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Aaa, aaa
Smell your world when you come
I won't make a victim
I lie awake and I'm forsaken
From all the holes in my time
You saved up for this true lie
The devil bides her time in waitin'
And still she comes
Crystallized in paranoia
Lost yourself inside her madness
Beast has glazed your being
With it's torture
And all the faults in your life
The suffering can't be mine
The curse will grow with what you prey for
And still she comes
She's callin'
I'm fallin'
She makes me mine
Still callin'
I'm crawlin'
She is benign
Smell your world when you came
Now I am a victim
I lie awake, I swim inside you
And still she comes
And still she comes
Still she comes
(Aaa, aaa)
Smell your world when you come
I won't make a victim
I lie awake and I'm forsaken
From all the holes in my time
You saved up for this true lie
The devil bides her time in waiting
And still she comes
Crystallized in paranoia
Lost yourself inside her madness
Beast has glazed your being
With its torture
All the faults in your life
This suffering can't be mine
The curse will grow with what you prey for
And still she comes
She's calling
I'm falling
She makes me mine
Still calling
I'm crawling
She is benign
Smell your world when you came
Now I am a victim
I lie awake - I swim inside you
And still she comes...
Avalanche looms overhead
Airplane flies overhead
Important man sits by the window
Sucked out of the first class window
Images run by, thousand miles an hour
But the time seems far away
Folding clothes in a folding closet
Folding money in a resume
Time to let off some pressure
Time to let off some steam
All your notebooks get thrown away
And you start your diary clean
Crystal glass lined up in a row
Watched over by the G.I. Joes
Sugar in your coffee doesn't taste quite right
Feeling the effects for a hundred thousand nights
When civilization falls in its grave
Technology throws on the dirt
You realize the finest things in life
Are the ones that can never be hurt
Shatters your brain in a million tiny pieces
The sounds you hear aren't coming out right
You think it might be mystic, you think I might be cryptic
The crystal in your china case is breaking in a million tiny pieces
Avalanche looms overhead
Airplane flies overhead
Important man sits by the window
Sucked out of the first class window
Images run by, thousand miles an hour
But the time seems far away
Folding clothes in a folding closet
Folding money in a resume
Time to let off some pressure
Time to let off some steam
All your notebooks get thrown away
And you start your diary clean
Crystal glass lined up in a row
Watched over by the G.I. Joes
Sugar in your coffee doesn't taste quite right
Feeling the effects for a hundred thousand nights
When civilization falls in its grave
Technology throws on the dirt
You realize the finest things in life
Are the ones that can never be hurt
Shatters your brain in a million tiny pieces
The sounds you hear aren't coming out right
You think it might be mystic, you think I might be cryptic
The crystal in your china case is breaking in a million tiny pieces
Avalanche looms overhead
Airplane flies overhead
Important man sits by the window
Sucked out of the first class window
Images run by, thousand miles an hour
But the time seems far away
Folding clothes in a folding closet
Folding money in a resume
Time to let off some pressure
Time to let off some steam
All your notebooks get thrown away
And you start your diary clean
Crystal glass lined up in a row
Watched over by the G.I. Joes
Sugar in your coffee doesn't taste quite right
Feeling the effects for a hundred thousand nights
When civilization falls in its grave
Technology throws on the dirt
You realize the finest things in life
Are the ones that can never be hurt
Shatters your brain in a million tiny pieces
The sounds you hear aren't coming out right
You think it might be mystic, you think I might be cryptic
Fade away...
All that we have dreamed of
Bergman said it all,
the magic is in the fall, so true...
When you see him tell him all that you
don't know
all how much we've grown
so I cry but like always, I don't feel
that much in here
so I sit by your side just to be near you
oh lord please don't take him yet
Now you're gone, you're with angels
I will soon come visit you
and talk about, the time we had together
and our town is filled with tears
Don't feel bad while you're there
life was only sad sad while you were here
filled with rage and fear
and now I sit by your side
but you can't hear me
you can always count on me
don't feel sad, you're with angels
I will soon come visit you
and talk about, the time we had together
now our town is filled with tears
so I sit by your side
although you're not with me
when I comfort you, when I come to you
and like always, right here by your side
don't feel sad, you're with angels
I will soon come visit you
and talk about, the time we had together
and our town is filled with tears
Do you always trust your first initial feeling
Special knowledge holds truth
Bears believing
I turned around
And the water was closing all around
Like a glove
Like the love that had finally, finally found me
And I knew
In the crystalline knowledge of you
Drove me through the mountains
Through the crystal like a clear water fountain
Drove me like a magnet
To the sea
To the sea
To the sea, yeah
How the faces of love have changed
Turning the pages
And I have changed oh, but you
You remain ageless
I turned around
And the water was closing all around
Like a glove
Like the love that had finally, finally found me
And I knew
In the crystalline knowledge of you
Drove me through the mountains
Through the crystal like a clear water fountain
Drove me like a magnet
To the sea
To the sea
To the sea, yeah
To the sea, yeah
I turned around and the water was closing around me
I turned around and the water was closing around me
Do you always trust your first initial feeling?
Special knowledge holds truth bears believing
I turned around and the water was closing all around
Like a glove, like the love that had finally, finally found me
Then I knew in the crystalline knowledge of you
Drove me through the mountains
Through the crystal like clear water fountain
Drove me like a magnet to the sea
How the faces of love have changed turning the pages
And I have changed oh, but you, you remain ageless
I turned around and the water was closing all around
Like a glove, like the love that had finally, finally found me
Then I knew in the crystalline knowledge of you
Drove me through the mountains
Through the crystal like clear water fountain
Buckingham.nicks/crystal
**This song can also be found on the FIRST Fleetwood Mac album with Lindsey
And Stevie (the one that has "Rhiannon" on it). The version on this record,
In my opinion, is MUCH better. Those of you that are Stevie and Lindsey
Fans should DEFINATELY try to get a copy, although it isn't easy, believe
Me!! But it's worth the cash, I promise.
And now....the song:
Do you always trust your first initial feeling?
Special knowledge holds truth, bears believing
I turned around
And the water was closing all around
Like a glove
Like the love...that had finally, finally found me
Then I knew
In the crystalline knowledge...of you
Drove me through the mountains
Through the crystal-like clear water fountain
Drove me like a magnet....to the sea
How the faces of love have changed
I'm turning the pages
And I have changed...oh, but you...you remain ageless
I turned around
And the water was closing all around
Like a glove
Like the love..that had finally, finaly found me
Then I knew...in the crystalline knowledge of you
Drove me through the mountains
Through the crystal-like, clear water fountain
Drove me like a magnet...to the sea
To the sea....
To the sea....
We're caught up in a web, you and I
Since Crystal came between us
The knots of friendship seem to be untied
And it hurts me most to cheat and that's no lie
She can swing us both forever
In the long run she's the one who must decide
And if she leaves me handle her with care
Don't hurt little Crystal
And if she calls you long distance just be there
Oh Crystal
The world is your oyster, you're a pearl
But he's a jewel and my friend
I'm sure that in the end, Crystal you'll be his little girl
Oh Crystal
You're stronger than me but I'm sure
That the fight would fall to no one
The cold hard truth is stronger than us all
And it breaks my heart to see us go this far
We're just captives in our separate cells
Do you always trust your first initial feeling
Special knowledge, holds true bears believing
I turned around and the water was closing all around
Like a glove, like the love that had finally, finally found me
Then I knew in the crystalline knowledge of you
Drove me through the mountains
Through the crystal like a clear water fountain
Drove me like a magnet, to the sea, to the sea
To the sea, yeah
How the faces of love change, turning the pages
And I have changed, oh but you, you remain ageless
I turned around and the water was closing all around
Like a glove, like the love that had finally, finally found me
And then I knew in the crystalline knowledge of you
Drove me through the mountains
Through the crystal like a clear water fountain
Drove me like a magnet, to the sea, to the sea
We're like crystal, we break easy
I'm a poor man, if you leave me
I'm applauded, then forgotten
It was summer, now it's autumn
I don't know what to say, you don't care anyway
I'm a man in a rage (just tell me what I've got to do), with a girl I betrayed
Here comes love, it's like honey
You can't buy it with money, you're not alone anymore,
(whenever you're here with me),
You shock me to the core, you shock me to the core
We're like crystal, it's not easy
With your love, you could feed me
Every man, and every woman
Needs someone, So keep it coming
Keep it coming, keep it coming, keep it coming
Keep it coming, keep it coming, keep it coming
Keep it coming
I don't know what to say, you don't care anyway
I'm a man in a rage (just tell me what I've got to do), with a girl I betrayed
Here comes love, it's like honey
You can't buy it with money, you're not alone anymore,
(whenever you're here with me),
You shock me to the core, you shock me to the core
Keep it coming, keep it coming, keep it coming
Keep it coming, keep it coming, keep it coming
Sometimes when my life is dark and stormy,
I close my eyes and try hard to recall.
I see your face and trouble fades before me,
When I’m staring in a crystal ball.
Crystal, was the water,
And crystal, was the sand,
And crystal was our pure love,
Like the water running all around the town,
And crystal is my memory,
When I think about the moonlight,
Shining in her eyes and on the town.
And crystal will be this winter.
Frozen tears.
You’re not around.
For awhile we were just like children.
We were diving far beneath a waterfall.
As we tumbled far beneath that rolling river,
I said “Jesus why do I go back at all?”
From the crystal, in the water,
From the crystal, in the sand,
From the crystal in our pure love,
Like the water running all around the town,
And crystal is my memory,
When I think about the moonlight,
Shining in her eyes and on the town.
And crystal will be this winter.
Frozen tears.
She's got crystal
Oh yeah, and she wave your down
Shine like crystal
Oh yeah, and she get your gun
Oh, oh, oh, oh
Oh, oh, oh, oh yeah, that's right
Get your crystal
Baby, get your gun
She's like crystal
Oh yeah, she got you on the run
Oh, oh, oh, oh
Oh, oh, oh, oh yeah, that's right
Oh, yeah
That's right
She got crystal
Oh yeah, she would kill you Joe
That shining crystal
Oh yeah, but what a way to go
Oh, oh, oh, oh
Oh, oh, oh, oh yeah, that's right
Oh, oh, oh, oh
there she is in the doghouse
she sure don't know what she's done wrong
still she lies in the doghouse
don't think that she can carry on
she holds you down
to free your soul
the hand of god
will make you whole
here i am in the doghouse
i sure don't know what i've done wrong
"crystal only ever smiles
through her eyes
crystal only ever lies
through her mouth
just no one sees it"
may i fight for my honour
without the pity you show
may i beg for my dinner
when the feeling takes me so
just saying sorry
won't ever be enough
just saying sorry
won't ever be enough
you have squandered my love
"crystal only ever smiles
through her eyes
crystal only ever lies
through her mouth
just no one sees it"
no one ever want
no one ever needed her
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2012) |
A crystal or crystalline solid is a solid material whose constituent atoms, molecules, or ions are arranged in an orderly, repeating pattern extending in all three spatial dimensions. In addition to their microscopic structure, large crystals are usually identifiable by their macroscopic geometrical shape, consisting of flat faces with specific, characteristic orientations.[citation needed]
The scientific study of crystals and crystal formation is known as crystallography. The process of crystal formation via mechanisms of crystal growth is called crystallization or solidification. The word crystal is derived from the Ancient Greek word κρύσταλλος (krustallos), meaning both “ice” and “rock crystal”,[1] from κρύος (kruos), "icy cold, frost".[2][3]
Common crystals include snowflakes, diamonds, and table salt; however, most common inorganic solids are polycrystals. Crystals are often symmetrically intergrown to form crystal twins.
The scientific definition of a "crystal" is based on the microscopic arrangement of atoms inside it, called the crystal structure. A crystal is a solid where the atoms form a periodic arrangement. (Quasicrystals are an exception, see below.)
Not all solids are crystals. For example, when liquid water starts freezing, the phase change begins with small ice crystals that grow until they fuse, forming a polycrystalline structure. In the final block of ice, each of the small crystals (called "crystallites" or "grains") is a true crystal with a periodic arrangement of atoms, but the whole polycrystal does not have a periodic arrangement of atoms, because the periodic pattern is broken at the grain boundaries. Most macroscopic inorganic solids are polycrystalline, including almost all metals, ceramics, ice, rocks, etc. Solids that are neither crystalline nor polycrystalline, such as glass, are called amorphous solids, also called glassy, vitreous, or noncrystalline. These have no periodic order, even microscopically. There are distinct differences between crystalline solids and amorphous solids: most notably, the process of forming a glass does not release the latent heat of fusion, but forming a crystal does.
A crystal structure (an arrangement of atoms in a crystal) is characterized by its unit cell, a small imaginary box containing one or more atoms in a specific spatial arrangement. The unit cells are stacked in three-dimensional space to form the crystal.
The symmetry of a crystal is constrained by the requirement that the unit cells stack perfectly with no gaps. There are 219 possible crystal symmetries, called crystallographic space groups. These are grouped into 7 crystal systems, such as cubic crystal system (where the crystals may form cubes or rectangular boxes, such as halite shown at right) or hexagonal crystal system (where the crystals may form hexagons, such as ordinary water ice).
Crystals are commonly recognized by their shape, consisting of flat faces with sharp angles. These shape characteristics are not necessary for a crystal—a crystal is scientifically defined by its microscopic atomic arrangement, not its macroscopic shape—but the characteristic macroscopic shape is often present and easy to see.
Euhedral crystals are those with obvious, well-formed flat faces. Anhedral crystals do not, usually because the crystal is one grain in a polycrystalline solid.
The flat faces (also called facets) of a euhedral crystal are oriented in a specific way relative to the underlying atomic arrangement of the crystal: They are planes of relatively low Miller index.[4] This occurs because some surface orientations are more stable than others (lower surface energy). As a crystal grows, new atoms attach easily to the rougher and less stable parts of the surface, but less easily to the flat, stable surfaces. Therefore, the flat surfaces tend to grow larger and smoother, until the whole crystal surface consists of these plane surfaces. (See diagram on right.)
One of the oldest techniques in the science of crystallography consists of measuring the three-dimensional orientations of the faces of a crystal, and using them to infer the underlying crystal symmetry.
A crystal's habit is its visible external shape. This is determined by the crystal structure (which restricts the possible facet orientations), the specific crystal chemistry and bonding (which may favor some facet types over others), and the conditions under which the crystal formed.
By volume and weight, the largest concentrations of crystals in the earth are part of the Earth's solid bedrock.
Some crystals have formed by magmatic and metamorphic processes, giving origin to large masses of crystalline rock. The vast majority of igneous rocks are formed from molten magma and the degree of crystallization depends primarily on the conditions under which they solidified. Such rocks as granite, which have cooled very slowly and under great pressures, have completely crystallized; but many kinds of lava were poured out at the surface and cooled very rapidly, and in this latter group a small amount of amorphous or glassy matter is common. Other crystalline rocks, the metamorphic rocks such as marbles, mica-schists and quartzites, are recrystallized. This means that they were at first fragmental rocks like limestone, shale and sandstone and have never been in a molten condition nor entirely in solution, but the high temperature and pressure conditions of metamorphism have acted on them by erasing their original structures and inducing recrystallization in the solid state.[5]
Other rock crystals have formed out of precipitation from fluids, commonly water, to form druses or quartz veins. The evaporites such as rock salt, gypsum and some limestones have been deposited from aqueous solution, mostly owing to evaporation in arid climates.
Water-based ice in the form of snow, sea ice and glaciers is a very common manifestation of crystalline or polycrystalline matter on Earth. A single snowflake is typically a single crystal, while an ice cube is a polycrystal.
Many living organisms are able to produce crystals, for example calcite and aragonite in the case of most molluscs or hydroxylapatite in the case of vertebrates.
The same group of atoms can often solidify in many different ways. Polymorphism is the ability of a solid to exist in more than one crystal form. For example, water ice is ordinarily found in the hexagonal form Ice Ih, but can also exist as the cubic Ice Ic, the rhombohedral ice II, and many other forms. The different polymorphs are usually called different phases.
In addition, the same atoms may be able to form noncrystalline phases. For example, water can also form amorphous ice, while SiO2 can form both fused silica (an amorphous glass) and quartz (a crystal). Likewise, if a substance can form crystals, it can also form polycrystals.
For pure chemical elements, polymorphism is known as allotropy. For example, diamond and graphite are two crystalline forms of carbon, while amorphous carbon is a noncrystalline form. Polymorphs, despite having the same atoms, may have wildly different properties. For example, diamond is among the hardest substances known, while graphite is so soft that it is used as a lubricant.
Polyamorphism is a similar phenomenon where the same atoms can exist in more than one amorphous solid form.
Crystallization is the process of forming a crystalline structure from a fluid or from materials dissolved in a fluid. (More rarely, crystals may be deposited directly from gas; see thin-film deposition and epitaxy.)
Crystallization is a complex and extensively-studied field, because depending on the conditions, a single fluid can solidify into many different possible forms. It can form a single crystal, perhaps with various possible phases, stoichiometries, impurities, defects, and habits. Or, it can form a polycrystal, with various possibilities for the size, arrangement, orientation, and phase of its grains. The final form of the solid is determined by the conditions under which the fluid is being solidified, such as the chemistry of the fluid, the ambient pressure, the temperature, and the speed with which all these parameters are changing.
Specific industrial techniques to produce large single crystals (called boules) include the Czochralski process and the Bridgman technique. Other less exotic methods of crystallization may be used, depending on the physical properties of the substance, including hydrothermal synthesis, sublimation, or simply solvent-based crystallization.
Large single crystals can be created by geological processes. For example, selenite crystals in excess of 10 meters are found in the Cave of the Crystals in Naica, Mexico.[6] For more details on geological crystal formation, see above.
Crystals can also be formed by biological processes, see above. Conversely, some organisms have special techniques to prevent crystallization from occurring, such as antifreeze proteins.
An ideal crystal has every atom in a perfect, exactly repeating pattern. However, in reality, most crystalline materials have a variety of crystallographic defects, places where the crystal's pattern is interrupted. The types and structures of these defects may have a profound effect on the properties of the materials.
A few examples of crystallographic defects include vacancy defects (an empty space where an atom should fit), interstitial defects (an extra atom squeezed in where it does not fit), and dislocations (see figure at right). Dislocations are especially important in materials science, because they help determine the mechanical strength of materials.
Another common type of crystallographic defect is an impurity, meaning that the "wrong" type of atom is present in a crystal. For example, a perfect crystal of diamond would only contain carbon atoms, but a real crystal might perhaps contain a few boron atoms as well. These boron impurities change the diamond's color to slightly blue. Likewise, the only difference between ruby and sapphire is the type of impurities present in a corundum crystal.
In semiconductors, a special type of impurity, called a dopant, drastically changes the crystal's electrical properties. Semiconductor devices, such as transistors, are made possible largely by putting different semiconductor dopants into different places, in specific patterns.
Twinning is a phenomenon somewhere between a crystallographic defect and a grain boundary. Like a grain boundary, a twin boundary has different crystal orientations on its two sides. But unlike a grain boundary, the orientations are not random, but related in a specific, mirror-image way.
Crystalline structures occur in all classes of materials, with all types of chemical bonds. Almost all metal exists in a polycrystalline state; amorphous or single-crystal metals must be produced synthetically, often with great difficulty. Ionically bonded crystals can form upon solidification of salts, either from a molten fluid or upon crystallization from a solution. Covalently bonded crystals are also very common, notable examples being diamond, silica, and graphite. Polymer materials generally will form crystalline regions, but the lengths of the molecules usually prevent complete crystallization. Weak van der Waals forces can also play a role in a crystal structure; for example, this type of bonding loosely holds together the hexagonal-patterned sheets in graphite.
Crystal | Particles | Attractive forces | Melting point | Other properties |
---|---|---|---|---|
Ionic | Positive and negative ions | Electrostatic attractions | High | Hard, brittle, good electrical conductor in molten state |
Molecular | Polar molecules | London force and dipole-dipole attraction | Low | Soft, non-conductor or extremely poor conductor of electricity in liquid state |
Molecular | Non-polar molecules | London force | Low | Soft conductor |
A quasicrystal consists of arrays of atoms that are ordered but not strictly periodic. They have many attributes in common with ordinary crystals, such as displaying a discrete pattern in x-ray diffraction, and the ability to form shapes with smooth, flat faces.
Quasicrystals are most famous for their ability to show five-fold symmetry, which is impossible for an ordinary periodic crystal (see crystallographic restriction theorem).
The International Union of Crystallography has redefined the term "crystal" to include both ordinary periodic crystals and quasicrystals ("any solid having an essentially discrete diffraction diagram"[7]).
Quasicrystals, first discovered in 1982, are quite rare in practice. Only about 100 solids are known to form quasicrystals, compared to about 400,000 periodic crystals measured to date.[8] The 2011 Nobel Prize in Chemistry was awarded to Dan Shechtman for the discovery of quasicrystals.[9]
Crystals can have certain special electrical, optical, and mechanical properties that glass and polycrystals normally cannot. These properties are related to the anisotropy of the crystal, i.e. the lack of rotational symmetry in its atomic arrangement. One such property is the piezoelectric effect, where a voltage across the crystal can shrink or stretch it. Another is birefringence, where a double image appears when looking through a crystal. Moreover, various properties of a crystal, including electrical conductivity, electrical permittivity, and Young's modulus, may be different in different directions in a crystal. For example, graphite crystals consist of a stack of sheets, and although each individual sheet is mechanically very strong, the sheets are rather loosely bound to each other. Therefore, the mechanical strength of the material is quite different depending on the direction of stress.
Not all crystals have all of these properties. Conversely, these properties are not quite exclusive to crystals. They can appear in glasses or polycrystals that have been made anisotropic by working or stress--for example, stress-induced birefringence.
Crystallography is the science of measuring the crystal structure (in other words, the atomic arrangement) of a crystal. One widely-used crystallography technique is X-ray diffraction. Large numbers of known crystal structures are stored in crystallographic databases.
Insulin crystals grown in outer space
Quartz crystal. The individual grains of this polycrystalline mineral sample are clearly visible.
A large monocrystal of potassium dihydrogen phosphate grown from solution by Saint-Gobain for the megajoule laser of CEA.
Gallium, a metal that easily forms large crystals.
Hexagonal hanksite crystal from Searles Lake, California. Pen in background for scale.
Boules of silicon, like this one, are an important type of industrially-produced single crystal. These are usually grown by the Czochralski process, and usually used for integrated circuits and solar cells.
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Stevie Nicks | |
---|---|
Stevie Nicks live in 2009. |
|
Background information | |
Birth name | Stephanie Lynn Nicks |
Born | (1948-05-26) May 26, 1948 (age 64) |
Origin | Phoenix, Arizona, United States |
Genres | Pop, rock, pop rock, soft rock, country rock |
Occupations | Singer-songwriter, musician |
Instruments | Vocals, piano, keyboards, guitar, percussion |
Years active | 1967–present |
Labels | Modern, Atlantic, Reprise |
Associated acts | Fleetwood Mac, Buckingham Nicks, Tom Petty and the Heartbreakers, David A. Stewart, Sheryl Crow |
Website | stevienicks.net |
Stephanie Lynn "Stevie" Nicks (born May 26, 1948) is an American singer-songwriter, best known for her work with Fleetwood Mac and an extensive solo career, which collectively have produced over forty Top 50 hits and sold over 140 million albums. She has been noted for her ethereal visual style and symbolic lyrics.[1] Nicks joined Fleetwood Mac on December 31, 1974, along with her then-boyfriend Lindsey Buckingham. Fleetwood Mac's second album after the incorporation of Nicks and Buckingham, 1977's Rumours, produced four US Top 10 singles (including Nicks's song "Dreams", which was the band's first and only US number one) and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world. To date the album has sold over 40 million copies worldwide, making it the eighth best-selling album of all time.
Nicks began her solo career in 1981 with the 8 million selling album Bella Donna, and she has produced six more solo studio albums to date. Her seventh solo studio album entitled In Your Dreams, and her first in ten years, was produced largely by Dave Stewart of Eurythmics fame and Glen Ballard and was released on May 3, 2011. After the release of her first solo album, Rolling Stone deemed her "The Reigning Queen of Rock and Roll".[2] Having overcome cocaine addiction, and dependency on tranquilizers, Nicks remains a popular solo performer. As a solo artist, she has garnered eight Grammy Award nominations[3] and, with Fleetwood Mac, a further five, of which one was the 1978 award for Album of the Year for Rumours, which they won. As a member of Fleetwood Mac, she was inducted into the Rock and Roll Hall of Fame in 1998. Nicks is known for her distintive voice, mystical visual style and symbolic lyrics as well as the famous (sometimes tense) chemistry between herself and former boyfriend and guitarist/vocalist in Fleetwood Mac, Lindsey Buckingham.[4]
Nicks was born at Good Samaritan Hospital in Phoenix, Arizona, to Jess Nicks, a corporate executive, and Barbara Nicks, a homemaker. Nicks' grandfather, Aaron Jess Nicks, a struggling country music singer, taught Nicks to sing, performing duets with her by the time she was four years old. Nicks' mother was very protective of her, keeping her at home "more than most people were" and fostering in her a love of fairy tales.[5][6] As a young child, Nicks had difficulty pronouncing her given name Stephanie, instead pronouncing it "tee-dee", which became the nickname "Stevie".[7] Nicks' father Jess's career as a food business executive necessitated frequent moves, and the family lived in Phoenix, Albuquerque, El Paso, Salt Lake City, Los Angeles, and San Francisco during Nicks' youth. With the Goya guitar that she received for her sixteenth birthday, Nicks wrote her first song called "I've Loved and I've Lost, and I'm Sad But Not Blue". She joined her first band "The Changing Times" while attending Arcadia High School in Arcadia, California.
Nicks first met her future musical and romantic partner Lindsey Buckingham during her senior year at Menlo Atherton High School.[8] She was attending a high school party and saw Buckingham playing "California Dreamin'", and joined in with the harmony.[9] Buckingham contacted Nicks a few years later and asked her to join him and his bandmates Javier Pacheco and Calvin Roper in a band called Fritz. Fritz became popular as a live act from 1968 until 1972, opening for popular musicians Jimi Hendrix and Janis Joplin, among others, in the San Francisco Bay Area.[10] Both Nicks and Buckingham attended San Jose State University in Northern California, where Nicks majored in Speech Communication. They dropped out in 1968 and moved to Los Angeles together to pursue a career in music when Nicks' family moved to Chicago.[11]
After Fritz disbanded in 1972, Nicks and Buckingham continued to write and record as a duo, producing demo tapes at the coffee plant belonging to Buckingham's father Morris.[12] They secured a deal with Polydor Records. Polydor used tracks from the demo tapes to release the album[clarification needed] Buckingham Nicks in 1973. The album was not a commercial success, despite the live shows that Nicks and Buckingham performed together to support it, and Polydor dropped the pair from the label. To support herself and Buckingham, who wrote music while recovering from mononucleosis, Nicks worked a variety of jobs, which included waiting tables and a stint cleaning engineer/producer Keith Olsen's house, where Nicks and Buckingham lived for a time.[13] Nicks says that she first used cocaine during this time.[14]
Nicks and Buckingham briefly relocated to Aspen, Colorado. While there, Buckingham landed a guitar-playing gig with the Everly Brothers, and toured with them while Nicks stayed behind. During this time, Nicks wrote "Rhiannon" after seeing the name in the novel Triad by Mary Leader, unaware at the time of the Mabinogi legend of Rhiannon. She also wrote "Landslide", inspired by the scenery of Aspen and her inner turmoil over her decision to pursue music.[15]
Nicks and Buckingham joined Fleetwood Mac on December 31, 1974, after Keith Olsen played their track "Frozen Love" for drummer Mick Fleetwood, who had come to Studio City in California, in search of a studio to record Fleetwood Mac's next album. Fleetwood remembered Buckingham's guitar work after guitar player Bob Welch's departure to pursue a solo career. Initially extending the offer only to Buckingham, Fleetwood later included Nicks in the offer when Buckingham insisted that they were "a package deal".
In 1975 the band achieved success with the album Fleetwood Mac. That same year, Nicks worked with clothing designer Margi Kent to develop Nicks's unique onstage look, with costumes that featured flowing skirts, shawls and platform boots.[16]
Following the success of Fleetwood Mac, increasing tension between Nicks and Buckingham began to take its toll on their creativity, and Nicks ended the relationship.[17][18] Fleetwood Mac began recording their follow-up album, Rumours, in early 1976 and continued until late in the year. Also, Nicks and Buckingham sang back-up on Warren Zevon's debut album.[19][20]
Among Nicks's contributions to Rumours was "Dreams", which became the band's only Billboard Hot 100 No.1 hit single to date. Nicks had also written and recorded the song "Silver Springs", but it was ultimately not included on the album because of space limitations for studio albums on vinyl records, which were limited to 24 minutes per side. Instead, it was released as a B-side of the "Go Your Own Way" single, and would remain in some obscurity until it appeared on the four-disc Fleetwood Mac retrospective 25 Years – The Chain in 1992. The song, the rights to which are owned by Nicks's mother Barbara, has always been very special to Nicks, and she was devastated when told about the omission after the decision had been made.[21]
In November 1977, after a New Zealand concert for the Rumours tour, Nicks and Fleetwood, who was married to Jenny Boyd, secretly began an affair.[22][23] The pair mutually decided to end the affair, because, according to Nicks, "we knew it would be the end of Fleetwood Mac."[24] Soon after, in October 1978, Mick Fleetwood left his wife for Nicks's best friend Sara Recor.[25] After the success of the Rumours album and tour in 1977–78, Fleetwood Mac began recording their third album with Buckingham and Nicks, Tusk, in the spring of 1978. That year, Nicks sang back-up on virtually every track of Not Shy, recorded by musician Walter Egan, a friend of both Nicks and Buckingham. One track, "Magnet & Steel", prominently featured Nicks on back-up vocals and became a hit single on Billboard's "Hot 100" chart during the summer of 1978. Lindsey Buckingham also played guitar and sang back-up on some of the tracks recorded for that album.
By 1978, Nicks had amassed a large backlog of songs dating back to her Buckingham Nicks days that she had been unable to record and release with Fleetwood Mac because of the constraint of having to accommodate three songwriters on each album.[26] Nicks wrote and recorded demos for the solo project during Tusk sessions in 1979 and the Tusk world tour of 1979–80. Nicks, Danny Goldberg, and Paul Fishkin founded Modern Records to record and release Nicks's material. Nicks recorded the hit duets "Whenever I Call You Friend" with Kenny Loggins in 1978, and "Gold" with John Stewart in 1979.
Fleetwood Mac's Tusk was released on October 19, 1979. During 1981, Nicks toured with Tom Petty and the Heartbreakers and New Zealand band Split Enz as a guest.
Nicks released Bella Donna on July 27, 1981 to critical and commercial acclaim. Bella Donna was the first album to feature Nicks's back-up singers, Sharon Celani and Lori Perry, who have contributed vocals to all of Nicks's solo albums since then.
The day that Bella Donna reached No.1 on the Billboard 200, Nicks's best friend Robin Anderson was diagnosed with leukemia. Robin gave birth to a son, appointing Nicks as the child's godmother. Following Robin's death in 1982, Nicks married Robin's widower Kim Anderson. They divorced eight months later.[27]
In November, 1981, Nicks embarked on the White Winged Dove tour, which she had to cut short to record the Mirage album with Fleetwood Mac. After the Mirage tour in 1982, Nicks prepared to record her second solo album.
Nicks released The Wild Heart on June 10, 1983. The album introduced songwriter and performer Sandy Stewart as co-writer, vocalist, and musician. The Wild Heart went double platinum, reached No.5 on the Billboard album chart, and featured three hit singles. Nicks performed at the second US Festival at Glen Helen Regional Park in San Bernardino, California, and later toured the US from June 1983 to November 1983. Nicks appeared on Saturday Night Live in 1983, performing "Stand Back" and "Nightbird".
Following the tour for The Wild Heart, Nicks commenced work on her third solo album. Originally titled Mirror Mirror, Nicks recorded songs for the album during 1984. However, Nicks was unhappy with the album, and opted to record a new batch of songs in 1985.[28] Rock a Little, as it was re-titled, was released November 18, 1985 to commercial success, supported by three hit singles.
Nicks toured for Rock A Little in 1986. The tour ended on October 10, 1986.
The tour marked a turning point in Nicks's career: although she had achieved significant critical acclaim, drugs were taking a toll on her performing, affecting her vocals and changing her on-stage persona.[citation needed] In 1986, a plastic surgeon warned her of severe health problems if she did not stop using cocaine.[29] At the end of the Australian tour, Nicks checked herself into the Betty Ford Center to overcome her cocaine addiction.[30] Later that year, a doctor prescribed the sedative Klonopin to help her avoid a cocaine relapse.[31]
In 1985, Fleetwood Mac began work on Tango in the Night, which was released in April 1987.
Creative differences and unresolved personal issues within the band led Buckingham to quit the group right before their world tour. According to bassist John McVie, a "physically ugly" confrontation between Nicks and Buckingham ensued when Nicks angrily challenged Buckingham's decision to leave the band.[32]
The band embarked on the Shake The Cage tour in September 1987, with Buckingham replaced by Rick Vito and Billy Burnette. The tour was suspended during Nicks's bout with chronic fatigue syndrome and developing addiction to tranquilizers, though it resumed in 1988. Tango in the Night met with commercial success and was followed in 1988 by Fleetwood Mac's Greatest Hits album in November 1988.
Also in 1988, Nicks began work on a fourth solo album with British producer Rupert Hine. The Other Side of the Mirror was released on May 11, 1989 to commercial success. Nicks became romantically involved with Hine.[33]
Nicks toured the US and Europe from August to November 1989, the only time she has toured Europe as a solo act. She has famously been quoted since as stating that she has "no memory of this tour" due to her increasing dependency on the tranquillizer Klonopin,[34] prescribed in ever increasing amounts by a psychiatrist between 1987 and 1994 in an attempt to keep Nicks from regressing to her former abuse of cocaine.
In 1989, Nicks set to work with Fleetwood Mac on a new album, Behind the Mask, which was released in 1990 to moderate commercial success in the US. In the UK, however, the album entered the chart at No.1 and has been certified Platinum there. The band went on a world tour to promote the album, on the last night of which Buckingham and Nicks reunited on stage to perform "Landslide".[35] After the tour concluded, Nicks left the group over a dispute with Mick Fleetwood, who would not allow her to release the 1977 track "Silver Springs" on her album Timespace – The Best of Stevie Nicks, because of his plans to release it on a forthcoming Fleetwood Mac box set.[36]
On the tenth anniversary of her solo career debut, Nicks released Timespace – The Best of Stevie Nicks on September 3, 1991.
Fleetwood Mac also released a four-disc box set, 25 Years – The Chain, which included "Silver Springs".
During the 1992 US presidential campaign, Bill Clinton used the Fleetwood Mac hit "Don't Stop" as his campaign theme song, and Nicks joined her band mates to perform the song at Clinton's 1993 Inaugural Gala. No plans for an official reunion were made at that time. Nicks was criticized for her weight gain.[37] Nicks, who is 5 feet 1 inch (1.55 m), had gained weight, peaking at 175 lb (79.4 kg).
In late 1993, while Nicks held a baby shower at her house, she tripped and cut her forehead near a fireplace. Not feeling any pain from the injury, Nicks realized she needed help and endured a painful 47-day detox from Klonopin in a hospital.[38]
Nicks used material written mostly in previous years to record a solo album in 1992 and 1993 entitled Street Angel, which was ultimately released following her detox in May 1994. Nicks has expressed major disappointment with the album, claiming that a lot of production work took place during her second stint in rehab, meaning she had little to no say over the final product.[39]
Released May 23, 1994, Street Angel was poorly received. Despite praise from critics and fans for her vocals on the three-month Street Angel tour, Nicks was crushed by the focus on her weight and the poor reception of the album itself. Disgusted by the criticism she received during the tour for being overweight, Nicks vowed to never set foot on a stage again unless she slimmed down.[40]
In 1995, Nicks was reunited with Lindsey Buckingham and contributed the duet "Twisted" to the Twister movie soundtrack, while in 1996 the Sheryl Crow penned "Somebody Stand By Me" featured on the Boys on the Side soundtrack, and Nicks also remade Tom Petty's "Free Fallin'" for Fox's TV hit Party of Five.
In 1996 Lindsey Buckingham, working on a planned solo album, enlisted the help of Mick Fleetwood and John McVie, which eventually led to a reunion of the entire band. A newly invigorated and slimmed down Nicks joined Fleetwood Mac for The Dance, a highly successful 1997 tour that coincided with the 20th anniversary of the release of Rumours. Prior to the tour, Nicks started work with a voice coach, to lend her voice more control and protect it from the stress of lengthy touring schedules. She also went on a diet and started jogging to lose weight before the tour as well.
The live CD release, The Dance, was released to commercial and critical acclaim, earning the group several Grammy nominations. In 1998, Nicks joined the group for its induction into the Rock and Roll Hall of Fame. This same year, she won the Outstanding Contribution at the BRIT Awards.
Nicks put work on a new solo album on hold when she was approached by Warner Music to release a solo career-spanning box set, to finish her contract with Atlantic Records in the US. After the culmination of the Fleetwood Mac reunion tour, Nicks settled down in Los Angeles and Phoenix with close friends and colleagues to devise a track list for this three-disc collection.
The box set Enchanted was released to acclaim on April 28, 1998 with liner notes from Nicks, as well as exclusive rare photographs, and pages from her journals. Nicks supported the box set with a successful US tour. In 1998, Nicks contributed to the Practical Magic soundtrack and performed in Don Henley's benefit concert for the Walden Woods Project.
Nicks had begun writing actively for Trouble in Shangri-La in 1994 and 1995 as she came out of her Klonopin dependency. According to Nicks, friend and former musical partner Tom Petty was responsible for convincing her to write music again when he rebuffed her request that he write a song with her. Nicks resumed recording songs for the Trouble in Shangri-La album with Sheryl Crow, who produced and performed on several tracks. When a scheduling conflict forced Crow to drop out of the project, Nicks first approached R&B producer Dallas Austin, but these sessions have never surfaced. Nicks finally called on John Shanks to produce the remainder of the album, with additional contributions from David Kahne, Rick Nowels, Pierre Marchand, and Jeff Trott. Artists Natalie Maines, Sarah McLachlan, and Macy Gray contributed to some of the tracks.
Released May 1, 2001, Trouble in Shangri-La restored Nicks's solo career to critical and commercial success. "Planets of the Universe" was nominated for a Grammy Award for Best Female Rock Vocal Performance, and Nicks was named VH1's "Artist of the Month" for May 2001. Nicks was named one of People magazine's 50 Most Beautiful People, was featured in a well-received Behind The Music episode, and performed an episode of the VH1 Storytellers Concert Program. Nicks made several television appearances in support of the album and performed at the 2001 Radio Music Awards.
Nicks supported the album with a successful tour, although some shows were canceled or postponed because of Nicks's bout with acute bronchitis. Shows were also canceled because of the September 11 attacks in the U.S.
In 2001, Fleetwood Mac began work on a new studio album. After the end of her solo tour, Nicks convened with the other members of the band for recording during 2002.
Say You Will was released in April 2003 and met with commercial success but mixed reviews. Nicks joined the group to support the album with a world tour lasting until September 2004.
Nicks has subsequently stated in several interviews that she was not happy with the album or the successful world tour that followed, citing production disputes with Buckingham as a core factor, as well as the absence of fellow female band member Christine McVie.[41] A documentary of the making of the album, Destiny Rules, was released on DVD in 2004 and chronicles the sometimes turbulent relationships between band members, especially Buckingham and Nicks, during that time in the studio.
On March 27, 2007, Reprise Records released Crystal Visions – The Very Best of Stevie Nicks in the US. The album debuted at No.21 on the Billboard 200 Albums Chart.
The compilation includes her hit singles, a dance remix, and one new track, a live version of Led Zeppelin's "Rock and Roll". There are two versions of this album, one with just the audio CD and another version with an included DVD featuring all of Nicks's music videos with audio commentary from Nicks, as well as rare footage from the Bella Donna recording sessions.
A tour with Chris Isaak, opening in Concord, California on May 17, 2007 supported the release.
Reprise Records initially released two radio only promos, the live version of "Landslide" with the Melbourne Symphony Orchestra and "Rock and Roll". Both tracks failed to garner much airplay and made no impact on the charts. Reprise Records released "Stand Back" (issued with club mixes) on May 29, 2007. "Stand Back", which peaked at No.5 on the pop singles chart in 1983, reached No.2 on the "Billboard Club Chart". Nicks previously reached No.1 on this chart, with "Planets Of The Universe" (from Trouble in Shangri-La) in 2001. The remix single of "Stand Back" debuted on the Billboard Hot Singles Sales Chart on September 15, 2007 at No.10 peaking at No.4 the following week. It also debuted on the Billboard Hot Dance Singles Sales Chart at No.3 peaking at #1.
On March 31, 2009, Stevie released the album, The Soundstage Sessions, via Reprise Records. The album debuted at No.47 on the Billboard 200 Albums Chart. The first single from the album was "Crash Into Me" and was released as a digital download, along with "Landslide" (orchestra version) as a B-side, on March 17, 2009.
Along with the CD, Nicks also released a DVD titled Live In Chicago. Both are of her October 2007 Soundstage performance which was filmed and recorded before an intimate audience at Grainger Studio in Chicago. The DVD features special guest Vanessa Carlton.
After completing the Unleashed Tour with Fleetwood Mac, Stevie began work on her first solo album in a decade with David A. Stewart (musician and record producer, best known for his work with Eurythmics), who announced this via his Twitter in February 2010. During 2010, Stewart used Twitter to confirm various facts about the album; in one of the tweets, Stewart stated that he, Nicks, Waddy Wachtel, Mike Campbell (of the Heartbreakers), Mike Rowe, and Steve Ferrone were all working on the album, and that Mick Fleetwood has also contributed drums to at least one track. Waddy Wachtel has been Nicks's lead guitarist for most of her solo career, featuring prominently on all of her albums to date. It was also later confirmed that Lindsey Buckingham would appear on the track "Soldiers Angel".
Nicks performed in a series of shows in August 2010 ("it's not really a tour," she said). They did not contain any of her new music, because she does not want it to end up on YouTube. The Santa Barbara show benefited a little girl she knows in Los Angeles with rhabdomyosarcoma, a rare cancer.
On January 13, 2011, Reprise announced Stevie's upcoming album In Your Dreams would be released on May 3, and the lead single, "Secret Love", would be released on February 8. Reprise provided a free download of the single to fans who pre-ordered the album via certain websites. Nicks originally wrote "Secret Love" in 1976 and recorded a demo of it for Fleetwood Mac's 1977 album, Rumours. It did not make the final cut for the album. The demo version had been circulating among fans for many years prior to its inclusion on In Your Dreams. Nicks promoted the song with a video directed by Dave Stewart. Nicks' goddaughter Kelly appears in the video wearing a vintage dress that Nicks wore on stage in 1976. According to Nicks, Kelly portrays the young Stevie Nicks blending with the soul of Nicks' 62 year-old self. On the US Billboard Charts, "Secret Love" was a modest hit on the Adult Contemporary Singles Chart, peaking at #20, and at #25 on the Triple A Singles Chart.
In Your Dreams received overwhelmingly positive reviews, rivaling that of Stevie's 1981 debut. Rolling Stone commented "It's not just her first album in 10 years, it's her finest collection of songs since the Eighties", which mirrored the reception from most other critics and music industry members. The album debuted at #6 on the Billboard 200 giving Nicks her fifth top ten album on that chart,[42] with 52,000 copies sold in the first week. Elsewhere, the album has made numerous Top 50 debuts, including #24 on the Australian ARIA Chart and #22 in Canada.
The same day that Nicks' new album was released, Fox Network broadcast the Glee episode (Season 2, Episode 19) "Rumours" that featured six songs from Fleetwood Mac's 1977 album, including Nicks' song "Dreams" (the band's only #1 song on the US charts).[43] The show sparked renewed interest in the band and its most commercially successful album, and Rumours reentered the Billboard 200 chart at #11, the same week that In Your Dreams debuted at #6. (Nicks was quoted by Billboard saying that her new album was "my own little Rumours."[44]).[45]
Nicks contributed a cover of Buddy Holly's "Not Fade Away" for the tribute album Listen to Me: Buddy Holly, which was released in September 2011.[46][47]
On March 29, 2012, Nicks made a guest appearance as herself on the NBC sitcom Up All Night. The show featured an excerpt of the 1981 track "Sleeping Angel", as well as new duets with both Maya Rudolph and Christina Applegate of "Whenever I Call You Friend" and "Edge of Seventeen". Rudolph and Applegate have said they are fans of the singer.[citation needed]
After a few months' respite from the Say You Will tour, Nicks did a four-night stint in May 2005 at Caesars Palace in Las Vegas, and then did a 10-show tour with Don Henley. During the summer of 2005, Nicks continued the tour solo with pop singer Vanessa Carlton as the opening act, playing over 20 dates nationwide.
In October 2005, she attended the Melbourne Cup Week in Australia, and one of the horse racing stakes was named after her: The Stevie Nicks Plate. She used this opportunity to launch her promotion of an Australian/New Zealand extension to her Gold Dust Tour in February and March 2006. Nicks toured in Australia and New Zealand with popular Australian performer John Farnham.[48] She also appeared in concert with Tom Petty in June near Manassas, Virginia and at the Bonnaroo Music Festival that same month.[49]
In 2006, Nicks performed with Tom Petty and the Heartbreakers for the first leg of their tour in the summer, and later in the year returned as a guest performer for a number of songs on the tour celebrating Petty's 30th anniversary since his debut album. Tom Petty's Homecoming Concert in Gainesville, FL, which contained performances with Stevie Nicks, was filmed for PBS Soundstage as well as DVD release for March 2007. Nicks was also the featured performer for Bette Midler's benefit function, Hullaween, in October 2006.[50]
Beginning in May 2007, Nicks began touring with pop/rock artist Chris Isaak. The last Stevie Nicks/Chris Isaak show was June 17, 2007 at the Tweeter Center in Boston, MA. Nicks continued the tour solo, with Vanessa Carlton opening on some dates. The tour finished at The Borgata in Atlantic City on August 24, 2007.
In 2008, Nicks embarked on the Soundstage Sessions Tour in the U.S.
In 2009, Fleetwood Mac embarked on a global hits tour. The Unleashed Tour took place in arenas on multiple continents. The tour ended in December with two sell-out shows of 35,000 people at the New Plymouth TSB Bowl of Brooklands in New Zealand.
Rod Stewart and Nicks co-headlined The Heart & Soul Tour. Launched March 20, 2011 in Fort Lauderdale, Florida, the tour united the two singers for a series of arena concerts throughout North America – with performances in New York, Toronto, Los Angeles, Philadelphia, Chicago, Detroit, Tampa, Montreal and more.[51][dated info]
A solo tour for In Your Dreams began on August 9, 2011 in Denver, Colorado. Nicks announced on her July 27 appearance on America's Got Talent that Michael Grimm would be going on tour with her. She then continued on an Australian and New Zealand leg of the tour accompanied by Dave Stewart until December 2011.
In recent weeks, a series of summer 2012 dates have been announced as Stevie will reunite with Rod Stewart for another leg of the very successful Heart & Soul Tour. Dates announced are currently for arena concerts in US cities only, but further announcements are being released to the internet daily.
Dates are also now being advertised for a continuation of the 'In Your Dreams' tour, kicking off in June 2012 and calling at several US cities.
Nicks has started a charity foundation entitled "Stevie Nicks' Band of Soldiers" which is used for the benefit of wounded military personnel.[52]
In late 2004, Nicks began visiting Army and Navy medical centers in Washington, D.C. While visiting wounded service men and women, Nicks became determined to find an object she could leave with each soldier that would raise their spirits, motivate, and give them something to look forward to each day. She eventually decided to purchase hundreds of iPod Nanos, load them with music, artists, and playlists which she would hand select, and autograph them:[53]
She now regularly delivers these tokens of her appreciation, bringing her closest friends along to share the experience:[53]
In 2006, Nicks held a get-together to raise money for her charity work. Many of her peers made contributions. Nicks continues to develop this philanthropic endeavor.[54]
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Many celebrities - among them Courtney Love, Michelle Branch, Belinda Carlisle, the Dixie Chicks, Mary J. Blige, Sheryl Crow, Nadia Ali, Florence Welch, Taylor Swift, Laura Branigan, Sarah McLachlan, Kelly Clarkson, Vanessa Carlton, Georgi Cussick, Tori Amos, Michelle Hotaling, Jennifer Hanson, Ruston Taylor, and Delta Goodrem - have cited Nicks as an inspiration. She has participated in duets or provided guest vocals for several of their albums and some have returned the favour, notably Crow and the Dixie Chicks. The Dixie Chicks covered her 1975 classic "Landslide", which became a Top 10 hit (#1 on the Adult Contemporary chart) and a No.1 Hit on the Country Chart. Alternative rock band The Smashing Pumpkins made an acoustic cover of the song that was featured on their 1994 B-side collection Pisces Iscariot. The cover was a hit and made it to the top three on the Modern Rock Tracks chart in the US that year. She recorded a duet of "Santa Claus is Coming to Town" with Chris Isaak on his 2004 Christmas album Chris Isaak Christmas and sang with Isaak on his PBS Christmas television special. Other successful covers have included The Corrs' "Dreams", and Courtney Love's band Hole with "Gold Dust Woman". "Edge Of Seventeen" was sampled on Destiny's Child's 2001 No.1 single "Bootylicious". Nicks appeared in the video for "Bootylicious" and in an episode of MTV's Making The Video that featured it, in which she expressed her admiration for both the song and the group. Neil Tennant of the Pet Shop Boys has expressed extreme interest in working with Nicks. Lindsay Lohan covered "Edge of Seventeen" on her 2005 album, A Little More Personal. Deep Dish fulfilled their "Dreams" of working with Nicks in 2005 when Nicks offered to re-record vocals on a remix of her No.1 penned song, "Dreams". The Deep Dish version went on to reach No.2 on the Billboard Hot Dance Airplay Chart, as well as providing Nicks with her third UK top 40 hit. Nicks provided additional vocals and writing on Vanessa Carlton's 2007 album Heroes and Thieves. Carlton had previously been on tour with Nicks in 2005 and 2006.
The Dixie Chicks' cover of Nicks's 1975 song "Landslide" also earned her a BMI Songwriters Award in 2003 when it won "Song of the Year" (the award is given to the songwriter of the track, regardless of the performer). According to BMI, "Landslide" also earned Nicks the 35th Robert J. Burton Award as "Most Performed Country Song of the Year". This distinction is given to the song tallying the most feature US broadcast performances during the eligibility period. Included on the Dixie Chicks' platinum Monument album Home, "Landslide" was a Country, Adult Top 40, Hot 100 and AC Billboard charts smash. Nicks previously collected a Pop Award in 1998 for Fleetwood Mac's recording of the song, which has achieved Million-Air status with over three million airplays.[55]
On January 31, 2010, Nicks performed with Taylor Swift at the 52nd Grammy Awards. Swift, who describes Nicks as one of her childhood heroes, introduced her to the audience by saying "It's a fairy tale and an honor to share the stage with Stevie Nicks."[56]
On February 4, 2012 (the 35th anniversary of the release of Rumours), the group Mirabelle released Crystal Revisions, a tribute album consisting of Fleetwood Mac and Stevie Nicks covers.[57]
During the Rumours tour, Nicks had a relationship with singer/songwriter Don Henley of the Eagles. Nicks ended her relationship with Henley at the beginning of the Tusk tour in 1979.
Her only marriage was to Kim Anderson, the widower of her friend Robin Anderson, soon after Robin died of leukemia while Bella Donna was on the top of the charts. Stevie and Kim were soon divorced: "We didn't get married because we were in love, we got married because we were grieving and it was the only way that we could feel like we were doing anything."[27][58]
Until July 2007 Nicks lived in Paradise Valley, Arizona, a suburb of Phoenix in a home she had built in 1981 and shared with brother Chris, his wife Lori and their daughter Jessica. She announced in mid-2007 that her Paradise Valley home would be put up for sale, citing her aspirations to "downsize" and focus more on her charity work, and the fact that in the last year she had only "spent about two weeks there." The house was put on the market for a reported $3.8 million, and many fans, feeling it was the end of a major era in her life and career, tagged it as a "Kingdom Up For Sale", a line from the song "Gold Dust Woman". She also owns a home in Pacific Palisades, California.
According to a September 2007 article in the Daily Telegraph, Nicks says she is again selling her home, her recently purchased Pacific Palisades home (purchased two years before by Nicks, right down the street from a rental home she had for years in Pacific Palisades). She has said it is a "house for adults", "And even though I'm pushing 60 I don't feel that I'm that old yet." She will be moving to a penthouse apartment on the beach and the old house is already on the market.[59]
Beginning in 2007, reports surfaced concerning Lindsay Lohan's interest in buying the rights to Nicks's life story and developing a motion picture in which she planned to play Nicks. In March 2007, while promoting her album Crystal Visions, Nicks was asked about this rumor. Nicks told Access Hollywood, "That is completely insane and crazy. There is no movie in the works on my life. Nobody can do a movie about my life without me being involved, because nobody knows what really happened in my life until I tell them. So, nobody can make a movie about my life. And if anybody ever went and made a movie about my life without my permission and my being involved, I would slam it so hard to the press that it would never do anything." Nicks has gone on record to the New York Times as being strongly opposed to the prospect, and was quoted in 2009 as saying "Over my dead body. She needs to stop doing drugs and get a grip. Then maybe we'll talk."[60] She has since cleared up her comments and praised Lohan's talents.[61]
Stevie Nicks is known for her mystical image, her billowing chiffon skirts, shawls, layers of lace and long blonde hair. Margi Kent, a designer from California, has worked with Nicks since the 1970s to perfect her style. Perhaps the most famous part of Nicks's wardrobe is her platform boots. Nicks has worn suede platform boots in various colors, usually black, cream, tan or maroon in almost all of her performances since 1975. Standing at 5 feet 1 inch (1.55 m), Nicks has stated she felt a little ridiculous standing next to the much taller Mick Fleetwood.[62] For this reason she developed a penchant for 6-inch (15 cm) platform boots. "Even when platforms went completely out of style, I kept wearing them because I didn't want to go back to being 5 feet 3 inches (1.60 m) in heels", she told Allure magazine in 1995.[63] Over the years, Nicks has developed a style which she calls her "uniform",[64] which is best exemplified by the outfit worn on the cover of Fleetwood Mac's Rumours, perhaps the base inspiration for many of her costumes. Another trademark of Nicks's is a Dickens-style gentleman's formal top hat, which she began wearing in the late 1970s. During the early 1980s she wore Renaissance poets' velvet berets with plume feathers (as shown in the vintage photo used on the cover of her March 2007 CD release Crystal Visions – The Very Best of Stevie Nicks). In the late 1980s and early 1990s, she wore fashionable ladies hats on stage and to this day, often still sports a black top hat adorned with giant plumes.
Many of Nicks's shawls and capes also have an association with her songs in her live performances, many becoming as signature in live performances as the songs themselves. These include a red/crimson shawl for "Sara", white for "Edge of Seventeen", gold for "Gold Dust Woman" and black with round gold circles for "Stand Back". One of her trademarks is twirling across the stage with shawls flying during the interlude of her classic songs, notably "Stand Back" and "Gypsy".
Nicks has said that her vocal style and performance antics evolved from female singers like Grace Slick and Janis Joplin. She admitted inspiration when she saw Joplin perform live (and opened for with her first band "Fritz") shortly before Joplin's death. Nicks owns a strand of Joplin's stage beads. She also commented that she once saw a woman in her audience dressed in dripping chiffon with a Gibson Girl hairstyle and big boots and Nicks knew she wanted something similar. She took the look and made it her own.[65] Another important part of Nicks's image is her jewelry. Nicks typically introduces one signature piece of jewelry during each tour. Such items have included silver bracelets, crescent moon pendant, pyramid-shaped pendant, winged-heart pendant, gold crosses and, most recently, a Tiffany pendant with diamonds meaning "longevity." The crescent moon pendant is arguably the most iconic of all Nicks's jewelry – the original was bought while she was in England on tour with Fleetwood Mac during the Tusk era. Nicks then had her personal jeweler, Henri David of Philadelphia, make replicas of the moon pendant which have become treasured gifts to her friends. In recent years, celebrity pals such as Bette Midler and ice-skating star Tai Babilonia have been photographed wearing their "Stevie moons".
Nicks has even commented in interviews recently[when?] that she never would have dreamed that her trademark "Bella Donna/Witchy Woman" image would have been taken so seriously by her fans, often joking that she does not live her private life in her stage clothes and "Stevie garb" as many people seem to think. However, she greatly credits her career/stage image for its role in giving her a trademark that has made her unique and "timeless."
Stevie Nicks is known for her use of the Sennheiser MD-441-U5 microphone.[66] It was a frequent sight in Nicks's early tours. Also synonymous with Nicks's microphone are the items with which she chooses to decorate her microphone stand. Over the years, such items have included roses, ribbons, chiffon, crystal beads, scarves and small stuffed toys.[67]
Upon being asked in a question forum on her official website about playing the tambourine, Nicks stated that she began playing the tambourine upon joining Fleetwood Mac in 1975, feeling the need to do something onstage during songs that featured Buckingham or McVie. Like her microphone, her tambourine usually features scarves and/or streamers. Nicks's trademark tambourine since the early 1980s is in the shape of a black half-moon. The tambourine is sometimes silenced using tape. She has spoken of being embarrassed about handing President Bill Clinton a silenced tambourine when he joined Fleetwood Mac on stage.
A rumor that has trailed Nicks through the years is that she is a witch and is heavily involved in Wicca. While she admits to having a high regard for the mythic and gothic, she denies any solitary dedication to any one religion, including Wicca. She speaks about this erroneous image in a 2006 interview.[68] Nicks's music is copyrighted under the name Welsh Witch Music, a reference to her song "Rhiannon", which she introduced as "a song about a Welsh witch" in concerts between 1975 and 1978. In a Yahoo! interview on April 28, 1998, Nicks said of the rumor: "I have no idea what precipitated those rumors… I am not a witch. Get a life!" Nicks also stated in a 1983 Entertainment Tonight interview: "I spent thousands of dollars on beautiful black clothes and had to stop wearing them for a long time because a lot of people scared me. And that's really unfair to me, I think, for people – other people – to conjure up their ideas of what I am or what I believe in." In a 1998 Redbook magazine article, Nicks spoke of her faith, stating that she believes in angels and knows that she is alive today because "there was a God" looking out for her during her years of addiction.
Solo:
Stevie has been nominated for eight Grammy Awards as a solo artist, holding the record for most nominations for Best Female Rock Vocal without a win.
Year | Category | Recording | Result |
---|---|---|---|
1982 | Best Rock Vocal Performance By a Duo or Group | Stop Draggin' My Heart Around (with Tom Petty & The Heartbreakers) | Nominated |
1982 | Best Female Rock Vocal Performance | Edge of Seventeen | Nominated |
1984 | Best Female Rock Vocal Performance | Stand Back | Nominated |
1985 | Best Album of Original Score written for a Motion Picture or Television Special | Against All Odds (with Various Artists) | Nominated |
1987 | Best Female Rock Vocal Performance | Talk To Me | Nominated |
1988 | Best Performance Music Video | Stevie Nicks: Live At Red Rocks | Nominated |
1991 | Best Female Rock Vocal Performance | Whole Lotta Trouble | Nominated |
2002 | Best Female Rock Vocal Performance | Planets of the Universe | Nominated |
With Fleetwood Mac:
Stevie has been nominated for nine competitive Grammy Awards as a member of Fleetwood Mac, winning the 1978 Grammy Award for Album of the Year for Rumours, and received the 2003 Grammy Hall of Fame Award.
Year | Category | Recording | Result |
---|---|---|---|
1978 | Album of the Year | Rumours | Won |
1978 | Best Engineered Recording | Rumours | Nominated |
1978 | Best Arrangement of Voices | Rumours | Nominated |
1978 | Best Pop Performance By a Duo or Group | Rumours | Nominated |
1981 | Best Album Package | Tusk | Nominated |
1991 | Best Album Package | Behind The Mask | Nominated |
1998 | Best Rock Performance By a Duo or Group | The Chain | Nominated |
1998 | Best Pop Performance By a Duo or Group | Silver Springs | Nominated |
1998 | Best Pop Vocal Album | The Dance | Nominated |
2003 | Grammy Hall of Fame Award | Fleetwood Mac | Won |
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Persondata | |
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Name | Nicks, Stevie |
Alternative names | Nicks, Stephanie Lynn |
Short description | Singer-songwriter |
Date of birth | May 26, 1948 |
Place of birth | Phoenix, Arizona |
Date of death | |
Place of death |