Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. It combines elements from the action film, as codified by Hollywood, with Chinese storytelling and aesthetic traditions, to create a culturally distinctive form that nevertheless has a wide transcultural appeal. In recent years, the flow has reversed somewhat, with American and European action films being heavily influenced by Hong Kong genre conventions.

The first Hong Kong action films favoured the wuxia style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by styles in which films depicted more down-to-earth unarmed kung fu, often featuring folk hero Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emergence of the grittier kung fu films for which the Shaw Brothers studio became best known. The 1970s saw the rise and sudden death of international superstar Bruce Lee. He was succeeded in the 1980s by Jackie Chan—who popularised the use of comedy, dangerous stunts, and modern urban settings in action films—and Jet Li, whose authentic wushu skills appealed to both eastern and western audiences. The innovative work of directors and producers like Tsui Hark and John Woo introduced further variety (for example, gunplay, triads and the supernatural). An exodus by many leading figures to Hollywood in the 1990s coincided with a downturn in the industry.

Early martial arts films[link]

The signature contribution to action cinema from the Chinese-speaking world is the martial arts film, the most famous of which were developed in Hong Kong. The genre emerged first in Chinese popular literature. The early 20th century saw an explosion of what were called wuxia novels (often translated as "martial chivalry"), generally published in serialized form in newspapers. These were tales of heroic, sword-wielding warriors, often featuring mystical or fantasy elements. This genre was quickly seized on by early Chinese films, particularly in the movie capital of the time, Shanghai. Starting in the 1920s, wuxia titles, often adapted from novels (for example, 1928's The Burning of the Red Lotus Monastery and its eighteen sequels) were hugely popular and the genre dominated Chinese film for several years.^[1]

The boom came to an end in the 1930s, caused by official opposition from cultural and political elites, especially the Kuomintang government, who saw it as promoting superstition and violent anarchy.^[2] Wuxia filmmaking was picked up in Hong Kong, at the time a British colony with a highly liberal economy and culture and a developing film industry. The first martial arts film in Cantonese, the dominant Chinese spoken language of Hong Kong, was The Adorned Pavilion (1938).^{[citation needed]}

Postwar martial arts cinema[link]

By the late 1940s, upheavals in mainland China—the Second Sino-Japanese War, the Chinese Civil War, and the victory of the Communist Party of China—had shifted the centre of Chinese language filmmaking to Hong Kong. The industry continued the wuxia tradition in Cantonese B movies and serials, although the more prestigious Mandarin-language cinema generally ignored the genre. Animation and special effects drawn directly on the film by hand were used to simulate the flying abilities and other preternatural powers of characters; later titles in the cycle included The Six-Fingered Lord of the Lute (1965) and Sacred Fire, Heroic Wind (1966).^[2]

A countertradition to the wuxia films emerged in the kung fu movies that were also produced at this time. These movies emphasized more "authentic", down-to-earth and unarmed combat over the swordplay and mysticism of wuxia. The most famous exemplar was real-life martial artist Kwan Tak Hing; he became an avuncular hero figure to at least a couple of generations of Hong Kongers by playing historical folk hero Wong Fei Hung in a series of roughly one hundred movies, from The True Story of Wong Fei Hung (1949) through to Wong Fei Hung Bravely Crushing the Fire Formation (1970).^[3] A number of enduring elements were introduced or solidified by these films: the still-popular character of "Master Wong"; the influence of Chinese opera with its stylized martial arts and acrobatics; and the concept of martial arts heroes as exponents of Confucian ethics.^{[citation needed]}

"New School" wuxia[link]

Part of the series on Chinese martial arts
List of Chinese martial arts
Terms
Kung fu (功夫) Wushu (武術) Qigong (氣功)
Historical places
Shaolin Monastery (少林寺) Wudang Mountains (武當山) Mount Hua (華山) Mount Emei (峨嵋山) Kunlun Mountains (崑崙山)
Historical people
Yue Fei (岳飛) Yim Wing-chun (嚴詠春) Hung Hei-gun (洪熙官) Fong Sai-yuk (方世玉) Dong Haichuan (董海川) Yang Lu-ch'an (楊露禪) Wu Quanyou (吳全佑) Ten Tigers of Canton (廣東十虎) Chen Fake (陳發科) Chan Heung (陳享) Wong Fei-hung (黃飛鴻) Sun Lu-t'ang (孫祿堂) Huo Yuanjia (霍元甲) Yip Man (葉問) Wang Zi-Ping (王子平)
Famous modern actors
Bruce Lee (李小龍) Jackie Chan (成龍) Sammo Hung (洪金寶) Yuen Biao (元彪) Jet Li (李連杰)
Legendary figures
Bodhidharma (菩提達摩) Zhang Sanfeng (張三丰) Eight immortals (八仙) Five Elders (五祖)
Related
Hong Kong action cinema Wushu (sport) Wuxia (武俠)
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In the second half of the 1960s, the era's biggest studio, Shaw Brothers, inaugurated a new generation of wuxia films, starting with Xu Zenghong's Temple of the Red Lotus (1965), a remake of the 1928 classic. These Mandarin productions were more lavish and in colour; their style was less fantastical and more intense, with stronger and more acrobatic violence. They were influenced by imported samurai movies from Japan and by the wave of "New School" wuxia novels by authors like Jin Yong and Liang Yusheng that started in the 1950s.^[4]

The New School wuxia wave marked the move of male-oriented action films to the centre of Hong Kong cinema, which had long been dominated by female stars and genres aimed at female audiences, such as romances and musicals. Even so, during the 1960s female action stars like Cheng Pei Pei and Connie Chan Po-chu were prominent alongside male stars, such as former swimming champion Jimmy Wang Yu, and they continued an old tradition of female warriors in wuxia storytelling.^{[citation needed]} The signature directors of the period were Chang Cheh with One-Armed Swordsman (1967) and Golden Swallow (1968) and King Hu with Come Drink with Me (1966). Hu soon left Shaw Brothers to pursue his own vision of wuxia with independent productions in Taiwan, such as the enormously successful Dragon Inn (1967, aka Dragon Gate Inn). Chang stayed on and remained the Shaws' prolific star director into the early 1980s.

The 1970s kung fu wave[link]

The early 1970s saw wuxia giving way to a new, grittier and more graphic (and Mandarin-speaking) iteration of the kung fu movie, which came to dominate through the decade and into the early 1980s. Seriously trained martial artists such as Ti Lung and Gordon Liu became some of the top stars as increasing proportions of running times were devoted to combat setpieces. Chinese Boxer (1970), starring and directed by Jimmy Wang Yu, is widely credited with launching the kung fu boom. But remaining at the vanguard, at least initially, were Shaw Brothers and director Chang Cheh. Chang's Vengeance (1970) was another of the first trendsetters and his dozens of contributions included The Boxer from Shantung (1972), Five Deadly Venoms (1978) and Crippled Avengers (1979). Kung fu cinema was particularly influenced by Chang's concern with his vision of masculine values and male friendship;^[5] the female warrior figures who had been prominent in late 1960s wuxia work were sidelined, with prominent exceptions such as the popular Angela Mao.

Chang's only competitor as the genre’s most influential filmmaker was his long-time action choreographer, Lau Kar Leung (aka Liu Chia Liang in Mandarin). Lau began directing his own movies for the Shaw brothers in 1975 with The Spiritual Boxer, a progenitor of the kung fu comedy. In subsequent titles like Executioners from Shaolin (1977), The 36th Chamber of Shaolin (1978), and Legendary Weapons of China (1982), Lau emphasized the traditions and philosophy of the martial arts and strove to give onscreen fighting greater authenticity and ever greater speed and intricacy.^[3]

The kung fu boom was partly fueled by enormous international popularity, and not just in East Asia. In the West, kung fu imports, dubbed and often recut and retitled, shown as "B" films in urban theaters and on television, made Hong Kong film widely noticed, although not widely respected, for the first time. African-Americans particularly embraced the genre (as exemplified by the popular hip-hop group, the Wu-Tang Clan) perhaps as an almost unprecedented source of adventure stories with non-white heroes, who furthermore often displayed a strong streak of racial and/or nationalistic pride.^[6]

The popularity of these movies in North America would continue into the 1980s when ninja movies were introduced. In popular culture, the films of this era were colloquially known as Kung Fu Theater or Black Belt Theater, names that many independent stations used for their weekly airing slot.

Bruce Lee[link]

No single figure was more responsible for this international profile than Bruce Lee, an American-born, Hong Kong-raised martial artist and actor. Lee completed just four movies before his death at the age of 32: The Big Boss (1971), Fist of Fury and Way of the Dragon (both 1972), and Enter the Dragon (1973). But in this very brief career he became cinema's first global Chinese superstar. Eastern film historian Patrick Macias ascribes his success to "(bringing) the warrior spirit of old into the present day... developing his own fighting style... and possessing superhuman charisma".^[7] His first three movies broke local box office records and were successful in much of the world. The English-language Enter the Dragon, the first-ever US-Hong Kong co-production, grossed about US$200 million worldwide, making it the most internationally successful film from that region up to then. Furthermore, his decision at the outset to work for young, upstart studio Golden Harvest, rather than accept the Shaws' notoriously tightfisted standard contract, was a factor in Golden Harvest's meteoric rise and Shaw's eventual decline.^[3][8]

Following Lee's untimely death, a cottage industry of faux Lee movies emerged, featuring either performers who adopted similar screen names (Bruce Li, Bruce Lai, etc.), or outtake footage of Lee, or some combination of both. The fad did little to engender mainstream respect in the West for the relatively new phenomenon of martial arts cinema. But despite such posthumous treatment, Lee continues to cast a long shadow over Hong Kong film.

Jackie Chan and the kung fu comedy[link]

The only Chinese performer who has ever rivalled Bruce Lee's global fame is Jackie Chan. Like many kung fu performers of the day, Chan came out of training in Peking opera and started in film as a stuntman, notably in some of Lee's vehicles. He was groomed for a while by The Big Boss and Fist of Fury director Lo Wei as another Lee clone, in several movies including New Fist of Fury (1976), with little success. But in 1978, Chan teamed up with action choreographer Yuen Woo Ping on Yuen's directorial debut, Snake in the Eagle's Shadow. The resulting blend of physical comedy and kung fu action provided Chan with his first hit and the rudiments of what would become his signature style. Chan's follow-up movie with Yuen, Drunken Master (also 1978), and his directorial debut, The Fearless Hyena (1979), were also giant hits and cemented his popularity.^[3]

Although these films were not the first kung fu comedies, they launched a vogue that helped reinvigorate the waning kung fu genre. Especially notable in this regard were two of Chan's childhood Peking Opera School classmates, Sammo Hung and Yuen Biao, who also made careers of this specialty, sometimes co-starring with Chan. Hung, noted for the seeming paradox of his overweight physique and physical agility, also made a name for himself as a director and action choreographer from early on, with titles like Enter the Fat Dragon (1978).

Reinventing action cinema[link]

Chan's clowning may have helped extend the life of the kung fu wave for several years. Nevertheless, he became a star towards the end of the boom, and would soon help move the colony towards a new type of action. In the 1980s, he and many colleagues would forge a slicker, more spectacular Hong Kong pop cinema that would successfully compete with the post-Star Wars summer blockbusters from America.

Jackie Chan and the modern martial arts film[link]

In 1982, Jackie Chan began experimenting with elaborate stunt action sequences in Dragon Lord,^[9] which featured a pyramid fight scene that holds the record for the most takes required for a single scene, with 2900 takes,^[10] and the final fight scene where he performs various stunts, including one where he does a back flip off a loft and falls to the lower ground.^[11] By 1983, Chan branched out into action films which, though they still used martial arts, were less limited in scope, setting and plot. His first film in this vein, Project A, saw the official formation of the Jackie Chan Stunt Team and added elaborate, dangerous stunts to the fights and typical slapstick humor (at one point, Chan falls from the top of a clock tower through a series of fabric canopies). The new formula helped Project A gross over HK$19 million.^[12]

Chan continued to take the approach - and the budgets - to new heights in hits like Police Story (1985). Here was Chan dangling from a speeding bus, sliding down a pole covered with exploding light bulbs, and destroying large parts of a shopping centre and a hillside shantytown. The 1988 sequel called for explosions on a scale similar to many Hollywood movies and seriously injured leading lady Maggie Cheung - an occupational risk Chan had already grown used to. Thus Jackie Chan created the template for the contemporary urban action-comedy of the 1980s, combining cops, kung fu and all the bodybreaking potential of the modern city with its glass, metal and speeding vehicles.^[13]

Tsui Hark and Cinema City[link]

Chan's move towards larger-scale action films was paralleled by work coming out of Cinema City, the production company established in 1980 by comedians Raymond Wong, Karl Maka and Dean Shek. With movies like the spy spoof Aces Go Places (1982) and its sequels, Cinema City helped make modern special effects, James Bond-type gadgets and big vehicular stunts part of the industry vernacular.^[14] Director/producer Tsui Hark had a hand in shaping the Cinema City style while employed there from 1981–1983^[8] but went on to make an even bigger impact after leaving. In such movies as Zu Warriors from the Magic Mountain (1983) and A Chinese Ghost Story (1987, directed by Ching Siu-tung), he kept pushing back the boundaries of Hong Kong special effects. He led the way in replacing the rough and ready camera style of 1970s kung fu with glossier and more sophisticated visuals and ever more furious editing.

John Woo and the triad films[link]

As a producer, Tsui Hark facilitated the creation of John Woo's epoch-making heroic bloodshed movie A Better Tomorrow (1986). Woo's saga of cops and the triads (Chinese gangsters) combined fancifully choreographed (and extremely violent) gunplay with heightened emotional melodrama, sometimes resembling a modern-dress version of 1970s kung fu films by Woo's mentor Chang Cheh. The formula broke another all-time box office record. It also jump-started the faltering career of co-star Chow Yun-fat, who overnight became one of the colony's most popular idols and Woo's favorite leading man.^[3]

For the remainder of the 1980s and into the early 1990s, a deluge of films by Woo and others explored similar territory, often with a similar visual style and thematic bent. They were usually marked by an emphasis on the fraternal bonds of duty and affection among the criminal protagonists. The most notable other auteur of these themes was Ringo Lam, who offered a less romanticized take in such films as City on Fire, Prison on Fire (both 1987), and Full Contact (1992), all starring Chow Yun-Fat. The genre and its creators were accused in some quarters of cravenly glorifying real-life triads, whose involvement in the film business was notorious.^[15]

The wire-work wave[link]

As the triad films petered out in the early 1990s, period martial arts returned as the favored action genre. But this was a new martial arts cinema that took full advantage of technical strides as well the higher budgets that came with Hong Kong's dominance of the region's screens. These lavish productions were often adapted from the more fantastical wuxia novels, which featured flying warriors in mid-air combat. Performers were trussed up on ultrathin wires to allow them to conduct gravity-defying action sequences, a technique known by Western fans, sometimes disparagingly, as wire fu.^[7]

As so often, Tsui Hark led the way. He produced Swordsman (1990), which reestablished the wuxia novels of Jin Yong as favorite big-screen sources (television adaptations had long been ubiquitous). He directed Once Upon a Time in China (1991), which resurrected oft-filmed folk hero Wong Fei Hung. Both films were followed by sequels and a raft of imitations, often starring Mainland wushu champion Jet Li, who had become the biggest new superstar with his portrayal of Wong. He went on to receive a special award for a mainland China person at the 1995 Taipei Golden Horse Film Festival. The other signature star of the subgenre was Taiwanese-born actress Brigitte Lin. She made an unlikely specialty of androgynous woman-warrior types, such as the villainous, sex-changing eunuch^{[disambiguation needed ]} in The Swordsman 2 (1992), epitomizing martial arts fantasy's often-noted fascination with gender instability.^[16]

Influence in the West[link]

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All of these developments not only made Hong Kong the dominant cinema in East Asia, but reawakened Western interest. Building on the reduced but enduring kung fu movie subculture, Jackie Chan and films like Tsui Hark's Peking Opera Blues (1986) were already building a cult following when Woo's The Killer (1989) had a limited but successful release in the U.S. and opened the floodgates. In the '90s, Westerners with an eye on "alternative" culture became common sights in Chinatown video shops and theaters, and gradually the films became more available in the mainstream video market and even occasionally in mainstream theaters. Western critics and film scholars also began to take Hong Kong action cinema seriously and made many key figures and films part of their canon of world cinema.

From here, Hong Kong came to define a new vocabulary for worldwide action cinema, with the aid of a new generation of North American filmmakers. Quentin Tarantino's Reservoir Dogs (1992) drew inspiration from City on Fire and his two-part Kill Bill (2003–04) was in large part a martial arts homage, borrowing Yuen Woo-Ping as fight choreographer and actor. Robert Rodriguez's Desperado (1995) and its 2003 sequel Once Upon a Time in Mexico aped Woo's visual mannerisms. The Wachowski brothers' The Matrix trilogy (1999–2003) of science-fiction-action blockbusters borrowed from Woo and wire fu movies and also employed Yuen behind the scenes. Martin Scorsese's The Departed (2006) was a remake of the Infernal Affairs trilogy (2002–2003) by Andrew Lau and Alan Mak.

Exit of many leading figures[link]

Due to the new-found international awareness of Hong Kong films during the 1980s and early 1990s and a downturn in the industry as the 1990s progressed, many of the leading lights of Hong Kong cinema left for Hollywood, which offered budgets and pay which could not be equalled by Hong Kong production companies.

John Woo left for Hollywood after his 1992 film Hard Boiled. His 1997 film Face/Off was the breakthrough that established his unique style in Hollywood. This effort was immensely popular with both critics and public alike (it grossed over US$240 million worldwide). Mission: Impossible II (2000) grossed over US$560 million worldwide. Since these two films, Woo has struggled to revisit his successes of the 1980s and early 1990s.^[17]

After over fifteen years of success in Hong Kong cinema and a couple of attempts to crack the U.S. market, Jackie Chan's 1995 film Rumble in the Bronx finally brought him recognition in the U.S. Since then, he has made several highly successful films for U.S. studios including Rush Hour (1998), Shanghai Noon (2000), and their respective sequels. Between his films for U.S. studios, he still makes films for Hong Kong studios, sometimes in English (Mr. Nice Guy and Who Am I?), often set in western countries like Australia or the Netherlands, and sometimes in Cantonese (2004's New Police Story and 2006's Rob-B-Hood). Because of his enormous U.S. popularity, these films are usually released in the U.S., a rarity for Hong Kong films, and generally attract respectable audience numbers.

Jet Li has reduced his Hong Kong output since 1998's Hitman concentrating on Hollywood instead. After a minor role in Lethal Weapon 4 (1998), he has gone on to star in several Hollywood films which have performed respectably and made a name for him with American audiences. So far, he has returned to Chinese cinema for only two films: Hero (2002) and Fearless (2006). He claimed Fearless would be his last traditional kung fu film. Chow Yun-fat has also moved to Hollywood. After his 1995 film Peace Hotel, he has made a handful of films in Hollywood which have not seen as much success as Jet Li's: these include The Replacement Killers (1998), The Corruptor (1999), Anna and the King (1999) and Bulletproof Monk (2003). He returned to China for 2000's Crouching Tiger, Hidden Dragon.

Recent trends[link]

The Hong Kong film industry has been in a severe slump since the mid-1990s. The number of local films produced, and their box office takings, are dramatically reduced; American imports now dominate in a way they had not for decades, or perhaps ever. This crisis and increased contact with Western cinema have probably been the biggest recent influences on Hong Kong action cinema.^[18]

Luring local and regional youth audiences away from Hollywood is a constant concern. Action movies are now generally headlined by babyfaced Cantonese pop music idols, such as Ekin Cheng and Nicholas Tse, enhanced with wires and digital effects - a trend also driven by the waning of a previous generation of martial arts-trained stars. The late 1990s witnessed a fad for Cantopop stars in high-tech, more American-styled action pictures such as Downtown Torpedoes (1997), Gen-X Cops and Purple Storm (both 1999).

Andrew Lau's wuxia comic-book adaptation The Storm Riders (1998) earned a record-breaking gross and ushered in an era of computer-generated imagery, previously little used in Hong Kong film. Tsui Hark's lavish CGI-enhanced efforts Time and Tide (2000) and The Legend of Zu (2001), however, were surprisingly unsuccessful.^{[clarification needed]} Comedy megastar and director Stephen Chow used digital effects to push his typical affectionate parody of martial arts conventions to cartoonish levels in Shaolin Soccer (2001) and Kung Fu Hustle (2004), each of which also set a new box office record.^{[citation needed]}

Striking a different note were a series of crime films more restrained and actor-driven than the earlier, John Woo-inspired examples. The Milkyway Image production company was at the vanguard with examples like Patrick Yau's Expect the Unexpected (1998), Johnnie To's The Mission (1999) and Running Out of Time (1999). Andrew Lau and Alan Mak's blockbuster Infernal Affairs trilogy (2002–2003) has set off a mini-trend of brooding police thrillers.^{[citation needed]}

Collaboration with other industries, particularly that of Mainland China, is another increasingly common survival and recovery strategy. Hong Kong stars and other personnel have been involved in international wuxia successes like Crouching Tiger, Hidden Dragon (Taiwan, 2000) and Hero (China, 2002).

See also[link]

• Cinema of the world
• Girls with guns

Notes[link]

References[link]

• Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, MA: Harvard University Press, 2000. ISBN 0-674-00214-8
• Chan, Jackie, with Jeff Yang. I Am Jackie Chan: My Life in Action. New York: Ballantine, 1998. ISBN 0-345-41503-5
• Chute, David, and Cheng-Sim Lim, eds. Heroic Grace: The Chinese Martial Arts Film. Los Angeles: UCLA Film and Television Archive, 2003. (Film series catalog; no ISBN.)
• Dannen, Fredric, and Barry Long. Hong Kong Babylon: The Insider's Guide to the Hollywood of the East. New York: Miramax, 1997. ISBN 0-7868-6267-X
• Logan, Bey. Hong Kong Action Cinema. Woodstock, NY: The Overlook Press, 1995. ISBN 0-87951-663-1
• Teo, Stephen. Hong Kong Cinema: The Extra Dimensions. London: British Film Institute, 1997. ISBN 0-85170-514-6
• Teo, Stephen. Shaw's Wuxia Films in Ain-Ling, W. (2003) The Shaw Screen, Hong Kong Film Archive
• Yang, Jeff. Once Upon a Time in China: A Guide to Hong Kong, Taiwanese, and Mainland Chinese Cinema. New York: Atria, 2003. ISBN 0-7434-4817-0

External links[link]

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• The Rise and Fall of the House of Shaw - Essay charting the history of Shaw Brothers Studios.

v t e Cinema of Hong Kong Actors Directors Cinematographers Ocean Shores Producers Shaw Brothers Studio Films A–Z Action films Writers Films by year: 1909–1929 1930s 1940s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012

Coordinates: 22°16′42″N 114°09′32″E / 22.27833°N 114.15889°E / 22.27833; 114.15889

Hong Kong Special Administrative Region of the People's Republic of China[note 1] 中華人民共和國香港特別行政區
Flag Emblem
Anthem: March of the Volunteers 《義勇軍進行曲》
View at night from Victoria Peak
Official language(s)		Chinese, English[note 2]
Spoken languages		Cantonese, English
Writing systems		Traditional Chinese, English alphabet
Demonym		Hong Konger
Government		Special Administrative Region of the People's Republic of China
-	Chief Executive	Donald Tsang
-	Chief Executive-elect	CY Leung
-	Chief Justice	Geoffrey Ma
-	President of the Legislative Council	Jasper Tsang
Legislature		Legislative Council
Establishment
-	Treaty of Nanking	29 August 1842
-	Japanese occupation	25 December 1941 – 15 August 1945
-	Conveyance from British sovereignty to Chinese sovereignty	1 July 1997
Area
-	Total	1,104 km2 (179th) 426 sq mi
-	Water (%)	4.58 (50 km²; 19 mi²)[3]
Population
-	2010 census	7,061,200[4]
-	Density	6,480[5]/km2 (4th) 16,576/sq mi
GDP (PPP)		2011 estimate
-	Total	$351.119 billion[6]
-	Per capita	$49,137[6]
GDP (nominal)		2011 estimate
-	Total	$243.302 billion[6]
-	Per capita	$34,049[6]
Gini (2007)		43.4[7]
HDI (2011)		0.898[8] (very high) (13th)
Currency		Hong Kong dollar (HKD)
Time zone		HKT (UTC+8)
Date formats		yyyy年m月d日 (Chinese) dd-mm-yyyy (English)
Drives on the		left
ISO 3166 code		HK
Internet TLD		.hk and .香港
Calling code		+852

Hong Kong
Chinese	香港
Cantonese Jyutping	Hoeng1gong2
Cantonese Yale	Hēunggóng
Hanyu Pinyin	Xiānggǎng
Literal meaning	Fragrant harbour
Transcriptions Hakka - Romanization Hiông-kóng Mandarin - Hanyu Pinyin Xiānggǎng - Wade–Giles Hsiang1-kang3 - IPA [ɕjáŋkàŋ] Min - Hokkien POJ Hiong-kang Wu - Romanization shian平kaon上 Cantonese (Yue) - Jyutping Hoeng1gong2 - IPA [hœ̂ːŋkɔ̌ːŋ] - Yale Romanization Hēunggóng
Hong Kong Special Administrative Region
Traditional Chinese	香港特別行政區 (or 香港特區)
Simplified Chinese	香港特别行政区 (or 香港特区)
Transcriptions Hakka - Romanization Hiông-kóng Thi̍t-phe̍t Hàng-tsṳn-khî Mandarin - Hanyu Pinyin Xiānggǎng Tèbié Xíngzhèngqū Min - Hokkien POJ Hiong-kang Te̍k-pia̍t Hêng-chèng-khu Wu - Romanization shian平kaon上 deh入bih入 ghan平tsen去chiu平 Cantonese (Yue) - Jyutping Hoeng1gong2 Dak6bit6 Hang4zing3 Keoi1

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

Full view of Kowloon and Hong Kong. The old Kai Tak Airport can be seen on the left.

The Lei Cheng Uk Han Tomb Museum located in northwest Kowloon was built in 1969 after the tomb's discovery in 1955.

Hong Kong^{[note 3]} (Chinese: 香港) is one of two special administrative regions (SARs) of the People's Republic of China (PRC), the other being Macau. A city-state^[9] situated on China's south coast and enclosed by the Pearl River Delta and South China Sea,^[10] it is known for its expansive skyline and deep natural harbour. With a land mass of 1,104 km² (426 sq mi) and a population of seven million people, Hong Kong is one of the most densely populated areas in the world.^[11] Hong Kong's population is 95 percent ethnic Chinese and 5 percent from other groups.^[12] Hong Kong's Han Chinese majority originate mainly from the cities of Guangzhou and Taishan in the neighbouring Guangdong province.^[13]

Hong Kong became a colony of the British Empire after the First Opium War (1839–42). Originally confined to Hong Kong Island, the colony's boundaries were extended in stages to the Kowloon Peninsula in 1860 and then the New Territories in 1898. It was occupied by Japan during the Pacific War, after which the British resumed control until 1997, when China resumed sovereignty.^[14][15] The region espoused minimum government intervention under the ethos of positive non-interventionism during the colonial era.^[16] The time period greatly influenced the current culture of Hong Kong, often described as "East meets West",^[17] and the educational system, which used to loosely follow the system in England^[18] until reforms implemented in 2009.^[19]

Under the principle of "one country, two systems", Hong Kong has a different political system from mainland China.^[20] Hong Kong's independent judiciary functions under the common law framework.^[21][22] Hong Kong Basic Law, its constitutional document, stipulates that Hong Kong shall have a "high degree of autonomy" in all matters except foreign relations and military defence, governs its political system.^[23][24] Although it has a burgeoning multi-party system, a small-circle electorate^{[clarification needed]} controls half of its legislature. The Chief Executive of Hong Kong, the head of government, is selected by a Selection Committee / Election Committee with 400 to 1200 members, during the first 20 years.^{[25] [26][27] [28]}

As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade, and the currency, Hong Kong dollar, is the eighth most traded currency in the world.^[29] The lack of space caused demand for denser constructions, which developed the city to a centre for modern architecture and the world's most vertical city.^[30][31] Hong Kong has one of the highest per capita income in the world.^[6] The dense space also led to a highly developed transportation network with public transport travelling rate exceeding 90 percent,^[32] the highest in the world.^[33] Hong Kong has numerous high international rankings in various aspects. For instance, its economic freedom, financial and economic competitiveness, quality of life, corruption perception, Human Development Index, etc., are all ranked highly.^{[34][35][36][37][38][39][40]} According to both UN and WHO estimates, Hong Kong has the second longest life expectancy of any country in the world. ^[41][42]

Etymology[link]

The name "Hong Kong" is an approximate phonetic rendering of the pronunciation of the spoken Cantonese or Hakka name "香港", meaning "fragrant harbour".^[43] Before 1842, the name referred to a small inlet – now Aberdeen Harbour or 香港仔 hoeng¹ gong² zai² "Little Hong Kong" – between the Aberdeen Island and the south side of Hong Kong Island, which was one of the first points of contact between British sailors and local fishermen.^[44]

The reference to fragrance may refer to the harbour waters sweetened by the fresh water estuarine influx of the Pearl River, or to the incense from factories lining the coast to the north of Kowloon, which was stored around Aberdeen Harbour for export before the development of Victoria Harbour.^[43] In 1842, the Treaty of Nanking was signed, and the name Hong Kong was first recorded on official documents to encompass the entirety of the island.^[45]

History[link]

Pre-colonial[link]

Archaeological studies support a human presence in the Chek Lap Kok area from 35,000 to 39,000 years ago, and in Sai Kung Peninsula from 6,000 years ago.^[46][47][48] Wong Tei Tung and Three Fathoms Cove are the two earliest sites of human habitation in the Paleolithic period. It is believed the Three Fathom Cove was a river valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggest cultural differences from the Longshan culture in northern China and settlement by the Che people prior to the migration of the Baiyue.^[49][50] Eight petroglyphs were discovered on surrounding islands, which dated to the Shang Dynasty in China.^[51]

In 214 BC, Qin Shi Huang, the first emperor of China, conquered the Baiyue tribes in Jiaozhi (modern Liangguang region) and incorporated the territory into imperial China for the first time. Modern Hong Kong is located in Nanhai commandery (modern Nanhai District) and near the ancient capital city Pun Yue.^[52][53][54] The area was consolidated under the kingdom of Nanyue, founded by general Zhao Tuo in 204 BC after the Qin Dynasty collapsed.^[55] When the kingdom was conquered by Emperor Wu of Han in 111 BC, the land was assigned to the Jiaozhi commandery under the Han Dynasty. Archaeological evidence indicates the population increased and early salt production flourished in this time period. Lei Cheng Uk Han Tomb in the Kowloon Peninsula is believed to have been built during the Han Dynasty.^[56]

During the Tang Dynasty period, the Guangdong region flourished as a regional trading center. In 736, Emperor Xuanzong of Tang established a military town in Tuen Mun to defend the coastal area in the region.^[57] The first village school, Li Ying College, was established around 1075 in the New Territories under the Northern Song Dynasty.^[58] During the Mongol invasion in 1276, the Southern Song Dynasty court moved to Fujian, then to Lantau Island and later to Sung Wong Toi (modern Kowloon City), but the child Emperor Bing of Song committed suicide by drowning with his officials after being defeated in the Battle of Yamen. Hau Wong, an official of the emperor is still worshipped in Hong Kong today.^[59]

The earliest recorded European visitor was Jorge Álvares, a Portuguese explorer who arrived in 1513.^[60][61] After establishing settlements in the region, Portuguese merchants began trading in southern China. At the same time, they invaded and built up military fortifications in Tuen Mun. Military clashes between China and Portugal led to the expulsion of the Portuguese. In the mid-16th century, the Haijin order banned maritime activities and prevented contact with foreigners; it also restricted local sea activity.^[59] In 1661–69, the territory was affected by the Great Clearance ordered by Kangxi Emperor, which required the evacuation of the coastal areas of Guangdong. It is recorded that about 16,000 persons from Xin'an County were driven inland, and 1,648 of those who left are said to have returned when the evacuation was rescinded in 1669.^[62] What is now the territory of Hong Kong became largely wasteland during the ban.^[63] In 1685, Kangxi became the first emperor to open limited trading with foreigners, which started with the Canton territory. He also imposed strict terms for trades such as requiring foreign traders to live in restricted areas, staying only for the trading seasons, banning firearms, and trading with silver only.^[64] The East India Company made the first sea venture to China in 1699, and the region's trade with British merchants developed rapidly soon after. In 1711, the company established its first trading post in Canton. By 1773, the British reached a landmark 1,000 chests of opium in Canton with China consuming 2,000 chests annually by 1799.^[64]

British colonial era[link]

• 

  Flag of the British colony of Hong Kong(used in between 1870-1876)

• 

  Flag of the British colony of Hong Kong(used in between 1876-1910)

• 

  Flag of the British colony of Hong Kong(used in between 1910-1959)

• 

  Flag of the British colony of Hong Kong (Unofficial Red ensign for Hong Kong used in between 1959 to prior the Handover of Hong Kong to the PRC in 1997)

General Post Office in Central,City of Victoria, 1911

The Queen's Pier in front of City Hall in Edinburgh Place.

Victoria City in the 1890s.

View of Hong Kong Island from Kowloon (published 1843)

In 1839, the refusal by Qing Dynasty authorities to import opium resulted in the First Opium War between China and Britain. Hong Kong Island was occupied by British forces on 20 January 1841 and was initially ceded under the Convention of Chuenpee as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan, but the agreement was never ratified due to a dispute between high ranking officials in both governments.^[65] It was not until 29 August 1842 that the island was formally ceded in perpetuity to the United Kingdom under the Treaty of Nanking. The British established a crown colony with the founding of Victoria City the following year.^[66]

Under British rule, the population of Hong Kong island had increased from 7,450 Chinese residents, mostly fishermen, in 1841 to over 115,000 Chinese and 8,754 Europeans in Hong Kong (including Kowloon) in 1870.^[67]

In 1860, after China's defeat in the Second Opium War, the Kowloon Peninsula and Stonecutter's Island were ceded in perpetuity to Britain under the Convention of Peking.

In 1894, the deadly Third Pandemic of bubonic plague spread from China to Hong Kong, causing 50,000–100,000 deaths.^[68]

In 1898, under the terms of the Convention for the Extension of Hong Kong Territory, Britain obtained a 99-year lease of Lantau Island and the adjacent northern lands, which became known as the New Territories.^[69] Hong Kong's territory has remained unchanged to the present.^[70][71]

During the first half of the 20th century, Hong Kong was a free port, serving as an entrepôt of the British Empire. The British introduced an education system based on their own model, while the local Chinese population had little contact with the European community of wealthy tai-pans settled near Victoria Peak.^[69]

Japanese invasion[link]

In conjunction with its military campaign, the Empire of Japan invaded Hong Kong on 8 December 1941.^[72] The Battle of Hong Kong ended with British and Canadian defenders surrendering control of the colony to Japan on 25 December.^[73] During the Japanese occupation of Hong Kong, civilians suffered widespread food shortages, rationing, and hyper-inflation due to forced exchange of currency for military notes. Through a policy of enforced repatriation of the unemployed to the mainland throughout the period, because of the scarcity of food, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when the United Kingdom resumed control of the colony.^[74]

Cold war era[link]

Granted by the College of Arms on 21 January 1959, the Blue Ensign colonial flag and coat of arms of Hong Kong were used by British Hong Kong during 1959–1997.

Hong Kong's population recovered quickly as a wave of migrants from China arrived for refuge from the ongoing Chinese Civil War. When the PRC was proclaimed in 1949, more migrants fled to Hong Kong for fear of persecution by the Communist Party.^[69] Many corporations in Shanghai and Guangzhou shifted their operations to Hong Kong.^[69]

In the 1950s, Hong Kong's rapid industrialization was driven by textile exports and other expanded manufacturing industries. As the population grew and labour costs remained low, living standards rose steadily. ^[75] The construction of Shek Kip Mei Estate in 1953 followed a massive slum fire, and marked the beginning of the public housing estate programme designed to cope with the huge influx of immigrants. Trade in Hong Kong accelerated even further when Shenzhen, immediately north of Hong Kong, became a special economic zone of the PRC, and Hong Kong was established as the main source of foreign investment in China.^[76] The manufacturing competitiveness gradually declined in Hong Kong due to the development of the manufacturing industry in southern China beginning in the early 1980s. By contrast, the service industry in Hong Kong experienced high rates of growth in the 1980s and 1990s after absorbing workers released from the manufacturing industry.^[77]

Development of Hong Kong Island in 1986

Throughout the British colonial era, Hong Kong was industrialized and improved in all aspects from its economy to its health care system. Many health facilities were built for its citizens, for example the Queen Elizabeth Hospital, Hong Kong, the Queen Mary Hospital, Hong Kong, the Princess Margaret Hospital, Hong Kong and the Prince of Wales Hospital. Many changes happened during this era shaped the future of Hong Kong. In the year 1983, when the United Kingdom reclassified Hong Kong from a British crown colony to a dependent territory, the governments of the United Kingdom and China were already discussing the issue of Hong Kong's sovereignty due to the impending expiry (within two decades) of the lease of the New Territories. In 1984, the Sino-British Joint Declaration – an agreement to transfer sovereignty to the People's Republic of China in 1997 – was signed.^[69] It stipulated that Hong Kong would be governed as a special administrative region, retaining its laws and a high degree of autonomy for at least 50 years after the transfer. The Hong Kong Basic Law, which is based on the English law would serve as the constitutional document after the transfer, was ratified in 1990.^[69]

Since 1997[link]

File:British new style passport.jpg

Left:Old British passports issued to Hong Kong citizens. Right:The British National (Overseas) passport issued to residents of Hong Kong prior 1997, holders are British nationals and Commonwealth citizens, but not British Citizens.

On 1 July 1997, the transfer of sovereignty from United Kingdom to the PRC occurred, officially ending 156 years of British colonial rule. Hong Kong became China's first special administrative region, and Tung Chee Hwa took office as the first Chief Executive of Hong Kong. That same year, Hong Kong suffered an economic double blow from the Asian financial crisis and the H5N1 avian influenza.^[69] In 2003, Hong Kong was gravely affected by the outbreak of severe acute respiratory syndrome (SARS).^[78][79] The World Health Organization reported 1,755 infected and 299 deaths in Hong Kong.^[80] An estimated 380 million Hong Kong dollars (US$48.9 million) in contracts were lost as a result of the epidemic.^[81]

On 10 March 2005, Tung Chee Hwa announced his resignation as Chief Executive due to "health problems".^[82] Donald Tsang, the Chief Secretary for Administration at the time, entered the 2005 election unopposed and became the second Chief Executive of Hong Kong on 21 June 2005.^[83] In 2007, Tsang won the Chief Executive election and continued his second term in office.^[84]

In 2009, Hong Kong hosted the fifth East Asian Games, in which nine national teams competed. It was the first and largest international multi-sport event ever held in the territory.^[85] Today, Hong Kong continues to serve as an important global financial centre, but faces uncertainty over its future due to the growing mainland China economy, and its relationship with the PRC government in areas such as democratic reform and universal suffrage.^[86]

Governance[link]

The Legislative Council Building in Central became the home to Legislative Council of Hong Kong in 1985.

In accordance with the Sino-British Joint Declaration, and the underlying principle of one country, two systems, Hong Kong has a "high degree of autonomy as a special administrative region in all areas except defence and foreign affairs."^{[note 4]} The declaration stipulates that the region maintain its capitalist economic system and guarantees the rights and freedoms of its people for at least 50 years beyond the 1997 handover.^{[note 5]} The guarantees over the territory's autonomy and the individual rights and freedoms are enshrined in a constitution, the Hong Kong Basic Law(formed based on the Common law of England), which outlines the system of governance of the Hong Kong Special Administrative Region, but which is subject to the interpretation of the Standing Committee of the National People's Congress (NPCSC).^[87][88]

The primary pillars of government are the Executive Council, the civil service, the Legislative Council, and the Judiciary. The Executive Council is headed by the Chief Executive who is elected by the Election Committee and then appointed by the Central People's Government.^[89][90] The civil service is a politically neutral body that implements policies and provides government services, where public servants are appointed based on meritocracy.^[26][91] The Legislative Council has 60 members, half of whom are directly elected by universal suffrage by permanent residents of Hong Kong according to five geographical constituencies. The other half, known as functional constituencies, are directly elected by a smaller electorate, which consists of corporate bodies and persons from various stipulated functional sectors. The entire council is headed by the President of the Legislative Council who serves as the speaker.^[92][93] Judges are appointed by the Chief Executive on the recommendation of an independent commission.^[21][94]

Government House is the official residence of the Chief Executive.

The implementation of the Basic Law, including how and when the universal suffrage promised therein is to be achieved, has been a major issue of political debate since the transfer of sovereignty. In 2002, the government's proposed anti-subversion bill pursuant to Article 23 of the Basic Law, which required the enactment of laws prohibiting acts of treason and subversion against the Chinese government, was met with fierce opposition, and eventually shelved.^[23][95][96] Debate between pro-Beijing groups, which tend to support the Executive branch, and the Pan-democracy camp characterises Hong Kong's political scene, with the latter supporting a faster pace of democratisation, and the principle of one man, one vote.^[97]

In 2004, the government failed to gain pan-democrat support to pass its so-called "district council model" for political reform.^[98] In 2009, the government reissued the proposals as the "Consultation Document on the Methods for Selecting the Chief Executive and for Forming the LegCo in 2012". The document proposed the enlargement of the Election Committee, Hong Kong's electoral college, from 800 members to 1,200 in 2012 and expansion of the legislature from 60 to 70 seats. The 10 new legislative seats would consist of five geographical constituency seats and five functional constituency seats, to be voted in by elected district council members from among themselves.^[99] The proposals were destined for rejection by pan-democrats once again, but a significant breakthrough occurred after the Central People's Government accepted a counter-proposal by the Democratic Party. In particular, the Pan-democracy camp was split when the proposal to directly elect five newly created functional seats was not acceptable to two constituent parties. The Democratic Party sided with the government for the first time since the handover and passed the proposals with a vote of 46–12.^[100]

Legal system and judiciary[link]

• 

  Statue of Themis on the Legislative Council Building.

• 

  The Court of Final Appeal in Central is the supreme court of Hong Kong.

Hong Kong's legal system is completely independent from the legal system of Mainland China. In contrast to mainland China's civil law system, Hong Kong continues to follow the English Common Law tradition established under British rule.^[101] Hong Kong's courts may refer to decisions rendered by courts of other common law jurisdictions as precedents,^[21][102] and judges from other common law jurisdictions are allowed to sit as non-permanent judges of the Court of Final Appeal.^[21][102]

Structurally, the court system consists of the Court of Final Appeal, the High Court, which is made up of the Court of Appeal and the Court of First Instance, and the District Court, which includes the Family Court.^[103] Other adjudicative bodies include the Lands Tribunal, the Magistrates' Courts, the Juvenile Court, the Coroner's Court, the Labour Tribunal, the Small Claims Tribunal, and the Obscene Articles Tribunal.^[103] Justices of the Court of Final Appeal are appointed by Hong Kong's Chief Executive.^[21][102]

The Department of Justice is responsible for handling legal matters for the government. Its responsibilities include providing legal advice, criminal prosecution, civil representation, legal and policy drafting and reform, and international legal cooperation between different jurisdictions.^[101] Apart from prosecuting criminal cases, lawyers of the Department of Justice act on behalf of the government in all civil and administrative lawsuits against the government.^[101] As protector of the public interest, the department may apply for judicial reviews and may intervene in any cases involving the greater public interest.^[104] The Basic Law protects the Department of Justice from any interference by the government when exercising its control over criminal prosecution.^[105][106]

Human rights[link]

Hong Kong 1 July march with British Hong Kong flag.

Hong Kong's Basic law is based on the English law and so in general, Hong Kong is perceived to enjoy a high level of civil liberties.^[107] The Hong Kong government generally respect the human rights of the citizens, although core issues remain.^[108] There are concerns over the freedom of assembly which is restricted by the Public Order Ordinance. The police has been occasionally accused of using heavy-handed tactics towards protestors^[109] and questions are asked towards the extensive powers of the police.^[110] As to the right of privacy, covert surveillance remains the major concern.^[111] There is a lack of protection for gay men and lesbians due to the absence of a sexual orientation discrimination law, though there are currently no laws that criminalize homosexuality per se.^[112] There are also comments regarding a lack of protection for labour rights.^[108]

Internet censorship in Hong Kong operates under different principles and regulations than under the rest of China.^[113]

Administrative districts[link]

 Statistics

New Territories
No.	District	Population[114]	Area[115]
1.	Islands	138,900	175.03 km2 (67.58 sq mi)
2.	Kwai Tsing	510,300	21.82 km2 (8.42 sq mi)
3.	North	287,700	137.31 km2 (53.02 sq mi)
4.	Sai Kung	407,300	136.39 km2 (52.66 sq mi)
5.	Sha Tin	606,700	69.46 km2 (26.82 sq mi)
6.	Tai Po	292,700	147.42 km2 (56.92 sq mi)
7.	Tsuen Wan	292,300	60.7 km2 (23.44 sq mi)
8.	Tuen Mun	493,800	84.45 km2 (32.61 sq mi)
9.	Yuen Long	533,300	138.43 km2 (53.45 sq mi)
Kowloon
No.	District	Population	Area
10.	Kowloon City	359,400	9.97 km2 (3.85 sq mi)
11.	Kwun Tong	579,400	11.05 km2 (4.27 sq mi)
12.	Sham Shui Po	365,600	9.48 km2 (3.66 sq mi)
13.	Wong Tai Sin	421,900	9.36 km2 (3.61 sq mi)
14.	Yau Tsim Mong	285,300	6.85 km2 (2.64 sq mi)
Hong Kong Island
No.	District	Population	Area
15.	Central and Western	253,100	12.52 km2 (4.83 sq mi)
16.	Eastern	588,700	18.81 km2 (7.26 sq mi)
17.	Southern	275,700	38.95 km2 (15.04 sq mi)
18.	Wan Chai	155,700	10.02 km2 (3.87 sq mi)

Hong Kong has a unitary system of government; no local government has existed since the two municipal councils were abolished in 2000. As such there is no formal definition for its cities and towns. Administratively, Hong Kong is subdivided into 18 geographic districts, each represented by a district council which advises the government on local matters such as public facilities, community programmes, cultural activities, and environmental improvements.^[116]

There are a total of 534 district council seats, 405 of which are elected; the rest are appointed by the Chief Executive and 27 ex officio chairmen of rural committees.^[116] The Home Affairs Department communicates government policies and plans to the public through the district offices.^[117]

Military[link]

• 

  Coat of Arms of the Royal Hong Kong Regiment(UK)

• Badge of the Royal Hong Kong Auxiliary Air Force.gif

  Royal Hong Kong Auxiliary Air Force(UK)

• HKMSC.jpg

  Hong Kong Military Service Corps(UK)

• 

  The Cenotaph of Hong Kong.Constructed in 1923 and located between Statue Square and the City Hall in Central, Hong Kong,[1] commemorates the dead in the First and Second World War[2] that served in Hong Kong in the Royal Navy, British Army and Royal Air Force.

When Hong Kong was a British colony and later, a dependent territory, defence was provided by the British military under the command of the Governor of Hong Kong who was ex officio Commander-in-chief.^[118] Most of the members of the British Forces in Hong Kong were from Britain but there were locally enlisted personnel (LEP) who served as regular British Forces members in the Hong Kong Squadron of the Royal Navy as well as the Hong Kong Military Service Corps. The Royal Hong Kong Regiment a military unit part of the Hong Kong Government, trained and organised along timelines of British Territorial Army and supported by British Army personnel holding key positions. These British Army personnel, for their duration of service to the Royal Hong Kong Regiment, are seconded to the Hong Kong Government. In the post-WWII era, the majority of the regiment's members have been local citizens of Chinese descent. The Hong Kong Military Service Corps maintained its reputation for loyalty and military skill at the highest level, often outshining British and Gurkha troops based in Hong Kong. The HKMSC Shooting Team won the Team and Individual champion pistol shot a number of times at RASAAM (the Regular Army Skill at Arms Meeting) at Bisley, in the UK, and in 1992 a Training Company team representing the HQ and Depot HKMSC won the Dragon Cup for military skills (outperforming the Queen's Gurkha Signals in signalling and the British Military Hospital team in first aid); the competition was not held again.

The HKMSC reached a peak strength of 1,200 men, providing the British garrison in Hong Kong with supporting personnel. All HKMSC soldiers were basically trained in Hong Kong and from time to time attended upgrading and trade courses in the United Kingdom. HKMSC soldiers who were posted to and served with other non-HKMSC units, wore the other units' cap badge. Unit personnel were enlisted as officers and drivers in 29 Squadron, Royal Corps of Transport (RCT) based in Gun Club Hill Barracks. It provided crews for 415 Maritime Troop based on Stonecutters' Island, dog handlers in the Defence Animal Support Unit (DASU) of the Royal Army Veterinary Corps (RAVC) based in Sek Kong, officer instructors in the Royal Army Educational Corps (RAEC), officers and clerks in the Royal Army Pay Corps (RAPC), technicians in the Royal Signals (R Sigs) of the Queen's Gurkha Signals (QGS) and engineers and armourers in the Royal Electrical and Mechanical Engineers (REME). The HKMC trained physical training instructors (PTI) in the Army Physical Training Corps (APTC), medics in the Royal Army Medical Corps (RAMC) based in the British Military Hospital (BMH), military police in the Royal Military Police (RMP), helicopter support crews in 660 Squadron Army Air Corps (AAC) based at Sek Kong Airfield, cooks in the Army Catering Corps (ACC), Weapons and Supplies Storekeepers in the Royal Army Ordnance Corps (RAOC) and intelligence staff in the Intelligence Corps. They also provided interpreters, clerks, Regimental Police and light-infantry personnel in Dragon Company of the General Service Corps (GSC) headquartered in Osborn Baracks, Kowloon Tong. The HKMSC offered Hong Kong Chinese soldiers the opportunity to pursue a full career in the British Regular Army up to and including a Queen's Commissioned officer rank of the General List (HKMSC). As all members of the HKMSC were British Regular Army soldiers, they received a Regular Army Service Record Book when they left the army. Many of them had also been awarded the Long Service and Good Conduct Medal (LS&GC) after 15 years of good and loyal service. British gallantry awards, Orders, Decorations and Medal Ribbons had also been presented to some HKMSC soldiers; such as the Queen's Gallantry Medal (QGM), the British Empire Medal (BEM), Members of the Order of the British Empire (MBE) and the Officers of the Order of the British Empire (OBE).

When the PRC assumed sovereignty in 1997, the British barracks were replaced by a garrison of the People's Liberation Army, comprising ground, naval, and air forces, and under the command of the Chinese Central Military Commission.

The Hong Kong Basic Law is formed based on the Common law of England and it protects local civil affairs against interference by the garrison, and members of the garrison are subject to Hong Kong laws. The Hong Kong Government remains responsible for the maintenance of public order; however, it may ask the PRC government for help from the garrison in maintaining public order and in disaster relief. The PRC government is responsible for the costs of maintaining the garrison.^[23][119]

Geography and climate[link]

Areas of urban development and vegetation are visible in this false-colour satellite image.

Hong Kong is located on China's south coast, 60 km (37 mi) east of Macau on the opposite side of the Pearl River Delta. It is surrounded by the South China Sea on the east, south, and west, and borders the Guangdong city of Shenzhen to the north over the Shenzhen River. The territory's 1,104 km² (426 sq mi) area consists of Hong Kong Island, the Kowloon Peninsula, the New Territories, and over 200 offshore islands, of which the largest is Lantau Island. Of the total area, 1,054 km² (407 sq mi) is land and 50 km² (19 sq mi) is inland water. Hong Kong claims territorial waters to a distance of 3 nautical miles (5.6 km). Its land area makes Hong Kong the 179th largest inhabited territory in the world.^[3][10]

As much of Hong Kong's terrain is hilly to mountainous with steep slopes, less than 25% of the territory's landmass is developed, and about 40% of the remaining land area is reserved as country parks and nature reserves.^[120] Most of the territory's urban development exists on Kowloon peninsula, along the northern edge of Hong Kong Island, and in scattered settlements throughout the New Territories.^[121] The highest elevation in the territory is at Tai Mo Shan, 957 metres (3,140 ft) above sea level.^[122] Hong Kong's long and irregular coast provides it with many bays, rivers and beaches.^[123] On September 18, 2011, UNESCO listed the Hong Kong National Geopark as part of its Global Geoparks Network. Hong Kong Geopark is made up of eight Geo-Areas distributed across the Sai Kung Volcanic Rock Region and Northeast New Territories Sedimentary Rock Region.^[124]

Despite Hong Kong's reputation of being intensely urbanised, the territory has tried to promote a green environment,^[125] and recent growing public concern has prompted the severe restriction of further land reclamation from Victoria Harbour.^[126] Awareness of the environment is growing as Hong Kong suffers from increasing pollution compounded by its geography and tall buildings. Approximately 80% of the city's smog originates from other parts of the Pearl River Delta.^[127]

Though it is situated just south of the Tropic of Cancer, Hong Kong has a humid subtropical climate (Köppen Cwa). Summer is hot and humid with occasional showers and thunderstorms, and warm air coming from the southwest. Summer is when typhoons are most likely, sometimes resulting in flooding or landslides. Winters are mild and usually start sunny, becoming cloudier towards February; the occasional cold front brings strong, cooling winds from the north. The most temperate seasons are spring, which can be changeable, and autumn, which is generally sunny and dry.^[128] Hong Kong averages 1,948 hours of sunshine per year,^[129] while the highest and lowest ever recorded temperatures at the Hong Kong Observatory are 36.1 °C (97.0 °F) and 0.0 °C (32.0 °F), respectively.^[130]

Economy[link]

The International Finance Centre in Central

As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade. The currency, Hong Kong dollar, is the eighth most traded currency in the world as of 2010.^[29] Hong Kong was once described by Milton Friedman as the world’s greatest experiment in laissez-faire capitalism.^[132] It maintains a highly developed capitalist economy, ranked the freest in the world by the Index of Economic Freedom every year since 1995.^{[133][134][135]} It is an important centre for international finance and trade, with one of the greatest concentrations of corporate headquarters in the Asia-Pacific region,^[136] and is known as one of the Four Asian Tigers for its high growth rates and rapid development from the 1960s to the 1990s. Between 1961 and 1997 Hong Kong's gross domestic product grew 180 times while per-capita GDP increased 87 times over.^{[137][138][139]}

The Hong Kong Stock Exchange is the seventh largest in the world, with a market capitalisation of US$2.3 trillion as of December 2009.^[140] In that year, Hong Kong raised 22 percent of worldwide initial public offering (IPO) capital, making it the largest centre of IPOs in the world ^[141] and the easiest place to raise capital.^[142] Hong Kong's currency is the Hong Kong dollar, which has been pegged to the U.S. dollar since 1983.^[143]

The Hong Kong Government has traditionally played a mostly passive role in the economy, with little by way of industrial policy and almost no import or export controls. Market forces and the private sector were allowed to determine practical development. Under the official policy of "positive non-interventionism", Hong Kong is often cited as an example of laissez-faire capitalism. Following the Second World War, Hong Kong industrialised rapidly as a manufacturing centre driven by exports, and then underwent a rapid transition to a service-based economy in the 1980s.^[144] Since then, it has grown to become a leading center for management, financial, IT, business consultation and professional services.^[142]

Hong Kong matured to become a financial centre in the 1990s, but was greatly affected by the Asian financial crisis in 1998, and again in 2003 by the SARS outbreak. A revival of external and domestic demand has led to a strong recovery, as cost decreases strengthened the competitiveness of Hong Kong exports and a long deflationary period ended.^[145][146] Government intervention, initiated by the later colonial governments and continued since 1997, has steadily increased, with the introduction of export credit guarantees, a compulsory pension scheme, a minimum wage, anti-discrimination laws, and a state mortgage backer.^[132]