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Live | |
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![]() Live performs in Washington, D.C., May 10, 2008. Left to right: Patrick Dahlheimer, Ed Kowalczyk, Chad Taylor, Chad Gracey (in background), and Adam Kowalczyk |
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Background information | |
Origin | York, Pennsylvania |
Genres | Alternative rock, post-grunge, hard rock |
Years active | 1988–2009, 2011–present |
Labels | Sony BMG, Epic, Radioactive |
Associated acts | The Gracious Few |
Website | www.freaks4live.com |
Members | |
Chris Shinn Chad Taylor Patrick Dahlheimer Chad Gracey |
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Past members | |
Ed Kowalczyk |
Live ( /ˈlaɪv/, often typeset as LĪVE) is an American rock band from York, Pennsylvania, composed of Chad Taylor (lead guitar), Patrick Dahlheimer (bass), Chad Gracey (drums) and Chris Shinn (vocals). Live's original lead singer and principal songwriter Ed Kowalczyk left the band in November 2009.
Live achieved worldwide success with their 1994 album, Throwing Copper, which has sold eight million copies in the US.[1] The band had a string of hit singles in the mid 1990s including "Lightning Crashes", which stayed at the top of the Billboard Hot Mainstream Rock Tracks chart for 10 consecutive weeks and the Modern Rock Tracks (now Alternative Songs) chart for nine weeks from February 25 to April 22, 1995.[2] The band has sold over 20 million albums worldwide.[3] Their last three studio albums fared only moderately well in the US, but they continued to enjoy success in The Netherlands, South Africa and Australasia.
When touring, Live have used additional musicians, most notably Ed's younger brother Adam Kowalczyk on rhythm guitar and backing vocals. British keyboard player Michael "Railo" Railton and guitarist Christopher Thorn of the band Blind Melon have also toured with Live.
On November 30, 2009 Chad Taylor revealed that what had initially been termed a "two-year hiatus" was more likely the end of the band, due to what he felt were inappropriate and possibly illegal actions by Ed Kowalczyk,[4] which have resulted in a lawsuit being filed against him by the other three band members.[5] In June 2011, Taylor revealed that he, Gracey and Dahlheimer were to reform Live without Kowalczyk,[6] who confirmed that he would not work with the other three again.[7] In March 2012, Chris Shinn, formerly of the band Unified Theory, replaced Kowalczyk as lead singer.[8]
Kowalczyk, Taylor, Dahlheimer and Gracey first played together at a middle-school talent show in York, Pennsylvania. They remained together throughout high school, playing new wave covers under band names such as First Aid, Club Fungus, Paisley Blues, Action Front, and Body Odor Boys. Eventually they settled on the name Public Affection and recorded a self-released cassette of original songs, The Death of a Dictionary, in 1989. In 1990 they released an EP of demos produced by Jay Healy, titled Divided Mind, Divided Planet, via their Black Coffee mailing list. The band played regular concerts at CBGB in New York City, which helped earn them a contract with Radioactive Records in 1991.[9]
Under the new name Live, the band entered the studio with producer Jerry Harrison (of Talking Heads) and recorded the EP Four Songs. The single "Operation Spirit (The Tyranny of Tradition)" went to number nine on the Modern Rock chart and was followed by their debut album, 1991's Mental Jewelry, which Harrison again produced. Pat Dalheimer explained that, given the band's inexperience, Jerry Harrison's input was very valuable, he said, "So important to have somebody else in the room to help us, especially with arrangements. I mean, we were still learning how to write songs...Jerry just seemed to know everything...this guy's a wizard!"[10] Some of the album's lyrics, written by Kowalczyk, were inspired by Indian philosopher and writer Jiddu Krishnamurti.[9]
After appearances on the MTV 120 Minutes tour, at Woodstock '94 and on Peter Gabriel's WOMAD tour, Live's second album, Throwing Copper, achieved mainstream success. The album featured the singles "I Alone", "All Over You", and the number one US Modern Rock hits "Selling the Drama" and "Lightning Crashes". "Lightning Crashes" also stayed at the top of the Billboard Hot Mainstream Rock Tracks chart for ten consecutive weeks. The band appeared on NBC's Saturday Night Live, where they performed "I Alone" and "Selling the Drama".
The success of the singles eventually gained Throwing Copper the number one position on the Billboard 200 album chart on May 6, 1995, its 52nd week on the chart. It was the third longest gap between an album first charting and reaching number one, behind Fleetwood Mac's Fleetwood Mac in 1976 (58 weeks) and Paula Abdul's Forever Your Girl in 1989 (64 weeks). It is Live's best-selling album, having sold eight million copies in the US alone.[1] In 1995 the band appeared on MTV Unplugged. Their set included a cover version of Vic Chesnutt's "Supernatural".
The success of Throwing Copper meant that 1997's Secret Samadhi (co-produced by the band and Jay Healy) debuted at number one on the US album chart. It took its name from Samadhi, a state of Hindu meditation. The album contained four Modern Rock hit singles, but failed to match its predecessor's success, with sales reaching two million. The band performed "Lakini's Juice" and "Heropsychodreamer" from the album on Saturday Night Live.
Jerry Harrison returned as co-producer for 1999's The Distance to Here, which entered the US album chart at number four and featured the hit single "The Dolphin's Cry". In 2000, Live embarked on a co-headlining tour with Counting Crows. On that tour, Counting Crows' lead singer Adam Duritz often joined Live for their performance of "The Dolphin's Cry", while Kowalczyk sang a verse of "Hanginaround" with Counting Crows.
On September 18, 2001, the experimental V (originally to be called Ecstatic Fanatic) was released to mixed reviews. The first single was "Simple Creed", which featured a rap from Tricky, but the events of 9/11, which occurred a week before V was released, meant that the melancholic "Overcome" received significant airplay and became the album's selling point. V reached number 22 in the US. Also in 2001, Live contributed a live version of the song "I Alone" to the charity album Live in the X Lounge IV. "Overcome" was used at the end of the second season finale of The Shield.
In May 2003, the band released the Jim Wirt produced, Birds of Pray, which reached number 28 on the US album chart, boosted by the unexpected success of the single "Heaven", Live's first U.S. Hot 100 hit single since "The Dolphin's Cry".
In November 2004, Live released a greatest hits compilation, Awake: The Best of Live. Awake included "We Deal in Dreams", a previously unreleased song from the Throwing Copper sessions, a cover version of Johnny Cash's "I Walk the Line", and a new version of their song "Run Away" with Shelby Lynne sharing lead vocals with Ed Kowalczyk. A deluxe version of the album included a DVD with 22 music videos and an interview with Ed Kowalczyk.
In 2005, Live signed to Sony BMG Music Entertainment's Epic label. They released the album Songs from Black Mountain in June 2006. The album peaked at number 52 on the Billboard 200 album chart, and reached number three on the Billboard Independent album chart. The first single was "The River".
On season five of American Idol, finalist Chris Daughtry was accused of performing Live's version of Johnny Cash's "I Walk the Line" and claiming it as his own interpretation. A week later, Daughtry acknowledged this was true and said that Live was one of his favorite bands. In May 2006, Live appeared on The Howard Stern Show to address this issue.[11] On August 2, 2008, Daughtry and Live performed Live's interpretation of "I Walk the Line" together at the Toms River Fest in Toms River, New Jersey.[12]
On September 14, 2007, the band released Radiant Sea: A Collection of Bootleg Rarities and Two New Songs, their first album since 1989 on their own Action Front Records label. The new songs were "Beautiful Invisible" and "Radiant Sea". Live recorded their first concert DVD in the Netherlands during two shows at the Paradiso on June 30 and July 1, 2008. Live at the Paradiso - Amsterdam was released on November 11, 2008 on DVD and CD. Also in 2008 the band headlined a US tour which also featured Blues Traveler and Collective Soul.
An unreleased Live song, "Hold Me Up", features in the 2008 Kevin Smith film Zack and Miri Make a Porno. Smith said, "I first heard (the song) in ‘95 when we were putting together the Mallrats soundtrack. It was actually in the film for the first test screening, but Live decided they wanted to hold onto it as a potential single off their next album...When I was editing Jay and Silent Bob Strike Back...I put in a request for it...again, I was denied. Third time, apparently, was the charm. Needed a song for that sequence in Zack and Miri and remembered the Live track. This time, the band signed off on us using the track. Took 13 years, but was worth the wait!"[13] In spite of Smith's endorsement, the song does not appear on the movie's soundtrack album.
After a concert at The Palazzo in Las Vegas in June 2009, Live announced that the band would take a two-year "hiatus" to work on other projects. Kowalczyk recorded his solo album Alive and the other band members formed a group with Kevin Martin and Sean Hennessy of Candlebox called The Gracious Few.[14] That band proceeded to record a self-titled debut album in California for release in September 2010.
On November 30, 2009, Taylor revealed that the "hiatus" was more likely a permanent split.[15] He alleged that the reasons for the break-up included Kowalczyk's demand of a $100,000 "lead singer bonus" at the 2009 Pinkpop Festival and a 2005 contract making Kowalczyk the sole signatory of Live's Black Coffee Publishing company without the knowledge of the rest of the band.[15] These sentiments were conveyed in an e-mail to fans from the band (minus Kowalczyk) via the mailing list at FriendsofLive.com and on Chad Taylor's official blog. Taylor did, however, leave open the possibility of Live re-forming with a new vocalist.
At the end of May 2010, the other three members of Live filed a lawsuit against Kowalczyk and their former business manager in the New York State Supreme Court.[16] Kowalczyk was asked about the lawsuit in a September 2010 interview but declined to elaborate, saying, "There is a (court) case that is pending, which is why I really don't want to get into it."[16] In June 2011, Kowalczyk told The Salt Lake Tribune, "I had simply come to the end of a chapter in my life and wanted to spread my wings and move beyond what I had been doing, in the same way, for almost 20 years. As far as the allegations that were leveled at me and purported as the reason for the breakup, they were all absolutely untrue. I have no plans to work with those individuals again. The spirit of Live is alive and well in my performances and my new material."[7]
On June 8, 2011 Chad Taylor revealed that he, Dahlheimer and Gracey will be restarting the band and recording new songs without Kowalczyk. He made no mention of any potential new lead singer, but said that, "We’ll have to begin addressing the hole left by our singer’s departure." He added that "I need to feel Live once again without the constraints that were placed on it over the last few years. Chad, Patrick and I invested most of our lives to writing, recording and performing the songs of Live. We deserve a chance to reconnect with the fans to say goodbye to the old era and hello to the new."[6]
On January 24, 2012 Taylor, Dahlheimer and Gracey announced that they were leading members in a project to renovate a four story building at 210 York Street in York. Three floors will house a technology company, creating 60 new jobs. The building will also include a brand new recording studio.[17]
The band returned from their nearly three year hiatus on March 12, 2012, with Chris Shinn, formerly of Unified Theory, as their new lead singer. The new line-up performed before an invited audience at the Strand-Capitol Performing Arts Center in York. The band performed as a six-piece with The Gracious Few's Sean Hennesy on guitar and Alexander Lefever on keyboards.[18][8]
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Bruce Springsteen | |
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![]() Springsteen in 2009; Working on a Dream Tour in Valladolid, Spain |
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Background information | |
Also known as | The Boss, Bad Scooter |
Born | (1949-09-23) September 23, 1949 (age 62) Long Branch, New Jersey, United States |
Genres | Rock, folk rock, heartland rock, hard rock, roots rock |
Occupations | Musician, Songwriter |
Instruments | Vocals, guitar, harmonica, bass guitar, piano, percussion, banjo, drums, keyboards |
Years active | 1969–present |
Labels | Columbia |
Associated acts | The E Street Band, Steel Mill, Miami Horns, The Sessions Band |
Website | www.brucespringsteen.net |
Notable instruments | |
Fender Telecaster Takamine Guitars Gibson J-45 Hohner Marine Band Harmonica Gibson J-200 Gibson ES-335 Gibson Hummingbird |
Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss," is an American singer-songwriter-performer who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.[1]
Springsteen's recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born in the U.S.A. and Born to Run, showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwide[2] and he has earned numerous awards for his work, including 21 Grammy Awards, two Golden Globes and an Academy Award. He is widely regarded by many as one of the most influential songwriters of the 20th century, and in 2004, Rolling Stone ranked him as the 23rd Greatest Artist of all time.
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Springsteen was born in Long Branch, New Jersey, and spent his childhood and high school years in Freehold Borough. He lived on South Street in Freehold Borough and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry and worked, among other vocations, as a bus driver, although he was frequently unemployed; his surname is Dutch for jump stone.[3] His mother, Adele Ann (née Zerilli), was a legal secretary and was of Italian ancestry.[4] His maternal grandfather was born in Vico Equense, a city near Naples. He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full time; she took photos for the Human Touch and Lucky Town albums.
Raised a Roman Catholic,[5] Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns.[6] Recently in Paris (2012) before the launch of his latest album, Wrecking Ball, he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a "very active spiritual life," although he joked that this "made it very difficult sexually." He added: "Once a Catholic, always a Catholic."[7]
In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony.[8] He briefly attended Ocean County College, but dropped out.[6]
Springsteen had been inspired to take up music at the age of seven after seeing Elvis Presley on The Ed Sullivan Show. At 13, his mother bought him his first guitar for $18; later, she took out a loan to buy the 16-year-old Springsteen a $60 Kent guitar, as he later memorialized in his song "The Wish".
In 1965, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently the lead singer of The Castiles. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.[9]
Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in Rolling Stone magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.[10]
In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates.[11] Springsteen is not fond of this nickname, due to his dislike of bosses,[12] but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor".[13] From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Richmond, Virginia, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr. Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B, jazz, church music, early rock 'n' roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums", as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.
Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.
Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same label a decade earlier. Springsteen brought many of his New Jersey–based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for several more years). His debut album, Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite,[14] though sales were slow. Because of Springsteen's lyrical poeticism and folk rock–rooted music exemplified on tracks like "Blinded by the Light", (which would later be a hit for Manfred Mann and go to No. 1, making it the only time Springsteen had a No. 1 single as a songwriter), and "For You", as well as the Columbia and Hammond connections, critics initially compared Springsteen to Bob Dylan. "He sings with a freshness and urgency I haven't heard since I was rocked by 'Like a Rolling Stone,'" wrote Crawdaddy magazine editor Peter Knobler in Springsteen's first interview/profile, in March 1973. Crawdaddy discovered Springsteen in the rock press and was his earliest champion.[15] (Springsteen and the E Street Band acknowledged by giving a private performance at the Crawdaddy 10th Anniversary Party in New York City in June 1976.)[16] Music critic Lester Bangs wrote in Creem in 1975 that when Springsteen's first album was released "... many of us dismissed it: he wrote like Bob Dylan and Van Morrison, sang like Van Morrison and Robbie Robertson, and led a band that sounded like Van Morrison's."[17] The track "Spirit in the Night" especially showed Morrison's influence, while "Lost in the Flood" was the first of many portraits of Vietnam veterans and "Growin' Up", his first take on the recurring theme of adolescence.
In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle, was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.
In the May 22, 1974, issue of Boston's The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll's future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time."[18] Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, Born to Run. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run". During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band.[citation needed] Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.[19]
On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York's Bottom Line club. The engagement attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.[20]) With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while there were no hit singles, "Born to Run" (Billboard No. 23), "Thunder Road", "Tenth Avenue Freeze-Out" (Billboard No. 83), and "Jungleland" all received massive album-oriented rock airplay and remain perennial favorites on many classic rock stations. The songwriting and recording was more disciplined than before, while still maintaining an epic feel. With its panoramic imagery, thundering production and desperate optimism, Born to Run is considered by some fans to be among the best rock and roll albums of all time and Springsteen's finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.
A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows.[citation needed]
By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. No. 1 pop hit with a heavily rearranged version of Greetings' "Blinded by the Light" in early 1977. Patti Smith reached No. 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen's also unreleased "Fire".
In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer's No Nukes documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.
Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work.[citation needed]This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.
The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While Nebraska did not sell as well as Springsteen's two previous albums, it garnered widespread critical praise (including being named "Album of the Year" by Rolling Stone magazine's critics) and influenced later significant works by other major artists, including U2's album The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska's release.
Springsteen probably is best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S. and became one of the best-selling albums of all time, with seven singles hitting the Top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen's friends and bandmates. The lyrics in the verses were entirely unambiguous when listened to, but the anthemic music and the title of the song made it hard for many, from politicians to the common person, to get the lyrics—except those in the chorus, which could be read many ways.[21] The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by the Chrysler Corporation to use the song in a car commercial. (In later years, to eliminate the bombast and make the song's original meaning more explicitly clear, Springsteen performed the song accompanied only by acoustic guitar. An acoustic version also appeared on Tracks, a later album.) "Dancing in the Dark" was the biggest of seven hit singles from Born in the U.S.A., peaking at No. 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress's career. The song "Cover Me" was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer's work, Springsteen wrote another song for her, "Protection". Videos for the album were made by noted film directors Brian De Palma and John Sayles. Springsteen was featured on the "We Are the World" song and album in 1985. His live single "Trapped" from that album received moderate airplay on U.S. Top 40 stations as well as reaching No. 1 on the Billboard Top Rock Tracks chart.[22]
During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.
The Born in the U.S.A. period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). Live/1975–85, a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at No. 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. Live/1975–85 summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.
During the 1980s, several Springsteen fanzines were launched, including Backstreets magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.
After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:
“ | I heard somebody call your name, from underneath our willow. I saw something tucked in shame, underneath your pillow. Well I've tried so hard baby, but I just can't see. What a woman like you is doing with me. | ” |
The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988.[23] Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In late 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.
In 1992, after risking fan accusations of "going Hollywood" by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. Human Touch and Lucky Town were even more introspective than any of his previous work and displayed a newly revealed confidence. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the Lucky Town album, Springsteen actually claims happiness for himself.
An electric band appearance on the acoustic MTV Unplugged television program (later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech:
“ | I've gotta thank him because – what would I conceivably have written about without him? I mean, you can imagine that if everything had gone great between us, we would have had disaster. I would have written just happy songs – and I tried it in the early '90s and it didn't work; the public didn't like it.[24] | ” |
A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS.[citation needed] The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track.[citation needed] This technique was developed on the "Brilliant Disguise" video.
In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by John Steinbeck's The Grapes of Wrath and by Journey to Nowhere: The Saga of the New Underclass, a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances.
Following the tour, Springsteen moved back to New Jersey with his family.[25] In 1998, Springsteen released the sprawling, four-disc box set of out-takes, Tracks. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."[26]
Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.
In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as Bruce Springsteen & the E Street Band: Live in New York City. A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.
In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.[27][28]
On Labor Day 2001 Springsteen played at Donovan's Reef in Sea Bright, NJ, surprising a local cover band named Brian Kirk and the Jerks and performed "Rosalita" with them showing his support and love.
In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O'Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.) The title track gained airplay in several radio formats, and the record became Springsteen's best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on The Today Show, The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close.[29] During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over "American Skin" and a guest appearance by Bob Dylan.
During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the E Street Shuffle outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins", which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close The Rising album and as an encore on the subsequent tour.
At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.
Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released.[30] The title track concerns an ordinary soldier's feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen's anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom, and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album's release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar, and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar, and percussion were also used for some songs.) Unearthly renditions of "Reason to Believe", "The Promised Land", and Suicide's "Dream Baby Dream" jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.
In November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called E Street Radio. This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews, and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.
In April 2006, Springsteen released We Shall Overcome: The Seeger Sessions, an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed The Seeger Sessions Band (and later shortened to The Sessions Band). Seeger Sessions material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews,[31] but newspapers reported that a number of U.S. shows suffered from sparse attendance.[32][33][34] By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. Bruce Springsteen with The Sessions Band: Live in Dublin, containing selections from three nights of November 2006 shows at The Point Theatre in Dublin, Ireland, was released the following June.
Springsteen's next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus "Long Walk Home", performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), "Terry's Song", a tribute to Springsteen's long-time assistant Terry Magovern, who died on July 30, 2007.[35] The first single, "Radio Nowhere", was made available for a free download on August 28. On October 7, Magic debuted at No. 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at No. 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on Channel 10 on September 27, 2007, in anticipation of Magic.[36] Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material. However, Clear Channel Adult Alternative (or "AAA") station KBCO did play tracks from the album, undermining the allegations of a corporate blackout.[37] The Springsteen and E Street Band Magic Tour began at the Hartford Civic Center with the album's release and continued through North America and Europe. Springsteen and the band performed live[38] on NBC's Today Show in advance of the opener. Longtime E Street Band organist Danny Federici left the tour in November 2007 to pursue treatment for melanoma[39] from which he would die in 2008.[40]
Springsteen at a rally for the presidential candidate Barack Obama
Springsteen supported Barack Obama's 2008 presidential campaign, announcing his endorsement in April 2008[41] and going on to appear at several Obama rallies as well as performing several solo acoustic performances in support of Obama's campaign throughout 2008,[42] culminating with a November 2 rally where he debuted "Working On A Dream" in a duet with Scialfa.[43] At an Ohio rally, Springsteen discussed the importance of "truth, transparency and integrity in government, the right of every American to have a job, a living wage, to be educated in a decent school, and a life filled with the dignity of work, the promise and the sanctity of home...But today those freedoms have been damaged and curtailed by eight years of a thoughtless, reckless and morally-adrift administration."[44]
Following Obama's electoral victory on November 4, Springsteen's song "The Rising" was the first song played over the loudspeakers after Obama's victory speech in Chicago's Grant Park. Springsteen was the musical opener for the Obama Inaugural Celebration on January 18, 2009 which was attended by over 400,000.[45] He performed "The Rising" with an all-female choir. Later he performed Woody Guthrie's "This Land Is Your Land" with Pete Seeger.
On June 18, 2008, Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C., to play one of Russert's favorite songs, "Thunder Road". Springsteen dedicated the song to Russert, who was "one of Springsteen's biggest fans."[citation needed]
On January 11, 2009, Springsteen won the Golden Globe Award for Best Song for "The Wrestler", from the Mickey Rourke film by the same name.[46] After receiving a heartfelt letter from Mickey Rourke, Springsteen supplied the song for the film for free.[47]
Springsteen performed at the halftime show at Super Bowl XLIII on February 1, 2009,[48] agreeing to do it after many previous offers.[49] A few days before the game, Springsteen gave a rare press conference, where he promised a "twelve-minute party."[50][51] His 12:45 set, with the E Street Band and the Miami Horns, included abbreviated renditions of "Tenth Avenue Freeze-Out"", "Born to Run", "Working on a Dream", and "Glory Days", the latter complete with football references. The set of appearances and promotional activities led Springsteen to say, "This has probably been the busiest month of my life."[52]
Springsteen's Working on a Dream album was released in late January 2009[53] and the supporting Working on a Dream Tour ran from April 2009 until November 2009. The tour featured few songs from the new album, with instead set lists dominated by classics and selections reflecting the ongoing late-2000s recession.[54] The tour also featured Springsteen playing songs requested by audience members holding up signs as on the final stages of the Magic Tour.[54] Drummer Max Weinberg was replaced for some shows by his 18-year-old son Jay Weinberg, so that the former could serve his role as bandleader on The Tonight Show with Conan O'Brien.[54] During this tour, Springsteen and the band made their first real foray in the world of music festivals, headlining nights at the Pinkpop Festival in the Netherlands, Festival des Vieilles Charrues in France, the Bonnaroo Music Festival in the United States and the Glastonbury Festival in the UK[55] and Hard Rock Calling in the UK.[56] Several shows on the tour featured full album presentations of Born to Run, Darkness on the Edge of Town, or Born in the U.S.A.[57] The band performed a stretch of five final shows at his homestate Giants Stadium, opening with a new song highlighting the historic stadium, and his Jersey roots, named "Wrecking Ball".[58] The tour ended as scheduled in Buffalo, NY in November 2009 amid speculation that it was the last performance ever by the E Street Band, but during the show Springsteen said it was goodbye “for a little while.”[59] A DVD from the Working on a Dream Tour entitled London Calling: Live in Hyde Park was released in 2010.
In addition to his own touring, Springsteen made a number of appearances at tribute and benefit concerts during 2009, including The Clearwater Concert, a celebration of Pete Seeger's 90th birthday, the Rock and Roll Hall of Fame's 25th anniversary benefit concert,[60] a benefit for the advocacy group Autism Speaks at Carnegie Hall.[61] On January 22, 2010, he joined many well-known artists to perform on Hope for Haiti Now: A Global Benefit for Earthquake Relief,[62] organized by George Clooney to raise money to help the victims of the 2010 Haiti earthquake.
In 2009, Springsteen performed in The People Speak, a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States.[63]
Springsteen was among the recipients of the Kennedy Center Honors, an annual award to figures from the world of arts for their contribution to American culture, in December 2009.[64] President Obama gave a speech in which he talked about how Springsteen has incorporated the life of regular Americans in his expansive pallette of songs and how his concerts are beyond the typical rock-and-roll concerts, how, apart from being high-energy concerts, they are "communions". He ended the remark "while I am the president, he is The Boss". Tributes were paid by several well-known celebrities including Jon Stewart (who described Springsteen's "unprecedented combination of lyrical eloquence, musical mastery and sheer unbridled, unadulterated joy"). A musical tribute featured John Mellencamp, Ben Harper, and Jennifer Nettles, Melissa Etheridge, Eddie Vedder, and Sting.
The 2000s ended with Springsteen being named one of eight Artists of the Decade by Rolling Stone magazine[65] and with Springsteen's tours ranking him fourth among artists in total concert grosses for the decade.[66]
In September 2010, a documentary about the making of his 1978 album Darkness on The Edge of Town was premiered at the Toronto International Film Festival. The film, The Promise: The Making of Darkness on the Edge of Town, was included in a box set reissue of the album, entitled The Promise: The Darkness on the Edge of Town Story, released in November 2010. Also airing on HBO, the documentary explored Springsteen's making of the acclaimed album, and his role in the production and development of the tracks.
Springsteen has finished his next studio album with Ron Aniello,[67] who also co-produced the 2007 album Play It As It Lays, by Springsteen's wife, Patti Scialfa. Ron Aniello also produced "Children's Song" early in 2011, a duet with Springsteen and Scialfa, which was done for a charity project.
Clarence Clemons, the E Street Band's saxophonist since 1972, died on June 18, 2011, of complications from a stroke. “Clarence lived a wonderful life,” Springsteen said in a statement. “He carried within him a love of people that made them love him. He created a wondrous and extended family. He loved the saxophone, loved our fans and gave everything he had every night he stepped on stage.”[68]
Springsteen's 17th studio album, Wrecking Ball, was released on March 6, 2012. On January 13, 2012, Hollywood Reporter released an article describing the sound of the new album. According to the article, the album is Springsteen at his angriest yet and addresses economic justice quite a bit. The article describes the album musically as being very rock-and-roll with unexpected textures, loops, electronic percussion and a variety of influences.[69] The album consists of eleven tracks plus two bonus tracks. Three songs previously only available as live versions, "Wrecking Ball", "Land of Hope and Dreams," and "American Land," appear on the album.[70] The album's first single, "We Take Care of Our Own", was released on January 19, 2012.
On January 24, 2012, Springsteen's official web site announced that the E Street Band will commence a world tour called the Wrecking Ball Tour on March 18, 2012, in Atlanta. The tour will run through at least July 31, 2012, and will consist of at least two legs featuring 51 dates, although the headline "First US Leg of 2012 World Tour" may imply that the tour will continue into autumn 2012 or beyond.[71] As tickets for the first U.S. dates went on sale, many fans were unable to obtain tickets, much like for the 2009 Working on a Dream Tour, allegedly due to a heavy volume of ticket scalpers. Shows sold out within minutes and many tickets appeared, at much higher prices, on resale websites such as StubHub less than an hour after the onsale time. Ticketmaster said web traffic was 2.5 times the highest level of the past year during the online sales and suggested that scalpers played a big role. U.S. Representative Bill Pascrell has called for stronger government oversight of online box offices. Pascrell introduced the BOSS ACT in 2009 to increase transparency in the ticket industry. Pascrell said he would reintroduce the bill to Congress.[72][73]
"Rocky Ground" has been announced as the second single from Wrecking Ball and will be released exclusively as part of Record Store Day on April 21, 2012.
Wrecking Ball became Springsteen's tenth No. 1 album in the United States tying him with Elvis Presley for third most No. 1 albums of all-time. Only The Beatles (19) and Jay-Z (12) have more No. 1 albums. Wrecking Ball knocked out Adele's Grammy winning album, 21 after 23 nonconsecutive weeks at #1.[74]
On March 15, 2012, Springsteen was the keynote speaker at the annual SXSW Conference in Austin, Texas.
Bruce Springsteen draws on many musical influences from the reservoir of traditional American popular music, folk, blues and country. From the beginning, rock and roll has been the dominant influence. On his debut album, Greetings from Asbury Park, New Jersey, the folk-influence is clear. An example of the influence of this music genre to Springsteen's music is his song "This Hard Land" which demonstrates a clear influence of the style of Woody Guthrie.[citation needed]
He expanded the range of his musical compositions on his second album, The Wild, the Innocent & the E Street Shuffle.[citation needed] Elements of Latin American music, jazz, soul, and funk influences can be heard; the song "New York City Serenade" is even reminiscent of the music of George Gershwin. These two records prominently featured pianist David Sancious, who left the band shortly into the recording of Springsteen's third album, Born To Run. This album, however, also emphasized the piano, the responsibility now of Roy Bittan.
Earlier in his career, Springsteen has focused more on the rock elements of his music. He initially compressed the sound and developed Darkness On The Edge Of Town just as straightforward as concise musical idiom, for the simple riffs, hard rock guitar solos and clearly recognizable song structures are dominant. He also drew upon a few influences from punk rock on the album, as can be heard on the heavy rhythm following the bridge solo on 'Candy's Room'.[citation needed] His music has been categorized as heartland rock, a style typified by Springsteen, John Fogerty, Tom Petty, Bob Seger, and John Mellencamp. This music has a lyrical reference to the U.S. everyday and the music is kept rather simple and straightforward. This development culminated with Springsteen's hit album Born in the U.S.A., the title song of which has a constantly repeating, fanfare-like keyboard riff and a pounding drum beat. These sounds fit with Springsteen's voice: it cries to the listener the unsentimental story of a disenchanted angry figure. Even songs that can be argued to be album tracks proved to be singles that enjoyed some chart success, such as "My Hometown" and "I'm on Fire", in which the drum line is formed from subtle hi-hat and rim-clicks-shock (shock at the edge of the snare drum) accompanied by synthesizer and Springsteen's soft guitar line. The album, along with some previous records such as "Cadillac Ranch" showed clear rockabilly influences as is evident from his guitar solos, in-fills and vocal styles on these. Another clear influence of early rock n roll on Springsteen's music is evident on the song "Light of Day".
In recent years, Springsteen has changed his music further.[citation needed] There are more folk elements up to the gospel to be heard. His last solo album, Devils and Dust, drew rave reviews not only for Springsteen's complex songwriting, but also for his expressive and sensitive singing.
On the album We Shall Overcome: The Seeger Sessions Springsteen performs folk classics with a folk band, rather than his usual E Street Band. On his ensuing tour he also interpreted some of his own rock songs in a folk style.[citation needed]
The 2007 album Magic was a reflection on the old stadium rock attitude and with its lush arrangements was almost designed to be performed at large stadiums, which also succeeded on the corresponding tour.[citation needed]
"I spent most of my life as a musician measuring the distance between the American dream and American reality" |
—Bruce Springsteen[75][C] |
Often described as cinematographic in their scope, Springsteen's lyrics frequently explore highly personal themes such as individual commitment, dissatisfaction and dismay with life in a context of every day situations.[76]
It has been recognized that there was a shift in his lyrical approach starting with the album Darkness on the Edge of Town, in which he focused on the emotional struggles of working class life.[77][78]
Springsteen's music has often contained political themes reflecting his responses to the events occurring around him. A number of these songs contributed to Springsteen’s stardom; many songs cannot be explained without including Springsteen’s political views. The following are a chronological order of the political and activist causes Springsteen has publicly campaigned for:
September 19–23, 1979: Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden.
August 20, 1981: A Night For The Vietnam Veterans for the Vietnam Veterans’ Association as an appeal to help “heal the physical and psychological wounds inflicted on the soldiers who fought the nation’s most unpopular war”.[79][80]
1984: Turned down several million dollars offered by the Chrysler Corporation to use the song "Born in the U.S.A." in a car commercial.
1985: Featured on the "We Are the World" song and album
1988: Headlined the worldwide Human Rights Now! tour for Amnesty International.
2004: "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.
April 2008: Springsteen announced his endorsement supporting Barack Obama's 2008 presidential campaign.[81] Throughout the year, he showed his support by attending several rallies and performing in support of Obama’s campaign.
2009: Springsteen contributed to the soundtrack of The People Speak by playing guitar and harmonica.
January 2009: Springsteen was the musical opener for the Obama Inaugural Celebration.
May 3, 2009: Springsteen made an appearance at The Clearwater Concert.
October 29 & 30, 2009: Springsteen made an appearance at the Rock and Roll Hall of Fame's 25th anniversary benefit concert.[82]
January 22, 2010: Springsteen made an appearance at Hope for Haiti Now: A Global Benefit for Earthquake Relief.[83]
Springsteen has additionally been associated with various local food banks, particularly with the New Jersey Food bank for many years. During concerts, he usually breaks the routine to announce his support and later matches the total collection during the concert with his own money. During his Charlotte, North Carolina concert on November 3, 2009, he started with a $10,000 donation for the local food bank to start the collections process – which he again matched later.
He has made substantial financial contributions to various workers' unions both in America and in Europe.
Springsteen is a strong supporter of gay rights, particularly marriage equality. In 2009, he urged lawmakers to legalize gay marriage, later posting on his website "I've long believed in and have always spoken out for the rights of same-sex couples".[84]
Springsteen and Julianne Phillips (born May 6, 1960) were married from May 13, 1985 to May 1988, when they separated.[85] The two were opposites in background and his traveling took its toll on their relationship. The final blow came when Springsteen began an affair with Patti Scialfa (born July 29, 1953), whom he had dated briefly in 1984 shortly after she joined the band. Phillips and Springsteen separated in the spring of 1988 without making an announcement to the press, and on August 30, 1988, Julianne filed for divorce. The Springsteen/Phillips divorce was finalized on March 1, 1989.
After the separation in 1988, Springsteen began living with Scialfa. Springsteen received press criticism for the hastiness in which he and Scialfa took up their relationship. In a 1995 interview with The Advocate, Springsteen spoke about the negative publicity the couple subsequently received. "It's a strange society that assumes it has the right to tell people whom they should love and whom they shouldn't. But the truth is, I basically ignored the entire thing as much as I could. I said, 'Well, all I know is, this feels real, and maybe I have got a mess going here in some fashion, but that's life.'" He also noted that, "I went through a divorce, and it was really difficult and painful and I was very frightened about getting married again. So part of me said, 'Hey, what does it matter?' But it does matter. It's very different than just living together. First of all, stepping up publicly- which is what you do: You get your license, you do all the social rituals- is a part of your place in society and in some way part of society's acceptance of you...Patti and I both found that it did mean something."[86]
On July 25, 1990 Scialfa gave birth to the couple's first child, Evan James Springsteen. On June 8, 1991 Springsteen and Scialfa married at their Beverly Hills home. Their second child, Jessica Rae Springsteen, was born on December 30, 1991; and their third child, Samuel Ryan Springsteen, was born on January 5, 1994.[87] The family owns and lives on a horse farm in Colts Neck, New Jersey. They also own homes in Wellington, Florida, a wealthy horse community near West Palm Beach, Los Angeles and Rumson, New Jersey. Their eldest son, Evan, attends Boston College. Their daughter Jessica is a nationally ranked champion equestrian,[88] and attends Duke University.
Since 1991, Springsteen has led a relatively quiet life for a well-known popular performer and artist.[89] He moved from Los Angeles to New Jersey in the early 1990s specifically to raise a family in a non-paparazzi environment.[89] It has been reported that the press conference regarding the 2009 Super Bowl XLIII half-time show was his first press conference for more than 25 years.[90] However, he has appeared in a few radio interviews, most notably on NPR and BBC.[citation needed] 60 Minutes aired his last extensive interview on TV[91] before his tour to support his album, Magic.
Bruce Springsteen has been a member of, or has been backed by, several bands during his career, most notably The E Street Band.
His earliest known band is The Castiles.
Prior to signing his first record deal in 1972, Springsteen was a member of several bands including Steel Mill. In October 1972 he formed a new band for the recording of his debut album Greetings from Asbury Park, N.J., which became known as The E Street Band, although the name was not officially introduced until September 1974.[92][93] The E Street Band performed on all of Springsteen's recorded works from his debut until 1982's Nebraska, a solo album on which Springsteen himself played all the instruments.[citation needed] The full band returned for the next album Born in the USA, but there then followed a period from 1988 to 1999 in which albums were recorded with session musicians. The E Street Band were briefly reunited in 1995 for new contributions to the Greatest Hits compilation, and on a more permanent basis from 1999, since which time they have recorded 3 albums together (The Rising, Magic and Working on a Dream) and performed a number of high profile tours.
The 2005 album Devils & Dust was largely a solo recording, with some contribution from session musicians and the 2006 folk rock We Shall Overcome: The Seeger Sessions album was recorded and toured with another band, known as The Sessions Band. In the summer of 2012, Raymond Bernero will join Bruce on the stage at Wrigely Field in Chicago.
Earlier Bands:[94] The Castiles, Earth, Child, Steel Mill, Sundance Blues Band, Dr Zoom and the Sonic Boom, Bruce Springsteen Band.
Current members:
With:
Former members:
Springsteen's music has been used in many films and he has also written and performed several works specifically for films, examples include Philadelphia, Dead Man Walking, Jerry Maguire, and The Wrestler.
Film | Year of film release | Song(s) | Notes |
---|---|---|---|
Dead End Street | 1982 | "Point Blank", "Hungry Heart" and "Jungleland" | First use of Springsteen's music in film |
Risky Business | 1983 | Hungry Heart | |
Baby, It's You | 1983 | "It's Hard To Be A Saint In The City", "The E Street Shuffle", "She's The One" and "Adam Raised A Cain" | Film directed by John Sayles who later directed music videos for songs from Born in the U.S.A. and Tunnel of Love. |
Ruthless People | 1986 | "Stand on It" (Tracks version) | |
Light of Day | 1987 | "(Just Around the Corner to the) Light of Day" | Song written for the film. |
In Country | 1989 | "I'm On Fire" | Film also contained many Springsteen references. |
Thunderheart | 1992 | "Badlands" (instrumental version) | |
Honeymoon in Vegas | 1992 | "Viva Las Vegas" | A 1964 song originally recorded by Elvis Presley. |
Philadelphia | 1993 | "Streets of Philadelphia" | Song written for film. Won an Oscar.[97] |
Dead Man Walking | 1995 | "Dead Man Walkin'" | Song written for film. Nominated for an Oscar.[98] |
The Crossing Guard | 1995 | "Missing" | Song was later released in 2003 on The Essential Bruce Springsteen. |
Jerry Maguire | 1996 | "Secret Garden" | |
Cop Land | 1997 | "Drive All Night" and "Stolen Car" | Sylvester Stallone's character plays the songs on his turntable. |
Fierce Creatures | 1997 | "Hungry Heart" | |
The Wedding Singer | 1998 | "Hungry Heart" | |
A Night at the Roxbury | 1998 | "Secret Garden" | |
Big Daddy | 1999 | "Growin' Up" | Played over a montage near the end of the film. |
Limbo | 1999 | "Lift Me Up" | Another John Sayles film. |
High Fidelity | 2000 | "The River" and Blues Guitar Riff | Blues riff played by Springsteen, on-screen during his cameo appearance. "Nebraska" played from vinyl on turntable. |
The Perfect Storm | 2000 | "Hungry Heart" | |
25th Hour | 2002 | "The Fuse" | |
Grand Theft Parsons | 2003 | "Blood Brothers" | |
Jersey Girl | 2004 | "Jersey Girl" | Cover of the Tom Waits version |
Reign Over Me | 2007 | "Drive All Night" and "Out In The Street" | The album The River was also well mentioned in the movie. |
In the Land of Women | 2007 | "Iceman" | [99] |
The Heartbreak Kid | 2007 | "Rosalita (Come Out Tonight)" | |
Lucky You | 2007 | "Lucky Town" | |
The Wrestler | 2008 | "The Wrestler" | Written for the film. The song was awarded a Golden Globe Award for Best Original Song and nominated for the MTV Movie Award as "Best Song From a Movie". |
Food, Inc. | 2009 | "This Land Is Your Land" | Live version, Bruce Springsteen's performance of the Woody Guthrie song. |
The Hunter | 2011 | "I'm On Fire" | Willem Dafoe's character sets up a stereo in a tree and uses the song to wake someone sleeping inside the house. |
In turn, films have been inspired by his music, including The Indian Runner, written and directed by Sean Penn, which Penn has specifically noted as being inspired by Springsteen's song "Highway Patrolman".[100]
In September 2010, a documentary about the making of his 1978 album Darkness on The Edge of Town was premiered at the Toronto International Film Festival.[101]
Kevin Smith is an admitted "big fan" of fellow New Jersey native Springsteen and named his film Jersey Girl after the Tom Waits song which Springsteen made famous. The song was also used on the soundtrack.
Ricky Gervais and Stephen Merchant have cited Springsteen's "Thunder Road" as having been a heavy influence on their 2010 film Cemetery Junction, employing the song's themes of escape and optimism into their story of 1970s England.
In 2011, Springsteen appears in an independent film made by a local musician Chris Vaughn from New Jersey entitled Jerseyboy Hero where the songwriter/filmmaker documents his journey to get his music out to the world by attempting to reach one of his two local New Jersey legends, Bruce Springsteen or Jon Bon Jovi.[102][103]
Springsteen made his first on-screen appearance in a brief cameo as himself in High Fidelity in 2000 and it was voted "Best Cameo in a Movie" at the MTV Movie Awards.[104][105]
Major studio albums (along with their chart positions in the U.S. Billboard 200 at the time of release):
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Book: Bruce Springsteen |
Wikipedia books are collections of articles that can be downloaded or ordered in print. |
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Wikimedia Commons has media related to: Bruce Springsteen |
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Wikiquote has a collection of quotations related to: Bruce Springsteen |
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Persondata | |
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Name | Springsteen, Bruce |
Alternative names | Bruce Frederick Joseph Springsteen |
Short description | An American singer-songwriter |
Date of birth | September 24, 1949 |
Place of birth | Long Branch, New Jersey, United States |
Date of death | |
Place of death |
"Pumped Up Kicks" | ||||||||
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File:PumpedUpKicks.jpg | ||||||||
Single by Foster the People | ||||||||
from the album Torches | ||||||||
Released | September 14, 2010 | |||||||
Format | Digital download, 12-inch single | |||||||
Recorded | 2009 | |||||||
Genre | Indie pop, alternative rock, neo-psychedelia | |||||||
Length | 4:11 (album version) 3:38 (radio edit) |
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Label | Columbia | |||||||
Writer(s) | Mark Foster | |||||||
Producer | Mark Foster | |||||||
Certification |
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Foster the People singles chronology | ||||||||
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"Pumped Up Kicks" is a song by American indie pop band Foster the People. It was released as the group's debut single in September 2010, and the following year was included on their EP Foster the People and their debut album Torches. "Pumped Up Kicks" became the group's breakthrough hit and was one of the most popular songs of 2011. The song was written and recorded by frontman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth.
The track received considerable attention after it was posted online in 2010 as a free download, and it helped the group garner a multi-album record deal with Columbia Records imprint Startime International before they had issued a commercial release. The song became both a crossover hit and a sleeper hit in 2011, as it received significant airplay on modern rock and contemporary hit radio stations. The song spent eight consecutive weeks at number three on the Billboard Hot 100 chart in the United States, making it the first Billboard Alternative Songs number-one single to crack the U.S. top 5 since Kings of Leon's "Use Somebody" in 2009. The song was widely praised by critics, and it has been licensed for use in a wide range of popular media since its release. "Pumped Up Kicks" received a Grammy Award nomination for Best Pop Duo/Group Performance.
Contents |
Soon after Mark Foster formed Foster the People in 2009, he wrote and recorded "Pumped Up Kicks" in five hours while working as a commercial jingle writer at Mophonics in Los Angeles.[1][2] Thinking that he was just recording a demo, he played all of the instruments on the song. Ultimately, Foster's original version of the song is what ended up being released.[3]
"I like to write about real-life topics, and I like to write about different walks of life. For me, that song was really an observation about something that's happening in the youth culture these days. I guess I wanted to reveal that internal dialogue of a kid who doesn't have anywhere to turn, and I think the song has kind of done its job. I think people are talking about it, and it's become a point of conversation, which I think is a really healthy thing."
The lyrics to "Pumped Up Kicks" are written from the perspective of a troubled and delusional youth with homicidal thoughts.[3] The lines in the chorus warn potential victims to "outrun my gun" and that they "better run, better run, faster than my bullet". Foster said, "I was trying to get inside the head of an isolated, psychotic kid."[3] He wrote the lyrics in order to "bring awareness" to the issue of gun violence amongst youth, which he feels is an epidemic perpetuated by "lack of family, lack of love, and isolation".[5][6] The song's title refers to shoes that the narrator's peers wear as a status symbol.[7] The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999. Fink said of his cousin's experience, "She was actually in the library when everything went down, so I actually flew out to be with her the day after it happened and experienced the trauma surrounding it and saw how affected she was by it. She is as close as a sister, so obviously, it affected me deeply. So to be able to have a song to create a platform to talk about this stuff has been good for us."[4]
Contrasting with the dark lyrics of the song, the music, which was written first, is upbeat. Foster said, "It's a 'fuck you' song to the hipsters in a way—but it's a song the hipsters are going to want to dance to."[3] Jeffery Berg of Frontier Psychiatrist said, "I was so engrossed with the cheery melody of its chorus that it took me a few listens to discover that the lyrics suggest dark, Columbine revenge."[8]
Due to the opening lyrics, "Robert's got a quick hand," many have speculated that the song is a reference to Robert Hawkins, perpetrator of Omaha's Westroads Mall shooting. The band's publicist refutes this with "This is completely false. The character name in the song is just a coincidence."[9] For play on the television channels MTV and MTVu, the words "gun" and "bullet" were removed from the song's chorus.[10] Foster believes many have misinterpreted the song's meaning, and he has written letters to his record label and called radio stations to complain. He explained, "The song is not about condoning violence at all. It's the complete opposite. The song is an amazing platform to have a conversation with your kids about something that shouldn't be ignored, to talk about it in a loving way."[2]
"Pumped Up Kicks" drew considerable attention online after Foster posted the song on his website as a free download in early 2010; Nylon magazine used the track in an online advertising campaign,[11] and through various blogs, it went viral.[12] Foster the People first performed the song live at the Stand Up Charity Benefit in Venice in February.[13] The group, yet to be signed, reached additional audiences with performances at the South by Southwest music festival in March 2010.[14] Foster was emailed by many people about the song, and needing professional guidance, he contacted artist manager Brent Kredel at Monotone, Inc., saying, "Everyone is calling me and emailing me—what do I do? Who are the good guys, who are the bad guys?" Kredel recalled that "He went from the guy who couldn't get a hold of anyone to being the guy who had hundreds of emails in his inbox." Kredel and Brett Williams were subsequently hired to co-manage Foster the People, and they helped the group get a multi-album record deal with Columbia Records imprint Startime International in May 2010.[11]
"Pumped Up Kicks" was licensed for use in a July 2010 episode of the TV series Entourage, the first of many instances in which Foster the People's music was licensed in popular media.[11] Wishing to release a record that would back up the song's success, the group wrote new material between July–September 2010.[11] The song received its first widespread radio play in July 2010 on Sirius XM's Alt Nation channel and the Australian radio station Triple J.[15] The song was released as their debut single on September 14, 2010.[citation needed] In November, the University of Maryland's radio station WMUC played the song, marking its debut on US terrestrial radio.[16] The song placed at number 32 in the Triple J's Hottest 100 for 2010,[17] a big achievement due to the band being relatively unknown in Australia. Still, the group was inexperienced as a live act, and as a result, their booking agent Tom Windish secured them several club shows "to help them get their sea legs." Foster the People promoted these concerts in January 2011 by emailing fans who had downloaded "Pumped Up Kicks" from their website, notifying them of the shows. The group continued to grow its fanbase with a month-long residency of concerts in January at The Echo nightclub in Los Angeles. By the group's third show at the venue, according to Windish, "there were hundreds of people trying to get in outside... It was an obvious turning point that could be measured in numbers." The residency also drew the attention of music supervisors in attendance who would later help the group license their music.[11]
In January 2011, the band issued their first commercial non-single release, a self-titled EP on which "Pumped Up Kicks" appeared. Around the same time, many alternative radio stations began playing "Pumped Up Kicks", including Los Angeles terrestrial stations KROQ-FM and KYSR, and it continued to gain popularity on Alt Nation.[11] Mark Foster credits Sirius XM's airplay with the song's success, saying, "Alt Nation played our music before any other radio outlet in the country."[18] On January 29, the song debuted on Billboard's Rock Songs chart and a week later, it debuted on the Alternative Songs chart. In May, the track debuted at number 96 on the Billboard Hot 100, and later that month, the group released their first full-length studio album, Torches, on which "Pumped Up Kicks" appears.[11] On May 23, 2011, BBC Radio 1 DJ Greg James selected the song as his Record of the Week, which ran until May 27. During this time, James released an accompanying video of him dancing to the song which he entitled and promoted "The Bum Dance".[19]
The song proved to be a crossover hit, peaking at number three on the Rock Songs chart in July and number one on the Alternative Songs chart in June, while breaking into the top 40 of the Hot 100 in late July and appearing on the Adult Top 40 and Mainstream Top 40 charts. Columbia senior VP of promotion Lee Leipsner said, "It was one of the only alternative bands I remember in a while that you could actually dance to. And the fact that the record has a groove and rhythmic feel to it—not heavy guitar-based at all—gave us a wide opportunity to cross the record." He credits the song's crossover success and push into the top 40 to a June presentation of new music by Clear Channel president of national programming platforms Tom Poleman. According to Leipsner, "After we showed our presentation, we had so many Clear Channel major-market programmers come up to us and say, 'The record I want to play besides Adele is Foster the People.'" "Pumped Up Kicks" peaked at number three on the Hot 100, spending eight consecutive weeks at the position.[11] It has been certified 3× platinum in the US, Canada,[20][21] and Australia,[22] while receiving a gold certification in Germany.[23] The song ranked as the sixth-best-selling digital song of 2011, selling 3.61 million copies.[24]
The music video, directed by Josef Geiger, was filmed at multiple locations in Los Angeles with insert footage from San Francisco[citation needed] and features the band playing a show. There are also cuts to band members doing other activities, such as playing frisbee and surfing. The video peaked at #21 on the MuchMusic Countdown in Canada.[25] The video has received over 83 million views on YouTube.[2]
"Pumped Up Kicks" received positive reviews from critics. Barry Walters of Spin said that with the song as their debut single, Foster the People "announce themselves as major players".[26] Jon Dolan of Rolling Stone described the song as having a "slinky groove, misty guitar flange and delicious astral-wimp vocals".[27] Rob Webb of NME drew some parallels between the song and other indie pop hits like "Young Folks", "Paris", and "Kids" describing its rise in popularity as thus: "artist writes (undeniably brilliant) pop song, makes it catchy as hell, but quirky enough for the 'cool' crowd, song subsequently gets some big pimping from every blog/radio station/Hype Machine user on the planet and, seemingly overnight, becomes utterly, irritatingly inescapable."[28] August Brown of the Los Angeles Times called it a "reputation-making single" that "cakes Foster in Strokes-y vocal distortion atop a loping synth bass".[29] Jon Pareles of The New York Times called it a "pop ditty with dazed, dweeby vocals and a handclapping chorus that warns, 'You better run, better run, outrun my gun'".[30] BBC Music's Mark Beaumont called the song a "psychedelic block party skipping tune". Reflecting on the song's fusion of various musical elements, Beaumont said the song is a prime example of how they "adapt Animal Collective's art-tronic adventurousness to incorporate the funky danceability of Scissor Sisters, the fuzzy pop catchiness of 'Kids' and the knack of throwing in deceptively downbeat twists akin to Girls, Sleigh Bells or Smith Westerns".[31] Matt Collar of Allmusic said the song, like other tracks from the album, is "catchy, electro-lite dance-pop that fits nicely next to such contemporaries as MGMT and Phoenix".[32] The Guardian's Michael Hann was less receptive, saying it "amounts to little more than a bassline and a chorus" and that "It's as irresistible as it is infuriating".[33]
A Rolling Stone readers poll named it the second-best song of summer 2011.[34] Claire Suddath of Time magazine named "Pumped Up Kicks" one of the Top 10 Songs of 2011.[35] In end-of-year polls, writers for Rolling Stone selected "Pumped Up Kicks" as the 11th-best song of 2011,[36] while the publication's readers voted it the year's sixth-best song.[37] A listeners poll by Toronto radio station CFNY-FM (102.1 The Edge) voted it #1 in a list of the top 102 new rock songs of 2011.[38] Entertainment Weekly selected the song as the second-best single of 2011.[39] NME ranked it number 21 on its list of the "50 Best Tracks of 2011", writing, "Unusually for a song so omnipresent, listening to its hyper-upbeat melodies about a psycho high-school kid-killer is still an enjoyable experience."[40] The magazine's readers voted "Pumped Up Kicks" the year's eighth-best song.[41] At the end of 2011, the song received a Grammy Award nomination for Best Pop Duo/Group Performance.[42]
In an article for The Huffington Post, DJ Louie XIV singled out "Pumped Up Kicks" as one of several popular songs that helped usher in the return of commercially successful indie music. In discussing the growing acceptance of fringe cultures, he wrote, "It seems only fitting, then, that the soundtrack to this time period should be music that was itself once viewed as fringe culture."[43] Reflecting on the song's success, Gary Trust, the associate director of charts/radio for Billboard, said, "They're walking a tightrope very well in terms of eras, formats and styles. When you mix all that together, it becomes a very good recipe for a hit that works on so many levels. It's the perfect song." Foster said of the song, "There's a spirit there and that's what people resonate with. 'Pumped Up Kicks' wasn't an accident."[2]
The song was used in TV series such as Entourage,[44] Gossip Girl, CSI:NY, Cougar Town, Homeland, Warehouse 13 and The Vampire Diaries and also in the 2011 films Friends with Benefits[11] and Fright Night, as well as sampled in Shawn Chrystopher's song "All the Other Kids", from his 2010 hip-hop album You, and Only You. The whistling part of the song is part of the rotation of bumper music played on the Michael Medved syndicated radio program. The song is also used on the BBC programme Match of the Day. On October 8, 2011, Foster the People performed the song on Saturday Night Live. The song was also used in Australian beer XXXX's "XXXX Summer Bright Lager" television commercial.[45]
The official remix of the single was released by New York City-duo The Knocks in April 2011, under the name "Pumped Up Kicks (The Knocks Speeding Bullet Remix)", and was made available to subscribers to the band's email list. The song was covered by Weezer during their 2011 North American Tour, at the Orange County Fair on August 4, 2011. Weezer also played the song during their grandstand performance at the Minnesota State Fair on September 3, 2011.[46] Mark Foster said in reaction, "Nine years ago, I met Rivers Cuomo at a party, and I had my acoustic guitar with me. He taught me how to play 'Say It Ain't So'. So nine years later, to watch him play one of my songs - it was wild. I can't wait to meet him and remind him of that story."[47]
In 2011, The Kooks covered song in BBC Radio 1's Live Lounge.[48] Australian musician Owl Eyes performed a version of "Pumped Up Kicks" for Triple J's Like a Version. In the Triple J Hottest 100, 2011, Owl Eyes' version came in at 28, four positions higher than the original did the previous year. Singer-songwriters Dani Shay and Justin Chase covered the song in a theatrical music video October 2011[49] and released the single in November 2011.[50] A parody of the song was performed by Taylor Swift and Zac Efron on The Ellen DeGeneres Show, as a serenade to the host. Its lyrics were about how they felt weird when Ellen used to put them as a couple when they were not.[51] On March 12, 2012 singers Lex Land and Charlotte Sometimes performed the song during the second "Battle Round" episode of The Voice.[52]
UK digital download[53] | ||||||||||
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No. | Title | Length | ||||||||
1. | "Pumped Up Kicks" | 3:58 | ||||||||
2. | "Pumped Up Kicks" (Chrome Canyon Remix) | 4:49 |
Vinyl – side A[54] | ||||||||||
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No. | Title | Length | ||||||||
1. | "Pumped Up Kicks" | 4:13 | ||||||||
2. | "Chin Music for the Unsuspecting Hero" | 3:26 |
Vinyl – side B[54] | ||||||||||
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No. | Title | Length | ||||||||
1. | "Pumped Up Kicks" (a cappella) | 4:13 | ||||||||
2. | "Pumped Up Kicks" (instrumental) | 4:13 |
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Certifications[link]
Year-end charts[link]
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Country | Date | Format | Label |
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United States | September 14, 2010[54] | Vinyl | Columbia Records |
United Kingdom | June 19, 2011[53] | Digital download |
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The Allman Brothers Band | |
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Background information | |
Origin | Jacksonville, Florida, U.S.A. |
Genres | Southern rock, blues rock, folk rock, hard rock, blues |
Years active | 1969–1976, 1978–1982, 1989–present |
Labels | Capricorn, PolyGram, Arista, Epic, Sanctuary |
Associated acts | Gov't Mule, The Dead, The Derek Trucks Band, Derek and the Dominos, Hour Glass, Great Southern, Sea Level |
Website | www.allmanbrothersband.com |
Members | |
Gregg Allman Butch Trucks Jai Johanny "Jaimoe" Johanson Warren Haynes Marc Quiñones Oteil Burbridge Derek Trucks |
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Past members | |
Duane Allman Dickey Betts Berry Oakley Chuck Leavell Lamar Williams Dan Toler David Goldflies David "Frankie" Toler Mike Lawler Allen Woody Johnny Neel Jack Pearson Jimmy Herring |
The Allman Brothers Band is an American rock/blues band once based in Macon, Georgia. The band was formed in Jacksonville, Florida, in 1969 by brothers Duane Allman (slide guitar and lead guitar) and Gregg Allman (vocals, organ, songwriting), who were supported by Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums).[1] While the band has been called the principal architects of Southern rock,[2] they also incorporate elements of blues, jazz, and country music, and their live shows have jam band-style improvisation and instrumental songs.
The band achieved its artistic and commercial breakthrough in 1971 with the release of At Fillmore East, featuring extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post" and often considered one of the best live albums ever made. George Kimball of Rolling Stone magazine hailed them as "the best damn rock and roll band this country has produced in the past five years."[3] A few months later, group leader Duane Allman was killed in a motorcycle accident. The group survived that and the death of bassist Oakley in another motorcycle accident a year later; with replacement members Chuck Leavell and Lamar Williams, the Allman Brothers Band achieved its peak commercial success in 1973 with the album Brothers and Sisters and the hit single "Ramblin' Man". Internal turmoil overtook the band soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.
In 1989, the group reformed with some new members and has been recording and touring since. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge, Warren Haynes and Derek Trucks, (the nephew of their drummer), serving as its guitarists, and became renowned for their month-long string of shows in New York City each spring. The band has been awarded eleven gold and five platinum albums between 1971 and 2005[4] and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.[5]
Contents |
The band was formed in Macon, GA, and consisted of Duane and Gregg Allman, Dickey Betts, Berry Oakley, Butch Trucks, and Jai Johanny Johanson.[1] Brothers Duane and Gregg Allman grew up in Daytona Beach, Florida, and had been playing music publicly since the early 1960s. They formed a garage band called the Escorts in 1963, which evolved into the Allman Joys in 1965.[6] From there the brothers formed Hour Glass and moved to Los Angeles. The Hour Glass released two failed albums on Liberty Records in 1967 and 1968.[1][6] They were all released from the contract except Gregg, who Liberty thought might have some commercial potential.[6] Gregg and Duane had previously met Butch Trucks and his band The 31st of February while touring as the Allman Joys, and decided to record an album with them in September 1968, shortly after the breakup of Hour Glass. This album was eventually released as Duane & Greg Allman on the Bold Records label in 1972. Duane Allman played on Wilson Pickett's hit version of "Hey Jude" and became the primary session guitarist for FAME Studios in Muscle Shoals, Alabama, recording with Aretha Franklin, King Curtis, Percy Sledge, and others.[6] Allman started jamming with Dickey Betts, Butch Trucks and Berry Oakley in Jacksonville. Eddie Hinton, with whom Duane Allman had played in Muscle Shoals, was considered to play guitar, but Hinton refused in order to join the Muscle Shoals studio band.[citation needed] Duane brought in Jaimoe, a drummer he had played with in the past.
Gregg was in Los Angeles, fulfilling the Hour Glass contract with Liberty Records. He was summoned back to Jacksonville.
The Allman Brothers Band played numerous shows in the South before releasing their debut album, The Allman Brothers Band in 1969 to critical acclaim. It featured future jam standards "Whipping Post" and a 12/8 time slide guitar tour de force "Dreams". A cult following began to build.
Idlewild South was released in 1970 to critical success and improved sales. Produced by Tom Dowd it featured the upbeat "Revival" and the moody-but-resolute "Midnight Rider". After completing the Idlewild South sessions Duane Allman joined Eric Clapton and his ad hoc Derek and the Dominos to record the classic Layla and Other Assorted Love Songs.
1971 saw the release of a live album, At Fillmore East, recorded on Friday and Saturday March 12 and March 13 of that year at the legendary rock venue the Fillmore East. The album was another huge hit. Rolling Stone listed At Fillmore East as number 49 on of The 500 Greatest Albums of All Time.[7] It showcased the band's mix of jazz, classical music, hard rock, and blues, with arrangements propelled by Duane's and Betts' dual lead guitars, Oakley's long, melodic "third guitar" bass runs, the rhythm section's pervasively percussive yet dynamically flexible foundation, and Gregg Allman's gritty Ray Charles-like vocals and piano/organ play which all completed the band's wall of sound. The rendering of Blind Willie McTell's "Statesboro Blues" was a straight-ahead opener, the powerful "Whipping Post" (with its famous 11/4 bass opening) became the standard for an epic jam that never lost interest, while the ethereal-to-furious "In Memory of Elizabeth Reed" invited comparisons to John Coltrane and Miles Davis.[8][9]
The Allman Brothers were the last act to play the Fillmore East before it closed in June 1971. The final shows achieved legendary status, partly due to bands literally playing all night; in 2005 Gregg Allman would relate how the jamming musicians lost track of time, not realizing it was dawn until the side doors of the Fillmore were opened and the morning light poured in.
The band continued to tour; decades later, a special-order recording of one of their final concerts in this lineup, S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71, would be released.[10] It reveals that Duane Allman's slide guitar playing on "Dreams" and other songs was touching the farthest reaches of both that instrument and his imagination.[10]
Duane Allman died not long after the Fillmore East album was certified gold, killed in a motorcycle accident on October 29, 1971 in Macon, Georgia, when he collided with the rear of a flatbed truck that had turned in front of him. The group decided to carry on. The album continued to gain FM radio airplay, with stations even playing 13-minute and 23-minute selections.
Dickey Betts filled Duane's former role in completing the last album Duane participated in, Eat a Peach, released in February 1972. The album was often softer ("Blue Sky", "Little Martha") and wistful in tone ("Melissa", "Ain't Wastin' Time No More"), capped by the 34-minute "Mountain Jam" reverie taken from the Fillmore East concerts. Writer Greil Marcus described parts of Eat a Peach as an "after-the-rain celebration... ageless, seamless... front-porch music stolen from the utopia of shared southern memory."
The group played some concerts as a five-man band, then decided to add Chuck Leavell, a pianist, to gain another lead instrument but without, however, directly replacing Duane. This new configuration debuted on November 2, 1972, on ABC's In Concert late-night television program.
Days later, on November 11, 1972, Berry Oakley died from head injuries he received in another motorcycle accident near Napier Avenue and Inverness Street, only three blocks from the site of Duane's accident the previous year. The common retelling that it was at exactly the same site as Duane's death is incorrect, as is the legend that the Eat a Peach album is named for what was being carried by the truck involved in Allman's accident.[11] Both Duane and Berry were 24 years old, yet another coincidence.
Oakley was replaced by Lamar Williams at the end of 1972, in time to finish the next album, Brothers and Sisters, released in August 1973.
Dickey Betts was becoming the group's unofficial leader.[6] Brothers and Sisters included the group's best known hits, "Ramblin' Man" and "Jessica", both written by Betts; the former reached #2 on the Billboard Hot 100 as a single, while the latter was a seven-minute instrumental hit.
The Allman Brothers Band had become one of the top concert draws in the country. Probably their most celebrated performance of the era took place on July 28, 1973 at the Summer Jam at Watkins Glen outside Watkins Glen, New York, in a joint appearance with The Grateful Dead and The Band. An estimated 600,000 people made it to the racetrack where this massive outdoor festival took place.
In the wake of the Allman Brothers Band's success, many other Southern rock groups rose to prominence, including the Marshall Tucker Band (who played as the Allman Brothers Band's opening act for many shows on their 1973 tour) and Lynyrd Skynyrd.
Another peak of the Allmans' success came on New Year's Eve, 1973, when promoter Bill Graham arranged for a nationwide radio broadcast of their concert from San Francisco's Cow Palace. New arrangements of familiar tunes such as "You Don't Love Me" went out over the airwaves, as the show stretched out over three sets, with Boz Scaggs sitting in, along with Grateful Dead members Jerry Garcia and Bill Kreutzmann (Allmans and Grateful Dead members guested at each other's shows multiple times in the early 1970s).
Personality conflicts started to tear the band apart, however. Gregg Allman and Dickey Betts both began solo careers, while Allman married Cher, separated quickly, reconciled, and eventually separated again, all in a storm of publicity; drug abuse took its toll on the entire band. Musically, Betts and Leavell were pulling in opposite directions, with Allman trying to mediate.
The tension resulted in the uneven Win, Lose or Draw (1975), with some members not participating on all tracks or doing so only from afar. The few stand-out tracks included a stop-start take on Muddy Waters' "Can't Lose What You Never Had", Betts' instrumental "High Falls", and Allman's Jackson Browne-influenced title song.
The band managed to limp along until 1976, when Gregg Allman was arrested on federal drug charges and agreed to testify against a friend and tour manager and bodyguard for the band, John "Scooter" Herring. Leavell, Johanson, and Williams formed Sea Level, while Betts worked on his solo career. All four swore that they would never work with Allman again.
Meanwhile, Capricorn Records released a compilation album, The Road Goes On Forever, and a poorly received live album, Wipe the Windows, Check the Oil, Dollar Gas. Neither sold very well.
The group reformed in 1978 and released the strong Enlightened Rogues (1979). It featured new members Dan Toler (guitar) and David Goldflies (bass), who replaced Leavell and Williams, both of whom concentrated on Sea Level instead. "Crazy Love" was a minor hit single, and the instrumental "Pegasus" got some airplay, but overall The Allman Brothers Band was no longer as popular as before, and financial woes plagued both the group and Capricorn Records, which collapsed in 1979. PolyGram took over the catalogue, and the Allman Brothers Band signed to Arista Records. The group released a pair of critically slammed albums, firing Jaimoe in the process, and then disbanded once again in early 1982.
Allman quickly formed the Gregg Allman Band with the Toler brothers Dan and David ("Frankie") (drums) in 1982 and began touring small venues and clubs. Betts, Leavell, Trucks and Goldflies formed the band Betts Hall Leavell Trucks (BHLT). Neither garnered attention from any record labels. BHLT would dissolve two years later.
The Allman Brothers Band reunited in 1986 for a pair of benefit concerts for promoter Bill Graham in New York and Macon. Allman, Betts, Trucks, Jaimoe, Leavell, and Dan Toler performed together but no subsequent reunion plans for the band were made. The following year, the Gregg Allman Band and the Dickey Betts Band co-headlined a theatre and club tour. After each band played a set of music, Betts, Allman and the Tolers performed a closing set of Allman Brothers music together.
In 1987, Epic Records signed both Allman and Betts to separate solo contracts. The Gregg Allman Band had a surprise FM hit single with the title track to the 1987 album I'm No Angel. Just Before the Bullets Fly quickly followed from Allman in 1988. The Dickey Betts Band, including Warren Haynes, was also formed during this time and released the album Pattern Disruptive in 1988. This series of collaboration among bandmembers and interest from a major label during the late 1980s laid the groundwork for the next era of Allman Brothers Band activity and success.
In 1989 The Allman Brothers reunited and returned to popular consciousness of the American public, spurred by Gregg's recent FM radio success, the release of archival material by PolyGram, and the start of regular appearances on the American summer outdoor amphitheatre circuit. Warren Haynes (guitar, vocals), Johnny Neel (keyboards and harmonica), and Allen Woody (bass guitar) joined originals Allman, Betts, Jaimoe and Trucks. Leavell opted to go on tour again with the Rolling Stones, with whom he has been a touring member since 1982.
After the 20th Anniversary tour, the band signed to Epic Records and released Seven Turns (1990), which got excellent reviews. This was followed by Neel's departure and a series of moderately-selling, but critically well-received albums including Shades Of Two Worlds (1991) and Where It All Begins (1994, certified Gold by the RIAA 1998), both featuring new percussionist Marc Quiñones. Warren Haynes and Allen Woody formed their own side project Gov't Mule in 1994. In 1995, the band was inducted into the Rock and Roll Hall of Fame and in 1996 they won the Grammy Award for Best Rock Instrumental Performance for "Jessica". When Haynes and Woody decided to concentrate full-time on Gov't Mule in 1997, Haynes was replaced on guitar by Jack Pearson, while Woody was replaced on bass by Oteil Burbridge. Derek Trucks, nephew of original Brother Butch Trucks, replaced Pearson in 1999.
In 2000, the band forced Dickey Betts out for "personal and professional reasons." For this tour, he was replaced by Jimmy Herring. Betts then filed a lawsuit against the other three original members and the summer separation turned into a permanent divorce. Also in 2000, former bassist Allen Woody was found dead on August 26. The band did release the live CD Peakin' at the Beacon that year which chronicled the now-annual March tradition of a many-night stand at the Beacon Theater in New York City. The band has sold out the 2900-seat Upper West Side Manhattan theatre 188 times since 1989. The tradition is known as the "Beacon Run" among fans, who travel from across the United States, Canada and Western Europe to see these annual March and April shows.
Warren Haynes began appearing with the Allmans again in 2000 and rejoined full-time in 2001, while also maintaining his active schedule with Gov't Mule. (Haynes also toured during this time and later in the decade with former members of the Grateful Dead). Haynes' return marked a new period of stability and productivity for the band after nearly four years of lineup shifts. The Haynes-produced Hittin' the Note was released in 2003 to popular and critical acclaim, as was the Live At the Beacon Theatre DVD film (2003, certified Platinum 2004). The live CD One Way Out (2004) also chronicled the Beacon concerts.
The Allman Brothers garnered back to back Grammy Award nominations in 2003 and 2004 in the category of Best Rock Instrumental for performances of "Instrumental Illness" from Hittin' The Note and One Way Out. In 2003, Rolling Stone magazine named Duane Allman, Warren Haynes, Dickey Betts, and Derek Trucks to their list of the 100 Greatest Guitarists of All Time,[12] with Allman coming in at #2 and Trucks being the youngest guitarist on their list.
The Warren Haynes and Derek Trucks lineup continued the band's connection with younger music fans via concert pairings with popular jam bands The String Cheese Incident, moe, and Dave Matthews Band among others. The Allman Brothers Band continue to be a major attraction at the Bonnaroo Music Festival since 2003. Since 2005, the Allmans have staged their own two day Wanee Music Festival at the Spirit of the Suwannee Music Park in Live Oak, Florida. The Allmans, Gov't Mule and The Derek Trucks Band perform on different stages along with younger roots artists including the North Mississippi Allstars, Robert Randolph and The Family Band, Medeski, Martin and Wood, Devon Allman's Honeytribe, Nickel Creek, Mofro and others.
Allman Brothers songs have been used in various advertising campaigns and television programs, with the most well-known use being that of "Jessica" used in both the 1977 and 2002 formats of the BBC television series Top Gear. "Jessica" was also used in the film Field of Dreams. It was also the opening song of a famous radio show in the State of Bavaria, Germany during the 70s known as "Club 16" (http://peterhammer.de/sound4/br/club16outro.html with an example while the show ends. )
The band cancelled their Beacon run for 2008 due to Gregg Allman recovering from hepatitis C treatments,[13] but they were back on the road that summer for the amphitheater circuit. On November 20, 2008, The Allman Brothers Band received the Legend Of Live Award at the 2008 Billboard Touring Awards ceremony in New York.[14] The award recognized "a touring professional who has had a significant and lasting impact on the concert industry."[15] At the ceremony, Gregg Allman talked about his brother Duane, saying: "It happens to be today would have been his 62nd birthday and I'm sure he's looking down on this and is really proud of us. We'll keep coming back until we can't come back no more."[14]
The Allman Brothers Band celebrated their 40th anniversary in 2009.[15] That year's Beacon run also marked the 20th anniversary of their appearances in that venue; and the band focused on paying tribute to Duane, inviting guest appearances from those who had played with him.[13] The 15-night stand was considered to be the best Beacon run of all,[16] highlighted by two nights of the first-ever stage appearance of Eric Clapton with the band and performances of numbers from Layla and Other Assorted Love Songs.[16] Guests on other nights included members of the Grateful Dead, Phish, Levon Helm and his band, and represented genres from bluesman Buddy Guy to jazz great Lenny White to rap-rock-country eccentric Kid Rock.[16] On March 26, three days after the actual anniversary of the band's 1969 forming, what's been known as the "Legendary Jacksonville Jam", the band featured no guests but performed their first two albums in their entirety.[16]
In March 2010, The Allman Brothers Band's New York run changed venues from the Beacon Theater to the far uptown United Palace Theatre, but in March 2011, the Allman Brothers returned to the Beacon Theater, playing their 200th show there on March 26.
In 2012, the Allman Brothers Band was awarded the Grammy Lifetime Achievement Award.
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Duane Allman | |
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![]() At Fillmore East, 1971 |
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Background information | |
Birth name | Howard Duane Allman |
Also known as | Skydog |
Born | (1946-11-20)November 20, 1946 Nashville, Tennessee |
Died | October 29, 1971(1971-10-29) (aged 24) Macon, Georgia |
Genres | Southern rock, blues, blues-rock, soul, rock, jazz |
Occupations | Musician, songwriter |
Instruments | Guitar, vocals |
Years active | 1961–1971 |
Labels | Mercury, Capricorn |
Associated acts | The Hour Glass, Wilson Pickett, The Allman Brothers Band, Derek and the Dominos, Aretha Franklin, Herbie Mann, Gregg Allman, The Allman Joys |
Website | AllmanBrothersBand.com |
Notable instruments | |
Gibson Les Paul Gibson SG Fender Stratocaster Gibson ES-345 |
Duane Allman (born Howard Duane Allman; November 20, 1946 – October 29, 1971) was an American guitarist, session musician and the primary co-founder and leader of the The Allman Brothers Band, until his early death in a motorcycle accident in 1971 at the age of 24.
ABB was formed in 1969 and, unusually for the time, based in the Southeastern United States. In the early 1970s the band was hugely successful. Duane is best remembered for his brief but influential tenure in that band and in particular for his expressive slide guitar playing and inventive improvisational skills.[1] In 2003, Rolling Stone magazine ranked Allman at #2 in their list of the 100 greatest guitarists of all time, second only to Jimi Hendrix and in 2011 he was ranked #9.[2] His tone (achieved with a Gibson Les Paul and two 50-watt bass Marshall amplifiers) was named one of the greatest guitar tones of all time by Guitar Player.[3]
A sought-after session musician both before and during his tenure with the band, Duane Allman performed with such established stars as King Curtis, Aretha Franklin, Wilson Pickett, and Herbie Mann. He also contributed heavily to the 1970 album Layla and Other Assorted Love Songs by Derek and the Dominos.
Duane Allman’s skills as a guitarist were complemented by personal qualities such as his intensity, drive and ability to draw the best out of others in making music.[4] He is still referred to by his nickname "Skydog".[5]
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Duane Allman was born November 20, 1946 in Nashville, Tennessee. He was the eldest son of Willis Allman, a career United States Army sergeant, and Geraldine (née Robbins). His younger brother Gregg Allman was born in late 1947.
While the family were living near Norfolk, Virginia, his father was murdered by a fellow veteran hitchhiker.[6] In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely.[7] In 1957, the family moved to Daytona Beach, Florida where the boys attended Seabreeze High School.
The boys returned to Nashville to spend summers with their grandmother where Gregg learned guitar basics from a neighbour. In 1960, Gregg had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone while Duane acquired a Harley 165 motorbike which he soon wrote off. So Duane began to take an interest in the guitar leading to fights over it and eventually their mother bought Duane a Gibson Les Paul Junior.[8]
It was also in Nashville that the boys became musically inspired by a rhythm and blues concert they attended, at which blues guitar legend B. B. King performed. Apparently, Duane turned to Gregg and said, "We got to get into this." [8]
Duane learned to play very quickly and soon became the better guitarist of the two, dropping out of high school to stay home during the day and focus on developing his guitar skills.
The two Allman brothers started playing publicly in 1961, joining or forming a number of small, local groups. Shortly thereafter, Duane quit high school to stay home during the day and focus on his guitar playing. Their band the Escorts opened for The Beach Boys in 1965 but disbanded and eventually became the Allman Joys. After Gregg graduated from Seabreeze High School in 1965, the Allman Joys went on the road, performing throughout the Southeast and eventually being based in Nashville and St. Louis, Missouri.
The Allman Joys morphed into another not-completely-successful band, The Hour Glass, which moved to Los Angeles in early 1967. There the Hour Glass produced two albums that left the band unsatisfied. Liberty, their record company, tried to market them as a pop band, completely ignoring the band's desire to play more blues-oriented material.
In 1968, Gregg Allman went to visit Duane on his 22nd birthday. Duane was sick in bed. Gregg brought along a bottle of Coricidin pills for his fever and the debut album by guitarist Taj Mahal as a gift. "About two hours after I left, my phone rang," Gregg states. "Baby brother, baby brother, get over here now!" When Gregg got there, he found that Duane had poured the pills out of the bottle, washed off the label and was using it as a slide to play "Statesboro Blues", an old Blind Willie McTell song that Taj Mahal covered. "Duane had never played slide before," says Gregg, "he just picked it up and started burnin'. He was a natural."[citation needed] The song would go on to become a part of the Allman Brothers Band's repertoire, and Duane's slide guitar became crucial to their sound.
The Hour Glass broke up in early 1968, and Duane and Gregg Allman went back to Florida, where they played on demo sessions with the 31st of February, a folk rock outfit whose drummer was Butch Trucks. Gregg returned to California to fulfill Hour Glass obligations, while Duane jammed around Florida for months but didn't get another band going.
Allman's playing on the two Hour Glass albums and an Hour Glass session in early 1968 at FAME Studios in Muscle Shoals, Alabama, had caught the ear of Rick Hall, owner of FAME. In November 1968 Hall hired Allman to play on an album with Wilson Pickett. Allman's work on that album, Hey Jude (1968), got him hired as a full-time session musician at Muscle Shoals and brought him to the attention of a number of other musicians, such as Eric Clapton, who later said, "I remember hearing Wilson Pickett's 'Hey Jude' and just being astounded by the lead break at the end. I had to know who that was immediately—right now."
Allman's performance on "Hey Jude" blew away Atlantic Records producer and executive Jerry Wexler when Hall played it over the phone for him. Wexler immediately bought Allman's recording contract from Hall and wanted to use him on sessions with all sorts of Atlantic R&B artists. While at Muscle Shoals, Allman was featured on releases by a number of artists, including Clarence Carter, King Curtis, Aretha Franklin, Laura Nyro, Wilson Pickett, Otis Rush, Percy Sledge, Johnny Jenkins, Boz Scaggs, Delaney & Bonnie and jazz flautist Herbie Mann. Shortly after he recorded the lead break in "Hey Jude", he recorded all of the lead guitar in Boz Scaggs' "Loan Me a Dime". For his first sessions with Aretha, Allman traveled to New York, where in January 1969 he went as an audience member to the Fillmore East to see Johnny Winter and told fellow Shoals guitarist Jimmy Johnson that in a year he'd be on that stage. That December, the Allman Brothers Band indeed played the Fillmore.
The limits of full-time session playing frustrated Allman. The few months in Muscle Shoals were by no means a waste, however; besides meeting the great artists and other industry professionals he was working with, Allman had rented a small, secluded cabin on a lake and spent many solitary hours there refining his playing. Perhaps most significantly, Allman got together with R&B and jazz drummer Jaimoe Johanson, who came to meet Allman at the urging of Otis Redding's manager, Phil Walden, who by now was managing Allman and wanted to build a three-piece band around him. Allman and Jaimoe got Chicago-born bassist Berry Oakley to come up from Florida and jam as a trio, but Berry was committed to his rock band with guitarist Dickey Betts, the Second Coming, and returned south.
Getting fed up with Muscle Shoals, in March Allman took Jaimoe with him back to Jacksonville, Florida, where they moved in with Butch Trucks. Soon a jam session of these three plus Betts, Oakley, and Reese Wynans took place and forged what all present recognized as a natural, or even magical, bond. With the addition of brother Gregg, called back from Los Angeles to sing and replace Wynans on keyboards, at the end of March 1969, the Allman Brothers Band was formed. (Wynans became well known over a decade later as organist with Stevie Ray Vaughan & Double Trouble.) After a bit of rehearsing and gigging, the sextet moved to Macon, Georgia, in April to be near Walden and his Capricorn Sound Studios. While living in Macon, Allman met Donna Roosman, who bore his only child, Galadrielle. Despite their child, the relationship quickly ended.
The Allman Brothers Band went on to become one of the most influential rock groups of the 1970s, described by Rolling Stone's George Kimball in 1971 as "the best damn rock and roll band this country has produced in the past five years."[9] After months of nonstop rehearsing and gigging, including free shows in Macon's Central City Park and Atlanta's Piedmont Park, the group was ready to settle on the Allman Brothers Band name, and to record. Their debut album, The Allman Brothers Band, was recorded in New York in September 1969 and released a few months later. In the midst of intense touring, work began in Macon and Miami (Atlantic South - Criteria Studios), and a little bit in New York, on the band's second album, Idlewild South. Produced mostly by Tom Dowd, Idlewild South was released in August 1970 and broke new ground for them by quickly hitting the Billboard charts.
A group date in Miami, also that August, gave Allman the chance to participate in Eric Clapton's Layla and Other Assorted Love Songs. Clapton had long wanted to meet Allman; when he heard that the Allman Brothers were due to play in Miami, where he had just started work on Layla with producer Tom Dowd, he insisted on going to see their concert, where he met Allman. At one point, Allman approached Clapton, fully admiring his ability to play guitar as much as Clapton admired his, and cautiously asked Clapton if he could come by the studio to watch. Clapton was in no way reluctant to say yes, as he knew that his masterful playing combined with Allman's would be greater than the sum of its parts. After the show the two bands—the Allman Brothers Band and Derek and the Dominos—returned to Criteria, where Allman and Clapton quickly formed a deep rapport during an all-night jam session.[10] Allman wound up participating on most of the album's tracks, contributing some of his best-known work. Allman never left the Allman Brothers Band, though, despite being offered a permanent position with Clapton. Allman never toured with Derek and the Dominos, but he did make three appearances with them on December 1, 1970 at the Curtis Hixon Hall in Tampa (Soulmates LP) and the following day at Onondaga County War Memorial, and one appearance (or possibly just Delaney Bramlett or both Duane and Delaney) November 20, 1970[11] at the Santa Monica Civic Auditorium, California.
In an interview, Duane told listeners how to tell who played what: Eric played the Fender parts and Duane played the Gibson parts. He continued by nonchalantly noting that the Fender had a sparklier sound, while the Gibson produced more of a "full-tilt screech".[12]
The Allman Brothers went on to record At Fillmore East in March 1971. Meanwhile, Allman continued contributing session work to other artists' albums whenever he could. According to Skydog: the Duane Allman Story, Allman was in the habit of spontaneously dropping in at recording sessions and contributing to whatever was being taped that day. He received cash payments but no recording credits, making it virtually impossible to compile a complete discography of his works.
Allman was well known for his melodic, extended and attention-holding guitar solos. During this period two of his stated influences were Miles Davis and John Coltrane, having listened extensively to Kind of Blue for two years.[12][13]
As Allman's distinctive electric bottleneck steel sound began to mature it evolved in time into the musical voice of what would come to be known as Southern Rock, being picked up and redefined in their own styles by slide guitarists that included bandmate Dickey Betts (after Duane's passing), Rory Gallagher, Derek Trucks and Gary Rossington of Lynyrd Skynyrd.
Duane Allman was killed in a motorcycle accident only months after the release and initial success of At Fillmore East.[14] While in the western part of Macon on October 29, 1971 during a band break from touring and recording, Allman was riding his motorcycle at high speed toward an intersection as a flatbed truck carrying a lumber crane approached. The flatbed truck stopped suddenly in the intersection, forcing Duane to swerve his Harley Davidson Sportster motorcycle sharply to the left to avoid a collision. As he was doing so, he struck either the back of the truck or the ball on the lumber crane and was immediately thrown from the motorcycle. The motorcycle bounced up in the air and landed on Allman and proceeded to skid another 90 feet with Duane pinned underneath, crushing his internal organs. Though he was still alive when he arrived at the hospital, despite emergency surgery, he died several hours later from massive internal injuries. He was just weeks from his 25th birthday.
After Allman's funeral and some weeks of mourning, the five surviving members of the Allman Brothers Band carried on, resuming live performances and finishing the recording work interrupted by Duane's death. They named their next album Eat a Peach for Duane's response to an interviewer's question: "How are you helping the revolution?" Allman replied: "There ain't no revolution, only evolution, but every time I'm in Georgia I 'eat a peach' for peace." Released in February, 1972, this double album contains a side of live and studio tracks with Allman, two sides of "Mountain Jam", recorded with Duane at the same At Fillmore East stand in March, and a side of tracks by the surviving five member band.
Bass guitarist Berry Oakley died less than 13 months later in a similar motorcycle crash with a city bus, three blocks from the site of Duane Allman's fatal accident. Oakley's remains were laid to rest beside Duane Allman's in Macon, Georgia's Rose Hill Cemetery.
The variety of Allman's session work and Allman Brothers Band bandleading can be heard to good effect on two posthumous Capricorn releases, An Anthology (1972) and An Anthology Volume II (1974). There are also several archival releases of live Allman Brothers Band performances from what the band calls "Duane's Era".
Shortly after Duane's death, Ronnie Van Zant of Lynyrd Skynyrd dedicated the song "Free Bird", to the memory of Duane Allman. Van Zant would sometimes allude to this in concert; in the "Free Bird" performance at Skynyrd's famed 1976 appearance at Knebworth, England, Van Zant says to pianist Billy Powell, "Play it for Duane Allman." Many people assume the song was written about Duane. However, it had actually been written well before Duane died. (Allen Collins wrote the song after his then girlfriend asked him the question "if I leave here tomorrow, would you still remember me?")
In 1973, fans carved the very large letters "REMEMBER DUANE ALLMAN" in a dirt embankment along Interstate Highway 20 near Vicksburg, Mississippi.[15][16] A photograph was published in Rolling Stone magazine and in the Rolling Stone Illustrated History of Rock & Roll; the carving itself lasted for over ten years.[17]
In 1998 the Georgia State Legislature passed a resolution designating a stretch of State Highway 19, US 41, within Macon as the "Duane Allman Boulevard" in his honor.[18]
Country singer Travis Tritt, in the song "Put Some Drive In Your Country" on his debut album, sings "Now I still love old country/I ain't tryin' to put it down/But damn I miss Duane Allman/I wish he was still around."
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Persondata | |
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Name | Allman, Duane |
Alternative names | Allman, Howard Duane |
Short description | American rock guitarist |
Date of birth | November 20, 1946 |
Place of birth | Nashville, Tennessee |
Date of death | October 29, 1971 |
Place of death | Macon, Georgia |