Vivian Fine (Chicago, 28 September 1913 - Bennington, Vermont, 20 March 2000) was an American composer.

Over her 70 year career, Vivian Fine became one of America’s most important composers. She wrote virtually without a break for 68 years, producing over 140 works. Although perhaps best known for her chamber music, she wrote in every genre, including large-scale symphonic and choral works. In addition to numerous articles and several dissertations, two books have been published on Fine’s life and music: The Music of Vivian Fine, by the noted musicologist Heidi Von Gunden (Scarecrow Press, 1999), which won the ASCAP-Deems Taylor award in 2000, and Vivian Fine, A Bio-Bibliography, by the poet and composer Judith Cody (Greenwood Press, 2002). Her complete musical archives may be found on her website at vivianfine.org.

Vivian Fine was born in Chicago. A piano prodigy, she became at age five the youngest student ever to be awarded a scholarship at the Chicago Musical College. At age eleven she became a student of Scriabin disciple Djane Lavoie-Herz. Fine composed her first piece at thirteen while studying harmony with Ruth Crawford, who considered Fine her protegée. Through Madame Herz and Crawford, Fine met Henry Cowell, Imre Weisshaus, and Dane Rudhyar, who became strong supporters of her talent.

Fine made her professional debut as a composer at age sixteen with performances in Chicago, New York (Solo for Oboe, at a Pan-American Association of Composers’ concert) and Dessau (Four Pieces for Two Flutes, at an International Society of Contemporary composers’ concert). In 1931, the 18-year-old Fine moved to New York to further her studies. She was a member of Aaron Copland’s Young Composers Group, and a participant at the first Yaddo Festival in 1932. In 1937 she helped found the American Composers Alliance and served as its vice-president from 1961 to 1965. In addition to her career as a composer, Fine continued to perform. In the 1930s she was perhaps the best-known performer of contemporary piano music in New York. She premiered works of Charles Ives, Copland, Brant, Cowell, Rudhyar, and others, and studied piano with Abby Whiteside from 1937 to 1946.

Fine’s early compositional style was highly dissonant and contrapuntal. In 1934 she began a nine-year course of composition studies with Roger Sessions, and her work became for a time more tonal, as exemplified by Suite in E Flat (1940) and Concertante for Piano and Orchestra (1944). In 1946, with Capriccio for Oboe and String Trio and The Great Wall of China, she returned to a freer mode of expression, to which she adhered for the remainder of her career, steadily expanding her expressive and generic range. She employed diverse techniques corresponding to a wide range of musical subjects. Henry Brant noted that “No two Fine pieces are alike either in subject matter or instrumentation; each new work appears to generate its own style appropriate to the subject, and there are no mannerisms which persist from work to work.”

Notable in Fine’s work is a sense of fun, either as a major element in the piece (The Race of Life, Memoirs of Uliana Rooney) or as a humorous section or reference inserted into a more serious piece (The Women in the Garden, Songs and Arias).

Fine wrote extensively for voice, employing the poetry of Shakespeare, Racine, Dryden, Keats, Whitman, Dickinson, Kafka, Neruda, and others in a wide variety of settings. She composed two chamber operas, The Women in the Garden (1978) and Memoirs of Uliana Rooney (1994). In The Women in the Garden, Fine used the writings of Emily Dickinson, Virginia Woolf, Isadora Duncan and Gertrude Stein to fashion conversations among the four women and a tenor representing the various men in their lives. Memoirs of Uliana Rooney (1994), Fine’s last major composition, is a contemporary opera buffa, with libretto and videography by Sonya Friedman. The work, autobiographical in spirit if not in factual detail, follows American composer Uliana Rooney as she journeys through the 20th century, surviving changing political climates and several husbands to ultimately triumph.

Among Fine’s many awards were a Guggenheim Fellowship, grants from the Ford, Rockefeller, Ditson, Woolley, Koussevitsky, Reader's Digest and Elizabeth Sprague Coolidge foundations, several grants from the National Endowment for the Arts, and the Dollard and Yaddo Awards. In 1980, she was elected to the American Academy and Institute of Arts and Letters. For many years, Fine was a beloved member of the faculty of Bennington College in Vermont. She died at the age of 86, following an automobile accident.

Fine's manuscripts are housed at the Library of Congress.

References[link]

• Her website

External links[link]

• Interview with Vivian Fine by Bruce Duffie, November 8, 1986

Vivian Green is an American R&B and soul singer, songwriter and pianist.

Biography[link]

Early life[link]

Green was born May 22, 1979 in the East Oak Lane neighborhood of Philadelphia, Pennsylvania, and took an interest in singing, playing the piano, and songwriting at a very young age. At the age of thirteen, she became a member of a female quintet called Younique. Also, she is a graduate of Parkway Northwest High School for Peace and Social Justice. Green has credit for writing "Dear God" by Boyz II Men, from their 1997 album Evolution. Green received her big break at the age of nineteen when she became a backup singer for Jill Scott, who took her on an international tour. She signed to Columbia Records in November 2002.

Personal life[link]

Between her first and second albums, she took a three-year hiatus. During this time she had son Jordan (2003) ), with ex fiance, drummer Erik Tribbett. She continues to live in Philadelphia where she is raising her son as a single parent.

Career[link]

[edit] A Love Story (2001-2003)

Green released her debut album, A Love Story, in November 2002 in the U.S. and February 2003 in the United Kingdom, featuring the hit "Emotional Rollercoaster". In the meantime, Green made a cameo appearance in the Cole Porter biopic De-Lovely singing a cover version of Porter's 1930 song "Love for Sale", which made the film's soundtrack album. She also played Brenda Holloway in an episode of the first season of NBC's drama series American Dreams, entitled "The Carpetbaggers" (originally aired on April 6, 2003), performing a rendition of Holloway's 1964 hit "Every Little Bit Hurts".

[edit] Vivian (2004-2006)

In 2005, she appeared on Cyndi Lauper's The Body Acoustic album on the tracks "I'll Be Your River" and "Sisters of Avalon".

During the spring of 2005, three years after the release of her debut album, Green released her second studio album Vivian. It featured the hit lead single "Gotta Go, Gotta Leave (Tired)". The lead single "Gotta Go, Gotta Leave" debuted at #102 on the Hot 100, #24 on the Hot R&B, and #1 on Hot Dance charts. The song also charted #1 on the Hot Adult Airplay.^[1] The track known as "I Like It (But I Don't Need It)" followed up as the album's second single. The song followed up the previous single "Gotta Go, Gotta Leave"'s success by charting #1 on the Dance charts. The third single, "Cursed", debuted at #102 on the Hot R&B charts.

2007-present[link]

In 2007, Green appeared on Guru's album Jazzmatazz, Vol. 4: The Hip-Hop Jazz Messenger: Back to the Future on the track "Fine and Free". While performing at a gig in support of her second album, Green announced that she is currently recording her third full length album on Koch Records. In April 2009, she signed a 3-album deal with E1 Music with the first album under the deal set to be released in Summer 2009.^[2] Her third album titled Beautiful was released April 6, 2010.^[3] The songs explore the ins and outs of love from a variety of perspectives, from the youthful romanticism of "Somewhere" to the playful insight of "So Good" and "Better Man" to the hard-won intensity of "Masterpiece" and "Beautiful."

In contrast to her first two albums, which were recorded in a variety of studios with multiple producers, Vivian approached the recording of Beautiful in a more intimate, organic manner. With the exception of "Save Me," which she cut with Jason Farmer (Keyshia Cole, Rihanna, Wyclef Jean) in the producer's seat, Vivian recorded the entire album with Grammy-nominated producer Anthony Bell, a longtime friend and collaborator who made key production contributions to her first two albums, and whose extensive resume also includes work with Jazmine Sullivan, Jewel, Musiq, Raheem DeVaughn and Jill Scott.

In 2011, she collaborated with Phoe Notes for a winter single titled "Missing You." It was released digitally on December 9th.^[4] Phoe Notes and Green shot a video for the track on December 16th.^[5]

Discography[link]

Albums[link]

Singles[link]