Coel Hen

Coel (Old Welsh: Coil) or Coel Hen ("Coel the Old") is a figure prominent in Welsh literature and legend since the Middle Ages. Early Welsh tradition knew of a Coel Hen (Coel the Old), a leader in Roman or Sub-Roman Britain and the progenitor of several kingly lines in the Hen Ogledd ("the Old North"), the Brittonic-speaking part of northern England and southern Scotland. Later medieval legend told of a Coel, apparently derived from Coel Hen, who was the father of Saint Helena and the grandfather of Roman Emperor Constantine the Great. Other similarly named characters may be confused or conflated with the Welsh Coel. The legendary "King Coel" is sometimes supposed to be the historical basis for the popular nursery rhyme "Old King Cole", but this is unlikely.

Name

Coel's name was rendered "Coil" in Old Welsh. It may be related to the common noun coel, meaning "belief or omen". Coel is often named as "Coel Hen", Hen being an epithet Hen meaning "old" (i.e., "Coel the Old"). The genealogies give him an additional epithet, Godebog (Old Welsh: Guotepauc), meaning "Protector" or "Shelterer". His name is thus sometimes given as "Coel Godebog" or "Coel Hen Godebog". However, some of the Harleian genealogies list Godebog as Coel's father's name.Geoffrey of Monmouth Latinized the name to Coelus. Some modern authors modernize it to "Cole".

Hen

Hen commonly refers to a female animal: a chicken, other poultry, game bird, or lobster. It is also a slang term for a woman.

Hen or Hens may also refer to:

Places

Norway

United Kingdom

Other

Other uses

Old King Cole

"Old King Cole" is a British nursery rhyme first attested in 1708. Though there is much speculation about the identity of King Cole, it is unlikely that he can be identified reliably as any historical figure. It has a Roud Folk Song Index number of 1164. The poem describes a merry king who called for his pipe, bottle, bowl, and musicians, with the details varying among versions.

Lyrics

The song is first attested in William King in his Useful Transactions in Philosophy in 1708–9.

The most common modern version of the rhyme is:

Old King Cole was a merry old soul
And a merry old soul was he;
He called for his pipe, and he called for his bowl
And he called for his fiddlers three.
Every fiddler he had a fiddle,
And a very fine fiddle had he;
Oh there's none so rare, as can compare
With King Cole and his fiddlers three.

King's version has the following lyrics:

Good King Cole,
And he call'd for his Bowle,
And he call'd for Fidler's three;
And there was Fiddle, Fiddle,
And twice Fiddle, Fiddle,
For 'twas my Lady's Birth-day,
Therefore we keep Holy-day
And come to be merry.

Mother Goose

The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as (Old) Mother Goose's Rhymes. As a character, she appears in one nursery rhyme. A Christmas pantomime called Mother Goose is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).

Identity

Mother Goose is the name given to an archetypal country woman. She is credited with the Mother Goose stories and rhymes popularized in the 1700s in English-language literature, although no specific writer has ever been identified with such a name.

17th century English readers would have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published his satire Mother Hubberd's Tale in 1590; as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) in the 1690s. An early mention appears in an aside in a French versified chronicle of weekly happenings, Jean Loret's La Muse Historique, collected in 1650. His remark, comme un conte de la Mère Oye ("like a Mother Goose story") shows that the term was readily understood. Additional 17th century Mother Goose/Mere l'Oye references appear in French literature in the 1620s and 1630s.