Look up dean in Wiktionary, the free dictionary.

Dean may refer to:

• Dean (given name)
• Dean (surname)

Title[link]

• Dean (education)
• Dean (Christianity), persons in certain positions of authority within a religious hierarchy
• The head of a Bar association or equivalent body in some jurisdictions

The title is also given less formally to the longest-serving member of certain groups, as:

• Dean of the Diplomatic Corps, the most senior ambassador in a country's diplomatic corps
• Dean of the House (disambiguation), the most senior member of a country's legislature

Places[link]

in Australia

• Dean, Victoria, Australia

in Canada

• Dean, Nova Scotia, Canada

in China

• De'an County, in Jiujiang, Jiangxi, China

in the United Kingdom

• Lower Dean, Bedfordshire, England
• Upper Dean, Bedfordshire, England
• Dean, Cheshire, England
• Dean, Cumbria, England
• Dean, Devon, England
• Dean, Dorset, England
• Dean, Hampshire, England
• Dean, Lancashire, England
• Dean, Oxfordshire, England
• Dean, Somerset, England
• Dean Village, Scotland
• Forest of Dean, England

in the United States

• Dean, California
• Dean, Pennsylvania
• Dean, Texas

Companies[link]

• Dean Foods, a dairy processor in Dallas, Texas
• Dean Guitars, manufacturer of guitars and other stringed instruments

Other[link]

• Hurricane Dean
• USS Dean II (SP-98), a United States Navy patrol boat in commission from 1917 to 1918
• Dean number a dimensionless group in fluid mechanics, which occurs in the study of flow in curved pipes and channels

See also[link]

• Deane (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

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Dean Martin
Photo 1960
Background information
Birth name	Dino Paul Crocetti
Also known as	Dean Martin The King of Cool Dino Dino Martini
Born	(1917-06-07)June 7, 1917 Steubenville, Ohio, U.S.
Died	December 25, 1995(1995-12-25) (aged 78) Beverly Hills, California, U.S.
Genres	Big band, easy listening, pop standard, country
Occupations	Musician, singer, actor, comedian, film producer
Years active	1939–1995
Labels	Capitol, Reprise

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare" and "Ain't That a Kick in the Head?". Nicknamed the "King of Cool",^[1][2] he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life[link]

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Montesilvano, Pescara, Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers.^[3] He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven."^[4] For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch. Martin knocked out King in the first round of an amateur boxing match.^[5]

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands, calling himself "Dino Martini" (after the famous Metropolitan Opera tenor, Nino Martini). He got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested that he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York,^[6] when he followed Frank Sinatra in 1943, but it was the setting for their meeting.

Martin was drafted into the United States Army in 1944 during World War II, serving a year stationed in Akron, Ohio. He was then reclassified as 4-F and was discharged (possibly because of a double hernia; Jerry Lewis referred to the surgery that Martin needed for this in his autobiography).

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs where he played, but he inspired none of the fanatical popularity enjoyed by Sinatra.

Alleged Mafia connections[link]

A biography of Martin titled Dean Martin: King of the Road, by Michael Freedland, alleged that he had links to the Mafia early in his career. According to this book, Martin received help with his singing career from members of the Chicago Outfit, who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. Freedland suggests that Martin felt little sympathy for the Mafia and did small favors for them only if it was not inconvenient for him. Another book, The Animal in Hollywood by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. Smith suggested that Fiato did many favors for Martin, such as recovering money from two swindlers who had cheated his ex-wife Betty out of thousands of dollars of her alimony.^[7]

Career[link]

Teaming with Jerry Lewis[link]

Dean Martin and Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's Toast of the Town (later called The Ed Sullivan Show) with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction.^[8] He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

Solo career[link]

Dean Martin in the film Ada (1961)

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running (1958). By the mid '60s, Martin was a top movie, recording, television, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play Bells Are Ringing. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer. Indeed, in the second Matt Helm film Murderers' Row (1966), Helm, about to be executed, receives a last cigarette, and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope."

With John Wayne in Rio Bravo

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin, The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in Ocean's 11 that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack[link]

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

Dean Martin and Frank Sinatra

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas Strip performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their appearances were unprecedentedly valuable because the city would always become flooded with high rollers, wealthy gamblers who would routinely leave substantial fortunes in the casinos' coffers. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences.^{[citation needed]} It was all good-natured male bonding, never vicious, rarely foul-mouthed,^{[citation needed]} and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin were active supporters of the Civil Rights Movement and refused to perform in clubs that would not allow African-American or Jewish performers.^[9]

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy.

The Dean Martin Celebrity Roast[link]

In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines.^{[citation needed]} He disliked rehearsing because he firmly believed his best performances were his first.^{[citation needed]} The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers.^{[citation needed]} This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined.^[10] He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in Some Came Running and Howard Hawks's Rio Bravo led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.^{[citation needed]}

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, The Ravagers, was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre, the film was never made.^{[citation needed]}

By the early 1970s, The Dean Martin Show was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.^{[citation needed]}

Now comfortable financially, Martin did not need to work as much and he began reducing his schedule. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air The Dean Martin Celebrity Roast format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - Once In A While, released in 1978. His last recording sessions were for Warner Brothers Records. An album titled The Nashville Sessions was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film Mr. Ricco marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.^{[citation needed]}

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis.^{[citation needed]} This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship, but only performed together again once, in 1989, on Martin's 72nd birthday.^[11]

Personal life[link]

Martin was married three times. Martin's first wife, Elizabeth Anne McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism^{[citation needed]}. It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted 24 years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956), whose marriage made Dean the father-in-law of The Beach Boys' Carl Wilson.

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death[link]

Dean Martin's grave

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden, yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered, "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special.

Martin was diagnosed with lung cancer at Cedars Sinai Medical Center in September 1993, and in early 1995 retired from public life. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78.^[12] The lights of the Las Vegas Strip were dimmed in his honor.

Martin is buried at the Westwood Village Memorial Park Cemetery in Los Angeles.

Tributes and legacy[link]

In 1996, Ohio Rte. 7, through Steubenville, was rededicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Clark County, Nevada renamed Industrial Road as Dean Martin Drive. A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for Dino: The Essential Dean Martin, his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, Forever Cool, was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: one at 6519 Hollywood Boulevard, for movies; one at 1617 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy Lifetime Achievement Award. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture[link]

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway","You're Nobody Till Somebody Loves You", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning Logorama, A Bronx Tale, Casino, Goodfellas, Payback, and Return to Me), television series (such as American Dad!, Friends, and House MD), video games (such as The Godfather: The Game, The Godfather II, Fallout: New Vegas, and Mafia II), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television[link]

• In a 1996 episode of the NBC-TV series Boston Common, actor Anthony Clark pantomimes and dances a routine to Martin's 1960 song, "Ain't That A Kick In The Head?"
• In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"
• In the movie A Bronx Tale, Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.
• A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".
• British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, Martin and Lewis, alongside Will & Grace's Sean Hayes as Jerry Lewis.
• Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled The Rat Pack. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.
• In the movie Return to Me, three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".
• Danny Gans portrayed Martin in the miniseries Sinatra.
• In the pilot episode of White Collar, Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".
• In the movie Pulp Fiction, Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.
• In the movie Moonstruck, Martin's recording of "That's Amore" plays over both the opening and closing credits.
• In the HBO television series, The Sopranos, in season 6 episode "Johnny Cakes", "That's Amore" is heard when Vito Spatafore is cooking.
• In the Wong Kar-Wai movie 2046, Martin's recording of "Sway" is played extensively.
• In a Royal Automobile Club commercial, "Memories are Made of This" is sung.
• In the 2009, 60's-era French parody film, "OSS 117: Rio Ne Répond Plus... (Lost in Rio)" starring Jean Dujardin, Martin's "Gentle On My Mind" plays during the opening credits scene
• In the 2011 film, Mission: Impossible – Ghost Protocol Martin's song "Ain't That A Kick In The Head?" is used by Cruise to arouse his fellow prisoner's into a riot.

In games and gambling[link]

• Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.
• The 2010 video game, Fallout: New Vegas, features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when entering the Vegas Strip. The first quest of the game is named after the same song, as the player character is afflicted with a headshot wound.
• Dean Martin's music is featured on the radios in the video games Mafia II and Godfather II.

In music[link]

• A compilation album called, Amore!, debuted at Number One on Billboard magazine's Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other[link]

• In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography[link]

Filmography[link]

References[link]

Further reading[link]

• Arthur Marx. Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis, New York, NY: Hawthorn Books, 1974, ISBN 978-0-8015-2430-1
• Lewis, Jerry and James Kaplan. Dean & Me (A Love Story). Doubleday, New York, 2005. ISBN 0-7679-2086-4
• Tosches, Nick. Dino: Living High in the Dirty Business of Dreams. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X
• Smith, John L. The Animal in Hollywood: Anthony Fiato's Life in the Mafia. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links[link]

Biography portal

Wikimedia Commons has media related to: Dean Martin

• Dean Martin at the Internet Movie Database
• Dean Martin at The Biography Channel
• Cleveland.com: Homegrown Heroes: Dean Martin Timeline
• Dean Works the room at the Sands
• Dean Martin biography/discography on The Interlude Era site
• Radio interview with Deana Martin WSLR

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010)

Bob Dean (December 17, 1929 – May 10, 2007) was a kicker and two-way lineman with the Edmonton Eskimos of the Canadian Football League.

Dean played college football at the University of Maryland, where he lettered from 1948 to 1950. He graduated with a BA degree in education. He enjoyed three highly successful years with the Eskimos dynasty. He played in three Grey Cup games, from 1954 to 1956, against the Montreal Alouettes, winning all of them. His convert on Jackie Parker's famous 90 yard fumble return won the 42nd Grey Cup classic.

Dean retired from playing after the 1956 season (though he did play one game for the Montreal Alouettes in 1957) but made Edmonton his home and continued to coach. He was a teacher at Victoria Composite where he coached of City Senior Football Champions in 1966 and 1967. At Bonnie Doon Composite, where he was assistant principal, they won two City Senior Football titles (1971 and 1972 City and Provincial Champion) with Dean as Defensive Coordinator of the Lancers. (Ken Brice was Head Coach). Later he was principal at Victoria and at M.E. Lazerte Composite High School where he coached his teams to four more City Senior Football championships.

He later served on the Edmonton Police Commission and the Edmonton Public School Board.

Further reading[link]

• Obituary, CFL.

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Dean Winchester is a fictional character and one of the two protagonists of The CW Television Network's Supernatural. He is portrayed by Jensen Ackles. Dean hunts demons, spirits and other supernatural creatures with his younger brother Sam.

Background[link]

Dean Winchester was born on January 24, 1979 to John and Mary Winchester in Lawrence, Kansas. He is the couple's first child, four years older than his younger brother Sam. He is named after his maternal grandmother, Deanna Campbell. When he was only four years old on November 2, 1983, his mother Mary was killed in Sam's nursery by the demon Azazel. Infant Sam is saved by the ensuing fire when his father takes him out of his crib and gives him to Dean, who then carries him outside while their father unsuccessfully tries to rescue their mother. After that night Dean felt responsible for Sam, and was always given the job to take care of him while they were growing up. Dean's father John raised him and Sam as hunters of the supernatural. During Dean's childhood John would be away "hunting" a week or two at a time. Growing up Dean's "job" was to look after/ protect Sam. John basically told him that his little brother's life was in his hands. So the term "Watch out for Sammy" became his life.

Season 1[link]

As the season begins, Dean, at the age of 26, is a hunter; he hunts and kills supernatural monsters. Usually, he is with his father John, but sometimes goes by himself. When his father goes missing, Dean asks for Sam's help to find him. They go in search of their father, saving people from the supernatural along the way, but at the end of the first episode, Sam's girlfriend Jessica Moore dies the same way as their mother did.

In the episode "Skin," Dean and Sam battle a shapeshifter responsible for a string of brutal murders in St. Louis, Missouri. During the course of the episode, the shapeshifter assumes Dean's form, causing police to believe that Dean is responsible for the murders. However, Dean kills the shapeshifter while it is still in his form; the authorities officially declare him dead and pin the murders on him.

John finally contacts the boys, revealing that he has been away from them because he is tracking the demon that killed their mother. His affection for his sons could be used against him, so he wants them away from him. However, the family unites as they come into possession of the Colt, a special revolver which John says can kill anything, including demons. The season finale concludes with Sam, Dean, and John escaping from their clash with Azazel, the yellow-eyed demon. While Sam is driving an injured Dean and John to a hospital, a demon-possessed driver drives his semi truck into the Impala, causing massive damage to the car and the Winchesters inside.

Season 2[link]

All three of the Winchesters survive the wreck, although Dean is more severely injured than his father or brother. In the season premiere "In My Time of Dying," Dean is in a coma. A reaper named Tessa tries to convince him to move on and accept his death as it is his time to die and warns him that, if he refuses, he will most likely become one of the vengeful spirits he and his family have so often fought. In order to save him, John makes a deal with Azazel, trading his life for Dean's. When Dean wakes from his coma, he has no memory of his time with Tessa; he does, however, comment later that, when he woke up, it felt wrong. When John asks Sam to get him quote "a cup of caffeine" he whispers something in Dean's ear which the audience cannot hear, then hands the gun to Azazel. His father dies immediately afterward, and is later revealed to be in in hell.

Throughout the first half of the second season, Dean struggles with the death of his father. He is also haunted by his father's last words to him. At the midpoint of the season, it is revealed that John told Dean that Azazel intends to turn Sam evil and, if Dean cannot save Sam, Dean must kill his brother.

During an investigation in Baltimore, Maryland in "The Usual Suspects," Dean is arrested in connection with another series of murders. It is revealed that Dean has a police record, with charges over the years including credit card fraud, breaking and entering, and grave desecration. Although Sam and Dean are able to prove that the murders were actually committed by one of the detectives on the case, whose partner lets the brothers escape. Since the authorities now know that Dean is not dead, he is again wanted for the murders committed by the shapeshifter. In "Nightshifter," a team of FBI agents, led by Special Agent Victor Henricksen, catches up with Dean and Sam in Milwaukee, Wisconsin, where an attempted bank robbery and several more murders are added to Dean's list of supposed crimes, thanks to another shapeshifter.

At the end of "All Hell Breaks Loose, Part 1," Sam is stabbed by Jake Talley, another of Azazel's "special children," and dies in Dean's arms. Crushed by Sam's death, Dean summons a Crossroads demon and trades his soul for Sam's life. The conditions Dean's deal are that Dean gets one year of life, at the end of which he dies and goes to Hell. If he tries to break the deal in any way, Sam dies. Dean wants to keep the knowledge of his deal from Sam, but Sam quickly figures it out and vows to get Dean out of the deal, no matter what. As the second season ends, Dean kills Azazel with the Colt, but not before Azazel has a gate to Hell opened, allowing hundreds of demons to escape from Hell as well as their father, with whom they share an emotional moment before he disappears in a glow of light.

Season 3[link]

In the third season premiere "The Magnificent Seven," Dean decides to make the best of his final year, indulging in many pleasures and refusing to even think about saving himself, while Sam tries desperately to find a loophole in the Crossroads demon's deal. While searching for escaped demons to send back to Hell, Sam encounters Ruby, a mysterious blonde who assists him but who also informs him that, for some reason, demons are killing all of his mother's old acquaintances. Sam learns that Ruby is a demon, and she promises him help in freeing Dean from his contract. She fixes the Colt so that it can again kill anything and also shows them a knife in her possession that can kill demons. Later, Dean and Sam learn from Ruby that all demons used to be human, but had their humanity is eventually burned away during their time in hell.

During the course of the season, the brothers meet another woman, Bela Talbot. Bela acquires magical objects and sells them for a large profit, and is unscrupulous. In "Dream a Little Dream of Me," when Bobby falls into a coma, Sam and Dean investigate the murder of a scientist. In the course of viewing Dean's dreams, it becomes clear that Dean believes that Sam was their father's favorite, but only thought of Dean as a tool. Dean encounters a demonic version of himself in a nightmare, which shocks him into trying to break his deal. After waking up, Dean admits to Sam that he doesn't want to die. Meanwhile, Bela steals the Colt.

In "Mystery Spot," Sam is forced to relive the same day, repeatedly. On each new day, Dean dies a different way despite Sam's efforts to save him. Sam realizes that the culprit is the Trickster, a villain from Season 2. They finally escape the day, but Dean dies and doesn't come back. Sam spends months trying to hunt down the Trickster, who reveals that he has been trying to get Sam to understand that he and Dean can't keep making sacrifices for each other, and that Dean is going to die no matter what Sam does. The Trickster allows Sam to escape the alternate reality he has trapped him in. He is warned by Ruby that he might not make it back from hell.

In "Jus In Bello," the FBI and Agent Henricksen capture Sam and Dean, thanks to a tip from Bela. While Sam and Dean are in jail, a host of demons come to kill them. Ruby comes to help them, but is furious to learn that they have lost the Colt. She says that she knows of a spell that will destroy all the demons nearby, including herself. However, they will need the heart of a virgin. Sam and the virgin, Nancy, agree to the plan, but Dean refuses to let her die. Dean's plan to exorcise the demons works, but one demon manages to escape and tells Lilith who, taking the form of a little girl, blows the police station up, killing everyone inside. Lilith, it turns out, wants to kill Sam, as she sees him as a rival. According to Azazel's plan, Sam was supposed to lead the demon army, but now Lilith is the leader of the demons.

Shortly before Dean's contract comes due, he learns from Bela that Lilith holds his contract; Bela had also made a deal with a demon, and she reveals this information before her contract expired. As the brothers search for Lilith with Bobby's help, Dean begins suffering nightmares and hallucinations of his hellish fate. When Lilith is located, the three head to New Harmony, Indiana, and Dean discovers that he now has the ability to see the faces of demons underneath their human hosts.

As Dean and Sam confront Lilith, Ruby appears and the three are chased into a room by a hellhound that has come for Dean. Dean quickly recognizes that Ruby's human host is now possessed by Lilith, not Ruby, but it is too late. A hell hound kills Dean and Lilith tries to kill Sam, only to discover that her demonic power has no effect on Sam. Lilith flees, leaving Sam alone with Dean's mutilated corpse. In the last scene of the season, Dean is shown in Hell, suspended in a void by seemingly chains and hooks through his flesh, crying out for help and for Sam.

Season 4[link]

The fourth season premiere, "Lazarus Rising," begins four months after the third season finale. Dean awakes to find himself buried and manages to dig himself out. Dean calls Sam, but finds his number disconnected. He calls Bobby, who hangs up on him, so he hot-wires a parked car and goes to Bobby's house. Dean and Bobby track down Sam in a town right near where Dean was buried in a hotel, but he claims he did nothing to bring Dean back and is in town because he is searching for a demon. Dean tells Sam he remembers nothing from Hell.

The Winchesters track down whatever force ripped Dean from Hell. It is revealed that an angel named Castiel pulled Dean from Hell on God's command; Castiel tells Dean that God has work for him. In the episode "Wishful Thinking," Dean confesses that he does remember every second of Hell.

In the "Are You There, God? It's Me, Dean Winchester," in the course of fighting off ghosts, Dean is told by Castiel of Lilith's plan to break the 66 seals and free Lucifer.

In "In the Beginning," Dean is transported back in time to Lawrence, Kansas in 1973. There, he meets younger versions of his father and mother, as well as his maternal grandfather Samuel and maternal grandmother Deanna (for whom he is named), and learns of a connection between Azazel and Mary. A causal loop is revealed in that the time-traveling Dean, by trying to stop Azazel in the past and change his future, actually made the demon aware of his family in the first place, setting in motion the events leading to the death of his parents, the corruption of his brother, and the life he tried to change, therefore setting up a predestination paradox. (However, it is implied by Castiel that the events would have happened anyway without him being there as they were already destined.) Upon returning to the present, Dean is informed by Castiel that Sam is "going down a very dark road" and that, if Dean doesn't stop him, the angels will.

Dean follows Castiel's directions and witnesses Sam using his powers to exorcise a demon, also learning of Ruby's return. He conveys the warning of the angels to Sam. After he and Sam stop a rugaru in Missouri, Sam decides to stop using his powers.

In "Heaven and Hell," Dean reveals to Sam what happened to him in Hell: Time flows differently there, so four months on Earth was forty years in Hell. During that time, he was put on the rack and "cut, carved, and torn" apart until there was nothing left of him, only to be made whole again just so the demons could start over on him. Dean reveals that, at the end of every day, the demon Alastair would offer to take him off the rack if Dean would put souls on it and torture them. Dean resisted for thirty years, but eventually gave in and spent a ten years torturing people in Hell to escape being tortured himself. In "Family Remains", Dean confesses to Sam that he enjoyed torturing souls, as he finally had the chance to dish out the same pain that he'd endured for the past thirty years.

The episode "After School Special" showed flashbacks of a teenage Dean and a pre-teen Sam while they are going to a high school. Dean was as promiscuous as ever when he was younger and the girl he was then dating told him that he acted cool when, in reality, he was a little boy who played with people's feelings to make himself feel better. Dean, clearly stung, from then on hated the school.

In the episode "On the Head of a Pin," Dean is pressed into service by Castiel and Uriel, who need him to torture Alastair for information on who is killing angels, since Dean was his "student" in Hell. Dean refuses at first, but eventually agrees. However, he only succeeds in getting Alastair to reveal that Dean himself was the first seal to break, by virtue of giving in and torturing souls in Hell. ("The first seal shall be broken when a righteous man sheds blood in Hell. As he breaks, so shall it break.") The distraction is enough for Alastair to free himself, the Devil's Trap set up by Castiel having been eroded by a leaking pipe. Alastair nearly kills Dean and then comes close to sending Castiel back to Heaven, but Sam arrives and kills Alastair shortly after. Later, as Dean recovers in the hospital, Castiel informs him about Uriel's betrayal; Uriel had been killing angels who did not join his cause to free Lucifer from Hell. Castiel also confirms Alastair's claim that Dean was the first seal, but adds that, because of this, Dean is the only man capable of averting the Apocalypse. However, Dean does not believe he is up to such a task and tells Castiel to find someone else as tears run down his face.

To put Dean back on the right path, Zachariah, Castiel's superior, re-writes Dean and Sam's memories to remove their knowledge of supernatural creatures, making them believe they are average people working regular jobs, and drops them in a haunted building. After the brothers proceed to defeat the ghost behind the hauntings, Zachariah restores Dean's memories to show him that hunting is in his blood. This renews Dean's resolve.

In "The Rapture," Dean witnesses Sam drink the blood of a demon he is about to kill. Later, Sam gets a request from Bobby to head to his house. Once there, Dean and Bobby trick Sam and lock him in the demon-proof panic room for his own safety as he detoxes from the demon blood.

While Sam is going through painful withdrawal symptoms from the demon blood, Dean asks Castiel for help. He takes an oath to serve God and the angels if it would mean that Sam wouldn't have to kill Lilith, to which Castiel says "If that gives you comfort." Sam escapes the panic room after Castiel releases him, and Dean tracks him down to a hotel, despite Sam's efforts to shake him. They argue over whether or not Ruby is corrupting Sam, if Dean is supposed to stop the Apocalypse, and if Sam is turning into a monster. Dean yells at Sam by saying, "If you walk out that door, don't you ever come back" -- the same ultimatum John gave Sam when he left for college years before, resulting in Sam's four-year estrangement from his father—after which Sam leaves the room.

In the fourth season finale "Lucifer Rising," the angels take Dean to a "safe" room, and Zachariah explains that they are preparing for the Apocalypse and will allow the final seal to be broken. They want Sam to kill Lilith as her death will break the final seal holding Lucifer, after which Dean will kill Lucifer and bring Paradise to Earth. Dean, shocked and horrified that the angels would allow the Apocalypse, asks Castiel for help; together they escape and meet the prophet Chuck Shirley to see where the final seal will be broken. As Castiel holds back the Archangels that start to descend, he sends Dean to Ilchester, Maryland to stop Sam from killing Lilith. Ruby prevents Dean from interfering and, after the final seal is broken, reveals that she has been working to free Lucifer the entire time. Dean manages to get to the two and then stabs Ruby to death with Sam's help. The season ends with a portal opening for Lucifer while Dean and Sam can only watch.

Season 5[link]

The fifth season begins right where Season 4 ends with the portal for Lucifer opening. As Lucifer escapes, the brothers are teleported into an airplane by an unknown force (later revealed to be God). Later, Dean is told by Zachariah that he is "Michael's Sword," meaning the Archangel Michael will use his body as a vessel to lead the forces of Heaven against Lucifer, but Dean must consent to this. Dean refuses and Castiel saves him when Zachariah tries to force Dean to agree by harming him and Sam.

In "Good God, Y'All!," Dean and Sam fight War, one of the Four Horsemen of the Apocalypse, in a town where the people think that their neighbors are demons. Once the brothers cut the ring finger off of War, restoring the town to normal, Dean worries that Sam cannot control his urge to drink demon blood, and the brothers agree to go their separate ways because Sam is a liability with his demon bloodlust.

In "The End," Dean is transported forward in time by Zachariah, who wants Dean to see what the future will be like if continues to refuse giving his consent to Michael. He finds himself in the year 2014, eventually meeting up with his future self, as well as the survivors and victims of the Croatoan virus from Season 2. Dean finds out that Sam let Lucifer into his body, and this was the reason the world was in such disarray. Later, the future Dean is killed by Lucifer in Sam's body. After being told by his future self to accept Michael into his body, Dean is transported back to his own time, where he comes face-to-face with Zachariah; he again refuses to become Michael's vessel. In the end of the episode, the brothers meet back up again and decide that they should stay together, to "keep each other human."

In the episode "Changing Channels," it is revealed to Dean and Sam by The Trickster (who reveals that he is the Archangel Gabriel) that their relationship (Dean the older brother loyal to an absent father and Sam the younger brother who is rebellious of the father's plan) mirrors the relationship between Michael and Lucifer, and has been told to the angels since the beginning to bring about Judgment Day.

In "Abandon All Hope," Sam and Dean plan to find Lucifer and kill him, with help from Castiel, Jo, Ellen and Bobby. They find out that the Colt is in the possession of a demon named Crowley, who gives the Winchesters the gun to kill Lucifer and end the Apocalypse. The Winchesters then find out that Lucifer is one of five things in the universe that the Colt cannot kill when Dean tries shooting Lucifer in the head with no effect. Having lost another plan, Dean becomes more disillusioned and hopeless, and in "Dark Side of the Moon" where, after spending time in Heaven and finding out God doesn't see the battle with Lucifer to be his problem, begins to see little reason to deny his destiny as Michael's vessel, deciding to take on the role at the end of the next episode "99 Problems". Before doing so, though, he visits former girlfriend Lisa Braeden (Season 3 "The Kids Are Alright"), confessing that when he dreams of being happy its with her and her son Ben, and promising to get them protection for what's to come.

During the series' 100th episode "Point of No Return," Dean was preparing for his possession by Michael before being discovered by Sam and Castiel, who take him to Bobby's house. They convince him to allow them some more time in order to research another method of stopping Lucifer; however, the unexpected resurrection of their half-brother Adam, planned to be Michael's vessel, forces Sam, Bobby and Castiel to keep Adam and Dean from Zachariah. When Dean escapes and tries to lure the angels, both Castiel and Sam leave to find him, allowing Adam to be taken by angels. Despite Bobby and Castiel's insistence in keeping Dean from Zachariah, Sam allows him to try to rescue Adam. With Castiel removed, along with angel guards, the brothers attempt to rescue Adam, but Sam's ambush on Zachariah fails and Zachariah causes internal damage to both Adam and Sam to coerce Dean to consent to Michael. Ultimately, he relents, but after Zachariah summons Michael, Dean taunts him into sacrificing himself in order to allow Michael in. Zachariah angrily refuses, and Dean kills him and rushes out, unfortunately leaving Adam locked in the room with the approaching Michael. As they leave, Dean admits that he would have accepted Michael, but because of Sam's faith, he decides that he will "take the fight to them."

After being trapped in "Hammer of the Gods" by a group of gods bent on using them as bargaining chips in the upcoming Apocalypse, Dean and Sam learn from Gabriel that the cage Lucifer was sprung from was still open and, if they could get all four Horsemen's rings, they could put him back in and trap him again. He also claims that Lucifer has no knowledge that he can be trapped again. In "The Devil You Know", the demon Crowley returns and leads Dean to a confrontation with Brady, one of Sam's college friends who in fact was a demon "Handler" for Pestilence. Despite being beaten badly, Dean and Crowley trap Brady and are eventually able to get the location of Pestilence.

In "Two Minutes to Midnight" the brothers go after Pestilence and, with help of a nearly-human Castiel, take his ring. During the trip, Sam tells Dean that he believes the only way to trap Lucifer is to say yes and allow him to be possessed, believing that he can overcome Lucifer long enough to throw himself into the trap. Crowley then takes Dean to Chicago where they have located the final Horseman. In the midst of a massive storm, Dean confronts Death in a pizza parlor. Revealing that Lucifer controls him due to a spell, Death agrees to give Dean his ring with the explicit condition that Sam say yes so he can lure Lucifer into the trap, and that Dean allow his brother to jump into the pit. Dean reluctantly agrees and gets the ring and instructions from Death on how to use the four rings. Upon returning, Dean claims he lied to Death, but upon talking to Bobby it becomes clear that their last best chance may be to let Sam say yes, with Bobby asking Dean if he was more afraid to lose, or to lose his brother.

In "Swan Song" Dean relents and agrees to let Sam say yes. As Sam prepares to drink demon blood to become strong enough to take in Lucifer, he makes Dean promise that he won't attempt to come after him once he has jumped into the pit. Dean objects, but Sam insists, begging that he instead go to Lisa and try to live a normal, happy life. Dean promises he will do so, and after drinking the demon blood, the brothers go to confront Lucifer in Detroit. Despite Lucifer revealing that he did indeed know about the brothers' plan to trap him again, Sam says yes believing he can overcome him nonetheless. After taking over and briefly knocking Sam unconscious, Dean opens the portal to Lucifer's prison, and Sam wakes up and prepares to jump in. At the last moment, though, Lucifer reveals himself, claiming that "Sammy is long gone". After closing the trap, taking the rings, and briefly taunting Dean, Lucifer disappears.

As omens begin to signal the final battle, Dean calls Chuck to try to pin down the location of the final battle, which will occur in Stull Cemetery back in the brothers' hometown of Lawrence. While Castiel and Bobby seem despondent, believing the battle to be lost and further confrontation pointless, Dean vows to go to the fight between Lucifer and Michael (now possessing his half-brother Adam), claiming at the very least he "won't let his brother die alone". As Lucifer and Michael prepare to fight, Dean interrupts and drives the Impala into the graveyard. He attempts to reach out to both Sam and Adam, asking for five minutes with Sam, but is dismissed by both. Bobby and Castiel suddenly appear, and Castiel throws a molotov cocktail with holy fire at Michael, burning him out and buying Dean five minutes. It comes at a high price: an enraged Lucifer snaps his fingers, making Castiel explode for interrupting the fight. Lucifer and Dean begin to fight, with Dean taking a beating. He continues beating Dean and, with Dean backed against the door of the Impala, prepares for a kill shot. However, at that moment, he catches a glimpse of a toy soldier that a young Sam had stuck in the Impala's ashtray, and the memories of his brotherhood with Dean help Sam to overpower Lucifer and take control of his body. Sam reopens the pit, and though Michael returns and attempts to stop him, Dean watches as Sam pulls Michael into the pit, which closes as they both fall in, trapping both in Hell.

A fully restored Castiel suddenly appears, claiming to have been resurrected by God. He heals Dean and plans on returning to Heaven and bringing new order now that Michael is gone. Dean claims that he will go after God next, but Castiel claims, before disappearing, that Dean only got what he wanted in the end: no Paradise, no Hell, more of the same-freedom over peace. After an emotional goodbye with Bobby (it is said in Chuck's epilogue that the two will not see each other for some time), Dean returns to Lisa Braeden as Sam had suggested. Dean is last seen sitting down to dinner with Lisa and her son Ben. Unknown to Dean, a streetlight just outside the home goes out, and Sam is inexplicably standing beneath, watching the home with a blank look on his face.

Season 6[link]

The sixth season picks up a year later. Keeping the promise he made to Sam, Dean gives up the life of hunting and now lives with Lisa and her son Ben. After Dean became poisoned by a Djinn, begins hallucinating his worst fears. Sam saves Dean by injecting him with an antidote and later wakes up seeing Sam alive and well. Sam reluctantly tells Dean that he has been back for nearly a year while hunting with their grandfather, Samuel. After helping kill the Djinns, Dean declines returning to the life of hunting and decides to continue living with Lisa and Ben in order to keep them safe. Lisa tells Dean to return to the life of hunting and she and Ben will be there when he gets back.

In "Live Free or Twi-Hard" Sam and Dean investigate cases of missing girls that are obsessed with vampires. They stake out a bar that eventually leads them to the cause. Dean later crosses paths with a vampire that turns him into one. Expecting to have to be "put down", he goes to visit Lisa, but almost loses control while talking to her and flees. After being cured, he realises that Sam may possibly have let him be turned; but to an unknown end.

In "You Cant Handle the Truth" Dean and Sam investigate a town in Illinois, where everyone who wishes for truth, not only receive their wish, but to the extent that everyone who has done so has become insane, and commits suicide. While initially believing that the Horn of Truth, an angelic weapon, is the culprit, Sam discovers the summoning ritual to Veritas, the pagan goddess of Truth. However, Dean unknowningly invokes her and is forced to deal with harsh truths from everybody; including Lisa, who calls about the events of last episode and ends up telling him not to ever come back. Questioning Sam, he believes he gets the truth from him about why he didn't help him from being turned, but when Veritas captures them on their raid of her property, she declares that Sam is inhuman, as no human is immune to her aura of truth. The brothers manage to dispatch her, but Dean holds Sam at knifepoint, demanding the truth. Sam admits his lack of emotion and fear, but Dean doesn't accept it and beats him unconscious. Dean learns from Castiel that Sam has no soul, also that Crowley was the one who brought Sam back from Hell. Crowley also says that the only way to get Sam's soul back is to help him find Purgatory. Dean and Sam attempt to capture Crowley to force him to give back Sam's soul. Crowley tells them that not only can't he get Sam's soul but also that Sam's soul has been tortured endlessly by Lucifer and giving Sam back his soul would leave him useless. Once learning this Castiel kills Crowley, so Dean goes to see Death to have him bring back Sam's soul. Death agrees but only if Dean can becomes Death for one day and never take off his ring. Dean fails, but Death still agrees to return Sam's soul since Dean learned about messing with the natural order.

Abilities and skills[link]

Dean is well-versed with multiple types of firearms; he prefers his Colt 1911 and sawed-off shotgun, but is proficient with most other weapons he might acquire. An expert marksman, he seldom misses his intended target and can efficiently put down anything vulnerable to bullets. As shown in the episode "Frontierland" where he shoots down a phoenix with one shot.

Dean is adept with martial arts and knife fighting as well; he has subdued several human assailants with ease in multiple episodes and bested physically more powerful creatures, often unarmed or equipped with only a blade. In "Nightshifter", he killed a shapeshifter armed with a simple silver letter opener. In "Fresh Blood," he managed to subdue a vampire long enough to inject her with a shot of "dead man's blood." In "The Magnificent Seven," he fought and held off several demons by himself, armed only with a flask of holy water.

Highly resourceful, he frequently utilizes improvised weapons and explosive devices; in "Croatoan," he demonstrated knowledge in chemistry constructing Molotov cocktails and improvised explosive devices, and in "Phantom Traveler," he revealed knowledge of electronics and reverse engineering, having built an electromagnetic field detector from an old Walkman radio.

Dean also possesses extensive knowledge of the supernatural and mythology. He is versed with how police, fire departments and various government agencies (FBI, CDC) typically operate and conduct investigations, and knows how to both impersonate and evade them effectively. An accomplished mechanic, he maintains his Impala in tip-top condition and has maintained an intimate knowledge of automobiles and engines since childhood.

Dean is a virtuoso of escape, evasion and silent movement, when the situation requires subtlety and stealth. Lastly, he is skillful in: lock picking, breaking into security systems (not so much computers, which often falls to Sam), carjacking and gaining an 'advantageous purchase' comes naturally to him.

Due to his time spent in Hell as Alistair's "student," Dean has an in-depth knowledge of torture.

During Season 4 Dean gains magic effective against angels, he learns a banishing spell that sends angels back to Heaven from Castiel. He is also untraceable to angels after the season 5 because he has Enochian symbols carved into his ribs by Castiel to hide him and Sam from all angels in existence.

Weaponry[link]

Throughout the series, Dean is shown to possess a large amount of weaponry. He tends to use a Colt 1911. In addition to which, he also uses a sawed-off shotgun on occasions where greater firepower is required. He has also been seen with an MSG3 sniper rifle in "Simon Said."

Dean is shown to possess a large machete in "Dead Man's Blood," and has used a knife in several episodes. He is shown to possess a Desert Eagle loaded with wrought iron in the episode "Something Wicked" and tasers which he and Sam used in the start of "Faith". Throughout Season 5, he uses a Model 1887 shotgun against hellhounds and zombies. When weapons are scarce and Dean is in a dangerous situation, he uses hand-to-hand combat or whatever is available as a weapon.

During the fourth season episode "On the Head of a Pin," Dean is shown with a number of torture implements, including syringes of holy water.

The trunk of the Impala contains numerous weapons which are implied as having been needed in the past, notable examples include sheath knives and, perhaps the most alarming, an DefTech 37mm grenade launcher.

References[link]

External links[link]

• Supernatural Wiki

Goldie Hawn
Hawn in February 2008
Born	Goldie Jeanne Hawn (1945-11-21) November 21, 1945 (age 66) Washington, D.C., U.S.
Occupation	Actress, producer, director
Years active	1967–present
Spouse	Gus Trikonis (m. 1969-1976) Bill Hudson (m. 1976-1980; 2 children)
Partner	Kurt Russell (1983-present; 1 child)
Children	Oliver Rutledge Hudson (1976-09-06) September 6, 1976 (age 35) Kate Garry Hudson (1979-04-19) April 19, 1979 (age 33) Wyatt Russell (1986-07-10) July 10, 1986 (age 25)
Relatives	Erinn Bartlett (daughter-in-law)

Goldie Jeanne Hawn (born November 21, 1945) is an American actress, film director, producer, and occasional singer. Hawn is known for her roles in Rowan & Martin's Laugh-In, Private Benjamin, Foul Play, Shampoo, Overboard, Bird on a Wire, Death Becomes Her, The First Wives Club, and Cactus Flower, for which she won the 1969 Academy Award for Best Supporting Actress. She is the mother of actors Oliver and Kate Hudson. Hawn has maintained a relationship with actor Kurt Russell since 1983.

Early life[link]

Hawn was born in Washington, D.C., the daughter of Laura (née Steinhoff), a jewelry shop/dance school owner, and Edward Rutledge Hawn, a band musician who played at major events in Washington. She was named after her mother's aunt.^[1] She has a sister, Patricia; her brother, Edward, died before she was born. Through her father, Hawn is a direct descendant of Edward Rutledge, the youngest signatory of the Declaration of Independence.^[1] Hawn was raised in Silver Spring, Maryland, where she went to Montgomery Blair High School. Her father was Presbyterian and her mother was Jewish, the daughter of immigrants from Hungary;^[2] Hawn had a Jewish upbringing.^[1][3][4][5]

Hawn began taking ballet and tap dance lessons at the age of three, and danced in the chorus of the Ballet Russe de Monte Carlo production of The Nutcracker in 1955. She made her stage debut in 1961, playing Juliet in a Virginia Shakespeare Festival production of Romeo and Juliet. By 1964, she ran and taught in a ballet school, having dropped out of American University, where she was majoring in drama. In 1964, Hawn made her professional dancing debut in a production of Can-Can at the Texas Pavilion of the New York World's Fair. She began working as a professional dancer a year later, and appeared as a go-go dancer in New York City.^[1]

Career[link]

1960s[link]

Hawn with Carl Reiner on Rowan & Martin's Laugh-In, 1970.

Hawn began her acting career as a cast member of the short-lived situation comedy Good Morning, World during the 1967-1968 television season, her role being that of the girlfriend of a radio disc jockey, with a stereotypical "dumb blonde" personality.^[1] Her next role, which brought her to international attention, was as one of the regular cast members on the 1968-1973 sketch comedy show, Rowan & Martin's Laugh-In. On the show, she would often break out into high-pitched giggles in the middle of a joke, and deliver a polished performance a moment after. Noted equally for her chipper attitude as for her bikini and painted body, Hawn personified something of a 1960s "It" girl.

Hawn's Laugh-In persona was parlayed into three popular film appearances in the late 1960s and early 1970s: Cactus Flower, There's a Girl in My Soup, and Butterflies Are Free. Hawn had made her feature film debut in a bit role as a giggling dancer in the 1968 film The One and Only, Genuine, Original Family Band, in which she was billed as "Goldie Jeanne", but in her first major film role, in Cactus Flower (1969), she won an Academy Award for Best Supporting Actress as Walter Matthau's suicidal fiancée.

1970s[link]

After Hawn's Academy Award win, her film career took off. She starred in a string of above average and successful comedies starting with There's a Girl in My Soup (1970), $ (1971), and Butterflies Are Free (1972), as well as proving herself in the dramatic league with the 1974 satirical dramas The Girl from Petrovka and The Sugarland Express, and Shampoo in 1975. She also hosted two television specials: Pure Goldie in 1971 and The Goldie Hawn Special in 1978. The latter was a sort of comeback for Hawn, who had been out of the spotlight for two years since the 1976 release of The Duchess and the Dirtwater Fox, while she was focusing on her marriage and the birth of her son. On the special she performed show tunes and comedy bits alongside comic legend George Burns, teen matinee idol Shaun Cassidy, popular television star John Ritter (during his days on Three's Company), and even the Harlem Globetrotters joined her for a montage. The special later went on to be nominated for a primetime Emmy. This came four months before the feature film release of Foul Play (with Chevy Chase), which became a box office smash and revived Hawn's career in the film industry. The plot centered around an innocent woman in San Francisco who becomes mixed up in a murder plot. Hawn's next film, Mario Monicelli's Lovers and Liars (1979), was a box office bomb. In 1972 Hawn recorded and released a solo country LP for Warner Brothers, titled Goldie. It was recorded with the help of Dolly Parton and Buck Owens. Allmusic gives the album a favorable review, calling it a "sweetly endearing country-tinged middle of the road pop record".^[6]

1980s[link]

Hawn's popularity continued into the 1980s, starting with another primetime variety special alongside actress and singer Liza Minnelli, Goldie and Liza Together (1980), which was nominated for four primetime Emmys. In the same year, Hawn took the lead role in Private Benjamin, a comedy she produced. Private Benjamin, which also stars Eileen Brennan and Armand Assante, garnered Hawn her second Academy Award nomination, this time for Best Actress.^[1] Hawn's box office success continued with comedies like Seems Like Old Times (1980), Protocol (1984), and Wildcats (1986) — Hawn also served as executive producer on the latter two — and dramas like Best Friends (1982) and Swing Shift (1984).

At the age of thirty-nine, Hawn posed for the cover of Playboy's January 1985 issue. Hawn posed in a giant martini glass wearing nothing but a white collar shirt, a loosened black tie, and a pair of red stilettos. Her last film of the 1980s was opposite partner Kurt Russell for the third time in the comedy Overboard (1987).

1990s[link]

Hawn at Grand Hôtel in Stockholm 1981

Hawn's career slowed down after leaving Hollywood in the late 1980s, but revived somewhat in 1990 with the action comedy Bird on a Wire, a critically panned but commercially successful picture that paired Hawn with Mel Gibson. Hawn had mixed success in the early 1990s, with the thriller Deceived (1991), the drama CrissCross and opposite Bruce Willis and Meryl Streep in Death Becomes Her (both 1992). Earlier that year, she starred in HouseSitter, a screwball comedy with Steve Martin, which was a commercial and critical success. Hawn was absent from the screen again for four years while caring for her mother who died of cancer in 1994.^[1] Hawn made her entry back into film as producer of the satirical comedy Something to Talk About starring Julia Roberts and Dennis Quaid, as well as making her directorial debut in the television film Hope (1997) starring Christine Lahti and Jena Malone.^[1]

Hawn returned to the screen again in 1996 as the aging, alcoholic actress Elise Elliot in the financially and critically successful The First Wives Club, opposite Bette Midler and Diane Keaton, with whom she covered the Lesley Gore hit "You Don't Own Me" for the film's soundtrack. Hawn also performed a cover version of the Beatles' song, "A Hard Day's Night", on George Martin's 1998 album, In My Life. She continued her tenure in the 1990s with Woody Allen's musical Everyone Says I Love You (1996) and reuniting with Steve Martin for the comedy The Out-of-Towners (1999), a remake of the 1970 Neil Simon hit. The film was critically panned and was not successful at the box office.^[7][8] In 1997, Hawn, along with her co-stars from The First Wives Club, Diane Keaton and Bette Midler, were recipients of the Women in Film Crystal Awards.^[9]

2000s[link]

In 2001, Hawn was reunited with former co-stars Warren Beatty (her co-star in $ and Shampoo) and Diane Keaton for the comedy Town & Country, a critical and financial fiasco. Budgeted at an estimated US$90 million, the film opened to little notice and grossed only $7 million in its North American theatrical run. In 2002, she appeared in The Banger Sisters opposite Susan Sarandon and Geoffrey Rush.

In 2005, Hawn's autobiography, A Lotus Grows in the Mud, was published.

Personal life[link]

Relationships and family[link]

Hawn's first husband was dancer (later director) Gus Trikonis, who appeared as a Shark in West Side Story; his sister Gina played Graziella, Riff's girlfriend. Her second husband was Bill Hudson, of the Hudson Brothers; the couple married in 1976 and divorced in 1980. They have two children, actor Oliver Hudson (born September 1976) and actress Kate Hudson (born April 1979).

Hawn has been in a relationship with actor Kurt Russell since 1983. They had first met while filming The One and Only, Genuine, Original Family Band (1968), but became involved with each other only after meeting on the set of Swing Shift. The couple have a son, Wyatt Russell (born 1986).^[10]

Hawn is the stepmother of Kurt Russell's son Boston, and she became a grandmother in 2004 when her daughter gave birth to son Ryder Russell Robinson. Her second grandson, Wilder Brooks Hudson, was born to her son Oliver and his wife, actress Erinn Bartlett, in 2007.^[11] In 2010, Oliver and his wife had another boy, whom they named Bodhi Hawn Hudson. Hawn announced it via her Twitter.^[12] Her daughter Kate gave birth to her fourth grandson, named Bingham Hawn Bellamy, in July 2011.^[13][14]

Religion[link]

Hawn became involved in Eastern philosophy in 1972. She is a practicing Buddhist and has raised her children in both Buddhist and Jewish traditions. She stated on the Larry King Show that she is a Jewish Buddhist, but neither more Jewish nor more Buddhist;^[15] in interviews, she also detailed that she never had to forsake her Jewish heritage to embrace Buddhism^[3] and that her Jewish religion and heritage come before Buddhism.^{[citation needed][16]} Hawn travels to India annually, and has visited Israel, stating that she felt a strong identification with its people.^[3] She has been criticized by pro-Palestinian activists for her support for Israel and the Jewish National Fund.^[17] In 1997, she was one of a number of Hollywood stars and executives to sign an open letter to then-German Chancellor Helmut Kohl, published as a newspaper advertisement in the International Herald Tribune, which protested the treatment of Scientologists in Germany.^[18]

Mindfulness[link]

Hawn founded and funds The Hawn Foundation,^[19] which teaches the Buddhist technique of mindfulness training; where fourth- through seventh-graders are instructed in mindful awareness techniques and positive thinking skills, then tested for changes in behavior, social and emotional competence, and moral development.^[20] A study by the University of British Columbia indicated that children who participated in the program increased significantly in the areas of optimism and positive emotions, while decreasing in aggression.^[21] Hawn was in negotiation with the British Conservative Party (before the country's 2010 general election) to set up a school in Britain where her MindUp technique would be taught.^[22] Hawn realizes that many parents oppose bringing Buddhist methods into public schools, and stated: "There will always be people who see this as scary, or as some kind of Eastern philosophy that they don't want for their kids." Hawn adds, "Mindfulness gives kids a tool for understanding how their brain works, for having more self-control."^[23]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Goldie Hawn

• Goldie Hawn at the Internet Movie Database
• Goldie Hawn at the TCM Movie Database
• The Hawn Foundation

Interviews[link]

• "Hawn: From 'Cactus Flower' to 'Lotus'" USA Today (May 4, 2005)
• "Goldie Hawn A Wallflower?" .60 Minutes. CBS News (May 1, 2005)
• "The Banger Sisters". BBC News Online (January 17, 2003)