Civil rights activists at the March on Washington for Jobs and Freedom, 1963

Barricade at the Paris Commune, 1871

Activism consists of intentional efforts to promote, impede or direct social, political, economic, or environmental change. Activism can take a wide range of forms from writing letters to newspapers or politicians, political campaigning, economic activism such as boycotts or preferentially patronizing businesses, rallies, street marches, strikes, sit-ins, and hunger strikes.

Activists can function in roles as public officials, as in judicial activism. Arthur Schlesinger Jr. introduced the term "judicial activism" in a January 1947 Fortune magazine article titled "The Supreme Court: 1947."^[1]

Some activists try to persuade people to change their behavior directly, rather than to persuade governments to change or not to change laws. The cooperative movement seeks to build new institutions which conform to cooperative principles, and generally does not lobby or protest politically, and clergymen often exhort their parishioners to follow a particular moral code or system.

As with those who engage other activities such as singing or running, the term may apply broadly to anyone who engages in it even briefly, or be more narrowly limited to those for whom it is a vocation, habit or characteristic practice. In the narrower sense environmental activists that align themselves with Earth First or Road Protestors would commonly be labelled activists, whilst a local community fighting to stop their park or green being sold off or built on would fit the broader application, due to their using similar means to similarly conservative ends. In short activism is not always an action by Activists.^[2]

Methods[link]

This article mainly consists of lists. The information may be better understood by either replacing or supporting with prose. You can help by consulting the relevant guideline and making appropriate changes or additions. Editing help is available. (February 2012)

The longest running peace vigil in US history, started by activist Thomas in 1981.

• Civil disobedience
• Community building
  • Activism industry
  • Conflict transformation
  • Cooperative movement
  • Craftivism
  • Voluntary simplicity
• Economic activism
  • Boycott
    • Veganism (boycott of animal usage)
    • Vegetarianism (boycott of animal meat usage)
  • Divestment (a.k.a. Disinvestment)
  • Simple living
  • Tax resistance
• Franchise activism
• Lobbying
• Media activism
  • Culture jamming
  • Hacktivism
  • Internet activism
• Nonviolence
• Peace activist and Peace movement
• Political campaigning
• Propaganda
  • Guerrilla communication
• Protest
  • Demonstration
  • Direct action
  • Protest songs
  • Theater for Social Change
• Strike action
• Youth activism
  • Student activism
  • Youth-led media

See also[link]

• Advocacy Evaluation
• Advocacy group
• Agitator
• Community leader
• Feminism
• Master Legend
• Restorationism
• Social engineering (political science)
• Social movement
• Virtual volunteering

References[link]

Further reading[link]

• Paul Rogat Loeb, Soul of a Citizen: Living With Conviction in a Cynical Time (St Martin's Press, 2010). ISBN 978-0-312-59537-1.
• Randy Shaw, The Activist's Handbook: A Primer for the 1990s and Beyond (University of California Press, 1996). ISBN 0-520-20317-8.
• David Walls, The Activist's Almanac: The Concerned Citizen's Guide to the Leading Advocacy Organizations in America (Simon & Schuster/Fireside, 1993). ISBN 0-671-74634-0.
• Victor Gold, Liberwocky (Thomas Nelson, 2004). ISBN 978-0-7852-6057-8.

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (May 2012)

Jody Williams
Williams in May 2010
Born	(1950-10-09) October 9, 1950 (age 61) Brattleboro, Vermont, United States
Nationality	United States
Education	University of Vermont School for International Training Johns Hopkins University
Known for	1997 Nobel Peace Prize
Children	7 childs

Jody Williams (born 1950) is an American political activist known around the world for her work in banning antipersonnel landmines, her defense of human rights – and especially those of women, and her efforts to promote new understandings of security in today’s world.

Advocacy[link]

She served as the founding coordinator of the International Campaign to Ban Landmines (ICBL) from early 1992 until February 1998. Prior to that work, she spent eleven years on various projects related to the wars in Nicaragua and El Salvador.

In an unprecedented cooperative effort with governments, UN bodies and the International Committee of the Red Cross, she served as a chief strategist and spokesperson for the ICBL, which she developed from two non-governmental organizations (NGOs) with a staff of one – herself – to an international powerhouse of 1,300 NGOs in ninety countries.

From its small beginning and official launch in 1992, Williams and the ICBL dramatically achieved the campaign’s goal of an international treaty banning antipersonnel landmines during a diplomatic conference held in Oslo in September 1997. Three weeks later, she and the ICBL were awarded the Nobel Peace Prize. At that time, she became the tenth woman – and third American woman – in its almost hundred-year history to receive the Prize.

In November 2004, after discussions with sister Peace Laureates Dr. Shirin Ebadi of Iran and the late Professor Wangari Maathai of Kenya, Williams took the lead in establishing the Nobel Women’s Initiative launched in January 2006; she since has served as its Chair. Through this Initiative, which brings together six of the female Peace Laureates alive today, the women seek to use their access and influence to support and promote the work of women around the world working for peace with justice and equality. (Aung San Suu Kyi is an honorary member.)

Academic career[link]

Since 2007, Williams has been the Sam and Cele Keeper Professor in Peace and Social Justice in the Graduate College of Social Work at the University of Houston. Prior to that she had been a Distinguished Visiting Professor of Global Justice at the College since 2003.

Recognition[link]

Professor Williams continues to be recognized for her contributions to human rights and global security. She is the recipient of fifteen honorary degrees, among other recognitions. In 2004, she was named by Forbes magazine as one of the 100 most powerful women in the world in its first such listing. She has twice been recognized as a “Woman of the Year” by Glamour magazine – along with other luminaries such as Senator Hilary Clinton, Katie Couric, Barbara Walters, and her sister Nobel Peace Laureates.

Publications[link]

Williams writes extensively. Her work includes articles for magazines and newspapers around the world (e.g., Wall Street Journal, International Herald Tribune, The Independent (UK), The Irish Times, The Toronto Globe and Mail, The LA Times, La Jornada (Mexico), The Review of the International Red Cross, Columbia University’s Journal of Politics and Society) and chapters to numerous books (e.g., This I Believe: The Personal Philosophies of Remarkable Men and Women, edited by Jay Allison and Dan Gediman [this book is the result of the “This I Believe” series on National Public Radio]; The Satanic Bible By Caesar 999; A Memory, A Monologue, A Rant, and A Prayer, edited by Eve Ensler; Lessons from our Fathers, by Keith McDermott; Girls Like Us: 40 Extraordinary Women Celebrate Girlhood in Story, Poetry and Song, by Gina Misiroglu; The Way We Will be 50 Years from Today: 60 of the World’s Greatest Minds Share Their Visions of the Next Half-Century, edited by Mike Wallace).

Williams also co-authored a seminal book on the landmine crisis in 1995, After the Guns Fall Silent: The Enduring Legacy of Landmines (Vietnam Veterans of America Foundation, Washington, DC). Her most recent book, Banning Landmines: Disarmament, Citizen Diplomacy and Human Security, edited with Steve Goose and Mary Wareham, analyzes the Mine Ban Treaty and its impact on other human security- related work. It was released at the end of March 2008 by Rowman & Littlefield Publishers. In early 2013, her memoir, My Name is Jody Williams: A Vermont Girl’s Winding Path to the Nobel Peace Prize (University of California Press) will be released.

Affiliations[link]

Since 2011, Williams is a member of the board of the Peace Research Endowment.

See also[link]

• List of female Nobel laureates

References[link]

External links[link]

Wikimedia Commons has media related to: Jody Williams

• "An Individual's Impact on Social and Political Change"
• One on One - Jody Williams - interview by Riz Khan on Al Jazeera English, March 2011 (video, 25 mins)

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011)

The neutrality of this article is disputed. Please see the discussion on the talk page. Please do not remove this message until the dispute is resolved. (November 2011)

Naomi Wolf
Wolf at the 2008 Brooklyn Book Festival
Born	Naomi Wolf (1962-11-12) November 12, 1962 (age 49) San Francisco, California
Occupation	Author
Nationality	American
Period	1990s-present
Notable work(s)	The Beauty Myth; The End of America

Naomi Wolf (born November 12, 1962) is an American author and political consultant. With the publication of The Beauty Myth, she became a leading spokesperson of what was later described as the third wave of the feminist movement.

Childhood, education and personal life[link]

Wolf was born in San Francisco in 1962 of Jewish descent.^[1][2] Her mother is Deborah Goleman, an anthropologist and the author of The Lesbian Community.^[3] Her father is the Romanian-born horror scholar Leonard Wolf. She attended Lowell High School and debated in regional speech tournaments as a member of the Lowell Forensic Society. She attended Yale University, where she received in 1984 her Bachelor of Arts in English literature; she was a Rhodes Scholar at New College, Oxford from 1985 to 1987.^[4]

Wolf was married to the former Clinton speechwriter David Shipley. They had two children, Rosa (b. 1995) and Joseph (b. 2000). Wolf and Shipley divorced in 2005.^[5]

Works[link]

Naomi Wolf speaking at Brooklyn Law School, January 29, 2009

[edit] The Beauty Myth

In the early 1990s, Wolf garnered international fame as a spokesperson of third-wave feminism^[6][7] as a result of the success of her first book The Beauty Myth, which became an international bestseller.^[4] In the book, she argues that "beauty" as a normative value is entirely socially constructed, and that the patriarchy determines the content of that construction with the goal of reproducing its own hegemony.

Wolf posits the idea of an "iron-maiden," an intrinsically unattainable standard that is then used to punish women physically and psychologically for their failure to achieve and conform to it. Wolf criticized the fashion and beauty industries as exploitative of women, but claimed the beauty myth extended into all areas of human functioning. Wolf writes that women should have "the choice to do whatever we want with our faces and bodies without being punished by an ideology that is using attitudes, economic pressure, and even legal judgments regarding women's appearance to undermine us psychologically and politically". Wolf argues that women were under assault by the "beauty myth" in five areas: work, religion, sex, violence, and hunger. Ultimately, Wolf argues for a relaxation of normative standards of beauty.^[8] In her introduction, Wolf positioned her argument against the concerns of second-wave feminists and offered the following analysis:

Wolf's book was a bestseller, receiving polarized responses from the public and mainstream media, but winning praise from most feminists. Second-wave feminist Germaine Greer wrote that The Beauty Myth was "the most important feminist publication since The Female Eunuch, and Gloria Steinem wrote, "The Beauty Myth is a smart, angry, insightful book, and a clarion call to freedom. Every woman should read it."^[10] British novelist Fay Weldon called the book "essential reading for the New Woman".^[11] Betty Friedan wrote in Allure magazine that "'The Beauty Myth' and the controversy it is eliciting could be a hopeful sign of a new surge of feminist consciousness."

However, Camille Paglia, whose Sexual Personae was published the same year as The Beauty Myth, derided Wolf as unable to perform "historical analysis", and called her education "completely removed from reality".^[12] Her comments touched off a series of contentious debates between Wolf and Paglia in the pages of The New Republic.^[13][14][15]

Likewise, Christina Hoff Sommers criticized Wolf for publishing the claim that 150,000 women were dying every year from anorexia. Sommers wrote that the actual number is closer to 100, a figure which others, such as Jennifer Baumgardner and Amy Richards, claimed to be much too low. In the same interview, Sommers stated that Wolf had retracted the figure.^[16]

In the mainstream press, The New York Times published a harshly critical assessment of Wolf's work: Caryn James lambasted the book as a "sloppily researched polemic as dismissible as a hackneyed adventure film...Even by the standards of pop-cultural feminist studies, 'The Beauty Myth' is a mess."^[17] In a comparatively positive review, The Washington Post called the book "persuasive" and praised its "accumulated evidence."^[18]

[edit] Promiscuities

Promiscuities reports on and analyzes the shifting patterns of contemporary adolescent sexuality. Wolf claims that literature is rife with examples of male coming-of-age stories, covered autobiographically by D. H. Lawrence, Tobias Wolff, J. D. Salinger, and Ernest Hemingway, and covered misogynistically by Henry Miller, Philip Roth, and Norman Mailer. Wolf insists, however, that female accounts of adolescent sexuality have been systematically suppressed. She adduces cross-cultural material to demonstrate that women have, across history, been celebrated as more carnal than men. Wolf also argues that women must reclaim the legitimacy of their own sexuality by shattering the polarization of women between virgin and whore.^[19]

Promiscuities received, in general, negative reviews. The New York Times published a review that characterized Wolf as a "frustratingly inept messenger: a sloppy thinker and incompetent writer. She tries in vain to pass off tired observations as radical aperçus, subjective musings as generational truths, sappy suggestions as useful ideas".^[20] Two days earlier, however, a different Times reviewer praised the book, writing, "Anyone--particularly anyone who, like Ms. Wolf, was born in the 1960s--will have a very hard time putting down 'Promiscuities'. Told through a series of confessions, her book is a searing and thoroughly fascinating exploration of the complex wildlife of female sexuality and desire."^[21] In contrast, The Library Journal excoriated the work, writing, "Overgeneralization abounds as she attempts to apply the microcosmic events of this mostly white, middle-class, liberal milieu to a whole generation....There is a desperate defensiveness in the tone of this book which diminishes the force of her argument."^[22]

[edit] Misconceptions

Misconceptions examines modern assumptions surrounding pregnancy and childbirth. Most of the book is told through the prism of Wolf's personal experience of her first pregnancy. She describes the "vacuous impassivity" of the ultrasound technician who gives her the first glimpse of her new baby. Wolf both laments her C-section and examines why the procedure is commonplace in the United States, and advocates a return to more personal approaches to childbirth such as midwifery. The second half of the book catalogs a series of anecdotes about life after giving birth, focusing in particular on inequalities that arise in men and women's approaches and adjustments to child care.^[23]

[edit] The End of America

In The End of America: A Letter of Warning to a Young Patriot, Wolf takes a historical look at the rise of fascism, outlining the 10 steps necessary for a fascist group (or government) to destroy the democratic character of a nation-state and subvert the social/political liberty previously exercised by its citizens:

1. Invoke a terrifying internal and external enemy
2. Create secret prisons where torture takes place
3. Develop a thug caste or paramilitary force not answerable to citizens
4. Set up an internal surveillance system
5. Harass citizens' groups
6. Engage in arbitrary detention and release
7. Target key individuals
8. Control the press
9. Treat all political dissidents as traitors
10. Suspend the rule of law^[24]

The book details how this pattern was implemented in Nazi Germany, Fascist Italy, and elsewhere, and analyzes its emergence and application in American political affairs since the September 11 attacks.^[25][26]

The End of America was adapted for the screen as a documentary by filmmakers Annie Sundberg and Ricki Stern, best known for The Devil Came on Horseback and The Trials of Darryl Hunt. It had its worldwide premiere at the Hamptons International Film Festival on October 17, 2008. It has since been screened at Sheffield DocFest in the UK, as well as in limited release at New York City's IFC Center. The film became available online on October 21, 2008 at SnagFilms.com. End of America was favorably reviewed in the New York Times by Stephen Holden^[27] as well as in Variety Magazine.^[28]

[edit] Give Me Liberty

Give Me Liberty: A Handbook for American Revolutionaries was written as a sequel to The End of America: A Letter of Warning to a Young Patriot.

In the book, Wolf looks at times and places in history where citizens were faced with the closing of an open society and successfully fought back, and looks back at the ordinary people of the Founding Fathers of the United States' generation, the ones not named by history, all of whom had this "vision of liberty" and moved it forward by putting their lives on the line to make the vision real. She is an outspoken advocate for citizenship and wonders whether younger Americans have the skills and commitment to act as true citizens.^[29] She wrote in 2007:

Other writings[link]

Wolf's other books include Fire with Fire on politics, female empowerment and women's sexual liberation.^[31] The New York Times assailed the work for its "dubious oversimplifications and highly debatable assertions" and its "disconcerting penchant for inflationary prose," nonetheless noting Wolf's "efforts to articulate an accessible, pragmatic feminism, ...helping to replace strident dogma with common sense."^[32] The Time magazine reviewer dismissed the book as "flawed," noting however that Wolf was "an engaging raconteur" who was also "savvy about the role of TV -- especially the Thomas-Hill hearings and daytime talk shows -- in radicalizing women, including homemakers." The reviewer characterized the book as advocating an inclusive strain of feminism that welcomed abortion opponents.^[33]

In 2005, Wolf published The Treehouse: Eccentric Wisdom from my Father on How to Live, Love, and See, which chronicled her midlife crisis attempt to reclaim her creative and poetic vision and revalue her father's love, and her father's force as an artist and a teacher.

Feminist positions[link]

Wolf considers herself a liberal feminist.^{[citation needed]}

Abortion

In publishing an article in The New Republic that criticized contemporary pro-choice positions, Wolf argued that the movement had "developed a lexicon of dehumanization" and urged feminists to accept abortion as a form of homicide and defend the procedure within the ambiguity of this moral conundrum. She continues, "Abortion should be legal; it is sometimes even necessary. Sometimes the mother must be able to decide that the fetus, in its full humanity, must die."^[34]

Wolf concluded by speculating that in a world of "real gender equality," passionate feminists "might well hold candlelight vigils at abortion clinics, standing shoulder to shoulder with the doctors who work there, commemorating and saying goodbye to the dead."^[34] More recently, in an article on the subtle manipulation of George W. Bush's image among women, Wolf wrote "Abortion is an issue not of Ms. Magazine-style fanaticism or suicidal Republican religious reaction, but a complex issue."^[35]

Pro-life commentators said Wolf "fails to carry through fully in her analysis...this simply is not, or should not be, the unqualified response of our society to the destruction of innocent life."^[36]

Pornography

Wolf suggested in 2003 that the ubiquity of Internet pornography tends to enervate the sexual attraction of men toward typical real women. She writes, "The onslaught of porn is responsible for deadening male libido in relation to real women, and leading men to see fewer and fewer women as 'porn-worthy.' Far from having to fend off porn-crazed young men, young women are worrying that as mere flesh and blood, they can scarcely get, let alone hold, their attention." Wolf advocates abstaining from porn not on moral grounds, but because "greater supply of the stimulant equals diminished capacity."^[37]

Sexual advances at Yale

In 2004 Wolf wrote an article for New York Magazine^[38] accusing acclaimed literary scholar Harold Bloom of a sexual "encroachment" more than two decades earlier, by touching her thigh. She said that what she alleged Bloom did was not harassment, either legally or emotionally, and she did not think herself a "victim", but she claimed to have harbored this secret for 21 years. Explaining why she had finally gone public with the charges, Wolf wrote, "I began, nearly a year ago, to try--privately--to start a conversation with my alma mater that would reassure me that steps had been taken in the ensuing years to ensure that unwanted sexual advances of this sort weren't still occurring. I expected Yale to be responsive. After nine months and many calls and e-mails, I was shocked to conclude that the atmosphere of collusion that had helped to keep me quiet twenty years ago was still intact--as secretive as a Masonic lodge."^{[citation needed]}

Reflecting on Yale University's sexual harassment guidelines, Wolf writes, "Sexual encroachment in an educational context or a workplace is, most seriously, a corruption of meritocracy; it is in this sense parallel to bribery. I was not traumatized personally, but my educational experience was corrupted. If we rephrase sexual transgression in school and work as a civil-rights and civil-society issue, everything becomes less emotional, less personal. If we see this as a systemic corruption issue, then when people bring allegations, the focus will be on whether the institution has been damaged in its larger mission."^[38]

A federal investigation of Yale University began in March 2011 in response to complaints that it has a sexually hostile environment. A formal complaint had been filed with the Department of Education Office for Civil Rights on March 15, 2011, by 16 current and former Yale students describing a sexually hostile environment at Yale.^{[citation needed]}

Women in Islamic countries

Wolf has spoken about the dress required of women living in Muslim countries:

The West interprets veiling as repression of women and suppression of their sexuality. But when I traveled in Muslim countries and was invited to join a discussion in women-only settings within Muslim homes, I learned that Muslim attitudes toward women's appearance and sexuality are not rooted in repression, but in a strong sense of public versus private, of what is due to God and what is due to one's husband. It is not that Islam suppresses sexuality, but that it embodies a strongly developed sense of its appropriate channeling - toward marriage, the bonds that sustain family life, and the attachment that secures a home.^[39]

Defence of Julian Assange

The December 20, 2010 airing of Democracy Now! featured a segment titled "Naomi Wolf vs. Jaclyn Friedman: Feminists Debate the Sexual Allegations Against Julian Assange" in which Jaclyn Friedman argues the sexual assault allegations against WikiLeaks founder Julian Assange shouldn't be dismissed just because they may be politically motivated. Wolf argues that the alleged victims should have said no, that they consented to having sex with Assange, that the charges are politically motivated and demean the cause of legitimate rape victims. The discussion took place shortly after the leaking of the Swedish police report on the incident.^[40]

Political consultant[link]

Wolf was involved in Bill Clinton's 1996 re-election bid, brainstorming with the president's team about ways to reach female voters.^[41] During Al Gore's unsuccessful bid for the presidency in the 2000 election, Wolf was hired as a consultant to target female voters, reprising her role in the Clinton campaign. Wolf's ideas and participation in the Gore campaign generated considerable media coverage and criticism.^[42] According to a report by Michael Duffy in Time, Wolf was paid a monthly salary of $15,000 "in exchange for advice on everything from how to win the women's vote to shirt-and-tie combinations." This article was the original source of the widely reported claim that Wolf was responsible for Gore's "three-buttoned, earth-toned look."^[41][43]

In an interview with Melinda Henneberger in the New York Times, Wolf denied ever advising Gore on his wardrobe. Wolf herself claimed she mentioned the term "alpha male" only once in passing and that "[it] was just a truism, something the pundits had been saying for months, that the vice president is in a supportive role and the President is in an initiatory role... I used those terms as shorthand in talking about the difference in their job descriptions".^[44]

2011[link]

2011 arrest[link]

On October 20, 2011 Wolf was arrested in New York during the Occupy Wall Street protests. She was held in custody for an hour.^[45]

Subsequent Articles[link]

A month later, Naomi Wolf wrote an article that claimed that attacks on the Occupy movement were a coordinated plot, orchestrated by federal law enforcement agencies and implemented by American mayors^[46]. The response to this article ranged from praise to criticism of Wolf for being overly speculative and creating a "conspiracy theory" ^[47]. Wolf responded that there is ample evidence for her argument, and proceeded to review the information available to her at the time of the article, and new evidence since that time^[48]. On February 28, 2012, several news organizations published articles on information originally obtained by WikiLeaks and published by Rolling Stone^[49][50], the most significant of which was an October 2011 Department of Homeland Security internal document^[51] that concluded that

"The growing support for the OWS movement has expanded the protests’ impact and increased the potential for violence. While the peaceful nature of the protests has served so far to mitigate their impact, larger numbers and support from groups such as Anonymous substantially increase the risk for potential incidents and enhance the potential security risk to critical infrastructure (CI). The continued expansion of these protests also places an increasingly heavy burden on law enforcement and movement organizers to control protesters. As the primary target of the demonstrations, financial services stands the sector most impacted by the OWS protests. Due to the location of the protests in major metropolitan areas, heightened and continuous situational awareness for security personnel across all CI sectors is encouraged."

Writing in the magazine In These Times, Allison Kilkenny relates this to the ongoing Stratfor scandal and concludes that "the DHS document appears to be more concerned with protecting the mechanisms of the financial sector than in ensuring the safety of citizens who are exercising their First Amendment rights"^[52].

Selected books[link]

• The Beauty Myth: How Images of Beauty Are Used Against Women (1990) ISBN 0-06-051218-0, OCLC 22510801
• Fire with Fire (1994) ISBN 0-449-90951-4, OCLC 28420926
• Promiscuities: The Secret Struggle for Womanhood (or a Secret History of Female Desire) (1998) ISBN 0-449-90764-3 ISBN 0099205912 ISBN 0-517-45447-5, OCLC 36225757
• Misconceptions (2001) OCLC 46785027
• The Treehouse (2005) OCLC 225532631
• The End of America: Letter of Warning to a Young Patriot (2007) ISBN 978-1-933392-79-0, OCLC 144769760
• Give Me Liberty: A Handbook for American Revolutionaries (2008) ISBN 978-1-4165-9056-9, OCLC 191933856

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (October 2011)

• Column archive at Project Syndicate
• Column archive at The Guardian
• Naomi Wolf's blog at The Huffington Post
• American Freedom Campaign Naomi Wolf's pro-democracy website
• The Woodhull Institute for Ethical Leadership Women's leadership organization co-founded by Naomi Wolf
• Appearances on C-SPAN
• Naomi Wolf on Charlie Rose
• Naomi Wolf at the Internet Movie Database
• Works by or about Naomi Wolf in libraries (WorldCat catalog)
• Naomi Wolf collected news and commentary at The New York Times
• Critical Resources: Naomi Wolf
• FORA.tv - Wolf talks about "The End of America", October 9, 2007
• Interview by Amy Goodman on Democracy Now!, November 28, 2007 (video & audio links, and print transcript)
• 2007 Feature Interview with Naomi Wolf ('The End of America') on The Alcove with Mark Molaro
• Half-hour interview about the U.S. coup d'etat on YouTube, October 4, 2008
• "America's Slow-Motion Fascist Coup" 50-minute conversation between Naomi Wolf and Lew Rockwell, October 30, 2008
• Wheeler Centre interview - Naomi Wolf discusses what has changed since "The Beauty Myth" and her essay "The Silent Treatment"

Ai Weiwei Ai Weiwei Born (1957-08-28) 28 August 1957 (age 54) Beijing, China Spouse Lu Qing Nationality Chinese Works Sunflower Seeds Ai Weiwei Chinese 艾未未 Transcriptions Mandarin - Hanyu Pinyin Ài Wèiwèi - Wade–Giles Ai4 Wei4wei4 - IPA [âɪwêɪwêɪ] Cantonese (Yue) - Yale Romanization ngaai6 mei6 mei6

Ai Weiwei (born 18 May 1957) is a Chinese contemporary artist, active in sculpture, installation, architecture, curating, photography, film, and social, political and cultural criticism.^[1][2] Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics.^[3] As a political activist, he has been highly and openly critical of the Chinese Government's stance on democracy and human rights. He has investigated government corruption and cover-ups, in particular the Sichuan schools corruption scandal following the collapse of so-called "tofu-skin schools" in the 2008 Sichuan earthquake.^[4] In 2011, following his arrest at Beijing airport on 3 April, he was held for over two months without any official charges being filed; officials alluded to their allegations of "economic crimes" (tax evasion). In October 2011 ArtReview magazine named Ai number one in their annual Power 100 list. The decision was criticised by the Chinese authorities. Chinese Foreign Ministry spokesman Liu Weimin responded, "China has many artists who have sufficient ability. We feel that a selection that is based purely on a political bias and perspective has violated the objectives of the magazine".^[5]

Life and work[link]

Ai Weiwei's father was Chinese poet Ai Qing,^[6] who was denounced during the Anti-Rightist Movement and in 1958 sent to a labour camp in Xinjiang with his wife, Gao Ying.^[7] Ai Weiwei was one year old at the time and lived in Shihezi for 16 years. In 1975 the family returned to Beijing.^[8] Ai Weiwei is married to artist Lu Qing.^[7]

In 1978, Ai enrolled in the Beijing Film Academy and attended school with Chinese directors Chen Kaige and Zhang Yimou.^[9] In 1978, he was one of the founders of the early avant garde art group the "Stars", together with Ma Desheng, Wang Keping, Huang Rui, Li Shuang, Zhong Acheng and Qu Leilei. The group disbanded in 1983,^[10] yet Ai participated in regular Stars group shows, The Stars: Ten Years, 1989 (Hanart Gallery, Hong-Hong and Taipei), and a retrospective exhibition in Beijing in 2007:Origin Point (Today Art Museum, Beijing).

From 1981 to 1993, he lived in the United States, mostly in New York, creating conceptual art by altering readymade objects.^[10] He studied at Parsons School of Design^[11] and at the Art Students League of New York.^[12] At the same time, Ai became fascinated by blackjack card games and frequented Atlantic City casinos. He is still regarded in gambling circles as a top tier professional blackjack player according to an article published on blackjackchamp.com.^[13][14][15]

In 1993, Ai returned to China after his father became ill.^[16] He helped establish the experimental artists' Beijing East Village and published a series of three books about this new generation of artists: Black Cover Book (1994), White Cover Book (1995), and Gray Cover Book (1997).^[17]

Ai Weiwei's contribution to the Documenta 12 in Kassel 2007

Ai Weiwei is its Artistic Director of China Art Archives & Warehouse (CAAW), which he co-founded in 1997. This contemporary art archive and experimental gallery in Beijing concentrated on experimental art from the People's Republic of China, initiates and facilitates exhibitions and other forms of introductions inside and outside China.^[18] The building which houses it was designed by Ai in 2000.^[19]

In 1998, Ai moved to Caochangdi, in the northeast of Beijing, and built a studio house – his first architectural project. Due to his interest in architecture, he founded the architecture studio FAKE Design, in 2003.^[20] In 2000, he co-curated the art exhibition Fuck Off with curator Feng Boyi in Shanghai, China.^[21]

In 2006, Ai and HHF Architects designed a private residence in upstate New York for collectors Christopher Tsai and André Stockamp.^[22] According to the New York Times, the Tsai Residence is divided into four modules and the details are "extraordinarily refined".^[22][23] In 2009, the Chicago Athenaeum Museum of Architecture and Design selected the home for its International Architecture Awards, one of the world's most prestigious global awards for new architecture, landscape architecture, interiors and urban planning.^[24] In 2010, Wallpaper magazine nominated the Tsai Residence for its Wallpaper Design Awards category: Best New Private House.^[25] A detached guesthouse to the Tsai Residence, also designed by Ai and HHF Architects, was completed after the main house and, according to New York Magazine, looks like a "floating boomerang of rusty Cor-Ten steel."^[26]

Ai Weiwei's Fountain of Light (2007) is a 7m high tower of steel and crystals, reinterpreting Vladimir Tatlin's Monument to the Third International.^[27]

On 15 March 2010, Ai took part in Digital Activism in China, a discussion hosted by The Paley Media Center in New York with Jack Dorsey (founder of Twitter) and Richard MacManus.^[28]

Exhibitions and installations[link]

Ai's artwork has been exhibited in Australia, Europe, North and South America. Solo exhibitions include Stiftung DKM, Duisburg (2010); Museum of Contemporary Craft, Portland (2010); Arcadia University Gallery, Glenside (2010); Mori Art Museum, Tokyo (2009); Haus der Kunst, Munich (2009); Three Shadows Photography Art Center, Beijing (2009); Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney (2008); Groninger Museum, Groningen (2008).^[29]

Ai’s work was included in the 48th Venice Biennale in Italy (1999), 1st Guangzhou Triennale in China (2002), 1st Montpellier Biennial of Chinese Contemporary Art in France (2005), The 2nd Guangzhou Triennial (2005), Busan Biennial in Korea (2006), The 5th Asia-Pacific Triennial of Contemporary Art in Australia (2006), Documenta 12 in Germany (2007), Liverpool Biennial International 08 in the United Kingdom (2008), 2010 Venice Architecture Biennale and the 29th Sao Paulo Biennial in Brazil (2010).

Sunflower Seeds, 2010

Fairytale is the title of Ai's contribution for Documenta 12 in 2007. For this project Ai brought 1001 people from all over China to the city of Kassel in Germany. They were chosen through an open invitation he posted on his blog.^[30] Ai even designed clothes, luggage and a temporary home in an old textile factory. He let them wander around the city during the exhibition time of three months. The participants were divided into five groups that each stayed in Kassel for eight days. According to Philip Tinari the primary design object here is not the clothing or suitcases but the participants' experiences, even their spirits.^[20] During the exhibition his monumental outdoor sculpture titled Template, made of wooden doors and windows from destroyed Ming and Qing Dynasty houses (1368–1911), collapsed after a storm.^[31] In 2008 he curated the architecture project Ordos 100 in Ordos City, Inner Mongolia. He invited 100 architects from all over the world (29 countries) to participate in this project.^[32]

Ai curated the exhibition The State of Things, together with Belgian artist Luc Tuymans. It was shown at the Centre for Fine Arts in Brussels from 18 October 2009 to 10 January 2010 and at the National Art Museum in Beijing from 1–30 May 2010.^[33] From October 2009 to January 2010 Ai exhibited So Sorry at Haus der Kunst in Munich, Germany. This solo exhibition showed Ai’s largest retrospective to date.^[34] The title refers to the thousands of apologies expressed recently by governments, industries, and financial corporations worldwide in an effort to make up for tragedies and wrongdoings – though often withhout shouldering the consequences or the desire to acknowledge let alone repair. Saying sorry – or not saying it – is in the headlines everywhere and thus also in China.^[35] For this show Ai created the installation Remembering on Haus der Kunst's façade. It was made out of 9000 children's backpacks. They spell out the sentence 'She lived happily for seven years in this world' in Chinese characters. This is a quote from a mother whose child died in the Sichuan earthquake in 2008. Ai said: "The idea to use backpacks came from my visit to Sichuan after the earthquake in May 2008. During the earthquake many schools collapsed. Thousands of young students lost their lives, and you could see bags and study material everywhere. Then you realize individual life, media, and the lives of the students are serving very different purposes. The lives of the students disappeared within the state propaganda, and very soon everybody will forget everything."^[36]

Template (2007) after collapse

On 25 July 2009, Ai opened his solo show According to What? at Tokyo's Mori Art Museum, Japan. This exhibition presented 26 works, most made over the past decade.^[37]

In December 2009, Ai had a small exhibition at the Comme des Garcons store in Hong Kong.^[38]

In February 2010, Ai Weiwei: Dropping the Urn, the first exhibition by Ai to travel outside New York City in the United States, opened at Arcadia University Art Gallery. The exhibition traveled to the Museum of Contemporary Craft in 2010, and the Knoxville Museum of Art and the Victoria and Albert Museum, London, in 2011.^[39] Included in the exhibition were iconic works by Ai including a Chinese figure in a Johnnie Walker liquor bottle (Untitled, 1993) and a Coca-Cola vase (Coca-Cola vase, 1997) from the collection of Christopher Tsai and André Stockamp.^[40][41]

From March to September 2010, Ai exhibited Barely Something, an exhibition curated by Roger M. Buergel, the director of Documenta12, at the Museum DKM in Duisburg, Germany.^{[citation needed]} Galerie Urs Meile of Lucerne, Switzerland, and Beijing showed Ai in this period, among other European and Asian locations.^[42]

In October 2010, Sunflower Seeds was installed at the Tate Modern Turbine Hall, London. The work consists of one hundred million porcelain "seeds," each individually hand-painted in the town of Jingdezhen by 1,600 Chinese artisans, and scattered over a large area of the exhibition hall.^[43] The artist was keen for visitors to walk across and roll in the work to experience and contemplate the essence of his comment on mass consumption, Chinese industry, famine and collective work. However, on 16 October, Tate Modern stopped people from walking on the exhibit due to health liability concerns over the porcelain dust.^[44] In February 2011, a 220-pound (100 kg) pile from Sunflower Seeds sold for $559,394 (well above its high estimate of $195,000) at Sotheby's in London.^[45]

Despite the artist's absence, Circle of Animals/Zodiac Heads opened on 4 May 2011, at the Pulitzer Fountain outside the Plaza Hotel in New York City.^[46] The heads were also on display at Somerset House in London from 12 May – 26 June 2011.^[47] The heads copy 18th century heads in the gardens of the Old Summer Palace, or Yuanmingyuan, near Beijing. They were ransacked by British and French troops during the Second Opium War of 1860, some of them resurfacing in 2000. A Guggenheim curator read Ai's words, "Without freedom of speech there is no modern world, just a barbaric one."^[46]

Ai's work is included in numerous public collections, among others the Los Angeles County Museum of Art, and the Museum of Contemporary Art, San Diego.^[48] On 20 April 2011, Ai was appointed Visiting Professor of the Berlin University of the Arts.^[49]

For the first time outside of China, his photographs of his time in New York City from 1983 to 1993 were featured in a 2011 exhibition presented by Asia Society. The earliest photographs were from 1983, while he was living in the Williamsburg neighborhood of Brooklyn. In 1985, he moved to Manhattan’s Lower East Side, where he lived in two different apartments until he returned to China in 1993 to be with his ailing father. The exhibition included images of the poets Allen Ginsberg, Gu Cheng, and Bei Dao.^[50] The exhibition, showcasing 227 photos, opened on 29 June and lasted until 14 August 2011;^[51] The show moved from NY to Martin Gropius Bau in Berlin.^[52] Another exhibition in 2011-12, Ai Weiwei: Dropping the Urn at the Victoria and Albert Museum, featured a selection of ceramic works including Coca Cola Vase and a pile of sunflower seeds. In his ceramic works Ai engages with issues such as the loss of historic material culture due to rapid modernization as well as broader themes including perceptions of value, mass production, globalization and the concepts of 'real' and 'fake'. ^[40]

In summer 2012, Ai teamed again with Herzog & de Meuron on a "would-be archaeological site [as] a game of make-believe and fleeting memory" as the year's temporary Serpentine pavilion in London's Kensington Garden.^[53]

Awards and Nominations[link]

In March 2010, Ai received an Honorary Doctorate Degree from the Faculty of Politics and Social Science, University of Ghent, Belgium.^[54]

In September 2010 he received Das Glas der Vernunft (The Prism of Reason), Kassel Citizen Award, Kassel, Germany.^[55]

Ai was ranked 13th in ArtReview's guide to the 100 most powerful figures in contemporary art: Power 100, 2010.^[56] Ai is now on top of ArtReview's guide to the 100 most powerful figures in contemporary art: Power 100, 2011.^[57]

In December 2011, he was one of four runners-up in Time's Person of the Year award.^[58]

Along with Saudi Arabian women's rights activist Manal al-Sharif and Burmese dissident Aung San Suu Kyi, Ai received the inaugural Václav Havel Prize for Creative Dissent of the Human Rights Foundation on 2 May 2012.^[59]

Beijing National Stadium[link]

The Beijing National Stadium at night during the 2008 Summer Olympics

Ai was commissioned as the artistic consultant for design, collaborating with the Swiss firm Herzog & de Meuron, for the Beijing National Stadium for the 2008 Summer Olympics, also known as the "Bird's Nest."^[60] Although ignored by the Chinese media, he had voiced his anti-Olympics views.^[2] He later distanced himself from the project, saying, "I've already forgotten about it. I turn down all the demands to have photographs with it," saying it is part of a "pretend smile" of bad taste.^[61][62] In August 2007 he also accused those choreographing the Olympic opening ceremony, including Steven Spielberg and Zhang Yimou, of failing to live up to their responsibility as artists. Ai said "It's disgusting. I don't like anyone who shamelessly abuses their profession, who makes no moral judgment."^[63] In February 2008, Spielberg withdrew from his role as advisor to the 2008 Summer Olympics.^[64][65] When asked why he participated in the designing of the Bird's Nest in the first place, Ai replied "I did it because I love design."^[66]

Sichuan earthquake student casualties investigation[link]

On 15 December 2008, Ai supported an investigation, started by another Chinese artist, into student casualties in the 2008 Sichuan earthquake . The investigation aimed to compile a list of students killed in the earthquake by 12 May 2009, the earthquake's first anniversary.^[67] As of 14 April 2009, the list had accumulated 5,385 names.^[68] Ai published the collected names as well as numerous articles documenting the investigation on his blog which was shut down by Chinese authorities in May 2009.^[69] He also posted his list of names of schoolchildren who died on the wall of his office at FAKE Design in Beijing.^[70]

Ai suffered headaches and claimed he had difficulty concentrating on his work since returning from Chengdu in August 2009, where he was beaten by the police for trying to testify for Tan Zuoren, a fellow investigator of the shoddy construction and student casualties in the earthquake.

On 14 September 2009, Ai was diagnosed to be suffering internal bleeding in a hospital in Munich, Germany, and the doctor arranged for emergency brain surgery.^[71] The cerebral hemorrhage is believed to be linked to the police attack.^[72][73]

According to the Financial Times, in an attempt to force Ai to leave the country, two accounts used by him had been hacked in a sophisticated attack on Google in China dubbed Operation Aurora, their contents read and copied; his bank accounts were investigated by state security agents who claimed he was under investigation for "unspecified suspected crimes".^[74]

Shanghai studio controversy[link]

In November 2010, Ai was placed under house arrest by the Chinese police. He said this was to prevent the planned party marking the demolition of his newly built Shanghai studio.^[75]

The building was designed and built by Ai upon encouragement and persuasion from a "high official [from Shanghai]" as part of a new cultural area designated by Shanghai Municipal authorities; Ai would have used it as a studio and to teach architecture courses. But now Ai has been accused of erecting the structure without the necessary planning permission and a demolition notice has been ordered, even though, Ai said, officials had been extremely enthusiastic, and the entire application and planning process was "under government supervision". According to Ai, a number of artists were invited to build new studios in this area of Shanghai because officials wanted to create a cultural area.^[76]

On 3 November 2010 Ai said the government had informed him two months earlier that the newly completed studio would be knocked down because it was illegal. Ai complained that this was unfair, as he was "the only one singled out to have my studio destroyed." The Guardian reported Ai saying Shanghai municipal authorities were 'frustrated' by documentaries on subjects they considered sensitive:^[76] two of the better known ones featured Shanghai resident Feng Zhenghu, who lived in forced exile for three months in Narita Airport, Tokyo; another well known documentary focused on Yang Jia, who murdered six Shanghai police officers.^[77]

In the end, the party took place without Weiwei's presence; his supporters feasted on river crab, an allusion to "harmony", and a euphemism used to jeer official censorship. Ai was released from house arrest the next day.^[78]

Like other activists and intellectuals, Ai was prevented from leaving China in late 2010. Ai suggested that the authorities wanted to prevent him from attending the ceremony in December 2010 to award the 2010 Nobel Peace Prize to fellow dissident Liu Xiaobo.^[79] Ai said that he had not been invited to the ceremony, and was attempting to travel to South Korea for a meeting when he was told that he could not leave for reasons of national security.^[80]

In the evening of 11 January 2011, Ai's studio was demolished in a surprise move by the local government.^[81][82]

2011 arrest[link]

South China Morning Post reports that Ai received at least two visits from the police, the last being on 31 March – three days before his detention – apparently with offers of membership to the Chinese People's Political Consultative Conference. A staff member recalled that Ai had mentioned receiving the offer earlier, "[but Ai] didn't say if it was a membership of the CPPCC at the municipal or national level, how he responded or whether he accepted it or not."^[83]

On 24 February, amid an online campaign for Middle East-style protests in major Chinese cities by overseas dissidents, Ai posted on his Twitter account: "I didn’t care about jasmine at first, but people who are scared by jasmine sent out information about how harmful jasmine is often, which makes me realize that jasmine is what scares them the most. What a jasmine!"^[84][85]

On 3 April, Ai was arrested at Beijing Airport just before catching a flight to Hong Kong and his studio facilities were searched.^[87] A police contingent of approximately 50 officers came to his studio, threw a cordon around it and searched the premises. They took away laptops and the hard drive from the main computer; along with Ai, police also detained eight staff members and Ai's wife, Lu Qing. Police also visited the mother of Ai's two year-old son.^[88] While state media originally reported on 6 April that Ai was arrested at the airport because "his departure procedures were incomplete,"^[89] the Chinese Ministry of Foreign Affairs said on 7 April that Ai was arrested under investigation for alleged economic crimes.^[90] Then, on 8 April, police returned to Ai's workshop to examine his financial affairs.^[91] On 9 April, Ai's accountant, as well as studio partner Liu Zhenggang and driver Zhang Jingsong, disappeared,^[92] while Ai's assistant Wen Tao has remained missing since Ai's arrest on 3 April.^[93] Ai's wife said that she was summoned by the Beijing Chaoyang district tax bureau, where she was interrogated about his studio's tax on 12 April.^[83]

Response to Ai's arrest[link]

Analysts and other activists said Ai had been widely thought to be untouchable, but Nicholas Bequelin from Human Rights Watch suggested that his arrest, calculated to send the message that no one would be immune, must have had the approval of someone in the top leadership.^[94] International governments, human rights groups and art institutions, among others, have called for Ai's release, while Chinese officials have yet to notify Ai's family of his whereabouts.^[95]

State media started describing Wei as a 'deviant and a plagiarist' in early 2011.^[96] The China Daily subsidiary, the Global Times editorial on 6 April 2011 attacked Wei, saying "Ai Weiwei likes to do something 'others dare not do.' He has been close to the red line of Chinese law. Objectively speaking, Chinese society does not have much experience in dealing with such persons. However, as long as Ai Weiwei continuously marches forward, he will inevitably touch the red line one day."^[97] Two days later, the journal scorned Western media for questioning Ai's charge as a "catch-all crime", and denounced the use of his political activism as a "legal shield" against everyday crimes. It said "Ai's detention is one of the many judicial cases handled in China every day. It is pure fantasy to conclude that Ai's case will be handled specially and unfairly."^[98] Frank Ching expressed in the South China Morning Post that how the Global Times could radically shift its position from one day to the next was reminiscent of Alice in Wonderland.^[99]

Tate Modern in London, home to Ai's 'Sunflower Seeds' exhibition, put a large sign on their exterior that reads "Release Ai Weiwei"

Michael Sheridan of The Times suggested that Ai had offered himself to the authorities on a platter with some of his provocative art, particularly photographs of himself nude with only a toy alpaca hiding his modesty – with a caption『草泥马挡中央』 ("grass mud horse covering the middle"). The term possesses a double meaning in Chinese: one possible interpretation was given by Sheridan as: "Fuck your mother, the party central committee".^[86]

Ming Pao in Hong Kong reacted strongly to the state media's character attack on Ai, saying that authorities had employed “a chain of actions outside the law, doing further damage to an already weak system of laws, and to the overall image of the country.”^[96] Pro-Beijing newspaper in Hong Kong, Wen Wei Po, announced that Ai was under arrest for tax evasion, bigamy and spreading indecent images on the internet, and vilified him with multiple instances of strong rhetoric.^[100][101] Supporters said "the article should be seen as a mainland media commentary attacking Ai, rather than as an accurate account of the investigation."^[102]

The United States and European Union protested Ai's detention.^[103] The international arts community also mobilised petitions calling for the release of Ai: "1001 Chairs for Ai Weiwei" was organized by Creative Time of New York that calls for artists to bring chairs to Chinese embassies and consulates around the world on 17 April 2011, at 1 pm local time "to sit peacefully in support of the artist's immediate release."^[104][105] Artists in Hong Kong,^[106] Germany^[106] and Taiwan demonstrated and called for Ai to be released.^[107]

One of the major protests by U.S. museums took place on 19 and 20 May when the Museum of Contemporary Art San Diego organized a 24-hour silent protest in which volunteer participants, including community members, media, and museum staff, occupied two traditionally styled Chinese chairs for one-hour periods.^[108] The 24-hour sit-in referenced Ai’s sculpture series, Marble Chair, two of which were on view and were subsequently acquired for the Museum’s permanent collection.

The Solomon R. Guggenheim Foundation and the International Council of Museums, which organised petitions, said they had collected more than 90,000 signatures calling for the release of Ai.^[109] On 13 April 2011, a group of European intellectuals led by Václav Havel had issued an open letter to Wen Jiabao, condemning the arrest and demanding the immediate release of Ai. The signatories include Ivan Klíma, Jiří Gruša, Jáchym Topol, Elfriede Jelinek, Adam Michnik, Adam Zagajewski, Helmuth Frauendorfer; Bei Ling (Chinese:贝岭), a Chinese poet in exile drafted and also signed the open letter.^[110]

On 16 May 2011, the Chinese authorities allowed his wife to visit him briefly. Liu Xiaoyuan, his attorney and personal friend, reported that Wei was in good physical condition and receiving treatment for his chronic diabetes and hypertension; he was not in a prison or hospital but under some form of house arrest.^[111]

He is the subject of the 2012 documentary film Ai Weiwei: Never Sorry, directed by American filmmaker Alison Klayman, which received a special jury prize at the 2012 Sundance Film Festival and will open the Hot Docs Canadian International Documentary Festival, North America’s largest documentary festival, in Toronto on April 26, 2012.^[112]

Release[link]

On 22 June 2011, the Chinese authorities released Ai on bail after close to three months' detention on charges of tax evasion.^[113] Beijing Fake Cultural Development Ltd., a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail takes on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses.^[114] According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year.^[115][116]

Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government.^[117] On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime".^[118]

On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: 九死一生), and stressed that he is forbidden to say too much to reporters.^[119]

After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly.^[120]

In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography.^[121][122] Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear.^[123][124]

Unpaid taxes and fines[link]

In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US $1.85 million) from Beijing Fake Cultural Development Ltd in unpaid taxes and fines,^{[125][126][127]} and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fake Cultural Development Ltd has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is neither the chief executive nor the legal representative of the design company, which is registered in his wife’s name." Lawyer-friend Liu Xiaoyuan has initiated an internet donation (or 'loan') campaign to help Ai to pay the unpaid taxes.^[128] They have reportedly received 1 million yuan.^[129]

Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review.^[130]

See also[link]

	People's Republic of China portal
	Biography portal
	Visual arts portal
	Politics portal

• 83598 Aiweiwei – Asteroid named after Ai Weiwei
• WeiWeiCam

References[link]