Vimeo results:
15:54
Identität: Hoffnung I
2011. Identität: Hoffnung I
Idea and director: Ana F. Furelos. Production: Ana F. Furelos...
published: 29 Jan 2012
Author: Ana F. Furelos
Identität: Hoffnung I
2011. Identität: Hoffnung I
Idea and director: Ana F. Furelos. Production: Ana F. Furelos. Duration: 00:15:53. Realization: 2011. Berlin. Languages: no. Master: HD 1920x1080. Formats:. DVD. TV Systems: PAL | NTSC. Soundtrack: Ignatzbee. License: © 2011 Ana F. Furelos & CC BY-NC-ND
Camera: Stephan Talneau . Makeup: Irantzu González . choreography: Maria Stoyanova. Post production: Ana F. Furelos. Thanks: Elisa Balmaceda, Leonardo Villarroel, Rasmus Sievers, Paz López, Eva Balzer, Haus-Projekt Walde.
"Man is an animal suspended in webs of significance he himself has spun, I take culture to be those webs, and the analysis of it to be therefore not an experimental science in search of law but an interpretive one in search of meaning"
Clifford Geertz.
2:18
Identität: Hoffnung I (1 min)
2011. Identität: Hoffnung I
Idea and director: Ana F. Furelos. Production: Ana F. Furelos...
published: 28 Apr 2011
Author: Ana F. Furelos
Identität: Hoffnung I (1 min)
2011. Identität: Hoffnung I
Idea and director: Ana F. Furelos. Production: Ana F. Furelos. Duration: 00:15:53. Realization: 2011. Berlin. Languages: no. Master: HD 1920x1080. Formats:. DVD. TV Systems: PAL | NTSC. Soundtrack: Ignatzbee. License: License: © 2011 Ana F. Furelos & CC BY-NC-ND
Camera: Stephan Talneau . Makeup: Irantzu González . choreography: Maria Stoyanova. Post production: Ana F. Furelos. Thanks: Elisa Balmaceda, Leonardo Villarroel, Rasmus Sievers, Paz López, Eva Balzer, Haus-Projekt Walde.
“El hombre es un animal inserto en tramas de significación que él mismo ha tejido”. “La cultura es esa urdimbre y el análisis de ésta ha de ser por lo tanto, no una ciencia experimental en busca de leyes, sino una ciencia interpretativa en busca de significaciones”. Clifford Geertz.
"Man is an animal suspended in webs of significance he himself has spun, I take culture to be those webs, and the analysis of it to be therefore not an experimental science in search of law but an interpretive one in search of meaning"
Clifford Geertz.
I have not thought about it…
I just see images… A pathway of forks.
Growing larger…
Many forks standing up, static.
Someone in the distance. Closer, feet and hands.
The touch of cold materials.
I carry them on my back.
Fears drag them, mine,
the others´.
Eyes,
gazes,
mine, the others’. Moving eyes, slowly seeking
something.
Trying to observe, to see, to
communicate.
To communicate plenty of
things.
Getting to know who is the
other, through the eyes.
Today,
in the subway,
on the street,
the people have their eyes
fixed nowhere.
And the eyes are the mirror of the soul.
Hands,
I need to touch the people.
Feet,
I need to show what is not usually seen.
Eyes,
I need to communicate myself from soul to soul.
Not There are many people to touch my hands and my feet.
Not There are many people to look me in the eyes.
81:38
Keynote Prof. Jan H.G. Klabbers, KMPC - "Framing Change: Reflection-in-Action"
The 43rd International Simulation and Gaming Association Annual Conference “The Journey of...
published: 02 Aug 2012
Author: we built this game
Keynote Prof. Jan H.G. Klabbers, KMPC - "Framing Change: Reflection-in-Action"
The 43rd International Simulation and Gaming Association Annual Conference “The Journey of Change: Mapping the Process”
Keynote Prof. Jan H.G. Klabbers, KMPC - "Framing Change: Reflection-in-Action"
Lewontin (1968) noted that if order must be created for events to exemplify evolution (change), this suggests that evolution (change) is neither a fact nor a theory, but simply a way to organize knowledge. What occurs is that an observer watches events happening, and imposes on these happenings some preconceptions about order, and this preconception then allows the observer to watch the changing circumstances, compare them, and see whether there is a progression toward orderliness in those portions being observed. If there is, evolution (change) has occurred. Lewontin referred to an objective reality independent of the observer, the observer merely discovering change. The related community of observers describes change and causality in terms of mapping a set of events in another one: a preconception about order. It is a notion of change belonging to the realm of the so-called analytical sciences.
Clifford Geertz (1973) observed that man is an animal suspended in webs of significance he himself has spun. This notion puts the observer back into reality: the observer being a participant in the creation of webs of meaning. Weick refers in this regard to enactment as the only process where an organism directly engages an ‘external’ environment. For example, organizational members play an active role in creating the environments, which then impose on them. This view on organizing and thus on change links organization and its environments in a circular, self-referential loop. In this view, human organizations – in general, social systems - produce and continuously reproduce order. Change results from self-organization. People frame issues to which they subsequently respond. According to Schön (1982) problem framing is a process in which, interactively we name the elements and attributes to which we will pay attention, and frame (enact) the contexts in which we will pay regard to them. One could easily understand problem framing, as a form of playing games to enhance changing existing situations into preferred ones. With this action approach to change we enter the realm of the so-called design sciences, with change being invented or designed.
During my presentation I will elaborate these questions from the perspective of game science and methodology, and their influence on game practice.
http://www.isaga2012.psychology.ro
58:44
NACHMAN OF BRESLAV & CHILDREN WHO HATE part 1, based on likutei moharan lessons 64, 22 & 282
Likutei Moharan lessons 64, 22 & 282 applied to drama therapy, music therapy, and gestalt ...
published: 22 Jun 2012
Author: franklyn wepner
NACHMAN OF BRESLAV & CHILDREN WHO HATE part 1, based on likutei moharan lessons 64, 22 & 282
Likutei Moharan lessons 64, 22 & 282 applied to drama therapy, music therapy, and gestalt therapy work with aggressive children. Using data from a workshop I conducted in 1973 in a special education school in New York City, and which I reported in my article, "The Theory & Practice of Orientation Therapy", which was published in "The Drama Review" in November 1973, edited by Richard Schechner. Originally I interpreted the data from an anthropological point of view, making use of Victor Turner's "The Ritual Process", von Uexkull's phenomenological theory of the "umwelt", and the work of Clifford Geertz. Today, 40 years later, I am re-examining my data from the Jewish Hassidic point of view of Nachman of Bresav. Nachman says, "were they to hear just one of my lessons together with its proper melody and dance, they would reach a state of total transcendence. I mean the whole world, even the animals and plants, everything that exists would be nullified. their very souls would depart from the overwhelming delight they would experience." In LM 64, LM 22 and LM 282 Nachman tells us how to get these results. Applying Nachman's advice to my workshop data here shows how well Nachman's theory explains what actually happened in the workshop.
likutei moharan 64: MAIN IDEAS in relation to ORIENTATION THERAPY
(1)TSIMTSUM AS NEGATION, GOD'S COMPASSION
god created the world due to his compassion
the two types of negation together are the complete dialectic
the complete dialectic is complete fear (jerusalem) and moshe will sing
TSIMTSUM 1
compassion/tsimtsum 1 contracts the light of god to create each thing
creation begins with withdrawing the light: vacated space
deduction as clock time and linear space
x/-x impasse, transgression, as gate
TSIMTSUM 2
compassion/tsimtsum 2 negates the x/-x negations
induction, awareness, subject/object, "chen", creates a world there
atzilut as nearest, strongest gestalt, origin
time as messianic now, place as ascent via circular local motion
these new ideas from the vacated space illuminate dead form, evil, "egypt"
created world as live form, skin is on it and in it
moshe will sing: ascent elevates dead form, vacated space to pure speech
.................................
CWH light already withdrawn, in vacated space, at impasse, stuck in transgression,
excess deduction, stasis, incongruence, frozen symbolizations & orientations
OT projections onto intermediate objects as platonic collection of good points
OT as melody, music, singing of moshe, pure tongue
OT shift from violence to creative aggression as language attacking language
OT as induction, negates the negations
OT as complete concrete dialectic elevates the fallen souls, sparks, shattered vessels,
OT restores flow, equilibrium, balances L/R, subject/object, orientation/symbolization
OT brechtian comments and hindsight as god mocking pharaoh, live form, skin of
grasshopper as garment on it and in it
OT emerging trust as faith encompassing vacated space, moshe will sing
(2) TWO TYPES OF HERESY
BASED ON TSIMTSUM 1
self-interruption of the action, the complete dialectic
interrupting tsimtsum 1 removes limits to emanation, inner seal, enclosure
excess light changes atzilut (nearness) to separation, partitioning
subject/object link of good contact lost
essences, letters of the word reify into habits
due to excess light they compete to be dominant gestalts
this is shattering of the vessels due to excess light
from vessels of the light to magic (designing devices, manipulations)
x/-x extremes derive from x/-x essences, pure ideas, strong gestalts
find the idea, contact points, in each thing
so identification with the two sides restores the higher level gestalt
chen as chiut/nun, chochmah/binah, two birds, contact boundary
restores equilibrium of subject/object, orientation/symbolization
then translation repairs the heresy when moshe will sing
BASED ON TSIMTSUM 2
self-interruption of the C/W process
stuck in excess deduction, alchemical earth, philosophical conundrums
lacking faith that surrendering to the void will be productive
not getting ideas, confluence
jews as ivrim (hebrew: OVRim): induction prevails over deduction
fertile void vs sterile void
.....................................
CWH excess light due to lack of inner seal
shattering of vessels: compartmentalized languages, reified habits
O/S equilibrium as induction encompasses x/-x splits, repairs vessels
(3) MOSHE AS TSADDIK
as tsaddik of the generation, induction
moshe encompasses, elevates x/-x souls stuck in deduction
creation begins by means of the spoken word
letters of the word set the limits, boundaries of each thing, essences, deduction
this is the contact boundary, objective history of essences, letters of the dialectic
but only enough monologue to create the world
excess verbalizing leads to x/-x extremes, impasses
but in the vacated space, impasse, there is no monologue, objective history
moshe tsaddik is "KVaD PeH", tangibility of mou
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