- published: 11 Dec 2009
- views: 6635
- author: jasonxgoodman
3:48
TV Land's Top 10 Holiday Moments • A Sanford & Son Christmas
TV Land's Top 10 Holiday Moments • A Sanford & Son Christmas • written, produced & directe...
published: 11 Dec 2009
author: jasonxgoodman
TV Land's Top 10 Holiday Moments • A Sanford & Son Christmas
TV Land's Top 10 Holiday Moments • A Sanford & Son Christmas • written, produced & directed by Jason Goodman • watch the full show at www.jasongoodman.tv
5:18
Suzanne Somers Talks Three's Company with TV Land - Episode 4
TV Land stops by Suzanne Somers Breaking Through to get the scoop on the big Three's Compa...
published: 25 Jan 2012
author: CafeMomStudios
Suzanne Somers Talks Three's Company with TV Land - Episode 4
TV Land stops by Suzanne Somers Breaking Through to get the scoop on the big Three's Company reunion. Watch the reunion with Suzanne Somers and Joyce DeWitt now! youtu.be Don't forget to subscribe to be the first to know about new episodes of Suzanne Somers Breaking Through!
- published: 25 Jan 2012
- views: 46094
- author: CafeMomStudios
1:57
Cindy's Speech - Tv Land Awards 2011 Parody
A parody of Cindy from The Brady Bunch in a movie trailer called Cindy's Speech. It focuse...
published: 18 Apr 2011
author: tvclassics18
Cindy's Speech - Tv Land Awards 2011 Parody
A parody of Cindy from The Brady Bunch in a movie trailer called Cindy's Speech. It focuses on her lisp.
- published: 18 Apr 2011
- views: 14268
- author: tvclassics18
5:03
Classic Nick at Nite commercials of the 90's - Part 1
"Hello out there from TV Land, it's a beautiful place to be. Nick at Nite... better living...
published: 10 Apr 2008
author: Trace33Sarah
Classic Nick at Nite commercials of the 90's - Part 1
"Hello out there from TV Land, it's a beautiful place to be. Nick at Nite... better living through good TV!" I love Classic Nick at Nite... I wish they would bring back an older lineup or create a whole new channel with those fabulous old shows. These are some of my favorite commercials/promos from the late 80's/early 90's.
- published: 10 Apr 2008
- views: 47728
- author: Trace33Sarah
4:50
TV Land's Top 10 - Cheers Thanksgiving Food Fight.mp4
TV Land's Top 10 Holiday Moments • written, produced & directed by Jason Goodman • watch t...
published: 26 Nov 2009
author: jasonxgoodman
TV Land's Top 10 - Cheers Thanksgiving Food Fight.mp4
TV Land's Top 10 Holiday Moments • written, produced & directed by Jason Goodman • watch the whole show at www.jasongoodman.tv
- published: 26 Nov 2009
- views: 37568
- author: jasonxgoodman
4:24
TV Land's Top 10 Holiday Moments -All In The Family
TV Land's Top 10 Holiday Moments -All In The Family Christmas Episode • written, produced ...
published: 22 Dec 2008
author: jasonxgoodman
TV Land's Top 10 Holiday Moments -All In The Family
TV Land's Top 10 Holiday Moments -All In The Family Christmas Episode • written, produced & directed by Jason Goodman • watch the whole show at www.jasongoodman.tv
- published: 22 Dec 2008
- views: 11306
- author: jasonxgoodman
7:30
TV Land - First Day (on-air) OPEN - April 26th, 1996
The premiere (preview) beginning of Nick-at-Nite's next network: TV LAND - from April '96 ...
published: 03 Jan 2008
author: Shocccker
TV Land - First Day (on-air) OPEN - April 26th, 1996
The premiere (preview) beginning of Nick-at-Nite's next network: TV LAND - from April '96 Finely-edited clips from classic TV shows with short skit parodies throughout this START (completely unedited) In NYC starting @ 6pm ET on a new cable network number, it was delayed on the West Coast for NICK's cable @ 9pm PT for 12 straight hours of these 'first episodes' that Friday night, thereafter on Saturday morning NICK resumed their regular programming, and TV LAND's channel (still not carried on cable in Seattle) continued with a brand-new schedule
- published: 03 Jan 2008
- views: 18718
- author: Shocccker
9:14
2009 TVLand Awards Opening
2009 TVLand Awards opening sequence with Neil Patrick Harris, spoofing classic TV shows in...
published: 27 Apr 2009
author: knifecut
2009 TVLand Awards Opening
2009 TVLand Awards opening sequence with Neil Patrick Harris, spoofing classic TV shows including The Twilight Zone, The Love Boat, The Dick Van Dyke Show, Match Game, The Tonight Show, Baywatch, Happy Days, etc.....
- published: 27 Apr 2009
- views: 51599
- author: knifecut
0:30
TV Land - Hot in Cleveland
Hot in Cleveland Preview...
published: 11 May 2010
author: wolfdreamer9
TV Land - Hot in Cleveland
Hot in Cleveland Preview
- published: 11 May 2010
- views: 90521
- author: wolfdreamer9
3:53
TV Land MX....COME RIDE!!!
Race day at TV land....
published: 12 May 2009
author: trevorvines
TV Land MX....COME RIDE!!!
Race day at TV land.
- published: 12 May 2009
- views: 10110
- author: trevorvines
5:59
Two and a half Men - TV Land Award 2009
The cast of Two and a half Men wins the TV Land Award 2009. Teri Hatcher is presenting the...
published: 18 Aug 2010
author: fragglesrarities
Two and a half Men - TV Land Award 2009
The cast of Two and a half Men wins the TV Land Award 2009. Teri Hatcher is presenting the award.
- published: 18 Aug 2010
- views: 16655
- author: fragglesrarities
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:51
GLOBE'S ELECTRIC BLUE HEAVEN
Introducing Globe's ELECTRIC BLUE HEAVEN, a short, conceptual film featuring Dion Agius in...
published: 18 Jun 2012
author: GLOBE
GLOBE'S ELECTRIC BLUE HEAVEN
Introducing Globe's ELECTRIC BLUE HEAVEN, a short, conceptual film featuring Dion Agius in the WORLD'S BEST WAVE POOL! Read on to know more...
A few weeks back, Dion Agius and crew embarked on a journey to an unknown land. A journey for waves. A journey that would bring Dion to unleash on the world's best man made wave. A studio for surfing. Smack in the middle of a desert mountain range in a foreign land.
There was a concept. A concept involving 10 Russian models, a Lamborghini, and Dion boosting virtually every air in the book, plus a couple new ones. Electric blue water contrasting against wild mountainous backdrops.
A story was captured. Captured through the lenses of Joe G, DJ Struntz, Beren Hall, and Grady Archbold. Motion & Still. Film & HD. The story will be told through the pages of our global media partners and through this short film directed by Joe G.
WWW.GLOBE.TV
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:20
Sander van Dijk - Reel Dyad
Audio Design: www.studio-takt.com
Portfolio: www.sandervandijk.tv
Updated on - 11 nov '11...
published: 21 Dec 2010
author: Sander van Dijk
Sander van Dijk - Reel Dyad
Audio Design: www.studio-takt.com
Portfolio: www.sandervandijk.tv
Updated on - 11 nov '11
Prev update - 1 jan '11
00:12 - Me Myself and I / Design and Animation.
00:19 - The Green Value / Design and Animation.
00:20 - Pausefest, / Direction and Animation
00:22 - The Green Value / Design and Animation..
00:23 - Pausefest, / Direction, Design and Animation.
00:26 - PlusOne Logo / Direction, Design and Animation.
00:27 - EQ / Direction, Design and Animation.
00:28 - Pausefest, / Direction, Design and Animation.
00:31 - EQ / Direction, Design and Animation.
00:34 - Amsterdam DNA, PlusOne / 2D Animation and Compositing.
00:37 - The Ride, King and Country / Title design.
00:41 - Reel Intro for King and Country / 2D and 3D Animation, Compositing.
00:46 - PlusOne Logo / Direction, Design and Animation.
00:48 - Pausefest, / Direction, Design and Animation.
00:50 - We Tv Bridezilla Promo, King and Country / Lead Compositor on title animation.
00:55 - Sheepington Buryshire, King and Country / Character Animation and Compositing*.
*Characters by James Levy, Sheep character and backgrounds by me.
00:58 - TV Land High School Reunion, King and Country / Lead Compositor.
01:03 - Pausefest, / Direction, Design and Animation.
01:05 - Scan Explorer / Lead 2D Animation. Illustrations By Ronald Slabbers.
01:07 - Pausefest, / Direction, Design and Animation.
01:10 - Scan Explorer / Lead 2D Animation. Illustrations By Ronald Slabbers.
Youtube results:
9:20
Cheers - 2006 TV Land Awards
*happy tears* It's Sam and Diane!!! The cast and creators of Cheers reunite at the 2006 TV...
published: 29 Oct 2011
author: chambersandmalone
Cheers - 2006 TV Land Awards
*happy tears* It's Sam and Diane!!! The cast and creators of Cheers reunite at the 2006 TV Land Awards, where they receive the Legend Award. The first moments are from the opening of the show, and did they ever set the bar high. How do you top Sam and Diane together again? Answer: You don't. All else pales. Sam and Diane forever. Thank you for this, TV Land. For more Sam and Diane, visit chambersandmalone.tumblr.com
- published: 29 Oct 2011
- views: 34399
- author: chambersandmalone
6:00
TV Reunions: 'In Living Color' Cast Reunites - Jim Carey, Marlon Wayans, Carey Ann Inaba on 'GMA''
In the 1990s, the TV show "In Living Color" burst into the public consciousness and change...
published: 25 Apr 2012
author: ABCNews
TV Reunions: 'In Living Color' Cast Reunites - Jim Carey, Marlon Wayans, Carey Ann Inaba on 'GMA''
In the 1990s, the TV show "In Living Color" burst into the public consciousness and changed the world of sketch comedy forever. The show, which won an Emmy in 1990 and ran for five seasons, was known for its mostly black cast, boundary-pushing sketches, Fly Girl dancers and for launching the careers of the Wayans family, Jim Carrey, Jamie Foxx, Jennifer Lopez, Carrie Ann Inaba and more. "Good Morning America" caught up with the bold cast at the TV Land Awards earlier this month and the group was as rowdy as ever. For more on this story, click here: abcnews.go.com
- published: 25 Apr 2012
- views: 15832
- author: ABCNews
9:20
Adventures In TV Land
On a regular day while watching TV, I am sucked into the television by the evil TV wizard....
published: 10 Oct 2008
author: rusty229229
Adventures In TV Land
On a regular day while watching TV, I am sucked into the television by the evil TV wizard. While trying to escape, I enter a restricted area and make an appearance on some of my favorite shows of all time. My first stop was at Friends, where I am just one of the regular cast members along with Rachel, Monica, Phoebe, Joey, Chandler, and Ross. My second stop was at Seinfeld where I find myself in one of my favorite episodes, The Contest, and converse with Jerry, Elaine, and George. My next stop is at Family Guy, where Peter catches me and Lois about to have sex. I then end up in the middle of my own couch gag on The Simpsons with Homer, Bart, Marge, Lisa, and Maggie. Next is one of my favorite non-comedy shows ever, Lost. In one of my favorite episodes Walkabout (Season 1 Episode 4), I have an awkward encounter with John Locke. My last stop is at The Office where I try to make a move on Meredith. Finally Mark tries to help get me out the TV. But was it all a dream? So I hope you enjoy my video. Leave me some comments and let me know what you think. I know my editing isnt perfect and a lot of the green screen shots came out a little fuzzy. Like I always say I am not a professional video maker or anything. Just having a little fun with my camera and green screen. Hope you enjoy.
- published: 10 Oct 2008
- views: 26655
- author: rusty229229