name | Stan Freberg |
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birth name | Stanley Victor Freberg |
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birth date | August 07, 1926 |
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birth place | Pasadena, California, U.S. |
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occupation | Voice actorPuppeteerAdvertising creative directorComedianAuthorRadio personality |
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years active | 1944–present |
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spouse | Donna Freberg (1959–2000) (her death)Betty Hunter-Freberg |
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website | http://www.hunterfrebergltd.com |
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awards | Winsor McCay Award
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Stanley Victor Freberg (born August 7, 1926), better known as Stan Freberg, is an American author, recording artist, animation voice actor, comedian, radio personality, puppeteer and advertising creative director, whose career began in 1944. He is still active in the industry in his mid-80s, nearly 70 years after entering it.
Personal life
Born in
Pasadena, California, Freberg is the son of a
Baptist minister. His traditional upbringing is reflected both in the gentle sensitivity that underpins his work (despite his liberal use of biting satire and
parody) and in his refusal to accept alcohol and tobacco manufacturers as sponsors—an impediment to his radio career when he took over for
Jack Benny on
CBS radio. As Freberg explained to Rusty Pipes:
}}
Stan Freberg's first wife, Donna, died in 2000. He has two children from that marriage, Donna Jean and Donavan. He married Betty Hunter in 2001, and she adopted the personal and family names Hunter Freberg.
Animation
Freberg was employed as a voice actor in animation shortly after graduating from
Alhambra High School. He began at Warner Brothers in 1944 by getting on a bus and asking the driver to let him off "in Hollywood." As he describes in his autobiography, ''It Only Hurts When I Laugh'', he did this, getting off the bus and finding a sign that said "talent agency." He walked in, and the agents there arranged for him to audition for Warner Brothers cartoons where he was promptly hired.
His first cartoon voice work was in a Warner Brothers cartoon called ''For He's a Jolly Good Fala'', which was recorded but never filmed (due to the death of Fala's owner, President Franklin D. Roosevelt), followed by ''Roughly Squeaking'' (1946) as Bertie; and in 1947, he was heard in ''It's a Grand Old Nag'' (Charlie Horse), produced and directed by Bob Clampett for Republic Pictures; ''The Goofy Gophers'' (Tosh), and ''One Meat Brawl'' (Grover Groundhog and Walter Winchell). He often found himself paired off with Mel Blanc while at WarnerBrothers, where the two men performed such pairs as the mice Hubie and Bertie and Spike the Bulldog and Chester the Terrier. He was the voice of Pete Puma in the 1952 cartoon ''Rabbit's Kin'', in which he did an impression of an early Frank Fontaine characterization (which later became Fontaine's "Crazy Guggenheim" character).
Freberg is often credited with voicing the character of Junyer Bear in ''Bugs Bunny and the Three Bears'' (1944), but that was actor Kent Rogers. After Rogers was killed during World War II, Freberg assumed the role of Junyer Bear in Chuck Jones' Looney Tunes cartoon ''What's Brewin', Bruin?'' (1948), featuring Jones' version of The Three Bears. He also succeeded Rogers as the voice of Beaky Buzzard.
Freberg was heard in many Warner Brothers cartoons, but his only screen credit on one was ''Three Little Bops'' (1957). His work as a voice actor for Walt Disney Productions included the role of Beaver in ''Lady and the Tramp'' (1955) and did voice work in ''Susie the Little Blue Coupe'' and ''Lambert the Sheepish Lion''. Freberg also provided the voice of Sam, the orange cat paired with Sylvester in the Oscar-winning ''Mouse and Garden'' (1960). He voiced Cage E. Coyote, the father of Wile E. Coyote, in the 2000 short ''Little Go Beep''.
In 2011, Freberg returned as the voice of Chester the Terrier in Cartoon Network's 2011 animated series ''The Looney Tunes Show''.
Films
Freberg was cast to sing the part of the Jabberwock in a song, "Beware the Jabberwock", for Disney's ''
Alice in Wonderland'', with the Rhythmaires and
Daws Butler. Written by
Don Raye and
Gene de Paul, the song was a musical rendition of the
Jabberwocky verse from Lewis Carroll's ''
Through the Looking Glass''. The song was not included in the final film, but a demo recording was included in the 2004 and 2010 DVD releases of the movie.
Freberg made his movie debut as an on-screen actor in the comedy ''Callaway Went Thataway'' (1951), a satirical spoof on the marketing of Western stars (apparently inspired by the TV success of Hopalong Cassidy). Freberg costarred with Mala Powers in ''Geraldine'' (1953) as sobbing singer Billy Weber, enabling him to reprise his satire on vocalist Johnnie Ray (see below). In 1963, Freberg appeared in a non-speaking part as the Deputy Sheriff in the mega-comedy ''It's a Mad, Mad, Mad, Mad World''.
Contrary to popular belief, George Lucas called upon Freberg, not Mel Blanc, to audition for the voice of the character C-3PO for the 1977 film ''Star Wars''. After he and many others auditioned for the part, Freberg suggested that Lucas use mime actor Anthony Daniels' own voice in the role.
Capitol Records
Early releases
Freberg began making satirical recordings for
Capitol Records, beginning with the February 10, 1951, release of "John and Marsha" (in both 45-rpm and 78-rpm formats), a
soap opera parody that consisted of the title characters (both played by Freberg) repeating each other's names, and "Ragtime Dan". In a 1954 follow-up, he used
pedal steel guitarist
Speedy West to satirize the 1953
Ferlin Husky country hit, "A Dear John Letter", as "A Dear John and Marsha Letter" (Capitol 2677). A seasonal recording, "The Night Before Christmas/Nuttin' for Christmas", made in 1955, still remains a cult classic.
With Daws Butler and June Foray, he produced his 1951 ''Dragnet'' parody, "St. George and the Dragonet", a #1 hit for four weeks in October 1953. Also with June Foray, he recorded "The Quest for Bridey Hammerschlaugen", a spoof of ''The Search for Bridey Murphy'' by Morey Bernstein, a 1956 book on hypnotic regression to a past life. On "Little Blue Riding Hood", the record's B-side, the title character is arrested for smuggling goodies. After "I've Got You Under My Skin" (1952), he followed with more popular musical satires, including "Sh-Boom" (1954), "The Yellow Rose of Texas" (1955) and "The Great Pretender" (1956). He spoofed Elvis Presley in 1956 with his own version of Elvis' first gold record, "Heartbreak Hotel", in which the echo effect goes out of control. In Freberg's spoof, Elvis rips his jeans during his performance, a problem the real Elvis had with jumpsuits when performing in the early 1970s.
Another hit to get the Freberg treatment was Johnnie Ray's weepy "Cry", which Freberg rendered as "Try ('You too can be unhappy… if you try')", exaggerating Ray's histrionic vocal style. Ray was furious until he realized the success of Freberg's 1952 parody was helping sales and airplay of his own record.
"Banana Boat Song" and "The Great Pretender"
Freberg's "Banana Boat (Day-O)" (1957) satirized
Harry Belafonte's popular recording of "
Banana Boat Song." In Freberg's version, the lead singer is forced to run down the hall and close the door after him to muffle the sound of his "Day-O!" because the
beatnik bongo drummer (voiced by
Peter Leeds) complains, "It's too shrill, man. It's too piercing!" When he gets to the lyric about "A beautiful buncha ripe banana/Hide the deadly black tarantula," the drummer protests, "I don't dig spiders, man!"
He also used the beatnik musician theme in a parody of "The Great Pretender," the hit by The Platters—who, like Belafonte and Welk (see below), were not pleased. At that time, when it was stll hoped that musical standards might be preserved, it was quite permissible to ridicule the ludicrous, as Freberg had obviously thought when he parodied Presley. The pianist in Freberg's parody is an Erroll Garner and George Shearing devotee who rebels against playing a single-chord accompaniment. He retorts, "I'm not playing that 'plink-plink-plink jazz'!" But Freberg is adamant about the pianist's sticking to The Platters' style: "You play that 'plink-plink-plink jazz', or you don't get paid tonight!" The pianist relents—sort of. The pianist even quotes the first six notes from Shearing's classic piece "Lullaby of Birdland," before getting back to playing "Great Pretender." The parody was itself partly parodied when Mitchel Torok recorded "All Over Again, Again" for Columbia Records in mid-March 1959 but billed it as "The Great Pretender," as a spoof on the recent Sun Records recordings of Johnny Cash. Cash had only recently been signed to Columbia. The annoying pianist on the Freberg record was replaced by an equally annoying banjo player and a showboating guitarist on the Columbia release, a song written by Torok's wife who was then billed as "R. Redd" (Ramona Redd).
Freberg's musical parodies were a byproduct of his collaborations with Billy May, a veteran big band musician and jazz arranger, and his Capitol Records producer, Ken Nelson. Two weeks after Johnny Mathis' "Wonderful! Wonderful!" fell off the Billboard Top 100, "Wun'erful, Wun'erful! (Sides uh-one & uh-two)", Freberg's 1957 spoof of TV "champagne music" master Lawrence Welk, debuted. To replicate Welk's sound, May and some of Hollywood's finest studio musicians and vocalists worked to clone Welk's live on-air style, carefully incorporating bad notes and mistimed cues. Billy Liebert, a first-rate accordionist, copied Welk's accordion playing. In the parody, the orchestra is overwhelmed by the malfunctioning bubble machine and eventually floats out to sea. Welk denied he had ever said "Wunnerful, Wunnerful!", though it became the title of Welk's autobiography (Prentice Hall, 1971).
Political satire
Freberg also tackled political issues of the day. On his radio show, an extended sketch paralleled the
Cold War brinkmanship between the
U.S. and the
Soviet Union by portraying an ever-escalating
public relations battle between the El Sodom and the Rancho Gomorrah, two
casinos in the city of Los Voraces (Spanish for "The Greedy Ones"—a thinly disguised
Las Vegas). The sketch ends with the ultimate
tourist attraction, the
Hydrogen Bomb, which turns Los Voraces into a vast, barren wasteland. Network pressure forced Freberg to remove the reference to the hydrogen bomb and had the two cities being destroyed by an
earthquake instead. The version of "Incident at Los Voraces," released later on Capitol Records, contains the original ending.
Freberg had poked fun at McCarthyism in passing in "Little Blue Riding Hood" with the line, "Only the color has been changed to prevent an investigation." Later he blatantly parodied Senator Joseph McCarthy with "Point of Order" (taken from his frequent objection), about which Capitol's legal department was very nervous. Freberg describes being called in for a chat about this and being asked whether he ever belonged to any "disloyal" group. "Well," he replied, "I have been for many years a card-carrying member of... "—the executive went pale—"... the Mickey Mouse Fan Club." "Dammit, Freberg," the executive angrily retorted, "this isn't a game." A watered-down version of the parody was eventually aired, and Freberg never found himself "in front of a committee."
Controversy
On two occasions, Capitol refused to release Freberg's creations. "That's Right, Arthur" was a barbed parody of controversial 1950s radio/TV personality
Arthur Godfrey, who expected his stable of performers—known as "little Godfreys"—to endlessly toady to him. The dialogue included Freberg's "Godfrey" monologue, punctuated by
Daws Butler imitating Godfrey announcer Tony Marvin, repeatedly interjecting, "That's right, Arthur!" between Godfrey's comments. Capitol feared Godfrey might take
legal action and sent a tape of the sketch to his legal department for permission, which was denied. Capitol also rejected the equally acerbic "Most of the Town", a spoof of
Ed Sullivan, under the same circumstances. Both recordings eventually surfaced on a
box-set Freberg retrospective issued by
Rhino Records.
Freberg continued to skewer the advertising industry after the demise of his show, producing and recording "Green Chri$tma$" in 1958, a scathing indictment of the over-commercialization of the holiday, in which Butler soberly hoped instead that we'd remember "whose birthday we're celebrating." Released originally on 45-rpm discs, the satire ended abruptly with a rendition of "Jingle Bells" punctuated by cash register sounds when reissued by Capitol on LP and CD. The original version was somewhat longer, but Capitol did not reissue the full recording. Freberg also revisited the "Dragnet" theme, with "Christmas Dragnet," in which the strait-laced detective convinces a character named "Grudge" that Santa Claus really exists (and Columbus, Cleveland, Cincinnati, and the Easter Bunny, but Grudge still hadn't made up his mind yet about Toledo). Butler does several voices on that record.
Oregon! Oregon!
In 1958, the
Oregon Centennial Commission, under the sponsorship of
Blitz-Weinhard Brewing Company, hired Freberg to create a musical to celebrate Oregon's one-hundredth birthday.
The result was ''Oregon! Oregon! A Centennial Fable in Three Acts.'' Recorded at Capitol in Hollywood, it was released during the Oregon Centennial in 1959 as a 12″ vinyl LP album. Side one featured two versions of an introduction by Freberg (billed as "Stan Freberg, Matinee Idol"), with the second version including a few words from the president of Blitz-Weinhard Co. This was followed by the show itself, which runs for 21 minutes. Side two includes separate individual versions of each of the featured songs, including several variations on the title piece, ''Oregon! Oregon!''
Fifty years later, as Oregon approaches its Sesquicentennial, an updated version wase prepared by Freberg and the Portland band Pink Martini as part of a signature series of performances throughout the state. Pink Martini toured the state and perform four regional performances in the northern, southern and central areas of Oregon in August and September 2009. This was made possible by a grant from the Kinsman Foundation for a $40,000 launch of Pink Martini's ''Oregon! Oregon! 2009'' with Freberg.
1960s and since
In 1960, in light of the payola scandal, Freberg made a two-sided single entitled "Old Payola Roll Blues," which had a corrupt recording studio promoter (
Jesse White) who gets a teenager who cannot sing to record a song called "High School OO OO," as well as the flip side, "I Was on My Way to High School." The promoter then tries to bribe a disc jockey at a jazz station to play the song on the air, which he flatly refuses, suspecting that the promoter was never in the music business in the first place. Afterward, a song in the big band style heralds the end of rock and roll and a resurgence of swing and jazz. Freberg's record was on the Hot 100 only the week of Leap Day 1960, at #99, about three and half months after
Tommy Facenda's multi-versioned "High School U.S.A." peaked at #28. Alan Freed, whose career fell prey to charges of payola, was reported to have laughed at Freberg's interpretation of the scandal.
''Stan Freberg Presents the United States of America, Volume One: The Early Years'' (1961) combined dialogue and song in a musical theater format. The original album musical, released on Capitol, parodies the history of the United States from 1492 until the end of the Revolutionary War in 1783. In it, Freberg parodied both large and small aspects of history. For instance, in the Colonial era, it was common to use the long s, which resembles a lowercase f, in the middle of words; thus, as Ben Franklin is reading the Declaration of Independence, he questions the passage, "Life, liberty, and the ''purfuit of happineff?!?''" Most of that particular sketch is a satire of McCarthyism. For example, Franklin remarks, "You...sign a harmless petition, and forget all about it. Ten years later, you get hauled up before a committee."
The album also featured the following exchange, where Freberg's Christopher Columbus is "discovered on beach here" by a Native American played by Marvin Miller. Skeptical of the Natives' diet of corn and "other organically grown vegetables," Columbus wants to open "America's first Italian restaurant" and needs to cash a check to get started:
''Stan Freberg Presents The United States of America, Volume Two'' was planned for release during America's Bicentennial in 1976, but did not emerge until 1996.
Freberg's early parodies revealed his obvious love of jazz. His portrayals of jazz musicians were usually stereotypical "beatnik" types, but jazz was always portrayed as preferable to pop, calypso, and particularly the then-new form of music, rock and roll. He whopped doo-wop in his version of "Sh-Boom" and lampooned Elvis Presley with an echo/reverb rendition of "Heartbreak Hotel". ''The United States of America'' includes a sketch involving the musicians in the painting ''The Spirit of '76''. The terribly hip fife player ("Bix", performed by Freberg) and the younger drummer (played by Walter Tetley) argue with the older, impossibly square drummer ("Doodle", also voiced by Freberg) over how Yankee Doodle should be performed.
Radio
The popularity of Freberg's recordings landed him his own program, the
situation comedy ''That's Rich''. Freberg portrayed bumbling but cynical Richard E. Wilk, a resident of Hope Springs, where he worked for B.B. Hackett's Consolidated Paper Products Company. Freberg suggested the addition of dream sequences, which made it possible for him to perform his more popular Capitol Records satires before a live studio audience. The
CBS series aired from January 8 to September 23, 1954.
''
The Stan Freberg Show'' was a 1957 replacement for Jack Benny on CBS radio. The satirical show, which featured elaborate production, included most of the team he used on his Capitol recordings, including June Foray, Peter Leeds, and Daws Butler. Billy May arranged and conducted the music. The Jud Conlon Singers, who had also appeared on Freberg recordings, were regulars, as was singer Peggy Taylor, who had participated in his "Wun'erful, Wun'erful!" record.The show was produced by Pete Barnum.
The show failed to attract a sponsor after Freberg decided he did not want to be associated with the tobacco companies that had sponsored Benny. In lieu of actual commercials, Freberg mocked advertising by touting such products as "Puffed Grass" ("It's good for Bossie, it's good for me and you!"), "Food" ("Put some food in your tummy-tum-tum!"), and himself ("Stan Freberg—the foaming comedian! Bobba-bobba-bom-bom-bom"), a parody of the well-known Ajax cleanser commercial.
The lack of sponsorship was not the only issue. Freberg frequently complained of
radio network interference. Another sketch from the CBS show, "Elderly Man River," anticipated the
political correctness movement by decades. Daws Butler plays "Mr. Tweedly," a representative of a fictional citizens' radio review board, who constantly interrupts Freberg with a loud buzzer as Freberg attempts to sing "
Old Man River." Tweedly objects first to the word "old," "which some of our more ''elderly'' citizens find distasteful." As a result, the song's lyrics are progressively and painfully distorted as Freberg struggles to turn the classic song into a form that Tweedly will find acceptable "to the tiny tots" listening at home: "He don't, er, ''doesn't'' plant 'taters, er, ''potatoes''… he doesn't plant cotton, er, ''cotting''… and them-these-those that plants them are soon ''forgotting''," a lyric of which Freberg is particularly proud. Even when the censor finds Freberg's machinations acceptable, the constant interruption ultimately brings the song to a grinding halt (just before Freberg would have had to edit the line "You gets a little drunk and you lands in jail"), saying, "Take your finger off the button, Mr. Tweedly—we know when we're licked," furnishing the moral and the punch line of the sketch at once. But all of these factors forced the cancellation of the show after a run of only 15 episodes.
In 1966, he recorded an album, ''Freberg Underground'', in a format similar to his radio show, using the same cast and orchestra. He called it "pay radio," in a parallel to the phrase pay TV (the nickname at the time for subscription-based cable and broadcast television) "…because you have to go into the record store and buy it." This album is notable for giving Dr. Edward Teller the ''Father of the Year'' award for being "father of the hydrogen bomb" ("Use it in good health!"); for a combined satire of the ''Batman'' television series and the 1966 California Governor's race between Edmund G. "Pat" Brown and Ronald Reagan; and probably most famous for a bit in which, through the magic of sound effects, Freberg drained Lake Michigan and refilled it with hot chocolate and a mountain of whipped cream while a giant maraschino cherry was dropped like a bomb by the Royal Canadian Air Force to the cheers of 25,000 extras viewing from the shoreline. Freberg concluded with, "Let's see them do that on television!" That bit became a commercial for advertising on radio.
Television
From 1949 to 1954, he and frequent collaborator
Daws Butler provided voices and were the
puppeteers for
Bob Clampett's
puppet series, ''
Time for Beany'', a triple
Emmy Award winner (1950, 1951, 1953).
Freberg made television guest appearances on ''
The Ed Sullivan Show'' and other TV variety shows, usually with Orville the Moon Man, his puppet from
outer space. He reached through the bottom of Orville's
flying saucer to control the puppet's movements and turned away from the
camera when he delivered Orville's lines. Freberg had his own
ABC special, ''Stan Freberg Presents the Chun King Chow Mein Hour: Salute to the Chinese New Year'' (February 4, 1962), but he garnered more laughs when he was a guest on late night talk shows.
A piece from Stan's show was used frequently on Offshore Radio in the UK in the 60's: "You may not find us on your TV". Other on-screen television roles included ''The Monkees'' (1966) and ''The Girl from U.N.C.L.E.'' (1967). In 1996, he portrayed the continuing character of Mr. Parkin on ''Roseanne'', and both Freberg and his son had roles in the short-lived ''Weird Al Show'' in 1997.
Advertising
When Freberg introduced satire to the field of advertising, he revolutionized the industry, influencing staid ad agencies to imitate Freberg by injecting humor into their previously dead-serious commercials. Freberg's long list of successful ad campaigns includes:
Butternut
coffee: A six-minute musical, "Omaha!", which actually found success outside advertising as a musical production in the city of
Omaha.
Contadina tomato paste: "Who put eight great tomatoes in that little bitty can?"
Jeno's pizza rolls: A parody of the
Lark cigarettes commercial that used the
William Tell Overture and a pick-up truck with a sign in the bed saying "Show us your Lark pack", here ending with a confrontation between a cigarette smoker, portrayed by
Barney Phillips (supposedly representing the Lark commercial's announcer) and
Clayton Moore as the
Lone Ranger over the use of the music.
Jay Silverheels also appears as
Tonto, filling his possibles bag with pizza rolls, after asking "Have a Pizza Roll, kemo sabe?". It was regarded as one of the most brilliantly conceived and executed TV ads of the period; after one showing on ''
The Tonight Show'',
Johnny Carson remarked that it was the first commercial he had ever seen to receive spontaneous applause from the studio audience.
Jeno's pizza, in a parody of Scope mouthwash commercials. "You know why nobody likes your parties, Mary? You have bad pizza—''bad pizza''!"
Sunsweet pitted
prunes: Depicted as the "food of the future" in a
futuristic setting, until
science fiction icon
Ray Bradbury, a friend of Freberg's (shown on a wall-to-wall television screen reminiscent of
Fahrenheit 451) butts in: "I never mentioned prunes in any of my stories." "You didn't?" "No, never. I'm sorry to be so candid." "No, they're not candied," (
rim shot). Bradbury reportedly refused to consider doing a commercial until Freberg told him, "I'm calling it ''Brave New Prune''," prompting Bradbury to ask, "When do we start?"
Another Sunsweet commercial features Ronald Long as a picky eater: "They're still rather badly wrinkled, you know," and ends with the famous line, "Today, the pits; tomorrow, the wrinkles. Sunsweet marches on!"
Heinz Great American soups:
Ann Miller is a housewife who turns her kitchen into a gigantic production number, singing such lyrics as "Let's face the chicken gumbo and dance!" After watching his wife's flashy tap dancing, her husband, played by veteran character actor
Dave Willock, asks, "Why do you always have to make such a big production out of everything?" At the time (1970), this was the most expensive commercial ever made—so expensive, in fact, that there was little money left over to buy air time for it.
Jacobsen Mowers: Sheep slowly munch on a front lawn. On camera reporter/announcer (voice of William Woodson): "Jacobsen mowers. Faster... than sheep!"
''Encyclopædia Britannica'': The boy in these commercials is Freberg's son Donavan. Freberg talks to him from off screen.
''Chun King Chinese Food'': Magazine ad, featuring a lineup of nine smiling Chinese men and one frowning Caucasian man, all dressed in scrub suits and white lab coats, with the caption, "Nine out of ten doctors recommend Chun King Chow Mein!" The frowning Caucasian doctor is Freberg.
Today, these advertisements are considered classics by many critics. Though
Bob & Ray had pioneered intentionally comic advertisements (stemming from a hugely successful campaign for Piels beer), Stan Freberg is usually credited as being the first person to introduce humor into television advertising with memorable campaigns. Freberg felt a truly funny commercial would cause consumers to request a product, as was the case with his elaborate ad campaign that prompted stores to stock Salada tea. The owner of Jeno's Pizza Rolls had to pay off a bet over the success of a Freberg ad campaign by pulling Freberg in a
rickshaw on Hollywood's La Cienega Boulevard. Freberg won 21
Clio awards for his commercials. Many of those spots were included in the Freberg four-CD
box set ''Tip of the Freberg''.
Later work
Following his success in comedy records and television, Freberg was often invited to appear as a featured guest at various events. Each time has been memorable, such as his skit at the 1979 Science Fiction Awards, again playing straight man to Orville in his
UFO. He innocently asks why there is a hole in the end of the spacecraft, only to be told, "That's where the swamp gas comes out."
Freberg was the narrator for ''The Wuzzles'', a Disney cartoon series that aired on CBS's Saturday morning schedule during the 1985–1986 season.
In his autobiography, ''It Only Hurts When I Laugh'', Freberg recounts much of his life and early career, including his encounters with such show business legends as Milton Berle, Frank Sinatra and Ed Sullivan, and the struggles he endured to get his material on the air.
Freberg had brief sketches on KNX (AM) radio in the early 1990s, beginning each with "Freberg here!" In one sketch Freberg mentioned that the band played "Inhale to the Chief" at Bill Clinton's inauguration.
Freberg was inducted into the National Radio Hall of Fame in 1995. From 1995 until October 6, 2006, Freberg hosted ''When Radio Was'', a syndicated anthology of vintage radio shows. The release of the 1996 Rhino CD ''The United States of America Volume 1 (the Early Years)'' and ''Volume 2 (the Middle Years)'' suggests a possible third volume. This set includes some parts written but cut because they would not fit on a record album.
Freberg appeared on "Weird Al" Yankovic's ''The Weird Al Show'', playing both the J.B. Toppersmith character and the voice of the puppet Papa Boolie. Yankovic has many times acknowledged Freberg as his greatest influence. Freberg is among the commentators in the special features on the multiple-volume DVD sets of the ''Looney Tunes Golden Collection'' and narrates the documentary "Irreverent Imagination" on Volume 1.
Freberg was the announcer for the boat race in the movie version of ''Stuart Little'', and in 2008 he guest starred as Sherlock Holmes in two episodes of ''The Radio Adventures of Dr. Floyd''.
Legacy in popular culture
In 1961's ''The Parent Trap,'' the characters during the animated opening title sequence refer to each other as "John" and "Marsha".
In 2007, comedian the great Luke Ski recorded a ten-minute homage called ''MC Freberg'', a parody illustrating what a Freberg-type satire of rap music would have sounded like. Originally recorded for ''The FuMP'', the track also appears on Ski's album ''BACONspiracy''.
On the fourth season premiere of the TV series ''Mad Men'', Peggy Olson (Elisabeth Moss) and Joey Baird (Matt Long) repeatedly call each other "John" and "Marsha".
Freberg's Dragnet parodies are generally credited with the popularizing the catch phrase "Just the facts, ma'am", which Jack Webb's character never actually said on the show.
Warner Brothers cartoons (in which Freberg appeared, uncredited, as a voice artist) often had cameo appearances by couples named "John" and "Marsha". In one case, the woman was an alien, making the couple "John" and "Martian".
Discography
Stan Freberg Discography
References
Listen to
OTR Network Library: ''The Stan Freberg Show'' (15 episodes)
Bob Claster's 1989 interview with Stan Freberg pt.1 pt.2 pt.3 pt.4 pt.5
August 31, 1956 episode of CBS Radio Workshop ''Colloquy #3: An Analysis of Satire'' featuring Stan Freberg
''Oregon! Oregon!'' Intro Overture Act I Interlude Act II Act III
External links
''Mark Thomas Presents: Stan Freberg'' (BBC Radio 4, 2005)
''Time'': "Stan the Man" (July 29, 1957)
Cosmik
''Oregon! Oregon!'' (1959)
Little Go Beep
Category:American comedians
Category:American comedy musicians
Category:American humorists
Category:American novelty song performers
Category:American radio actors
Category:American radio personalities
Category:American satirists
Category:American voice actors
Category:Copywriters
Category:Grammy Award winners
Category:National Radio Hall of Fame inductees
Category:Parodists
Category:1926 births
Category:Living people
Category:Capitol Records artists
Category:Comedy rock
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