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Name | California |
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Cover | California.JPG |
Artist | Mylène Farmer |
From album | Anamorphosée |
Released | 26 March 1996 (see: release history) |
Format | CD single, CD maxi, 12" maxi, digital download (since 2005) |
Recorded | 1995 |
Genre | Pop |
Length | 3:58 (single version) 4:59 (album version) |
Label | Polydor |
Writer | Lyrics: Mylène Farmer Music: Laurent Boutonnat |
Producer | Laurent Boutonnat |
Last single | "L'Instant X"(1995) |
This single | "California"(1996) |
Next single | "Comme j'ai mal"(1996) |
Album | Anamorphosée |
Type | single |
This track | "California" |
Track no | 1 |
Next track | "Vertige" |
Next no | 2 |
"California" is a 1995 song recorded by the French artist Mylène Farmer. It was the third single from her fourth studio album, Anamorphosée, and was released on 26 March 1996. The song marked the only collaboration with American movie screenwriter and director Abel Ferrara who directed the very expensive music video in which Farmer appears both as a bourgeois woman and a prostitute. Real tribute to the California, the song is generally deemed as one of Farmer's signature songs and has been performed during almost all the singer's tours, although it met a relative success in France and Belgium.
Among the different media for this single, there was a CD single distributed in a limited triptych digipack edition, and a CD maxi which contains six tracks - this one is the only CD maxi in Farmer's career still for sale because, seeing the number of tracks, it is referenced by Universal as a "mini-album" and is re-edited. "California" was also released in Germany with a new white cover. Regarding the various remixes, they are the result of collaboration between Laurent Boutonnat / Bertrand Châtenet ('LAPD remix' and 'wandering club mix'), and various American DJs: Niki Gasolino & Peter Parker, Nils Ruzicka, and Ramon Zenker. Two versions of the promotional CD were sent to the radio station on 29 February 1996; one of them, the luxurious edition, shows the outline of Farmer, which must be lifted to take the CD. The designer Henry Neu said he was particularly proud of having created it.
The song is available on Anamorphosée in its original version, and on the best of Les Mots in the shorter radio version. It should be noted that, surprisingly, the song is placed at the beginning of the second CD, just before "XXL" and "L'Instant X", which does not comply with the chronological order. It was also remixed in 2003 by Romain Tranchart and Rawman for the compilation RemixeS.
It is a song with a highly elegant vocabulary where alternate puns and lyrics in French and English; it is a clear tribute to California. There are many literary references: for example, the phrase "Vienne la nuit et sonne l'heure et moi je meurs / Entre apathie et pesanteur où je demeure" alluded to the French poem Le Pont Mirabeau, written by Guillaume Apollinaire, in which there is the verse "Vienne la nuit sonne l'heure / Les jours s'en vont je demeure". Then Farmer tried to contact him, particularly after seeing his film on a similar theme, Snake Eyes, with Madonna. In interviews, Farmer stated she phoned Ferrara many times, then they met in New York. She told him she wanted to play the role of a prostitute in the video, and eventually, she wrote the screenplay in collaboration with him. The video, a 5:18 Requiem Publishing production which cost about 600,000 euro, making it the most expensive music video of the year, was shot for three days and two nights in Los Angeles (Sunset Boulevard). Ferrara was surprised and puzzled by the insistence of Farmer. She proposed him 200,000 dollars to shoot a three-minute music video which eventually became a short film. Finally, Ferrara said he had a great respect for Farmer's professionalism.
According to biographer Bernard Violet, the video provides the message that "women love to sometimes turn into a sexual object, but they still have their pride", and compares the end of the video to the film Basic Instinct. By contrast, Royer deemed the video as a "total success, in which are merging the dreamlike imaginary of Mylène and the brutal realism of Ferrara".
The song was also performed at the time of the 1996 tour in a remixed techno version (the 'Wandering mix'). Images of Los Angeles by night were shown on the giant screens of the stage, and Farmer, entirely dressed in golden, performed first alone, then with two female dancers, a very suggestive choreography. The song was also performed and in an acoustic and jazzy version during the 2000 tour. Farmer wore a white dress and white shoes; with her two female vocalists, she was sitting on the steps of the staircase, and then got up and do a few steps on the stage. Then Farmer went in front of the door at the top of the stairs, and at the end, she left the stage while it was in a full black. The song was only performed in stadiums: Farmer wore a glittering short dress with red cape with hood and performed a choreography similar to the one during the 1996 tour. This version is only available on the video version of the album N°5 on Tour.
In Belgium (Wallonia), the single entered the Ultratop 40 Singles Chart on 4 May 1996, then fell off and re-entered four times and reached number 22 on 3 August, which was nonetheless the lower peak position of the five singles from the album Anamorphosée. It fell off the chart on 7 September, after fourteen weeks and was the 86th best-selling single of 1996.
Category:1995 songs Category:1996 singles Category:Mylène Farmer songs Category:Songs with lyrics by Mylène Farmer Category:Songs with music by Laurent Boutonnat Category:Songs about California
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Mylène Farmer |
---|---|
Background | solo_singer |
Birth name | Mylène Jeanne Gautier |
Born | September 12, 1961 |
Origin | France |
Citizenship | French |
Genre | Pop, rock, electronica |
Occupation | Singer, songwriter, actress |
Years active | 1984–present |
Label | Polydor Records |
Associated acts | Moby, Seal, Archive, Alizée, Jean-Louis Murat}} |
Mylène Farmer born Mylène Jeanne Gautier (born 12 September 1961) is a French singer, songwriter, occasional actress and author. She has sold more than 25 million records and is among the most successful recording artists of all time in France. She holds the record for the most number one hits in the French charts, with ten so far.
In 1984, Farmer met Laurent Boutonnat, a young film student also enrolled in Cours Florent, after replying to a newspaper ad for an actress for a small film he was working on. Farmer and Boutonnat became friends and forged a creative partnership, writing and producing the music. Boutonnat, whose ambition was to become a film director, was the force behind Mylène’s videos.
Farmer gained fame with songs featuring shocking yet poetic lyrics, and explicit music videos: "Maman a tort" was about the love of a young girl for her female hospital nurse. "Pourvu qu'elles soient douces" contains hints of sodomy; the video, set in the 18th century, featured a caning. "Libertine" is said to feature the first full frontal nudity appearance by a singer on a major music video. "Que mon cœur lâche" was about love with condoms in the age of AIDS; the video for the song features a scene in which God tells Jesus he will not send him to Earth again because the last time "it was a disaster." The videos for "Beyond My Control" and "Je te rends ton amour" were censored at the time because of their sexual and violent content; later released in a video single, the latter one became the highest selling release of that kind in France.
Her most well-known songs include "Désenchantée", "Pourvu qu'elles soient douces", "Sans contrefaçon", "Libertine", "California", "C'est une belle journée", "Rêver", "XXL" and "Les Mots".
Despite the relative success of her first two singles, Farmer, helped by Boutonnat, started working on her first album. Even if this album was almost entirely written and composed by Boutonnat, it was then that it was decided that Farmer would write the lyrics of her songs and Boutonnat would compose the music and direct the videos. "Libertine", the album's lead single, was released in March 1986 and set the tone for Farmer's musical style. The sensual, romantic lyrics were inspired by 19th-century literature. As for the video, which had a running time of more than 10 minutes, Boutonnat got inspired by the film Barry Lyndon and the novels of the Marquis de Sade, thus giving the video a cinematic style. Farmer, lit by candlelight, is shrouded in mystery and sexual ambiguity, it also was the very first video in which a French female singer appeared full frontal naked. The following single, "Tristana", also met success and the video also had a cinematic approach that impressed the audience. Meanwhile, another single from the album, Plus grandir, also shot in cinematic 35 mm, was released.
In 1988, Boutonnat and Farmer began work on her next album, Ainsi soit je... (a play on the French expression ainsi soit-il, meaning "so be it" or "amen"). This album, infused with a much darker atmosphere, is more sexually ambiguous than her previous one, featuring songs inspired by Mylène’s favourite authors, including the French romantic poet Charles Baudelaire and the American horror writer Edgar Allan Poe. The album sold 1.8 million copies on the back of the Nº2 hit "Sans contrefaçon" as well as the first Nº1 hit of career, "Pourvu qu'elles soient douces". The other singles, "Sans logique" and title song were also hits in France, while the Juliette Gréco cover "Déshabillez-moi" became a fan favourite. Ainsi soit je... is the best-selling female album in France of the 1980s.
In spite of her drama courses, Farmer found it difficult to overcome shyness when in front of an audience. It was only after hesitation that she agreed to make a concert tour in 1989. After singing in a small venue in Saint-Étienne as a test, the singer came to Paris to perform at the Palais des Sports for a week in May. Following the positive response of the audience, she agreed for a full-scale 52-date tour through francophone Europe. A live album documenting the tour was released at the end of the year, titled En Concert, also containing a new song, "A quoi je sers", in which she questions the future of her career. The costumes of the tour were designed by the French designer Thierry Mugler.
It was also during this period that it was noticed that Farmer rarely gives interviews or appears in public, even though she did much more than she does today.
"Désenchantée", the album's lead single, became a phenomenon in French pop music, striking a universal chord with its political lyrics. The song debuted at Nº12 in France and hit Nº1 two weeks later, remaining 9 weeks atop of the chart. At the time, it went on to become the best selling French single of all time (both in country and around the globe), according to Guinness Book of World Records. It also spent 6 weeks at Nº1 in Belgium. The song also made the Top 10 in Canada and the Top 20 in Austria and the Netherlands. It is considered by many to be Farmer's signature-song. "Désenchantée", which was accompanied by an epic video directed by Laurent Boutonnat in which Mylène plays a rebelling prisoner in a facility which resembles a concentration camp or gulag.
Following the phenomenal success of Désenchantée, Farmer released three more very successful singles from the album: "Regrets", a gold-selling Nº3 duet performed with Jean-Louis Murat, "Je t'aime mélancolie" (Nº3) and "Beyond My Control" (Nº8), the latter having a blood-and-sex-charged video that was banned from airplay. The success of the singles helped its parent album sell close to 2 million copies in France alone, having been certified Diamond in 1992. It spent a then-record 20 weeks at the pole position of the French charts, as well as topping the chart in Belgium and making top 10 in Canada. It has become Farmer's best selling studio album.
Prior to the release of the album's third single, on 14 November 1991
"Que mon cœur lâche" would be the last single released by Farmer in 3 years. In the meantime the singer would star in a movie, as her longtime collaborator had written a script he had wanted to direct for a long time. The result was the ill-fated Giorgino (1994). The film, shot in English, was a huge critical and commercial flop. Budgeted at 80 million Francs, it was seen by only 60 000 people and recovered only 1% of its budget. One of the main reasons for the film's flop was its 3-hour-plus length. According to Farmer herself, the bad reception of Giorgino was particularly hard on Boutonnat, who was directing his first feature film, something he would not do again for 13 years until the release of Jacquou le Croquant in 2007. Following the lukewarm reception of the film, Farmer decided to leave France to take a long break in the USA.
In summer 1996 Farmer embarked on her second concert tour which met with huge success. The corresponding live album, Live à Bercy, is currently the best-selling French live album ever. During the tour, Farmer sang a Raï version of Michel Polnareff's La Poupée qui fait non with Khaled which was released as a promotional single from the live album and became a Top 10 hit in France.
The video for the second single, "Je te rends ton amour", sparked controversy because of its religious blasphemy being condemned by the Catholic Church and banned by many networks. Despite this, Farmer released a video single, which became the highest selling release of that kind in France.
In late 1999, Farmer embarked on her third concert tour, the Mylenium Tour, which set the record of the highest grossing tour by a non-English speaking artist. The stage of the show featured a huge pharaonic statue at the center of the stage from which she emerged and flew before being carried down by the hand of this very statue. During the tour, Farmer released the album's third and fourth singles: "Souviens-toi du jour" and "Optimistique-moi".
After "Innamoramento", the last single of the album, she recorded "L'Histoire d'une fée, c'est..." for the animated film , and released her third live album and DVD documenting the Mylènium Tour along with "Dessine-moi un mouton", the promotional single for the live CD of the show.
In 2000, Farmer and Laurent Boutonnat had assembled songs and video ideas they felt appropriate for a younger, new star. They began the search for a female singer to break into the French charts - they found Alizée, a contestant on the French television show Graines de stars. Farmer and Boutonnat wrote and produced Alizée's albums Gourmandises and Mes courants électriques. Alizée's biggest hit, "Moi... Lolita" reached the top of the charts and she became the most successful French singer that year. In 2001, Le Figaro announced Farmer as top earning French entertainer of the year thanks, in part, to her writing, recording, and producing credits of Alizée's music, which earned 10.4 million euros.
Alizée's image was crafted by Farmer and Boutonnat; she was allowed a few interviews of no more than 20 minutes and a limited number of promotional appearances. In 2005, after two successful albums and a concert tour, Alizée amicably parted ways with the duo to meet different songwriters and producers.
The album debuted and spent several weeks at Nº1, selling nearly a million copies and going multi-platinum, although its commercial success is considered inferior to her previous albums because she made little if no effort to promote it. Nonetheless, all five singles became Top 10 hits in France while the single "L'amour n'est rien..." became a very big success in Russia.
As announced in her press conference, she returned to the stage in January 2006 for 13 dates in Paris-Bercy. A live album and concert DVD, Avant que l'ombre... à Bercy were released in December 2006. Within months, the DVD became the best-selling music DVD in France ever.
After her concerts in Bercy, electronic musician Moby invited her to record a duet with her. Choosing "Slipping Away", Farmer translated the lyrics herself to French, and the resulting single became a phenomenal success in French-speaking countries, becoming her 4th Nº1 single in France.
In March 2008, Universal France confirmed Farmer would release her seventh studio album near the end of 2008, and embark on her fifth concert tour the following year, including two shows at the Stade de France. The record's lead single, "Dégénération", had a minimal electronic music while its corresponding video marked the singer's return to the scripted videos of the beginning of her career. The song became Farmer's 5th Nº1 single. The album, Point de Suture, released in stores on 25 August, followed suit debuting at Nº1 with over 100 000 copies sold in its first week in France. The electronic-driven album continues in the vein of Farmer's previous work, featuring a mix of ballads and upbeat, synth-driven pop songs. Farmer's next four singles from the album, "Appelle mon numéro", "Si j'avais au moins...", "C'est dans l'air" and "Sextonik", all became Nº1 hits in France, Farmer beating her own record. Farmer then had a record of nine Nº1 hits in France, more than any other artist in French music history. It is also the first time that all five singles from her album became Nº1 hits.
Meanwhile, in 2008 Farmer announced a new protégée in the vein of Alizée: Lisa, Farmer's niece. Her lead single, "Drole de creepie", was released in September 2008, produced and written by Laurent Boutonnat and Farmer. The song accompanied the hit children's series, Growing Up Creepie, and the video depicts Lisa dressed as Creepie Creecher. Unlike Farmer & Boutonnat's previous side-projects, Lisa is marketed primarily to children.
During that period, Farmer also worked on the French version of Luc Besson's animated feature Arthur and the Minimoys, lending her voice to Selenia, the character voiced by Madonna in the international version. The movie was a box-office hit.
Farmer's sold-out tour began in May 2009 in Nice and ended in September 2009 in Brussels, gathering extremely positive response from the critics. She also gave two concerts at the Stade de France, as well as other concerts in Russia, Belgium and Switzerland. The show was designed by Mark Fisher.
A new live album documenting her 2009 tour, entitled N°5 on Tour, was released on 7 December 2009 and hit Nº1 position in the charts becoming double-platinum in its first week of release. A DVD of her Stade de France concerts followed on 12 April 2010, becoming instantly diamond.
It was announced surprisingly on 27 September 2010 that Farmer would be releasing a new single "Oui mais... non" to lead her next album in a press release by Polydor. The single was released to radio and debuted on Le 6/9 of NRJ on 29 September. Unlike all the previous musical works by Farmer, Laurent Boutonnat was not included in the production or composition of the single. Instead Farmer hired RedOne, known for his work with Lady Gaga to produce and write the music for the single. The single cover depicts Farmer's left profile with the words "Oui mais... non" tattooed on her upper chest. The single was released to digital downloading markets on 11 October and hit Nº1 on the French Digital Chart. One week before the release of the album, the physical CD of "Oui mais...non" was released and helped Farmer garner her 10th Nº1 single in the French Single Chart, yet again breaking her own record. The album title Bleu Noir was officially confirmed on 20 October, and was released on 6 December 2010. The album entered the French Album Chart at Nº1 and the global chart at Nº14.
; About Mylène Farmer
Farmer has never acknowledged any of the works listed above. "Everything that is said about me is false..." ("Tout ce qui est dit sur moi est faux...")
Category:1961 births Category:Living people Category:Mylène Farmer Category:1980s singers Category:1990s singers Category:2000s singers Category:Canadian dance musicians Category:French-language singers Category:French children's writers Category:French dance musicians Category:French female singers Category:French pop singers Category:French singer-songwriters Category:People from Montreal
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Tupac Amaru Shakur |
---|---|
Background | solo_singer |
Birth name | Lesane Parish Crooks |
Alias | 2Pac, Pac, Makaveli |
Origin | Marin City, California, U.S. |
Born | June 16, 1971East Harlem, New York City, New York, U.S. |
Died | September 13, 1996Las Vegas, Nevada, U.S. |
Genre | Hip hop |
Occupation | Rapper, actor, record producer, poet, screenwriter, activist |
Years active | 1988–1996 (rapping) |
Label | Interscope, Death Row, Amaru |
Associated acts | Outlawz, Snoop Doggy Dogg, Digital Underground, Biggie, Richie Rich, K-Ci & JoJo, Dave Hollister, Johnny "J", Dr. Dre, Tha Dogg Pound, Boot Camp Clik, Nate Dogg |
Url | www.tasf.org |
Tupac Amaru Shakur (June 16, 1971 – September 13, 1996), known by his stage names 2Pac (or simply Pac) and Makaveli, was an American rapper. Shakur has sold over 75 million albums worldwide, making him one of the best-selling music artists in the world. In the United States alone he has sold 37.5 million records. Rolling Stone Magazine named him the 86th Greatest Artist of All Time.
In addition to his career as a top-selling rap artist, he was a promising actor, and a social activist. Most of Shakur's songs are about growing up amid violence and hardship in ghettos, racism, other social problems, and conflicts with other rappers during the East Coast-West Coast hip hop rivalry. Shakur began his career as a roadie and backup dancer for the alternative hip hop group Digital Underground.
In September 1996, Shakur was shot four times in the Las Vegas metropolitan area of Nevada. He was taken to the University Medical Center, where he died of respiratory failure and cardiac arrest.
His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother's acquittal on more than 150 charges of "Conspiracy against the United States government and New York landmarks" in the New York Panther 21 court case.
Although unconfirmed by the Shakur family, several sources (including the official coroner's report) list his birth name as "Lesane Parish Crooks". This name was supposedly entered on the birth certificate because Afeni feared her enemies would attack her son, and disguised his true identity using a different last name. She changed it later, following her separation from Garland and marriage to Mutulu Shakur.
Struggle and incarceration surrounded Shakur from an early age. His godfather, Elmer "Geronimo" Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982, when Shakur was a pre-teen. Mutulu was wanted in part for having helped his sister Assata Shakur (also known as Joanne Chesimard) to escape from a penitentiary in New Jersey, where she had been incarcerated for allegedly shooting a state trooper to death in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed. Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme "Komani" Shakur, who appeared on many of his recordings.
At the age of twelve, Shakur enrolled in Harlem's 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the famous Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker. Although he lacked trendy clothing, he was one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix in with all crowds. He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until his death. In the documentary , Shakur says, "Jada is my heart. She will be my friend for my whole life," and Pinkett Smith calls him "one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime." A poem written by Shakur titled "Jada" appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Pinkett Smith called "The Tears in Cupid's Eyes". During his time in art school, Shakur began dating the daughter of the director of the Baltimore Communist Party USA.
In June 1988, Shakur and his family moved once again, this time to Marin City, California, He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur's, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up with the up-and-coming rap group Digital Underground. In 1990, he was hired as the band's backup dancer and roadie.
In 1992, a Texas state trooper was killed by a teenager who was listening to 2Pacalypse Now which included songs about killing police. This caused a swirl of media controversy. Dan Quayle, the Vice President of the United States at the time, demanded that the album be withdrawn from music stores and media across the country; Interscope refused.
On August 22, 1992, in Marin City, California, Shakur rapped at an outdoor festival, and stayed for an hour signing autographs and pictures. Some earlier negative remarks made by Shakur about Marin City had caught up and when arguments started, voices got loud; he pulled a Colt Mustang, cocked it, fumbled and it fell. Someone picked up the gun and a bullet discharged. Though nobody in the crowd was shot, about 100 yards away, 6-year old Qa'id Walker-Teal rode a bicycle at a schoolyard and was hit in the forehead, the bullet killing him. Shakur and Mopreme left in their car and were stopped by an angry mob, by chance, in front of a sheriff's substation. The police "rescued" and took the two into custody, who were released without charge. In 1995, a civil case was brought up by Qa'id's mother. Shakur's lawyer said that the festival was a "nasty situation," and Shakur was saddened by the death of the boy. Shakur's record company settled the lawsuit for a figure reported between $300,000 and $500,000.
In October 1993, in Atlanta, two brothers and off-duty police officers, Mark and Scott Whitwell, were with their wives celebrating Mrs. Whitwell's recent passing of the state bar examination. As they crossed the street, a car with Shakur inside passed by them or "almost struck them," after which the Whitwells began an altercation with the driver, Shakur and the other passengers, which was then joined by a second passing car. Shakur shot one officer in the buttocks, and the other in the leg, back, or abdomen, according to varying news reports. There were no other injuries, but Mark Whitwell was charged with firing at Shakur's car and later lying to the police during the investigation, and Shakur with the shooting, until prosecutors decided to drop all charges against all parties.
In November 1993, Shakur and others were charged with sexually assaulting a woman in a hotel room. According to the complaint, Shakur sodomized the woman and then encouraged his friends to sexually abuse her. Shakur denied the charges. According to Shakur, he had prior relations days earlier with the woman; she performed oral sex on him on a club dance floor and the two later had consensual sex in his hotel room. The complainant claimed sexual assault after her second visit to Shakur's hotel room; she alleged that Shakur and his entourage gang banged her, and she said to Shakur when she left, "Why you let them do this to me?" Shakur said that he fell asleep shortly after the woman arrived and later awoke to her accusations and legal threats. In the ensuing trial, Shakur was convicted of sexual abuse. In sentencing Shakur to 1½–4½ years in prison, the judge described the crime as "an act of brutal violence against a helpless woman." After serving part of his sentence, Shakur was released on bail pending appeal. On April 5, 1996, a judge sentenced him to serve 120 days in jail for violating terms of his release on bail.
In 1995, a wrongful death suit was brought against Shakur for a 1992 shooting that killed Qa'id Walker-Teal, a six-year old of Marin City. The child was the victim of a stray bullet in a shootout between Shakur's entourage and a rival group. Ballistics tests proved the bullet that killed the boy was not from Shakur's or any members of his entourage's guns. No criminal charges were brought. Shakur settled with the family for an undisclosed amount, estimated at $300,000–$500,000.
A year later on November 30, 1995, Stretch was killed after being shot twice in the back by three men who pulled up alongside his green minivan at 112th Ave. and 209th St. in Queens Village, while he was driving. His minivan smashed into a tree and hit a parked car before flipping over.
On March 27, 2008, the LA Times issued an apology to Combs for blaming him for having a role in the November 1994 shooting. The article stated that Shakur was led to the studio by Biggie's associates to gun him down to make favor with Biggie. The newspaper relied on forged documents that The Smoking Gun proved to be faked. Combs stated that he is disgusted with the LA Times for printing the story.
In October 1995, Shakur's case was on appeal but due to all of his legal fees he could not raise the $1.4 million bail. After serving eleven months of his one-and-a-half year to four-and-a-half year sentence, Shakur was released from the penitentiary due in large part to the help and influence of Suge Knight, the CEO of Death Row Records, who posted a $1.4 million bail pending appeal of the conviction in exchange for Shakur to release three albums under the Death Row label.
On June 4, 1996, he and Outlawz released the "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had intercourse with Faith Evans, Biggie's wife at the time, and attacks Bad Boy's street credibility. Though no hard evidence suggests so, Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. Shakur aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge's friend and bodyguard, Jake Robles; Suge was adamant in voicing his suspicions of Combs' involvement. Shakur's signing with Suge and Death Row added fuel to building an East Coast-West Coast conflict. Both sides remained bitter enemies until Shakur's death. On July 4, 1996, he performed live at the House of Blues with Outlawz, Tha Dogg Pound, and Snoop Doggy Dogg also headlining. This was Shakur's very last live performance.
While incarcerated in Clinton Correctional Facility, Shakur read and studied Niccolò Machiavelli and other published works, which inspired his pseudonym "Makaveli" under which he released the record album . The album presents a stark contrast to previous works. Throughout the album, Shakur continues to focus on the themes of pain and aggression, making this album one of the emotionally darker works of his career. Shakur wrote and recorded all the lyrics in only three days and the production took another four days, combining for a total of seven days to complete the album (hence the name).
At 10:55 p.m., while paused at a red light, Shakur rolled down his window and a photographer took his photograph. At around 11:00–11:05 p.m., they were halted on Las Vegas Blvd. by Metro bicycle police for playing the car stereo too loud and not having license plates. The plates were then found in the trunk of Suge's car; they were released without being fined a few minutes later. At about 11:10 p.m., while stopped at a red light at Flamingo Road near the intersection of Koval Lane in front of the Maxim Hotel, a vehicle occupied by two women pulled up on their right side. Shakur, who was standing up through the sunroof, exchanged words with the two women, and invited them to go to Club 662. Suge was hit in the head by fragmentation, though it is thought that a bullet grazed him. According to Suge, a bullet from the gunfire had been lodged in his skull, but medical reports later contradicted this statement.
At the time of the drive-by Shakur's bodyguard was following behind in a vehicle belonging to Kidada Jones, Shakur's then-fiancée. The bodyguard, Frank Alexander, stated that when he was about to ride along with the rapper in Suge's car, Shakur asked him to drive Kidada Jones' car instead just in case they were too drunk and needed additional vehicles from Club 662 back to the hotel. Shortly after the assault, the bodyguard reported in his documentary, Before I Wake, that one of the convoy's cars drove off after the assailant but he never heard back from the occupants.
After arriving on the scene, police and paramedics took Suge and a mortally wounded Shakur to the University Medical Center. According to an interview with one of Shakur's closest friends the music video director Gobi, while at the hospital, he received news from a Death Row marketing employee that the shooters had called the record label and were sending death threats aimed at Shakur, claiming that they were going there to "finish him off". Upon hearing this, Gobi immediately alerted the Las Vegas police, but the police claimed they were understaffed and no one could be sent.
Despite having been resuscitated in a trauma center and surviving a multitude of surgeries (as well as the removal of a failed right lung), Shakur had gotten through the critical phase of the medical therapy and was given a 50% chance of pulling through.
In support of their claims, Biggie's family submitted documentation to MTV suggesting that he was working in a New York recording studio the night of the drive-by shooting. His manager Wayne Barrow and fellow rapper James "Lil' Cease" Lloyd made public announcements denying Biggie's partaking in the crime and claimed further that they were both with him in the recording studio during the night of the event.
The high profile nature of the killing and ensuing gang violence caught the attention of English filmmaker Nick Broomfield, who made the documentary film Biggie & Tupac which examines the lack of progress in the case by speaking to those close to the two slain rappers and the investigation. Shakur's close childhood friend and member of Outlawz, Yafeu "Yaki Kadafi" Fula, was in the convoy when the drive-by occurred and indicated to police that he might be able to identify the assailants, however, he was shot and killed shortly thereafter in a housing project in Irvington.
A DVD titled was released on October 23, 2007, more than eleven years after Shakur's murder. It explores aspects surrounding the event and provides fresh insights into the cold case with new details about the environment.
On his second record, Shakur continued to rap about the social ills facing African-Americans, with songs like "The Streetz R Deathrow" and "Last Wordz". He also showed his compassionate side with the anthem "Keep Ya Head Up", while simultaneously putting his legendary aggressiveness on display with the title track from the album Strictly 4 My N.I.G.G.A.Z. he added a salute to his former group Digital Underground by including them on the playful track "I Get Around". Throughout his career, an increasingly aggressive attitude can be seen pervading Shakur's subsequent albums.
The contradictory themes of social inequality and injustice, unbridled aggression, compassion, playfulness, and hope all continued to shape Shakur's work, as witnessed with the release of his incendiary 1995 album Me Against the World. In 1996, Shakur released All Eyez on Me. Many of these tracks are considered by many critics to be classics, including "Ambitionz Az a Ridah", "I Ain't Mad at Cha", "California Love", "Life Goes On" and "Picture Me Rollin'".; All Eyez on Me was a change of style from his earlier works. While still containing socially conscious songs and themes, Shakur's album was heavily influenced by party tracks and tended to have a more "feel good" vibe than his first albums. Shakur described it as a celebration of life, and the record was critically and commercially successful.
Shakur is held in high esteem by other MCs – in the book How to Rap, Bishop Lamont notes that Shakur “mastered every element, every aspect” of rapping and Fredro Starr of Onyx says Shakur, "was a master of the flow." "Every rapper who grew up in the Nineties owes something to Tupac," wrote 50 Cent. "He didn't sound like anyone who came before him."
To preserve Shakur's legacy, his mother founded the Shakur Family Foundation (later re-named the Tupac Amaru Shakur Foundation or TASF) in 1997. The TASF's stated mission is to "provide training and support for students who aspire to enhance their creative talents." The TASF sponsors essay contests, charity events, a performing arts day camp for teenagers and undergraduate scholarships. The Foundation officially opened the Tupac Amaru Shakur Center for the Arts (TASCA) in Stone Mountain, Georgia, on June 11, 2005. On November 14, 2003, a documentary about Shakur entitled was released under the supervision of his mother and narrated entirely in his voice. It was nominated for Best Documentary in the 2005 Academy Awards. Proceeds will go to a charity set up by Shakur's mother Afeni. On April 17, 2003, Harvard University co-sponsored an academic symposium entitled "All Eyez on Me: Tupac Shakur and the Search for the Modern Folk Hero." The speakers discussed a wide range of topics dealing with Shakur's impact on everything from entertainment to sociology.
Many of the speakers discussed Shakur's status and public persona, including State University of New York at Buffalo English professor Mark Anthony Neal who gave the talk "Thug Nigga Intellectual: Tupac as Celebrity Gramscian" in which he argued that Shakur was an example of the "organic intellectual" expressing the concerns of a larger group. Professor Neal has also indicated in his writings that the death of Shakur has left a "leadership void amongst hip-hop artists." Neal further describes him as a "walking contradiction", a status that allowed him to "make being an intellectual accessible to ordinary people."
Professor of Communications Murray Forman, of Northeastern University, spoke of the mythical status about Shakur's life and death. He addressed the symbolism and mythology surrounding Shakur's death in his talk entitled "Tupac Shakur: O.G. (Ostensibly Gone)". Among his findings were that Shakur's fans have "succeeded in resurrecting Tupac as an ethereal life force." In "From Thug Life to Legend: Realization of a Black Folk Hero", Professor of Music at Northeastern University, Emmett Price, compared Shakur's public image to that of the trickster-figures of African-American folklore which gave rise to the urban "bad-man" persona of the post-slavery period. He ultimately described Shakur as a "prolific artist" who was "driven by a terrible sense of urgency" in a quest to "unify mind, body, and spirit".
Michael Eric Dyson, University of Pennsylvania Avalon Professor of Humanities and African American Studies and author of the book Holler If You Hear Me: Searching for Tupac Shakur indicated that Shakur "spoke with brilliance and insight as someone who bears witness to the pain of those who would never have his platform. He told the truth, even as he struggled with the fragments of his identity." At one Harvard Conference the theme was Shakur's impact on entertainment, race relations, politics and the "hero/martyr". In late 1997, the University of California, Berkeley offered a student-led course entitled "History 98: Poetry and History of Tupac Shakur."
In late 2003, the Makaveli Branded Clothing line was launched by Afeni. In 2005, Death Row released . The DVD was the final recorded performance of Shakur's career, which took place on July 4, 1996, and features a plethora of Death Row artists. In August 2006, Tupac Shakur Legacy was released. The interactive biography was written by Jamal Joseph. It features unseen family photographs, intimate stories, and over 20 removable reproductions of his handwritten song lyrics, contracts, scripts, poetry, and other personal papers. Shakur's sixth posthumous studio album, Pac's Life, was released on November 21, 2006. It commemorates the 10th anniversary of Shakur's death. He is still considered one of the most popular artists in the music industry .
According to Forbes, in 2008 Shakur's estate made $15 million. In 2002, they recognize him as a Top Earning Dead celebrity coming in on number ten on their list.
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