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- Duration: 6:28
- Published: 09 Feb 2010
- Uploaded: 12 Feb 2011
- Author: soundpurestudios
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George Lowden is a guitar maker, luthier, based in Downpatrick, County Down, Northern Ireland. He constructs acoustic guitars, steel and nylon strung.
The first Irish studio/workshop, in 6a High Street, Bangor employed 4 trainee guitar makers, Colin ‘Dusty’ Miller, Frank Kernaghan, Sam Irwin and Michael Hull. It produced approximately 100 guitars during this period, which can be identified by small blue rectangular labels.
Beginning in 1980, copies of his guitars were made in Japan by a small group of luthiers near Nagoya.
In 1985, as a result of the rise in interest for all electronic instruments in music, sales of acoustic instruments slumped worldwide and the owners of the Japanese factory decided to close it and move production of Lowden guitars to a larger factory where other brands were made. George was concerned about this outcome and decided to try setting up a new factory in Ireland. By way of very little capital and through the help of an investor (David Jebb); George rented a building in Bangor, Co. Down and began to employ and train new craftsmen.
1986 Micky Uchida, (a Pierre Bensusan fan and guitar maker himself from Japan) arrived in Ireland to stay with the Lowden family and asked George if he could come to work for him. Micky had been trained in classical guitar building but was interested in learning about steel strings. A short time after his arrival in Ireland with his wife Izumi, George offered Micky the factory manager's position after observing his obvious talent as a craftsman and luthier.
Lowden Guitars of this period were labelled with a slightly smaller version of the current oval label and approximately 500-600 guitars were made in each of the first three years then approximately 1,000 per year thereafter.
A group of local people put together a consortium, headed by Andy Kidd, (whose background was as a recording engineer and record producer) to buy the company out of receivership. George Lowden signed a licensing agreement with this new company. This ensured that he retained personal ownership of the Lowden designs and trademark and enabled him to provide quality control and new designs while remaining independent from the company. The model range at that time was much more limited than it is now but the beginnings of a dealership network had already been established in parts of Europe and the USA.
In order to satisfy an increasing demand for more ornate instruments, Andy then asked George to design a series of guitars with more inlays, as the ‘Standard’ guitars were too plain for some musicians' taste. Thus was born the ‘Premier’, or “35” series with George Lowden’s version of "flash". This series has been the most successful of all the Lowden designs with their figured exotic woods and inlays combined with selected grades of soundboard tonewoods.
In June 2000, differences had begun to develop between the directors of the company. George decided to resign as a director. He would continue to influence quality solely through the provisions of the design license first established in 1989, whilst continuing to build his own custom guitars in his workshop at home.
In August 2000 to September 2001, a series of decisions were made within the Licensee Company (the Lowden Guitar Company) without reference to George, concerning guitar specifications and quality control. George discovered the effects of these decisions later during visits to the factory, and this severely damaged his confidence that the integrity of his guitar designs and specifications would be maintained or indeed that the terms of the license were being respected. After many failed attempts to establish alternative dispute resolution processes over a period of some 11 months, George served a high court writ for what he believed were serious breaches of contract. The company denied all charges, and after more than 18 months of legal action including a counterclaim by the company and additional claims by George, the matter was finally settled by agreement at the court door. The aim of this agreement was to allow a way forward for both parties by limiting further damage and providing a basis for separation.
The directors of the Lowden Guitar Company changed the name of its holding company from "Sarcon (54) Ltd" to "Avalon Guitars Ltd" and launched the highly successful range of Avalon Guitars, designed by in-house luthiers including Ernie McMillen and Sam Irwin. At no time was George Lowden invited to participate in any way in these guitars.
Eric Clapton, Jan Akkerman, Vince Gill, Pierre Bensusan, Alex de Grassi, Peter Finger, Nick Harper, Don Ross, Richard Thompson, the late Eric Roche, Paul Brady, Lee Rogers, and Foy Vance use Lowden Guitars.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Thomas Leeb |
---|---|
Background | non_vocal_instrumentalist |
Born | September 14, 1977 |
Origin | Klagenfurt, Austria |
Instrument | Guitar |
Genre | Fingerstyle guitar |
Occupation | Musician |
Years active | 1992–present |
Url | www.thomasleeb.com |
Thomas Leeb (born September 14, 1977 in Klagenfurt, Austria) is an Austrian fingerstyle guitarist.
In 1999 Leeb published his third CD, Riddle, on the web portal MP3.com and studied at the California Institute of the Arts, focusing on world music and traditional music from Ghana. His teachers were percussionists Kobla and Alfred Ladzekpo, and guitarist Miroslav Tadić. Leeb graduated in 2003 with a Bachelor of Fine Arts. He produced his fourth album, Spark, in 2004 and went completely indie, selling the CDs from his website. In 2006 he recorded the CD Upside Down and in 2007 Desert Pirate.
Leeb tours incessantly, mainly in the US, in Europe (Austria, England, Germany, Ireland and Croatia) and in Asia (Taiwan, Korea and Japan); he has managed to build a worldwide fan community. He irregularly teaches as freelancer at two music schools in Los Angeles. Every summer he organizes a workshop at his Austrian hometown Turracher Höhe which is highly frequented, especially by British guitarists. Leeb taught master classes at the London Music School and the Guitar Institute of Technology in Hollywood., , Leeb is an influence especially for young guitarists, for example Newton Faulkner.
Thomas Leeb is married and lives in Val Verde, California.
Leeb follows his own path as guitarist and composer, displaying a very idiosyncratic and particular guitar style. Characteristic for this style are percussive elements generated by hitting the guitar body with the heel of his hand or single fingers while playing intricate fingerstyle patterns. On his Desert Pirate CD he uses a scratch-board, glued to the surface of his guitar. With it he adds rhythmic scratch sounds to some of his pieces which are surprisingly similar to typical DJ scratching sounds, despite their "acoustic" origin. Some of his pieces possess odd-meter measures and recall Eastern and Balkan music; much of his work is rhythmically complex and meticulously worked out.
Leeb is an endorsee of Lowden guitars and Parkwood Guitars. His guitars are amplified with a Fishman Rare Earth system (internal microphone/magnetic pickup combination). His live sound is produced by a K&K; Pure Western soundboard transducer. His additional technical equipment encompasses L.R. Baggs Para and Highlander PAM DI boxes as well as an Alesis NanoVerb system.
Category:Austrian guitarists Category:Fingerstyle guitarists Category:1977 births Category:Living people Category:California Institute of the Arts alumni
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Pierre Bensusan (born 30 October 1957) is a French-Algerian guitarist. As a sephardic Jew, his family came from Spain, Spanish Morocco and French Algeria. The genre of his acoustic guitar music is often characterized as Celtic, Folk, World music, New Age, or Chamber jazz. He has also published three books of music and tablature. A wide variety of musical styles and influences can be heard in his music.
Born in 1957 in Oran, French Algeria, he moved to Paris with his family when he was four years old. He took up the piano at the age of seven and, at the age of eleven, began to teach himself guitar. He signed the contract for his first album, Près de Paris, when he was just seventeen; it was released one year later, winning him the Grand Prix du Disque at the Montreux Festival. His many influences include Davey Graham, Larry Carlton, Django Reinhardt, Martin Carthy, Nic Jones, Ry Cooder, Big Bill Broonzy, Reverend Gary Davis, Mississippi John Hurt, Doc Watson, Jimi Hendrix, John McLaughlin, Bert Jansch, John Renbourn, Ralph Towner, Wes Montgomery, Pat Metheny and Paco de Lucía.
Pierre Bensusan's solo acoustic guitar work has featured use of the DADGAD tuning system and electronics such as delays, distortions and volume pedals, which have been largely abandoned on recent tours.
He includes scat-singing is in his compositions, both pre-composed and improvised. He has collaborated extensively with saxophonist Didier Malherbe, but today his tours are largely solo. He also performed the song "ELM" for the Cowboy Bebop soundtrack Cowboy Bebop No Disc for Yoko Kanno.
In 2001 Bensusan released Intuite, his first new studio recording in eight years and his first totally acoustic one. It won him critical acclaim and was followed up with Altiplanos in 2005. He continues to write and tour, playing occasional gigs with Malherbe, as well as holding guitar workshops and writing guitar books.
Composer Michael Hedges wrote a piece for Bensusan. After Hedges' death, Bensusan wrote and recorded the song "So Long Michael" in tribute to Hedges' own playing.
Category:1957 births Category:Living people Category:Chamber jazz guitarists Category:Fingerstyle guitarists Category:French jazz guitarists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.