2:42
Four Tops - It's The Same Old Song (1966) HQ
HQ-Video. Four Tops - It's The Same Old Song, released 1965....
published: 03 Apr 2010
Author: Jette0815007
Four Tops - It's The Same Old Song (1966) HQ
HQ-Video. Four Tops - It's The Same Old Song, released 1965.
2:46
The Four Tops - Baby I Need Your Loving
Simply put it's one of the greatest songs ever written and performed. It was released ...
published: 09 Jun 2008
Author: dalkey130388
The Four Tops - Baby I Need Your Loving
Simply put it's one of the greatest songs ever written and performed. It was released n the fall of 1964 and composed by Holland Dozier Holland, and was the Four Tops first hit. It reached No.11 on the billboard charts and has now passed into folklore as classic definitive motown. Masterfully led by the great Levi Stubbs and atmospherically backed by Fakir, Payton and Benson.
4:11
Loco in Acapulco - The Four Tops
Loco in Acapulco was a 1988 hit song by The Four Tops. It was written by Phil Collins and ...
published: 24 Apr 2009
Author: wearyoldman
Loco in Acapulco - The Four Tops
Loco in Acapulco was a 1988 hit song by The Four Tops. It was written by Phil Collins and Lamont Dozier for the film "Buster" that also starred Phil Collins in the title role. Going loco down in Acapulco, If you stay too long. Yes you'll be going loco down in Acapulco, The magic down there is so strong. Feel the pressure, your back's against the wall. Love is gaining on you, you're just about to fall. If you're afraid to love, afraid to take a chance, You better hide your feelings, get out while you can. 'Cause you'll be going loco down in Acapulco, if you stay too long. Yes youll be going loco down in Acapulco, The magic down there is so strong. You can hear voices pleading through those warm Latin nights. Memories are lost and found, leaving broken hearts all over town. Going loco down in Acapulco, If you stay too long. Yes you'll be going loco down in Acapulco, The magic down there is so strong. You'll be pulling out your hair, drowning in despair, With a whole lot of nothing, on your way to nowhere. Your search for paradise will come to an end When you realize what a fool you've been. You'll be haunted by her face, missing her warm embrace. Memories of loving her, holding her tight every night. Was that the best part of your life? Hearing her voice soft and low, begging you to please, please don't go. Don't go! Don't go! Don't go! - You can hear voices pleading through those warm Latin nights. Memories are lost and found, leaving broken hearts all over town, all over <b>...</b>
3:03
The four tops - Reach out i´ll be there
Buy the song @: cdon.no...
published: 14 Nov 2008
Author: kindwolf1
The four tops - Reach out i´ll be there
Buy the song @: cdon.no
9:59
TEMPTATIONS VS. FOUR TOPS 1985
TEMPTATIONS VS. FOUR TOPS THE MANHATTTANS,THE DRIFTERS,THE CADILLACS...
published: 17 Jun 2008
Author: MRSSPECBLUESMITH
TEMPTATIONS VS. FOUR TOPS 1985
TEMPTATIONS VS. FOUR TOPS THE MANHATTTANS,THE DRIFTERS,THE CADILLACS
2:47
The four tops - It´s the same old song
1965 Album: Four tops second album...
published: 14 Nov 2008
Author: kindwolf1
The four tops - It´s the same old song
1965 Album: Four tops second album
2:40
The Four Tops - Sugar Pie Honey Bunch
Only the sound. This belongs to their writters and singers and recorders and etc and etc T...
published: 25 May 2007
Author: Darkanight
The Four Tops - Sugar Pie Honey Bunch
Only the sound. This belongs to their writters and singers and recorders and etc and etc That "video" is here solely for entertainment purposes. That's indeed one of my favorite tunes ever. When I posted this video, I thought there wouldn't be many views and I just uploaded it because I thought "this song is very cool and a bunch of people may want to see it" now I'm happy 'cause you bunch of people are a bit more than 1080000. thanks. BY THE WAY... Just a curiosity! The first time I heard it, was in Madonna's "Who's that girl" concert. She sang a few verses and I got me really willing to find the original version. So she taught me both how to like good music and to speak English! thank you too Madonna. lol Lucas.
2:45
Four Tops: Bernadette (live)
True legends of soul music live in concert: The Four Tops. Recorded 2004 in Miami. Includi...
published: 28 Dec 2007
Author: adamweishaupt81
Four Tops: Bernadette (live)
True legends of soul music live in concert: The Four Tops. Recorded 2004 in Miami. Including Levi Stubbs as the lead vocalist, which is a little sensation. Enjoy them and their great music. The song has not been cut. It indeed ends after 02:45.
3:33
The Four Tops - "When She Was My Girl" Live - 'Fridays' (1981)
A live performance by The Four Tops, of their last Billboard Hot 100 Top 20 hit, "Whe...
published: 03 Sep 2009
Author: Lottoman17
The Four Tops - "When She Was My Girl" Live - 'Fridays' (1981)
A live performance by The Four Tops, of their last Billboard Hot 100 Top 20 hit, "When She Was My Girl". This performance was done live on ABC TV's late night comedy show, "Fridays", in 1981. Introduced by Fridays cast member, Bruce Mahler. Check out the exceptional performance by the brass section! Outstanding, IMO!
2:44
The four tops - I can't help myself - Live HQ
classic soul...
published: 26 Feb 2008
Author: bol2funk
The four tops - I can't help myself - Live HQ
classic soul
2:45
The Four Tops Walk Away Renee
Motown at it's BEST. "Walk Away Renée" is a song made popular by the ...
published: 18 Oct 2009
Author: cyberbob1220
The Four Tops Walk Away Renee
Motown at it's BEST. "Walk Away Renée" is a song made popular by the band The Left Banke in 1966 (single release: July 1966, Smash Records, title printed as "Walk Away Renee"), composed by the group's then 16-year-old keyboard player Michael Brown (real name Michael Lookofsky) and Tony Sansone. Bob Calilli is also credited as a writer, though he didn't actually write any of the lyrics or music - he received credit in exchange for setting up the session in which the writing stage of the song was completed.[citation needed] The song was also a chart hit for the Motown group The Four Tops[1] in 1968. (From Wikipedia, the free encyclopedia)
6:35
The Temptations & The Four Tops
The Temptations & The Four Tops At The Motown 25th...
published: 01 Feb 2009
Author: daveman56
The Temptations & The Four Tops
The Temptations & The Four Tops At The Motown 25th
3:09
The Four Tops "Still Waters Run Deep" (1970)
The Four Tops "Still Waters Run Deep" (1970)...
published: 10 Aug 2008
Author: rovingeye2
The Four Tops "Still Waters Run Deep" (1970)
The Four Tops "Still Waters Run Deep" (1970)
5:55
The Temptations Vs The Four Tops live Motown
Great video of The Temptations and The Four Tops!...
published: 06 May 2009
Author: MICHAELSTEMMLER
The Temptations Vs The Four Tops live Motown
Great video of The Temptations and The Four Tops!
Vimeo results:
2:01
PUSH PULL
A glimpse of a friend and athlete by the name of Pete Billington. Film by Landis Fields, Z...
published: 02 Dec 2009
Author: Landis Fields
PUSH PULL
A glimpse of a friend and athlete by the name of Pete Billington. Film by Landis Fields, Zac Wollons, Punn Wiantrakoon, and Brian Berringer. Directed and Edited by Landis Fields. The project required 2 locations. All of the outdoor shots were taken out of the back/top of a four door jeep wrangler going up Mount Tamalpais. Everything else took place on a stage in a controlled studio environment that was lit using 2 soft boxes. The entire film was shot on 2 canon 7D's (mostly at 60p for "slow-mo" flexibility later on while editing) and 1 Canon 5D at 30p which was conformed to a 24 frame timeline. All cameras were equipped with different lenses that fit the needs of each shot. Music by A Perfect Circle - Outsider (Apocalypse Remix). I hope you enjoy the film as much as we did creating it.
2:38
MIRACLE
‘Cause a taxi in town is like an interlude, a starting point opening up the prospect of a ...
published: 03 Feb 2011
Author: Vanessa Bruno
MIRACLE
‘Cause a taxi in town is like an interlude, a starting point opening up the prospect of a retreat into oneself. Just for a few minutes. Lou escapes, drifts, fantasizing the rising water in the taxi immersing her in a “beyond” which is not her everyday life. A kind of romanticism. Another kind. A contemplation lulled by the music of “Four Tet” and “The bewitched hands on the top of their hands”.
The water becomes a beach, a mysterious island, a seashore so remote from noise as urban fictions. Exile is here and now. A time of levitation. The other girl on the beach: another life. The story is divided in two, speeds up some more, a disheveled fantasy charged with the music clashing against the eardrums. (“Loud-E Africa”). This undisturbed sea sets off to a staccato tempo, comes to a forest where the drumbeats rouse impetuous emotions into movement. The girls move, the girls fly, the girls dance, the girls live. No sun around, however, colours touch the dresses and become tropically sultry extending right to the prints. The path has been found: a dazzling energy expands to the image, to the sound.
The performance doesn’t stop. The girls tussle in a cascade of colours that almost stain the screen like a tribal rite and celebrate the triumph of being alive. So alive.
For summer 2011, Vanessa Bruno has given the director Stephanie Di Giusto free rein to interpret the collection where colour and prints open up a new scope for the brand. A time in exile like a trip where one’s bag is stuffed with items, clothes and exotic accessories to energize a Western wardrobe. On the horizon, a film that gives us a glimpse of the changes in the brand, from gentle romanticism, trademark of Vanessa Bruno to expressing herself in Technicolor, in movement and with whirling energy. Actresses Lou Doillon, the designer’s muse and Jessica Joffe interpret with amazing freedom the will to exalt colour and sensations.
0:37
I AM
Tronic directed and animated this spot on the loss of nature in our increasingly man-made ...
published: 02 Nov 2009
Author: TronicStudio
I AM
Tronic directed and animated this spot on the loss of nature in our increasingly man-made landscape. I AM shows a bleak future, where animals, now a recent memory, are constructed from detritus. This is their plea to us.
------------------------
I AM Interview 11/2/09
Vivian Rosenthal www.tronicstudio.com
Sebastien Agneessens www.formavision.info
SEBASTIEN:
This is Sebastien Agneessens from Formavision recording Vivian Rosenthal on November 2, regarding the piece I AM.
I find the title I AM quite interesting, because it contrasts both with the future and the past that you use in your spoken poetry. Why did you choose I AM as the title for your piece?
VIVIAN:
The title comes from the animals’ declaration of who they are. Each animal says, “I AM the elephant” and “I AM the horse” and it’s through language that they are reinforcing their physicality and their place in the world. And the irony, of course, is that animals don’t have access to our language, they have their own languages, but we privilege ours. And so with this piece, the idea was that by giving them access to language, it was giving them agency, giving them power, giving them the ability to be heard. And so the title I AM I chose really as a way to underscore the importance of our understanding of the self. And by expressing the self, I think people can understand how to relate not just to animals, but to the planet at large, and to see it as a reflection of themselves and therefore hopefully care more about its future and our future collectively.
S:
In I AM, you juxtapose an empty New York City landscape, which could be any other desolate urban landscape, with some kind of archeological relic. This relic, even though it is being built in front of your eyes, seems like a ruin, a relic of some vanishing civilization. Why did you choose to depict the animals in such a fragile and man-made state?
V:
I love that question, because I think it’s so insightful in terms of the thinking that went into the piece. Essentially the reason the animals have this archaic feeling is because that’s how they are quickly becoming, they are becoming relics. So instead of giving them a more sleek form or language, we chose to have them made out of detritus, just out of found wood. And the reason for that was that it feels that they are becoming these vestiges of trash essentially, because that’s how we are treating them. By treating the planet and our environment that way, we are essentially doing the same to these creatures. They are becoming almost like walking ghosts that are just drifting through a manufactured landscape.
S:
I notice that the only free animal is the one that disappears, meaning that it’s the one that decides to flee the human world, or the manufactured landscape as you call it. Do you consider your piece to be mainly about the relationship between nature and culture? Or mankind? Or did you approach this piece to speak about the place of animals in the planet?
V:
Well, hopefully it can have a personal interpretation for each viewer. Since I can’t speak for everyone, and only myself, I think for me, yes, it’s very much about the erasure of history as we move forward. And I think as animals and human cultures become extinct, they are only going to live on through our memory, and obviously through images and film. But really, I think we almost need to be forced to see them in a new light, made up of wood, to recognize their fragile state. That’s a big part of why they keep breaking and collapsing, it’s almost like these are their last words, their last breath, before they are destroyed, before they are made extinct.
S:
Why the choice of these four particular animals - the elephant, the horse, the bear and the bird?
V:
It’s not really about the specificity of these particular animals, it could have been any type of animal, it’s more about capturing a moment in time. The elephant, the horse, the bear- those three were chosen for their size and their feeling of power. The bird, and I think you touched on this in one of your other questions, the bird was really speaking to the idea of hope. So the other three kind of have the sense of defeat and nostalgia, and a sense of having given up and lost. Whereas the bird, because it can fly, symbolically to me still held hope, the hope that somehow it could escape to a better landscape or a better point in history. Whether or not it can is a whole other question, but this was really talking about the symbolic nature of the bird.
S:
Do you think the only hope for survival of the bird to actually escape human civilization?
V:
Yeah, I guess sadly it is, at least metaphorically. I’d like to think that maybe they’ll be a shift, and instead of damaging the environment and the planet, we’ll start to help it. But I think we are a long way off. There is a lot of damage that we would have to undo before we could get back to a
3:25
GORBACHOV: THE MUSIC VIDEO - BIGGER AND RUSSIANER
I did this video for a Russian Metal Band called ANJ. It is pretty crazy. When I saw the l...
published: 24 Jun 2008
Author: Tom Stern
GORBACHOV: THE MUSIC VIDEO - BIGGER AND RUSSIANER
I did this video for a Russian Metal Band called ANJ. It is pretty crazy. When I saw the lyrics it seemed to be an earnest tribute to Mikael Gorbachov (that's how the Russians spell it), so I was a bit confounded about what the video concept should be, but then I had a brainstorm to take it way over the top and I think it was just the thing. Suffice to say it's half Russian History allegory as told through an old zombie movie made in the Soviet Union, and half animated Soviet Propaganda posters. It's in HD, so let it load a bit before you play it and then click the little "four arrows" symbol on the lower right part of the viewer to see it in true HD. BTW- the band has asked that I include their myspace address: http://www.myspace.com/anjkill
Youtube results:
6:14
The Temptations Vs The Four Tops LIVE ! ( 1985 )
Sometimes you have to see it to believe it. This really happened on a night very special n...
published: 14 Jan 2009
Author: george corneliussen
The Temptations Vs The Four Tops LIVE ! ( 1985 )
Sometimes you have to see it to believe it. This really happened on a night very special night in 1985. It was a celebration honoring the 50th anniversary of the Apollo theater.
3:30
The Four Tops - Are You Man Enough?
The Four Tops' 1973 "Are You Man Enough" came out after the group left Motow...
published: 01 Dec 2008
Author: adymanifold
The Four Tops - Are You Man Enough?
The Four Tops' 1973 "Are You Man Enough" came out after the group left Motown Records; it appeared on the soundtrack to Shaft in Africa. My sister had this on tape when I was a kid and it still remains one of my favourite tracks.
3:03
The four tops - Bernadette
Released 1967 Buy the song @: cdon.no/musikk/four_tops/gold-520418...
published: 14 Nov 2008
Author: kindwolf1
The four tops - Bernadette
Released 1967 Buy the song @: cdon.no/musikk/four_tops/gold-520418
1:56
THE FOUR TOPS - I Can't Help Myself (Sugar Pie, Honey Bunch)
The Four Tops - I Can't Help Myself (Sugar Pie, Honey Bunch)...
published: 24 Oct 2008
Author: nyrainbow4
THE FOUR TOPS - I Can't Help Myself (Sugar Pie, Honey Bunch)
The Four Tops - I Can't Help Myself (Sugar Pie, Honey Bunch)