The Daintree Rainforest in Queensland, Australia.

The Daintree Rainforest near Cairns, in Queensland, Australia.

Rainforests are forests characterized by high rainfall, with definitions based on a minimum normal annual rainfall of 1750-2000 mm (68-78 inches). The monsoon trough, alternatively known as the intertropical convergence zone, plays a significant role in creating the climatic conditions necessary for the Earth's tropical rainforests.

Around 40% to 75% of all biotic species are indigenous to the rainforests.^[1] It has been estimated that there may be many millions of species of plants, insects and microorganisms still undiscovered in tropical rainforests. Tropical rainforests have been called the "jewels of the Earth" and the "world's largest pharmacy", because over one quarter of natural medicines have been discovered there.^[2] Rainforests are also responsible for 28% of the world's oxygen turnover, sometimes misnamed oxygen production,^[3] processing it through photosynthesis from carbon dioxide and consuming it through respiration.

The undergrowth in a rainforest is restricted in many areas by the poor penetration of sunlight to ground level. This makes it easy to walk through undisturbed, mature rainforest. If the leaf canopy is destroyed or thinned, the ground beneath is soon colonized by a dense, tangled growth of vines, shrubs and small trees, called a jungle. There are two types of rainforest, tropical rainforest and temperate rainforest.

Tropical[link]

General distribution of tropical rainforest

Tropical rainforests are characterized in two words: warm and wet. Mean monthly temperatures exceed 18 °C (64 °F) during all months of the year.^[4] Average annual rainfall is no less than 168 cm (66 in) and can exceed 1,000 cm (390 in) although it typically lies between 175 cm (69 in) and 200 cm (79 in).^[5].

Many of the world's rainforests are associated with the location of the monsoon trough, also known as the intertropical convergence zone.^[6] Tropical rainforests are rainforests in the tropics, found in the equatorial zone (between the Tropic of Cancer and Tropic of Capricorn). Tropical rainforest is present in Southeast Asia (from Myanmar (Burma) to Philippines, Malaysia, Indonesia, Papua New Guinea and northeastern Australia), Sri Lanka, sub-Saharan Africa from Cameroon to the Congo (Congo Rainforest), South America (e.g. the Amazon Rainforest), Central America (e.g. Bosawás, southern Yucatán Peninsula-El Peten-Belize-Calakmul), and on many of the Pacific Islands (such as Hawaiʻi). Tropical rainforests have been called the "Earth's lungs", although it is now known that rainforests contribute little net oxygen addition to the atmosphere through photosynthesis.^[7][8]

Temperate[link]

General distribution of temperate rainforest.

Temperate forests cover a large part of the globe, but temperate rainforests only occur in few regions around the world. Temperate rainforests are rainforests in temperate regions. They occur in North America (in the Pacific Northwest, the British Columbia Coast and in the inland rainforest of the Rocky Mountain Trench east of Prince George), in Europe (parts of the British Isles such as the coastal areas of Ireland and Scotland, southern Norway, parts of the western Balkans along the Adriatic coast, as well as in the North West of Spain and coastal areas of the eastern Black Sea, including Georgia and coastal Turkey), in East Asia (in southern China, Taiwan, much of Japan and Korea, and on Sakhalin Island and the adjacent Russian Far East coast), in South America (southern Chile) and also in Australia and New Zealand.

Layers[link]

A tropical rainforest is typically divided into four main layers, each with different plants and animals adapted for life in that particular area: the emergent, canopy, understorey and forest floor layers.

Emergent layer[link]

The emergent layer contains a small number of very large trees called emergents, which grow above the general canopy, reaching heights of 45–55 m, although on occasion a few species will grow to 70–80 m tall.^[9][10] They need to be able to withstand the hot temperatures and strong winds that occur above the canopy in some areas. Eagles, butterflies, bats and certain monkeys inhabit this layer.

The canopy at the Forest Research Institute Malaysia

Canopy layer[link]

The canopy layer contains the majority of the largest trees, typically 30–45 m tall. The densest areas of biodiversity are found in the forest canopy, a more or less continuous cover of foliage formed by adjacent treetops. The canopy, by some estimates, is home to 50 percent of all plant species, suggesting that perhaps half of all life on Earth could be found there. Epiphytic plants attach to trunks and branches, and obtain water and minerals from rain and debris that collects on the supporting plants. The fauna is similar to that found in the emergent layer, but more diverse. A quarter of all insect species are believed to exist in the rainforest canopy. Scientists have long suspected the richness of the canopy as a habitat, but have only recently developed practical methods of exploring it. As long ago as 1917, naturalist William Beebe declared that "another continent of life remains to be discovered, not upon the Earth, but one to two hundred feet above it, extending over thousands of square miles." True exploration of this habitat only began in the 1980s, when scientists developed methods to reach the canopy, such as firing ropes into the trees using crossbows. Exploration of the canopy is still in its infancy, but other methods include the use of balloons and airships to float above the highest branches and the building of cranes and walkways planted on the forest floor. The science of accessing tropical forest canopy using airships or similar aerial platforms is called dendronautics.^[11]

Understorey layer[link]

The understorey layer lies between the canopy and the forest floor. The understorey (or understory) is home to a number of birds, snakes and lizards, as well as predators such as jaguars, boa constrictors and leopards. The leaves are much larger at this level. Insect life is also abundant. Many seedlings that will grow to the canopy level are present in the understorey. Only about 5% of the sunlight shining on the rainforest canopy reaches the understorey. This layer can be called a shrub layer, although the shrub layer may also be considered a separate layer.

Forest floor[link]

Rainforest in the Blue Mountains, Australia

The forest floor, the bottom-most layer, receives only 2% of the sunlight. Only plants adapted to low light can grow in this region. Away from riverbanks, swamps and clearings, where dense undergrowth is found, the forest floor is relatively clear of vegetation because of the low sunlight penetration. It also contains decaying plant and animal matter, which disappears quickly, because the warm, humid conditions promote rapid decay. Many forms of fungi growing here help decay the animal and plant waste.

Flora and fauna[link]

West Usambara Two-Horned Chameleon (Bradypodion fischeri) in the Usambara Mountains, Tanzania.

More than half of the world's species of plants and animals are found in the rainforest.^[12] Rainforests support a very broad array of fauna, including mammals, reptiles, birds and invertebrates. Mammals may include primates, felids and other families. Reptiles include snakes, turtles, chameleons and other families; while birds include such families as vangidae and Cuculidae. Dozens of families of invertebrates are found in rainforests. Fungi are also very common in rainforest areas as they can feed on the decomposing remains of plants and animals. Many rainforest species are rapidly disappearing due to deforestation, habitat loss and pollution of the atmosphere.^[13]

Soils[link]

This section requires expansion.

Despite the growth of vegetation in a tropical rainforest, soil quality is often quite poor. Rapid bacterial decay prevents the accumulation of humus. The concentration of iron and aluminium oxides by the laterization process gives the oxisols a bright red colour and sometimes produces mineral deposits such as bauxite. Most trees have roots near the surface, because there are insufficient nutrients below the surface; most of the trees' minerals come from the top layer of decomposing leaves and animals. On younger substrates, especially of volcanic origin, tropical soils may be quite fertile. If rainforest trees are cleared, rain can accumulate on the exposed soil surfaces, creating run-off and beginning a process of soil erosion. Eventually streams and rivers form and flooding becomes possible.

Effect on global climate[link]

A natural rainforest emits and absorbs vast quantities of carbon dioxide. On a global scale, long-term fluxes are approximately in balance, so that an undisturbed rainforest would have a small net impact on atmospheric carbon dioxide levels,^[14] though they may have other climatic effects (on cloud formation, for example, by recycling water vapour). No rainforest today can be considered to be undisturbed.^[15] Human induced deforestation plays a significant role in causing rainforests to release carbon dioxide,^[16] as do other factors, whether human-induced or natural, which result in tree death, such as burning and drought.^[17] Some climate models operating with interactive vegetation predict a large loss of Amazonian rainforest around 2050 due to drought, forest dieback and the subsequent release more carbon dioxide.^[18] Five million years from now, the Amazon rainforest may long since have dried and transformed itself into savannah, killing itself in the progress (changes such as this may happen even if all human deforestation activity ceases overnight).^[19] The descendants of our known animals may adapt to the dry savannah of the former Amazonian rainforest and thrive in the new, warmer temperatures.^[19]

Human uses[link]

Amazon River rain forest in Peru

Tropical rainforests provide timber as well as animal products such as meat and hides. Rainforests also have value as tourism destinations and for the ecosystem services provided. Many foods originally came from tropical forests, and are still mostly grown on plantations in regions that were formerly primary forest.^[20] Also, plant derived medicines are commonly used for fever, fungal infections, burns, gastrointestinal problems, pain, respiratory problems, and wound treatment.^[21]

Native peoples[link]

This section requires expansion.

On January 18, 2007, FUNAI reported also that it had confirmed the presence of 67 different uncontacted tribes in Brazil, up from 40 in 2005. With this addition, Brazil has now overtaken the island of New Guinea as the country having the largest number of uncontacted tribes.^[22] The province of Irian Jaya or West Papua in the island of New Guinea is home to an estimated 44 uncontacted tribal groups.^[23] The tribes are in danger because of the deforestation, especially in Brazil.

Central African rainforest is home of the Mbuti pygmies, one of the hunter-gatherer peoples living in equatorial rainforests characterised by their short height (below one and a half metres, or 59 inches, on average). They were the subject of a study by Colin Turnbull, The Forest People, in 1962.^[24] Pygmies who live in Southeast Asia are, amongst others, referred to as “Negrito”.

Deforestation[link]

Jungle burned for agriculture in southern Mexico.

Tropical and temperate rainforests have been subjected to heavy logging and agricultural clearance throughout the 20th century and the area covered by rainforests around the world is shrinking.^[25] Biologists have estimated that large numbers of species are being driven to extinction (possibly more than 50,000 a year; at that rate, says E. O. Wilson of Harvard University, a quarter or more of all species on Earth could be exterminated within 50 years)^[26] due to the removal of habitat with destruction of the rainforests.

Another factor causing the loss of rainforest is expanding urban areas. Littoral rainforest growing along coastal areas of eastern Australia is now rare due to ribbon development to accommodate the demand for seachange lifestyles.^[27]

The forests are being destroyed at a rapid pace.^[28][29][30] Almost 90% of West Africa's rainforest has been destroyed.^[31] Since the arrival of humans 2000 years ago, Madagascar has lost two thirds of its original rainforest.^[32] At present rates, tropical rainforests in Indonesia would be logged out in 10 years and Papua New Guinea in 13 to 16 years.^[33]

Several countries,^[34] notably Brazil, have declared their deforestation a national emergency.^[35] Amazon deforestation jumped by 69% in 2008 compared to 2007's twelve months, according to official government data.^[36] Deforestation could wipe out or severely damage nearly 60% of the Amazon Rainforest by 2030, says a new report from WWF.^[37]

However, a January 30, 2009 New York Times article stated, "By one estimate, for every acre of rain forest cut down each year, more than 50 acres of new forest are growing in the tropics..." The new forest includes secondary forest on former farmland and so-called degraded forest.^[38]

See also[link]

	Environment portal
	Ecology portal

References[link]

Further reading[link]

Part of the Illawarra Brush, in New South Wales, Australia.

• Butler, R. A. (2005) A Place Out of Time: Tropical Rainforests and the Perils They Face. Published online: Rainforests.mongabay.com
• Richards, P. W. (1996). The tropical rain forest. 2nd ed. Cambridge University Press ISBN 0-521-42194-2
• Whitmore, T. C. (1998) An introduction to tropical rain forests. 2nd ed. Oxford University Press. ISBN 0-19-850147-1

External links[link]

Wikimedia Commons has media related to: Rainforest

Look up rainforest in Wiktionary, the free dictionary.

Kenneth E. "Ken" Davis is a prominent lobbyist and Republican political figure in Pennsylvania. He is a long-term ally of controversial Republican National Committeeman Bob Asher, a mainstay in state-wide and Montgomery County Republican politics.^[1]

Education and career[link]

He earned a degree from Moravian College and a Master's degree in government from American University.^[2] He began his career as a congressional aide to Pennsylvania Senator Hugh Scott in his Washington, DC office.^[2] He later worked as Director of Government Relations for Rohm and Haas, where he represented the company's interests before various levels of government.^[2]

He served as a member of the Pennsylvania Economic Development Financing Authority, a sub-cabinet board within the Pennsylvania Department of Community and Economic Development, during the Ridge Administration.^[2] He served on the Private Sector Task Force on Management and Productivity during the Rendell Administration, where he wrote a study on commercial and economic development policies.^[2] He currently serves as a member of the Ben Franklin Technology Development Authority.

He is a lobbyist for Duane Morris, where he is Managing Director of the firm's government affairs division.^[2] Within that position, he specializes in Pennsylvania's gambling law as well as Marcellus Shale issues.^[2]

Montgomery County politics[link]

He has served as a 15-year member and president of the Lower Merion Township, Pennsylvania Board of Commissioners.^[2] He was considered as a possible Republican nominee for Montgomery County Commissioner, a nomination that went to eventual winner Tom Ellis.^[3]

County Republican Party[link]

In 2004, long-time chairman of the Montgomery County Republican Committee, Frank Bartle retired, setting off a heated campaign between Davis and Robert J. Kerns that ended in controversy.^[4] Following the initial vote, which Davis won 329 to 328, Kerns alleged that proxy votes were improperly allocated in favor of Davis.^[4] Kerns filed a lawsuit in Common Pleas court, where a judge ruled that there were irregularities in the vote, but declined to overturn the result.^[5] In 2006, Davis defeated Kerns in a re-match.^[5] In 2008, Davis decided not to seek re-election, and returned full-time to his lobbying practice.

Support of Jim Matthews[link]

During the early stages of the Republican 2006 Pennsylvania gubernatorial election, Davis and Bob Asher were instrumental in securing decisive support for Jim Matthews as the Republican nominee for Pennsylvania Lieutenant Governor on a ticket with Lynn Swann^[6][7]

Feud with Bruce Castor[link]

During an intra-party primary battle for the Republican Party nomination for Montgomery County Commissioner, Davis' lobbying contract worth $7,500 per month was criticized by District Attorney Bruce Castor as being inappropriate. Davis eventually gave up the contract. However, Castor continued his feud with Jim Matthews and his fellow Commissioner Tom Ellis, and announced his own candidacy for Commissioner in response to Davis' endorsement of the pair. Castor went on to deeat Ellis for the nomination, and won the other seat alongside Matthews. Matthews, however, made a deal with Democratic Commissioner Joe Hoeffel to govern the County, leaving Castor out of the arrangement.^[1][8][9]

References[link]

Esperanza Spalding
Spalding performing at the Newport Jazz Festival on August 10, 2008
Background information
Born	(1984-10-18) October 18, 1984 (age 27) Portland, Oregon, US
Genres	Jazz, jazz fusion, bossa nova, neo soul
Occupations	Musician, composer, educator, bandleader
Instruments	Upright bass, bass guitar, and vocals
Years active	2000–present[1]
Labels	Heads Up International, Hush, Merge
Associated acts	Stanley Clarke, Patti Austin, and Joe Lovano
Website	www.esperanzaspalding.com

Esperanza Spalding (born October 18, 1984)^[2] is an American multi-instrumentalist best known as a jazz bassist and singer, who draws upon many genres in her own compositions. In 2011, she won the Grammy Award for Best New Artist at the 53rd Grammy Awards,^[3] making her the first jazz artist to win the award.^[4][5]

Biography[link]

Early life and early education[link]

Spalding grew up in the King neighborhood of Portland, Oregon,^[6] a neighborhood she describes as "ghetto" and "pretty scary".^[7] Her mother raised her and her brother as a single parent.^[8] Spalding has a diverse ethnic background.^[7][9] Her father is African-American and her mother is of Welsh, Native American, and Hispanic descent.^[10] She also has an interest in the music of other cultures, including that of Brazil,^[11] commenting, "With Portuguese songs, the phrasing of the melody is intrinsically linked with the language, and it's beautiful."^[12]

Her mother shares Spalding's interest in music, having nearly become a touring singer herself.^[8][13] But while Spalding cites her mother as a powerful influence who encouraged her musical expansion, she attributes her inspiration for pursuing a life in music to watching classical cellist Yo-Yo Ma perform on an episode of Mister Rogers' Neighborhood when she was four.^[8]

By the time Spalding was five, she had taught herself to play the violin and was playing with the Chamber Music Society of Oregon.^[8] Spalding stayed with the Chamber Music Society of Oregon until she was fifteen and left as concertmaster.^[8] Due to a lengthy illness when she was child, Spalding spent much of her elementary school years being homeschooled,^[8] but also attended King Elementary School in northeast Portland.^[6] During this time, she also found the opportunity to pick up instruction in music by listening to her mother's college teacher instruct her mother in guitar.^[12] According to Spalding, when she was about eight, her mother briefly studied jazz guitar in college; Spalding says, "Going with her to her class, I would sit under the piano. Then I would come home and I would be playing her stuff that her teacher had been playing."^[12] Spalding also played oboe and clarinet before discovering the bass in high school.^[8][14] She is able to sing in English, Spanish, and Portuguese.^[15]

Spalding had begun performing live in clubs in Portland, Oregon as a teenager,^[11] securing her first gig at 15 in a blues club, when she could play only one line on bass.^[16] One of the seasoned musicians with which she played that first night invited her to join the band's rehearsals "so she could actually learn something", and her rehearsals soon grew into regular performances spanning almost a year.^[16] According to Spalding, it was a chance for her to stretch as a musician, reaching and growing beyond her experience.^[12] Her early contact with these "phenomenal resources", as she calls the musicians who played with her,^[12] fostered her sense of rhythm and helped nurture her interest in her instrument.^[16] She does not consider herself a musical prodigy.^[17] "I am surrounded by prodigies everywhere I go, but because they are a little older than me, or not a female, or not on a major label, they are not acknowledged as such", says Spalding.^[17]

Spalding had intended to play cello,^[12] but discovered the bass during a one-year stint at age 14 at the prestigious performing arts high school, The Northwest Academy, to which she had won a scholarship.^[16][18] The school was not a good fit, but the bass was.^[16] Spalding found high school "easy—and boring" and dropped out. When she was 15 or 16 years old, Spalding started writing lyrics for music for the local indie rock/pop group Noise for Pretend, touching on any topic that came to mind.^[17] Although she had taken a few private voice lessons, which taught her how to protect her voice, her primary singing experience had come from "singing in the shower", she said,^[17] before she started performing vocals for Noise for Pretend.^[12] Her desire to perform live evolved naturally out of the compositional process, when she would sing and play simultaneously to see how melody and voice fit together, but she acknowledges that performing both roles can be challenging.^[12][19] In a 2008 interview, she said, "[W]hat can be difficult is being a singer, in the sense that you are engaged with the audience, and really responsible for emoting, and getting into the lyrics, melody, etc., and being an effective bassist/band leader".^[19]

Spalding left high school at 16 and, after completing her GED, enrolled on a music scholarship in the music program at Portland State University, where she remembers being "the youngest bass player in the program".^[8] Although she lacked the training of her fellow students, she feels that her teachers nevertheless recognized her talent.^[8] She decided to instead apply to Berklee College of Music on the encouragement of her bass teacher, and did well enough in her audition to receive a full scholarship.^[13][16] In spite of the scholarship, Spalding found it a challenge meeting living expenses, so her friends arranged a benefit concert that paid her airfare and a little extra.^[12][16] Spalding's savings did not last long. Broke and exhausted,^[20] she considered leaving music and entering political science,^[13] a move jazz guitarist and composer Pat Metheny discouraged, telling Spalding she had "the 'X Factor'" and could make it if she applied herself.^[13] During her time at Berklee, her primary bass instructor was John Lockwood.^{[citation needed]}

[edit] 2004–07: Musical beginnings, teaching and Junjo

Spalding performing at the Umbria Jazz Festival in Perugia, Italy on July 12, 2007

Gary Burton, Executive Vice President at Berklee, said in 2004 that Spalding had "a great time feel, she can confidently read the most complicated compositions, and she communicates her upbeat personality in everything she plays".^[16] Ben Ratliff wrote in The New York Times on July 9, 2006, that Spalding's voice is "light and high, up in Blossom Dearie's pitch range, and [that] she can sing quietly, almost in a daydream" and that Spalding "invents her own feminine space, a different sound from top to bottom."^[21] Spalding was the 2005 recipient of the Boston Jazz Society scholarship for outstanding musicianship.^[8] Almost immediately after graduation from college later the same year, Spalding was hired by Berklee College of Music, becoming one of the youngest instructors in the institution's history,^[12] at age 20.^[22] As a teacher, Spalding tries to help her students focus their practice through a practice journal, which can help them recognize their strengths and what they need to pursue.^[12]

Her debut album Junjo was released on April 18, 2006, on the Ayva Music label.^[23][24] It was created to display the dynamic that she felt among her trio.^[17] Though Junjo was released solely under her name, Spalding considers it "a collaborative effort".^[12]

[edit] 2008–10: Esperanza

Spalding performing on December 10, 2009 at the Nobel Peace Prize Concert of 2009

When asked in 2008 why she plays the bass instead of some other instrument, Spalding said that it wasn't a choice, but the bass "had its own arc" and resonated with her.^[17] Spalding says that for her discovering the bass was like "waking up one day and realizing you're in love with a co-worker."^[12] By the time she randomly picked up the bass in music class and began experimenting with it, she had grown bored with her other instruments.^[16][25] Her band teacher showed her a blues line for the bass that she later used to secure her first gig.^[16] After that, she went in to play the bass daily and gradually fell in love.^[12]

Ratliff wrote in The New York Times again, two years later, on May 26, 2008 that one of Spalding's central gifts is "a light, fizzy, optimistic drive that's in her melodic bass playing and her elastic, small-voiced singing" but that "the music is missing a crucial measure of modesty."^[26] He added, "It's an attempt at bringing this crisscrossing [of Stevie Wonder and Wayne Shorter] to a new level of definition and power, but its vamps and grooves are a little obvious, and it pushes her first as a singer-songwriter, which isn't her primary strength."^[26] Pat Metheny said in 2008 it was immediately obvious "that she had a lot to say and was also unlike any musician I had ever run across before. Her unique quality is something that goes beyond her pretty amazing musical skills; She has that rare 'x' factor of being able to transmit a certain personal kind of vision and energy that is all her own."^[20] Andrés Quinteros wrote in the Argentinian periodical, 26Noticias on October 28, 2008 that Spalding is one of the greatest new talents on the jazz scene today.^[27] Patti Austin hired Spalding to tour with her internationally after Spalding's first semester at Berklee,^[16] where Spalding supported the singer on the Ella Fitzgerald tribute tour "For Ella".^[12] In 2008, Spalding recalled the tour as educational, helping her learn to accompany a vocalist and also how to sustain energy and interest playing the same material nightly.^[12] She continued to perform with Austin periodically for three years.^[12] During the same period, while at Berklee, Spalding studied under saxophonist Joe Lovano before eventually touring with him.^[12] They began as a trio, expanding into a quartet before joining quintet US5 and traveling across the United States from New York to California.^[12] As of 2008, she was also in the process of developing several courses for students at Berklee, including one that focuses "on transcribing as a tool for learning harmony and theory."^[12] Due to touring commitments, Spalding stopped giving classes at Berklee. She lives in New York and Austin, Texas.

Spalding performing at the Northsea Jazz Festival, 2009

Esperanza is Spalding's second studio album. Being exposed to many different cultural impressions while growing up, Spalding sings in three different languages, English, Spanish, and Portuguese.^[28] After Spalding's Grammy win in February 2011, the album entered the Billboard 200 at 138. With Esperanza, Spalding's material was meant to be more reflective of herself as an artist, with musicians selected to best present that material.^[17] Ed Morales wrote in PopMatters on June 23, 2008 that Esperanza is "a sprawling collage of jazz fusion, Brazilian and even a touch of hip-hop".^[29] Siddhartha Mitter wrote in The Boston Globe on May 23, 2008 that "the big change" in Esperanza "is the singing..... This makes it a much more accessible album, and in some ways more conventional".^[30]

On December 10, at the 2009 Nobel Peace Prize ceremonies, Spalding performed at Oslo City Hall in honor of the 2009 Laureate President Barack Obama and again at the Nobel Peace Prize Concert the following day. She was personally selected by Obama, as per the tradition of one laureate-invited-artist to perform.^[31] Spalding also was the featured final act for the opening night of the 2009 Park City Jazz Festival in Park City, Utah, one of the top jazz festivals in the country. She closed the show with a number along with bass artists Brian Bromberg and Sean O'Bryan Smith, who also performed earlier that day.^[32] As a tribute to Prince, Spalding was invited to sing along with Patti LaBelle, Alicia Keys, and Janelle Monáe. Spalding performed the 1987 hit single "If I Was Your Girlfriend".^[31][33] On February 7, 2010, Spalding became the most searched person and second most searched item on Google as a result of her appearance the previous evening on the PBS television program Austin City Limits.^[34][35]

[edit] 2011–present: Chamber Music Society and Radio Music Society

In February 2011, at the 53rd Grammy Awards, Spalding won the "Best New Artist" award.^[36] In November 2011, Spalding won "Jazz Artist of the Year" at the Boston Music Awards.^[37] Spalding collaborated with Tineke Postma on the track "Leave Me A Place Underground" from the album The Dawn Of Light in 2011.^[38] She also collaborated with Terri Lyne Carrington on the album The Mosaic Project where she features on the track "Crayola".^[39] Spalding sings a duet with Nicholas Payton on the track "Freesia" from the album Bitches in 2011.^{[40] [41]} Her next project was an album titled Radio Music Society, which she hoped would showcase jazz musicians in an accessible manner suitable for mainstream radio.^[36] With Radio Music Society, she hoped to incorporate her own musical compositions with covers of such artists as the Beach Boys and Wayne Shorter. She also plans to record an album with Milton Nascimento in the future.^[42]

Chamber Music Society was the third album by Spalding. After her surprise Grammy win, the album re-entered the Billboard 200 at number 34 with sales of 18,000.^[43] A video was made for the song "Little Fly".^[44] The song is a poem by William Blake set to music by Spalding. A vinyl version of the album was released in February 2011. This version of the album included a bonus track titled "Morning" that will be included in the tracklist of her upcoming Radio Music Society album.^[45] Chamber Music Society, inspiration from her earlier days as a concertmaster is apparent in her fusion of three-piece string ensemble with piano, keyboards, drums and percussion. As Patrick Jarenwattananon wrote for NPR Music, "the finished product certainly exudes a level of sophisticated intimacy, as if best experienced with a small gathering in a quiet, wood-paneled room."^[46] Spalding was the best-selling contemporary jazz artist, and her album Chamber Music Society was the best-selling contemporary jazz album, of 2011.^[47]

On February 26, 2012, Spalding performed at the 84th Academy Awards, singing the Louis Armstrong standard, "What a Wonderful World", alongside the Southern California Children's Chorus to accompany the video montage that celebrated the film industry greats who passed away in 2011 and early 2012.^[48] Radio Music Society is Spalding's fourth studio album, released by record label Heads Up International on March 20, 2012.^[49][50][51] Spalding appeared on Later... with Jools Holland.^[52]

Artistry[link]

Influences and attitude toward music and jazz[link]

Spalding alternates between upright bass...		and bass guitar in her performances

Spalding cites jazz bassists Ron Carter and Dave Holland as important influences on her music; Carter for the "orchestration" of his playing and Holland for the way his compositional method complements his personal style.^[53] She has described the saxophone player Wayne Shorter,^[13] and singer-songwriter Milton Nascimento, as heroes.^[54] She has also noted her preference for the music of Brazil.^[13]

Spalding says she loves fusion music and was influenced by a "wonderful arc that started 40 years ago where people kept incorporating modern sounds into their music."^[29] She has expressed concerns that jazz has wandered from its roots, suggesting that jazz has lost its street value and its relevance to "the Black experience to the Black Diaspora and beyond" now that has been co-opted by the "seasoned 'art' community".^[7] She notes that in its early days, jazz was "popular dance music" and "the music of young people who considered themselves awfully hip", and believes "hip-hop, or neo-soul [...] is our 'jazz' now as far as the role these genres play in the music genre lineage".^[7] Spalding, who has expressed a desire to be judged for her musicianship rather than her sex appeal, believes that female musicians must take responsibility to avoid oversexualizing themselves.^[29][13] and that in order to write original music, one must read and stay informed about the world.^[13] She has said she models her career on those of Madonna and Ornette Coleman.^[12]

Discography[link]

Solo albums[link]

Music videos[link]

Collaborative albums[link]

Awards and nominations[link]

References[link]

Further reading[link]

• Murphy, Sarah, "Student Profile: Esperanza Spalding", Berklee College of Music, April 2004
• Colapinto, John (March 15, 2010). "Profiles: New Note". The New Yorker 86 (4): 32–39. 

External links[link]

Wikimedia Commons has media related to: Esperanza Spalding

• Official website
• Esperanza Spalding interview for OnTheGig.com
• Interview for allaboutjazz.com
• Who is Esperanza Spalding and how did she beat Justin Bieber? interview for Billboard.com
• VIDEO: Performance and interview at The Roots Picnic (2011)

Michael Angelo Batio
Background information
Also known as	Mike Batio, MAB
Born	(1956-02-23) February 23, 1956 (age 56) Chicago, Illinois, USA
Genres	Instrumental rock, neo-classical metal, heavy metal, hard rock, progressive rock, jazz
Occupations	Musician, songwriter, producer, columnist
Instruments	Guitar, bass, keyboard, vocals, drums
Years active	1984–present
Labels	M.A.C.E.
Associated acts	Nitro, Holland, Jim Gillette, C4, The Michael Angelo Band, Katrina Johansson, Bill Peck, Dave Reffett
Website	www.angelo.com
Notable instruments
Dean MAB1 Armorflame Dean MAB1 Lazer Dean MAB2 Aviator Dean Speed Of Light Double-Guitar Quad Guitar

Michael Angelo Batio ( /ˈbeɪti.oʊ/;^[1] born February 23, 1956) also known as Mike Batio or MAB, is a guitarist and columnist from Chicago, Illinois. His work has encompassed many genres, notably metal and its subgenres. Batio was voted the "No. 1 Shredder of All Time" by Guitar One Magazine in 2003.^[2][3] He was also listed as one of the "Top 100 Greatest Metal Guitarists of All Time" by Guitar World Magazine, for which he wrote the column Time to Burn, and one of the "20 Greatest Shredders of All Time" by Total Guitar Magazine, both in April 2008. Batio also won the 2009 Guitar World Magazine Readers Choice award in the "Best Shredder" category. In November 2011, Michael won the Guitar World Magazine Readers Choice Award and was voted the "Fastest Guitarist of All Time." Over 440,000 votes were cast.

Biography[link]

Early life and career[link]

Michael Angelo Batio started playing the piano and composing music at the age of five, and first played guitar at the age of ten, reportedly playing faster than his teacher within two years.^{[citation needed]} At the age of fourteen he started playing jazz guitar, and within two years he had won the Chicago-based "All-State Jazz Solo Award". He attended Northeastern Illinois University and achieved a Bachelor of Arts degree in Music Theory and Composition. After he had graduated, Batio looked to become a session guitarist in his hometown. When he asked for a job at a nearby studio, he was given a piece of music and simply asked to play it. He managed to play it adding his own improvisations and fills, making him the studio's primary call-out guitarist.^[4] As a session player, Batio recorded music for such companies as Burger King, Pizza Hut, Taco Bell, KFC, United Airlines, United Way, McDonalds, Beatrice Corp. and the Chicago Wolves hockey team.

Holland, the Michael Angelo Band and Nitro (1984–1993)[link]

Batio began his recording career in 1984 when he joined new Chicago-based heavy metal band Holland, an eponymous project set up by ex-Steppenwolf singer Tommy Holland. With major label Atlantic Records, the band released their debut studio album in 1985 entitled Little Monsters, which saw moderate success in the United States. The band split up soon after, and a compilation of material from the Little Monsters sessions, Wake Up the Neighbourhood, was released in 1999 through Batio's label M.A.C.E. Music.

After the breakup of Holland, Batio started his own eponymous band with singer Michael Cordet, bassist Allen Hearn and drummer Paul Cammarata. The Band did not release any albums, though three of their songs appeared on the 1998 Nitro compilation Gunnin' for Glory.^[5]

In 1987 Batio joined glam metal artist Jim Gillette on his solo album Proud to Be Loud, before founding the band Nitro with bassist T.J. Racer and drummer Bobby Rock. In 1989 Nitro released their first studio album, O.F.R., from which they released two singles, "Freight Train" and "Long Way From Home". The music video for "Freight Train", which received much airplay on MTV, was notable for featuring Batio playing his now famous 'Quad Guitar', a notion which FHM Magazine voted one of the "50 most outrageous moments in rock history".^[6]

1987 was also the year Batio released his first instructional video with "Star Licks Productions" as part of the "Masters Series" and was one of the first recognized rock guitarists to make the jump into video instructional material. This video was the very first "shred" instructional program showing many modern guitar concepts for the first time.

By 1992, Comet and Racer had been replaced by Johnny Thunder and Ralph Carter respectively, and it was in this year that they released their second studio album entitled Nitro II: H.W.D.W.S.. Included on the album was a cover of Ted Nugent's "Cat Scratch Fever", which the band also recorded a music video for. Nitro disbanded shortly afterwards.

Solo career (1993–present)[link]