favourite piece of music is Messiaen's Turangalila Symphony, a gigantic piece for orchestra that features an Ondes Martenot, an instrument he discovered as a teenager.[30] According to one of his entries on Radiohead's blog Dead Air Space, Greenwood has become a dub reggae aficionado, listening as of late 2005 to little else. Greenwood has also shown considerable interest in little known South African Post Punk band, Atom Band.
Greenwood has inspired many with his guitar playing and style. He is also known for his aggressive guitar playing style. Guitarists such as Russell Lissack of the English rock band Bloc Party and many others cite Greenwood as an influence. Greenwood was also ranked number 60 in Rolling Stone magazine's "100 Greatest Guitarists of All Time". When Rolling Stone Magazine updated their list in November 2011, Greenwood's rank had jumped to number 48.
In 1995 he married Israeli-born Sharona Katan, a visual artist whose work (credited as Shin Katan) appears on the covers of the Bodysong soundtrack as well as the There Will Be Blood soundtrack. Their first son, Tamir, was born in 2002 and the 2003 Radiohead album Hail to the Thief was dedicated to him. They also have a daughter named Omri, born in 2005, and a second son, named Zohar, who was born in February 2008.
He listed his favourite video games on the band's website in 2010, cherishing Ico and spanning from 1984's Elite to 2010's Red Dead Redemption.[31]
Greenwood currently uses Dean Markley Signature Series 10-46 strings.[36]
Early on in Greenwood's career, he used a Fender Twin Reverb for clean tones.[39] Greenwood's Fender Eighty-Five has frequently been misidentified as a Fender Deluxe 85. It has never been confirmed that he has toured, or recorded, with a Deluxe 85.
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Name | Greenwood, Jonny |
Alternative names | |
Short description | |
Date of birth | 1971-11-05 |
Place of birth | Oxford, England |
Date of death | |
Place of death |
Karin Dreijer Andersson | |
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Andersson performing as Fever Ray in October 2009 |
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Background information | |
Birth name | Karin Elisabeth Dreijer |
Also known as | Fever Ray |
Born | (1975-04-07) 7 April 1975 (age 37) Nacka, Sweden[1] |
Genres | Electronic, ambient, trip hop, experimental, witch house |
Occupations | Singer-songwriter, record producer |
Years active | 1994–present |
Labels | Rabid, Brille, Mute |
Associated acts | Honey Is Cool, The Knife, Röyksopp |
Website | feverray.com |
Karin Elisabeth Dreijer Andersson (born 7 April 1975 in Nacka, Sweden),[1] also known by her stage name Fever Ray, is the lead vocalist of the electronic duo The Knife, formed with her brother Olof Dreijer. Andersson was previously the vocalist and guitarist of the alternative rock band Honey Is Cool. Andersson released her debut solo album under the name Fever Ray in 2009. Her vocal style is notable for both shrill and deep tones, and also the use of multitracked vocals, with different uses of pitch-shifting technology on each track, creating an intricate, mysterious effect. Many listeners mistake the deep vocals on songs by The Knife for those of her brother. Visually, Dreijer Andersson employs the use of masks, face and body paint, intricate costumes, and other theatrical elements in photo shoots, videos and live performances, during which she often performs behind a gauze screen that partially obscures her from view.[2]
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While The Knife was on hiatus, Andersson released her self-titled solo debut album Fever Ray digitally on 12 January 2009 and physically on 18 March 2009 via Rabid Records,[3] preceded by its lead single "If I Had a Heart", released digitally on 15 December 2008.
In 2009 the collection of feminist pornographic shorts Dirty Diaries was released with a soundtrack composed by Andersson. In a review of the collection in Swedish newspaper Smålandsposten it was described as appropriate to the film, though repetitive.[4]
Andersson performed as "Fever Ray" at the 2010 Coachella Festival and received positive reviews.[5][6] She performed at Electric Picnic[7] 2010 and Bestival 2010 in September.[8]
Contrary to a statement from the film's director, Andersson did not make a cameo in the 2011 film Red Riding Hood. However, the soundtrack features the exclusive track "The Wolf", which Andersson co-wrote with her band, as well as "Keep the Streets Empty for Me".[9]
Andersson wrote the music for the adaptation of Ingmar Bergman's Vargtimmen, The Wolf Hour that premiered at Stockholm's Royal Theatre on 12 March 2011.[10] One of these tracks, "No Face," appeared in demo form on the compilation We Are the Works in Progress, an album organized to benefit victims of the 2011 Japanese tsunami.[11]
In 2005, Andersson supplied vocals on the track "What Else Is There?" by Röyksopp on the album The Understanding. She also appeared in the video for that single, but not as the vocalist, which was played by a model. In 2008, Andersson provided vocals for the dEUS song "Slow" from the band's Vantage Point album. Andersson was featured in the tracks "This Must Be It" and "Tricky Tricky" again by Röyksopp, appearing on the album Junior released in 2009.
Karin was born on 7 April 1975 in Nacka, Sweden. While both Karin and Olof are hesitant to give interviews, Karin partakes in them more frequently than her brother. On the occasions they do consent to interviews, they often stick to topics concerning their music, influences and public image, avoiding talking about their personal lives. Karin is married to Kent Peter Kristian Andersson and has two children[12], though the first names of her children are not publicly known, in order to protect the privacy of the Dreijer-Andersson family. Her favorite TV show is Miami Vice.[13]
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Persondata | |
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Name | Andersson, Karin Dreijer |
Alternative names | Fever Ray |
Short description | Swedish musician |
Date of birth | 7 April 1975 |
Place of birth | Nacka, Sweden |
Date of death | |
Place of death |
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The version found in The Book of Fables and Folk Stories by Horace E. Scudder.
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Little Red Riding Hood, also known as Little Red Cap, is a European fairy tale about a young girl and a Big Bad Wolf. The story has been changed considerably in its history and subject to numerous modern adaptations and readings. The story was first published by Charles Perrault in Histoires ou contes du temps passé in 1697.[1]
This story is number 333 in the Aarne-Thompson classification system for folktales.[2]
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The story revolves around a girl called Little Red Riding Hood, after the red hooded cape/cloak (in Perrault's fairytale) or simple cap (in the Grimms' fairytale) she wears. The girl walks through the woods to deliver food to her sick grandmother.
A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naïvely tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole,(In some stories, he locks her in the closet), and waits for the girl, disguised as the grandma.
When the girl arrives, she notices that her grandmother looks very strange. Little Red Riding Hood then says, "What a deep voice you have,""The better to greet you with," said the wolf."Goodness, what big eyes you have.", said the little girl."The better to see you with.", said the wolf. "And what big hands you have!" exclaimed Little Red Riding Hood, stepping over to the bed. "The better to hug you with," said the wolf. "What a big mouth you have," the little girl murmured in a weak voice. "The better to eat you with!" growled the wolf, and jumping out of bed, he swallowed her up too. Then, with a fat full tummy, he fell fast asleep.
A lumberjack, however, comes to the rescue and with his axe cuts open the wolf, who had fallen asleep. Little Red Riding Hood and her grandmother emerge unharmed. They fill the wolf's body with heavy stones. The wolf awakens and tries to flee, but the stones cause him to collapse and die. (Sanitized versions of the story have the grandmother shut in the closet instead of eaten, and some have Little Red Riding Hood saved by the lumberjack as the wolf advances on her, rather than after she is eaten.)[citation needed]
The tale makes the clearest contrast between the safe world of the village and the dangers of the forest, conventional antitheses that are essentially medieval, though no written versions are as old as that.
The theme of the ravening wolf and of the creature released unharmed from its belly is also reflected in the Russian tale Peter and the Wolf, and the other Grimm tale The Wolf and the Seven Young Kids, but its general theme of restoration is at least as old as Jonah and the Whale. The theme also appears in the story of the life of Saint Margaret, where the saint emerges unharmed from the belly of a dragon.
The dialog between the wolf and Little Red Riding Hood has its analogies to the Norse Þrymskviða from the Elder Edda; the giant Þrymr had stolen Mjölner, Thor's hammer, and demanded Freyja as his bride for its return. Instead, the gods dressed Thor as a bride and sent him. When the giants note Thor's unladylike eyes, eating, and drinking, Loki explains them as Freyja not having slept, or eaten, or drunk, out of longing for the wedding.[3]
The origins of the Little Red Riding Hood story can be traced to versions from various European countries and more than likely preceding the 17th century, of which several exist, some significantly different from the currently known, Grimms-inspired version. It was told by French peasants in the 14th century as well as in Italy, where a number of versions exist, including La finta nonna (The False Grandmother).[4] It has also been called "The Story of Grandmother". It is also possible that this early tale has roots in very similar Oriental tales (e.g. "Grandaunt Tiger").[5]
These early variations of the tale differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes an ogre or a 'bzou' (werewolf), making these tales relevant to the werewolf-trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp).[6] The wolf usually leaves the grandmother’s blood and meat for the girl to eat, who then unwittingly cannibalizes her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire.[7] In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there.[8] In others, she sees through his disguise and tries to escape, complaining to her "grandmother" that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. However, the girl slips the string over something else and runs off.
In these stories she escapes with no help from any male or older female figure, instead using her own cunning. Sometimes, though more rarely, the red hood is even non-existent.[8]
The earliest known printed version[9] was known as Le Petit Chaperon Rouge and had its origins in 17th century French folklore. It was included in the collection Tales and Stories of the Past with Morals. Tales of Mother Goose (Histoires et contes du temps passé, avec des moralités. Contes de ma mère l'Oye), in 1697, by Charles Perrault. As the title implies, this version[10] is both more sinister and more overtly moralized than the later ones. The redness of the hood, which has been given symbolic significance in many interpretations of the tale, was a detail introduced by Perrault.[11]
The story had as its subject an "attractive, well-bred young lady", a village girl of the country being deceived into giving a wolf she encountered the information he needed to find her grandmother's house successfully and eat the old woman while at the same time avoiding being noticed by woodcutters working in the nearby forest. Then he proceeded to lay a trap for the Red Riding Hood. The latter ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.
Charles Perrault explained the 'moral' at the end so that no doubt is left to his intended meaning:
This, the presumed original, version of the tale was written for late 17th century French court of King Louis XIV. This audience, whom the King entertained with extravagant parties and prostitutes, presumably would take from the story the intended meaning.
In the 19th century two separate German versions were retold to Jacob Grimm and his younger brother Wilhelm Grimm, known as the Brothers Grimm, the first by Jeanette Hassenpflug (1791–1860) and the second by Marie Hassenpflug (1788–1856). The brothers turned the first version to the main body of the story and the second into a sequel of it. The story as Rotkäppchen was included in the first edition of their collection Kinder- und Hausmärchen (Children's and Household Tales (1812)).[12]
The earlier parts of the tale agree so closely with Perrault's variant that it is almost certainly the source of the tale.[13] However, they modified the ending; this version had the little girl and her grandmother saved by a huntsman who was after the wolf's skin; this ending is identical to that in the tale The Wolf and the Seven Young Kids, which appears to be the source.[14]
The second part featured the girl and her grandmother trapping and killing another wolf, this time anticipating his moves based on their experience with the previous one. The girl did not leave the path when the wolf spoke to her, her grandmother locked the door to keep it out, and when the wolf lurked, the grandmother had Little Red Riding Hood put a trough under the chimney and fill it with water that sausages had been cooked in; the smell lured the wolf down, and it drowned.[15]
The Brothers further revised the story in later editions and it reached the above mentioned final and better known version in the 1857 edition of their work.[16] It is notably tamer than the older stories which contained darker themes.
Numerous authors have rewritten or adapted this tale.
Andrew Lang included a variant called "The True History of Little Goldenhood"[17] in The Red Fairy Book (1890). He derived it from the works of Charles Marelles, in Contes of Charles Marelles. This version explicitly states that the story had been mistold earlier. The girl is saved, but not by the huntsman; when the wolf tries to eat her, its mouth is burned by the golden hood she wears, which is enchanted.
James N. Barker wrote a variation of Little Red Riding Hood in 1827 as an approximately 1000-word story. It was later reprinted in 1858 in a book of collected stories edited by William E Burton, called the Cyclopedia of Wit and Humor. The reprint also features a wood engraving of a clothed wolf on bended knee holding Little Red Riding Hood's hand.
In the 20th century, the popularity of the tale appeared to snowball, with many new versions being written and produced, especially in the wake of Freudian analysis, deconstruction and feminist critical theory. (See "Modern uses and adaptations" below.) This trend has also led to a number of academic texts being written that focus on Little Red Riding Hood, including works by Alan Dundes and Jack Zipes.
Besides the overt warning about talking to strangers, there are many interpretations of the classic fairy tale, many of them sexual.[18] Some are listed below.
Folklorists and cultural anthropologists such as P. Saintyves and Edward Burnett Tylor saw "Little Red Riding Hood" in terms of solar myths and other naturally-occurring cycles. Her red hood could represent the bright sun which is ultimately swallowed by the terrible night (the wolf), and the variations in which she is cut out of the wolf's belly represent by it the dawn.[19] In this interpretation, there is a connection between the wolf of this tale and Sköll, the wolf in Norse myth that will swallow the personified Sun at Ragnarök, or Fenrir.[20] Alternatively, the tale could be about the season of spring, or the month of May, escaping the winter.[21]
The tale has been interpreted as a puberty ritual, stemming from a prehistorical origin (sometimes an origin stemming from a previous matriarchal era).[22] The girl, leaving home, enters a liminal state and by going through the acts of the tale, is transformed into an adult woman by the act of coming out of the wolf's belly.[23]
Bruno Bettelheim, in The Uses of Enchantment, recast the Little Red Riding Hood motif in terms of classic Freudian analysis, that shows how fairy tales educate, support, and liberate the emotions of children. The motif of the huntsman cutting open the wolf, he interpreted as a "rebirth"; the girl who foolishly listened to the wolf has been reborn as a new person.[24]
Red Riding Hood has also been seen as a parable of sexual maturity. In this interpretation, the red cloak symbolizes the blood of menstruation,[25] braving the "dark forest" of womanhood. Or the cloak could symbolize the hymen (earlier versions of the tale generally do not state that the cloak is red). In this case, the wolf threatens the girl's virginity. The anthropomorphic wolf symbolizes a man, who could be a lover, seducer or sexual predator. This differs from the ritual explanation in that the entry into adulthood is biologically, not socially, determined.[26]
The poem Þrymskviða from the Poetic Edda mirrors some elements of Red Riding Hood. Loki's explanations for "Freyja's" (actually Thor disguised as Freya) strange behavior mirror the wolf's explanations for his strange appearance.
The red hood has often been given great importance in many interpretations, with a significance from the dawn to blood.[27]
There have been many modern uses and adaptations of Little Red Riding Hood, generally with a mock-serious reversal of Red Riding Hood's naïveté or some twist of social satire; they range across a number of different media and styles. Multiple variations have been written in the past century, in which authors adapt the Grimms' tale to their own interests.
The tale can be told in terms of Little Red Riding Hood's sexual attractiveness. The song "How Could Red Riding Hood (Have Been So Very Good)?" by A.P. Randolph in 1925 was the first song known to be banned from radio because of its sexual suggestiveness. The 1966 hit song "Lil' Red Riding Hood" by Sam the Sham & the Pharaohs takes the Wolf's point of view, implying that he wants love rather than blood. In the short animated cartoon Red Hot Riding Hood by Tex Avery, the story is recast in an adult-oriented urban setting, with the suave, sharp-dressed Wolf howling after the nightclub singer Red. Avery used the same cast and themes in a subsequent series of cartoons.[28] Allusions to the tale can be more or less overtly sexual, as when the color of a lipstick is advertised as "Riding Hood Red".[29]
This sexual analysis may take the form of rape. In Against Our Will, Susan Brownmiller described the fairy tale as a description of rape.[30] Many revisionist retellings depict Little Red Riding Hood or the grandmother successfully defending herself against the wolf, including a version developed by Joseph Gordon-Levitt, which ends with Little Red Riding Hood cutting her own way out of the wolf's stomach and saving her grandmother.[31]
The story may also serve as a metaphor for a sexual awakening, as in Angela Carter's story "The Company of Wolves", published in her collection The Bloody Chamber (1979). (Carter's story was adapted into a film by Neil Jordan in 1984.) In the story, the wolf is in fact a werewolf, and comes to newly-menstruating Red Riding Hood in the forest in the form of a charming hunter. He turns into a wolf and eats her grandmother, and is about to devour her as well, when she is equally seductive and ends up lying with the wolf man, her sexual awakening.[32] Such tellings bear some similarity to the "animal bridegroom" tales, such as Beauty and the Beast or The Frog Prince, but where the heroines of those tales transform the hero into a prince, these tellings of Little Red Riding Hood reveal to the heroine that she has a wild nature like the hero's.[33]
Little Red Riding Hood is also one of the central characters in the 1987 Broadway musical Into the Woods by Steven Sondheim and James Lapine. In the song, "I Know Things Now" she speaks of how the wolf made her feel "excited, well, excited and scared," in a reference to the sexual undertones of their relationship. Red Riding Hood's cape is also one of the musical's four quest items that are emblematic of fairy tales.[34]
Publishers like BeeGang and So Out maintained unaltered the original story written by Charles Perrault mainly adding interactivity or educational content to their book apps; Other publishers like BlueQuoll, an Australian publishing group, have pushed further the boundaries of the narration and re-invented the story even in the title, Mr. Wolf and the Ginger Cupcakes that puts the wolf at the center of the narration. In their version the element of good vs evil is removed from the story and the wolf is not portraited as a negative character that deserves to die miserably at the end of the story.
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