Come Taste the Band is the tenth studio album by the English Rock band Deep Purple originally released in October 1975. The album was co-produced and engineered by the band and longtime associate Martin Birch. It is the only Deep Purple studio record featuring Tommy Bolin, who replaced Ritchie Blackmore on guitar and is also the final of three albums to feature Glenn Hughes on bass and David Coverdale on lead vocals before he later left to form Whitesnake.
When Blackmore left the band in 1975, there was uncertainty over whether Deep Purple would continue, as they did when Ian Gillan left in 1973. It was David Coverdale who asked Jon Lord to keep the band together, and Coverdale was also a major factor in recruiting Tommy Bolin to take the guitar slot.
Musically, the album is more commercial-sounding than the Deep Purple Mark III releases, leaning toward a conventional hard rock focus with overtones of soul and funk.
Rehearsals for the album were recorded by Robert Simon, who was originally engineering the album. But after a dispute with the band over scheduling, the band left Simon's Pirate Sound Studios in favour of Birch.
The Band was a Canadian-American roots rock group, originally consisting of Rick Danko (bass guitar, double bass, fiddle, trombone, vocals), Levon Helm (drums, mandolin, vocals), Garth Hudson (keyboards, saxophones, trumpet), Richard Manuel (piano, baritone, drums, vocals) and Robbie Robertson (guitar, percussion, vocals). The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins's backing group, the Hawks, one by one between 1958 and 1963.
In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album, Music from Big Pink. Because they were always "the band" to various frontmen, Helm said the name "The Band" worked well when the group came into its own. The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.
You think that I don't feel love
But what I feel for you is real love
In other's eyes I see reflected
A hurt, scorned, rejected
Love child, never meant to be
Love child, born in poverty
Love child, never meant to be
Love child, take a look at me
I started my life in an old, cold run down tenement slum
My father left, he never even married mom
I shared the guilt my mama knew
So afraid that others knew I had no name
This love we're contemplating
Is worth the pain of waiting
We'll only end up hating
The child we maybe creating
Love child, never meant to be
Love child, (scorned by) society
Love child, always second best
Love child, different from the rest
Mm, baby (hold on, hold on, just a little bit)
Mm, baby (hold on, hold on, just a little bit)
I started school, in a worn, torn dress that somebody threw out
I knew the way it felt, to always live in doubt
To be without the simple things
Sop afraid my friends would see the guilt in me
Don't think that I don't need you
Don't think I don't wanna please you
No child of mine 'll be bearing
The name of shame I've been wearing
Love child, love child, never quite as good
Afraid, ashamed, misunderstood
But I'll always love you
I'll always love you
I'll always love you
I'll always love you
I'll always love you
I'll always love you