Wikiquote has a collection of quotations related to: Philology

Philology is the study of language in written historical sources; it is a combination of literary studies, history and linguistics.^[1]

Classical philology is the philology of Greek and Classical Latin. Classical philology is historically primary, originating in European Renaissance Humanism, but was soon joined by philologies of other languages both European (Germanic, Celtic, Slavistics, etc.) and non-European (Sanskrit, Persian, Arabic, Chinese, etc.). Indo-European studies involves the comparative philology of all Indo-European languages.

Any classical language can be studied philologically, and indeed describing a language as "classical" is to imply the existence of a philological tradition associated with it.

Because of its focus on historical development (diachronic analysis), philology came to be used as a term contrasting with linguistics. This is due to a 20th-century development triggered by Ferdinand de Saussure's insistence on the importance of synchronic analysis, and the later emergence of structuralism and Chomskian linguistics with its emphasis on syntax.

Etymology[link]

The term philology is derived from the Greek φιλολογία (philologia),^[2] from the terms φίλος (philos), meaning "love, affection, loved, beloved, dear, friend" and λόγος (logos), meaning "word, articulation, reason", describing a love of learning, of literature as well as of argument and reasoning, reflecting the range of activities included under the notion of λόγος. The term changed little with the Latin philologia, and later entered the English language in the 16th century, from the Middle French philologie, in the sense of "love of literature".

The adjective φιλόλογος (philologos) meant "fond of discussion or argument, talkative", in Hellenistic Greek also implying an excessive ("sophistic") preference of argument over the love of true wisdom, φιλόσοφος (philosophos).

As an allegory of literary erudition, Philologia appears in 5th-century post-classical literature (Martianus Capella, De nuptiis Philologiae et Mercurii), an idea revived in Late Medieval literature (Chaucer, Lydgate).

The meaning of "love of learning and literature" was narrowed to "the study of the historical development of languages" (historical linguistics) in 19th-century usage of the term. Due to the rapid progress made in understanding sound laws and language change, the "golden age of philology" lasted throughout the 19th century, or "from Friedrich Schlegel to Nietzsche"^[3]. In the Anglo-Saxon world, the term philology to describe work on languages and literatures, which had become synonymous with the practices of German scholars, was abandoned as a consequence of anti-German feeling following World War I. Most continental European countries still maintain the term to designate departments, colleges, position titles, and journals. J.R.R. Tolkien opposed the nationalist reaction against philological practices, claiming that "the philological instinct" was "universal as is the use of language."^[4][5] In British English usage, and in British academia, "philology" remains largely synonymous with "historical linguistics", while in US English, and US academia, the wider meaning of "study of a language's grammar, history and literary tradition" remains more widespread.^[6][7]

Branches of philology[link]

Comparative philology[link]

The comparative linguistics branch of philology studies the relationship between languages. Similarities between Sanskrit and European languages were first noted in the early 16th century^[8] and led to speculation of a common ancestor language from which all these descended. It is now named Proto-Indo-European. Philology's interest in ancient languages led to the study of what were, in the 18th century, "exotic" languages, for the light they could cast on problems in understanding and deciphering the origins of older texts.

Textual philology editing[link]

Philology also includes the study of texts and their history. It includes elements of textual criticism, trying to reconstruct an author's original text based on variant copies of manuscripts. This branch of research arose in Biblical studies and has a long tradition, dating back to the Reformation.^[9] Scholars have tried to reconstruct the original readings of the Bible from the manuscript variants. This method was applied to Classical Studies and to medieval texts as a way to reconstruct the author's original work. The method produced so-called "critical editions," which provided a reconstructed text accompanied by a "critical apparatus", i.e., footnotes that listed the various manuscript variants available, enabling scholars to gain insight into the entire manuscript tradition and argue about the variants.^[9]

A related study method known as higher criticism studies the authorship, date, and provenance of text to place such text in historical context.^[9] As these philological issues are often inseparable from issues of interpretation, there is no clear-cut boundary between philology and hermeneutics.^[9] When text has a significant political or religious influence (such as the reconstruction of Biblical texts), scholars have difficulty reaching objective conclusions.

Some scholars avoid all critical methods of textual philology,^[9] especially in historical linguistics, where it is important to study the actual recorded materials. The movement known as New Philology has rejected textual criticism because it injects editorial interpretations into the text and destroys the integrity of the individual manuscript, hence damaging the reliability of the data. Supporters of New Philology insist on a strict "diplomatic" approach: a faithful rendering of the text exactly as found in the manuscript, without emendations.

Cognitive philology[link]

Another branch of philology, cognitive philology, studies written and oral texts, considering them as results of human mental processes. This science compares the results of textual science with the results of experimental research of both psychology and artificial intelligence production systems.

Decipherment[link]

In the case of Bronze Age literature, philology includes the prior decipherment of the language under study. This has notably been the case with the Egyptian, Sumerian, Assyrian, Hittite, Ugaritic and Luwian languages. Beginning with the famous decipherment and translation of the Rosetta Stone by Jean-François Champollion in 1822, a number of individuals attempted to decipher the writing systems of the Ancient Near East and Aegean. In the case of Old Persian and Mycenaean Greek, decipherment yielded older records of languages already known from slightly more recent traditions (Middle Persian and Alphabetic Greek).

Work on the ancient languages of the Near East progressed rapidly. In the mid-19th century, Henry Rawlinson and others deciphered the Behistun Inscription, which records the same text in Old Persian, Elamite, and Akkadian, using a variation of cuneiform for each language. The elucidation of cuneiform led to the decipherment of Sumerian. Hittite was deciphered in 1915 by Bedřich Hrozný.

Linear B, a script used in the ancient Aegean, was deciphered in 1952 by Michael Ventris, who demonstrated that it recorded an early form of Greek, now known as Mycenaean Greek. Linear A, the writing system that records the still-unknown language of the Minoans, resists deciphering, despite many attempts.

Work continues on scripts such as the Maya, with great progress since the initial breakthroughs of the phonetic approach championed by Yuri Knorozov and others in the 1950s. Since the late twentieth century, the Maya code has been almost completely deciphered, and the Mayan languages are among the most documented and studied in Mesoamerica. The code is described as a logosyllabic style of writing, which could be used to fully express any spoken thought.

See also[link]

• American Journal of Philology
• Codicology
• Elocution
• Etymology
• Palaeography
• Western canon
• Stylistics

Notes[link]

External links[link]

Look up philology in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Philology

• Philology in Runet -(A special web search through the philological sites of Runet)
• Wikiversity: Topic:German philology
• (Italian) Rivista di Filologia Cognitiva
• CogLit: Literature and Cognitive Linguistics
• Institute for Psychological Study of the Arts, University of Florida
• A Bibliography of Literary Theory, Criticism, and Philology (ed. José Ángel García Landa, University of Zaragoza, Spain)
• Asociación de Jóvenes Investigadores Filólogos de la Universidad Complutense de Madrid (AJIF-UCM)

Huang Kan (Chinese: 黃侃) (1886 - 1935), courtesy name: Jigang (季剛), was a Chinese philologist.

Biography[link]

A native of Hubei, he made the acquaintance of Zhang Binglin in Japan, who shared with him the same passion for revolution and philology. Huang became Zhang's comrade and student. Huang and Zhang were the last great masters in the Chinese philological tradition, and helped lay the foundation of modern Chinese linguistics. Huang was the first to propose a convincing initial systems of Old Chinese. He published very little during his lifetime, but his notebooks, published posthumously, are highly regarded for their philological value.

References[link]

• He Jiuying 何九盈 (1995). Zhongguo xiandai yuyanxue shi (中囯现代语言学史 "A history of modern Chinese linguistics"). Guangzhou: Guangdong jiaoyu chubanshe.

External links[link]

• Works by or about Huang Kan in libraries (WorldCat catalog)

Lal Shahbaz Qalandar
Religion	Islam, specifically the Suhrawardiyya Sufi order
Other name(s)	Lal Shahbaz Qalandar
Personal
Born	1177 Maiwand, Afghanistan
Died	1274 Sehwan, Pakistan
Senior posting
Based in	Sehwan
Title	Shahbaz
Period in office	12th/13th century
Predecessor	Baha-ud-din Zakariya
Successor	Various

Syed Usman Marwandi or known as Hazrat Lal Shahbaz Qalandar (1177–1274) (Sindhi: لال شھباز قلندر), a Sayed Sufi saint, philosopher, poet, and qalandar. Born Syed Hussain Shah,^[1] he belonged to the Suhrawardiyya order of Sufis.

He preached religious tolerance among Muslims and Hindus. His mysticism attracted people from all religions. He was called Lal (red) after his usual red attire, Shahbaz due to his noble and divine spirit, and Qalandar for his Sufi affiliation. Many Hindus regard him as the incarnation of Bhrithari while others (Hindus from Sindh) consider him as an emanation of Jhule lal. Thousands of pilgrims visit his shrine in Sehwan every year, especially at the occasion of his Urs.

Life[link]

Shahbaz Qalandar (Syed Usman Marwandi) was born in Maiwand, Afghanistan^[2] to a dervish, Syed Ibrahim Kabiruddin^[3] whose ancestors had migrated from Baghdad and settled in Mashhad, a center of learning and civilization, before migrating again to Marwand.

During his lifetime he witnessed the Ghaznavid and Ghurids rules in South Asia.^[4] A contemporary of Baha-ud-din Zakariya, Fariduddin Ganjshakar, Syed Jalaluddin Bukhari Surkh-posh of Uchch, Shams Tabrizi, Mehre Ali Shah Mast and Rumi, he travelled around the Muslim world and settled in Sehwan (Sindh, Pakistan) where he was eventually buried.^[5] Evidence shows that Shahbaz Qalander was in Sindh before 1196 when he met Pir Haji Ismail Panhwar of Paat. It is believed he arrived in Sehwan in 1251. He established a Khanqah there and taught in the Fuqhai Islam Madarrsah: during this period he wrote his treatises Mizna-e-Sart, Kism-e-Doyum, Aqd and Zubdah.

In Multan Lal Shahbaz met Bahauddin Zachariah Multani of the Suhrwardiyya, Baba Farid Ganjshakar of the Chishtiyya and Makhdoom Jahanian Surkh Bukhari. Their friendship became legendary: they were known as Chahar Yar (Persian = the four friends). According to some historians the four friends visited various parts of Sindh and Punjab in present day Pakistan. Saints of Sindh including Shah Abdul Latif Bhitai, Makhdoom Bilawal and Sachal Sarmast were followers of Lal Shahbaz Qalandar.

His dedication to the knowledge of various religious disciplines enabled him to eventually become a profound scholar. He became fluent in many languages including Persian, Turkish, Arabic, Sindhi and Sanskrit. He often quoted the teachings of Maulana Jalal ad-Din Rumi. Lal Shahbaz lived a celibate life. He died in 1274 after living 97 years.

In poetry and prose[link]

A qawwali sung by Abida Parveen and many others, "Lal Meri Pat Rakhiyo ..." is in honour of Shahbaz Qalandar, as is one sung in various versions by Nusrat Fateh Ali Khan and the Sabri Brothers, "Mast Qalandar". "Solomon's Ring" by Gul Hasan is a book based on his life.

Shrine[link]

The shrine around his tomb, built in 1356, gives a dazzling look with its Sindhi kashi tiles, mirror work and one gold-plated door - donated by the late Shah of Iran, and installed by the late Prime Minister Zulfikar Ali Bhutto.^[2] The inner sanctum is about 100 yards square with the silver canopied grave in the middle. On one side of the marble floor is a row of about 12-inch-high (300 mm) folding wooden stands on which are set copies of Quran for devotees to read. On the other side, beside a bundle of burning agarbattis (joss sticks), are rows of diyas (small oil lamps) lighted by devotees. Thousands of devotees visit the tomb, particularly every Thursday.

Urs[link]

Lal Shahbaz' annual Urs (death anniversary celebration) is held on the 18 Sha'aban - the eighth month of the Muslim lunar calendar. Sehwan springs to life and becomes the focal point of more than half a million pilgrims from all over Pakistan. On each morning of the three-day feast the narrow lanes of Sewhan are packed to capacity as pilgrims, fakirs and devotees make their way to the shrine to commune with the saint, offer tributes and make a wish. Most of the people present garlands and a green chadar with Qur'anic inscriptions in silver or gold threads, humming verses, singing and dancing in praise of the saint till late at night. The devotional dance known as ‘dhamal’, an ecstatic swirl of the head and body, is performed to the rhythm of the dhol, a big barrel-shaped drum, some of giant size and placed in the courtyard of the shrine. Bells, gongs, cymbals and horns make a thunderous din, and the dervishes in robes, beads, bracelets and colored head-bands whirl faster and faster until, with a final deafening shout, they run out into the courtyard.

Legends and Stories[link]

On his way from Baluchistan to Sindh he stayed in present-day Karachi's Manghopir area for meditation (muraqba), and it is said that Manghopir's natural warm fountain started to flow from beneath the hill on which Lal Shahbaz sat. The fountain is still flowing continuously and is said to have miraculous healing power especially for asthma patients.

It is also believed that he turned into a falcon to pick up his friend Fariduddin Ganjshakar from the gallows. Another legend tells that the incumbent fakirs in Sehwan sent him a bowl of milk filled to the brim, indicating that there was no room for anything more. But he returned the bowl with a beautiful flower floating on the top.

Baba Sajid Saleem, an expert on Sufi legend, teaching in GIKI head of humanities department, also narrates another legend, in which a fellow (Murid) was requested meat Goshat by Shahbaz. The fellow Murid went to a town of infidels. The infidels tear the fellow and ate him. When Shahbaz knew about the incident he called him as if he was listening. The Murid came out of the stomach of infidels, integrated into the Murid and came back to service of Lal Shahbaz Qalandar.

See Also[link]

• Rabia Basri
• Jahaniyan Jahangasht
• Tando Jahania

References[link]

External links[link]

v t e Sufism and Tariqa Ideas Qutb Wali Abdal Fakir Dervish Tazkiah Baqaa Fanaa Haal Keramat Haqiqa Ihsan Irfan Kashf Lataif Manzil Marifa Nafs Noor Sufi cosmology Sufi metaphysics Sufi philosophy Sufi poetry Sufi psychology Sulook Yaqeen Silsila Practices Anasheed Dhikr Haḍra Muraqaba Qawwali Sama Whirling Ziyarat Sufi orders Azeemia Akbarī Alians Ba 'Alawī Bayramī Bektashī Chishtī Galibī Gulshanī Ḥurūfī Idrīsī Jelvetī Jerrahī Khalwatī Kubrāwī Madarī Malāmatī Mawlāwī Mourīdī Naqshbandī Naqshbandi Uwaisī Khalidiyya Nasuhī Ni'matullāhī Nuqtawī Qadirī Qalāndārī Rifa'ī Safāvī Shadhilī Suhrawardī Sunbulī Tijanī Ussakī Uwaisī Zahedī Notable early Sufi saints and mystics Abdul-Qadir Gilanī Abul-Khayr Ahmad Ghazālī Ahmed Yasāvī Al-Ghazālī Al-Hallaj al-Misrī Al-Qāsim al-Qunawī Amīr Kulal Ardabilī Ata Allah Attar Balım Sultan Baha ūd-Dīn Naqshband Bande Nawāz Baqī Billah Bastamī Bhita'ī Bulleh Shah Shah Waliullah Dehlāvī Farīd ūd-Dīn Fozail Gālib Gharīb Nawāz Ghujdawanī Ghulam Farīd Sheik Edebali Gül Baba Hajji Bayram Hajji Bektash Hazrat Mai Safoora Qadiriyya Haddad Hamadānī Hansvī Harabatī Baba Hasan Basri Mahmud Hudayī Hujwirī ibn ʿArabī Jābir ibn Hayyān Jahangasht Jamī Jan-e-Jānāān Jazoulī Junayd Baġdādī Kākī Kaliyarī Karkhī Kharaqanī Kubrā Nāimī Najib al-Suhrawardī Nasīmī Mansur Al-Hallaj Ni'matullāh Nizām ūd-Dīn Nurī Otman Baba Pir Sultan Qutb ūd-Dīn Haydār Rabbānī Rabia Basri Razī Rifa'ī Rukn-e-Alam Rūmī Ibrahim ibn Adham Saadī Salman al-Farisī Sanai Mevlana Halid-i Bagdadi Sarı Saltuk Semnanī Shadhilī Shahāb al-Dīn Suhrawardī Shams Tabrizī Shiblī Shirazī Sultan Walad Surkh Bukhari Taj al-Dīn Gilanī Umar al-Suhrawardī Uwais al-Qarni Yunus Emre Magtymguly Pyragy Zakariya Zarruq Notable modern Sufi saints Auliya Azeemi Nagpuri Meher Ali Sheikh Muhammad Uthman Sirajuddin Qadeer Piya Muhammad Maliki Gohar Shahi Tahir ul-Qadri Tahir Allauddin Taqi Usmani Abdal Hakim Murad Nazim Al-Haqqani Hisham Kabbani Nuh Keller Nooruddeen Durkee Abdalqadir as-Sufi Zaheen Ghulam Mustafa Reshad Feild Ahmad al-Alawi Ashraf Ali Thanvi Bawa Muhaiyaddeen Abd al-Rahman al-Shaghouri Omar Shah Haeri Raza Khan Syed Shujaat Pir Zulfiqar Abdullah Naqshbandi Sufi Barkat Ali Hafiz Qamaruddin Saheb Qibla Fultali Feisal Abdul Rauf Osman Nuri Topbaş Sufi studies Aguéli Almqvist Burckhardt Chittick Corbin Ernst Frager Guénon Hixon Lindbom Lings Nasr Schimmel Sells Shah Schuon Topics in Sufism Art Fiction History Music Poetry Shrines Texts Portal

• Site Reference of Lal Shahbaz Qalandar
• Official shrine website

Nusrat Fateh Ali Khan (Punjabi: نصرت فتح علی خان (Shahmukhī)) (October 13, 1948 – August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis (a mystical tradition within Islam). Considered one of the greatest singers ever recorded, he possessed a six-octave vocal range^{[citation needed]} and could perform at a high level of intensity for several hours.^[1] Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Sufi music to international audiences.^[2][3] He was popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".^[4]

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He officially became the head of the family qawwali party in 1971, and was signed by Oriental Star Agencies (OSA), Birmingham, U.K., in the early 1980s. In subsequent years, Khan released movie scores and albums for various labels in Pakistan, Europe, Japan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist in the process. He toured extensively, performing in over 40 countries.^[5]

Biography[link]

Early life and career[link]

Khan was born on October 13, 1948 in the city of Lyallpur (now Faisalabad), Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented.^[6] Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's sargam improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.^[7]

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.G

Later career[link]

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle.^[8]

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996),^[9] and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. One of these songs ("The Long Road") was re-used on the soundtrack for Eat Pray Love in 2010. Khan also contributed to the soundtrack of Natural Born Killers. He composed the music for the 1994 film Bandit Queen in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Khan provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collabrated with Michael Brook to create music for the song "Sweet Pain" used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya (in which he also sang the song onscreen) and Kachche Dhaage. He sang the title song of the film Dhadkan. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie Dillagi. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.^[10]

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Khan Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death[link]

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England, while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48.^[11] His body was returned to Faisalabad, Pakistan, and his funeral was attended by the public.

Composition of Nusrat's qawwali party[link]

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

1. Mujahid Mubarak Ali Khan: Khan's first cousin, vocals
2. Farrukh Fateh Ali Khan: Khan's brother, vocals and lead harmonium
3. Rehmat Ali: vocals and second harmonium
4. Maqsood Hussain: vocals
5. Rahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocals
6. Dildar Hussain: percussion
7. Majawar Abbas: mandolin and guitar/chorus, handclapping
8. Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping
9. Asad Ali: chorus, handclapping. Khan's cousin
10. Ghulam Farid: chorus, handclapping
11. Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Awards and titles[link]

Khan is widely considered to be the most important qawwal in history.^[12][13] In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music.^[8][14] In 1995 he received the UNESCO Music Prize.^[15][16] In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema.^[17] In 2005, Khan was awarded the "Legends" award at the UK Asian Music Awards.^[18] Time magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years.^[19] He also appeared on NPR's 50 Great Voices list in 2010.^[20] In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years.^[21]

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.^[22]

Tributes, legacy and influence[link]

Alexandra A. Seno of Asiaweek wrote:^[23]

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts.^[24][25] Many other artists have also cited Khan as an influence, such as A. R. Rahman,^[26] Sheila Chandra,^[27] and Alim Qasimov.^[28]

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).^[29]

In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.^[30]

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.^[31]

Films[link]

Documentaries[link]

• Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
• Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)
• A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)
• Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan's career.
• The King of Qawalli (2009). A short film aired on Dawn News about Khan's life and career.

Concert films[link]

• The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
• Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the Ethnomusicology Program there.)
• Live in Concert in the U.K. (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:
  • Live in Concert in UK (DVD vol. 1)
  • Live in Concert (DVD vol. 2)
  • Live in Concert (DVD vol. 3)
  • Live in UK (DVD vol. 4)
  • Live in UK (DVD vol. 5)
  • Live in Concert (DVD vol. 6)
  • Live in UK (DVD vol. 7)
  • Live in UK (DVD vol. 8)
  • Live in UK (DVD vol. 9)
  • Live in UK (DVD vol. 10)
  • Live in UK (DVD vol. 11)
  • Digbeth Birmingham 12 November 1983 (DVD vol. 12)
  • Digbeth 30 October 1983 (DVD vol. 13)
• Akhiyan Udeek Diyan (DVD) [Nupur Audio]
• Je Tun Rab Nu Manauna (DVD) [Nupur Audio]
• Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]
• Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)
• VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)
  • Luxor Cinema Birmingham (VHS vol. 1, 1979)
  • Digbeth Birmingham (VHS vol. 2, 1983)
  • St. Francis Hall Birmingham (VHS vol. 3, 1983)
  • Royal Oak Birmingham (VHS vol. 4, 1983)
  • Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
  • Private Mehfil (VHS vol. 6, 1983)
  • Natraj Cinema Leicester (VHS vol. 7, 1983)
  • Live In Southall (VHS vol. 8)
  • Live In Bradford (VHS vol. 9, 1983)
  • Live In Birmingham (VHS vol. 10, 1985)
  • Allah Ditta Hall (VHS vol. 11, 1985)
  • Harrow Leisure Centre (VHS vol. 12)
  • University Of Aston (VHS vol. 13, 1988)
  • Aston University (VHS vol. 14, 1988)
  • WOMAD Festival Bracknell (VHS vol. 15, 1988)
  • Live In Paris (VHS vol. 16, 1988)
  • Poplar Civic Centre London (VHS vol. 17)
  • Imperial Hotel Birmingham (VHS vol. 18, 1985)
  • Slough Gurdawara (SHABADS) (VHS vol. 19)
  • Imran Khan Cancer Appeal (VHS vol. 20)
  • Town Hall Birmingham (VHS vol. 21, 1993)

See also[link]

• List of Pakistani musicians
• Nusrat Fateh Ali Khan albums

References[link]

Additional reading[link]

• Baud, Pierre-Alain. Nusrat Fateh Ali Khan, The Messenger of Qawwali. Editions Demi-Lune, 2008. (A biography of Nusrat)

External links[link]

Wikiquote has a collection of quotations related to: Nusrat Fateh Ali Khan

• Article with brief 1993 interview (edwebproject.org)
• King of Qawali documentary on YouTube
• NPR Audio Report: Nusrat Fateh Ali Khan: The Voice Of Pakistan
• Nusrat Fateh Ali Khan at the Internet Movie Database