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1:32
SASHA GREY
“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological...
published: 01 Jun 2011
Author: V Magazine
SASHA GREY
“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” –Richard Phillips
Shot on location at the John Lautner Chemosphere House off Mulholland Drive, the film showcases Sasha as a perpetually evolving figure. Costume designer Ellen Mirojnick (“Basic Instinct,” “Fatal Attraction,” “Wall Street,” “Wall Street: Money Never Sleeps”) dressed Sasha for the part in an array of lingerie and military inspired garments to highlight the dual nature of her masculine / feminine persona. Looking over the roadside from the vantage point of one the most legendary residences in modern and cinematic history, Sasha reflects on her relationship to the San Fernando Valley landscape- the location of some of her most noted adult performances. Back inside the circular vortex of the Chemosphere, Sasha's inner dialogue projects an equally diaristic and imaginary self-portrait that pushes beyond the extremes of her past filmography and into her new future.
“Sasha Grey,” along with Phillip’s first short film, “Lindsay Lohan,” will be included in "Commercial Break," presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 - 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.
SASHA GREY
A Richard Phillips Film
Directed by: Richard Phillips and Taylor Steele Director of Photography: Todd Heater Costume Designer: Ellen Mirojnick Creative Director: Dominic Sidhu Art Director: Kyra Griffin Editor: Haines Hall Color mastering: Pascal Dangin for Boxmotion Music: Chelsea Wolfe
About Richard Phillips
Phillips’ strikingly distinctive paintings are drawn from found imagery that deal with the marketability of man, his wishes, ideas, actions, identity, sexuality, politics, and desires. Images he translates into drawings and then paintings executed through a traditional process. In doing so, he makes use of the iconic quality of pictures, which the media and art use daily – each according to its own agenda. Perhaps more so than any other contemporary painter of his kind, Phillips’ imagery has achieved a level of pop recognition outside of the artworld with fashion, media and film collaborations, including Gossip Girl, MAC Cosmetics, The Art Production Fund, Visionaire, and a recent guest judge appearance on Bravo’s new TV series “Work of Art: The Next Great Artist”. Phillips’ most recent exhibition, Most Wanted at White Cube in London, features ten larger than life celebrity portraits set against red carpet step and repeat backdrops.
Born in Massachusetts in 1962, Richard Phillips lives and works in New York City. He has exhibited extensively throughout the U.S. and Europe including Gagosian Gallery, New York; the Kunsthalle Zürich; Le Consortium in Dijon; Max Hetzler, Berlin; and White Cube in London.
7:05
THE ARMY OF LUCK, OR THE GLOBAL PURSUIT OF HAPPINESS
The Maneki Neko (jap., literally Beckoning Cat; aka Lucky Cat, Money Cat) is a common Japa...
published: 19 Mar 2012
Author: boris petrovsky
THE ARMY OF LUCK, OR THE GLOBAL PURSUIT OF HAPPINESS
The Maneki Neko (jap., literally Beckoning Cat; aka Lucky Cat, Money Cat) is a common Japanese figurine which is believed to bring luck, attract customers and bring prosperity. The Lucky Cat waves with the raised left paw and holds a historic coin in front of itself with the right one. The Lucky Cat as talisman and selling product is wide-spread in Asia and meanwhile almost all over the world.
Luck is associated here with monetary and material prosperity. As talisman it is spread all over asian countries. For tourists the Lucky Cat became a kind of pop style Manga character which appears in growing numbers in western private households. As kitschy-petite like exotic souvenir it refers to a certain idea of western lifestyle.
The material element of the installation»The Global Pursuit of Happiness, or: The Army of Luck« is the »Lucky Cats' Matrix«. It contains 520 shiny golden XXL Lucky Cats made of plastics which are arranged in 40 rows and 13 columns on a ramp-like stand made of aluminum (W 8 m, H 3 m, D 2 m).
Visitors experience the Lucky Cats' Matrix as a dot-matrix display which consists of 520 waving paw grid points as its »pixels«. In each cat a servomotor is built in to control the paws move exactly in position and speed.
The visitors are requested imaginarily by the cats to interact as users: "Your concept of happiness is our lucky command. Write it on the keyboard".
Words and sentences up to 40 characters can be put in and are displayed clearly visible with the paws letter by letter as sliding text marquee. So to say, the users »choreograph« the Lucky Cats performance wordwise. Literally it is the »inscription« of an idea of happiness or a wish in the Lucky Cats' bodies by moving their paws forward and backward.
For users, the Lucky Cats become multiplied »avatars« in the world of chance and happiness. But the Lucky Cats are also able to perform spontaneously as well: they can show 25 different salutatory and signalizing gestures as well as mass movements like the »Mexican Wave« or an ecstatic »hyperkinesis«. Every displayed sentence triggers audio events – sound samples of mass or group events, like entertainment shows, political speeches, demonstrations, sport events, parades, accidents, etc. from the beginning of the last century until today. The sounds express auditorily different states of mind, like joy, euphoria, desire, fear, hate, aggression and resignation, astonishment, outrage, pain, panic, desperation and fanatical excitement. The sounds are played in random order and unpredictable combinations. Different contexts and changing settings are emerging.
Are the Lucky Cats »one-armed bandits«? Or is it a gesture in the context of a political or religious movement? Is it a just a happy waving of the fun-loving, hedonistic society? Or is the assembly of Lucky Cats a revolutionary deployment of »wish machines« as »army of luck« or is it just another marketing campaign?
The lined up, gold-reflecting mass of the Lucky Cats in the matrix appears almost as an insubstantially copy-paste-animation. The Lucky Cats in the matrix as an industrial made product become an »ornament of the masses« for repetetive-stererotype and globalized-industrialized ideals. Do we need more and more Lucky Cats to generate more and more prosperity for more and more people?
Boris Petrovsky 2012
www.petrovsky.de
Video and post production: Nina Martens www.stereomorph.net
Location: Art Fair »Art Karlsruhe 2012«, Karlsruhe (Germany), one artist show, gallery ABTART, Stuttgart
3:45
The American Who Quit Money To Live In A Cave
Another story I did for the BBC.
Mark Sundeen, the author of book, 'The Man Who Quit Mone...
published: 19 Apr 2012
Author: David Eckenrode
The American Who Quit Money To Live In A Cave
Another story I did for the BBC.
Mark Sundeen, the author of book, 'The Man Who Quit Money' is a soulful journey into the spirit of Daniel Suelo. Suelo, gave up on money in 2000. He walked into a phone booth, pulled out 30 dollars and left it. Twelve years later, Suelo still does not have a personal i.d. bank accounts, a modern home, does not take money, or live off of federal welfare. Suelo, lives in caves in the canyon lands outside of Moab, UT. Suelo, harvests wild foods, eats roadkill, and dumpster dives. Suelo, is not an isolationist, he still is very active in the Moab community SE Utah politics and he is an active blogger.
Sundeen, knew Suelo from Moab, UT when they both worked together as cooks. But years later Sundeen came across Suelo in a market and payed him no attention. After Sundeen gave thought to the current economy and Suelo's philosophy he was inspired to write about Suelo. Sundeen's book focuses on one man, but the message of the book captures the American zeitgeist of a changing economy.
Additional camera and photos Cedar Banks and Mark Sundeen.
http://marksundeen.com/
Music: Alfa Kay not this track is a rough sketch of a tune that Mr Alfa Kay is writing for our feature documentary Lasso The Sun. I love this tune.
myspace.com/mralfa
For further reading check out Daniel Suelo's blog:
http://zerocurrency.blogspot.com/
Edited on Fianl Cut Pro 7 with Apple Pro Res then down converted to H264. My Panasonic GH2 and HVX 200 were used for the shooting. I used Driftwood's Mysteron setting on the GH2 in HBR mode.
9:19
BURN Trailer (2009, Original)
We shot this trailer in September 2009 to use as a fundraising tool. Because this is a tru...
published: 08 Jul 2010
Author: BURN
BURN Trailer (2009, Original)
We shot this trailer in September 2009 to use as a fundraising tool. Because this is a truly independent documentary, we are responsible for raising all the money we need to complete the film.
For more info and to DONATE NOW please visit: http://detroitfirefilm.org
BURN is a feature documentary about Detroit, told through the eyes of Detroit firefighters, who are charged with the thankless task of saving a city that many have written off as dead.
June 2012 Update: We were able to screen BURN at Tribeca Film Festival (and we won the Audience Award!), but we are not yet fully funded for public release. We STILL need your support! To finish the film for release, we must pay for a long list of "deliverables"-- things like music licensing, a full audio mix, Closed Captioning, creating the DVD masters, marketing, and MPAA ratings.
Please DONATE NOW: http://detroitfirefilm.org
We are also still interested in corporate partnerships for the film, which will help with our completion and distribution needs.
Thanks so much!
Brenna Sanchez + Tom Putnam
Producers, BURN
Homepage: http://detroitfirefilm.org
Facebook: http://www.facebook.com/burnfilm
Twitter: http://www.twitter.com/DetroitFireFilm
E-mail: detroitfirefilm@gmail.com
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**Please feel free to embed this video on your website, but please credit it and encourage people to support the project. We're still fundraising!**
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