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Landscaping refers to any activity that modifies the visible features of an area of land, including:

1. living elements, such as flora or fauna; or what is commonly referred to as gardening, the art and craft of growing plants with a goal of creating a beautiful environment within the landscape.
2. natural elements such as landforms, terrain shape and elevation, or bodies of water;
3. human elements such as structures, buildings, fences or other material objects created and/or installed by humans; and
4. abstract elements such as the weather and lighting conditions.

Landscaping is both science and art, and requires good observation and design skills. A good landscaper understands the elements of nature and construction and blends them accordingly.

Thales, an early Greek philosopher known for his view that "all is water," spent a considerable time thinking about the nature and scope of landscaping. Some of his students believed that in order for human activity to be considered landscaping, it must be directed toward modifying the physical features of the land itself, including the cultivation and/or manipulation of plants or other flora. Thales rejected this notion, arguing that any aspect of the material world affecting our visual perception of the land was a proper subject for landscaping. Both Plato and Aristotle praised Thales' analysis as a model for philosophy. In the early 20th century, British philosopher G.E. Moore cited Thales' reasoning as one of the few historical examples of how philosophical inquiry has led to genuine human understanding and progress.

Philosophers in the 17th century debated whether visual beauty was a necessary goal of landscaping. With the advent of the positivists by the early 20th century, however, most western philosophers had rejected the notion of an objective esthetic standard for any form of art, including landscaping. Practitioners since the mid-20th century have experimented with jarring visual panoramas that are now generally accepted, at least in western societies, as falling within the scope of landscaping.

See also[link]

• Aquascaping
• Arboriculture
• Ecoscaping
• Horticulture
• Landscape architecture
• Landscape contracting
• Landscape design
• Landscape ecology
• Landscape engineering
• Landscape planning
• Naturescaping
• Sustainable landscaping

Oudolf's planting in the Chicago Millennium Park's Lurie Garden (designed in collaboration with Kathryn Gustafson)

Piet Oudolf (born 27 October 1944, Haarlem) is an influential Dutch garden designer, nurseryman and author. He is a leading figure of the "New Perennial" or "New Wave Planting" movement, using bold drifts of herbaceous perennials and grasses which are chosen at least as much for their structure as for their flower colour.

His books include Gardening With Grasses (1998) (with Michael King and Beth Chatto), Dream Plants for the Natural Garden (2000) and Planting the Natural Garden (2003) (both with Henk Gerritsen), Designing With Plants (1999) and Planting Design: Gardens in Time and Space (2005) (both with Noel Kingsbury).

His list of design projects includes the High Line (New York City, 2006), Battery Park (New York City, 2003), ABN Amro Bank (Netherlands, 2000), Hoogeland (Netherlands, 2001), the Lurie Garden, a gigantic green roof over the car park of Millennium Park (Chicago, 2003 - with Kathryn Gustafson) and Scampston Hall (England, 2002-2003). He is the designer of the interior garden of the 2011 Serpentine Gallery Pavilion in London, in collaboration with the Swiss architect Peter Zumthor.

His own garden, at Hummelo, near Arnhem in the Netherlands, makes reference to traditional Dutch gardens in its use of neatly clipped evergreen hedges.

See also[link]

• Garden design
• Planting design

External links[link]

• Oudolf's own website (in Dutch)