Professional ratings
Review scores
Source	Rating
Allmusic	[1]
Rolling Stone	[2]

Stereotomy is the penultimate album by The Alan Parsons Project.

Although generally considered better musically than its predecessor, Vulture Culture, it was not as successful commercially, perhaps due to much fewer vocals from Eric Woolfson (he only appears on a small section of the title track). The album is structured differently from earlier Project albums, containing three lengthy tracks (one the longest instrumental the Project ever made) and two minute-long songs at the end. It is a full digital production and both the LP and CD releases was encoded using the two-channel Ambisonic UHJ format.

The original vinyl packaging of the album was different from all the reissues: it featured somewhat more elaborate artwork of the paper sleeve supplied with a special color-filter oversleeve. When inserted, the oversleeve filtered some of the colors of the sleeve artwork, allowing four different variations (2 per side) of it. That was supposed to symbolize visual stereotomy. In the reissues, only one variant remained.

The word "stereotomy" is taken from "The Murders in the Rue Morgue" by Edgar Allan Poe. It refers to the cutting of existing solid shapes into different forms; it is used as a metaphor for the way that famous people (singers, actors. etc.) are often 'shaped' by the demands of fame.^[3]

Despite its commercial underachievement, Stereotomy earned a grammy nomination in 1987 for Best Rock Instrumental Performance - Orchestra, Group, or Soloist for the track "Where's the Walrus?"^[4][5]

Track listing[link]

All tracks written by Alan Parsons and Eric Woolfson

1. "Stereotomy" (lead vocal John Miles backing vocal Eric Woolfson) – 7:18
2. "Beaujolais" (lead vocal Chris Rainbow) – 4:27
3. "Urbania" (instrumental) – 4:59
4. "Limelight" (lead vocal Gary Brooker) – 4:39
5. "In The Real World" (lead vocal John Miles) – 4:20
6. "Where's The Walrus?" (instrumental) – 7:31
7. "Light Of The World" (lead vocal Graham Dye, backing vocal Steven Dye) – 6:19
8. "Chinese Whispers" (instrumental) – 1:01
9. "Stereotomy Two" (lead vocal John Miles) – 1:21

Stereotomy was remastered and reissued in 2008 with the following bonus tracks:

10. "Light Of The World" (backing track)
11. "Rumour Goin' Round" (demo)
12. "Stereotomy" (Eric Woolfson guide vocal)
13. "Stereotomy" (backing rough mix)

Charts[link]

Inspirations[link]

The track "Chinese Whispers" is based on the game of Chinese whispers. It has some snippets of dialogue, but they are in English (not Chinese, as the song title implies) and heavily overlaid on top of each other. The words are taken from Edgar Allan Poe's work Murders in the Rue Morgue:

"...The larger links of the chain run thus -- Chantilly, Orion, Dr. Nichol, Epicurus, Stereotomy, the street stones, the fruiterer."

The titles of "Urbania" and "Where's the Walrus?" can be attributed to Lee Abrams, a (then) radio programmer for WLUP Radio (Chicago, IL) and friend of Parsons and Woolfson. Eric Woolfson remembers:

"He was really quite inspirational in this album [Stereotomy] in telling us what we'd been doing wrong, in his view, on the previous albums... `Urbania’ was one of the words he came out with during the course of a long conversation. Another title he's responsible for... is `Where's the Walrus,’ the other instrumental, 'cause he was really giving us a hard time, I must tell you: 'Your guitar sounds are too soft, and your whole approach is, you know, slack, and your lyrics—there’s no great lyrics anymore! I mean, where's the walrus? I don't hear the walrus!' Referring, of course, to John Lennon's `I am the Walrus’..."

Abrams is frequently credited on Project recordings as "Mr. Laser Beam" ("laser beam" being an anagram of Lee Abrams).

• The song Limelight was used by NBC Sports at the close of the 1986 World Series.

In Popular Culture[link]

A copy of Stereotomy can (very) briefly be seen in The Big Lebowski when Maude tells The Dude to look through her LPs.

References[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2010)

Alan Parsons
Alan Parsons in 2006
Background information
Born	(1948-12-20) 20 December 1948 (age 63) London, England
Genres	Rock, progressive rock
Occupations	Audio engineer, composer, musician, record producer, director
Years active	1967–present
Labels	Legacy, Arista, Fox, Mercury, Frontiers[citation needed]
Associated acts	The Alan Parsons Project
Website	Alan Parsons Music

Alan Parsons (born 20 December 1948^[1]) is a British audio engineer, musician, and record producer. He was involved with the production of several significant albums, including The Beatles' Abbey Road and Let It Be, as well as Pink Floyd's The Dark Side of the Moon for which Pink Floyd credit him as an important contributor. Parsons' own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been successful commercially.

Career[link]

In October 1967, at age 18, Parsons went to work as an assistant engineer at Abbey Road Studios, where he earned his first credit on the LP Abbey Road. He became a regular there, engineering such projects as Paul McCartney's Wild Life and Red Rose Speedway, five albums by The Hollies, and Pink Floyd’s The Dark Side of the Moon, for which he received his first Grammy Award nomination. He was known for doing more than what would normally be considered the scope of a recording engineer’s duties.^{[citation needed]}He considered himself to be a recording director, likening his contribution to recordings to what Stanley Kubrick contributed to film.^{[citation needed]} This is apparent in his work with Al Stewart's "Year of the Cat", where Parsons added the saxophone part and transformed the original folk concept into the jazz-influenced ballad that put Al Stewart onto the charts.^{[citation needed]} It is also heard in Parsons' influence on the Hollies' "He Ain't Heavy, He's My Brother" and "The Air That I Breathe", sharp departures from their popular 1960s hits "Stay", "Just One Look", "Stop! Stop! Stop!" or "Bus Stop".^{[citation needed]} Parsons was also known to have swapped shifts during the engineering of The Dark Side of the Moon so he could work entirely on the project.^{[citation needed]}

Parsons also produced three albums by Pilot, a Scottish pop rock band consisting of Ian Bairnson on guitar, Stuart Tosh on drums, and David Paton on lead vocals, guitars,bass and William (Billy) Lyall, on piano and keys. Their hits included "January" and "Magic".

He also mixed the debut album by the American band Ambrosia and produced their second album Somewhere I've Never Travelled. Alan was nominated for grammys for both of these albums. ^[2]

In 1975, he declined Pink Floyd's invitation to come back and work on the follow-up for "Dark Side," Wish You Were Here, and instead initiated The Alan Parsons Project with producer and songwriter (and occasional singer) Eric Woolfson, whom he had met at Abbey Road. The Project consisted of a revolving group of studio musicians and vocalists, most notably the members of Pilot and (on the first album) the members of Ambrosia. Unlike most rock groups, The Alan Parsons Project never performed live during its heyday, although it did release several music videos. Its only live performance during its original incarnation was in 1990, with Woolfson present but behind the scenes. After releasing ten albums, the last in 1987, the Project terminated in 1990 after Parsons and Woolfson split, with the Project's intended 11th album released that year as a Woolfson solo album. Parsons continued to release work in his own name and in collaboration with other musicians. Parsons and his band now regularly tour many parts of the world.

Although an accomplished vocalist, keyboardist, bassist, guitarist and flautist, Parsons only sang infrequent and incidental parts on his albums. While his keyboard playing was very audible on the Alan Parsons Project albums, very few recordings feature his flute. During the late 1990s, Parsons' career travelled an interesting full circle. Having started out in the music industry at the Abbey Road Studios in London as an assistant engineer in the late 1960s, he briefly returned to run the studio in its entirety. He reportedly managed to combine this role with the demands of a hectic performing and recording schedule. Parsons also continued with his selective production work for other bands.

Of all his collaborations, guitarist Ian Bairnson worked with Parsons the longest, including Parsons' post-Woolfson albums, Try Anything Once, On Air, and The Time Machine.

As well as receiving gold and platinum awards from many nations, Parsons has received ten Grammy Award nominations for engineering and production. In 2007 he received a nomination for Best Surround Sound Album for A Valid Path.

In May 2005, Parsons appeared at the Canyon Club in Agoura Hills, California, to mix front-of-house sound for Southern California-based Pink Floyd tribute band Which One’s Pink? and their performance of The Dark Side of the Moon in its entirety.^[3]

Since 2003 he has toured under a revised name, The Alan Parsons Live Project (with Woolfson’s permission). The globe-trotting band features guitarist Godfrey Townsend, drummer Steve Murphy, keyboardist Manny Focarazzo, and bass guitarist John Montagna. The 2004–2005 shows offered vocalist P. J. Olsson's track "More Lost Without You", while the later 2006 shows presented The Crystal Method-featured "We Play the Game" and opened with "Return to Tunguska" along with successes spanning the Project years.

Beginning in 2001 and extending for four years, Parsons conceived and led a Beatles tribute show called A Walk Down Abbey Road featuring a group of headlining performers such as Todd Rundgren, Ann Wilson of Heart, John Entwistle of The Who, and Jack Bruce of Cream. The show structure included a first set where all musicians assembled to perform each others' hits, and a second set featuring all Beatles songs.

In 2010, Alan Parsons released his single "All Our Yesterdays" through Authentik Artists.^[4] Parsons also launched a DVD educational series in 2010 titled The Art and Science of Sound Recording ("ASSR") on music production and the complete audio recording process. The single "All Our Yesterdays" was written and recorded during the making of ASSR. The series, narrated by Billy Bob Thornton,^[5] gives detailed tutorials on virtually every aspect of the sound recording process. Individual sections of the series are also being released in batches and are available to stream or download at www.artandscienceofsound.com.^[5]

During 2010, several media reports,^[6][7] one of which included a quote from a representative of Parsons,^[8] alleged that the song "Need You Now" by country music group Lady Antebellum possessed the melody and arrangement of "Eye in the Sky."

In 2011 it was announced that Parsons was creating and producing a new group called the Subclones. Parsons said: "I feel that the public deserves some genuinely innovative music and It's been a long time since I've heard some that truly excites me – it made me want to get back into the studio and do another 'Dark Side'." Parsons jokingly refers to one of the biggest-selling and most popular albums in history.^{[citation needed]}

Personal life[link]

Parsons was born in London. He resides in Santa Barbara, California with his wife and her two daughters, as well as numerous pets.^[1]

Discography[link]

Studio albums[link]

• with The Alan Parsons Project:
  • Tales of Mystery and Imagination (1976)
  • I Robot (1977)
  • Pyramid (1978)
  • Eve (1979)
  • The Turn of a Friendly Card (1980)
  • Eye in the Sky (1982)
  • Ammonia Avenue (1984)
  • Vulture Culture (1985)
  • Stereotomy (1985)
  • Gaudi (1987)
• as a solo artist:
  • Try Anything Once (1993)
  • On Air (1996)
  • The Time Machine (1999)
  • A Valid Path (2004)

Full discography[link]

[edit] Billboard Top 40 hit singles (U.S.)

No. 37 – "(The System Of) Doctor Tarr And Professor Fether" (1976)

No. 36 – "I Wouldn't Want to Be Like You" (1977)

No. 27 – "Damned if I Do" (1979)

No. 16 – "Games People Play" (1980)

No. 15 – "Time" (1981)

No. 3 – "Eye in the Sky" (1982)

No. 15 – "Don't Answer Me" (1984)

Canadian singles[link]

No. 62 – "(The System Of) Doctor Tarr And Professor Fether" (1976)

No. 22 – "I Wouldn't Want to Be Like You" (1977)

No. 16 – "Damned if I Do" (1980)

No. 9 – "Games People Play" (1981)

No. 30 – "Time" (1981)

No. 1 – "Eye in the Sky" (1982)

No. 43 – "You Don't Believe" (1983)

No. 20 – "Don't Answer Me" (1984)

No. 89 – "Let's Talk About Me" (1985)

Awards and nominations[link]

Nominations[link]

• 1973 – Pink Floyd – The Dark Side of the Moon – Grammy Award for Best Engineered Album, Non-Classical
• 1976 – Ambrosia – Somewhere I've Never Travelled – Grammy Award for Best Engineered Album, Non-Classical
• 1976 – The Alan Parsons Project – Tales of Mystery and Imagination – Grammy Award for Best Engineered Album, Non-Classical
• 1978 – The Alan Parsons Project – Pyramid – Grammy Award for Best Engineered Album, Non-Classical
• 1979 – Ice Castles – Original Motion Picture Soundtrack – Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media
• 1979 – The Alan Parsons Project – Eve – Grammy Award for Best Engineered Album, Non-Classical
• 1981 – The Alan Parsons Project – The Turn of a Friendly Card – Grammy Award for Best Engineered Album, Non-Classical
• 1982 – The Alan Parsons Project – Eye in the Sky – Grammy Award for Best Engineered Album, Non-Classical
• 1986 – The Alan Parsons Project – "Where's The Walrus?" – Grammy Award for Best Rock Instrumental Performance
• 2007 – Alan Parsons – A Valid Path – Grammy Award for Best Surround Sound Album

References[link]

• Official website of the Alan Parsons Project
• The Avenue, The Official Alan Parsons Fan Club

External links[link]

• Alan Parsons at Allmusic
• Alan Parsons Music Official Site
• Alan Parsons Project Official Site
• Alan Parsons in the Internet Movie Data Base
• Crawdaddy! "Parsons Knows: The Tale of Alan Parsons and Edgar Allan Poe"
• The Subclones, Parsons new group

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2010)

Gary Brooker
Background information
Born	(1945-05-29) 29 May 1945 (age 67) Hackney, East London
Genres	Progressive rock, rock and roll, jazz
Occupations	Musician
Instruments	Vocals, Piano, Cornet, Trombone
Years active	1960s–present
Associated acts	Procol Harum The Paramounts Willie and the Poor Boys Bill Wyman's Rhythm Kings

Gary Brooker, MBE, (born 29 May 1945) is an English singer, songwriter, pianist and founder of the rock band Procol Harum. Brooker was appointed Member of the Order of the British Empire in the Queen's Birthday Honours on 14 June 2003, in recognition of his charitable services.

Biography[link]

Early life[link]

Brooker was born in Hackney, East London. He grew up in the seaside resort of Southend-on-Sea, Essex, England. As a youngster, he learned to play piano, cornet and trombone.

Career[link]

Brooker founded The Paramounts in 1962 with his guitarist friend Robin Trower. The band gained respect within the burgeoning 1960s British R&B scene, which yielded The Beatles, The Animals, The Spencer Davis Group, The Rolling Stones, and many others. The Rolling Stones, in particular, were Paramounts fans, giving them guest billing on several memorable shows in the early 1960s.

In 1966, Brooker founded Procol Harum with his friend Keith Reid. "A Whiter Shade of Pale" is the worldwide hit that Procol Harum is best known for, but Brooker's melancholic vocals and emotive, eclectic piano playing were a key part of Procol's musical mix for the entire course of the band's career. In the early years Brooker, Hammond organist Matthew Fisher, and Trower were the guiding musical forces behind the band, but after disparities in style became too much and Fisher and Trower left, Brooker was the clear leader until the band broke up in 1977. Brooker started a solo career and released the album No More Fear of Flying in 1979.

The same year, Brooker joined friend and neighbour Eric Clapton's band. With Brooker in the lineup, they released Just One Night, a live recording from Japan and the studio album Another Ticket. Clapton fired the entire band in 1981, but he and Brooker have remained good friends since. Brooker has joined Clapton for several one-off benefit gigs over the years. They still remain neighbours in Ewhurst, Surrey.

Brooker sang lead vocal on the Alan Parsons Project song "Limelight", on their 1985 album, Stereotomy. Brooker sang the lead vocal of the song "No news from the Western Frontier", a single taken from the album "Hi-Tec Heroes" by the Dutch performer Ad Visser.

A new incarnation of Procol Harum, led by Brooker, has continued touring the world, celebrating its 40th anniversary in July 2007 with two days of musical revels at St John's Smith Square in London. Brooker also toured with Ringo Starr's All-Starr Band in 1997 and 1999, and he was also a member of Bill Wyman's Rhythm Kings for several years, appearing on three of their albums and touring with the band.

On 28 September 1996, as the Gary Brooker Ensemble, he organized a charity concert to raise funds for his local church, the St. Mary and All Saints Church, in his hometown of Surrey, England. The resulting live CD of the concert, Within Our House, originally released on a fan club CD in a very limited run of 1000 units, has since become a highly collectable recording. His guests and supporting artists included Dave Bronze, Michael Bywater, Mark Brzezicki and Robbie McIntosh.

Also in 1996, Gary appeared in the Alan Parker film adaptation of Andrew Lloyd Webbers' Evita starring Madonna, Jonathan Pryce and Antonio Banderas. Playing the part of Juan Atilio Bramuglia, he sang the song "Rainbow Tour" with Peter Polycarpou and Antonio Banderas.

In November 2002 he was among musicians and singers participating in the George Harrison tribute concert, Concert for George, at which he sang lead vocals on their version of "Old Brown Shoe". Brooker contributed to Harrison's albums All Things Must Pass, Gone Troppo and Somewhere in England.

In April 2005, as the Gary Brooker Ensemble, he played a sell-out charity concert at Guildford Cathedral in aid of the Tsunami appeal, playing a mixture of Procol Harum and solo songs and arrangements of classical and spiritual songs. His guests and supporting artists included Andy Fairweather-Low and Paul Jones (ex-Manfred Mann).

Views and advocacy[link]

Brooker is a supporter of the Countryside Alliance and has played concerts to raise funds for the organisation.^[1]

A Whiter Shade of Pale Authorship lawsuit[link]

Discography[link]

Solo albums[link]

• 1979: No More Fear of Flying
• 1982: Lead Me to the Water
• 1985: Echoes in the Night
• 1996: Within Our House (live album)

Singles[link]

• 1979: "Savannah"
• 1979: "Say It Ain't So Joe"
• 1979: "No More Fear of Flying"
• 1980: "Leave The Candle"
• 1982: "Cycle (Let It Flow)"
• 1982: "Low Flying Birds"
• 1982: "The Angler"
• 1984: "The Long Goodbye"
• 1985: "Two Fools in Love"
• 1987: "No news from the Western Frontier" (single in the Netherlands, taken from the album "Hi-Tec Heroes" by the Dutch synthesizer performer Ad Visser)

Contributor[link]

• 1999: Driver's Eyes (Ian McDonald) - Track 11, "Let There Be Light"

References[link]

External links[link]

• ClassicBands.com - Procol Harum