Coordinates	4°37′49″N74°27′45″N
Name	Lupe Fiasco's The Cool
Type	studio
Artist	Lupe Fiasco
Cover	Lupe Fiasco's The Cool.jpg
Released	(see release history)
Recorded	2006–2007
Genre	Hip hop, Alternative hip hop
Length	70:44
Label	1st & 15th, Atlantic
Producer	Charles "Chilly" Patton (exec.)Lupe Fiasco (exec.)Darrale Jones (co-exec.)Patrick Stump, Al Shux, Chris & Drop, Chris Goss, Le Messie, Simonsayz, Soundtrakk, Unkle
Last album	''Lupe Fiasco's Food & Liquor''(2006)
This album	''Lupe Fiasco's The Cool''(2007)
Next album	''Lasers'' (2011) }}

''Lupe Fiasco's The Cool'', commonly referred to as simply ''The Cool'', is the second studio album by Chicago hip hop artist Lupe Fiasco, released on December 18, 2007 in the United States. ''The Cool'' is a loose concept album, based on a song and its titular character from his debut album ''Food & Liquor''. The album features production from Patrick Stump, Soundtrakk, Unkle, and Chris & Drop, among others. Guest appearances include Gemini, Snoop Dogg, and Matthew Santos. The album debuted at #15, moved a spot up to #14 on the Billboard 200 in its second week. It debuted as the #1 rap record and remained there for 9 weeks. It has been certified Gold by the RIAA. The album was nominated for four awards at the 2009 Grammy Awards, including Best Rap Album.

Background

Concept

During the recording of the album, Lupe Fiasco's father died of type II diabetes his good friend Stack Bundles died, and his business partner and mentor—Charles "Chilly" Patton—was sentenced to 44 years in prison. When asked about the album's dark side, Lupe Fiasco replied:

''Lupe Fiasco's The Cool'' expands on the story Lupe told on the track, "The Cool", from his debut album. Fiasco introduces the characters the Streets and the Game. The album tells the story of the little boy from "He Say, She Say" who grew up without a father, and the people that step in to raise him are the Streets and the Game, with The Streets playing his female love interest and The Game his father. Speaking on the concept Lupe said: |}} Lupe also stated that there are plans to spin ''The Cool'' into a horror-themed radio program, and a comic book. The album was also personalized into a promotion in the form of a skateboard design contest, hosted by imeem, which was won by Sluglife, the show name for designer/artist Lawrence Ervin.

Recording sessions

In an interview with MTV News Lupe Fiasco explained how he planned to record ''The Cool'': }}

Sales

The album debuted at number fifteen on the U.S. Billboard 200 chart, selling 143,407 copies in its first week, the album also rose to #14 the following week. In the UK, the album debuted at #7 due to the success of the first single, "Superstar", which reached the top 5 on the singles chart.. The album was certified gold by the RIAA selling over 500,000 in the United States.

Reception

''Lupe Fiasco's The Cool'' was received with near-universal acclaim from music critics, much like his first album (''Lupe Fiasco's Food & Liquor'') with a 77 (out of 100) rating from review aggregator MetaCritic.com. ''Entertainment Weekly'' said "Sonically, he's got the same kind of gratifying ADHD going on. Some tracks, like 'Paris, Tokyo,' contrast his Twista-style rapid-fire delivery with a lazy rhythm that's close to smooth jazz which can be compared to A Tribe Called Quest. 'Hello/Goodbye,' at the other extreme, has U.K. electro outfit Unkle providing a tense rock feel." ''The New York Times'', hailing the album as "one of the year’s best hip-hop albums," added that "The songs only grow more urgent as Lupe Fiasco expands his sociopolitical perspective. 'Intruder Alert' starts as a wary love song and broadens its topic to immigration. 'Little Weapon,' produced by Patrick Stump of Fall Out Boy, looks at children with guns, from child soldiers in Africa to high school shooters. Allmusic said "He is one of the most clever artists around, and as far as telling stories with rhymes goes, he's way up there, best exemplified by 'Hip-Hop Saved My Life' (a gripping story about a struggling rapper, based on the story of Slim Thug) and 'Gotta Eat' (where Lupe's inspiration for metaphors is a cheeseburger, yet it is no more corny than Main Source's classic 'Just a Friendly Game of Baseball')." Also, About.com's music ranked it as the top hip hop album of 2007. " Steve Flash Juon at RapReviews.com gave it top score of 10 out of 10.

Track listing

!#	!Title	!Songwriter(s)	!Producer(s)	!Length	!Sample(s)
1	"Baba Says Cool for Thought" (Feat. Iesha Jaco)	Jaco, Ayesha	Ayesha Jaco	0:46
2	"Free Chilly" (Feat. Sarah Green & Gemini)	Lupe Fiasco	Soundtrakk	1:02
3	"Go Go Gadget Flow"	Lupe Fiasco/Soundtrakk	Soundtrakk	4:10		* "Eleanor Rigby" by The Beatles & Interpolates a line from Don't Get it Twisted Freestyle by Lupe Fiasco
4	"The Coolest"	Paultre, Chris/Braxton, Derrick/Lupe Fiasco	Chris & Drop	5:12		* "Let the Drums Speak" by The Fatback Band
5		Lupe Fiasco/Soundtrakk/Prince Ben	Soundtrakk	4:48
6	"Paris, Tokyo"	Deodato, Eumir/Lupe Fiasco/Soundtrakk	Soundtrakk	4:30		* "San Juan Sunset" by Eumir Deodato
7	"Hi-Definition" (Feat. Snoop Dogg & Pooh Bear)	Broadus, Cordozar Calvin/Shuckburgh, Alexander/Pooh Bear/Lupe Fiasco	Al Shux	3:51
8	"Gold Watch"	Paultre, Chris/Braxton, Derrick/Lupe Fiasco	Chris & Drop	4:12		* "Do Whatever Turns You on Part. II" by the Prepositions
9	"Hip-Hop Saved My Life" (Feat. Nikki Jean)	Lupe Fiasco/Jean, Nikki/Soundtrakk	Soundtrakk	4:02
10	"Intruder Alert" (Feat. Sarah Green)	Lupe Fiasco/Soundtrakk	Soundtrakk	4:00
11	"Streets on Fire" (Feat. Matthew Santos)	Paultre, Chris/Braxton, Derrick/Lupe Fiasco	Chris & Drop	4:40		* "Amen, Brother" by The Winstons
12	"Little Weapon" (Feat. Bishop G & Nikki Jean)	Stump, Patrick/Lupe Fiasco/Bishop G	Patrick Stump	4:06		*Interpolates a line from Heat Under The Babyseat by Lupe Fiasco
13	"Gotta Eat"	Lupe Fiasco/Soundtrakk	Soundtrakk	3:24
14	"Dumb It Down" (Feat. Gemini & Graham Burris)	Lupe Fiasco/Prince Ben/Soundtrakk	Soundtrakk	4:03
15	"Hello/Goodbye (Uncool)" (Feat. Unkle)	File, C./Goss, J./Homme, J./Lavelle, J./Lupe Fiasco		4:26		* "Chemistry" by Unkle
16	"The Die" (Feat. Gemini)	Gemini/Lupe Fiasco/Soundtrakk	Soundtrakk	3:23
17	"Put You on Game"	Simonsayz/Lupe Fiasco	Simonsayz	3:02
18	"Fighters" (Feat. Matthew Santos)	Messie/Lupe Fiasco	Le Messie	3:33
19	"Go Baby" (Feat. GemStones)	Gemini/Lupe Fiasco/Soundtrakk	Soundtrakk	3:36
20		Lupe Fiasco/Soundtrakk	Soundtrakk	4:03

Personnel

Information taken from Allmusic.

Chris Allen – programming, digital editing, mixing

Veronica Alvericci – marketing

Craig Bauer – mixing

James Book – bass, programming, digital editing

Derrick "Drop" Braxton – producer

Chris "Cosmic" Paultre – producer

Jeff Breakey – digital editing, assistant

Nathan Cabrera– art direction, design

Pablo Clements – programming, background vocals, digital editing

Lionel Deluy – photography

Lupe Fiasco – producer, executive producer, vocal producer

Richard File – organ, piano, programming, digital editing, synthesizer strings

Chris Gehringer – mastering

Jesse Gladstone – assistant

Chris Goss – guitar, producer

Josh Homme – guitar

Darrale Jones – executive producer

James Lavelle – background vocals

Deborah Mannis-Gardner – sample clearance

Andrew Painter – photography

Krish Lingala – theremin, background vocals, guitar

Dave Pensado – enhanced recording

Brian Ranney – package production

John Regan – layout design

Jason Salvador – management

Livia Tortella – marketing

"You Can Ask" Giz – mixing

Chart positions

{|class="wikitable sortable" !Chart (2008) !Peakposition !align="center"|Certification !align="center"|Sales |- |Australian ARIA Albums Chart |align="center"|44 |align="center"| |align="center"| |- |French Albums Chart |align="center"|129 |align="center"| |align="center"| |- |Irish Albums Chart |align="center"|24 |align="center"| |align="center"| |- |Swiss Albums Chart |align="center"|93 |align="center"| |align="center"| |- |U.S. ''Billboard'' 200 |align="center"|14 |align="center" rowspan="3"|Gold |align="center" rowspan="3"|500,000+ |- |U.S. ''Billboard'' Top R&B;/Hip-Hop Albums |align="center"|4 |- |U.S. ''Billboard'' Top Rap Albums |align="center"|1 |- |UK Albums Chart |align="center"|7 |align="center"| |align="center"| |}

Release history

{|class="wikitable" !Region !Date |- |United States |rowspan=2|December 18, 2007 |- |Canada |- |United Kingdom |January 21, 2008 |- |Japan |January 3, 2008 |}

References

External links

''Lupe Fiasco's The Cool'' at Metacritic

Category:2007 albums Category:Atlantic Records albums Category:Concept albums Category:Lupe Fiasco albums

fr:Lupe Fiasco's The Cool it:The Cool nl:The Cool pl:Lupe Fiasco's The Cool ru:Lupe Fiasco’s The Cool fi:Lupe Fiasco's The Cool

Coordinates	4°37′49″N74°27′45″N
title	Scott Pilgrim
format	Digest limited series
genre	Comedy ActionRomance
publisher	Oni Press
date	August 18, 2004 - July 20, 2010
volumes	6
main char team	(List of characters)
writers	Bryan Lee O'Malley
artists	Bryan Lee O'Malley
tpb	Scott Pilgrim's Precious Little Life
isbn	1-932664-08-4
tpb2	Scott Pilgrim vs. The World
isbn2	1-932664-12-2
tpb3	Scott Pilgrim & The Infinite Sadness
isbn3	1-932664-22-X
tpb4	Scott Pilgrim Gets It Together
isbn4	1-932664-49-1
tpb5	Scott Pilgrim vs. The Universe
isbn5	1-934964-10-7
tpb6	Scott Pilgrim's Finest Hour
isbn6	1-934964-38-7
subcat	Oni Press
sort	Scott Pilgrim
nonus	}}

''Scott Pilgrim'' is a graphic novel series by Bryan Lee O'Malley. It consists of six digest size black-and-white volumes, released between August 2004 and July 2010, by Portland-based independent comic book publisher Oni Press. The series is about 23-year-old Canadian Scott Pilgrim, a slacker and part-time musician who lives in Toronto and plays bass guitar in the band Sex Bob-omb. He falls in love with American delivery girl Ramona Flowers, but must defeat her seven evil exes in order to date her.

A film adaptation of the series titled ''Scott Pilgrim vs. the World'' starring actor Michael Cera in the title role was released in August 2010. A videogame of the same name developed by Ubisoft for PlayStation Network and Xbox Live Arcade was released the same month.

Development

Creator Bryan Lee O'Malley was inspired to create the series and eponymous character of Scott Pilgrim after listening to Canadian band Plumtree's 1998 single "Scott Pilgrim", a song then-Plumtree singer Carla Gillis describes as "positive, but...also bitter sweet." In particular, O'Malley was inspired by the lyric, "I’ve liked you for a thousand years,".

To illustrate his reasoning for eventually ending the ''Scott Pilgrim'' series, O'Malley used a quote from famed Belgian comics writer and artist Hergé, creator, writer, and illustrator of the well-regarded ''The Adventures of Tintin'' comic book series, from 1929 until his death in 1983. Hergé told his wife "And right now, my work makes me sick. Tintin is no longer me. And I must make a terrible effort to invent (him)… If Tintin continues to live, it is through a sort of artificial respiration that I must constantly keep up and which is exhausting me." O'Malley said "If I was still doing Scott Pilgrim in ten years, I would be dead inside."

Plot summary

Scott Pilgrim's Precious Little Life (Volume 1)

The series begins by introducing Scott Pilgrim, a 23-year-old Canadian slacker living in Toronto with his gay roommate Wallace Wells. He is the bass player for a band called Sex Bob-omb, along with his friends Stephen Stills "The Talent" (guitar) and Kim Pine (drums). He begins dating a Chinese-Canadian high-schooler, Knives Chau. Kim criticizes the relationship due to Knives' age, but Scott dismisses her complaints by pointing out that the relationship is platonic.

One night, Scott begins dreaming about a girl on Rollerblades who he has never met before. He later glimpses her in real life delivering a package to the library. Her repeated presence in his dreams, and a coincidental meeting at a party thrown by Stephen's on-off girlfriend Julie Powers, prompts him to become obsessed with finding out more about her. He discovers that she is Ramona Flowers, a girl who works for Amazon.ca and has recently come to Toronto from New York after a rumored messy break-up with someone named Gideon.

Scott orders CDs on Amazon as a pretense to meet her again, and receives an email from someone named Matthew Patel warning him about an upcoming battle, but Scott pays it little heed and promptly deletes it. After another dream about Ramona, in which she is carrying his package, Scott wakes to find her at his door. She explains that she uses subspace portals as part of her job to cross long distances in seconds; one such route passes through Scott's brain, hence his dreams. Having convinced her he is not a strange person after their previous encounters, they spend the evening together and go back to her house during a heavy snowstorm, kiss, and spend the night together.

The next day, Wallace informs Scott that he needs to break up with Knives if he plans to pursue a serious relationship with Ramona, but when he meets Knives later in preparation for a band gig, Scott is unable to bring himself to break up with her. He also receives a letter from Matthew, which he again disregards.

At the venue, Sex Bob-omb prepare to begin their set when Matthew Patel descends upon the stage and engages Scott in a video game-style duel. He reveals himself as one of Ramona's evil ex-boyfriends, and has mystical powers that allow him to summon "demon hipster chicks." Scott defeats him in a musical battle, his final attack obliterating Matthew and leaving behind a handful of coins. On the subway home, Scott and Ramona decide to become a couple, on the proviso that Scott agree to defeat her six other evil-exes. When Scott asks if Gideon is one of them, Ramona's head glows sharply.

Scott Pilgrim vs. the World (Volume 2)

''Vs. The World'' opens with a flashback to Scott Pilgrim as a transfer student to St. Joel's Catholic High School in Northern Ontario, seven years before the series begins. After getting into a short fight moments upon enrolling, Scott meets Lisa Miller who immediately befriends him. Scott and Lisa attempt to start a band, only to realize that they are missing a drummer. Meanwhile, Scott meets Kim in his geography class, noticing her ability to play drums. Lisa and Scott scheme to ask Kim to join the band, but when Scott shows up to school the following Monday, he finds out that Kim has been kidnapped by students from the rival Benvie Tech High School. Scott defeats the students and Kim's kidnapper, Simon Lee, and rescues Kim. Kim joins Scott and Lisa's band Sonic & Knuckles, and dates Scott up until they break up when he tells her he has to move to Toronto.

In the present, Scott and Wallace ride the bus together, and Wallace tells him that actor and professional skateboarder Lucas Lee, Ramona's second evil ex-boyfriend, is filming a new movie in Toronto. Wallace also tells him to break up with Knives, or he will tell Ramona about her. Scott goes to meet Knives and awkwardly breaks it off, but is cheered by thoughts of Ramona who spends the night with him while he watches several of Lucas Lee's films to "train". The next day, Scott shows up at the video store Julie works at to rent several of Lucas Lee's films to prepare for his next battle. While his friends make dinner, Knives spots Scott with Ramona.

Scott goes to meet Lucas at his filming location, Casa Loma. Lucas immediately beats Scott up, after which they take a lunch break and Lucas tells Scott about how Ramona broke his heart, and how there is a "League of Ramona's Evil Ex-Boyfriends" who have organized themselves to come after Scott. Scott then defeats Lucas by goading him into skateboarding down a dangerous set of rails, where he ends up going too fast and bursting into coins upon landing.

Infuriated with Ramona for stealing Scott from her, Knives gives herself a hipster makeover by dyeing her forelock and attacks Ramona at the Toronto Reference Library. After a short battle and various insults, Knives confirms that Scott was cheating on her by dating Ramona simultaneously and takes off. Meanwhile, Scott gets a call from Envy Adams, Scott's ex-girlfriend, who asks him to open for her band The Clash at Demonhead that weekend. Speaking with Envy reopens Scott's unresolved issues about their breakup and he becomes a mess. Nevertheless, Sex-Bob-omb show up to see Envy's band on Friday, only to discover that Knives is now dating Young Neil, Stephen Stills's roommate. The book ends with an epic opening by The Clash at Demonhead, where Ramona identifies the band's bassist as her third evil ex-boyfriend, Todd Ingram.

Scott Pilgrim & the Infinite Sadness (Volume 3)

''The Infinite Sadness'' continues the night that The Clash at Demonhead performs. After the venue clears out, Envy invites Scott, Ramona, Kim Pine, Stephen, Julie, Knives, and Young Neil backstage with them to "chat". Knives, who idolizes Envy, blurts out that she also dated Scott, and has the highlights punched out of her hair by The Clash at Demonhead's drummer, Lynette Guycott. Knives, humiliated, leaves with Young Neil. Disgusted by Envy's new personality, Scott blames Todd for changing her and tries to attack him, but is stopped by Todd's psychic 'vegan' powers.

The story then unfolds with a series of flashbacks detailing the relationship between Scott and Envy, then known as Natalie V. Adams, a mousy girl who gradually bloomed into a confident, musical talent, finally adopting the name "Envy". She broke up with Scott once their band started to get noticed, and Scott's devastation resulted in him and Wallace becoming friends.

The next day, Scott and Todd engage in an unsuccessful challenge at Honest Ed's department store, where neither comes out the winner. They agree to fight again the following night. Ramona convinces Scott to ditch the challenge and they return to Ramona's apartment. After an unsuccessful make-out session, Ramona begins to fill Scott in about her relationship with Todd. In a flashback to their college years, Todd proves his love to Ramona by using his newly-gained vegan powers to blow a crater in the moon. Meanwhile, Todd is secretly cheating on his vegan diet (by eating gelato) as well as cheating on Envy with Lynette.

Later, that evening, before opening for Envy's band, Ramona and Envy get into an argument and begin to fight, Ramona armed with a giant mallet. As Envy starts to get the upper hand, Knives attacks her for the sake of Scott's happiness. Before Sex Bob-omb can perform, Scott sees Envy about to kill Ramona and Knives, and jumps from the stage to hit her "weak point"—the back of her knees. Envy then discovers Todd cheating on her with Lynette, but after confronting him, Todd unapologetically strikes her with his powers, shocking everyone. Todd and Scott then proceed to have a bass battle, and Scott is aided by the powers of Crash and the Boys (the opening band for the evening). Todd almost wins the battle until the Vegan Police show up and strip him of his powers for violating his vegan diet. Scott headbutts the powerless Todd, who is reduced to a pile of coins, and receives an extra life in the process. Finally, Sex Bob-omb gets to play, and Scott spots a strange character (Gideon) from the stage. The volume ends with Envy moving back home.

''The Infinite Sadness'' also features extras, such as guest comics from Josh Lesnick, Alex Ahad, Andy Helms, John Allison, and David McGuire, as well as a map of the major characters illustrating their relations to each other. The title is a reference to the album ''Mellon Collie and the Infinite Sadness'' by The Smashing Pumpkins.

Scott Pilgrim Gets It Together (Volume 4)

(note: ''Gets it Together'' features a format change of the series' original spine art)

After a summer break at The Beaches for Julie's birthday, Kim moves into an apartment with her friends, Hollie and Joseph. Stephen notices Joseph has a home recording studio, and asks him to help Sex Bob-omb record an album. As Scott goes to the Dufferin Mall to escape a heat wave, he sees Lisa Miller, later re-acquainting her with Kim and introducing her to Ramona and the others. Meanwhile, at Knives's house, Knives and her friend Tamara notice that the picture of Scott on Knives's shrine is mysteriously slashed.

Annoyed with running into his daft subspace dreams in the middle of the day, Ramona recommends that Scott get a job. Kim brings him to The Happy Avocado, a vegetarian restaurant where Stephen works, where he gets a job as a dishwasher. Shortly afterward, Scott and Kim are attacked by a samurai, who slices a streetcar in half and chases them until they escape via a subspace portal. The next day, Scott and Wallace venture to the financial district to meet with their landlord, Peter, who tells them that they must re-sign the lease or leave by August 27. Wallace recommends that Scott move in with Ramona. As Scott contemplates this, he briefly encounters a female "half-ninja", who unsuccessfully attacks him and disappears. The following afternoon, Scott spots the same girl talking to Ramona at the restaurant where he works. She is revealed to be Roxie Richter, Ramona's fourth evil ex. Not keen on fighting girls or people with swords, Scott hides in Ramona's bag while she heads into a subspace portal and fights Roxie. After nearly killing Ramona, Roxie leaves. Afterward, Ramona tells Scott that he can move in with her temporarily. Later on, though, things go downhill when Ramona suspects Scott might be attracted to Lisa and kicks him out.

After walking in on Wallace having sex with someone in their apartment and being informed that he was fired from his job during the fight, Scott goes to Lisa's house to spend the night. Lisa recalls their high school friendship, asking whether Scott had any feelings for her then and if they should have an affair now. After waking up from a dream infiltrated by Roxie in an attempt to kill him, Scott cannot remember the previous night, but learns from Lisa that nothing happened between them and that he confessed that he loved Ramona. Scott gets his job back and goes to the Second Cup, where he finds Knives working there. He is suddenly attacked by the samurai, revealed to be Knives's father who was not keen on Knives dating a white boy. Scott escapes via another subspace portal and ends up in Ramona's mind, where she is a slave to a shadowy figure. Ramona kicks Scott out of her head, telling him to forget what he saw, but before he can explain his true feelings, he sees that Roxie spent the night at Ramona's and his head begins to glow. Ramona tells him to walk it off and as he does, Scott encounters his dark self and rejects it, rushing back to Ramona to find her being attacked by Mr. Chau. Scott lures him away and gets him to fight against Roxie. When Scott realizes that he has been cowardly, he plucks up the courage to confess his love for Ramona, earning the Power of Love sword, which emerges from his chest. Scott uses this to defeat Roxie, Ninja Gaiden-style, who warns him about "the twins" before dying. Scott then apologizes to Mr. Chau, who leaves having earned respect for Scott, before Scott finally moves in with Ramona. After the group gives Lisa a farewell meal, Ramona finally tells Scott her age, which is 24.

The back of ''Gets it Together'' features guest art from Steve Manale, Michael Comeau, Philip Bond, and Zander Cannon as well as a back cover illustrated by pixel artist Miguel Sternberg.

Scott Pilgrim vs. the Universe (Volume 5)

(note: The first printing of ''Vs. the Universe'' features a shiny cover.)

After Scott turns 24, the gang attends a Mexican Day of the Dead themed party thrown by Julie where Ramona spots her next two evil ex-boyfriends, the twins Kyle and Ken Katayanagi. Scott approaches them and prepares to fight, but instead is forced to fight their robot, Robot-01. He defeats the robot and "wins the party." Meanwhile, Knives talks to Stephen, who has permanently broken up with Julie and who reiterates that Scott cheated on her with Ramona. She wonders if Ramona knows about it. November continues to show the deteriorating status of Scott and Ramona's relationship, with Ramona starting to appear bored and Scott stumbling onto signs that she may still be interested in Gideon. She at one point tells Scott that she doesn't like his band, which hasn't done any gigs since they started "recording," which distresses Scott (even Wallace doesn't like his band) and leaves him unable to sleep. Later, Sex Bob-omb prepares for a show at Sneaky Dee's, even though they haven't rehearsed in months due to Stephen's persistent but fruitless recording with Joseph. Their performance, which was doomed to fail anyway, is interrupted by another one of the twins' robots, which Scott defeats, breaking his bass in the process. During this time, Ramona encounters Knives in the bathroom, who tells her that Scott cheated on them at the same time. On the way home, Scott admits that he forgot his keys and Ramona refuses to let him in for the night. He ends up staying with Wallace, who has since moved in with his boyfriend Mobile, and Wallace gives him photos he has found of Gideon Graves, all of which are blurry or indistinct.

After spending the next night at Kim's, Scott arranges a setup so that he can casually bump into Kim and Ramona while they get coffee. During the conversation, Kim brings attention to Ramona's head glowing, of which she herself was unaware, although it disappears before she can see for herself. They later all attend another of Julie's parties that night where Scott is forced to fight yet another robot. Kim approaches Ramona on the balcony, and takes a picture with her camera phone of Ramona's head, which is yet again glowing. Kim and Ramona proceed to get drunk, and after defeating the robot, Scott joins them. Later, Kim takes the subway home, but is kidnapped by the twins. After some initial intimacy, Ramona confronts Scott about cheating on Knives with her and tells him he is just another evil ex-boyfriend waiting to happen, which worries Scott into thinking they might break up. While Ramona takes a shower in the early morning, Scott receives word of Kim's kidnapping, and rushes to a construction site to face the twins, despite being disadvantaged due to his hangover. During the fight, the twins explain that Ramona cheated on both of them at the same time, and imply Scott is fighting for the wrong girl. As he begins to lose the fight, Kim lies and says that Ramona text messaged her to give Scott the encouragement to defeat the twins simultaneously.

Scott rushes back to the apartment. Ramona, now with her hair cut and dyed again, tells Scott that she is a bad person and that she "had a good time." Her head begins to glow brighter and brighter until she disappears. Scott tries to look for her, but instead lets her cat out and accidentally locks himself out of her apartment. Over the next few days, Scott bed-hops while trying to get Ramona's cat to come back and constantly mistaking people for Gideon. Kim moves back home to the north, accepting Scott's apology for his behavior. After moving into a new apartment, Scott reads a note Ramona left behind addressed to Gideon, telling him she would not come back to him. While Scott wonders what this means, he receives a call from Gideon, asking when it would be convenient to die.

The end of ''Scott Pilgrim vs. The Universe'' features a section called "Creating Scott Pilgrim for fun and profit." The section includes drawings and comments from Bryan Lee O'Malley detailing the development of the series, including a playlist for the fifth book.

Scott Pilgrim's Finest Hour (Volume 6)

Four months after Ramona's disappearance, Scott has been wasting his life playing video games, to the chagrin of his friends. At a party, he is shocked to learn that Knives will be leaving for college soon, and later runs into Envy, who is beginning to promote her much anticipated solo album. Later talking over coffee, Envy expresses concern for Scott and points out their breakup was a result of an argument which Scott apparently started, though he cannot remember. Gideon, who is revealed to be dating Envy, appears during their conversation, but Scott ends up fleeing.

In order to reinvigorate Scott to confront Gideon, Wallace sends him on a "wilderness sabbatical" to Kim's home up north. During this time, Scott tries to rekindle his relationship with Kim, but is rejected when Kim points out errors in his memory surrounding their breakup. Scott began dating Kim after beating up Simon Lee, a wimpy kid who was dating her at the time, not a suave villain as Scott remembered. Likewise, Kim only learned that Scott would be leaving for Toronto from Lisa—Scott never told her in person that they would have to break up. Upon this revelation, Scott's head starts to glow and the NegaScott emerges. Scott becomes determined to defeat him so he can forget his relationship with Ramona and move on, but Kim reminds him he cannot keep running away from his mistakes. During the fight, Scott remembers Ramona and merges with NegaScott, fully remembering and accepting responsibility for his poor actions in his previous relationships. After receiving one last good luck kiss from Kim, Scott heads back to Toronto to earn Ramona back.

Scott arrives at the newly-opened club, the Chaos Theatre, owned by Gideon, where Envy is making her solo debut. As Envy starts her performance, Gideon attacks Scott, who is enraged to learn that Ramona is not with him. When Scott refuses to join the League of Evil Exes, Gideon steals his Power of Love sword and kills him with it. Scott awakens in a desert, where he encounters Ramona, who apologizes and attempts to explain why she left, though the reader is not privy to what she says. They reconcile, but Ramona reminds Scott that he is dead. However, he returns to life thanks to the extra life he obtained from Todd Ingram, and Ramona bursts out of his chest to confront Gideon. Gideon reveals several cryogenic capsules inside the club filled with former girlfriends, wanting Ramona to join them (despite that Gideon kept pushing her away during their time, a fact which he can't remember, either). He fights them and explains that he formed the league following a drunken post on Craigslist after his breakup with Ramona.

Ramona tries to use the glow to escape into subspace, but Gideon stabs her. He explains that glow is an emotional weapon which seals people inside their own heads, consumed by self-loathing. After learning from Ramona that Gideon literally has a way of getting inside her head, Scott jumps into Ramona's subspace bag and arrives in her head, where he finds and confronts Gideon. Scott's actions encourage Ramona to fully overcome his influence and oust him from her head. Ramona retrieves the Power of Love sword, healing her wounds, but breaks her bag. When Scott sees Gideon snap at Envy, he comes to understand him and earns the Power of Understanding sword. As they fight him, Gideon reveals he had been watching the two via the subspace highway in Scott's head, altering some of his memories in the process. Whilst Gideon tries to turn Scott and Ramona against one another, they defeat him, causing him to explode into seven million, seven hundred and seventy-seven thousand, seven hundred and seventy-seven dollars in coins.

Scott and Envy reach closure and Gideon's former girlfriends are unfrozen (and they have no idea of what just happened). Ramona reveals that her disappearance was merely an unsuccessful wilderness sabbatical to find herself while at her dad's cabin. She decides to give her relationship with Scott another shot. In the closing pages, Scott is working with Stephen as co-chef, Stephen reveals that he is gay and in a relationship with Joseph, Scott and Kim start an awful new band, and Knives heads off to college. The last pages show Scott meeting up with Ramona as they affirm their desire to face the challenges of a relationship and walk hand in hand into a subspace door together.

On June 3, 2010, O'Malley announced that he had hidden the word "hipster" on Ramona's t-shirt in one panel to mark the day he finished drawing the series. This panel is on page 161 in a flashback involving Ramona and Gideon.

Publications

The main graphic novel series is:

''Scott Pilgrim's Precious Little Life'' ''Scott Pilgrim vs. The World'' ''Scott Pilgrim & The Infinite Sadness'' ''Scott Pilgrim Gets It Together'' ''Scott Pilgrim vs. The Universe'' ''Scott Pilgrim's Finest Hour''

!#!!Title!!ISBN!!Release date
1	|	ISBN 1-932664-08-4	August 18, 2004
2	|	ISBN 1-932664-12-2	June 15, 2005
3	|	ISBN 1-932664-22-X	May 24, 2006
4	|	ISBN 1-932664-49-1	November 14, 2007
5	|	ISBN 1-934964-10-7	February 4, 2009
6	|	ISBN 1-934964-38-7	July 20, 2010

Other appearances:

''Comics Festival'' (40-page anthology including a one-page Scott Pilgrim comic; released on Free Comic Book Day 2005)

''PENG'' (72-page one-shot comic book by Corey Lewis where Scott Pilgrim appears in one panel; released in 2005)

''Free Scott Pilgrim #1 FCBD 2006 Edition'' (32-page comic book featuring an 17-page original Scott Pilgrim story; released on Free Comic Book Day 2006) This story is available for free online at the Scott Pilgrim Website

''Comics Festival 2007!'' (40-page anthology including a half-page Scott Pilgrim comic and a 4-page Wonderful World of Kim Pine comic; released on Free Comic Book Day 2007)

''Scott Pilgrim: Full Colour Odds & Ends 2008'' (collects ''Free Scott Pilgrim #1'' - newly coloured by Dean Trippe, ''Wonderful World of Kim Pine'' four-page story, ''Now Magazine Best of Toronto'' two-page strip in black-and-white, the Comics Fest 07 ''sushi'' strip, and various watercolours, pin-ups, and advertisements)

All of these ancillary stories are available to read on the Scott Pilgrim Website. A collector's box containing all six volumes and a fold-in poster was released in North America on November 3, 2010.

Critical reception

The first volume of ''Scott Pilgrim'' was well-received by comic book critics and had favorable reviews outside the comic book industry, in ''Publishers Weekly'' and on E! Online among others. Critics appreciated how O'Malley's cartoony-looking and manga-inspired artwork managed to express the character's emotions with few, seemingly simple lines. His style also often references Japanese manga artists, such as Kiyohiko Azuma and Osamu Tezuka. The style choices are also made in part from his departure from more dramatic content such as in ''Lost at Sea''.

While there were some objections against the book's art, its humor made the book very popular and garnered it much praise, as did its "strong characterization and convincing dialogue". Only the video-game-like fight sequence at the end (wherein Scott fights Matthew Patel, the first of Ramona's evil exes, in a style reminiscent of ''Street Fighter'') was not met as enthusiastically as the rest of the book by all readers and it was noted that the scene "completely abandons the tone, pace and genre of everything that comes before it".

The second volume received equally good reviews, with some critics grading it "even better" than the first volume and continuing to praise the series' humor and how O'Malley manages to shift readers' sympathies from one character to the other by expanding the characterizations of the cast, giving new insights into the characters' pasts. Critics also noted how seemingly effortlessly O'Malley manages to mix "relatively real life and superhero power fantasies".

Publishers Weekly ranked the third volume, ''Scott Pilgrim & The Infinite Sadness'', as one of the best comic books of 2006 in a critics' poll.

Scott Pilgrim was ranked 85th on Wizard magazine's 2008 list of the "200 Greatest Comic Characters of All Time".

In 2007, O'Malley was interviewed by the AV Club for the fourth volume. Written by Jason Heller, the article states that ''Gets It Together'' is "his best to date." The article goes on to praise O'Malley's consistent bold stylistic choices, saying that he "has raised the bar, art-wise: His deceptively basic style is suddenly deeper, richer, and more mature, while his eye for dynamics and graphic economy has gotten even keener." In 2011 Scott Pilgrim was ranked 69th in the Top 100 Comic books heroes.

Awards

In 2005, O'Malley won the Doug Wright Award for Best Emerging Talent for the first volume of ''Scott Pilgrim'' and was nominated for three Harvey Awards (Best New Talent, Best Cartoonist and Best Graphic Album of Original Work).

In 2006, O'Malley was awarded Outstanding Canadian Comic Book Cartoonist (Writer/Artist) in the Joe Shuster Awards. He was previously nominated in the same category in 2005.

O'Malley was nominated for a 2006 Eisner Award in the category Best Writer/Artist—Humor, for ''Scott Pilgrim Vs. The World'', but lost to Kyle Baker. O'Malley and ''Scott Pilgrim'' were also nominated for two 2006 Eagle Awards, and nominated for a second Wright Award (for ''Scott Pilgrim Vs. The World'').

In 2007, O'Malley won the Harvey Award. The series was also awarded a spot in Entertainment Weekly's 2007 A-List.

In 2010, O'Malley won his first Eisner Award in the "Best Humor Publication" category for ''Scott Pilgrim Vs. The Universe.''

In other media

Film

The film ''Scott Pilgrim vs. the World'' was released on August 13, 2010. It is based on all six volumes of the graphic novel series, despite the different ending due to the sixth volume having been released after the film finished shooting. The film is directed by Edgar Wright and stars Michael Cera and Mary Elizabeth Winstead as Scott and Ramona, respectively.

The film was a critical success, but did not fare as well commercially. Despite the lack of advertising the film was released on DVD and Blu-ray and became popular. The DVD includes extras such as bloopers and outtakes, deleted scenes and trailers. On the 2-disc edition, the 2nd disc includes soundtracks, animation (when Scott dates Kim), the film in the making and sound in the making.

''Scott Pilgrim vs. The Animation''

At the 2010 San Diego Comic-Con, Alison Pill (who plays Kim Pine in the movie), revealed that her character's past relationship with Scott will be explored in other media. "There will be a little something-something that will air on Adult Swim," she said. Creator Bryan Lee O'Malley elaborated by stating "It's gonna be like a series of short animations (to promote the movie). One of them will be the Volume 2 high school stuff with Kim and Lisa Miller. I don't know how long it will be but the rough they showed me was like 5 minutes. The stars of the movie will do the voices for the cartoons." Michael Cera and Alison Pill reprise their roles of Scott Pilgrim and Kim Pine from the movie, whilst Mae Whitman and Jason Schwartzman, who play Roxanne Richter and Gideon Graves in the movie, provide voices for Lisa Miller and Simon Lee respectively. The animated short, entitled ''Scott Pilgrim vs. the Animation'', was produced by Titmouse Inc. and aired on Adult Swim on August 12, 2010, later being released on their website. The short is based on the flashback from the second graphic novel, elaborating on Scott's adventures in high school. The animation features music by Wavves, though it is replaced with the movie's soundtrack in the version included on the DVD/Bluray Disc of the film.

Video game

A video game based on the series, also titled ''Scott Pilgrim vs. The World'', was announced during San Diego Comic Con 2009 and was developed by Ubisoft Montreal, released alongside the film. The game is a four-player side-scroller influenced by 8-bit and 16-bit video games, with players able to play as Scott Pilgrim, Ramona Flowers, Kim Pine and Stephen Stills (Knives Chau was added later as a downloadable character). If you complete the game with Scott, Ramona, Stephen Stills, and Kim, you unlock NegaScott. Mr. Chau, Knives Chau's father, is also an unlockable assist character. The game features music by chiptune punk band Anamanaguchi and visuals by Paul Robertson, who is well known for producing stylized sprite-based animations.

The game was released on PlayStation Network on August 10, 2010 and Xbox Live Arcade on August 25, 2010.

Mobile comic

A mobile adaptation of the comic book was produced by HarperCollins and Robot Comics. The app uses movement, sound and vibration to create an original reading experience and includes extra material hidden in the scenes of the comic. It is available for iPhone, iPod touch, iPad and Android.

References

External links

Bryan Lee O'Malley's website

ScottPilgrim.com

''Scott Pilgrim vs. The World The Game'' at Ubisoft

Category:Oni Press graphic novels Category:Canadian comics titles Category:Oni Press titles Category:Toronto in fiction Category:Fictional rock musicians Category:Fictional Canadian people Category:Comics adapted into films Category:Romance comics Category:Humor comics Category:Comic book digests Category:Harvey Award winners for Best Graphic Album of Original Work Category:Canadian graphic novels Category:Scott Pilgrim

ca:Scott Pilgrim es:Scott Pilgrim fr:Scott Pilgrim gl:Scott Pilgrim ja:スコット・ピルグリム VS. 邪悪な元カレ軍団 pt:Scott Pilgrim ru:Скотт Пилигрим fi:Scott Pilgrim tr:Scott Pilgrim

Coordinates	4°37′49″N74°27′45″N
name	Brian Wilson
alt	Brian Wilson performing in January 2007
landscape	yes
background	solo_singer
birth name	Brian Douglas Wilson
birth date	June 20, 1942
birth place	Inglewood, California, U.S.
death date
genre	Rock, pop, psychedelic rock, surf rock, experimental rock, baroque pop, art rock
occupation	Songwriter, bassist, pianist, vocalist, producer, composer, organist, arranger
instrument	Vocals, bass, piano, organ, synthesizers
years active	1961–present
label	Capitol/EMI RecordsSire/Reprise/Warner Bros. RecordsBrother/Reprise/Warner Bros. RecordsGiant/Warner Bros. RecordsCaribou/CBS RecordsNonesuch/Elektra RecordsWalt Disney Records
associated acts	The Beach Boys The Four Freshmen Jan and Dean Van Dyke Parks
url
notable instruments	Fender Precision BassBaldwin HT2R Theater Organ }}

Brian Douglas Wilson (born June 20, 1942) is an American musician, best known as the leader and chief songwriter of the group The Beach Boys. Within the band, Wilson played bass and keyboards, also providing part-time lead vocals and, more often, backing vocals, harmonizing in falsetto with the group. Besides being the primary composer in The Beach Boys, he also functioned as the band's main producer and arranger. Wilson was responsible for writing and soon produced most of the Beach Boys earliest and most successful music including more than two dozen Top 40 hits and a large portion of the songs on most of the bands 60's albums — many of which were co-written in part with cousin Mike Love.

In the mid-60's Wilson started to use his increasingly creative ambitions to compose music such as ''Pet Sounds'' which is considered one of the greatest albums of all time and the hit single "Good Vibrations". During this point in time his music was considered to rival that of "Lennon/McCartney". The intended follow up to Pet Sounds, ''Smile'' was cancelled due to various reasons including his deteriorating mental health and Wilson's life was derailed following years of drug abuse and mental illness. Wilson's contributions to The Beach Boys eventually became less and less as the years went by and his erratic behaviour led to tensions with the band. After years of treatment and recuperation he began a solo career in 1988 with ''Brian Wilson'', the same year that he and The Beach Boys were inducted into the Rock and Roll Hall of Fame. Since then he has managed to fight his personal demons and tour for the first time in decades with a new band and release acclaimed albums such as a reworked version of ''Smile'', ''That Lucky Old Sun'', and ''Brian Wilson Reimagines Gershwin''.

Wilson has received a lot of well deserved recognition in the last 20 years for his music in the Beach Boys particularly the album Pet Sounds and many of his songs which are often considered some of the best music ever written. In 2008, ''Rolling Stone'' magazine published a list of the "100 Greatest Singers of All Time", and ranked Wilson number 52. Wilson also won a Grammy Award in 2005 for "Mrs. O'Leary's Cow (Fire)" as Best Rock Instrumental. He is also an occasional actor and voice actor, having appeared in television shows, films, and other artists' music videos. Though no longer a part of The Beach Boys touring band, Brian Wilson remains a member of the Beach Boys corporation, Brother Records Incorporated.

Life and career

Early years

Wilson was born on June 20, 1942 at Centinela Hospital in Inglewood, California. He was the eldest of three boys; his younger brothers were Dennis and Carl. When Brian was two, the Wilson family moved from Inglewood to 3701 West 119th Street in nearby Hawthorne, California, a town in the greater Los Angeles urban area about five miles inland from the Pacific Ocean. He spent his entire subsequent childhood years in this middle-class family home.

Brian Wilson's father Murry Wilson told of Brian's unusual musical abilities prior to his first birthday, observing that the baby could repeat the melody from "When the Caissons Go Rolling Along" after only a few verses had been sung by the father. Murry stated, "He was very clever and quick. I just fell in love with him."

At about age two, Brian heard George Gershwin's "Rhapsody in Blue", which had an enormous emotional impact on him. A few years later Brian was discovered to have extremely diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from Brian's simply being born partially deaf, to a blow to the head from Brian's father, or a neighborhood bully, being to blame.

While father Murry was ostensibly a reasonable provider, he was often abusive. But Murry, a minor musician and songwriter, also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a "toy accordion", and at seven and eight sang solos in church with a choir behind him. By most accounts a natural leader by the time he began attending Hawthorne High School, Brian was on the football team as a quarterback, played baseball and was a cross-country runner in his senior year. However, most of his energy was directed toward music. He sang with various students at school functions and with his family and friends at home. Brian taught his two brothers harmony parts that all three would then practice when they were supposed to be asleep. He also played piano obsessively after school, deconstructing the harmonies of The Four Freshmen by listening to short segments of their songs on a phonograph, then working to recreate the blended sounds note by note on the keyboard. Brian received a Wollensak tape recorder on his sixteenth birthday, allowing him to experiment with recording songs and early group vocals.

First steps: Carl and the Passions

Wilson's surviving home tapes document his initial efforts singing with various buddies and family, including a song that would later be recorded in the studio by The Beach Boys, "Sloop John B", as well as "Bermuda Shorts" and a hymn titled "Good News". In his senior year at Hawthorne High, in addition to his classroom music studies, he would gather at lunchtime to sing with friends like Keith Lent and Bruce Griffin. Brian and Lent worked on a revised version of the tune "Hully Gully" to support the campaign of a classmate named Carol Hess who was running for senior class president. When performed for a full high school gathering, Brian's revised arrangement received a warm round of applause from the student audience.

Enlisting his cousin and often-time singing partner Mike Love, and Wilson's reluctant youngest brother Carl Wilson, Brian's next public performance featured more ambitious arrangements at a fall arts program at his high school. To entice Carl into the group, Wilson named the newly-formed membership "Carl and the Passions". The performance featured tunes by Dion and the Belmonts and The Four Freshmen ("It's a Blue World"), the latter of which proved difficult for the ensemble to carry off. However, the event was notable for the impression it made on another musician and classmate of Brian's who was in the audience that night, Al Jardine, later to join the three Wilson brothers and Mike Love in The Beach Boys.

Initial compositions and the Pendletones

Brian enrolled at El Camino Community College in Los Angeles, majoring in psychology, in September 1960. However, he continued his music studies at the college as well. At some point in the year 1961 Brian wrote his first all-original melody, loosely based on a Dion and the Belmonts version of "When You Wish Upon a Star". Brian's tune would eventually be known as "Surfer Girl". Brian has commented that he wrote the melody in his car, then later at home finished the bridge and harmonies. Although an early demo of the song was recorded in Feb. 1962 at World-Pacific Studios, it was not re-recorded and released until 1963, when it became a top ten hit.

Brian and his brothers Carl and Dennis Wilson along with Mike Love and Al Jardine first gelled as a music group in the summer of 1961, initially named the Pendletones. After being prodded by Dennis to write a song about the local water sports craze, Brian and Mike Love together created what would become the first single for the band, "Surfin'". Over Labor Day weekend 1961, Brian took advantage of the fact that his parents were in Mexico City for a couple days and intended to use the emergency money they had left for the boys to rent an amp, a microphone, and a stand-up bass. As it turned out, the money they had left was not enough to cover musical expenses, so Al Jardine appealed to his mother, Virginia for assistance. When she heard the group perform, she was suitably impressed and handed over $300 to help out. Al promptly took Brian to the music store where he was able to rent a stand-up bass. After two days of rehearsing in the Wilson's music room, Brian's parents returned home from their trip. Murry was irate, until Brian convinced him to listen to what they'd been up to. His father was convinced that the boys did indeed have something worth pursuing. He quickly proclaimed himself the group's manager and the band embarked on serious rehearsals for a proper studio session. Recorded by Hite and Dorinda Morgan and released on the small Candix label, "Surfin'" became a top local hit in Los Angeles and reached number seventy-five on the national ''Billboard'' sales charts.

Dennis later described the first time Brian heard their song on the radio as the three Wilson brothers (and soon-to-be-band member David Marks) drove in Brian's 1957 Ford in the rain: "Nothing will ever top the expression on Brian's face, ever ... THAT was the all-time moment."

However, the Pendletones were no more. Without the band's knowledge or permission, Candix Records had changed their name to The Beach Boys.

First performances and the quest for a major label

Brian Wilson and his bandmates, following a set by Ike and Tina Turner, performed their first major live show at The Ritchie Valens Memorial Dance on New Year's Eve, 1961. Three days previously, Brian's father had bought him an electric bass and amplifier; Brian had learned to play the instrument in that short period of time, with Al Jardine moving to rhythm guitar.

Looking for a followup single for their radio hit, Brian and Mike wrote "Surfin' Safari", and attempts were made to record a usable take at World Pacific, including overdubs, on February 8, 1962, along with several other tunes including an early version of "Surfer Girl". Only a few days later, discouraged about the band's financial prospects, and objecting to adding some Chubby Checker songs to The Beach Boys live setlist, Al Jardine abruptly left the group.

Murry Wilson had become The Beach Boys manager, and when Candix Records ran into money problems and sold the group's master recordings to another label, Murry terminated the contract. Brian, worried about The Beach Boys' future, asked his father to help his group make more recordings. But Murry and Hite Morgan (who at this point was their music publisher) were turned down by a number of Los Angeles record companies.

As "Surfin'" faded from the charts, Brian, who had forged a songwriting partnership with Gary Usher, created several new tunes, including a car song, "409", that Usher had helped write. Recruiting Carl and Dennis' friend, thirteen-year-old neighbor David Marks, who had been playing electric guitar (and practicing with Carl) for years, Brian and the revamped Beach Boys cut new tracks on April 19 at Western Recorders including an updated "Surfin' Safari" and "409". These tunes convinced Capitol Records to release the demos as a single; they became a double-sided national hit.

The Beach Boys and first success with Capitol Records

After signing with Capitol Records in mid-1962, Brian Wilson wrote or co-wrote a series of hit singles including the aforementioned "Surfin' Safari", "Surfin' USA", "Shut Down", "Little Deuce Coupe", "Be True to Your School", "In My Room", "Fun, Fun, Fun", "I Get Around", "Dance, Dance, Dance", "Help Me Rhonda", "California Girls" and "Good Vibrations". These songs and their accompanying albums were internationally popular, making The Beach Boys one of the biggest acts of their time.

Recording sessions for the band's first album took place in Capitol's basement studios (in the famous tower building) in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 50s, not small rock groups. At Brian's insistence, Capitol agreed to let The Beach Boys pay for their own outside recording sessions, which Capitol would own all the rights to, and in return the band would receive a higher royalty rate on their record sales. Additionally, although it was very rare at the time for rock and roll band members to have a say in the process of making their records, during the taping of their first LP Brian fought for, and won, the right to be totally in charge of the production- though his first acknowledged liner notes production credit did not come until the band's third album ''Surfer Girl'', in 1963.

January 1963 saw the recording of the first top-ten (cresting at #3 in the United States) Beach Boys single, "Surfin' USA", which began their long run of highly successful recording efforts at Hollywood's Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use doubletracking on the group's vocals, resulting in a deeper and more resonant sound.

The tune, adapted from (and eventually entirely credited to) Chuck Berry, is widely seen as emblematic of the early 60s American rock cultural experience. The ''Surfin' USA'' album was also a big hit in the United States, reaching number two on the national sales charts by early July, 1963. Brian and his group had become a top-rank recording and touring music band.

Early era as writer/producer

Brian was first credited as The Beach Boys' producer on the ''Surfer Girl'' album, recorded in June and July 1963 and released in September 1963. This LP reached #7 on the national charts on the strength of songs like the ballad "In My Room", later released as a single; "Catch a Wave"; and "Little Deuce Coupe", which was released as a double-sided single with the album's title track, both top-15 hits.

He also began working with other artists in this period. On July 20, 1963, "Surf City", which he had co-written with Jan and Dean, was the first surfing song to reach the pinnacle of the sales charts. While Brian was excited and happy, his father (and still-manager) Murry and Capitol Records were less than thrilled. Indeed, openly enraged by Brian's chart-topping effort for what he saw as a rival band, Murry went so far as to order his oldest son to sever any further efforts with Jan and Dean.

Brian's other non-Beach Boy work in this period included tracks by The Honeys, Sharon Marie, The Timers, and The Survivors. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for The Beach Boys' fourth album ''Little Deuce Coupe'', which was released in October 1963, only three weeks after the ''Surfer Girl'' LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with The Beach Boys, for a time reducing his availability in the recording studio.

Artistic growth

Brian became known for his unique use of vocal harmonies, his trademark style of lyrics and incessant studio perfectionism. Early influences on his music included not only the previously mentioned Four Freshmen and Chuck Berry, but also the work of record producer Phil Spector, the latter of whom obsessed Wilson for years. He later considered The Beatles to be his chief rivals, and they in turn would cite his work as a major influence. Wilson also produced records for other artists, but to much lesser success, with the exception of Jan and Dean, for whom Wilson co-wrote several hit songs. Following a nervous breakdown onboard a flight from L.A. to Houston in 1964, Wilson stopped performing live with the Beach Boys in an effort to concentrate solely on songwriting and studio production. Glen Campbell was called in as his temporary stand-in for live performances,|}} As he began work on the new project, ''Pet Sounds'', Wilson formed a temporary songwriting partnership with lyricist Tony Asher. Wilson, who had recorded the album's instrumentation with The Wrecking Crew, then gathered with The Beach Boys to record vocal overdubs, following their return from a tour of Japan. Upon hearing what Wilson had created for the first time in 1965, the group, particularly Mike Love, was somewhat critical of their leader's music,

During the ''Pet Sounds'' sessions, Wilson had been working on another song, which was held back from inclusion on the record as he felt that it was not sufficiently complete. The song, "Good Vibrations", set a new standard for musicians, and what could be achieved in the recording studio. Recorded in multiple sessions and in numerous studios, the song eventually cost $50,000 to record within a six month period. In October 1966, the song was released as a single, giving The Beach Boys their third U.S. number-one hit—alongside "I Get Around" and "Help Me, Rhonda"—and it sold over a million copies.

''Smile'', group tension and Brother Records

With the surprising success of "Good Vibrations", Capitol Records had no choice but to back Wilson up for his next project, originally called ''Dumb Angel'' Soon after, ''Smile'' was abandoned, and Wilson would not return to complete it until 2004, when it was released as a Brian Wilson album of the same name. Van Dyke Parks later noted, "...Brian had a nervous collapse. What broke his heart was ''Sgt. Pepper''." Writing for ''The Guardian'' in December 1999, Will Hodgkinson summarized the main reasons for the eventual demise of Wilson's ambitious project;

:[A] combination of factors, including litigations against the record company and increasing animosity between Wilson and the rest of the band, meant that in May 1967 Wilson pulled the plug on the record... [Mike] Love had already dismissed "Good Vibrations "as "avant-garde shit" and objected to the way Wilson, Parks and a group of highly skilled session musicians were creating music way beyond his understanding... By March 1967, the bad feeling got too much for Parks and, having no desire to break up The Beach Boys, he walked out.

Following the cancellation of ''Smile'', The Beach Boys relocated to a recording studio within the confines of Brian Wilson's mansion, where the hastily compiled ''Smiley Smile'' album was assembled, along with a number of future Beach Boys records. This marked the end of Wilson's leadership within the band, and has been seen to be "the moment when the Beach Boys first started slipping from the vanguard to nostalgia."

Mental illness

Psychologically overwhelmed by the cancellation of ''Smile'', and the birth of his first child Carnie Wilson in 1968, Wilson began having a diminished creative role with The Beach Boys. Until about 1970 he remained the group's principal songwriter, but increasingly production reins were handed to younger brother Carl. Carl Wilson mostly oversaw the albums ''Smiley Smile'', ''Wild Honey'', and ''Friends'' (a personal favorite of Brian's), which only performed modestly on the charts. After that, Brian Wilson all but stopped writing songs and was frequently seen partying in the company of songwriter Tandyn Almer and Three Dog Night singer Danny Hutton. It was during this period that he was introduced to cocaine. The 1969 album ''20/20'' was made mostly without Wilson's participation, although the Wilson/Love-authored "Do It Again" was a major hit, topping the charts in the UK.

Wilson spent the majority of the following three years in his bedroom sleeping, taking drugs, and overeating. During this time, his voice deteriorated significantly as a result of chain smoking, drug ingestion and neglect. Many of his "new" contributions to Beach Boys albums were remnants of ''Smile'' (e.g., "Cabinessence", "Surf's Up"), and those that were genuinely new reflected his depression and growing detachment from the world ("'Til I Die", the EP "Mount Vernon and Fairway"). Reportedly, Warner Bros. Records was so desperate for material from Wilson that the single "We Got Love" (co-written by Ricky Fataar, Blondie Chaplin, and Love) was scrapped from the ''Holland'' album in favor of "Sail On, Sailor", a song mostly written by committee (including Chaplin, Almer and Parks) that happened to draw its initial germ from a Wilson chord sequence.

In 1975, Wilson's wife and family enlisted the services of controversial therapist Eugene Landy in a bid to help Wilson, and hopefully help revive the group's ailing profile. Wilson did not stay under Landy's care for long, but during this short period, the doctor managed to help him into a more productive, social frame of mind. The new album ''15 Big Ones'', consisting of oldies and some new songs was released in 1976 and Wilson began to regularly appear live on stage with the band. A Love-orchestrated publicity campaign announced that "Brian is Back". He was also deemed to be well enough to do a solo performance on ''Saturday Night Live'' in November 1976. In 1977, the cult favorite ''Love You'' was released, consisting almost entirely of new material written and performed by Wilson. He continues to say it is his favorite Beach Boys album.

By 1982, Eugene Landy was once more called into action, and a more radical program was undertaken to try to restore Wilson to health. This involved firing him from The Beach Boys, isolating him from his family on Hawaii, and putting him onto a rigorous diet and health regimen. This, coupled with long, extreme counseling sessions, continued to bring Wilson back to reality. He lost a tremendous amount of weight, was certainly healthier and more conversant than previously, but he was also under a strict level of control by Landy. Wilson's recovery continued as he joined the band on stage in Live Aid in 1985, and recorded the album ''The Beach Boys'' with the group.

Dr. Landy provided a Svengali-like environment for Wilson, controlling his every movement in his life, including his musical direction. Landy's misconduct would eventually lead to the loss of his psychologist license, as well as a court-ordered removal and restraining order from Wilson.

Some years later, during his second marriage, Wilson was diagnosed with schizoaffective disorder, bipolar type which supposedly caused him to hear voices in his head. By 1989 the rumor was that Brian either had a stroke or had abused too many drugs and was permanently "fried". a neurological condition marked by involuntary, repetitive movements, that develops in about 20% of patients treated with antipsychotic drugs for a long period of time. Wilson's drug regimen has now been reduced to a mild combination of antidepressants, and he has resumed recording and performing.

The effects of Brian Wilson's mental illness on his parenting skills were discussed by Wilson's daughter Wendy during her appearance in an episode of the British reality television program ''Supernanny''. Wilson's daughter Carnie and granddaughter Lola also made an appearance on the episode.

Solo career

Wilson launched a career as a solo artist in 1988 with limited success. It is possible that his efforts in this regard were both encouraged and hampered by Landy's influence. Partly due to the control that Landy exercised on his life, Wilson stopped working with The Beach Boys on a regular basis after the release of ''The Beach Boys'' in 1985. He had been signed to a solo record deal with Sire Records by label boss Seymour Stein.

Wilson's first solo album, ''Brian Wilson'', released in 1988, was favorably reviewed in the music press, but sold poorly. A memoir, ''Wouldn't It Be Nice - My Own Story'', was released in 1990, in which he spoke about his troubled relationship with his abusive father Murry, his internal disputes with the Beach Boys, and his "lost years" of mental illness. Although it was written following interviews with Brian and others and released with Brian's name as co-author, Landy was largely responsible for the direction of the book, in conjunction with ''People'' magazine writer Todd Gold. The book describes Landy in terms that could be called messianic. In a later lawsuit over the book, instigated by several family members including his brother Carl and mother Audree, Wilson testified in court that he hadn't even read the final manuscript. As a result, the book was taken out of press some years later. A second solo album made for Sire under the aegis of Landy, entitled ''Sweet Insanity'', was never released after being rejected by the record label. Landy's illegal use of psychotropic drugs on Wilson and his influence over Wilson's financial affairs was legally ended by Carl Wilson and other members of the Wilson family. A court appointed conservator was appointed to oversee Wilson's financial and legal affairs.

In 1995, Wilson married Melinda Ledbetter, a car saleswoman and former model he met several years earlier while still under the care of Eugene Landy. The couple adopted five children: two girls, Daria Rose and Delanie Rae, in 1998; a boy, Dylan, in 2004; a boy, Dash Tristan; and a girl, Dakota Rose, in 2010 in 2009. Wilson has two daughters from his first marriage to Marilyn Rovell: Carnie Wilson and Wendy Wilson, who would go on to musical success of their own in the early 1990s as two-thirds of Wilson Phillips.

Also in 1995, he released two albums, albeit neither containing any new original Wilson material, almost simultaneously. The first, the soundtrack to Don Was's documentary ''I Just Wasn't Made for These Times'', consists of re-recorded versions of songs from his Beach Boys and solo catalogue produced by Was, along with a 1976-vintage demo recording. The second, ''Orange Crate Art'', saw Wilson as lead vocalist, multitracked many times over, on an album of songs produced, arranged and (mostly) written by Van Dyke Parks, and was released as a duo album under both men's names.

His final release as part of the group was on the 1996 album ''Stars and Stripes Vol. 1'', a group collaboration with select country music artists singing the lead vocals. After considerable mental recovery, he mended his relationship with his daughters Carnie and Wendy and the three of them released an album in 1997 titled ''The Wilsons''.

In 1996 Wilson sang backup on Belinda Carlisle's "California."

Wilson released a second solo album of mostly new material, ''Imagination'', in 1998. Following this, he received extensive vocal coaching to improve his voice, and learned to cope with his stage fright and started to play live for the first time in decades, going on to play the whole ''Pet Sounds'' album live on his tours of the United States, United Kingdom, and Europe.

A new studio album, ''Gettin' in Over My Head'', was released on June 22, 2004. It featured collaborations with Elton John, Paul McCartney, Eric Clapton, and Wilson's deceased brother Carl. Clapton played on the track "City Blues." The album was almost entirely composed of re-recordings of unreleased material, and received mixed reviews.

Brian Wilson has recently contributed a cover of Buddy Holly's "Listen To Me" for the upcoming tribute album, Listen to Me: Buddy Holly to be released on September 6th, 2011.

''Smile'' resurrected

With the improvements in his mental health, Wilson found himself able to contemplate returning to the ''Smile'' project. Aided by musician and long time fan Darian Sahanaja of The Wondermints, and lyricist Van Dyke Parks, Brian painstakingly worked throughout 2003 to release the album. In February 2004, 37 years after it was conceived, Wilson debuted the newly completed ''Smile'' at the Royal Festival Hall in London and throughout a subsequent UK tour.

The debut performance at the RFH was a defining moment for Brian. The documentary DVD of the event shows Brian preparing for the big day and, right up to show time, expressing doubts over the concept of putting this legendary work before the public. After an opening set of Beach Boys classics, he climbed back on stage for a rousing performance of the album. A 10-minute standing ovation followed the concert; the DVD shows a sprinkling of rock luminaries in the crowd, such as Roger Daltrey, Paul Weller, Sir George Martin and Sir Paul McCartney (although neither Martin nor McCartney attended the opening night, contrary to what the DVD implies).

''Smile'' was then recorded through April to June and released in September, to wide critical acclaim. The release hit #13 on the Billboard chart. The 2004 recording featured his backup/touring band, including Beach Boys guitarist Jeff Foskett, members of the Wondermints and backup singer Taylor Mills. In this version, "Good Vibrations" features Tony Asher's original lyrics in the verses, instead of Mike Love's lyrics from the released 1966 version.

Wilson won his only Grammy Award in 2005 for the track "Mrs. O'Leary's Cow (Fire)" as Best Rock Instrumental. In 2004 ''Smile'' was taken on the road for a thorough tour of Australia, New Zealand and Europe. In December 2005, he also released ''What I Really Want for Christmas'' for Arista Records. The release hit #200 on the Billboard chart, though sales were modest. Wilson's remake of the classic "Deck The Halls" became a surprise Top 10 Adult Contemporary hit.

Though no longer a part of The Beach Boys touring band, Brian Wilson remains a member of the Beach Boys corporation, Brother Records Incorporated.

Post-''Smile'' to ''That Lucky Old Sun''

thumb|Brian Wilson and his group performing In Europe in 2005.In February 2005, Wilson had a cameo in the TV series ''Duck Dodgers in the 24½th Century'' as Daffy Duck's spiritual surfing advisor. He also appeared in the 2005 holiday episode of ''Extreme Makeover: Home Edition'', performing "Deck the Halls" for a group of children with xeroderma pigmentosum (hypersensitivity to sunlight) at Walt Disney World Resort. On July 2, 2005, Wilson performed for the Live 8 concert in Berlin, Germany.

In September 2005, Wilson arranged a charity drive to aid victims of Hurricane Katrina, wherein people who donated $100 or more would receive a personal phone call from Wilson. According to the website, over $250K was raised. In November 2005, former bandmate Mike Love sued Wilson over "shamelessly misappropriating... Love's songs, likeness, and the Beach Boys trademark, as well as the 'Smile' album itself" in the promotion of ''Smile''. The lawsuit was ultimately thrown out of court on grounds that it was meritless.

On November 1, 2006, Wilson kicked off a small but highly anticipated tour celebrating the 40th anniversary of ''Pet Sounds''. He was joined by Al Jardine.

Wilson released a new album ''That Lucky Old Sun'' on September 2, 2008. The piece originally debuted in a series of September 2007 concerts at London's Royal Festival Hall, and in January 2008 at Sydney's State Theatre while headlining the Sydney Festival. Wilson describes the piece as "consisting of five 'rounds', with interspersed spoken word". A series of US and UK concerts led up to its release.

On September 30, 2008, Seattle's Light in the Attic Records released ''A World of Peace Must Come'', a collaboration between Wilson and Stephen Kalinich, originally recorded in 1969, but later lost in Kalinich's closet.

''Brian Wilson Reimagines Gershwin'' (2009–present)

In summer 2009, Wilson was approached by the Gershwin estate to record an album of covers of classic Gershwin songs, and to complete two piano pieces left unfinished by Gershwin at his death. The album, ''Brian Wilson Reimagines Gershwin'', was released on August 17, 2010 on Disney's Pearl label. ''Brian Wilson Reimagines Gershwin'' hit #1 on the Billboard Jazz Chart. Wilson signed a two-record deal with Disney; the second album will be a collection of classic Disney movie songs.

Biographical Movie

''The Tree of Life'' producer Bill Pohlad and veteran television writer/producer John Wells (''E.R.'', ''The West Wing'') have teamed to develop a drama based on Wilson's personal and professional story. They've acquired life rights from Wilson and his wife, Melinda, and hired Oren Moverman, the Oscar-nominated screenwriter behind the offbeat Bob Dylan film ''I'm Not There'', to write a script.

Awards and recognitions

Wilson and the Beach Boys were inducted into the Rock Hall of Fame in January 1988, alongside The Beatles and Bob Dylan.

In 2000, Wilson was inducted into the Songwriters Hall of Fame. Paul McCartney introduced Brian, referring to him as "one of the great American geniuses."

In March 2001, TNT and Radio City Music Hall hosted "An All-Star Tribute to Brian Wilson." This event featured performances and appearances by Elton John, Billy Joel, Chazz Palminteri host, David Crosby, Dennis Hopper, Paul Simon, Carly Simon, The Go-Go's, Cameron Crowe, Sir George Martin, Vince Gill, Brian's daughters Carnie & Wendy Wilson along with Chynna Phillips (Wilson Phillips), Jimmy Webb, Darius Rucker, Matthew Sweet, Ann and Nancy Wilson of (Heart), The Boys Choir of Harlem, and others.

''Pet Sounds'' has been ranked as one of the most influential records in popular music, and has been ranked #1 on several music magazines' lists of the greatest albums of all time. It is ranked #2 on Rolling Stone's 500 Greatest Albums of All Time.

On May 10, 2004, Wilson was honored as a BMI Icon at the 52nd annual BMI Pop Awards. He was saluted for his "unique and indelible influence on generations of music makers."

A 2005 concert, "Musicares: A Tribute to Brian Wilson," was held in Wilson's honor, during which he was named MusiCares Person of the Year. Performers included Jeff Beck, the Red Hot Chili Peppers, Earth Wind & Fire, Barenaked Ladies, and The Backstreet Boys, among others.

On May 20, 2005, Wilson and the five other original-era Beach Boys were honored with the unveiling of the Beach Boys Historic Landmark on the former site of the Wilson family home in Hawthorne, California.

In 2005, Wilson won the Grammy Award for Best Rock Instrumental Performance for Mrs. O'Leary's Cow.

In November 2006, Wilson was inducted into the UK Music Hall of Fame by Pink Floyd guitarist David Gilmour. Wilson performed "God Only Knows" and "Good Vibrations" at the ceremony.

On December 2, 2007, the Kennedy Center Honors committee recognized Wilson for a lifetime of contributions to American culture through the performing arts in music.

May 20, 2011, Wilson received the UCLA George and Ira Gershwin Award at UCLA Spring Sing.

Discography

''Brian Wilson'' (July 12, 1988)

''I Just Wasn't Made for These Times'' (August 15, 1995)

''Orange Crate Art'' (with Van Dyke Parks) (October 24, 1995)

''Imagination'' (June 16, 1998)

''Live at the Roxy Theatre'' (June, 2000)

''Pet Sounds Live'' (June 11, 2002)

''Gettin' in Over My Head'' (June 22, 2004)

''Smile'' (September 28, 2004)

''What I Really Want for Christmas'' (October 18, 2005)

''That Lucky Old Sun'' (September 2, 2008)

''Brian Wilson Reimagines Gershwin'' (August 17, 2010)

''In The Key Of Disney'' (October 25, 2011)

Additional Appearances:

''The Wilsons'' (1997)

See also

List of songs by Brian Wilson

Beach Boys Historic Landmark

A Tribute To Brian Wilson - Radio City Music Hall (March 29, 2001)

Notes

References

Badman, Keith. ''The Beach Boys: The Definitive Diary of America's Greatest Band on Stage and in the Studio'' (Backstreet Books, 2004). ISBN 0-87930-818-4.

Carlin, Peter Ames. ''Catch a Wave: The Rise, Fall and Redemption of the Beach Boys' Brian Wilson'' (Rodale Inc., 2006). ISBN 13 978-1-59486-749-1.

Leaf, David. ''The Beach Boys and the California Myth'' (Kingsport Press, 1978). ISBN 0-89471-412-0.

Lambert, Philip. ''Inside the Music of Brian Wilson: the songs, sounds and influences of the Beach Boys' founding genius'' (Continuum International Publishing Group Inc., 2007). ISBN 13 978 0 8264 1877 7.

Stebbins, Jon. ''The Lost Beach Boy'' (Virgin Books Ltd, 2007). ISBN 978-1-8522-7391-0.

External links

Official site

2004 Larry King Transcript where they speak about Wilson's mental illness

"After the wipe out" by Ginny Dougary in ''The Guardian'' (June 1, 2002)

"Four Decades Later, Wilson's 'Smile' Hits London" Audio review at NPR (February 25, 2004)

SMiLE Timeline

Brian Wilson Pictures from 2007 Consumer Electronics Show performance

January 2009 Interview with L.A. Record

This list of "outside productions" by members of the Beach Boys includes records Brian produced and-or wrote for other artists throughout his career

Cabin Essence, Web Page for Brian Wilson

Brian Wilson's Wave by Peter Ames Carlin, ''American Heritage'', August/September 2004.

Category:American composers Category:American record producers Category:American rock bass guitarists Category:Grammy Award winners Category:MusiCares Person of the Year Honorees Category:Kennedy Center honorees Category:Sire Records artists Category:Capitol Records artists Category:Nonesuch Records artists Category:Musicians from California Category:People from the Greater Los Angeles Area Category:People with bipolar disorder Category:Songwriters Hall of Fame inductees Category:The Beach Boys members Category:1942 births Category:Songwriters from California Category:Living people Category:People with schizophrenia Category:American people of Swedish descent

cs:Brian Wilson da:Brian Wilson de:Brian Wilson es:Brian Wilson fr:Brian Wilson is:Brian Wilson it:Brian Wilson he:בריאן וילסון hu:Brian Wilson nl:Brian Wilson ja:ブライアン・ウィルソン no:Brian Wilson nn:Brian Wilson pl:Brian Wilson pt:Brian Wilson ru:Уилсон, Брайан simple:Brian Wilson fi:Brian Wilson sv:Brian Wilson uk:Вілсон Браян Дуґлас